#it has such a big significance to me

[liqhtenup]

Fool's dream

a little appreciation post for this incredible work of art we don't talk abt enough, made and posted by @kokorodzasysu on deviantart back in 2011

Fool's dream by KokorodzasySu on DeviantArt

[shimmershy]

Buttercups and Golden Flowers

[unnonexistence]

hermann thoughts: if i discredit newton and his approach enough, the martial won't give him the equipment for his kaiju drift, and i can protect him from himself. if he despises me for it, so be it. there is little i wouldn't sacrifice to see him safe.

newt thoughts: this is a Best Science competition and i have to Win

[1doesnotsimplyhavejust1fandam]

We moved on from Buck being the one to meet Kim at the station too fast. Way too fast.

Because hey, what would you do if the dead wife or a doppelgänger dead wife of your best friend-partner-almost love of your life showed up at your place of work with brownies? Would you ignore the date you scheduled in favor of driving over to your best friend’s place to knock urgently on his back door because you’re so afraid that something is happening to him. And you know that something is happening because the doppelgänger of his dead wife just showed up to the firehouse with brownies like it was just another Monday. You think you might have to push him to talk, but it feels more like your best friend was just waiting for someone to see him, and he is just as dumbfounded as you, and maybe even as scared for himself as you are for him. So you tell him that he needs to break it off with the doppelgänger of his dead wife, but you know that it’s more complicated than that, your best friend’s feelings, even though you trust him to do the right thing and end it with her. But you’re still not through the shock of seeing the doppelgänger of your best friend’s dead wife standing in the fire station, heart beating, lungs expanding, and so you think that maybe your best friend is still in shock too, and you don’t want to push too hard at his grief-wound. So you leave it for now, and you don’t come back to it until it blows up in your face, and your best friend’s face, and his son’s face too.

So yeah, I��d say that Buck probably has a lot of regrets too about the Kim situation. He’s a fixer, no matter how hard he tries, and they lost the kid both of them love more than anything over the situation. You can’t tell me that Buck hasn’t been screaming crying throwing up about it since May. Fuck that.

It doesn’t matter that we don’t get characters’ inner thoughts (usually) on this show. Buck met Kim, and he talked about it with Eddie twice. That’s crazy. That’s certifiably insane. It’s been six months. The midseason finale is tomorrow. There is no excuse for Eddie and Christopher still not speaking. This is no excuse for Buck and Eddie still never discussing Kim or at least Chris leaving. These characters are not meant to be this horrifically repressed. It is strange. It is out of character. Kim showed up for about four episodes and disappeared into the ether. I want to know what the hell is going on with this storyline.

[siriusfelis]

Guhhh

[pigdemonart]

Drawings of some Rosarios and a beloved Fatima @bunnyangelart

The bottom pic makes me the happiest! Bunnii and I had mused ideas of the four of them having known each other in school as kids, and the idea stuck enough it became canon. Also any time drawing baby Adrián before he lost is eye is like u_u ….. mm

OH before anyone asks, Mani was asked to be the school mascot. It’s not his fursuit!!!! Realistically if anyone would have a fursuit, it’d be Adrián…….And Fatima (shes a warrior cats kid)

Patreon | Ko-Fi

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.

[thatcatbasil]

happy valentines-day-was-actually-yesterday-and-not-today day take these dorks kissing

these next two are actually from last month but i threw them into my drafts and forgot to actually post them so i'm including them here

[necrotic-nephilim]

PLEASE MAKE A MASTERPOST I watched titans Just for the gay shit and it delighted me. and then Hush and Titans Tower and then the GK game.....there's so much

THE WORST PART IS MY TAGS GOT CUT OFF ON THAT POST. i had other tags talking how absolutely gay JayTim comes across in Titans, in the clips i've seen. having Jason save Tim and then go on to train him is... an interesting direction to go with them but the clip was so gay i had to send it to my partner so they could witness it. had the classic "let's go a few rounds" shit and *everything*. like it was baffling and if it wasn't "batcest" i do think it would've taken the fandom by storm as a ship. i have stopped and started that show at least three times bc i always get too frustrated to get past s1, but for JayTim, i think i gotta.

making a masterpost of every significant JayTim relationship throughout DC media wouldn't be *too* hard, i feel like. i've done one focusing just on the New-52, and i've covered all the pre-Flashpoint ground through various posts here. ironically the hardest thing would be Rebirth, because i can't think of many Rebirth era comics i've read with them significantly interacting outside of Robin: Knight Terrors. and i'd have to actually get through Titans.

also for the sake of completion, Wayne Family Adventures would probably get its own section. which is the real torture for me bc i have beef with WFA.

but. i *could* do it. and it would take me like a month, it'd be such a fun pet project. i think exploring what seems to be a recurring consistent theme across every universe could be incredibly fascinating. what similarities and differences exist and what tends to cause those similarities and differences. it'd be a magnum opus. but more chaotic. and gay.

anyway you're right. now i gotta. it'll take me three business weeks to catalog all of it and also add meaningful commentary. but i can and i will.

[leslieseveride]

"hyacinth, i do not think penelope can breathe" → "i cannot breathe" + the clock chiming after penelope passes out, ergo.... she does indeed actually stop breathing.

[trashiiplant]

yet another drawpile dump. this time with the ouchies

[starmist]

To me Alchemy of Souls is very much a “they’ve been dead from the beginning” story

Like,,, Cho Yeong died that day with the rest of her family, Master Lee declares her dead and Kim Dojoo even holds a jesa for her.

Naksu dies, if not the moment she shifts her soul/has it stolen, then in ep18 when she lets go of the ice stone and chooses to live a normal life. She herself even says in ep5 that “now Naksu is also dead”.

Hell, she even lives as essentially a vengeful ghost. A cold and empty existence, her only purpose to avenge her family. The entirety of s1 is about her learning to live and want to live which is what makes her fate so tragic.

Jin Buyeon died in the womb and later, the girl that was born through the power of the ice stone, is thought to be dead by everyone save for her mother.

(Nice parallel of Cho Yeong & Jin Buyeon where Jang Gang, like Jin Ho Gyeong, obsessively looks for a little girl thought to be dead by all but him, because of his grief and guilt)

And even her name belongs to a woman’s dead granddaughter. Though I’m only looking at this through a s1 perspective, Jin Seol Ran, Jin Buyeon’s original identity, has also been all but dead for centuries.

A twice over dead girl, inhabiting the body of another dead girl, uses the name of yet another dead girl, and shares a body with a two centuries long dead woman.

She was never going to survive. How much she changed, everything she did, was all futile in the long run because she died long before the story started, there was never any saving her, she was dead from the very beginning.

[imavikingo]

Everytime I look at Tumblr and see the tl I remember why I hate endgame with a passion you couldn't understand.

They fucked up Steve and Bucky so bad (yes, Bucky too bc suddenly he doesn't matter/isn't even a secondary character that deserves to be near Steve)

It's so funny to me (not) bc they talked about gay characters being in the movie at panels and interviews and even talked about Stucky at some point (basically queerbaiting) for then... Steve not even acknowledging Bucky. An awkward and impersonal hug doesn't cut it.

And Steve suddenly yearning and talking about Peggy? When he didn't even mourned her that bad and already had let her go ages ago? They knew they fucked up in CATWS with Steve and Buckys relationship, so they tried to distance them and then inserted Peggy bc ofc

(they possibly didn't have the time for a new character and they already had fucked up pairing Nat and Bruce and Wanda and Vision). Steve didn't have anyone else he cared about so they couldn't give him a new girlfriend. So they used Peggy AGAIN.

I'm not mad bc "Stucky not canon grr"

No.

I'm fucking pissed off because they did the worst character assassination and friendship assassination possible. Every movie of Cap America revolved around Steve saving Bucky at some point and him caring about him above all else, and you want me to believe that Steven Grant Rogers didn't care about him when Bucky died in front of his eyes? AGAIN? That Peggy's death was more important and impactful for him? If that was the case then why the fuck did he crash the plane then? If he cared so much about Peggy since forever?

No, that was just lazy writing and a way to reinforce Steve's sexuality "He can't be gay and you can't say that bc he LOVES PEGGY"(even tho he only kissed her once, even tho he crashed the plane and didn’t give her the coordinates, he didn't really care that much after all) they could have paired him with Nat in later movies, but they didn't.

That's why I only raise my eyebrows a lil when people say that x character will be gay canonically in a marvel movie/series. Is more than possible they won't. And if they are they're Deadpool, a secondary character no one cares about (obscure in lore too, so they can cut them off) or is plain queerbaiting again (because yes, even if you don’t see Steve and Bucky’s relationship as romantic, they DID QUEERBAIT IT)

Steve and Buckys relationship wasn't even written in a romantic way (you can ship them or not), but they tried so hard to rectify Steve's heterosexuality in endgame, that they fucked up their character arcs on purpose. And now they will always feel hollow and inconclusive. A bad taste in the mouth, a painful reminder of what it was and a what? 11 year long? characterization.

Idk man, I know I've talked about this more than three times, but omfg Tumblr reminds me why I hate that fucking movie!!! It's not my fault!!!

I know I'm going to end up writing something out of spite bc I can't take it shdkdjjcif

"It's been more than 4 years get over it" NEVER

Also the bit with Johnny Storm in Deadpool and Wolverine was also a dig (a fuck you if you will) to the fans bc Deadpool explicitly calls him Cap. And it implies that Steve as a character (not that old Steve nonsense) won't be back.

It's funny they've remade over and over again some movies (Fantastic 4, Spiderman) changed actors for characters (James/war machine, Bruce) and they include them in the multiverse/plot, but they won't do the same to some movies and some characters when they fuck up their stories, because they know if they do, they will have to acknowledge WHY they did it. Like with James/war machine changing actors.

So yeah, that's one of the reasons I don't care about Marvel anymore.

**I mean remake the movies ((Also they Can't remake Cap America bc that would mean they need to remake every important movie. And they don't have the time, the money nor the need. So that's why they decided to fuck their character arcs))

or include some characters in multiverse (they're going to do that with Tony/RDJ/Dr Doom after all, no?) and they also won't remake Cap bc the movies are amazing.

But the point stands. Steve couldn't be in DaW bc that would imply he's an alternative one or that Old!Steve was an alternative one or wasn't even Steve to begin with. But they couldn't do that ofc, no, bc that would give the fans hope in seeing Steve and Bucky together once again. So they did a dig at the fans bc "haha you thought it was Steve, but it's Johnny!"

Idk if I'm making sense at this point I'm tired af, need to sleep.

The thing is that they fucked up Steve Rogers's arc on purpose (Bucky's too, and others charas too tbh) and now they expect the fans to accept everything they give us with open arms. And imho I won't accept shit.

"Deadpool saved the MCU" how? If the other og characters are DEAD or they fucked them up too? Or are the butt of the joke now? Don't make me laugh. Most people don't gaf bout the new charas bc they only are presented in series not everyone watches (only available in one place) or are presented with characters that are dead now or as a replacement for the og characters. They aren't interesting on their own (not really, at least in mcu) and that's why most of the new stuff isn't liked as much. If they wanted to present more characters the opportunity passed already.

Also now if you want to watch and really understand 1 movie (if you don't read the comics too) you need to watch like 20 other movies and 5 shows. it's fucking exhausting.

[ct-multifandom]

I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.

It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.

By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.

Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.

[incesthemes]

it's so significant to me that do you believe in miracles paralleled all hell breaks loose specifically. because ahbl is the first time dean violates sam's autonomy to bring him back to life. it shows the extreme lengths that dean will go to protect sam, and despite all the other times dean has ignored sam's personhood in his pursuit to keep him alive, this is the moment in the show that fully exemplifies just how codependent these two really are, because there's an entire season dedicated to the consequences of that codependency.

so for dybim to take that imagery and scenario and reverse the roles means that this is supposed to be just as indicative of their codependence. it's a threshold that will have major consequences because sam crossed over the point of no return. there's no going back from choosing unhealthy codependency with your brother, the show is signaling. dean is sam's ultimate decision—he doesn't choose himself, he doesn't choose independence, he chooses dean, and all that that entails. he probably only realizes that all of his posturing about autonomy was a lie at the very moment he says it out loud, but once he's finally honest with himself it's a done deal. just like dean can never go back from his deal for sam's life, sam can never return to any point before this moment. he's in this relationship for good, and he wants to be codependent with dean; that's his decision.

and this is why soul survivor hurts so bad. because dean, like sam in season 9, declares that they're not family, not brothers. the role reversal continues, and sam is now suffering all of the pains he unwittingly put dean through by trying to maintain boundaries between them. now that he's realized he can't handle having those boundaries, any distance between him and dean is too much. here sam is, violating dean's autonomy and saving him against his will, just like dean has done to him so many times before. here he is, listening to dean reject him over and over again, like a parody of all sam's attempts to extricate himself from dean. he's on the other side now, staring down his brother and seeing his past self within him.

9.23 to 10.03 is just a speedrun of the previous 8 seasons but in reverse, with sam enduring the suffering of being in dean's position. and how tragic is it for sam to finally commit to his codependent relationship with dean, only for dean to leave him the moment it happens? how must that feel, for him to finally return his brother's feelings in all their toxic and fucked up glory, only to lose him in the worst way? to have all of his own words shouted back at him with the cruel intent to hurt—jesus christ. how am i supposed to cope with this in any normal way?

[kizzington]

Not aiming this at anyone specifically, but I’m genuinely so disappointed & annoyed at the fact no one in my real life circles bothered to reach out to me to check up on me regarding the recent Liam Payne/One Direction news.