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water-of-the-womb · 3 months ago

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hi as another incest loving supernatural fan ... ^_^ all of the above 1-14, this is ur excuse to ramble all about your spn self insert & the incestuous ship dynamics... (im a fellow spn self shipper with complicated & dark themes involving my self ships, mostly lucifer & jack!)

YIPPEE!! YAY!!! FELLOW INCEST-LOVER AND SPN SELF SHIPPER!!! Very excited!!!!! I’ll answer for Dean and Sam 🤗

1. what kind of shipcest is your selfship? are they a parent, sibling? blood related, adoptive, found family?

Half-siblings, technically. John is all three’s dad, but they have different moms! It’s also why Dean’s 9 years older. John didn’t see anybody after Mary until Sam was 5, thus the significant age gap (26, 22, 17).

2. do you view each other more romantically, more familially, or both equally, always entwined?

Dean: Definitely familially. The relationship was built on very… shaky foundation, thanks to John shuffling Wren around even more frequently than Sam and Dean. To Dean particularly, being Wren’s big brother is incredibly important: we’ve all seen how he is with Sam. His identity in the family dynamic has always been responsibility over the younger siblings. This has, of course, caused a lot of discourse and pain when it comes to romantic feelings: he has used the “you’re my brother, not my girlfriend” defense when Wren or Sam show discomfort at him sleeping around. It’s also how he kind of punishes himself for the strong incestuous desires that plague him, even when HE is the one acting on them. In his defense, he eventually gets over it.

Sam: While slightly skewed towards familial, he’s more of the “both equally” brother than Dean is. Him losing Jess probably has something to do with it: he lost one person he loves, he doesn’t want to have any more regrets. Also, have you seen his puppy eyes? Jesus. If he says romance, it’s romance, how could you say no to him? Dean tries, Wren doesn’t.

Wren: Always equally… even when they wish they didn’t. They always worry that they have more invested into both the familial and romantic aspects of the relationship, that one day Dean and Sam will move on to somebody else and forget about them. To them, though, these boys are IT. They are the ONES. If they don’t work out, they don’t want a relationship.

3. are you drawn to the incest of the relationship itself, or is being related simply circumstantial?

I wouldn’t say any of the three are drawn in specifically because of the incest. If anything, the incest puts then off at first. Also Wren’s age, like that really freaked Dean out how okay his body felt about being attracted to his youngest high-school-age sibling. It’s only after a lot of near-death experiences and other more pressing issues start falling on them that they speedrun being okay with incest. (And, I mean… come on. Soulless Sam, Demon Dean—they had some help in becoming Incredibly Pro-Taboo)

4. how does it affect you, your f/o, or your relationship that incest is a forbidden taboo? is there guilt, shame, a feeling of loss?

Dean: Absolutely a lot of guilt and shame. “I’m the oldest, goddamn it; I should be protecting Sammy and Wren from guys like me.” Distracts himself with women because, you know, totally opposite equipment to what Sam has, and more cleavage than what Wren has. Anything to not think of them. However… he’s the worst offender of pushing boundaries even though he knows it’s wrong. Like he can’t stop himself, like a self-aware gambling addict, perhaps? “I shouldn’t be doing this but god I want them…maybe just this once,” over and over again. The shame still kinda lingers, after the relationship officially starts, feeling like maybe he’s taking advantage of them. And, god, what would DAD say? Actively doing things with Sam and Wren are good distractions for him, though.

Sam: Mm, a bit at the beginning. He was still mourning Jess, so he did admittedly attribute his weird attraction as like a symptom of his mourning—which disregards how Dean was his sexual awakening, and how attractive Wren was growing up to be. He’d get over it faster than Dean, and he likes to think he doesn’t care how John feels anymore. It’s not quite the truth, but he went to college despite the fight, yeah? So when he sets his mind to something, he follows through.

Wren: There’s definitely some issues there for them, but it’s mostly just… They are afraid that their brothers will be bothered by it, if not now, eventually. They also don’t think they can talk to people about it—they hate keeping it a secret, but for different self-esteem issues, they suppose that they always expected to be hidden.

5. do you ever wish you had a "normal" relationship? do you wish you could go back to just being family, or wish you weren't family to begin with, free to openly love each other? or would you never change a thing, not wanting to sacrifice either role in each others lives?

Dean: Absolutely he does… but, hell, the incestuous throuple he has going on with his brothers is somehow the happiest and healthiest relationship he has ever had. The whole “keep your mouth shut about the family business” stops being a wet blanket when dating because… you’re dating the family… they already know. In that regard, he finds comfort in things being the way they are: he has to admit if we weren’t related, we wouldn’t work out. There’s also the fact that he wishes Sam and Wren, at the very least, didn’t have to live the life John set them out on. He feels the incest was a product of that life. I would agree.

Sam: Sometimes, yeah, it’s hard because if he’s around people who know the three are related, he hates holding back. He’s a lover! He wants to act like one! Later seasons Sam eventually stops caring. Again, he’s almost lost Dean and Wren multiple times. He doesn’t have it in him to care what others think.

Wren: At most, they wish they weren’t Winchesters. They wish that Sam and Dean could live long, healthy, happy lives. Wren doesn’t ever wish they weren’t related, though, because they believe their brothers wouldn’t be attracted to them in a normal world.

6. is there an existing power dynamic, and if so, how does it affect the relationship?

Dean is bossy!! Because he is the eldest by a significant margin. It also makes him kind of… not take Wren seriously, because they’re 17, and “haven’t fully developed their brain”, “they don’t know what’s best for them yet”, blah blah blah. Sam’s a good foil to knock some sense into Dean, to make him stop treating Wren like a child and start treating them like an actual romantic partner. That being said, even Sam steps in to take charge when it comes to Wren. Wren doesn’t mind when it comes across more like the dom of the relationship as opposed to “the parent to their child”.

7. if there's an age gap, how does it affect the relationship? are there differences in maturity? does the age gap cause issues, socially interpersonally?

Dean: Ohhhh yes there is. He’s 9 years older than Wren and 4 years older than Sam. It’s not as big of a problem between him and Sam because Sam has more maturity and experience in certain aspects of life that gives him level-footing to Dean. But with Wren? Phew. Kid can’t even legally drink yet. Now, strangers don’t always immediately clock that, especially when Sam’s around, because it makes Dean look shorter and almost, sometimes, possibly younger than he looks. However the way he dresses kinda makes him seem older, too, so they can clock the age difference pretty quickly; most people pretend like they don’t see it because, well, they don’t want to see it.

Sam: Sam’s closer to Wren in age, only five years older, which sounds like a lot but compared to Dean it isn’t. Sam has kept in near-constant contact with Wren, so the age gap and experience difference doesn’t really seem so bad between them: Sam certainly doesn’t treat Wren as if it does. Sam has told Dean before, “I dunno, Dean… They’re pretty mature for their age” and Dean has never did a double-take as hard as he did in that moment because it certainly doesn’t sound like something you wanna hear your brother say about a teenager. Anyway, Sam and Wren feel like they can talk to each other, so between them, personally, it doesn’t cause any kind of issues that Sam’s older.

Wren: They feel babied, a lot. Sometimes they don’t think their brothers take them seriously. Sam’s not as bad, but he has his moments that make Wren feel smaller than they already are. When it comes to Dean, sometimes they feel like they’re walking on eggshells. They always had the feeling Dean resented them to some degree, so as mad as they may feel when getting bossed around excessively, they don’t want to make Dean hate them. In Dean’s defense, he may have felt that way as a kid because John was “unfaithful” to Mary and now Dean had to deal with it… but he really, really loves Wren. Maybe too much.

8. is the relationship toxic, abusive, or healthy? who is toxic, and in which ways? how does it affect the relationship?

I wanna say overall it’s healthy? Dean and Sam have their respective traits that some might see as toxic or, at the very least, questionable. I just think, after Jess of course, this is probably the healthiest relationship Dean and Sam have ever had, and Wren…has no other experience, so they latch onto the fact that their big brothers are so good to them. It gets healthier and stronger over the course of the series.

9. how did the relationship start? who confessed? was it gradual, or did it finally explode out after years of repression?

It was definitely a final terrific explosion after Dean represed everything for years. Did he sometimes push boundaries and toe the line? Yes, but rarely in a way he couldn’t act like it was for an innocent reason (example: getting too touchy-feely during episode 11 because the town thought Wren was his fiancé and he wanted to milk it for as long as he could). But for as much guilt as I say he has over everything—I think he made the first move, genuinely, because he had bottled it up as strongly as he did. Clearly the eldest brother was Sam AND Wren’s sexual awakening and first crush, and they became attracted to each other as well, but nobody was acting on it. Wren and Sam knew deep down that if Dean didn’t initiate, he would never allow himself to be loved, because he would only see himself as a third-wheel charity case if they tried. It HAD to be Dean.

10. does anybody else in the family know? how did they react? do you plan on telling them, or will you take it to your graves?

Well�� the only other people considered family enough to tell would be:

John, who, yes, knows as has done Things Himself and is not remotely innocent of many things, incest included. There’s more to the reason why he doesn’t have Wren around in season 1 than just “it’s dangerous”.

Bobby, who almost instinctively wanted to beat some sense into Dean and Sam but ultimately decided he couldn’t stop them because Wren would just run away. And, besides… *gestures meaningfully to F/O list* He… comes around to the idea when he has to accept that Wren is a magnet attracting people to them like the planets orbitting the sun.

Missouri, who is like Wren’s surrogate mother. She can read their minds, so it’s impossible to keep it a secret. She was upset, but Wren talked to her, and she then took it upon herself to talk to Sam and Dean separately. She came around eventually.

I feel like it’s important to note that the incest is literally the least of everybody’s concerns as time passes and more crises fall upon the Winchesters and the world as a whole.

11. how do you, if at all, keep your relationship a secret from your family & society as a whole? does it get difficult? have you ever accidentally 'let on' more than you wanted to?

I mean. John being absentee father of the year and only have each other in that car really, really helps keeping it a secret from their only surviving family. John hasn’t been around long enough to look to hard at any instances of them slipping up and being perhaps a little too close. Besides, what’s he gonna compare it to? He has no baseline for normal because of how he raised his kids.

Keeping it a secret from society is… like 50/50. Wren looks a good deal like Dean in the face, but if you don’t wanna see it, most people probably overlook it, especially when Dean’s got an arm around Wren, hand in their back pocket. That usually immediately shuts the “they must be related” conclusion down and they rightfully assume this is just another couple. Incest isn’t really the default, after all. Sam’s a little easier to get away with, especially when he keeps his hair adorably shaggy. Parts of him remind me of Mary for some reason, I like to think he took more after her, so nobody can connect him to Wren. And, well, people constantly think Dean and Sam are a gay couple, so. No problems on that front.

12. what are some subtle ways you show how much you love each other, when in a situation where you can't be open about your relationship? how subtle or obvious is it?

Dean: He’s pretty good about being subtle when necessary, actually. In front of strangers is one thing; in front of John? Absolutely nothing. He almost looks like he’s in pain with how much he fights the urge to even look at Sam or Wren in front of their dad, because he’s so sure John would immediately know. He’s not very good at being a boyfriend in those moments because he’s doing such a good job at acting like nothing’s up. The most he’ll allow himself is bumping shoulders gently and joking around, you know, like a big brother normally would.

Sam: Christ almighty he’s shit at being discreet when he’s whipped as bad as he is with his siblings. Those fucking PUPPY EYES. God. His touches linger almost as long as his gaze does. Leans in close to whisper in their ears to check in or say something that would be wildly inappropriate to say out loud.

Wren: Their entire love language is based around subtlety. They want, always, so much more, but they don’t know how or when to ask. They graze their fingers across the boys’ skin, trace symbols on their backs or just rubs across the expanse of muscle when nobody watching them. Sometimes—most of the time—they feel like nobody watches them. They also do acts of service, from something small like grabbing Dean a beer or making rock salt buckshots for Sam’s shotgun, to something significant like weaving together protection charms on thick leather bracelets or stuffed into shirt and jacket pockets. Small things to show that they care that they could get away with as the “baby” of the family.

13. do either of you get jealous? how does the incestuous nature of your relationship impact that jealousy? do you get jealous of other family members? more or less jealous of people unrelated?

They are all three crazy jealous, but only of other people butting in, rarely ever of each other. Before the relationship, sure, they were jealous watching each other interact, wishing it was them, wishing they had that kind of relationship, etc. But now that all three of them are in a committed relationship? There really isn’t much to be jealous over, unless it comes to personal character and not the relationship itself. Sam and Dean can get crazy jealous if John touches Wren, though. Probably the one thing Dean draws the line in the sand for. And anyone they meet on their travels? Do NOT!!!! touch their siblings. Don’t flirt with them, don’t check them out, don’t even stand too close, or you will be nudged away by a solid wall of muscle.

14. do you plan on having children together, by blood or by adoption? Will you be open with your children that you're related, or will you keep it a secret?

NO. Neither Dean nor Sam are particularly eager to jump into inbreeding. That aside, they don’t live a life that’s great for raising a child. They practically live in the Impala and motels, and Wren is cramped enough in the backseat as it is. They don’t need another body crammed in there. Besides, the Winchester family lives a very dangerous and targeted life. Nobody really wants to bring a baby up into that.

Sam sometimes wishes he could, you know, when he’s sitting and thinking about how fucked his life has become just because of the family job. It’d be nice to have a normal life, and while he has a selfish streak—all the siblings do—he wouldn’t consider himself selfish enough to do that to an innocent baby. God forbid anything happen to Wren just as Sam lost Mary.

Childbirth scares the shit out of Wren, so no, they have zero interest in kids. To be fair, they are also 17. They don’t have any interest in adopting, either, but maybe when they’re older.

#🥀dean #🥀sam #proselfship #proship selfship #shipcest selfship #freud would have a field day with dean specifically i think #man who pushes and pushes until someone nudges back and suddenly he wants to jump off a bridge #sam is so exasperated

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moondane-lovers · 11 months ago

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✍️🤪🥰😡🌦️🏷️❤️💞☕️🛌🪐💘🙈💌👀 4 the canonical ask game since u said you wanted it ~ ⋆⁺｡˚⋆Generous Anon⋆˚｡⁺⋆

youre a madman. you are. everything i have ever wanted. i'm doing this for both my s/i's because i just. i can. you are my hero.

SPANDAM

✍️: Overall, how does the fandom trait you? Are you a beloved character, or hated? Are you popular, or a minor side character? Anything in between?

Definitely more of a side character. There's a lot of uh. weird dudebros in the fandom that despise LQBTQIA+ characters so I feel like that group would hate them, while the fellow queers would probably find them pretty neat. Definitely more of a side character, all things considered.

🤪: What is your trait that fanon would exaggerate?

The autism. DEFINITELY the autism. Also, Pluto is genuinely devoted to her work as a cleaner, but I imagine that would be misinterpreted as “i love to clean!” Instead of “this is what I do, i’m just good at it.” If glossed over.

🥰: How would someone who loved you portray you?

I don't really know. People in the fandom use a lot of words for their faves. Great autistic rep? They/She icon? Tough ass underdog who deserves the world? I just... don't know. Very positively I imagine, with heavy emphasis on the less obvious bits of symbolism and story hints that are present? Probably loved by the over analyzers.

😡: How would someone who hated you portray you?

Annoying, failed tradwife material that was turned into a “stupid gay" who got written in to make Spandam less hateable, or getting in the way of other ships (this is incorrect)

🌦️: Would you be accompanied by mostly fluff or angst fanfics? Both? Explain why.

I feel like a mix of both? There's a lot of brutality and pain that can be grabbed from their backstory and youth, so it could go a number of ways depending on what's focused on.

🏷️: What is you and your f/o’s ship name?

I haven’t thought of this, myself! Pluspan? Spando? Coffeemops? Who knows. I imagine there would be a bunch.

❤️: How popular is you x your f/o? Are you a rarepair?

Considering Spandam isn’t a very popular character and there is already at least one minor fandom ship with him, not a rarepair since canon but probably not like, popular. A niche ship. Definitely a few specific superfans who churn out fanworks.

💞: Aside from with your f/o, who else would you commonly be shipped with? Why?

Probably Jabra, Kumadori or Fukurou, since there would be canonical flashbacks of them interacting with the three during her time in Enies Lobby, and she was friendly with them and able to handle their antics. Especially among the “they deserve better!” crowd.

☕️: What are the most common plots of shipping fics between you and your f/o?

I imagine a lot of fics would involve their time at Enies lobby and the happenings then. That and timeskips/post-ending fics, since there’s not a lot to work with between what would be given.

🛌: What tropes show up in fics involving your ship?

Definitely forbidden love, one sided pining and a lot of slow burn. I haven’t thought about this one much. OH, hurt-comfort and whump.

🪐: What would be your most popular AU and why?

Hear me out. Arranged marriage or royalty aus. I just feel it. I don’t know why, but it feels like those would be all over the place. Also! Aus where they stayed at Enies lobby during the actual arc and buster call, for maximum angst.

💘: Why would people love your ship? Why would people dislike your ship? How might it start debates?

People would love it for its nuance and deeper story that is hidden in the “show don’t tell” sort of presentation, as well as it being an unexpectedly healthy outcome. People would hate it because 1: spandam, 2: you gave the queer rep to spandam? 3: They deserve better

Debate wise oh my GOD I feel like somehow discourse would start from some dumb reason to call it problematic or the really weird new “two grown adults have an age gap” argument. (And no, I’m not referring to the very much questionable the middle aged man/woman creeping on a freshly 18 year old thing, that weird me out too.)

I think overall, they would have an older fanbase.

🙈: Why would your ship be thought of as cute/fluffy? Why would your ship be considered problematic?

I mean, this is Spandam. There will be people who will automatically see it as “he doesn’t deserve them” or with critically low media literacy, “him having a love interest is problematic”. Outside of that, I feel like the people who like it would see it as pretty wholesome and hopeful with the dynamics.

💌: How would your dynamic be portrayed? What might people focus on most? Any misconceptions?

I feel like the dynamics would be very easily misconstrued due to how... you know, shitty Spandam is in canon. Their relationship is strange and complex but healthy and structured, just contains a long winding road to get there. Mischaracterization of either would definitely lead to assumptions about the relationship. As for focuses, I feel like power dynamics would hold a big part.

👀: How does your ship with your f/o influence both of your characterisations and the world? Would there be any interesting metas written about your dynamic?

Spandam would definitely have more apologists thanks to their interactions, his overall characterization is definitely less brutal as his actions would have some more lore behind them and be less harsh due to the positive influence of Pluto, but he's still a huge shit. Meta wise, I feel like people would absolutely tear into Pluto's willingness to accommodate him and how that changes him as time goes on. On pluto's side, autism in relationships would be a big thing to analyze with the way they act.

OUGHHHH ITS DONE I'LL DO GULDO LATER

#asks #self ship community #long post #s/i #ive been working on this for AGES LMFAO #selfship headcanons #lore #finally posting something #my stuff #👑Gilded Wastebasket🧹

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hashtagloveloses · 3 years ago

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so are you back on tumblr after a while or you're new? welcome! it's a lot nicer here lately, and, shockingly enough, the website actually works a lot better too, thanks to the hard work of a bunch of very talented people. the mobile app is constantly improving, but if you're on desktop and used to use things like missing e or xkit, the latest helpful extension is XKIT REWRITTEN, which you can go download and read about at @addons that was created by @april, who worked on new xkit back in the day and now works at tumblr itself!

here's some other helpful tips to know:

PLEASE REBLOG THINGS. it's the main form of engagement here. there is no penalizing for spam interaction, most people are not looking at your blog directly, and it is the main way people find you and you find good content to follow. for original content like fanart and fanfic, it also REALLY helps people out. likes are better for like, personal posts, and for storing things for later. also, it doesn't matter if you blog is a jumble of things - it's yours, nobody cares, and that's kind of the purpose of the site

MAKE SURE YOU HAVE A PROFILE PHOTO, BANNER PHOTO, AND UNIQUE URL (that isnt like a bunch of numbers or something), or else people will think you are a bot and block you. you don't have to do anything fancy, you can use the default tumblr theme on your blog itself, but just make sure you look like a real account PLEASE

DO NOT CENSOR WORDS. much like on twitter, if you censor a word for a trigger, it will do the opposite of what you want - people's blacklist and mute functions won't work if the word isn't spelled out in the tags or the text of the post. also there isn't post suppression here.

Don't like your dashboard? Getting bored? Feel like your community is getting annoying? JUST FOLLOW MORE PEOPLE (and maybe unfollow some. a block and an unfollow are always ok). nobody cares, or can see about your follow ratio, and it'll help your dashboard feel more lively (you'll also not give as much of a shit about petty dramas). the follow limit is 5000 last i checked

keep your comments to the tags (unless it's like....really funny or adding something good? use your best judgement). the tags are helpful for subject matter, but you should also use them to talk as like side commentary!

Close your ask box to anons and don't share personal information if you don't want to. You are under no obligation to share your name, age, diagnoses, history, location, face, and you SHOULDN'T. and the ask box is great but if it gets overwhelming just close it. If you're a minor, maybe say somewhere that you're a minor, but that's it. (that goes for any social media site)

MAKE YOUR LIKES AND FOLLOWS PRIVATE. for the love of god. just protect yourself.

just like any social media site - be critical about the things people claim are true on here. screenshots, takes, facts, can be skewed and you should do extra research before believing anything just because somebody said it on tumblr dot com

DON'T GET INTO QUEER OR NEURODIVERGENT LABEL IDENTITY DISCOURSE. whether you are young or old, on tumblr or another site, things will just get confusing and weird. if you learn something here that makes you feel affirmed, great! but also please make sure your interaction with fellow queers (or other neurodivergent people) is not limited to just this site. get involved with a local or school lgbtq center if you can, get to know queer people in your life or queer spaces if you can. (and if you can't - go read about queer history somewhere other than tumblr. do research, watch movies and documentaries. look into disability organizing and history outside this hellsite). Label discourse is also how many unknowing queers and others get recruited to T*RFy shit unknowingly so....be careful out there.

Don't get guilted into things on your dashboard. You should definitely care about the things people are talking about, but you don't have to know about every ill happening in the world at once to be a good person. If you're feeling lost, or hopeless and endlessly scrolling or feel guilted by people online, pick ONE thing you can do, for people in your local community, and then just make a reasonable effort to stay informed otherwise.

create an original tag for your "original" posts, aka the posts you make that aren't reblogs, so you can look at them later

explore the QUEUE FUNCTION! you don't have to use it, nobody cares if you reblog spam, but sometimes it's fun!

Don't know who to follow? Go follow the tags of things you like (TV shows, movies, musicians, aesthetics, whatever!), and suggested posts will pop up on your feed, or you can go through the tag and follow some people who look interesting

#tumblr tips #tumblr #twitter exodus #original post

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makeste · 4 years ago

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BnHA Chapter 328: Pandora’s Box of Discourse

Previously on BnHA: DEKU TOOK A BATH.

Today on BnHA:

youtube

Also Naomasa grew a beard. Goddamn.

please let this be a cool chapter that plays nice with my ADHD lol

(ETA: lol I feel guilty because a lot of people hated this chapter, but I’m just happy there was a lot of stuff to make fun of, and also that I have another week to work on my backlog of meta posts since the kids were MIA.)

around one month ago?? ah, okay, so we’re gonna find out what was in that Tartarus security file huh

I love that they just randomly set the place on fire

was it necessary to do this in order to escape? no. was it a good idea to set the island they were occupying on fire while they were in the midst of still occupying it? uh. was it cinematic as fuck? fuck yeah

wow it’s a pervert!!

that’s so great that the villains set loose this fine fellow who I’m sure is definitely not a serial rapist. truly the LoV is so noble and misunderstood. they’re just trying to free society from its chains people

oh my god??!

SHANKED!!! oh my god I cheered for Stain before I realized what I was doing. time to have an identity crisis I guess

so he’s all “hey what’s going on.” which, while a respectable question, is something I personally would have waited to ask until I had put a bit of distance between myself and the fiery murder island. but that’s just my personal preference

Stain you really are tenacious I’ll give you that

“what’s the point of escaping prison if you’re not gonna be smart about it” well shit. anyways yeah you’re dead right, society is in the process of collapsing and the outside world is in total chaos, good call there

oh shit

I mean it’s not like we really expecting anything otherwise, but still. fucking brutal. I feel like these guys’ fates were decided the minute that one guy called AFO “scum” back in chapter 94. AFO is unmatched at getting long-term revenge

ahh, was it the security footage??

fdsdfk he’s still alive??

and he’s immediately launching into an inappropriately theatrical monologue even as the darkness closes in on him fdlfksjdlk. you know, was it ever confirmed that the other guy back in chapter 297 was Seiji’s dad? I’m just saying

very impressed that he’s still coherent enough to weigh the pros and cons before making the decision to gamble on giving this info to Stain, who at the very least has his own moral code and isn’t allied with AFO. it was definitely still a risk, but as we now know it was also the right call

what a weird alliance. so Stain tells him that he’ll give it to a just person, and the guy is all,

okay for real though I’m gonna need someone to run a DNA test on this guy. maybe it was some kind of cuckold situation?? the other guy had the family resemblance, but this guy absolutely 100% raised Shishikura Seiji and you are not going to convince me otherwise

anyway, so Stain is all,

PRISON GUARD: “???? ??????? what the hell. what the fuck does that fucking mean. I’m dying here, jesus christ, whatever man fuck you”

(ETA: I kind of feel like this might have been Stain’s last appearance in the manga, given all the fanfare. there’s not really much else he can do for the story at this point, and he seems to have gotten all the character development Horikoshi was planning on giving him. so if this really is it, hasta la vista and good riddance I guess.)

DWLFDKSLDK MEANWHILE, OUTSIDE

(ETA: I feel like this is meant to be evocative of that Sermon on the Mount painting, but in a really fucked up way lol.)

if it were me stumbling upon this scene I would just shake my head and walk right back into the flaming building. not getting involved in that mess. sorry not sorry. I’ll take my chances with the fire, especially given that it’s half-assed neutered BnHA fire lol

blah blah blah and so he decided to pass the info on to All Might -- HOT DAMN, HOLY SHIT

NAOMASA HOLY SHIT. THE APOCALYPSE LOOKS GOOD ON YOU, BOY

“I really like that facial scruff thing Aizawa’s got going on, I think I’m gonna get in on that” yes sir. “also thinking of ditching the tie in favor of the bulletproof vest look. also thinking of getting totally fucking jacked.” good lord. except I’m pretty sure that’s just body armor, but also I don’t care. anyway I should probably stop staring and actually read the fucking speech bubbles here lol

“All Might first handed this information over to Nao, and then went to see Deku, and then came back to Nao” thanks for that tidy little summary Horikoshi. we are capable of piecing events together in sequential order, I just want you to know that. but thank you

“so has Deku finally gotten a bath? also, sucks that Stain saved the day, but what are you gonna do” Nao I missed you so fucking much and didn’t even realize. how am I just now realizing that you are the perfect man

for a second I was gonna ask why Tartarus’s security systems would be cut off from the outside world, and then I remembered that’s a basic security control, and then I actually got impressed by how sensible that is. like, it’s been a while since I could genuinely say that the good guys (excluding class 1-A) did something smart. not that it helped them much in the end, but still

anyway so they’re talking about how AFO was able to coordinate the attack by communicating between his horcrux self on the outside and his ugly peanut-faced self on the inside

huh

okay you have my attention. I am taking notes here lol please continue

ah okay so he says that prior to Jakku, the transfer of information between him and his Vestige self was only one-way. but post-Jakku when Deku was in the hospital, he was able to tell what was happening inside the OFA Radical Lisa Frank Dead People Book Club Realm when he touched him. I feel like we established that before, actually. but he didn’t talk about how it actually felt, though

boy we already know this lol. yes AFO can talk with his horcrux self. and he can also communicate with his little bro in OFA too, let’s talk about that sometime why don’t we. what exactly does that imply, based on the rules we’ve established here

my god I cannot get over Naomasa and his fucking facial hair

no wonder All Might was in such a hurry to leave Deku and get back here

like I have no idea what this radio waves nonsense is but my god, people

that jawline. also so it’s a quirk, I see. except last I checked Deku didn’t have a radio waves quirk, so that doesn’t really explain his connection to AFO. but whatever, hopefully we’re at least getting closer to some kind of reveal here

(ETA: since I sometimes forget that other people’s lives don’t revolve around my theory posts, here are the two relevant links if you by chance want to know my thoughts about this.

Hagakure is still The U.A. Traitor™ regardless of whether Deku is passing information on to AFO through his psychic link, which he almost certainly is.

speaking of said psychic link, Deku is a horcrux.

just posting these now, because whenever trippy OFA stuff happens I tend to get an influx of theory asks. so hopefully this will be a bit of a time saver lol.)

-- wait, what

THAT’S what the recording was??!? holy SHIT. I genuinely was not expecting that. y’all wiretapped his fucking telepathy. fucking quirks, man. wild

AND THEY USED THAT POWER TO DETERMINE WHAT WE ALREADY KNEW, HUZZAH. GOOD SHOW

-- oh shit wait lol, except I forgot we’re not talking about 38 days from the present, we’re talking about 38 days from the date the conversation was recorded. heh. um

yeah that’s the face I would make too if All Fucking Might just casually told me we had eight days left until the end times

oh, pardon me. three fucking days

r.i.p. anyone who thought we were going to have another band arc sob. I sure hope Deku is enjoying that nap

(ETA: I realize people were hoping for a longer rest period here, but given that the man warned us all the way back in chapter 306 that we were entering the final act, you can’t really blame him too much when that turns out to be true. anyway but I do recognize that we’ve reached the point in the story where this kind of discourse is going to become a weekly occurrence, simply because there’s no possible way for Horikoshi’s actual endgame to line up perfectly with the variable headcanons of millions of fans, all of whom have wildly differing and in many cases contradictory expectations which can’t possibly all be fulfilled. anyway, so I’m already bracing myself for that lol. this coming year is going to be a wild ride.)

damn, U.A. out here looking like the motherfucking United Nations

-- is this U.A.?? I actually just realized, U.A. is four interconnected buildings, not two. wait holy shit is this Shiketsu?

wait holy SHIT

based on the overwhelmingly powerful vibes of bureaucratic incompetence, I’m thinking this really is the (future) U.N., or whatever organization it is that deals with international hero stuff

“just let them handle it themselves I’m sure they’ll be fine” yeah okay, thanks guys. appreciate it

wait oh shit did he say that it’s not just Japan?

soooo, what you’re telling me is that AFO is this close to bringing about the end of not just Japan, but the entire world, and you guys don’t think it’s a good idea to help the Japanese heroes stop him? so, genuine follow-up question: are you guys already planning your rich people exodus into space a la Wall-E, and that’s why you don’t give a fuck?? like, what??

omg international heroes

these guys are from World Hoodie Mission, right? is this Horikoshi’s way of reminding me to buy tickets

(ETA: and it worked too lol.)

WHO??? WHAT???

don’t tell me you’re introducing yet another badass new female character for me to fall in love with only to watch as you dismember them and/or blow them up, Horikoshi. I’m getting tired of playing this game my dude. don’t lie and tell me this time will be different. we’re not doing this again goddammit

noooooooooooooooooooo

god fucking dammit lmao. [sighs and rips the previous paragraph into shreds]

on behalf of Americans I apologize for our superheroes always being Like This

I also apologize because I love her already and I’m gonna be shameless about it. so fucking shameless you guys

is her fucking hair red white and blue. it is, isn’t it

this is the volume cliffhanger, 100% lol. it will take every ounce of Horikoshi’s willpower not to put her on the volume cover. he’ll have to settle for the spine or the inner cover this time because Deku VS his class 1-a superpals takes precedence. but it will be a close thing let me tell you

tbh it’s that smile that does it for me. she’s definitely All Might’s protege. get out there and show them how it’s done girl. and maybe call Salaam and BRD and see if you can’t convince them to play hooky from their governments as well. why not. world’s ending in three days you guys. “sorry, I’m busy this weekend” ain’t gonna cut it lol

so while I am not fully caught up with Vigilantes, I have read far enough to know that there’s an American hero named Captain Celebrity whose superpower from what I recall is being a humongous douchebag. and while I haven’t read far enough to know what happens to this guy, I can’t say I’m very disappointed to learn that he’s no longer the number one hero in the U.S. (actually, didn’t they kick him out and that’s why he moved to Japan to begin with?). anyway, so my thanks to Horikoshi for having a marginally higher opinion of Americans than Furuhashi, even though we have definitely not done anything to warrant said opinion lately, and you may have inadvertently opened the door to a pandora’s box of discourse lmao

(ETA: lol I went into the tags and they don’t disappoint. “why is she dressed like a flag” because she’s an homage to Captain America and Major Victory and literally every other character on this list. again, I apologize for fictional American superheroes being Like This. “oh boy another thicc waifu to make the fanboys happy” look, tumblr fandom never seems to have a problem thirsting over Dabi or Tomura or Aizawa or Nao, lol, I’m just saying. “where is Captain Celebrity” idk, probably murdered by the exploding bee cartel, let’s just be grateful for our good fortune and try not to Beetlejuice the man.)

anyway, so let’s see if Horikoshi’s recent character development with regards to making Mineta not terrible anymore will apply to other aspects of his writing as well. I know I was making light of discourse just now, but I do think the complaints about him introducing yet another new character at the 11th hour to be cannon fodder in the final battle are absolutely valid. and again, it wouldn’t be a problem if he didn’t keep maiming/killing off his female characters one by one instead of developing them and letting them kick ass long-term. but that said, I will never complain about Horikoshi adding another female character to the series, regardless of how clumsy the attempt may be. go ahead and pander away, just give us more girl power lol

anyway so we’ll see how it goes, but I think I’m gonna be optimistic and let myself hope once again, even though I’m probably gonna regret it lol. it is what it is. she is standing on an airplane just chilling for fuck’s sake. I’m only human. anyway fingers crossed

#bnha 328 #stain (bnha)#tsukauchi naomasa #all might #stars and stripes (bnha)#all for one #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #eta: how did I forget to type 'bnha' in the title sob

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anarchy2021 · 4 years ago

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PSA Day! (Rp etiquette)

{ID: A person standing next to a flipchart. They're thin, and have medium-length brown hair, pale skin, and dark brown ears. The ears are angled horizontally. They're wearing thin-rimmed glasses, and their expression reads as confident. Their hair is partially tied up in a bun. They also have a long tail the same brown as their ears, with brown fur the same color as their hair on the end. They're wearing black trousers, a black waistcoat with a white shirt underneath. Additionally, a black overcoat with gold edges is draped over their shoulders. The inner lining of the overcoat is red, and partially visible behind the person. They have their right hand on their hip, and with their left hand, they're holding a stick up to the flipchart, which reads "RP 101 :)". The 101 is underlined. END ID.}

Greetings! You may not recognize me (unless you were watching the debate perhaps, then, sup) as I admit I’ve been a bit…. Behind the scenes as it were (as secretary of VOID there is a lot of looking at the void, usual routine for me mhm mhm). Regardless, I’m Days (or Nights, either or) and for today’s PSA I’m here (along with some words from our recently freed from totally-not-prison president, Graphite, at a later date) to talk to you about roleplay! More specifically, rp etiquette and terms and how that relates to the DSMP and how it should be talked about.

Now now, you might be wondering “oh but what is your experience?” Glad you asked! I’m a long term text rper with over 5 years of experience- and my main avenues of rp are rps similar in structure to that of the DSMP- long term improv driven sandboxes that also have important events planned ahead of time in some regard but are often player driven most of the time. Now, let’s get into it!

Head writers/admins

Let’s start off with a pretty hot topic regarding the server, which is the existence of a ‘head writer’ (usually in reference to Mr. Soot). Now, mainy take this as meaning quite literally a writer- like in a show, but, with what information we have I think it’s safe to say he’s not really that and more along the lines of an rp admin/head. The admin’s main purpose is to keep things structured and organized, as well as putting together the events they’re in charge of. This is pretty much how everyone treats the man anyways, BUT, while an admin is in charge of a lot they do NOT have the final say over everything, particularly in regards to the characters and their players.

Players in an rp for the most part have full control over their characters (within reason and the confines of the rp setting) and an admin enforcing their will onto a character (such as enforcing certain backstory choices that don’t seem particularly wanted. For example, the fridge with c!Phil) is often frowned upon unless there is a good reason for it and discussed with the rper.

It is also notable that just because there is an admin, that doesn’t mean they’re the sole writer/organizer/etc. It is not at all uncommon for specific subplots and or other important events to be headed by players involved in it in this type of rp. This can be seen in practice with how the Eggpire plotline was headed by BBH and the prison plotline was mainly written by Dream and Tommy.

Summary:

- head writer/admins do not and should not control everything

- organise and structure events

- players might admin their own smaller plots within a rp

Narrative consequences

Now, another hot topic- especially in regards to character discourse (my abhorred personally). Narrative consequences. These are generally referred to when someone thinks a character is not getting the consequences for their actions in the story that they should, or (more rarely in my experience) when they feel a character is being punished too hard for their actions. While this is an understandable feeling to have, at the end of the day narrative consequences just aren’t much of a thing in roleplay, at least not to the same extent as a book or tv show.

This is for one simple reason, consequences rely on the character’s actions and how they respond to others around them, if a character does not feel like it’s fit to react or if it angers their character- it is 100% within their right to respond accordingly.

However, there is also an argument that can be made if a character responds to something in a way that doesn’t align with a character’s usual actions. For a personal example, one time in a rp I was playing a character who was intervening when another character was being hurt, however, my character was met with scorn from being somewhat aggressive regarding it- I felt that this was unfair as none of these character showed the same scrutiny to characters who did worse things, and none of these characters had been established as hypocrites.

This grudge lasted the entire rp until my character died. This is a point where believing that the consequences to a character are unjust is more or less fair, but, a character simply not getting immediately smited or a character getting scorn is not automatically a point against the character, especially since an rper cannot reasonably make their fellow rpers react a certain way.

Summary:

- narrative consequences are not the same in RP as in other mediums

- can't force characters to react, or force players to react in a way they don't feel is fit

- but can critique RP if things feel unfairly ooc/inconsistent

Retcons

Next up, retcons. What is a retcon? It’s short for retroactive continuity, in essence it’s when in a piece of media something is changed retroactively- such as a character’s personality, how an event occurred, etc. for an outsider audience perspective retcons are often looked upon unfavorably, as it’s changing something already established which can cause friction among those attached to certain ideas, but in reality retcons are both a neutral concept and fairly normal to occur in rps.

Rps are (generally) not professional writing, they’re things made up on the fly with perhaps a base to work off of (and depending on the rp, not even that. However in the rps I’ve done we generally had character sheets and the like for backstories and all) and thus sometimes mistakes happen. One of the main causes for minor retcons is when details are confused or left out that would have realistically affected the situation or how characters would have responded to it, unless in severe cases these usually happen on the spot and don’t cause much of a fuss.

Major retcons often fall along the lines of players and how they choose to present their character. This is especially common when a player is using a character for the first time or even if they’re just new to an rp in general, sometimes as we rp we simply decide to take things in a new direction and sometimes that direction may cause things already established to be retconned, even if not outright stated.

A good example of this is the enderwalk with c!Ranboo, the enderwalk as it was first introduced is very different than it is portrayed now, likely as a result of Ranboo taking a new direction with his character since then. More widespread retcons may happen if people are unhappy with a certain plot thread, in this case an example would be the canon status of SBI, Wilbur used to push it but Techno (and later Phil) didn’t want it to be canon, so anything about it previously said has been soundly retconned.

In my own case character retcons very often happen to me when I first use an oc, as the character takes a different shape than what I put on the paper in practice, even sometimes within the same rp (one of my first ocs was practically unrecognizable as the same character in the beginning of an rp as compared to even just a few weeks later).

So, retcons are fine and normal to occur, but, like I said- they’re neutral. A retcon can very well be done poorly and cause problems. This is mainly in issue with retcons made that affect highly established and built upon aspects without discussion with all those who’d be effected, this can cause confusion, plot holes and cause characters to be in a weird limbo if they don’t know how to have their character act without whatever was retconned. Major retcons need to be discussed in order to prevent these problems, and in some cases should be avoided entirely- instead it being better to work for a compromise and rework events rather than removing them.

Summary:

- retcons are normal and neutral

- small retcons happened frequently in RP to help keep things going in an improv heavy medium. Usually unnoticeable

- large retcons tend to have with new players, or if the story is taking a new direction.

- large retcons require a lot of communication, and sometimes whould be avoided, instead working to compromise and rework the direction of the RP

Metagaming and godmodding

Metagaming and godmodding are two very important terms to know for rp etiquette and if you’ve done any rping you’ve probably seen these words thrown around in rules lists and such already. These are both ultimately negative things that should be avoided at all costs. What are they? Metagaming is when you use information that you know OOC and use it IC even though your character should not have that information. Godmodding is when a character is taken over by another person for one reason or another against the player’s will- such as having a character react to something without letting the actual rper do it.

The former is a big issue when it comes to discussion of the DSMP and how people interact with it, mainly in the chat and donos. When you are trying to get a character to react to information that they shouldn’t have you are trying to get them to metagame, which is heavily frowned upon in an RP. This is also important to note in discussion, a character not responding to certain important events is not a mark against them if the character has no way of even knowing what was going on, or would not reasonably respond to it with the information they have.

Summary:

- both frowned upon

- god modding is taking over someone elses character

- metagaming is using out of character information to do in character acting

- Meta gaming is relevant to DSMP particular in how it relates to donos and chats. Don't encourage meta-gaming

All of these factors are important to consider when discussing the DSMP and it’s narrative, it’s not going to function the same as other forms of media nor should it- as once you go in that direction you’re competing with the big boys over at tv and at that point things would fall apart. Improv and it’s unique variables is what makes the DSMP, and anything else like it, special and interesting to follow!

#dsmp #dreamsmp #rp etiquette #mcytblr elections #anarchy2021 #mcytblr election 2021 #PSA day #art by Days #long post #editted by zaph :]#first post from yours truly #(thats days not zaph... i post a lot i will not shut up <3)

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firespirited · 2 years ago

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Here are my lines in the sand at least for now.

My biggest concern is accidentally causing pain which is why I wanted to mull stuff over and why I'd rather dip my toe in very slowly. You might have read that as judgement but it really is about me not wanting to use the wrong name or pronouns, say something distressing or upset people who have strong stances while also getting over old fears of walking on eggshells and shame spiralling.

Here goes:

1/ Companions and voices in your head exist, and who am I to question how you make sense of being weird as a fellow weirdo? Endogenic systems are not role-play but if you have any control I'd much prefer to only interact with the primary. Why? Because we don't know each other that well.

2/ Traumagenic systems from childhood when you don't control your personality shifts are legit. In this case I would totally be willing to put in the work to accommodate alters. In the same way that meeting new people involves learning what to warn for and what pronouns to use: DM me, let's get to know each other. - DID in CPTSD and BPD is real but if at all possible I'd like to interact with the primary or be given a heads-up (the way my other friends do about grumpy days, pain days, etc) so I don't put my foot in it.

Like all friendships, we start out with good faith and you see how much you can trust me with and if it works out you can trust me with more. In the same way, I don't owe disclosure about my life events and painful feelings to people I've just met. We're cool, we'll build on that, then build some more.

3/ I'm not willing to take any stances on what is and isn't harmful, healthy, valid or be part of the syscourse or writing, art and sex work discourse. There are too many grey areas and special cases to make blanket statements. People are complicated: books-full of nuance are required.

If you ask me about whether writing about X is bad or claiming to be Y is bad: I'm going to write a whole thesis about the medical/social models of disability, the carceral mindset and rehabilitative justice because we can't do one without considering the others.

4/ This blog isn't safe for children and won't be split into sideblogs: I work on toys while i'm processing political events and watching grown up media and these things all go together. I'm an adult collector who will point out sexual references and political failings in manufacture. I can tag for triggers of course, but the toy industry is dirty and there are plenty of child safe options for doll opinions and creation.

5/ I can't stop people from taking my work or tagging it with things they project onto it but I do have the right to block or message you if it's out there in the open and disturbing: No it's not flattering that you've chosen someone's work as your sexy role-play avatar, your eating disorder inspiration or that someone's collection makes you feel like you're five.

In the case of age regression: we have a conflict of needs. Tumblr is full of people who are judged for embracing small joys like colourful clothes, fandom, crafts and toys. Choices that are acts of adult rebellion in a painful world.

Someone who says "you're so childish I don't think you can make adult decisions" and someone labelling your grown up, tax paying, hard-earned collection as [insert child based aesthetic] feels very similar and it's also going against the message: the point is that you can be a grown up and enjoy things, in fact that's what's being a grown up is for: you get to choose to do nice things for yourself, surround yourself with nice stuff in whatever space and time you can carve out from surviving. Please don't, not because agere is wrong but because it's projecting something about the OP that's counter to what they're trying to put out to the world.

6/ I’m open to conversation and learning. However, it’s ok to have boundaries and set boundaries for things your friends are sensitive to: it’s a delicate balance. Please assume good faith. Not taking a hard stance is not outright rejection/embrace of stuff: it’s saying I don’t know enough to have an educated opinion or I think there’s too much nuance to fit into a single sentence.

#saf #long post

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exuberantocean · 4 years ago

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There seems to be this black and white thinking in the Nate discourse in the Ted Lasso fandom right now. And I think it is more complex that "if you really hate Nathan right now you are racist because Rebecca was just as bad."

Arguably Rebecca wasn't just as bad, she was worse. Her plans at getting back at Rupert involved destroying the lives and careers of well over 20 completely innocent people. People focus in on the damage she was attempting to do to Ted, but her plans were hurtful to everyone on the team. And while yes, maybe for some people the ability to sympathize with her comes from her whiteness, she also had a few things narratively going for her that made it easier to understand and like her.

1. She had sympathetic motivation but a Scooby Doo scheme. Everyone can, on some level understand the hurt she was feeling. The show made it clear early on that her ex husband was ana abusive bastard who continued to manipulate and abuse her even after the divorce. Even if you have never been abused, nearly everyone has experience with at least a toxic individual. At the same time her plan was less relatable. I mean, person A is upset with person B and so takes control of an organization and tries to run it to the ground is not something many people experience in real life. Finally, we start with Rebecca at her worst and she is steadily improves as a person.

2. Meanwhile the damage Nathan is doing is more targeted, more personal, but above all something many more people have real life experience with. You are unlikely to have experienced someone buying your company and try and run it to the ground as an elaborate revenge plot against your former boss's but you are much more likely to have had personal information about your health or mental health used against you. If you haven't, it is a much more realistic threat in your life than someone doing what Rebecca did. Add to that, we didn't really see Rebecca's journey down to her darkest moments-we started there. For Nate, we are watching him go down that morally wrong path. Add to that Nathan weaponizing Ted's mental health is abilist.

And, at this point, narratively speaking, we are meant to have a certain level of disgust for him and his actions. They are not pretty. Also, as a fellow victim of bullying, I find the victim becomes the the abuser narratives featuring. If you know that pain the way I do, how could you turn it around and inflict it on others? It feels reprehensible.

Now the fact that he is the highest billed character of color on this show makes things fairly problematic. Ted Lasso is a very diverse show in that it's team is diverse but most of those characters don't have much screen time thankfully Sam and Dani has become more prominent this season, but still we the audience tend to follow the struggles of it's white characters more than the others.

And that is my two cents really. We are meant to hate Nathan right now, bit they have also already planted the seeds needed so that, as the story unfolds we will also be able to forgive him in time. The fact that this storyline was given to a nonwhite character is a problem. Hate toward an actor for their character is never right. There is a weird intersection of paratext racism and in-text abilism. It is complicated.

#Ted lasso #fandom #nathan shelley

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ladyonfire28 · 5 years ago

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Adèle Haenel: "And the fight against racism, is that a black thing?" (March 1, 2016)

Her raw talent and her unique personality are shaking up French cinema. With two Césars in her pocket, the actress from Les Combattants became an icon of auteur cinema in Les Ogres and soon with the Dardenne brothers. Interview with a thoughtful and shady feminist.

The first vision we have of Adèle Haenel when we enter the hotel room, where she has just been photographed, is that of a tall girl in denim and worn-out suede boots looking for cotton to remove her make-up. She says that it's too much, that it's not her, that we have to take it all away - this sticky femininity - and right away.

She announces her color: strong, fierce, temperamental, a little prickly, when, during the interview, she frowns and throws your questions back to you - always with great relevance. She is beautiful and abrupt, her adolescent brusqueness (even though she is 27 years old), gives the impression of robustness: a sportswoman with the shoulders of a swimmer but the face of a femme fatale from the inter-war period, green eyes and a pulpy mouth. This is an unprecedented combination in French cinema, which tends to be dominated by young first-time coquettes looking for contracts with luxury brands. We have never seen Adèle H. at the front row of fashion shows, her appearances on the red carpet - the playground of her fellow female cast members - did not stick in our memories, and that's good.

We've been keeping an eye on her since Water Lilies (2007), by Céline Sciamma, to whom she declared her love at a César Award ceremony. She won two of them, hands down: for Suzanne, and then, last year, for Les Combattants, an emblematic film that created a new image of a virile heroine in French cinema. Adèle Haenel, an icon of auteur cinema, was thrown at the heart of the system: she is the most coveted actress of the moment and has just finished in Liège The Unknown Girl, by the Dardenne brothers, who will inevitably be screened again at the next Cannes Film Festival.

You have to hear her talk about cinema, with her eyes fixed and uninterrupted flow, to understand how incandescent this girl is. In Les Ogres, a choral film by Léa Fehner that talks about the daily life of an itinerant theater that performs Chekhov, she plays Mona, actress and pregnant. The diary of this tribe that travels from city to city, a tent on their back, also draws a universal portrait of actors, truculent monsters full of love and violence.

Madame Figaro - Since the success of Les Combattants, you intrigue people...

Adèle Haenel. - I can see that the demand is stronger, but I'm not chasing after advertising and I don't intend to invade the public space. I think we have to remain discreet. Notoriety hasn't changed anything in my life and it certainly won't change my desire to make films following the same line.

What is that line ?

I make a film to carry a message. I can feel when a director has something to say. I feel something, a desire, a vibration. There is a thread, an intuition, a truth that imposes itself on me. I know what I have to do, I can feel it. It is both mystical and very rational. What is interesting is to come out of a navel-gazing, to rise up, to talk about people, to talk about the world. I like the idea that everything fits together collectively: feelings, economics, politics. A film is a common story, and I want to be part of that dialogue. A film must be in direct resonance with its time: cinema is today. I do things for now, and it's not up to me, to us, to decide whether a film is going to stay, whether it's made for eternity. I feel extremely responsible.

You feel very inhabited when you talk about cinema...

I have many other reasons to live, but, yes, I am deeply interested in the representation of things. How does cinema fit into society? Who is it for? Cinema is obviously a political act. For example, even the latest Star Wars is political. I was really relieved to see so many women and different skin colors: it means that everyone can be a hero and that feels good.

It is said that in the movies women are taking over...

It's an evergreen content. They make a big deal out of it, but if you look at the numbers, it's not so true: women are still in the minority. I can't be satisfied with that.

Do you feel the prevailing machismo that is associated with cinema?

I'm not going to waste my time and energy educating these people.

Is it easier to succeed in this job when you are a man?

Your question is a strange one. Either we point out superficial phenomena - the decision-makers are men, they have the money and therefore the power - or we debate a broader question: in what world are we evolving? And there, it's always the same thing. The world is cut in two: on the one hand, there is the man, the virile, all linked to superior qualities, and on the other hand, the lower part, the woman, the secret, the moods. Of course, all our representation is linked to this division. I often ask myself the following question: in a fair world, without discrimination, what is art? Art today is in dialogue with its time, so it does not abolish anything but is involved in the fight.

As we can't classify you, you have been labeled as virile...

I'd like someone to explain to me why people should always be defined. To be a woman, you would have to be a feminine woman, right? For me, it's redundant. I don't maintain any posture, I am myself. But the way people look at me doesn't bother me: make up your mind, there's no problem.

However, you embody a renewal at the antipodes of actresses on their first red carpets...

I don't know which ones you are talking about, but I will never be against other propositions from women. After all, they also are undoubtedly dealing with their inner truth. But then again, I don't want to comment on something that escapes me completely: the gaze of others. I realize that everything is complicated for actresses who are so solicited that they end up participating, willingly or unwillingly, in a kind of general cacophony.

Are you one of those ogresses that Léa Fehner describes in her film?

I've just eaten about twenty-five croissants, isn't that a clue? In Léa's film, there is an energy close to the one in Les Combattants: action as a solution to an era in crisis. Here, it's laughter and gluttony facing a personal anxiety and an era that values suffering. I think we need to wake people up, to make them understand that fatality is a terrible and disarming discourse. We are told that the planet is warming up, that people are being massacred, that entire populations are on the move. I am not saying that we are not powerless against this, but feeling concerned and responsible is already a first step towards action.

Are actors monsters?

I don't know and I don't care. I'm not here to tell people: I'm like this, I'm like that, I'm better than you. I don't have to deal with that. Why me? I don't know.

Yes, why you and not someone else? Actor, it's an elective profession...

What is an actor? Their hypersensitivity should not be overestimated. The key is courage. That's the most difficult thing, courage and sincerity: not hiding, committing yourself with what you have, with your face and your body, with everything, with no escape. We often say: "To be an actor is to be someone else" but above all, you have to accept being yourself. It's not the most well-balanced job on earth, but a healthy actor would be weird, wouldn't it?

Precisely, you are sometimes compared to... Depardieu.

There are worse critics. What I like about him is his poetic sensitivity, which is not fake at all. You can sense his love of texts. And then, come on, what an incredible freedom of acting!

Can you play everything?

I don't know. What I do know is that the feeling of comfort is dangerous. It would turn us into a small factory. As soon as I start a film, I don't sleep anymore. The first scenes are hell.

Is shooting naked a problem?

It annoys me. In all films, there's this double injunction from society or the audience: we actresses are asked to get naked but to feel guilty about it! But no guys, I'm not going to feel guilty so you can be fully satisfied that I hold this assigned place of the whore and the well-bred girl! The commitment I make when I make a movie is much bigger than that.

Your feminist side...

I don't have a feminist side, I'm a feminist simply because I want to exist.

Today, not all women are feminists…

So feminism is a girl thing, then? And the fight against racism is a black thing? It's not a power struggle or lobbying, it's not Pepsi against Coke. No, it's a fundamental question about humanity.

#adèle haenel #adele haenel #madame figaro #2016 #it's been a while since my last interview translation !#i've always loved that interview #don't think it was translated before but who knows aha #here you go anyway !#sometimes i translate things #les ogres

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bonesandthebees · 4 years ago

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random late night thoughts but I kinda was curious to hear some takes on the mcyt fandom in general

so obviously the general consensus with mcyt fandom controversy, more specifically regarding dream stans, is that some of them are extremely toxic and it poisons the image of the entire fanbase. and I definitely agree with the idea that there is a lot of toxicity here, especially on twitter

however, while I try to stay out of the discourse, from what I do see... it's not toxicity to a level we've never seen before in fan behavior?? Like, I see so much discourse online about how this needs to be addressed and that it's horrible and stan culture is very unhealthy, which, like, I don't disagree with. But like I said, it doesn't seem like a level of obsession we haven't encountered before. I mean, doxxing and death threats? yeah okay we saw that all the time in the v*ltron fandom. Very weird levels of real person shipping?? Look at the phandom circa 2014-2015. Extremely unhealthy obsessions with real people?? the one direction fandom once literally hacked a cctv to get more footage of the band

like. I understand the criticism of the fanbase and I have my own opinions on how things should be handled and how stuff could improve, but this post isn't about that. I'm just confused why there are so many outside people now actively involved in the criticism of mcyt stan culture when this isn't that much worse than other fandoms I've witnessed

is it because in the past these dark parts of fandom culture were mostly seen on tumblr, which wasn't actively used by many people not involved in fandom culture, compared to most of this current discourse occurring on twitter which is an app almost anyone with a smart phone has?? so more people are witnessing it for the first time?? or has there been some really extreme stuff I just haven't heard about since I actively try to stay away from that stuff??

i'm like, genuinely curious here so if anyone has thoughts feel free to add on (I'd really love to hear some takes from fellow tumblr veterans like myself since we've all seen a lot of shit over the years)

#this is not dsmp critical im just curious about fandom culture stuff in general tbh #dsmp #dream smp #mcyt #ramblings

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dwter · 4 years ago

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sometimes I think about how cc circles view the stan's opinions and if they think they're crazy or right or stupid or funny....because truly what's they're thought process when they see thousands of people calling their colleagues/friends gay on the internet constantly and in such a blatant and in your face way?? like the gee nelly bowling situation has just made me even more aware of how many cc's run in the same circles and know each other...even random ccs with a few thousand followers on twitter were tweeting out things in defense of the party and had seemingly gone to it....what do all these people think about the perception stans have of their creators....does it embarass people like dream and george who obviously lurk when they see cc's they know or associate with witnessing threads like the burner one?? so many questions?? like how does gnf feel about so many fellow cc's he knows witnessing thousands and thousands of people call him gay?? (it's kinda funny but also beyond weird to think that cc's he doesn't even know have some perception that he's in the closet even before meeting him)

does any of this make sense

ANON I GET U SO COMPLETELY. i was think about this so much. like whenever i see ccs hangout together i think “wow that person couldve been having a mental breakdown bc of thousands of people targeting them and their entire autonomy online” or “that person mightve seen people truth them as lgbt the other day” but bc its all online …. how does it translate to their actual lives? their cc circles? how they interact irl? like i think about my own friends and think about how far away my “online life” feels after spending time in real life. and like being a cc is a rly interesting mesh of both online persona and real person, esp in streamers, bc its both a mix of a persona for entertainment but also reality in the longevity. like streamers have a significant less of a persona than like youtubers who might put up a fromt for an hour before going back to normal. for twitch streamers their personas are a mix of a persona/exaggeration and their actual selves bc of the interesting medium that it is. i can go on a rant about this but ill shut up. i think for a lot of these guys they arent invested into the internet like we are. like the way cishet men perceive stuff on here is very different than how a lot of us who have been on here, involved with discourse and conditioned to feel certain things perceive stuff. like i imagine myself in george’s shoes and shake and cry but i know george does not care bc he probably feels more secure in his identity/doesnt hold the perception a massive audience has of him the same way we probably would, bc we’re online all the time and have been in these circles longer and life here probably feels “equal” to real life in a specific sense. it probably has to do with us making the internet a large part of our identities/creating profiles for ourselves here that we lives through/just exist under, whereas they created PERSONAS to create content and anything “real” is specific to their friends. although obviously they are heavily linked to their online personas and a lot of it is still real and them, but in terms of the way they are perceived, theres a bigger disconnect between online and real life. but for some ccs or in some issues that i might talk about later, the perception of themselves, online or not, becomes a lot more raw and actually genuinely stressful and embarrassing bc it affects specifically how certain ccs view of them, whose opinions hit a lot closer to themselves. does any of that make sense? sorry i derailed a lot but this is something ive thought about a bunch 😭

#ask #anon i understand u completely #sorry for being insane btw i have so many thoughts on this #TY FOR THE ASK AND GIVING ME AN EXCUSE TO RAMBLE catKISS #long post

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gascon-en-exil · 5 years ago

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Three Houses 100% Completion: The Joys of Spreadsheets

The idea that someone like me would ever write a gameplay guide to any Fire Emblem title is somewhat ludicrous on the surface. While I’ve finished nearly every mainline game in the series I also freely confess to being a filthy casual except ironically I ignore Casual mode because resetting/rewinding after death was ingrained in me back in the GBA era who only plays these games on their lowest difficulties, ostensibly because I find the lower challenge to allow for more flexibility in how I pick and develop units. This is of course entirely true, although it’s also no surprise that from a completionist perspective FE is much more approachable when you can make it as easy as possible. For most of the games 100% completion is nothing more than filling out a support log, music library, and other features of an Extras menu, and while there are certainly some tedious times to be had with that - I hope you like popping out the same kids over a dozen times for that many generic parent-child supports in Awakening and Fates - none of it is what anyone would call challenging. Shadows of Valentia has in-game achievements, but the worst of those involves weapons with low drop rates so it’s otherwise a manageable endeavor to get them all.

Three Houses, however, is something else altogether. In a stroke of brilliance that may presumably not be attributed to the developers who expected most people to only play through the game one time, this is the first in the series with a New Game+ feature. This allows you to carry over much of your units’ development over multiple playthroughs, and to catch up instantly where you left off by spending Renown to buy skills, supports, class masteries, etc. that you’ve obtained in previous runs. Thus it is possible to build up a NG+ file over many runs in which all of the game’s forty playable characters have all of their skill ranks maxed out and all their available classes mastered - or at least available for purchase. That’s how I’m defining 100% completion here, and I’m delighting in a very nerdy way to report that not since The Legend of Zelda: Majora’s Mask has a game so tickled my love of efficient scheduling and careful management of available resources to achieve such a substantial goal. I wouldn’t call it hard per se, not in the same way as the built-in difficulty of Maddening or any number of self-imposed challenge runs, but there’s a lot of planning that goes into something like this - to say nothing of how well you need to know the relevant mechanics.

EDIT: After a lot of playtesting I’ve made quite a few updates to this guide, so some of the information here may now be outdated (or less efficient, more like). See here for the updates.

Parameters

New Game+ saves your units’ progress over multiple runs in its journal, although as this is limited - you can only see the progress of units currently in your army, and because of how availability works in this game you’ll never be able to see them all at once - I strongly recommend keeping a separate log of your own. Other than that the only other way the game records your investment is the timestamp on save files, and while that might be helpful if you’re interested in speedrunning this it’ll probably take around 300 hours minimum though so why bother I find it more useful to keep track of how many times you’ve run through the game. The least number of runs needed to fulfill this achievement, and therefore the number to shoot for as a goal, is 29. Why 29? That’s the number of characters who can be dancers, and of course you can only have one dancer per run.

29 runs sounds long but generous on paper. After all, when I did this more or less blind over the course of a year and with the DLC coming out progressively during that time I finished it in 35 runs which isn’t that much higher. It’s a tighter requirement than you might think however, particularly as I’m not accounting for the grinding on infinite skirmish maps that Normal allows for. I feel like the challenge, such as it is, of something like this comes in the form of plotting everything out and knowing how to use the limited time and resources the game gives you as effectively as possible, and grinding throws that out the window. I admit that during my first time doing this I did have to grind out some stubborn skill ranks with skirmishes in the last chapter, but optimally that shouldn’t be necessary and you should be able to work to avoid that.

I’m not including the support log, music library, or event library (i.e. the Goddess Tower events) as points of consideration. Strange as it sounds to exclude what is often the only draw FE presents for completionists, all of those save to the cartridge and not to individual files and are therefore irrelevant to the concept of building up a “perfect” NG+ file. None of them are particularly difficult as it stands - most S ranks can be bought with Renown after you’ve filled characters with enough furtive gay thoughts for the same-gender Byleth, the Goddess Tower can be save scummed, and for the soundtrack you just have to remember to switch the audio to Japanese at a few points to get every track - so I’m going to overlook them. I am however assuming DLC content, and that you already have a completed file of Cindered Shadows on the cartridge. Most notably this allows you to recruit the Ashen Wolves and access the DLC classes, but it has a very important third benefit I’ll get into a bit later.

Also, a final note on difficulty: this guide obviously assumes Normal (Classic vs. Casual is basically irrelevant with Divine Pulse). You might be able to do something like this on Hard, although I’m not going to attempt it. Maddening is completely out of the question, as you have to level every single character through suboptimal skill ranks and classes, both for themselves and in general.

Routes

Regardless of what you might think of all the controversial discourse surrounding it, Crimson Flower is by far the worst route for unit development. It’s a full three/four chapters and three/four calendar months plus one week and weekend (contrast CF Chapter 13 vs. non-CF Chapter 12) shorter than the others. Of the remaining three, Verdant Wind marginally edges out Azure Moon as the longest route as it has one extra instruction week and free weekend in the last chapter...because Dimitri and Edelgard take that entire week for their parley in AM. Silver Snow’s last chapter is as long as VW’s - but it infamously skips out on an entire calendar month (four free weekends, three instruction weeks, and the Gronder rematch) because your army is off having a drug orgy or something equally unproductive.

Still, despite this objective evaluation running through VW 29 times isn’t a possibility. This is mostly because all of the routes except SS have exclusive units who have to be accounted for, and also because other units have small but significant availability advantages on certain routes. On top of the perk of not having to spend Renown to recruit them, students in a route’s affiliated house get to appear in Chapter 1 (the mock battle) and non-CF Chapter 13 (the infamous bandit hunt map right after the timeskip). Seteth slightly favors SS as he appears in Chapter 13 in place of your house leader, while conversely Hilda, Catherine, and Cyril should be avoided on SS as they’re not available until much later than they are in VW and AM. Then there are, again, the route-exclusives: Claude for VW; Dimitri, Dedue, and Gilbert for AM; and for CF Edelgard, Hubert, and....ugh.

Do you hate Jeritza for his weird voice acting, terrible characterization that spills over onto all of his support partners, and the same tone problems from which all of CF suffers? Prepare to hate him all over again as a unit, because Jeritza single-handedly makes 100% completion in a timely fashion much harder. Not only does he have the worst availability in the game at a mere six chapters and essentially four calendar months, unlike his fellow Part 2 exclusive Gilbert he has skill weaknesses - and one of them is in authority, which as I’ll get to later is even more annoying. Compounding this, Jeritza being locked to CF means you have to run CF far more than you’d like, giving him a disproportionate share of time and resources in Part 2 at the expense of whoever’s being used alongside him. This is why a Gotoh unit just doesn’t work in conjunction with FE16′s core design philosophy.

With this in mind, my theoretical plan - and note that some of this guide is indeed still theoretical, and I’m plotting it out as I go along based on my first time through - for a 29 run 100% is 8 runs of CF and 7 of each of the other routes. This sounds counterintuitive in light of the objective ranking of route length, but Jeritza really is that much of a headache.

Cross-Run Planning and Renown

One of the most important points to maximizing efficiency for 100% is knowing what carries over between runs and what does not - or in other words, thinking more in terms of the overall goal of maxing out your units than of the individual needs of each run beyond what’s needed to finish the game with no deaths. This being Normal mode of course that’s not a high bar to clear, but it’s still worth noting that many of the traditional parameters used to measure the development of your army in FE outright do not matter in the grand scheme of things. This includes your units’ levels and stats, money, and your inventory.

Money isn’t too hard to come by particularly with auxiliary battles, increased earlygame money with auto-leveled professor rank (see below), and other sources. Stats only matter to the point that you have enough of them to finish the game, and standard leveling, certifications, and the +1 stat booster drops from auxiliary battles will take care of that for the most part. Getting specialized weapons and equipment can occasionally be useful, but it shouldn’t be a priority especially lategame when you’re not going to have much time to use what you get. In any case the quick pace of these runs means it’s unlikely that you’ll have much material for forging/repairing beyond the basic buyable ores, so forged silvers are usually the way to go unless you feel like breaking out a brave weapon or Relic or something similar if you need a really powerful hit. As for levels, other than the stat boosts they only matter insofar as different class tiers have different benchmarks for certification. The highest of these is 30, so after that point levels are all about the stats. That said however, with Normal experience being as high as it is your units will likely end the game in the 40s or even 50s, especially with the EXP boosts from the saint statues.

This brings me to Renown. Renown is the main resource for 100% completion, and is in fact what makes it possible in the first place. In a new game you can only spend Renown on restoring the saint statues, and while this is very important to do in your first two or three runs for the boosts it adds to EXP gain, skill points gained during instruction, and most crucially of all class mastery EXP (by far the top priority - drop 2000 Renown on the Saint Cethleann statue for this as soon as the statues become available in Chapter 5 of your first run) later runs allow you to spend Renown on the journal in Byleth’s room. This is how you save and continue progress on skill ranks, as well as how you can instantly max out your professor rank at the start of the game which is crucial for getting the most out of the monastery.

Now for some numbers...and here’s where that Cindered Shadows file comes into play. With a completed run of CS you unlock a reward that appears at the start of each run including 10000 Renown (as well as the very useful Chalice of Beginnings accessory - sword and gauntlet users love this thing earlygame). Each NG+ run starts you off with 10000 Renown multiplied by how many times you’ve completed the game, and each run you can get the CS reward again on top of however much Renown you had unspent from the previous run(s). You also get a small amount of Renown for completing battles and quests around the monastery, although this is minor compared to starting your second run with a minimum of 20000 Renown, your third with 30000, etc. By the last few runs you can expect to hit the cap of 999999 Renown, which is more than you could ever reasonably use at a time. So what to spend it on?

The saint statues: Each has a one-time cost of 10000 Renown to fully restore and can be done incrementally. This costs 40000 total and should be finished no later than your third run, because as mentioned almost all of the bonuses granted by these statues are absolute necessities for a fast 100%.

Professor rank: On the first free day after choosing your house, complete Sylvain’s quest to eat in the dining hall to instantly level up from E to E+ professor rank. After that it takes 4000 Renown to max out your rank at A+, easily manageable from your second run onward with the CS reward. This gives you ten activity points in exploration, seven instruction sessions, three points on battle weekends, the ability to assign up to three adjutants in battle, more flexible dining hall options (both neutral and liked dishes will restore full motivation), and access to master classes and high-end forging as soon as you unlock their other requirements. It’s an essential expense for every run.

Skill ranks: The value here is obvious, but as it costs 500 Renown per rank it’s important to be sparing and only spend on what you’ll actually be using in a particular run. The exception here is Byleth - see their section.

Supports: Mostly unimportant unless you’re recruiting a student from another house (just make sure to get these Byleth/student supports in a previous run first) or if you’re running CF and not using either Byleth or Edelgard in which case you’ll need to buy the Edeleth C(+). Supports cost 400 Renown per rank which is fairly cheap, although if you’re doing cross-house recruits it’s best to spend 1200 to get their A in which case they’ll always agree to join your house when asked. Note that non-student characters whose recruitment is dependent on Byleth’s level can have that requirement lowered with supports, but this is unnecessary - again, see Byleth’s section.

Class masteries and Crests: Ignore these. While the gameplay bonuses can be nice none of them are worth spending Renown on, especially in earlier runs. The class mastery menu is however what you’ll use to keep track of which classes units still need to complete, so bear that in mind. Incidentally, unlike the skill ranks menu the classes don’t update until you clear the game, so you’ll have to check your units’ status screens to see which classes they’ve mastered on the run you’re currently doing.

Abyss: Finally, Abyss has a few one-time Renown costs for its various facilities, similar to the saint statues. It’s only 8000 Renown to unlock everything (although for some of them you’ll have to wait until Part 2), but honestly only the pagan altar really matters at all so it’s not a huge priority. Generally speaking the weapons and equipment purchasable at the altar aren’t worth the Renown cost until you get multiple runs under your belt and have resources to burn, but Master Seals and Abyssian Exam Passes may be an exception as they’re limited in availability otherwise. Optimally though you should plot out your classes such that you shouldn’t have to spend Renown on seals.

Last but not least, a word on battalions. Battalions do carry over in NG+, as do their levels. It’s therefore important to build up a guild of strong max level battalions early on, mostly by completing paralogues. Assigning these to units in the earlygame gives them massive stat boosts, to an even greater extent than equipping silver weapons or high-level spells - which unsurprisingly come with serious weight issues early on, so best to stack with battalions for more OHKOs and better defensive parameters.

Building Your Army: Active vs. Classroom Units

It’s common knowledge for the games in the series (except FE5, because Fatigue is weird like that) that it’s rarely worth it to use all the deployment slots available to you, and that concentrating your resources into a smaller number of units will yield better results. This is true of FE16 as well, and I’ve determined that the best active army size for 100% completion runs is 5-6 units. This allows space for everyone you’re training to get the attention they need at the monastery and in the classroom, and it also dovetails nicely with how many runs it will reasonably take for each unit to master all of their classes. As I’ll go into in more detail later, it’s best to split each unit’s classes into four groups, and 40 characters x 4 = 160 which when divided by 29 runs works out to 5 active unit slots for about half of the runs and 6 for the other half. As regards composition, a core of two or three of the route’s house units and/or Byleth is important for Chapters 1 and non-CF 13, with the remaining slots free for the Wolves, non-students, and if absolutely necessary cross-house recruits although these are not optimal owing to the support costs. Recruitment should always be done as early as possible; this isn’t Maddening where it’s important to consider that auto-leveled growths sometimes make units better if you wait to recruit them. For the Wolves and students from other houses (except Hilda in SS, but don’t use her there) that means Chapter 2, with the non-students coming in at various points up through Chapter 13.

As is the case with every FE though you’re also going to have units in your army who you’re not using. I recommend recruiting everyone you can on each run except for cross-house students, for this reason: units not in your active army, hereafter called classroom units, can still be trained...in the classroom. Simply setting their goals appropriately when you first get them is all the effort you’ll need to put into them passively gaining valuable skill experience that can be put toward runs where you will use them, and between skill ranks and classes the former are going to take considerably more time and effort overall to max out. This is because class certification never asks for anything higher than A in a skill, but there are three additional ranks beyond that. Also, skill weaknesses are a thing, and while they cease to matter to class mastery once a unit is certified they’ll continue to be a problem on the long slog to S+. The thought of individually assigning classroom units goals may seem daunting, but in practice there’s a priority to skills that helps out considerably, as follows:

Authority: top priority for several reasons - it grants access to high level battalions which as mentioned makes earlygame a joke, it’s the only skill that can’t be leveled as an adjutant meaning that once a unit maxes it out they can be comfortably leveled in the back full-time, and it’s the skill that matters least to the class system so maxing it out won’t lead to any awkward situations, ex. a unit with S+ bows still needing to master sniper

Authority can be comfortably pushed to S+ solely in the classroom and rarely needs to be focused on as a goal by active units (Jeritza being a notable exception). The skills below however should only be raised up to A, A+, or S to allow room for some active training, and should be switched once a unit has reached a benchmark around that point so as to have more skills worked on overall. Also worth pointing out - it’s generally easier and more efficient for classroom units to train only one skill at a time.

Heavy armor: everyone who isn’t Edelgard only has three classes that boost it, and of these classes (including Edelgard’s) the only one without terrible movement is great knight

Flying for male units: except for Claude they have just two flying classes, although since wyvern rider and wyvern lord are pretty much the best physical classes in the game this isn’t as much of a hindrance as it is with heavy armor

Brawling for female units: there are only three unisex classes that boost brawling apart from f!Byleth’s enlightened one, and two of these (fighter and brigand) only give +1 putting a lot of pressure on war cleric to compensate

Skill weaknesses: this is where it gets more individualized, but as weaknesses slow down a unit’s progress in both the classroom and on the battlefield it’s very helpful to build up a good base when they’re not being actively used

To use Dimitri as an example, on AM runs where I’m not using him I would first max his authority, then boost up his flying or heavy armor (these two, or brawling and heavy armor for females, are about equal in priority and should be attended to with skill weaknesses/proficiencies in mind), then the other one, then either axes or reason as those are his weaknesses. If you want to really break it down bows, brawling (for males)/flying (for females), and riding take precedence over the remaining skills for having fewer classes, and faith is slightly more important than reason for the same, er, reason, but realistically classroom units aren’t going to be getting that far without much more substantial active growth taken into account.

Active units on the other hand can afford to be much more dynamic in what they learn during instruction, especially as they’ll be motivated to receive private instruction. Ahem. One thing to note is that if an active unit is working on a budding talent it should always be instructed enough to unlock as soon as possible, even if you plan on leveling the skill passively/in battle afterward. Gaining a proficiency really does pay dividends, and sometimes the ability is useful too. Group tasks are also important to keep in mind, and ideally you should plan each run to have at least two active units training the same movement skill to take advantage of the weekly boost.

On Byleth

Byleth is in many respects a special case. I frequently rail on their defects as a flat self-insert who makes every story they’re in worse because it has to accommodate their wooden presence, but here I’ve really only got good things to say. It should be pointed out that the journal treats Byleth as one character despite the gender difference, which is good as the male and female versions do not have to be worked on separately. Byleth can’t gain skill experience from instruction, but instead they gain it from faculty training which costs activity points but is on the whole a faster process. As noted below faculty training is the primary way of dumping excess activity points during exploration, because maxing out Byleth’s skill ranks is very high priority. Units receiving instruction get an extra +2 to their base skill growth if Byleth has a higher rank in the skill, hence it’s in everyone’s best interest for Byleth to max out their skills first. This is also the big exception to the rule about spending Renown only on skills you’ll be using in a run; Byleth’s ranks should always be topped out as high as you’ve gotten them at the start of the game, to give this bonus as often as possible. Admittedly you won’t be able to do this earlier on as it costs a hefty amount of Renown to get all of a unit’s skills up to S+, but in later runs it will pay off considerably.

Something else to consider about Byleth is their level. There are three reasons to level up Byleth even if they’re not an active unit in a run: recruiting non-student characters, the Proper Conduct Tournament, and making them less likely to die instantly if they get attacked in battle lategame since they’re force-deployed on every chapter map and paralogue. The highest level required to recruit anyone is 15 (if in AM or VW doing so in Chapter 4 gets you Catherine, but this might be unfeasible and it’s not a big deal if you have to wait a chapter for her), but you should aim for 20 by Chapter 8 in order to win the tournament. These levels are entirely manageable with Byleth soloing the Prologue and then spending the rest of the time as an adjutant, or playing a minor support role when they’re force-deployed (I favor giving them the Stride gambit personally). For the tournament I recommend certifying them as a fortress knight first for the massive DEF boost and then certifying and changing to swordmaster because they’re required to use a sword and therefore appreciate that class’s abilities. Winning gets you the usual quest rewards as well as a free brave weapon, not to mention the inherent humor of the game itself mocking people clutching their pearls over the teacher/student relationships.

What Matters and What Doesn’t at the Monastery

Learning how to streamline exploration is a key component to keeping these runs fast-paced and cutting down on real time spent. Bluntly, a fair bit of what goes on at Garreg Mach is irrelevant when you’re thinking on a cross-run level. Here’s what actually does:

Quests: should be done all the time as they increase Renown by small amounts, award resources and some inventory items, and in some cases unlock monastery facilities or other features like the White Heron Cup. Most of them also don’t take very long to complete, and once you’ve run this game enough you’ll develop a good rhythm for the quests in each chapter. Quest battles are also worth doing - see the calendar section.

Dining hall: the best way to increase your units’ motivation for instruction. Fishing and the greenhouse are for the most part wastes of time since you don’t need to manually grind out professor rank (important note: except on your first run, where it’s probably better to do them) and the rewards from them are either negligible or, in the case of the greenhouse’s stat boosters, can be replicated with auxiliary battles. However, you should get enough resources for meals from quests and such to be able to carry you through a run without much trouble, and if you do start to run out note that you can also buy poultry and wild game from one of the vendors.

Choir practice: comparable to group tasks for the faith skill, and as with those you should preferably plan to have two active units leveling faith each run to take the most advantage of this. Byleth also gains both faith and authority from choir practice, so you can make use of that as well.

Lost items: usually more trouble than they’re worth to remember where they are and when they appear, but technically they function as one-time liked gifts if you want to restore motivation without eating or spending money on regular gifts.

Faculty training: how Byleth raises their skills outside of battle. This is the main dump for activity points in earlier runs once the dining hall and sauna are taken care of, but it’s important to note which characters increase which skills and to spread your training out accordingly. This is a major reason why you should recruit non-student characters even if you don’t plan on using them, because they’re more reliable sources of this training than the student characters even into Part 2. Obviously once Byleth has maxed all their skills this can be dropped from your task list completely.

Special vendors: unrelated to activity points, but once you do the quests to unlock the NPC vendors and Anna’s secret shop at the monastery it’s important to stock up whenever you’re exploring since you can’t buy this stuff from other menus. Important items are gifts if you lack the activity points to feed your active units, Smithing Stones for basic forges and repairs, Arcane Crystals lategame for magic weapons if you’re using any, meat if you’re running low on dining hall provisions as mentioned, and Master Seals from Anna once you’ve exhausted the free one plus the five you can buy from the regular shop menu.

Saint Statues: see the above section on Renown.

Sauna: also starting in Chapter 5, provides an important boost to skill gained during instruction or faculty training that month: +2 for refreshed or +4 for very refreshed. Getting very refreshed is more a matter of RNG than anything as there’s only so much skill involved in this minigame, but most of the time you can at least aim for +2 on all your active units. This should always be done the first free weekend of the month, but if the sauna decides to be finicky with a unit and deny them a boost you can try again on a later weekend.

Mark Your Calendars

You’d think that the in-game calendar would be the centerpiece of my mania for scheduling and thus this entire guide, but in actuality it’s quite simple. Events like saints’ days and special meals cost you nothing to attend, but who joins you is totally random from among your current party so there’s no guarantee the associated boosts will go to characters you care about. Birthdays are negligible, but if you just have to have teatime for whatever reason it’s more efficient to do so in honor of a character’s special day than by wasting an activity point on a weekend.

I find that the most efficient way to spend your free weekends is that all but the last of each month should be used for exploration, to pick up and complete quests, recruit new characters, raise motivation for instruction each week, and do the sauna on the first weekend. The last weekend, the one before the chapter battle, should be used for battling. What kinds of battles depends on what’s available:

Quest battles should be gotten out of the way, especially those that bring new vendors to the monastery, but they scale poorly with your units’ levels and are generally very easy. A prominent exception exclusive to CF is a quest battle where you can only deploy Byleth and Jeritza, which Jeritza should always solo because he needs all the favoritism he can get.

Paralogues are hit or miss overall. Some are absolutely necessary - Sothis’s for a Knowledge Gem (see below), Dedue’s unless you’re completely finished with him and are also a heartless monster - but for the most part it’s up to your discretion. Some offer very good rewards and some have very good battalions to add to your guild, but on the flip side some paralogues are more annoying than others thanks to odd initial positioning, more level scaling issues, and/or fog of war. The cutscenes before each paralogue are also unskippable, so they cut into real time as well. Still, paralogues do have one benefit over every other type of battle available on weekends in that they restore full motivation to their non-Byleth MVPs, just like story battles. It’s therefore possible that if you have a bunch of paralogues available at once (common late in Part 1) you can do three of them on one weekend in place of exploration and come out of it with some extra combat experience as well as three characters with full motivation for the next week of instruction.

Auxiliary battles are DLC-exclusive and are distinguished by a yellow exclamation point on the menu. Compared to regular or red exclamation point skirmishes the enemies in them scale much better with your army (making them the best battles for grinding your units up to 30 for master classes), and they offer bonus gold and stat boosters that can sustain your army in the absence of facilities like fishing and the greenhouse. There are also only about half a dozen of them overall and each follows a quickly recognizable pattern of enemy placement, so they are by far the best source of regular, reliable unit development outside of story content.

Apart from Chapter 2′s month which is structured like a tutorial there is only one major hiccup to how you plan your weekends. If you’re planning to go CF then in Chapter 11 you’ll have to watch Edelgard’s coronation, but doing so takes up all the rest of the month up to the story battle. In order to skip the least amount of content you’ll therefore have to either forego a battle weekend entirely or else do one earlier in the month and accept that not all of your active units will be motivated the following week.

And Now for Some Actual Standard FE Gameplay

Skills may be the focus for long-term goals and development over multiple runs both in active armies and in the classroom, but it’s class progression that frames a unit’s development in a given run and is, relatively speaking, easier to plot out and manage. I say that...but the reality is rather messier than that, which I will prove with a live demonstration.

Before that though, the numbers: each unit can access 35-42 of the 52 total playable classes. As before mentioned four active runs is the number to aim for based on optimal army size, and that number of classes divided by four means that units will be expected to master 8-10 classes per run. One of the advantages to a four-way division is that it allows you to split up classes approximately according to the four beginner classes: each unit will have a myrmidon run, a soldier run, etc. As shown below however, these are very loose descriptions and are better thought of as a framework to aid development than as a set formula.

With regard to class and skill EXP gained in battle, the formulas are a lot more set in stone. Every time a unit engages or is engaged in combat, uses white magic or a gambit, or dances they gain 1 class EXP, increased to 2 with the bonus from the Saint Cethleann statue which you should definitely unlock early in your first run. There are two ways to increase this number further. The first is by equipping a Knowledge Gem, undoubtedly the most important item to 100% completion. You get one in a chest in Sothis’s paralogue, which should be obtained your first battle of Chapter 8 when it’s first available, and another after Chapter 11 provided you don’t let any enemies escape with Crest Stones. Equipping this item doubles the amount of class EXP gained, so 4 after the statue bonus. The second way to increase this the Mastermind ability, Lysithea’s personal ability as well as one in Jeritza’s starting list that he must equip in order to use. It has the same effect as a Knowledge Gem on its own, and if the two are combined they stack additively for a maximum of 6 EXP at a time.

Skill EXP has a few more parameters but is similarly straightforward. When dealing damage or using white magic units will gain skill EXP with the weapon/magic type they used, their movement type if their class boosts one (and they’re mounted in the case of riding or flying), and authority if they have a battalion equipped - and as mentioned, all of these except authority also apply to adjutants. The base depends on the unit’s proficiency in the skills in questions: 3 for strong, 2 for neutral, and 1 for weak. The Knowledge Gem and Mastermind work in the same way to increase this base: 6/4/2 using one of them and 9/6/3 using both. Then class boosts are added to this, with each class boosting affiliated skills by +1 to +3. Putting this all together, the most skill EXP that can be gained at one time is 12, if Lysithea or Jeritza w/ Mastermind equips a Knowledge Gem and raises a skill they are strong in in a class that grants +3 to that skill. Gremory!Lysithea with a battalion and a Knowledge Gem using her favorite meme Dark Spikes on Jeritza’s obnoxious serial killer ass would give her 6 class EXP, 9 authority EXP, and 12 reason EXP - and this is why Lysithea levels so fast.

Now then, to build some class sets. I’ll be using Hubert for this example, and for a different reason other than shameless favoritism mostly.

Logically a unit’s first run should play to their strengths as much as possible, to ease them into development with skills they’re naturally inclined toward. Hubert is a default magic user, so his monk run should be his first. To start:

Noble (this or commoner should always be a unit’s first mastered class because it’s so quick to get out of the way)

Monk

Mage

Dark Mage

...And here’s the first problem. As is contractually required for CF exclusives Hubert is an edgy atheist and is weak in faith, making the expected combination of a monk run difficult to pull off without prior investment as a classroom unit. But wait - Hubert has a budding talent in lances that a therapist could have a field day with, and his most feasible master class is easily dark knight. This encourages something like so:

Noble

Monk

Mage

Dark Mage

Cavalier

Warlock

Dark Bishop

Paladin

Dark Knight

There we go, nine classes which is entirely reasonable for Hubert’s total of 37. For his first run he can focus on reason, lances, and riding, safe in the knowledge that he doesn’t have to max any of those skills here as there are other classes that require them. Looking ahead to his second run, soldier might seem like a logical second pick...but if he spent some time working on his faith as a classroom unit there’s a better run of classes to knock out.

Myrmidon

Mercenary

Thief

Priest

Swordmaster

Assassin

Bishop

Trickster

Mortal Savant

Holy Knight

After this he’ll be done with all reason-boosting classes and should be comfortably finished with that skill, along with having high ranks in swords, lances, faith, and riding as well as with authority probably maxed out as he’s strong in it. Assassin might seem like an odd stretch here, but note that he’s strong in bows so it shouldn’t be hard for him to reach. With his third run it’s finally time to go back for soldier.

Soldier

Armored Knight

Archer

Dancer

Hero

Fortress Knight

Sniper

Bow Knight

Great Knight

Lances and bows frequently pair well together as they converge at the end at bow knight, and bows don’t have many classes overall and pair less with axes or brawling than those two do with each other. Axes are one of Hubert’s weaknesses, but at this point he should have built up his rank in them and in heavy armor to make this more manageable - but since these are far from the only axe classes heavy armor is the bigger priority along with lances, bows, and riding. Dancer seems rather random here, but I looked ahead to which run needed an extra and it’s a pretty flexible class anyway requiring effectively only 8 CHA (or 13 in some cases that will never apply to Hubert). Consider it one last chance along with hero for him to work on swords. And now for the last one.

Fighter

Brigand

Brawler

Warrior

Grappler

Wyvern Rider

War Monk

Wyvern Lord

War Master

Flying is Hubert’s other weakness, but as with axes he shouldn’t be starting from scratch with them. He might be with brawling, but he’s neutral in that skill and has lots of opportunities here to work on punching people to death. I wouldn’t recommend war monk/cleric to do any more work with his faith however, as both it and trickster have halved spell uses which makes them highly inefficient for raising magic levels.

That, by the way, is just one way to go about building these class sets. I went back and forth on a few of my own choices as I was writing that up. The thing about classes in Three Houses is that they don’t flow smoothly into one another, so there’s a lot of room for experimentation with different paths and a lot of variance based on each unit’s strengths and weaknesses.

Finally, a note on adjutants. Smart use of adjutants substantially increases overall unit development as it effectively doubles the amount of skill and class EXP your army can gain from each battle. Units who have 1) maxed authority and 2) are not in danger of falling behind the pre-30 leveling curve (units receive less regular EXP in the back) are prime candidates to be adjutants, and in later runs as more units finish authority it will become more common to have characters who’ll spend the majority of their time in the back. Of course you’ll always need two or three solid frontliners to actually complete the battles, but this is a useful way to play around annoyances like the bad movement of armors or the limited spell lists of most physically-oriented characters.

So About Those Spreadsheets

I know this is a ton of information to handle, and the game offers only the bare minimum for cross-run organization. This is where developing your own system comes into play if you’re aiming for a quick 100%. Personally I decide which set of units I’m going to be actively using on a given run, then plot out and write down which classes each is going to master and which skills they’re going to work on. I also note what skills classroom units will be building, and I keep separate track on overall maxed skills and mastered classes so I’m not dependent on the in-game journal to do that for me.

How rewarding is all this? That depends on how much you enjoy breaking down a game like this and really wringing the most of its mechanics to reach entirely personal goals. Just writing this guide has inspired me to attempt a 29 run 100% sometime in the near future, and it would be interesting if anyone else were to take on this excessive, overly meticulous process. I know there are other ways of approaching this concept, and even some things I could afford to improve myself especially for earlier runs as the first time I did this I was still getting a feel for the game and wasn’t playing at anywhere near as optimal a level. All the better for all the plot and characterization discourse I’ve gotten involved in over the past year, naturally, but there’s room to better my game.

And with that I am done...hmm, do Tumblr text posts have character limits? Only one way to find out, I suppose.

#Fire Emblem #FE16 #Fire Emblem Three Houses

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carriagelamp · 4 years ago

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A Bear Called Paddington

One of those childhood classics I had never gotten around to reading, though I definitely grew up very aware of Paddington. For those who somehow haven’t heard of him, A Bear Called Paddington is about a little bear from Darkest Peru who is forced to immigrate to England. The Brown family runs into this little bear at the Paddington train station (where he gets his name) and decide to take him in since he had no where else to go. The rest of the story follows Paddington’s various well-meaning hijinks. It has a similar feel to the novels of Winnie the Pooh and Mary Poppins. Definitely a slower book than a lot of children’s novels these days, but still super charming; this would make a great bedtime sort of story.

Battle Bunny

One of the funniest picture books I’ve seen in ages. It’s made to look like someone took an old Golden Book (“The Birthday Bunny”) and rewrote it as The Battle Bunny. You can read the “original” wholesome story about a little Bunny visiting his friends around the forest on his birthday, and then the relentlessly goofy, violent version of the Battle Bunny on his quest to conquer the forest.

Black Clover

...Okay but this is just Naruto. It’s about a spiky pale-haired boy in a headband with a dark-haired rival. Said spiky-haired boy is absolutely talentless but makes up for it with relentless determination and despite this complete lack of skill is convinced he will become the hokage- I mean, the Wizard King. He takes a ninja- wizard test, and when he passes he gets a new headband and joins a small team where he goes on missions for the community. His first mission involves him going to a mist-covered island where the village people are being tormented by a mercenary with ice magic...

Despite all this, it was an okay read and was kind of charming. If you liked Naruto, it wouldn’t hurt to check out Black Clover. On a more serious note, it’s about a world where everyone has magic abilities, to greater or lesser degrees, and when they come of age they receive a magical grimoire that gives them access to more abilities. The main character, however, has absolutely no magical potential and receives a grimoire that, instead of casting magic, has the ability to cancel out other people’s magic.

Bug Boys

A very charming graphic novel about a pair of beetles (Rhino-B and Stag-B). These stories are episodic little adventures of this pair as they meet other bugs and explore the land around the Bug Village. The tone is kinda wild because it goes from very simplistic goofy comic stories, to shockingly deep and metaphoric. Kind of has an Adventure Time like vibe?

Emily of New Moon

A Canadian classic. This is a second series written by L. M. Montgomery, author of Anne of Green Gables and it has the exact same style as Anne. In some ways one might argue that it’s repetitive of the last series, but honestly it’s exactly what I want. While I love Anne of Green Gables I never cared as much for the rest of the series, all I wanted was more Anne as a child, not Anne as an adult, and that is exactly what Emily of New Moon delivers.

It’s the story of Emily Starr, an imaginative, sensitive child, who is orphaned when her sickly father passes away from TB. Rather than leave her to an orphanage, her late-mother’s estranged family, the Murrays, adopt her out of familial duty and bring her to live on the strange, old-fashioned New Moon farm. There Emily learns to contend with the Murray pride, starting school, making new friends, and blossoming into an avid writer.

I’ve read this book plenty of times, and listening to an audiobook of it again was such a relaxing experience. I would recommend this to anyone that likes period pieces about whimsical childhoods and strongly written young girl characters.

Minecraft: The Island

This was my Completely Shocking Book Of The Month because I started it as a joke and, to my total amazement, kinda fell in love with it. But then again it is written by Max Brooks, author of World War Z. This ended up being a survival-horror isekai that actually sticks the landing, and this is coming from someone with zero interest in a) Minecraft and b) isekai. It’s like Hatchet, if Hatchet took place in a video game world and involved amnesia. I love stories that involve needing to learn a new set natural laws to navigate a world and this book has that coming out its ears.

It’s about a main character (with no specified gender) who wakes up and finds themself in a strange, cubed world, with a baffling array of rules. The MC needs to come to terms with being in complete isolation, surrounded by monsters, and constantly contending with starvation, fear, and confusion as they try to learn how to survive and understand this strange world they’re trapped in.

The Nameless City

Written by someone who worked on the Avatar: The Last Airbender comics, which isn’t surprising because this series has a very strong Avatar vibe, in all the right ways. It takes place in a politically volatile city. As it’s the only pass through the mountains, this city is constantly conquered and reconquered by neighbouring powers. This book is about Kaidu, a child of the Dao empire, the current occupying force. He was sent to the City to meet his father, one of the local generals, and in the meantime meets Rat, one of the city children who is actually affected by the constant violence and control of the occupiers. If you liked Avatar you should give this trilogy a go because the characters are very endearing and the art is beautiful.

Peter & Ernesto

Years back I enjoyed the weird little cartoons made by this fellow, when he was using the name The Grickle; I didn’t realize he was now making graphic novels. These graphic novels very much have his humour and art style all over it. These books are about two sloths: adventurous, optimistic Ernesto, and anxious, fretful Peter. Despite their differences, they’re best friends and are there to pull each other out of scrapes.

Rick

I’ve read Alex Gino’s other middle grade novel, George, which was about a transgirl coming to terms with her identity in grade four. This new book, Rick, takes place in the same world, though you don’t need to have read George first. Rick is about a boy who was best friends with the bully of the first book, and, now in middle school, is coming to realize that not only is his friend not the sort of person he’d always believed he was, but that his own sexuality might not be so clear cut either. On a positive note, this is the first time I’ve read a middle grade novel that deals with asexuality, and Gino creates rich, warmhearted, living worlds in their books. However, it also felt like it was trying to take the past ten years of tumblr queer discourse and cram it almost verbatim into one book which was… a lot to deal with. It felt rather preachy and repetitive of debates I’ve already been forced to live through, and I don’t always appreciate the conclusions the author draws on those debates.

Honestly, more than anything I would say read George instead, it felt like the much stronger book of the two to me.

The Rock From The Sky

Fascinating children’s book. Jon Klassen’s books are always bizarre and strangely toned for children’s books, and this one is no exception (this is the author who wrote Where Is My Hat and the like). I don’t know how to explain it without spoiling it, so honestly if you want a deranged children’s book, give it a read. All I can say is that, yes, a rock comes from the sky. Does it ever.

Sweep: A Story of a Girl and her Monster

An amazing novel! This takes place during the Industrial Revolution, about a chimney sweep named Nan Sparrow. After being abandoned by The Sweep, the only guardian she can ever remember having, she’s been scraping a living under the cruel thumb of the master sweep to whom she’s indentured. However, when she gets stuck in a chimney fire, certainly about to die, she finds that the char she’s kept in her pocket, the only thing left to her by The Sweep, has woken up and is, in fact, a tiny soot golem there to protect her. Nan and her tiny monster now have a chance to escape Nan’s servitude, and carve out a life for themselves in the grimy London streets — and more importantly, hidden up on the grimy London rooftops.

You Should See Me In A Crown

I decided to read this because I’ve always heard rave reviews for it, but honestly, it wasn’t for me. I can see why people do like it, it’s very much a cottoncandy sort of read, but it’s also very much not my genre. I didn’t love high school slice of life stories even when I was in high school, and it’s only become less appealing as I’ve grown up. And this high school in particular feels like it was lifted directly from a Disney Channel original movie. Way too much American prom culture. So yeah, if you’re into that sort of story, then it lets you experience that genre with a queer protagonist, but personally I didn’t bother finishing it.

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