#it always ends like this and we never learn

[emi-matchu]

It's interesting, I feel like my 20s were about learning how broken the world is, and rightfully resenting the lack of support structures for us to benefit from (and then inherit the maintenance of)

and now… I feel like I've exhausted what I can do by being angry about the state of the world?

the fundamental problems are… a set of centuries-long projects that I will never personally see the end of, and can't be waiting around for

and that my 30s are going to be about choosing what to therefore do in the realities of this world:

accepting that there's no Bigger Better True Adults coming to save us, and whatever happens next will be by literally our hands

idk this is just what I think of… the world has indeed failed us, but it failed our parents and their parents too—and for that to ever change, we need to stand up and choose to help build the better world anyway

and idk, maybe it was silly to ever think that utopia is the baseline of what to expect upon being born?… it's not like humanity had it and then someone really beefed it! this is the path from A to B, detractors and obstacles included

life is struggle, always has been. maybe someday even less so, but today it is this; so now what?

Listen. I get it, ok? I really do. You're autistic, the american education system failed you, you were lied to, raised by bigots, you're just trying your best, you didn't know, I get it. It's not a moral failing not to know something, the default amount of information to have on anything is zero. It's only when you find out that you're able to learn.

But here's the thing. While ignorance isn't a moral failing, it becomes one when, once confronted with your ignorance, you try to justify it instead of putting that energy into accepting it and learning something new. When you're faced with having done something wrong, said something off-color, displaying ignorance, you have to swallow the impulse to go "but I'm a good person, I promise!!!" and make excuses.

We all have our limitations, it's part of being human. But the moment you use your ignorance and limits as an excuse to remain stagnant, you have become culpable in your own ignorance/bigotry/whatever, and it goes from being something inflicted on you by circumstance, to a decision you've made. And that's what brings your moral character into question, far more than any lapse in awareness ever could.

It's okay to be wrong. Normal, even. What's not okay is asserting your preconceptions, defending your "right" to be ignorant, and fussing over your sense of guilt instead of simply going "oh fuck , did I step in it? That's embarassing, sorry," and letting yourself learn.

[baphometsss]

I don't wanna sit here and act like I'm a professional or anything, because I'm not, but as someone who has had to do a lot of work to overcome trauma and reconfigure my brain more or less from the ground up, there's a lot I have to say about Solas's mental state

We know that Solas was essentially used and abused by Mythal for millennia. Even if he wasn't under a geas, he was twisted from his purpose by being made to fight, and then created the Wolf's Fang which was used to make the Titans tranquil and started the Blights. He made those choices himself, but it's important to understand that no choice is ever made in a vacuum. She took advantage of his vulnerability when he was given a body after however long as a spirit semi-existing peacefully in the Fade, and moulded him into a weapon.

He is broken, because Mythal broke him. I'm not incapable of seeing why she did what she did because like I said, no one makes choices in a vacuum and I could write about her for a long time too (in a similar way to how I have had to do myself in my own life in understanding why others abused me). He was so traumatised by everything that happened and he was trauma bonded to Mythal pretty much from the minute he gained a body. Trauma bonds are not about love. He definitely interpreted it that way, as most people do, but that's the weapon abusers use to keep the victim under their control. Abuse abuse abuse show a scrap of love and then abuse some more. If I just take it, I'll get the love/attention I need. I will earn it, because love is suffering, and I have to suffer to earn getting my basic needs met from my family/friends. Mythal, as his creator, was the one who he would've attached to in a similar way to spirit Cole/human Cole.

Trauma bonds are pathological. Mythal made him believe that if he did as she asked, and kept supporting her, then eventually he would gain her favour and they would be able to free all the elves, and he'd be able to live according to his true nature, which is one where he doesn't have to fight. (Remember his personal quest in DAI? He actually kills the rebel mages for corrupting his friend--another Wisdom spirit--into Pride.) In reality, she was just using him. She always kept the bone just out of reach for her lapdog. The line from Rook where they say (paraphrasing here) 'you know, I was actually excited about getting your approval... That's how you do it, isn't it? Keeping giving little scraps of approval to keep someone loyal, and then you turn around and betray them' is so telling too.

Where--or from whom--do you think he learned to do this?

It literally reeks of a pathological trauma bond and honestly, with how isolated, 'grim and fatalistic' Solas is, it is not a surprise that he's so broken.

Solas, essentially, is little more than a lap-dog to Mythal. He followed her like a lost puppy, because especially in his early days, that's kind of what he was. You have to remember that most of the insight we get about Mythal is from Solas's perspective, and he is not a reliable person when it comes to her after so long being repeatedly terrorised and twisted and manipulated. There are several instances where he describes being betrayed by her, and mentions some of the things she did, but he never quite holds her fully accountable and ends up directing his rage elsewhere. (The parallel between Mythal/Solas and the rebel mages/Wisdom is important here.)

This awesome post by @mythalism only reinforces this. He is so messed up in that scene, he is broken, he is holding the Wolf's Fang up, trying to give it to her because it symbolises the burden he has carried for thousands of years trying to avenge her death. He never wanted the Fang, like he never wanted a body. Mythal just stands over him, fully aware of what she did to him, and only getting him to stop because Rook petitioned her successfully, and the reunion with the more benevolent Mythal within Morrigan tempered her anger. She was a goddess, with the unequal power dynamic, right to the end.

As a side note, on the potential romance element between Mythal and Solas, I read an excellent breakdown of it on Reddit a while ago about how out of character it would've been for Solas to keep something like that from a romanced Lavellan, especially in Trespasser when he comes clean about his plan/past. I can't find it now because it was pre-Veilguard release, but it made a lot of sense to me. Solas and Lavellan never have a love scene in DAI because Solas didn't want to 'lay with them under false pretences'. Lying about who you are when sleeping with someone is nonconsensual. You can't consent to sleeping with someone if you don't know their true identity, and someone who knowingly lies about who they are to get into your pants is a sexual predator. For someone who led a slave rebellion (no doubt many of them being sex slaves), and a former spirit of Wisdom, Solas would've been well aware of this. In the unsent letter from Solas to Lavellan he says he came so close to breaking and desperately wanted to stay with them as Solas, with the implication being that that is where he planned to sleep with them once he'd come clean. But because he stops, because he's still unable to forgive himself or release himself from his trauma bond with Mythal, he breaks away, and they never have sex.

Bottom line: Solas would've been honest about it. Especially that. As the Inquisitor says, he can't lie about his heart.

And it's why the Solas/Lavellan romance is so powerful because quote, 'you change everything'. Solas thought he knew what love was, that love was loyalty, devotion, worship, etc. It's not just his plans or worldview that Lavellan changes. Lavellan sees him for who he is, without the mantle of Dread Wolf, and because of that he's able to express his true nature to her, even if he's not being totally honest in Inquisition. Lavellan got much closer to the real him than most, as he says, and changed his understanding of love completely. Unfortunately, he has unfinished business, an unresolved trauma bond, and his crushing sense of duty to the past is what keeps him from taking that final step towards letting go of it entirely. Trick also says Solas doesn't think he deserves love, which tbh is kind of a hallmark trait of people who have survived abuse.

And honestly? Call me a simp but I think he really was trying to get the Inquisitor to stop him. He saw himself being unable to let go because he was so broken and burdened by his guilt, and knew he couldn't save himself--was too proud to admit that he couldn't, because how pathetic does it make him look? And how could he stop now without rendering all the damage he'd wrought pointless? Yet here was someone who had changed him right down to his core, who understood him in a way few people ever had, whom he trusted, whom he loved in a way he hadn't loved anyone else before. It took him 'centuries' to build up rapport with the members of his rebellion. The man doesn't not know how to form attachments without trauma, and suddenly he forms a strong one with someone who loves him completely and without condition. It's a jarring change.

Lavellan says that maybe they're being prideful themselves, refusing to see their own folly. But I think in admitting that they might be wrong, that it might be wishful thinking borne from misguided love to a truly terrible person, they've rendered the point moot. It shows self-awareness, which isn't folly.

If anyone can make Solas understand true love, it's Lavellan. Lavellan loved him when he was being his true self. Lavellan loved him after his betrayal was revealed. Lavellan loved him when his guilty conscience and terrible actions almost destroyed the world. Lavellan loved him because they knew the real him, and knew that his heart and spirit were broken, and knew that their love would endure, that their love would heal him.

And that's exactly where they end up. Healing the past, soothing the Blight, and loving one another completely.

[cl-0v3r]

Mel is alive, but at what cost

Mel was nearly killed TWICE, her mother began being a struggle, she'd been thrown aside and trying her best to stop her, her boyfriend is not doing well, neither is anyone else (can't blame them) and the fact that she hadn't cried or spoke much about this situation to anyone a single time?? She IS upset about every single thing, yet she stays strong and enduring every bit of torture. The most she did was tell Jayce that Ambessa put her palm on the table, and let him know that she is going to push for hextech. That's it, nothing remotely related to her feelings.

The fact that she was constantly looking at Caitlyn, being able to understand her grief and knew she was in pain?? Mel knows this feeling. She'd went through it.

And in the end SHE has to pay the price of her mothers incompetence.

The intro is very much foreshadowing, we know the hands represent black rose/LeBlanc.

This is what happens in act one, she gets kidnapped by them. The lyrics do correspond to the characters as well (not just Mel, everyone.)

"Tell you you're the greatest" plays as a petal of the black rose floats down the screen, I think it adds significance to the power this organization holds, possibly the Medardas greatest foe.

"But once you turn, they hate us" both Ambessa and Mel were present in this line, I think its foreshadowing for when Ambessa switches up for whatever reason and goes against both Piltover AND Zaun. And Mel WILL go through change as well, a change that could hurt her relationship with others, and receive interest from others too.

"They hate us" could be read individually too, I feel like its a sort of "realization" ?? Perhaps Ambessa WASN'T the one that switched up, maybe Piltover switched up on them, and maybe Mel JUST got out of wherever she's taken to, and saw the mess Ambessa had done to her city??

I think this represents ACT TWO.

The hands pull away and it sort of looks like Mel is fighting back, a "get away from me" type of scream. you know what this reminds me of??

Don't mind me just pushing my Jinx/powder-Mel parallel agenda

Here is when i think Mel truly learns about LeBlanc/BR, she curiously and slowly goes to grab the rose, she learns about the history between her Mother and them, Kinos death, and most of all, learns about HERSELF. The lyrics speak otherwise.

"Pray away, I swear

I'll never be a saint, no way"

This feels like a parallel to caitlyn of sorts if that makes sense. Caitlyn had done everything to try and stop the council from attacking the Undercity, she kept her mouth shut when Jayce asked about Jinxs grenade, she was willing to protect Vi and the undercity, but how many times has she been tossed around? She'd been burned, exploded, kidnapped (god knows what happened during that time) and hit in the face by the same person, her MOTHER died because of the same person. She has every right to go insane. And she is hunting ONE person, which is Jinx. Although she is harming the people around her along the way.

What if Mel goes through a similar situation? Her mother pushed for war in her city, she dragged the enemy along with her even if she didn't mean to, she manipulated everyone around her INCLUDING Jayce, she LITERALLY got Mel hurt from the chembarons attack and killed so many people during a MEMORIAL to get her hextech weapons, Elora is most likely DEAD, not to mention whatever happened in the past between them. And the thing is, this will NEVER end throughout the entire season.

And what if she learns what she is? That she's 'blessed' by Kindred? The fact that the wolf is quite literally in her blood?

I feel like the "ill never be a saint, no way" also sort of indicates Mel will realize she'll never be able to push for peace and mercy like she always hoped for no matter what, and she comes to accept that as much as it hurts. But not like how ambessa accepted the wolf, but she sort of realizes she needs to push a little violence, towards nobody but the one and only, Ambessa "fine, if you want me to be like you, I guess I'll be like you towards YOU." Type of acceptance.

I think its also related to Mels new outfit too, she's dressed like her mother, in red and all of that. I will still stand by the idea that she has plans to decieve, but she will do something she doesn't want to do.

Mel was left with no choice, that lyric sounds like realization, acceptance, but also like a plea at the same time, an "I'll never be who I wanted to be" because in the end, she's still a Medarda, she's still her mothers daughter, she still has violence in her veins, she will never not suffer from the weight her name holds, and she will never escape it either, its like a shadow.

The Characters won't be themselves at their core this season. And those vital parts of their characters that represent them are no longer there in the intro, they all have given up what makes them, THEM design wise. (e.g.) Vi without her tattoo, Viktor hiding his identity with the mask. And the thing is, they did that to themselves because they do self-harm, they're changing themselves because THEY want to, they're forcing themselves to do that, they think they're undeserving and they're erasing their past selves.

But Mel? Mel doesn't have her gold accessories, Jewelry, or her Armor, she'd been stripped bare and hidden away because of the brutality of her name. She pays the price her mother brought to HER city. She's forced to change herself against her will, because nobody is giving her a chance to push for her ideals.

This entire theory never ends, and with all of this? I kinda do see Mel actually committing Matricide, it lifts the "Ambessa will die" theory further.

[guiltycorp]

Even though I loved the writing of LoL Jayvik I really appreciate that Arcane is going for a different approach so far, makes things feel less predictable! Instead of ideological differences driving the divide between them it is more so that they are just... out of sync so far?? I mean, during last season Viktor even before his diagnosis was eagerly meddling with the Hexcore with little regard to safety, then straight up went for the illicit and damaging drug to facilitate the transformation process, then when he ran out of that drug he proceeded to try using Hexcore without it (when he already TESTED that on plants and should have known it would backfire) which killed Sky... At which point he went oh shit, ok, I should stop meddling with this thing and just die peacefully maybe. It's not very clear how much of that he told Jayce aside from making him promise to destroy the Hexcore, but Jayce's surprised reaction in s2 when hearing about Sky makes me think it wasn't much at all...? So Jayce doesn't feel as much of an asshole for, once again, going against Viktor's explicit wishes. He pretty much never has the full picture before being forced to make a decision! Idk it makes him very sympathetic to me ngl, just feeling more and more guilt but continuing to fuck up due to lack of knowledge and experience, is that not relatable? And aside from being entirely unprepared for Viktor's death even after s1 I think it's like Jinx says in this Act too, it was something he could fix for once... Perhaps this is why he agrees to the use of Hextech weapons, too, feeling like it's the only thing he can do to 'help' the people he cares about and protect himself too (I guess killing just 1 defenseless child wasn't enough of a learning moment for him lmao). Despite again, this going very much against Viktor's wishes (and Mel's!! we didn't get her with Jayce after this but I imagine she's not very happy with him either... Viktor&Mel team up when). This time Jayce is the one just going for it and hoping for the best despite knowing very little of how it works. I also love how a lot of us in the fandom and also Singed in the series assumed Jayce would be appalled by Viktor's experiments but instead... he immediately goes even further :D And when Viktor wakes up and goes bye Jayce is like ?? but then by the end of the next episode he starts to realise that ohh alright so maybe yeah they should have stopped... Who'd have thunk. I'm not super up to date with League lore but is it really that difficult to find a sane mage for consultation purposes? ...Also I really doubt that hitting that thing (wild rune?) with his hextech-powered hammer was a good move lmao and yet even in this it seems similar to what Viktor is currently doing. Both continue to use the arcane to try and fix things, Jayce through violence and Viktor through transmutation, but it kind of seems like the same kind of mistake. (they are just pretty bad scientists and always have been and i love that for them lmao)

[moonlight-prose]

RIGHT WHERE YOU LEFT ME

➛ 08. LOSING DOGS

a/n: i can't really explain why i took so long with this chapter. possibly because of how much i don't want this series to end and we're so close. but also it's just been hard to find the inspo as of late. but thanks to a movie day with @soulores where we yearned and screamed and laughed over this man, and well me rewatching the deadpool movies 1 & 2 for wade inspo i managed to finish this. it's been a ride delving into their angst and i hope you enjoy! we're one more chapter away from the ending and from this man's happy ending.

summary: time spent apart gives logan a chance to grieve - to mourn the family he lost. it gives you the opportunity to come to terms with what loving the wolverine means. the consequences that come with the choice of betting on someone like him. after all, he's not a violent dog...he just tends to bite harder than necessary.

word count: 7k+

pairing: logan howlett x f!reader

warnings: not explicit, angst, grief, dual pov chapter sorta, wade wilson breaking the fourth wall, wade wilson therapist, laura kinney is here to stay everyone, crying, pain, emotional turmoil, ptsd, time.

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You don't sleep anymore.

This wasn't due to a lack of exhaustion—you were always tired—you simply couldn't bear to withstand the dreams longer than necessary. They filled your head with their brutality. Ripped apart your psyche in such a short time frame, only to leave you split open and bleeding for the buzzards and vultures to pick at. You were surprised Wade never commented on how you resembled a walking corpse day after day.

Walking amongst the living as your soul was claimed by the dead.

Nightmares quickly became your waking reality. A piece of what Logan left behind burrowed in your chest, settling further than you could ever reach. But that remained the horrid truth. You didn't want to get rid of it—you couldn't fathom the thought for longer than a few seconds. The remedies given by Wade, Laura, Ness, were all flimsy bandaids that you stripped off when they weren't looking—hoping that the darkness within would eventually consume you whole.

What existed in your mind—in the very depths of your heart—were all you had left of the man who disappeared without a trace.

Staring at the ceiling was easier. Tracing the cracks in the plaster, the worn in marks of people who lived here long before you ever would. You pretended that he lay beside you—his body inches away from reaching for you. In search of a slice of contentment to counteract the yawning grave that threatened to bury him alive. You could play along in this delusion, create a world of your own as your vision blurred.

Maybe if you wished hard enough...it would come true.

Eventually the need for sleep won, dropping shovel after shovel of dirt. Intent on burying you six feet under in a spot that was never meant for you. Memories played on a loop, a reminder of what could never be—a fate that had been mistakenly written in the stars— and you accepted it with a solemn heart that sang a long forgotten song.

One you never should have learned.

A creak echoed in the living room, your door left ajar in case you had to run. But the cadence of her footsteps had grown familiar to your weary ears. The drag of boots across hardwood, a shuffle here and there in her attempt to stay quiet. She hardly left your apartment anymore. Taking a spot on your couch like a guard dog you never asked to keep—a protector who took on the role her father was meant to fill.

Laura often fell asleep on the leather piece of furniture never meant to be utilized as a bed. You peeked your head out once to check if she needed anything, only to find her laying with her body faced closest to the door—a cracked picture frame of a much older version of your Logan placed on the table beside her. Her brows were furrowed, face pinched in fear, and for the first time you understood her relationship to the Wolverine.

She shared much more than his DNA.

She was plagued by his nightmares as well.

Your heart cracked a bit further at the knowledge that she might never have another night of peace in her life. Forever taunted by a past that should have been happy.

Sighing, you turned onto your side, staring at the neon glow of your alarm clock—a polaroid of Logan propped against the lamp. Wade took it months before you got the chance to meet the man who would drastically shift the course of your life. Two days ago you found it on your pillow—a chocolate bar beside it. Wade's attempt at making you smile.

Even if all it managed to do was make you cry.

Broken wet sobs that left your body wracked with shivers, your heart numb to each emotion that might have existed before he walked away. You'd gone over their explanations in your head numerous times. Mulled over each word and soft whisper of why. Yet nothing registered but the emptiness—the hollow ache that spilled over with grief.

No matter how often you patched it back up, he still managed to break his way back in. The reminder of his absence only served to split you down the middle—rendering you incapable of anything but pain.

"I miss him too."

Your body jolted at the soft sound of her voice practically filled to the brim with melancholy. She stood in your doorway, hands limp at her side, and for the first time you saw her as who she really was. A child who lost her father not once, but twice. Wordlessly you dragged the blankets back from his side of the bed, rolling to face her as she clambered onto the mattress still clad in jeans and a t-shirt.

You offered your own pajamas a week ago in the hopes of making her more comfortable. Only for her to reveal she slept in her clothes even at the mansion.

Just in case.

"What was he like? Your father." The topic of the older Logan rarely came up for you, his memory somehow entwined with the man you fell in love with. But Laura knew him best. She'd seen him at his worst, only to watch him become the father he was always meant to be. "You don't have to talk about him if you don't want to."

She sighed, shifting around as if to shed the layer of vulnerability that scratched at her. "Angry."

You smiled. "Always?"

"No," she breathed. This breached onto territory she wasn't used to, memories she never liked to look back on, but for some unknown reason...it made you smile. So she persisted in spite of the discomfort that gnawed at her stomach. "He took care of Charles for a long time before he found me. Or well before I found him. But he had a lot to be angry about."

"I imagine." And you could.

Humans were their own enemy at times, destroying all that was good in the world. After witnessing what Fortuna went through—where her path lay—you understood how people would rather villainize what they didn't understand. Logan faced it each day, the difference of being someone who slipped by unnoticed yet could never truly reveal himself.

A man that carried the grief of all he lost and persisted despite the pain.

"He would have liked you," Laura mumbled, her eyes growing heavy with sleep's desperate call.

"I don't think–"

"You're like Charles." Her eyes slipped shut, body sagging into the mattress, while you were stunned into silence. "That's why."

She fell silent before the words managed to sink deep into your mind—puncturing a spot of love that existed in spite of all this agony. A place that Logan claimed all to himself. Yet as you lay there, tracing the lines of his daughter's face with your eyes, you felt her memory merge with his. Creating a small corner of your world for her to reside in—a home in your heart.

Tucking the blanket around her shoulder, you met sleep's call with a pleased sigh. It gripped you tight, closing its arms around your steady beating heart. Unbeknownst to you as the clock struck two in the morning, a shard of your broken heart wedged itself back into place. Healing over with a jagged scar sewn together by the girl who longed for permanency in a world that offered her the bitter end of a short stick.

The girl who asked for her father and got a mother instead.

Burnt pancake batter filled your senses, burning the insides of your nostrils as you were roused from sleep to the sharp off key singing of Wade in your kitchen. The spot beside you was empty, the sheets cold, and with a ragged sigh you sat up. Rubbing the sleep from your bleary eyes. What slowly became your favorite part of the mornings—waking up beside a man who did everything he could to keep you between warm sheets—suddenly shifted into a horrid dream.

You were alone. Again.

The familiar prick of tears stung your eyes faster than you would have liked. Although that might have been the pancakes.

In sluggish movements, you dragged a flannel over your t-shirt to combat the frozen chill beginning to settle in the New York air. Fall was right around the corner, leaving you with a list of things to do before the apartment was back in working order. The window still sat unfixed—plastic taped over the gaping hole per Wade's instructions—and the radiator gave out after Fortuna's whip went through it.

"Just call me angel of the morning," Wade crooned, flipping another charred piece of bread onto a stack that began to lean four pancakes ago.

Laura watched it warily, her fingers gripped around a can of shitty soda you picked up for her two days ago. Coffee was offered as an alternative to her sugary habits; she offered to steal in case you were low on funds. You figured it was easier to appease than argue.

"Do you even know how to cook?" she muttered, taking another gulp.

"Such a ray of sunshine. It's like Logan is still here with us." Wade poured another glob of chunky batter onto your now ruined cast iron pan. "Tell me does that come from your genetics or is it a fancy power they gave you?"

She snorted, her claws coming free to stab at the pile and drag a pancake to her plate. "Genetics."

"I figured." He slid the syrup her way, the bowl in his other hand nearly tipping the batter onto the floor. "Use a fork, you alley cat. Housewives do not get paid enough to cook a fantastic meal and serve it too."

"You're not getting paid," Laura mumbled through a mouthful of food.

"Exactly." His head glanced towards the stove, eyes narrowed in mock irritation. "We should talk about that huh Feige."

A pancake slipped off the stack, hitting the counter with a heavy thud and you began to wonder if the bread was in fact what he said it was. Ever since you woke up in the mansion, Wade had been your chef morning noon and night. Each meal entirely came with  

Laura squinted at the smoke rapidly rising to the ceiling. "Maybe you should cook them for shorter periods of time."

"Don't question my methods, I'm a pancake champion Oliver." Her face scrunched, disgust flooding across her narrowed gaze. "Oliver and Company? Orange alley cat led and taught by the smooth dog Dodger?" She shook her head. "Greatest take on Oliver Twist to exist?"

"Never heard of it."

He dropped the bowl, jabbing a finger in her face quick enough to startle you where you hid by the doorway. "I hope you're ready to have your life changed Howlett Junior by the voice of Billy Joel taking away all our worries. Right sweet angel?"

Your attempt to meld yourself into the wall proved unsuccessful when Laura turned to smile at you, trepidation rising to the surface in her eyes. They watched you with an air of indecision. After Logan left you became a ticking time bomb—each second passing quicker than either of them expected—and one day when it was least expected...you'd explode.

Every emotion you tried to push down would shove its way to the front, rendering them unavoidable. That's what terrified you the most. It scared them too—you could see it hidden beneath looks of false joy and hopeful glances. They wanted you to heal, to survive this grueling time of solitude.

You simply didn't know if you had it in you to appease their worries.

Peeling away from the doorframe, you moved closer with soft unsure movements. So unlike the person from before who got over the unrelenting fear of being seen, of one day being known. He read you like a book, flipped the pages with enthusiasm and love, and you thought what resided in your own heart was enough to keep him reading. You believed he might put pen to paper and script what lay in the path of your lives spent together.

But he stopped reading weeks ago, shutting the half empty story to save you from the grief that devoured him from the inside out.

He let you remain unfinished. Perhaps that's how you were always meant to be.

"Tell me somewhere in that sexy mind of yours there's a version of Oliver and Company, cause I can't be surrounded by uncultured fiends," Wade rambled, tossing two pancakes onto a clean chipped plate he slid your way.

"I know of it," you replied. The meek echo of your voice sent a wave of shock through your system—so different, so unrecognizable.

You wanted to be known again, to exist in the confines of someone's mind. Wade and Laura offered up theirs on a silver platter—promising not to tarnish the fracture spirit housed in your weary body.

The burnt flavor of bread nearly made you gag, but Wade's smile forced you to swallow with a half hearted grin. "Isn't it a cartoon?"

Wade huffed. "And we’re comic book characters. What else is new?" Chewing happily on his own plate, he drowned his breakfast in a heaping wave of syrup that dripped onto your flour covered counter. "The offer to watch it today is on the table."

You swallowed thickly, nose wrinkled at the bitter flavor that stuck to the back of your throat. "Actually I'm gonna go into work today."

They froze. Unease stirring to life in the small kitchen as they regarded you with the hesitation you'd grown sick of facing. You couldn't be a recluse for the rest of your life, spending days watching movies on your couch with Wade—sharing quiet dinners with Laura at the table that housed a vase full of decaying flowers. Things wouldn't come to a halt because a man exited your life—they couldn't.

Logan left to heal.

It was time you did the same.

"I don't have much sick leave left," you began, the argument ready to leap off the tip of your tongue. "And my shift ends at six, which gives me enough time to pick up some actual dinner."

"Wolverine 2.0 goes with you," Wade replied—the stern lilt of his voice jarring you for a moment.

"Wade–"

"She goes."

There remained no room left to place your well thought out points in, no space for you to budge on his only demand. You supposed this was better than having both of them show up out of the blue. Your boss hardly let you get away with Logan showing up once or twice; two heroes would send them over the edge, eventually leading to your job being terminated.

You sighed, pushing the food around your plate for a second. "I guess she can learn something. Since she's supposed to be in school."

"You know I'm right here," she interjected, shoving the empty dish towards Wade.

"Hush. The adults are talking." He threw a wink your way, eyes glinting with a mischief that dimmed the day Logan left. The sight filled your lungs with air, hope settling at the base of your empty heart. "I'll pack the lunches."

Warmth filled the empty crevices of your body—sparking life into a part of you that had been vacant for weeks. "You don't have to."

"Shush. I've got to take care of my little breadwinner." He pinched your cheek hard enough to send pain flaring down your neck. "Besides I need to live up to my role as wifey or Ness will stop calling me that in bed."

Laura groaned, her eyes shutting to the sight of Wade's brash smile. "Gross."

"Ew," you replied, unable to hide the grin that cracked across your dried lips. "I didn't need to know that."

"Au contraire. If I had to hear you and Logan go at it for hours at a time. Kudos by the way it sounded like he gave phenomenal dick. You get to listen to me yap about my sex life."

Laura sped past you, vanishing into the bathroom and slamming the door shut with her boot. You couldn't blame her reaction. Hearing about her father's life drudged up pain that still existed in the back of her mind. Grief that she'd have to work through. Yet if she was anything like Logan, you'd have to face your own broken trauma in order for her to finally face hers.

"Yap?" you inquired, desperate to move on from the topic of him.

"Yeah. It's what all my fellow Gen Z’ers are saying."

With brows furrowed, you bit back the swell of laughter that bubbled up your throat. "Wade you're older than me by–"

His hand clapped over your mouth, muffling the remainder of your sentence. "Shhhh." A quick glance was thrown to the side. "Last I checked this is the Logan show. Not the Wade show. Well...not yet anyways."

"Hey Wade," you mumbled beneath a scarred palm that gripped your cheeks together. "Thank you."

For the first time all week...Wade gave you a smile that finally reached his eyes. Irises plagued with the same flicker of sadness that weighed heavy in your heart. The feeling of loss within a found family—of things changing faster than you could process. In an instant you were back to square one, struggling to keep your head above water.

Only this time you weren't swimming these dark waters alone. This time Wade and Laura clung to you, dragging what remained to a shore of a different color. A life yet to be explored.

"Anytime angel," he whispered with a kiss to your temple—drawing you close enough to feel his heart beneath the thin t-shirt. An organ that beat for one more person, that carved out space for his small inkling of hope.

For the family made up of two mutants, a blind woman, a sugar bear, the love of his life, and you.

The clatter of keychains echoed past the empty rows of shelves, bouncing off high ceilings decorated with yellowed lights. You caught sight of a small X-Men insignia stitched onto the side of the faded gray backpack. The stitches were frayed, the initials of L. K. H. placed right above it in sloppy angled sharpie, but the sight explained enough. Her entire life was stored within these aged pockets, in a pack held closed by a broken zipper and some faith.

"I like the Deadpool one." You watched her gloved hands toy with it for a moment, eyes glancing down the rows of darkened shelves every few moments.

Even here in the midst of silence and history, she remained on guard.

You wanted to promise a sliver of peace beyond all that she went through—a place where nothing happened except the shuffle of books and moving of boxes. Only to realize that you'd never be able to tell her something so untrue.

She'd never be entirely safe again. That made you want to rip at the world until your hands went bloody and raw. Until there remained a guarantee that she'd be able to sleep at night, that when her father came home things would be different.

"Peter made it." She picked at the black polish on her nails—the bottle swiped off your vanity a week ago in the hopes you wouldn't go looking for it. "Said a member of X-Force should have the marker."

"Didn't...they all die?"

"Yeah. So it's more of a warning I guess?" She grinned, wide and bright and so carefree it tugged sharply at your heart.

You placed another stack on the cart, fiddling with the order. If you kept yourself busy you could stop thinking about him. You could shove each memory and shared moment of bliss to the back of your mind. This was your chance to find a small semblance of normalcy after so much damage, a change in the rapidly shifting path of your life. You used to enjoy shelving pieces of history—find contentment in the familiar pattern of routine.

Now his eyes haunted your mind. His touch was a ghost along the back of your neck. His smile was reflected to you in the face of his daughter—the crinkles around her eyes an exact copy of his.

You were doomed to repeat history, destined to break as Fortuna did with a shattered heart and the hope that one day he might come home and find you. He'd open the apartment door set in place by his calloused hands and find you right where he left you—waiting as time stopped and dust gathered and your heart called for a man lost in time.

"I've got to shelve these," you said, voice thick with unshed tears you swallowed down. "But feel free to pick a book okay?"

She nodded, dragging a small journal out of her pack—a chewed up pen with it. "Wade gave me your lunch."

"I'll come find you in an hour?"

"I'm not going anywhere." The words were said more for your benefit than hers—a way to appease the constant flicker of unease in your mind. Perhaps this is what she lived with her whole life. The pain of yearning for someone to come back to her, to stay.

You'd be that person.

You would stay.

Smiling one last time, you pushed the cart into a row sparse with books—the light clicking on above your head as your footsteps echoed off the wooden floor. Your boss texted you quick instructions before she took the upstairs shift, the piles left behind for you to sort through. It seemed that classes were back in session, each book taken out regarding some form of historical information on New York.

Your eyes caught the titles while you worked. Sliding books into their proper spot and discarding the paper slotted in as a placeholder. It became a mindless task. A job of familiarity that your muscles immediately recognized—your arms moving of their own volition. Giving free reign to your mind that turned over information at a rapid rate.

What happens now? What would life turn into?

Now that you were back in a place that held so much of your soul you found that fitting back into the mold felt wrong. You were a human who got caught up in the affairs of mutants. It had happened before to others like you, it would certainly happen again. Yet you weren't sure you could handle the pain of being tossed into the ring with no means of protection again.

Your heart barely survived the first time.

To do it again would mean signing your name along death's dotted line. Only this time the pact would be sealed with your own blood.

A tilted stack of books slid onto their sides, grabbing hold of your attention quicker than expected. You slammed a hand against them with the hopes of saving yourself from extra work. Only for the one in your other hand to slip, hitting the cart with a thud and shoving it a foot away. Your mind went into overdrive—the noise of metal clanging against the tall shelves reverting into the all too familiar crack of a whip.

You gasped, leaping back as if the pile burned right down to your bone—the books toppling to the ground in rapid succession. A domino effect that would leave you crouching for a good twenty minutes to put everything back in its rightful spot.

"No," you exclaimed, your voice unwavering amidst the anxiety that filled your stomach.

Something ripped at the base of your spine, crackling through your body like a livewire. It pulled at every nerve, every tendon and muscle, until you were positive this was more than an overwhelming amount of stress. Your vision went black, a glare of light flashing behind closed eyelids, as the world went still and time rolled to a deathly halt.

Blue washed off your stiff form in rolling waves, curling around your stretched arms and down to the fingers that nearly curled around a book held in midair. A rush of cold air flooded your lungs, expanding them in your chest with a strength you'd never experienced before. As if the missing piece within your DNA finally settled into place—a spot always meant to hold something else.

A power that flared to life with a burning wave of heat.

It welcomed you like a long lost friend. Burrowed into the broken parts of your chest with a promise to put you back together. Time trickled by as your heart started up again—beating slowly against your ribs. Surging past each part of you that intertwined with this newfound link.

You sucked in another breath, eyes fluttering open with a flash of cerulean to see Laura struggling along the bookcase. Her face screwed up in pain, claws buried in the wooden shelves to drag herself forward. She moved an inch at a time, her cry unable to fill the vacant air as she struggled to rip you from the power that fractured your mind.

Such an inconceivable topic: time. Centuries prickled across your skin, millenniums made a home along each bone that grinded to a stop, decades offered you a life that might have ended at the age of eighty.

Infinity. Immortality. An end that rivaled Death.

Oh...what bliss.

"Yes," you relented. An answer to the question that would never be said aloud.

Another pulse of energy flowed off your shoulders, spilling across empty shelves—rattling the boxes that began to topple to the floor. If you weren't careful you'd bring destruction to a building that became your second home. But the consciousness you relied on was suddenly nowhere to be found.

"Stop!" Laura's voice struck you across the face, punching into your chest with enough blistering pain to wake up your mind to what was happening within you.

Slamming your hands against the shelves that stood on either side of you, the light of blue sputtered out, dying quick enough for you to get a hold of your body. Time fell back into place, the books you nearly dropped crashed to the floor with a loud clatter of thuds, and you collapsed. Your knees hit the floor harshly, pain coursing up your legs. Yet you could barely keep your eyes open.

"Laura," you wheezed, body sagging against the shelf.

She collapsed beside you, gathering your hands into a vice-like hold. "What happened? What the fuck was that?"

"Fortuna..."

"Is she alive? Is she here?" Her head raised, eyes scanning the vacant area for signs of your variant self.

"She–" Your vision swirled with spots of black, your head fuzzy with the prick of power that wanted to consume you. "I–"

"We gotta get you home," she muttered, shifting her strength to lift you to your feet—body braced heavily on her as she walked. "I'm calling a cab. Stay with me okay? Just stay awake."

The distant ring of her phone echoed in the background as she dragged you with her, a familiar muffled voice coming through the small speaker. Wade. You wanted to speak to him. Ask him what just happened. But only one person would hold the answers—only one person would make you feel alive again. You sucked in a shaky breath, hot tears spilling down your cheeks. The image of him—his smile, his love—filling your broken mind.

"I'm taking her home," Laura muttered into the line.

Her voice became a buzz in your ears. Sharp and unrelenting and inescapable. Your vision went dark, mind succumbing to the painful twisting of your gut—the need to be anywhere else overtaking every other thought. Laura called your name, shook your shoulders, but the world faded away before you could reach out and grasp it; your body sinking beneath the depths, drowning in the soothing waves of time.

“How did you sleep?”

“No nightmares.”

“Are you lying to me Howlett?”

“I’m not lying,” he confessed. “I didn’t really dream of anythin’ this time around.”

Your own laughter pricked at your ears. “Don’t tell me. It was because of me.”

“I think it might be bub.” His touch ghosted across your skin—breath a wash of hot air against your skin. “Guess you’re my cure. Been lookin’ for awhile.”

"Logan," you murmured, eyes fluttering open.

His smile lit up the darkness in your chest—eyes crinkled and lips parted in a sigh of love. "Yeah bub?"

"Y-You're here..."

A hand curled around the back of your neck, drawing you in close enough to make the steady beat of your heart flutter. "Where else would I be honey? I woke up with ya."

"But you've been gone." Your brows furrowed, the haze in your thoughts blocking anything other than him. "I was with Laura–"

He stilled. "Laura?"

"She was helping me," you mumbled, attempting to force your eyes to stay open. "At the library."

"You're just dreamin'," he chuckled.

"But I'm not–"

Lips that haunted you in your sleep brushed across the bridge of your nose—his fingers scratching at the base of your scalp with a hum. "You haven't met her yet honey. How could you be with her at the library?"

You wrenched your eyes open, clutching at the covers that lay over your bodies in an iron grip. "Fortuna–"

Logan's body went still, his head rearing back to stare at you in abject horror. "How do you know her name?" he rasped. "I never told you..."

"What are you talking about?" The buzzing filled each sense, each part of your already numb body. "Wait. No. I need more time," you begged, tears rushing to the surface.

His face blurred, your name a distant call on the tip of his tongue as the waves crashed over your body. Dragging you back to a shore meant for you. Darkness swallowed you whole in an instant. Until you could barely catch your breath—the speed of time rushing to a quick stop. Within the hold of darkness, the drifting peace of nothingness, you heard it.

The vibrant sapphire call of a woman you believed to be the enemy.

“Do better than me."

"Love him the way I couldn't.

You gasped, thrashing against the vice hold that wrenched you apart. The voice whispered soothingly in your ear, a warm compression against a heart that longed for more than this unfathomable excruciating ache.

She drew you to your feet, hands clasped around your wrists, and helped you stagger to the ocean's edge. She faced you with a mirrored smile that faded weeks ago—her eyes bright and flickering with peace.

"Do what I couldn't." Thumbs pressed into the base of your wrist. "Protect them. All of them."

A thick sob ripped from your chest—eyes blurry with tears that refused to stop. "How? I-I shouldn't be this."

"It was always meant to be you. Not me."

"W-What?"

"When Death asks for your hand. Take it. She will lead you home." The scathing brightness of sunlight burned your closed eyelids, pushing you towards something familiar. A place you knew would protect you. "Until then. Show them that time was never the enemy. We're simply their companion."

"Fortuna!" you cried, the form of her slowly dissipating back into the realm of darkness not yet meant for you. "I can't do this! I'm not supposed to be this!"

"Tell him I'm sorry."

Hands grasped at your shoulders. The cold press of metal against the bare skin of your arms jolted you awake—lungs expanding with air that felt like home. The floral scent of your laundry soap filled your nose, the warmth of your bed dragged along your body, and the brush of hair on your neck drew you back to the present. Your eyes fluttered open, chest heaving for any amount of air you could draw in.

"Laura?"

She sighed, dropping the hold she had on your shoulders. "You did it again."

"Did it again?"

"Looks like someone got jealous of all these special powers around her," Wade teased from the doorway of your room—a glass of water in his hand.

"What?" you croaked, suddenly aware of how raw your throat was.

He huffed, settling on the side of your bed. "You've got a bad case of the McFlys. Traveling to and fro in the timeline. Don't think the big guy upstairs will like that very much."

"God?"

"Victor."

You choked. "Who?"

"Or maybe it's Loki," he huffed. "I get that show's timeline confused. Anyways up you go. Drink this. Nurse Wade's orders."

With reluctance you downed the glass of water, Laura's watchful gaze burning into your from the chair. They moved with hesitation brimming to the surface of their eyes—a glaze of uncertainty prominent in each shift of their bodies. They were scared. Whether it was due to what you were turning into or what you could become. You couldn't be certain at this time, but the fear still lingered in the air.

Thick and bitter and so unlike the two mutants who'd become your family in the past few weeks.

"What's happening to me?" you whispered, Wade's hand reaching for yours with a placating grin.

"I've got one guess and it's dredging up memories of that fucker Francis, but dormant mutant gene." The panic in your eyes had him reaching for your other hand. "Hey look at me angel okay? I know how to handle this."

You shook your head, that unsettling twist in your gut rising to the surface. "I'm not...No. That's not possible. I would have..." You hiccuped, oxygen becoming harder to reach for as his words began to settle along your skin. "I would have known," you whispered.

"I didn't." He drew you close enough for his nose to brush your forehead. "That little surprise landed in my lap like a bad case of chlamydia. It's rare, but it happens."

"Why me?" you uttered, unable to process anything other than Laura's sharp gaze."

He sighed. "We don't get to pick and choose. Something must have triggered it."

Fortuna's hold on your jaw, the rocks scattered along the dirt digging into your back. It all came back to you. Her final words bleeding with an act of sacrifice—a promise to gift you with the curse she was unable to handle. Do better than her. Protect them better than her. Wield the ebbing and flowing of time better than her.

She awoke a part of you that had yet to come to life. A dormant section of your DNA that might have forever gone unnoticed if her powers hadn't unlocked it. She gave you everything, dropped the burden on your shoulders, because she knew something you didn't at the time.

You had people—a family, a lover—to keep you stable.

You had the one thing she couldn't save.

"It was always meant to be you. Not me."

Laura sat up, her hands clasped tightly in her lap. "It's time."

Wade glanced over his shoulder. "We don't know where he is Oliver."

She sneered, digging out the small phone from her vest pocket. "I do. I gave him the keys."

"Call who?" you rasped, barely able to process that you were back home somehow.

Until her eyes met yours and drew you back to the surface with a name that burned right through your heart. "Logan."

The sharp thwack of an axe against wood filled the still air. Mist clung to the area, settling over his shoulders with a wet layer of frigid condensation. He felt it weigh in his hair, sink into his flannel, and send a wave of cold familiarity through his body. A place he never thought could exist in a different universe somehow stood the test of time. The Logan that came before was somehow more like his variant self than expected.

He sighed, wiping the sweat from his forehead—the split open skin of his palms healing over before he could get a glimpse of them. The axe remained lodged into a mangled tree stump. Slivers and pieces of all that he chopped scattered in the clearing. He'd have to pick them up eventually, but he chose to stick with the same motion.

A piece of muscle memory he'd grown used to.

The sun began its descent beneath the thicket of trees, nightfall coming once more to a home occupied by a single person. Merely him and the stack of unread books left behind by a man who shared his taste. He yanked the flannel off his body, tossing it to the chair on his small porch, setting another log into place with a breath.

"Fuck," he muttered, cracking his neck slightly.

A mug of cold coffee sat discarded on the small table he constructed two weeks ago. A means to an end. A way to keep his racing mind busy from the pain that echoed like a bad dream in his head. He'd forgone the whiskey bottles stored in the liquor cabinet, opting for the bitter tang of the wine you preferred with your dinner.

The image of your smile kept him awake most nights. The sound of your laughter playing on a loop like a scratched record he clung to. This was his salvation. Your memory, your joy. It kept him going on days where the horrors threatened to drag him beneath the surface of the Earth.

He dug his grave long before he met you. Whether or not he crawled into it relied on one simple fact.

Though he dragged you through hell—became the cause of so much suffering within your life—you still loved him. You were waiting for him to come home.

"Desperado," he hummed, yanking the axe out of the splintered wood. "Why don't you come to your senses."

Discarding the tool to the side, he gathered what wood might be needed for a small fire. It wouldn't have any effect on whether he stayed warm or not, but it would put him at ease after such a grueling task. Tomorrow he'd go back to work at the yard—his measly paycheck enough to keep him fed with meals cooked in solitude.

He tossed them beside his fireplace, wiping the dirt and mud from his hands with the damp flannel. Life shifted the second Laura handed him the keys to this house on the edge of nowhere. Back to a routine he once knew so well. To a life that once offered him the facade of peace. He might have deluded himself into thinking it would happen again—that he'd get the chance to breathe again.

But your memory clung to his soul. You refused to release him from the spell of your love.

Fortuna's memory remained at the back of his mind like a long lost friend—someone who once offered him a future filled to the brim with hope. And then there was you. His honey. His lover till death. You were the reason he kept himself breathing, the reason his heart continued to thrum in his chest.

You were his savior, guiding him through the grief with a warm smile and a kiss of life.

The shrill ring of his phone broke the haze of memories he found himself in. Dropping into the chair beside his bed, he unlaced his boots—yanking the device out of the drawer on his dresser. He rarely needed it anymore. The contact he had with the rest of the world now whittled down to the people he worked with and the cashier at the small market.

With a sigh, he flipped it open in the hopes it was Wade calling to finally bug him about returning. It wouldn't be unusual. Weeks went by sluggishly, dripping like honey from the jar as he attempted to fix the broken parts of his heart.

Leaving without saying goodbye is what hurt the most. His silent kiss pressed to your cold forehead, his lingering gaze that did what he could to burn your features into his mind. He wanted you with him. Here in this small home. He wanted to hear your laughter fill up the empty spaces, the warmth of your love shining in the air with a palpable physicality that stole his breath away.

Logan ached for you.

But you didn't deserve a man riddled with demons. Certainly not the version of himself that left you behind.

Laura's name flashing across the screen set that familiar unease back in his stomach. The terror that something happened again—something brought you pain when he wasn't there to protect you—filled the crevices of his heart. And with a shaky breath, he answered.

"Laura."

She interrupted him before empty pleasantries could rise to the surface. "You need to come home."

He swallowed thickly. "What happened?"

"I can't explain over the phone, but it's bad. She's not gonna cope without you here."

"What the fuck do you mean cope?" he bit out, his eyes flashing to the small framed image of you that sat proudly on his nightstand. "Is she hurt?"

"No."

He sucked in a breath, relief washing over his shoulders. "Is she okay?"

Laura hesitated. "She's...broken." The word struck him with a visceral anger—an emotion that nearly caught him off guard. "She needs you here Dad. Wade and I can only do so much and if I knew she was dormant I could have helped sooner."

Dormant.

He stiffened, fingers tightening around the phone hard enough for it to crack. "What do you mean by dormant?"

Laura sucked in a breath. "She's..." A beat of silence filled his chest with a fear he never knew could exist in this universe. "She's like us, Dad. She's like her."

Like her.

The world shifted on its axis as he sat there listening to Laura's shaky attempts to explain what occurred. How you needed him this time around. His heart rammed an unsteady beat in the confines of his chest. An echo that rang with a crippling hollow promise of loneliness. Only this time it didn't scream for him—it raged for the person he loved.

The person he left behind.

"Send her here," he said. And before his mind could comprehend the words spilling past his lips, he made a vow he failed to keep—a promise he'd fulfill until his final breath. "I'll keep her safe."

note: this is incredibly late than what i originally planned, but life has been chaotic. and to everyone in the us who are struggling, i hope you take care of yourself this week. we got this and i love you.

[tarotnoob]

What's happening for you in December 2024?

Randomly, doing a tarot reading. Probably should have done one before the election, huh? But actually, I went to Asia in October and that was after being extremely ill for like 2 and 1/2 weeks with an infection I'd never heard of.

Anyway, I wanted to do something fairly simple so this shouldn't necessarily be a collective reading [future me: JK I do have global predictions in here], but that tends to happen when I do these types of readings. Hopefully it will just apply to you individually and I will try to give as many specific examples of what to expect as I can.

Pick the pile or piles you feel most drawn to and scroll down. PS: apologies for typos as always. I voice to text and I'm too lazy to go back and edit.

Pile 1

Significant dates in December could be the 10th definitely, the 4th, or the 2nd. I think you can see what's happening based on the oracle cards... For December, it kind of reminds me of when you're using a navigation app and you suddenly find out that the way that it's taking you is a dead end and it has to reroute. Because I almost feel like that closed door is at the top of the escalator and then you reach the top and then you have to come right back down.

Or I also get the sense that maybe there was an opportunity or plans that end up getting canceled. It could be like a flight, it could be a party, it could be a job opportunity, it could be some type of obstacle that comes up in a relationship. I mean the literal way of looking at it if you want to go by the cards and what the circumstances could be. If you start with the ten of cups which is joyfulness and happiness or family and then it's followed by a ten of swords well it definitely feels like a period of happiness is probably coming to an end. I don't mean that in a like terrifying way. At least I don't think. I just feel like December for you if I'm honest and I want you to be prepared, you might have a lot of ups and downs. Clearly there are going to be some good times and then there are going to be some bad times and then there are going to be some more good times. And then you might be faced with a choice in which you have to figure out a different way of going about something.

Basically what I want to tell you is that for those of you who picked this pile, you might want to have a plan b for anything that you have coming up. It might even seem like everything is going to work out fine but then you get to the airport and at the last minute your flight is canceled. And it's like okay well what are you going to do now because you were trying to get home for the holidays. So are you going to get into your car and drive? Are you going to try to find another flight?

I mean if you are American, there's a good chance that you might feel a little depressed going into the next year. If you are American and not depressed knowing what I'm talking about, please unfollow.

But even after the ten of swords, we have the four of wands. So maybe it is a little bit of a tower moment that happens for you in that something that was working before is possibly coming to an end but with the four of wands, it might be that something else will come in that provides a stronger foundation. And I see you in the 2 of wands looking for that. An example would be let's say you want to quit a job. It was good for a while but it's sort of coming to an end where maybe you aren't learning anything anymore or it's getting tedious or something else is going on. And you start to think okay maybe I want to work abroad or maybe I want to do something completely different so you have this choice to make.

You might be looking for a different kind of happiness or you might even need to go on a vacation to think about things. Some of you might have had a relatively rough last few months of the year and so you need to do something fun? I sort of wonder if the four of wands represents New Year's. Not that it really matters. Plus people's New years are different

Other specifics or collective kind of readings. Again in terms of the collective, there could be some up and downs in terms of good news that happened throughout December. I do see people needing to go around to get the information that they want or to get where they need to go. It's almost like if anybody is trying to advance like in an upward trajectory whether it's career or seeking something, it looks like there will be blocked doors.

I have two cards that for me indicate family or the home. So some of you could be relocating or moving house. Some of you may be breaking up. Some of you may get not great news about a family member. But more than anything I just see annoyance at like a plan or event having to be canceled or rerouted. Like you were really excited to attend a concert or a party and at the last minute it gets canceled.

On a worldly level if we take it just a little bit dark, and you look at the word defenses and you look at this ten of swords and you have a castle and you have somebody who kind of almost looks like a general looking out at a globe, we might see some more conflict in terms of wars or discord among countries. I know that might seem obvious because it's always ongoing. Maybe serious enough to where there's some type of lockdown. Sometimes when I look at the escalator I get a bit of an ominous feeling. Like you go up the escalator but you don't really know where it's taking you. And then even when you get up there the door seems to be locked or guarded or blocked.

On a lighter note it could be about being blocked from your creativity or some type of blockage in the way of feeling happy or being happy or finding happiness. Some of you might be feeling a little depressed and you're looking for answers about how to be happy or what makes you happy or things you could do to be happy. Some of this might especially have to do with relationships or family. Because it's almost like if I was the ten of swords person and on either side of me I'm thinking and daydreaming about a fantasy life where I'm happy but in the meantime I'm pinned to the ground with like 10 swords and I just see darkness above me. And two of wands guy is also searching.

But what can I say other than December is just going to be up and down for you. You might feel guarded or you might be dealing with other people who are a bit tense and also guarded, especially if you are going home for the holidays and maybe you have negative interactions with family. But also you might have a little bit of fun with family.

We can talk about how you have two tens and 10 is the number of completion. But that just makes me think well the year is coming to an end. I do still think that an era of happiness is sort of like maybe coming to an end in some way whether it's like friendship or you're an American and you feel like dark days are coming again.

For those of you that do have to make an important decision by the end of the year, I do see you finding your answers that you need. Or being able to come to a decision.

Random but back to being collective, I do wonder if there are going to be some negative things happening toward the gay community or gay rights. That should be obvious but when you look at the little rainbow colors and the ten of cups and then you put it next to the ten of swords and then you have a card next to that that's usually indicative of marriage. You might see more states in the US voting on gay rights and gay marriage. And it could even be that the world will be watching these events as well maybe the US sort of falls apart in terms of its social and legal freedoms.

It's interesting Dad the mountains and the ten of swords are far away and then in the two of swords sorry two of wands, it's like you've moved past that moment and are now on the shore that you are longing for. So again since I misspoke, I think there's a decision to be made on maybe your perspective or attitude about how you are looking at something and then finding ways to change that perspective or to find different solutions. Just like how I was saying that you would have to reroute it might be that mentally or intellectually you have to change your perspective or else you're going to be stuck.

It definitely seems to be putting emphasis on finding what brings you Joy and not just yourself but maybe people around you or making sure that you surround yourself with people that make you feel good and happy. And if you don't have people like that then maybe the alternative is to just be by yourself if that's better.

And I do at least see a few people who are looking for love or wanting a family or wanting to start a relationship or to settle down in something like that that feels domestic and stable. But maybe it seems like it won't happen or it's far off. But again I think it comes back to perspective and okay well let's say you're only trying to find people through dating apps and that's not working well sounds like you might have to try a different way of finding people.

And the last thing I will say is that the escalator looks to me like it has stopped and the defenses card obviously also is about being stopped and the ten of swords is the most negative card here and that person is stuck. So I think if you are feeling stuck even though this is obvious advice, you're going to have to think about another way of doing something. If it's not working. Or if you aren't making any progress. And this doesn't indicate any particular choice one way or the other since it's the two of wands. That's just the part of the path where you are making a decision. So the answer right now is to find the path. And it's whatever path leads to you being unstuck.

But also in general also see some division around the world. I mean that's to be expected. Like factions being split in 2. More situations in which people are split into groups and separated and like pitted against each other or being on opposite sides of some issue. In conclusion basically I think we'll see an arise of global conflict as we enter the new year. More things on the news.

It could even be that people are forced to start paying attention more to what's happening on a global scale, watching more news, needing to be more educated about the things that are happening. Not just the US obviously but Africa, Middle East, Europe and the western part of Asia. All the bits you can see in the globe there.

There's an emphasis on water to me. This could be we might have more issues with contamination in the oceans, hurricanes, tsunamis, some issues being weird with the water or a focus on water.

The last thing I'll say is that I see an emphasis on blue and yellow in particular so maybe the confidence to speak out or say what you think or to speak as in to make decisions. Or have confidence in the way you're thinking. Confidence in the decisions that you're going to make.

There's definitely a sense of being planted firmly. So I think again maybe people having to choose sides and being firm in that.

Yeah I wonder if there's going to be some type of outbreak that happens through water. Like contaminated water or water shortages.

Or if not that then a particular country that is surrounded by water might be in the news in December. I'm feeling more like it's Europe though. Or like the Mediterranean. Like Greece or I don't know. But something curious that has to do with water around countries like that or even Spain or Portugal. I can't tell if it's good or bad I just feel very fixated on the idea of water. It doesn't feel like it has to do with weather though. But it feels weird. Like something incredible happening? In my mind I'm seeing like submarines emerging from water or maybe it's because I watched too much of this alien show and it kept talking about UFOs emerging from the water. But it's almost like this feeling of people being fascinated by this thing that's happening and then it turns out to be kind of like not good. But I don't know why I feel that way

Or maybe it's like a Titanic situation and people go on a cruise and some type of cruise ship accident happens and it's around Europe. Or like not the Olympics but like some major international event that's happening in Europe by water and something surprisingly catastrophic happens? I don't know why I feel that way. I hope that doesn't happen though. I don't think it's a why. A volcano?

An oil spill? Yeah I'm leaning more toward a situation like one of those and it maybe pollutes the air or the water. Like turns it black. And maybe it f**** up the water. An earthquake? Maybe it's like something like that happens and then for some reason you can't get resources to those people. Because like you can't fly through the air or you can't get through the water. I don't know if it's a military thing. I'm still just getting something more to do with the water but I guess even militaries could potentially like poise in the water or drop weapons and then that destroys the water or land or sky

Well that got pretty dark. But I feel so strongly that it has something to do with water or the sky and turning black and people potentially dying because of contamination or poison or toxins... sorry just keep in mind that's the collective part.

I probably should just do a separate reading on world predictions....

Pile 2

I wouldn't be surprised if some of you are drawn to both piles one and two. I kind of feel like they overlap a little bit. Hopefully I remember that there was a point when I was laying at the cards and I kept not being able to figure out which way the hanged man went.

My first impression was to say as advice for December to not consider shortcuts or cheating. Or be wary of people who are going to try to cheat you to get what they want. I almost feel like you will be at a point where you have to make a decision whether you want to do it the right way or you want to accomplish it through kind of nefarious methods. Granted that could be somebody else to be wary of. In particular they could be a Pisces or you could be a Pisces. Or maybe there is a particular planet in Pisces this December. The last pile I talked a lot about water in terms of a collective event but again I'm drawn to blues and water for this pile as well but I'm finding this more to be a theme related to emotions or even blocked creativity

I also feel like there's advice to block out people who are like that who are looking to start a fight with you. I see the two of swords as someone protecting themselves from the negative energy that's happening and the five of swords. And even with the hanged man I see like a sense of protecting your mind and your space. So I don't usually say things like this but I wonder if you should request protection from your guides or whomever or if you will be especially under protection this month. I also feel like you have a lot on your mind in terms of philosophically or creatively. But you have a lot of thoughts going on in December. It almost feels like a lot of contemplation in terms of trying to find peace? Like if your job is particularly stressful, consciously making effort to find ways to avoid that type of conflict. Like whether it's literally doing yoga or reading more or exercising

I should also say the dates of the 2nd, 5th, and 12th or 3rd could be significant.

It might be that you have a decision to make early on in the month and then there might be a little bit of conflict but by the mid part of the month I think it should be worked out relatively somewhat

I think you might be standing your ground more and having to introduce firm boundaries with people. Again I'm thinking about the defense card from pile one. You may find yourself getting into Petty arguments with people so you might need to find ways to avoid that or remove those people from your life.

To look at it less negatively per se, you might actually win out on some type of competition or project? That's not really what I'm seeing it as about but the five of swords doesn't always have to be the worst card, I mean it could be that there's a competition and you end up being the winner and you collect your reward.

But I don't really see that. I see the message as being to protect yourself from that type of energy whether it's you starting to feel angry or like you want to pick a fight or it's other people picking a fight, I'm seeing the hanged man and the two of swords are saying to relax and go with the flow and be more mindful.

It could be that some type of wisdom or information that you come across allows you to win over a certain circumstances or I guess I just feel like it's more use your best judgment or wisdom in a situation when you come across conflict. Like don't be rash to react, I'm getting you should think things through and don't rush it and really use your head the right way before you make any kinds of decisions. Especially ones that could hurt other people. But if you think it is the right decision, you should probably follow your gut

I wonder if you might have some restless dreams this month. Not nightmares exactly but fitful sleeping or when you dream come with the dreams are of like fighting with people or yeah maybe some bad dreams. Like with pile one though, there just seems to be a blockage...

And with that pile the advice was also to consider your perspective and changing it when you want to find the most amicable solution... The hanged man is about saying things from a different point of view. So I think there will be a lot of reflection on some type of conflict with friends or at a job or people in general.

It's interesting in two cards the figures are holding swords.

I suppose I should bring in the oracles. But integrity and play time was what made me think even when playing a game not cheating or not taking shortcuts. Or when engaged in a battle, not using cheap tactics to win.

This could also be an overall message of when you want to deliver a message. Like if you want to get your opinion across you can't do it by forcing it on anybody or making it seem like you are absolutely right and now I'm going to push this on you. It's almost like delivering a message in a kind and respectful way. That's not really something I can do well. Because often we have emotional reactions to situations and we go well you were wrong and I'm right. When sometimes it's about perspective. And if you really want to convince someone, that wouldn't really be the way to go about it

So I guess to be specific you might have an argument with somebody in December. And before the argument happens, I can put it in your head that before you take on that mentality that I'm right and you're wrong, to consider the other person's point of view even if they are like completely wrong by normal standards, if you really want to reach them, you're going to have to put a little bit more thought into how to communicate that. Like even if you are in a relationship now, and you have a fight with your so, and you start to think well I just want to be right I don't care, thinking about okay like how does your tone or how harsh you need to say that affect your partner

In that instance, there are ways of getting your point across that you don't have to be cruel and you don't have to make it into a competition if you really care about the person.

The hanged man makes me want to say maybe be a little bit more benevolent than you normally would. Even if the person is despicable. I think also maybe whatever is happening in Pisces in December will be affecting you creatively and in terms of your sleep again. Because with the two of swords and the hanged man I feel really drawn to that aspect of Pisces that has to do with like the sort of nether world. I don't mean like Scorpio, I mean that like 12 house stuff. So in conclusion you might be experiencing some spiritual conflict or philosophical conflicts in December related to conflicts with other people and their beliefs and you not having the same beliefs. I feel like you will have choices whether to stoop to their level or not and you should take the high road

But there are indications of somebody in the situation being Petty and cruel

I also see opportunities for creativity. This could be anything from going out with friends to try to make a candle or feeling like you want to write or paint

But mostly my advice is to for this month in particular for December is to act with a little bit more decorum and maturity than you normally would. If you're always like that then don't worry but I just feel like you get special bonus points if you act a little bit more mature than normal. Like if you go home and you fight with the siblings, you decide to be the mature one if a fight breaks out. Like leading by example is what I'm getting

You might do something at night time that is particularly fun. Like stargazing or a concert or doing something fun but it's night time. I also feel like in terms of when you will feel the most creative will be more at night time as well

Silly little things to say would be being around water will feel inspiring, listening to music, doing yoga and meditation will help a lot this month. I also feel called to tell you to consider taking vitamin c. Make sure you're getting enough sleep and as my friend would tell me drinking water. It just feels like a good time for you to detox. Emotionally and spiritually and even physically

For me in terms of colors there's an emphasis on blue and red with a little bit of green. So finding ways to feel stable, stabilizing the way that you think, which makes me think of meditation and you know maybe writing and journaling to organize your thoughts, this is what came to me just now is listening to the kind of music that stabilizes and connects your mind with your heart? Like whether you're working or exercising or doing something creative but listening to music, listen to music that fits your mood or what you're trying to accomplish. Or maybe I just need to say that music will be a great mood stabilizer for you this month

And again besides you being a Pisces, you might meet somebody this month that is a pisces or a Pisces will have a lot of influence on you this month

More than likely I see conflict with that person but still. But if you are feeling like you are spiraling in some way or stressed out, definitely turn to spiritual and creative practices as a way to stabilize and calm yourself or distract yourself. Because I do think that you might be attracting people who want to annoy you or pick little fights with you or they might be little tests to see if you'll react emotionally when everything in the cards is saying that this is a time to work on that and remain calm in those types of situations... and again really listening to your gut this month. Listen to your instincts when it comes to people or situations.

And also if there's high amounts of allergens or environmental irritants or pollution, wear a mask or don't go out. I don't know why for the first two piles I keep seeing like pollution as being a big deal whether it's the sky or water or something

There's lots of gray in the cards too which I'm not really sure what that means because none of the chakras are gray. But that color is coming in pretty strongly like a gray and silver. I don't know if that's supposed to represent smoke. Nothing really comes to mind for me when I think of gray or silver so I'm not sure how to read that....

It could also be that something significant is going to happen for you during Pisces season. I just get the distinct impression that there might be somebody who wants to or tries to take advantage of you and maybe they are a Pisces or this happens in the Pisces season so be especially vigilant and discerning between now and like March. And then to be even more specific, if you're traveling be mindful of pickpockets or making sure to lock your cars or your apartment when you leave and keeping a close watch on your valuables

I don't know, maybe watch out for people wearing yellow boots or shoes. And red tides...

Also I know you always hear this on YouTube but genuinely as I'm trying to think about why this creepy five of swords guy is looking at two of swords lady like this, you might have somebody who's kind of creepy and watching your social media. If it's an x or a weird jealous acquaintance or friend or frenemy. You might consider blocking them or turning your social media private. Because I do get the sense that for some of you, you're being watched and I feel like you need to be protected or you need to protect yourself a little bit, especially because they could be energy vampires or trying to send you negativity. So that's why I feel like you need to be especially spiritually and even physically vigilant this month. It's not like I'm saying I see impending doom

It's more I feel obligated to give out a warning to be especially vigilant toward people who would want to do you harm or cheap or like be a bully. But it reminds me of sword art online when you can put a tracer on people and keep track of what they're doing and where they are. There's just this feeling of something following you.

But on the other side of it it could also be something as simple as you being stuck on some type of fight that you had with somebody. Whether it's road rage or something somebody you know said that was kind of hurtful. But I talked a lot about negative stuff but keep in mind your Oracle cards indicate fun times and keeping your integrity and being a bit more creative this month and wanting to feel more in touch with your spiritual and creative side and finding outlets for that this month. That way you can tell the negative people to f*** off in a more spiritually progressive kind of way

Pile 3

This is the first pile to feel like it's really about the people in your life. But there are a few ways to read it. For example since we have perseverance here, it could be the expectation of receiving something from somebody. Page of pentacles indicates it's more likely to be physical or the physical manifestation of something. As in there's something that you have been wanting to give someone or I've been wanting to receive from someone for a long time and then receiving it. Of course it could also be about a communication or message regarding this as well. Something that you've been wanting to hear for a long time from somebody. The people involved could be somebody like the Queen of wands and somebody like the king of cups

So yes it could be a romantic message especially with a red rose involved. Obvious examples could be receiving an engagement ring or some type of token of affection from somebody. If the Queen of wands is giving it, it could even be something that she creates to give to the king of cups.

But I think also if the cards just represent aspects of your personality, it could be something that you yourself are creating or even saving for since we're likely talking about money or finances or again something physical. We have two of the more creative and sensitive Court cards, so it could be writing a book or making an album or whatever creating something physical that takes a bit of a creative and sensitive process. It would also be you taking the lead on it.

It also feels like there takes some time to create this and maybe even some difficulty or obstacles along the way in order to create it or establish this relationship. It could even be a romantic situation in which you have been waiting for a soulmate and you might hear from them this December or the chain of events leading to this meeting could start in December. If you already have an established relationship, something significant could happen in December or just something romantic.

Flowers in particular seem to be something happening here because I'm drawn to the sunflower on the queen and we have the rose. So it could be just somebody giving you flowers or something related to growing something. Or just something easy and romantic. It's just that this could stand in for so many things since it can be a physical object or sometimes when I read pentacles, it can be something that's been thought about for so long or talked about for so long that it becomes a physical element or a part of you. So for example like a commitment could be seen as a pentacle. So two people are talking about a relationship and taking it to the first level or the next level. So that pentacle can represent an offer of commitment.

Let's break it down to be a little bit more specific though. If we look at the order that the cards are in, it seems like the queen is offering something to the king but the king isn't looking. This could be that it's the queen that is the one who takes action first, it could be a sign that you are the Queen of wands, and if you have been waiting for a soulmate or something that the king facing away from the queen means that you haven't met this person yet. And sure you could meet them in December.

That could make sense as the queen here is known to be more bold. So I would guess that she's going to be the one that makes the first move. And just because I say she it doesn't really matter. This could be either person in this situation but they would represent those type of qualities of being more bold and outgoing. So it's almost like she is either making the first move by saying hey do you want to talk or hey I like you or she's bold in the way that she sends him a gift or some type of offering. This could be an example of how you even meet. Like let's say you go to a bar and you buy somebody a drink. In this scenario, you probably wouldn't know the king but you would be the one making the first move. There would be a conversation because pages have to do with communication.

If you aren't looking for something romantic, of course you could read this as platonic or even work related. Granted the rose in perseverance kind of throws that off but that could just be speaking about you...

At the most simple way of reading this, it could be words or some type of communication that's being exchanged by these two people. It could be a person who is quite bold and creative and confident and they decide to have a communication with somebody who is emotionally mature and a good listener. And maybe the conversation is somewhat serious and about some type of problem that you're having that requires strength or perseverance. Basically just saying maybe in December expect to have a somewhat deep and serious conversation with someone.

But what are my first impressions when I just look at the cards? Do I see it as kind of romantic? Yeah if not romantic then some type of long-standing affection or feelings. To me it feels like both an established relationship or something that will be coming. Because when I look at the perseverance I see this as either two people who have gone through a lot together and sharing some type of commitment and communication being a big factor of their relationship. And on the other hand I see the perseverance as someone who might be have been somebody who has waited a long time to have this conversation with this person or to find this person at all. Like it feels like celebrating an anniversary and exchanging gifts for that. Or talking about the relationship.

Again I see one person as being a bit more bold and extroverted and outgoing and the other person might be more calm and not necessarily quiet but probably the queen does most of the talking. Hence why it seems like she's the one approaching the king or talking to the king or giving something to the king. And maybe sometimes it seems like he's not listening but he definitely is.

Other things could just be some type of contract happening between two people. I mean this could be so many things like somebody taking out a loan, signing a lease, purchasing a house. What seems to be Central would be it's something that is investing a lot of time or has taken a fair amount of time. But whatever it is is a serious commitment. It may also involve something physical and financial. So that's why some of those things may come up as well.

Other simple things are just receiving a text, email, phone call from someone that you've known for a long time. It could be unexpected. It could be that you haven't heard from them for a while. But you do seem to have some type of communication or exchange of communication about something. Almost like getting together with an old friend and you start talking about old times. So that could be a situation you'd go home for the holidays or go on a trip or whatever and you run into somebody that you've known for a long time and you talk about the old times. But to me there's more an aspect here of two people talking or exchanging something that has taken time to cultivate or grow and having been through different challenges and struggles together maybe or the two people talking about similar challenges that they have faced. I mean this could literally just be somebody's therapy session as well. But I feel more like it's a struggle that both people have been through and have shared and them talking about it or discussing something related to it or are embarking on a situation in which commitment and finances are likely involved and also talking about those matters.

It could even be if you haven't met this person and you meet this person part of how you become closer or the things you talk about initially in the relationship or friendship have to do with challenges or struggles that you both have experienced in life and having one of those long deep conversations about it kind of like lost in translation. The movie. And again it doesn't have to be romantic if you don't want it to be, this could definitely be a good friend or somebody who becomes a good friend or a relative or even like a stranger you sit next to on the plane or train or bus and you end up having a long conversation throughout your flight or journey. But it's a nice shared moment with somebody. It feels a little bit vague so I probably should have pulled more cards to figure out who the people are but I don't think it really matters.

It can also be just somebody giving a gift to a friend who's having a hard time or for any other purpose possible. But it feels like it's the Queen of wands giving something to the king of cups, that has meaning and purpose and will be helpful toward him or acknowledges him or represents some type of affection so like giving a gift to a friend, giving a gift to a partner or a lover or someone you care about and thought goes into it and care goes into it and it seems to be a token of affection. Kind of unusual for the third pile as usually it's the second pile that has a bit of relationship vibes but this pretty clearly has to do with probably two people and any of the above types of interactions. It's not like a passionate love or romance that I'm feeling it's feeling more long-term or mature in affection. It's not a hookup.

[blues-valentine]

This is my last post about it. OBX 4 wasn’t just bad in terms of JJ but all characters in general.

The writers, knowing they’d kill JJ off, started a character assassination train on him perhaps expecting us to feel like he deserved to die? But we know JJ. We all know JJ’s reckless but not to this level of detachment. He was acting like an entirely different person. JJ would’ve never treated Kiara, John B or any of his friends like that. Ever. Not matter how bad life turned out. Even with the whole “JJ blew all of our money!” it’s like they wanted us to hate him so badly.

Don’t even get me started on how bad that JJ plot twist was and since Part 1 I said it. Trying to erase his entire life like that even when it didn’t make sense was lazy writing. And all for what? To have his biological father be the one to kill him at the end? Because that’s the only possibly cruel explanation for that plot twist.

Killing JJ in such a way when this character spent his entire life suffering physical and emotional abuse from his adoptive father is cruel and it sends such a sad messaging.

OBX has always been bad at giving the girls good story lines and that aren’t always about their boyfriends. Kiara’s relationship with her parents was totally ignored. We got from them cutting her off at 401 to them clapping for her at the ceremony and we never got to know how they reached that place. Did they go to family therapy in those 18 months? Did they talk and came to an agreement together? But nothing.

Cleo didn’t get to have a story line that wasn’t mostly adjacent to Pope. And for a character that’s been here for 3 seasons we only know she worked for Terrance and it’s good with knifes. We don’t know her actual surname. And I was expecting more from her revenge plot and I feel silly for expecting that from those writers.

Sarah’s PTSD regarding Ward was never further explored. The writers also forgot about Wheezie and Rose. Sarah wouldn’t have continued on without trying to reach out to her. It’s like they just didn’t want to deal with it. And the worst one is them making Sarah say she didn’t feel ready for a family at her age for them to forget about it and have her pregnant. Despite how silly it is considering the circumstances of their life and how much trauma she has to heal from.

Don’t even get me started on the way the writers never explored the girls relationship. The only bonding scene between the girls we got was Sarah telling Kiara she’s pregnant and Cleo wasn’t even there. We never saw them just existing as young girls just joking around. Hell; even a whole boys conversation would feel somehow natural and we didn’t even got that.

Pope is a killer now? And by the influence of Cleo not less. Did the writers forgot about Season 3? And how she was the one that stopped him from killing Rafe. So, now you’re telling me she was the one egging him on to become a killer. Make it make sense please.

And the pogues dynamic was so bad. God, it was so out of character for them all. Firstly, John B would’ve never allowed JJ to walk into that self destructive path especially after learning about Chandler. And then, the way JJ confessed to Pope he was sucidical and he just didn’t say anything about it? Kiara was also incredible out of character. And that death scene was particularly dumb in so many levels, because it could’ve been preventable and it was pointless. But the thing that pisses me off the most is that the pogues stood there watching. In a scene that felt perhaps a bit anticlimactic. “Not pogue gets left behind” but they buried him on a desert in Morocco and had Rafe be the one to dig the hole too. Those are not my pogues and this wasn’t the dynamic I feel in love with. OBX went from being a comfort show to give me so much unnecessary frustrations.

[howdoyousleep3]

Hey, mama. I'm not American but I live in a country with very strict laws about LGBT and porn and stuff. And you know what, literally NOTHING changed with these laws. Noone can take your queerness from you, noone can forbid you be who you are (woman, man, non binary, whatever). But I've never thought you'd be THAT angry over something that didn't even happen yet. Don't you understand ppl vote against this anger ("fuck men", "make everyone uncomfy", "double the suffering and gelive it to trump")? I have no respect for anyone who's trying to take yours from you. But you're doing exactly what they want to do. The only difference is they are against queer and you're against straight. You can send me to hell or not reply in any way. But in a four year time you'll see, that your life didn't cange much. Trust me. People always find the way to do what they want to do. Breathe out girl. Everything's gonna be okay. Even if it doesn't seem like it now.

Yes, I will take this opportunity to “send you to hell”, thank you lol

This is all a backwards line of thinking. This isn’t just another candidate that’s running for President and another candidate that we’ll move on from in four years; this is a man that’s been elected President that will alter and change the trajectory of our country and our government structures itself. Democracy will no longer exist the way that it has for 250 years, if at all.

He has already made announcements of forcing the government to only acknowledge two genders, of punishing teachers with civil crimes if they try and teach anything but, of altering education in schools to only teach about man and wife, man and woman.

What do you mean, “breathe out”?

This is the man that overturned Roe v. Wade, that stripped women of the rights to their bodies. He appointed extreme and conservative Supreme Court Justices that will make similar decisions for this country until the day they die. This is the man that wants to force all women to have unwanted pregnancies at any age, for any reason, even if it might kill them and even if they are the product of rape. He wants to make it illegal for pregnant women to cross state lines, wants the government to track women’s periods, wants to get rid of birth control as a whole.

“Breathe out”?

He wants to make interracial marriage illegal, wants to make gay marriage illegal, wants to get rid of the Department of Education and radicalize education to where everyone prays in school and learns a very white-washed education (moreso than now) that focuses on how amazing America is. He wants to jeopardize school funding more than it is and wave it over districts heads as a threat. Public school and children will suffer more than it ever has.

That’s just scratching the surface.

It shouldn’t matter that it hasn’t happened yet; we’ve barely recovered from the effects of his last presidency. The hate he encouraged and spewed is something I’m not sure we’ll ever recover from at all. It hasn’t happened yet, but he’s outlined exactly how it’s going to happen and exactly what we should expect.

And you think I should take a deep breath?

I’m happy that your life is exactly the same as it was before your laws were put into place. But this is WAY more than a focus on LGBTQIA+ communities. This is our entire livelihood. This is our entire government, country, communities, futures at stake. And this is extremely personal, even as a white woman in a straight presenting relationship. I can’t imagine the fear that any woman or person of color or any trans person or anyone in a gay marriage is feeling.

I’m angry for myself, my two young daughters. I’m angry for the women in my life who have to put their future plans on hold or who have to decide right now if they want to get pregnant or start a family now and are mourning for the loss of it. I’m angry for my best friend who is a woman of color who now has to wait and see if her marriage will end up being legal, whose safety I worry for every single day. I’m angry for all of my trans friends who have to yet again question why this country hates them so much and doesn’t cherish and love them for existing as they are.

I’m angry. I feel rage in my body and spirit that I have not once felt before and that’s with me being one of the lucky ones to receive generations of trauma and anger I have to work through. I’ve never felt anger like this, this stagnant, still, villain era anger. And I’ll be damned if I don’t use it for good because I think it’s ridiculous of you to say that I should be quiet and let the other side, the side that instills fear in others and wishes to take away their very basic human rights, be louder than I am.

Fuck that to the highest degree.

I’m about to use my privilege to scream my love and my support for those in need from the highest of mountaintops. And if that comes in the form of screaming my hatred for men, the patriarchy, Republicans, and conservatives directly back to them then I sure as shit will be doing that; they are the ones with hate in their heart who are wishing to take away the rights of others. I didn’t vote for that. If my hatred comes in other forms like becoming a part of local community groups with like minds, supporting local and black-owned businesses, supporting my local library, educating my daughters to be empathetic and supportive, standing up for women in public if need be, then I will also sure as shit be doing that.

The world deserves my anger.

This was an ignorant ask to send. I don’t hate straight people; that’s just outright fucking stupid. I don’t think you’re educated enough on the subject to be sending me an ask that is effectively telling me to calm down, WHICH IS SO FUNNY because that’s what women are always told when they’re hysterical, because this is much much more than just the rights of LGBTQIA+ people and another President being elected.

Sure, I hope you’re right and that everything is the same in four years. But you’re wrong.

Sure, I’ll breathe out. But then I’m going to take a deep breath in and scream my support at the top of my lungs even if it comes in the form of hating men, conservatives, Republicans, and Trump.

Please don’t pretend as if you know me. This is the internet, this is fandom, this is somewhat of a persona.

Yes, I am angry. I can’t understand how people are not.

[silentgravesdontexist]

9. What are your favorite pair of shoes?

• Combat boots! Though they broke and I no longer have them but those kinds of shoes are my absolute favorite. I wanted them since I was like 12 but my parents won't let me buy a pair bc they said I'd look weird. They expected me to give up but I never did. Got my first pair when I was 16 and I still love combat boots to this day!

21. What keeps you going during the day?

• The idea of plopping down on my bed afterward. I'm partially kidding lol. Mnhhhh, it would probably my desire to want a comfortable life for myself? I'm innately lazy and laid back but I find it's easier to live comfortably if I work hard for a bit then get to relax afterwards.

• Ohhhh, ironically— I actually also made a promise to myself that I'd become an elder sister that my 'lil sis can be proud of (we aren't blood related but I love her like she's my own blood). In my defense, this happened before I knew abt Ace. So, yeah ehe

24. What's your favorite piece of jewelry you own?

• I do admit that I don't really wear a lot of jewelry. But I do have one singular thing that I wear every single day. It's a simple chain necklace with a rose quartz as a pendant. It has a lot of sentimental value to me. That's why I only ever take it off when I'm taking a bath.

• (Small note but I actually have other necklaces that I received as a gift. Obviously, I wanna wear them too...so that ends in an akward match-up with the necklace that I already have bc I refuse to take it off no matter what but I also wanna wear the gifted necklace to show my appreciation)

25. Favorite niche topic?

• Anything related to psychology. My best friend went into the topic of the human consciousness (which was a topic for a report I had at the time as well) and it ended with me yapping for over an hour long abt it. I dunno, I've just always love psychology since I was a kid and love learning anything abt the subject (except psychological statistics— that one's a nightmare pls)

You know me too well. Even when I'm in the middle of a now becoming obsession with Hoshina— that man is still lingering in my mind every now and then. The hold he has on me is too strong, I fear😭🫶

I enjoyed answering these questions! Thank you sm @that-student-that-has-homework !

Deep/Fun Questions to Ask!

Do you like watching sunsets?

Have you ever started a rumor?

What makes you laugh hard?

What's the last concert you went to?

If you believed in it, what would you be reincarnated to?

What's your current vocal stim?

What shirt are you wearing?

Who or what is on your mind?

What are your favorite pair of shoes?

What would easily win you over if someone gave you it?

What three words describe you?

What's a funny memory you have?

Do you have any drunk stories?

What's one thing you own that you're sure no one else has?

Do you have any superstitions?

What is your guilty pleasure?

What weird thing do you do when you're alone?

What is the worst food you've ever had?

What fictional character would you bring to life if you could?

If you could join a career immediately, what would it be?

What keeps you going during the day?

Current song on repeat?

Funniest inside joke?

What's your favorite piece of jewelry you own?

Favorite niche topic?

What fandom are you currently in?

Most controversial take?

Favorite ship and why?

Do you have any piercings or tattoos, and what are they?

What is your worst & best quality?

[who-is-page]

Wag Those Tail Feathers: The Wonders of Alterhuman Courtship

Author: Page Type: Essay Words: 1,065 Summary: Page's perspective on alterhuman courtship, as an individual who has been both on the receiving and giving ends of it.

[Part of the Sol System’s Alterhuman Writing Project for 2024. If you don’t want to see these posts, block the tag #inkedclaws]

As a polyamorous alterhuman, I’ve had the wonderful experience of being in relationships with people who have a variety of different courtship instincts— sometimes even all at the same time! Including my own instincts, it’s led up to some interesting realizations about the variety and diversity of expressions of love, and how wonderful it can be to be loved by an alterhuman (and to be an alterhuman in love, too).

My personal experiences, notably, revolve specifically around being nonhuman and this applies to a majority of my partners as well, which influences the flavor of this discussion. It’s been a wonder to be the target of a feathery mating dance, to be wooed with draconic jewelry and treasures, or to have my partner jump out with a meal, as proud as could be at displaying their hunting skills for a mate. It’s not necessarily just a nonhuman thing, either, of course; my orthohuman partner exhibits some similar sort of feelings and actions, too! Something which comes across especially strong in his hunt-and-gather supply-hoarding behavior in video games. But there’s something so especially intimate about having your alterhuman partner court you in a way unique to their species identity. It’s a beyond flattering form of trust, love, and affection.

And as an alterhuman who has targeted my partners, alterhuman and orthohuman alike, with my own affections, it’s also uniquely affirming to have your partners engage with your varieties of courtship for your species. There’s something incredibly special to have them try to learn your rituals and woo you in turn, even if they don’t have the same instincts driving them. It’s love with intention, a conscious effort to learn a language that’s typically foreign to them or which they might otherwise never come across on such a personal level. It may not always be perfectly executed, but the intentions behind them make them perfect regardless.

I’m someone who’s fully public about my alterhumanity. I don’t hide that I’m a dog and (luckily) no one especially seems to care in the day-to-day when I’m meeting up with strangers and acquantinces. But it’s become an important part of my dating life that potential partners need to not only be aware of my alterhumanity and accept it, but they also need to interact with it. You could argue that my spouse set the bar high for any potential future partners with how he took to my canine-ness and plurality like a fish to water, but I’m of the opinion that it’s something that should be the norm, not something so utterly unexpected by many.

Being able to engage in alterhuman courtship with your partner, as serious or as silly as it may fundamentally end up being, shouldn’t be something that you feel is utterly unreachable, that you yearn for but never feel like you’ll be able to reach. Alterhuman courtship is a wonderous experience; something that I think it’s not only important for alterhuman folks to be able to freely do with those they love most, but also to be on the receiving end of, too. It can be easy to default to the status quo in relationships, because of the societal pressure around us. Normativity around romance, sex, and even platonic affections is something that is constantly at play in the backgrounds of our culture and which embeds itself into our conciousnesses in unexpected and often invisible ways; and it’s difficult to dissect these without exposing ourselves to what some might list as “weird” or “unusual” urges and behaviors. But we can’t unpack the shame or embarrassment that might be holding us back from engaging with these urges unless we actually let ourselves acknowledge the collective, confusing feelings abound within them. We shouldn’t allow ourselves to shrug our shoulders and simply say, “I suppose I’ll never find someone who can accept me as my [species] and all that entails,” or to just resign ourselves to having to hide a part of ourselves away forever to maintain relationships.

We should toss these types of negative feelings aside and embrace our alterhuman courtship urges in earnest: that sometimes we’re not fully human, or we’re human a little to the right, and that inevitably makes romance, sex, and platonic interactions a little different for us than it might look for standard folks as displayed on a big screen. It’s not a failure on our part, and it’s not something that needs to be squirreled away due to internalized respectability politics. We can love ourselves and find love in others, for and by being ourselves. We can experience unique forms of love and adore those factors in others. This is, to me, a part of the territory that comes with being alterhuman or knowing alterhumans. It’s a part of what makes life wonderous.

In my partnerships, I love getting to bring my partners gifts. I love to bring them tiny treasures, small things from my system’s hoard, to pebble at them almost like a penguin would (sometimes including a silly little dance, of love!) It goes beyond standard gift-giving in the way that most of the people I’ve met would think of it, where presents that large are often reserved for special occasions like holidays and birthday. But it’s something I do year-round, to show my partners that they’re always on my mind, and that what is mine is their’s, too. I do the same thing with food; while normally incredibly food protective, both due to species identity and past food insecurities, I make the effort to share my favorite foods with my partners for the same fundamental reasons. To share my food, my bed, my life— and to have my partners recognize that as not just general displays of love, but as specifically displays of love intertwined with what I am, is something which displays a deep level of understanding and acceptance for my species. It’s something I’m grateful for beyond words, but it’s also something that I don’t want us as a community to accept as unheard of, or as just a one-off, lucky occurrence. Love like this is achievable and rewarding, both as a recipient of such alterhuman affections and as the giver. And we all deserve to experience it, in whatever form of love that we feel most comfortable with. Don’t tell yourself otherwise; don’t settle for less just because you feel like you have no other choice.

[tomorrowxtogether]

SOOBIN: “I thought I should just try to shine as I am.”

TOMORROW X TOGETHER The Star Chapter: SANCTUARY comeback interview

2024.11.11

He once strived to become a lush, towering forest. But he realized that people will love him for exactly what he is—a deep, rolling ocean. And so, he decided to remain as whom he always has been: an ocean named SOOBIN.

You took a trip to Vietnam earlier this year with BEOMGYU. I heard you planned the whole thing. SOOBIN: I’m usually the kind of person who just goes around without a real plan, but since we don’t get much vacation time, I figured we’d better go all out and do everything we could in one go, so I tried planning it all out. (laughs) BEOMGYU just wanted to go with the flow, but there was a ton of stuff I wanted to do.

I’m sure it’s not easy taking a trip or spending your off time with the same people you spend all your time with. SOOBIN: I hang out a lot with the rest of the group on my own time too, though. Three of us were all hanging out together just yesterday. To be perfectly honest, it doesn’t feel like anything special since we’re always together 365 days a year, but I’m also most comfortable around them for the same reason.

Sometimes people start bickering with each other when they get too comfortable with one another, but you’re always so kind—like how you gifted BEOMGYU with a nap in that “The Perfect Way to Rest” video when you remembered he was feeling tired. SOOBIN: I think I’m good at picking up on things. I don’t know if I can do it with everyone, but at least with the other members of the group, I’m pretty good at telling how they’re feeling or if they’re not feeling well. As soon as I see one of them, I can tell, Oh, he looks a little rough today, or, He’s sure in a good mood today. (laughs) If they seem down, I go over to them to find out what’s wrong and talk it over.

Your kindness also comes across when you’re with animals, like in the “OUR TOMORROW” video, where you took care of one dog who was so nervous that it didn’t get a chance to eat any treats. Have you always been drawn to people and creatures that are small and left out? SOOBIN: So, so much. In fact, I was really shy and struggled to fit in when I was a trainee. I was really lonely at first. So when time passed and I finally got accustomed to things, if I saw another trainee who was shy and couldn’t adjust, I felt like looking out for them. Kai was among them. (laughs) That’s how I ended up becoming really close with him.

You talked about the cat your sister adopted recently, explaining how it used to be shy because it had a hard life in the past but that it finally opened up this year. SOOBIN: I went to see the cat when my sister first got it, but I couldn’t even see it that first time—it just hid under the couch. It was so shy that I thought I’d never get to pet it, but the last time I saw it, it came right up to me and started purring, wanting to be petted. It was able to overcome its painful past and open up to my family thanks to all the love they show looking after it. Love really does have the power to change anything. (laughs)

You also said on weverse LIVE recently that you made a new friend who you can talk about dramas, movies, and books with. SOOBIN: For me, dramas and movies don’t end with watching them—after you’re done watching, that’s when things are just getting started. I always look up reviews and analyses online. People can watch the same thing and they’ll all have their own thoughts on it, so I’m curious about all those different views, and now I have someone to talk about that with. They know a lot more about books and movies than I do, so I end up learning a lot when we’re sharing our thoughts together. Just having a friend to share my interests with is really fun.

You mentioned talking about Inside Out 2, and you looked at how it features a place to store things you’ve heard that you want to keep for a long time, which got you thinking about what sort of things you would want to hold onto. SOOBIN: I kept recalling things my friends say after we hang out—things like, “SOOBIN, I’m so happy we’re friends,” and, “I feel great whenever I’m with you.” Hearing things like that really touches my heart. Seriously, how often do you get to hear things like that in life? I used to find expressing things like that awkward and weird, but thanks to my friends, I’m getting used to saying I love and appreciate people. You empathized with how Anxiety works harder and feels more anxious than others because they want to be good at things. Are there things you feel you should work harder at than other people? SOOBIN: I’m actually slower at learning choreography compared to the other members. I assumed I’d get a lot better after debuting and regularly performing onstage, but progress was slower than I expected. I didn’t say anything about this before, and I even kept it a secret from the other members, but I actually got separate choreo lessons on the side when we were doing “Chasing That Feeling” and “Deja Vu.” We’d take lessons as a group, and then once I was alone I’d always spend about an hour dancing and working on the little details. I tried so hard with those two most recent songs that I even practiced on my own like that. Seeing as I’m slow, I have to work harder to keep up with the other members. If I have more time, I want to practice more for this comeback, too.

With all the touring you’ve done and the encore performances you have coming up, it must’ve been really hectic getting ready for your Star Chapter: SANCTUARY comeback. SOOBIN: The schedule was really tight this time around—we even had to record vocals in Japan in the middle of the tour since we were in and out of the country—but now that we’re in our sixth year, the five of us were all really fast about things. I could sense that we had grown compared to before since we were faster at recording than we could’ve expected to be in the past and it took us less time to work out the details of the choreography.

The album’s subtitle, SANCTUARY, is a word that’s appeared in TOMORROW X TOGETHER albums before. What’s been your sanctuary these days? SOOBIN: I never used to have a sanctuary, which made getting through tough times hard, but I do now: simple things like working out or reading. It feels like the things that break me away from overthinking and let me immerse myself in something else are my sanctuary.

You were complimented on your previous promotions for your improved vocals and high notes. What about on this album? SOOBIN: Actually, every other album we’ve done had a song in a genre I wasn’t confident in, but not this time. The single “Over The Moon” is really laid-back, and I felt like it was perfect timing for us to try out a song like that. What’s unfortunate is that I caught this horrendous cold during recording. We started practicing for live performances recently, and the director said, “SOOBIN’s singing better than he did when recording. He makes it sound effortless.” So I couldn’t help but think about how much better I could’ve done if only my throat had been in better shape.

You always focus a lot on lyrics. Were there any on this album that have stuck with you in particular? SOOBIN: This album isn’t so much about telling some big, sweeping story as it is about everything we’ve been through together. Now that we’ve been through all that chaos, it’s about the universal emotion of love, which everyone can relate to, and I liked that about it. There’s a line in “Higher Than Heaven” that sticks with me that goes, “I think I kinda get what forever means now.” I even once said, “I never used to believe in the word ‘forever,’ but I think I can now, thanks to our fans.” I didn’t write that part, but it’s like it was written to perfectly capture my feelings.

The other members have probably had an impact on your belief in the word “forever,” too. SOOBIN: I’m pretty sure we’re going to grow old together and that we’ll be together till the day I die. We do the same thing and basically live the same life day in and day out, so we know what makes each other cry the most during concerts, too. Whether it’s my tears of happiness or BEOMGYU’s tears of disappointment from a leg injury, having friends to understand and share those feelings with is nice. They’re all just really kind people—calm and clear, like a stream. None of us is domineering or splashing around, disturbing the peace, and nobody’s dirtying the water, so I think we’ll be able to stick together for a long, long time.

You said before that you had found being onstage tough while touring. Now that you’ve already wrapped up your third world tour, do you still find that to be the case? SOOBIN: I think I’m getting better over time. I still can’t say that I completely enjoy myself, but the worries I used to have before going onstage have gone away entirely. There used to be times where I found it hard to watch myself onstage because I didn’t like how I looked, but now I see myself up there and I think I look cool. (laughs)

The way you have a different outfit on for every sound check when you’re on tour is definitely cool. SOOBIN: For fans who come even though they’re busy, showing up hours before the concert just to wait, doing it purely out of love, I wanted to be more stylish, so I bought a lot of clothes just for sound checks. The glasses-plus-cardigan combo was something I bought in advance for summer, and the reaction from the audience was amazing! They showed me on the big screen and MOA was screaming their lungs out—like, not the usual “wow,” but, “aah!” Like shock and awe. (laughs) I was worried I went overboard with the look, but they showed they liked it, so I was happy.

There’s no way not to bring up your cover of the Choi Yu Ree song “Forest” when talking about you. You said that the people around you are like tall trees in a forest and that you thought you’re one of them, but that you figured out you’re actually more like the ocean. SOOBIN: It’s easy to find people around me who are better looking and sing and dance better than I do. I actually started thinking about that at Lollapalooza. The other members looked so happy and like they were having so much fun onstage, but I couldn’t. I felt eaten up inside seeing myself not being able to fully enjoy it because of all the pressure. Then I heard Choi Yu Ree explaining that “Forest” is about feeling like you’re not good enough and I thought, “Ah, so that’s what I’ve been going through.” I started to understand my emotions a little bit better. Everyone ends up comparing themselves to others at some point in their lives—it’s unavoidable. And they have times where all they can see are the things they hate about themselves, but it’s ridiculous. I was overflowing with negative feelings when I was working on my “Forest” cover, and I wanted to sort of deal with those feelings and express them.

The music video echoes your thoughts that someday you’ll come to shore and become one with the forest. What does the forest mean to you? SOOBIN: Just being a singer who’s good at singing and dancing, interacting with my fans, enjoying performing, and being able to do it all with complete sincerity. I think I was showing how the forest to me means being happy with the other members when they’re happy. Nothing big—just simple things I’m not always that good at.

Do you feel more like a forest now that some time has gone by? SOOBIN: Umm … I saw a ton of comments from fans after I covered “Forest.” My mindset when I was doing it was, Right now I’m like the ocean, but I’ll become a part of the forest just like you guys—so wait for me until then. But once I saw what fans were writing, I changed my mind and thought, Do I really need to become a part of the forest? I could be similar to the forest, but I don’t have to change myself to be one. My fans kept saying, “The whole reason we liked you in the first place is because you’re like the ocean, not because we hoped you’d become like a forest. If that were the case, we’d like somebody else. Why do you think it was you?” The ocean comes with its own perks, you know. You need to have some ocean near a forest to add to the scenery and have more things to do. Now I think maybe I tried too hard to fit in by trying to be like the forest. Now I feel like I can shine bright just by being myself.

That lines up with what you recently said in an interview you did in Japan when you said that your 20s, the best and most energetic time of life, are dazzling and fun thanks to knowing MOA. What do you think you’ll see when you look back on this youthful period of your 20s? SOOBIN: Joy. Every moment of our lives is packed with good times and bad times, joy and sorrow, but in the end, I think, I’m on a path towards joy. Even things that are so agonizing that you want to die—so bad you feel like the whole world is against you, and so bad you’re certain they’re weighing on you forever, eventually pass.

Doesn’t it almost feel funny sometimes, looking back after all that? (laughs) SOOBIN: Yes. It ends up feeling so trivial somehow. Things that felt massive at the time are like a speck in the distance once you get even a little space between them and yourself. Even after all the hardship I went through being a trainee, I can look back now and see there were a lot of good times. Maybe we tend to romanticize the past a bit? (laughs) Even some of the stuff I’m going through now can be tough, to be honest, but I’m never going to give up. There’s still so much I want to give. The amount of joy I derive from doing this is way higher than the amount of difficulty. I think my life’s amazing, even right now.

So amazing. (laughs) SOOBIN: I think so too! (laughs) As time goes on and I get older, when I look back on my youth, my time with TOMORROW X TOGETHER, I wonder if it’ll look that much more shiny and amazing. Maybe I’ll feel I was even cooler at this time than I feel I am now.

[lover-of-mine]

what are your thoughts on nde for either eddie or buck in 8x08? me personally, im thinking buck is gonna get the nde, and i think he’s gonna be shot. tim recreating s4/5 when he originally wanted to do buddie, but what im thinking, is buck realizes his feelings for eddie but doesn’t want to/doesn’t know if he should tell him, then he gets shot and it’s all dramatic and eddie is there and freaking out, trying to save him and keep him alive (aka why they’re pushing medic eddie so much this season) and buck realizes this might be his last chance so he just goes for it anyway and while he’s bleeding out he tells eddie he loves him😭 i know this is probably not what’s gonna happen but lol i just enjoy theories and i always love to hear what you think!

adding onto this, i ALSO saw around twitter the theory that buck would get a nde, but he gets hit by a car or just in a car accident in general, and eddie is there and it parallels shannon’s death (obviously buck doesn’t die but you get the memo😆)

Hi, darling! Okay, I don't mean to shit on anyone's specs, but I think either of them getting shot again would be so uninspired. The show is slowly reintroducing new ways to pull the triggers they put down for buddie because they need to address the stuff that happened to them somehow, but a direct mirrored parallel to the shooting wouldn't work as well as everyone seems to think it would. Partially because I think that forcing Buck to confess because he (or Eddie) is dying is yet another way to take away Buck's agency and further attach Buck to the idea he's only worthy of love when someone bleeds. But also because putting one of them in the position to be doing the saving again won't really further their storyline. Eddie watched Buck in a nde twice, the bombing and the lightning, and Buck watched Eddie in a nde twice, the well and the shooting, and I think they need a combined trigger, aka a combined nde.

I am attached to my drown Buck theory, have them off duty, crash the car, end up trapped and the car filling with water, but I also think that the trapped dads theory also works a lot here, especially if you put them both in the situation while off duty, aka without gear or backup, and you can play with a lot of elements of every nde before that and create a catalyst for them to talk and figure themselves out. I also think everyone is getting ahead of themselves, I don't think they are in the place to get that catalyst yet, and 2 episodes are not enough to get them there when we are talking about an ensemble show. I feel like people are expecting a direct callback because we got a well callback and are getting a lightning callback, but while buddie was front and center during the well callback, they actually used it to further Chim at first. It works to get the audience thinking about different aspects of their past, which in turn makes it so that when they talk about it, it will be in our minds, but it doesn't explicitly address the implications with buddie. I think the lightning callback will be a lot about reminding Buck of whatever it was that he was supposed to learn with it the first time around that they never truly explored due to the network switch and Natalia not coming back. I also think that confronting the situation where Buck almost died and possibly watching a freshly heartbroken Buck be impulsive can push Eddie to look at some stuff that would push him into action to figure himself out.

Especially if @stagefoureddiediaz ends up right and the lightning callback ends up being a truck bombing callback too since the well callback is also a subtle callback to the kids on the cliff call in 304 and could be played into different directions when it comes to what comes out from it moving forward. Buddie has a lot to talk about, but they need a reason to think about the stuff they need to talk about on their own before getting to a point where they can actually have those conversations. I think they rely too much on how well they understand each other that they fail to consider the way they can't actually read each other's minds, and figuring that part out is important before pushing them to the catalyst. And please don't get me wrong, I'm like, 90% sure that the catalyst will be another nde, I just don't think it's gonna happen until 8b.

[thewistlingbadger]

Yeah the comparison to the queer community was extremely helpful. Since I'm a POC, I personally use an analogy under that light. Vi reminds me of a person of color who tries to assimilate into white society whatever means necessary just so they themselves can feel validated by white people (this never ends up working in their favor. They always end up chasing validation that they're really never getting). She also gives me "I only date white people, they make me closer to whiteness" vibes, as well as "I'm not (insert ethnicity), I'm (insert nationality)."

Like babe just be true to who you are. Let go of all the nastiness you've learned and come back to who you truly are. It's not a good look, you look stupid, and you're annoying everyone around you INCLUDING those are trying to impress.

And man the more I think about this the more realizations I make. Silco was right about what he said about vi. "Everyone betrays us: Vander, HER- they will never understand. It's only us." Yes he was saying it just to diss her but he also recognized the truth in it. Which is so astounding because he's only been with Vi for a few moments throughout the whole show, and he's already been able to read her like an open book and predict her future actions.

Even though she never actually did betray Jinx he knows she's going to betray her in the future because her and Jinx have DRASTICALLY different viewpoints of zaun and what it means to be a Zaunite. Vi has the inferiority complex that she got from the bridge and never let go off. Jinx was raised by a radical politician/business man who ALWAYS emphasized the importance of what he was fighting for and the rights zaun. This is something that's been so embedded into Jinx even though she herself does not actually care about design or the plight to freedom.

Jinx and Silco are truly the only people who understand the nature of zaun. They've both lived it they both embody it and it's been taught to jinx since an early age/something silco learned as a child. Silco and jinx are both the two biggest characters that actually accept change in the show, where most of the other characters reject it (vi being a big offender of this.

To me piltover is representative of control and zaun is representative of chaos. Change is nature and nature is chaos with balance (most of the time). Jinx is very chaotic where Vi is mostly very controlled.

ALSO, separate thought: if we're comparing vi to Viktor and we look over at Jayce and Caitlyn, I'd argue they're very different. They both have prejudice just by being pilties but the difference is that Caitlyn feeds into Vi's insecurities and her inferiority complex. Her and vi are basically shaking hands when it comes to being prejudiced against zaun. Not so much with jayce and Viktor. Both of them uplift each other. To Jayce, Viktor's achievements are extraordinary due to the nature of the achievements, NOT because of the nature of who those achievements were made by. This can be very encouraging and damaging at the same time, because we see that because Jayce doesn't really recognize Viktor as being a Zaunite, it ends up warping his view and it leads to tension in their relationship. I also think it's important to recognize that Jayce tries to learn from his mistakes. He apologizes to Viktor, he tries to broker peace between zaun and piltover, we see him working with Ekko, trying to solve a problem that negatively impacts zaun that he himself started. Overall their relationship is very positive where the girls' relationship is very negative because they're both feeding into each other's negativity. Caitlyn never really apologizes for her prejudice and Vi never really makes her.

Both Caitlyn and Jayce don't really see their partner's nationality. The difference is that Caitlyn sees Vi as an exception, she knows shes a Zaunite but she's "one of the good ones" and Jayce just does not care that Viktor is from zaun (this can be seen as both positive and Negative).

The second the illusion shatters of Vi not being like every other Zaunite, Caitlyn tosses her aside like she was nothing. Jayce doesn't see Viktor as an exception, I think he deadass just forgets that he's from zaun (and can we blame him Viktor has been living in piltover for years and dressing and acting like a piltie for years. It's assumed that him going to visit singed is the first time he went back in a long time, perhaps even since he left. Vi makes it very clear that she's undercity, it is her identity ((that complex again)). Viktor being undercity is only PART of his identity, it is not entirely who he is. Another reason why he doesn't really present himself as undercity is because he's assumedly spent more time in piltover than he has his home.)

This has been spinning around in my head since I watched season 2 arc 1, and I can't refrain from putting it down to post anymore.

In season 1, Jayce and Viktor get into a fight when Viktor evades the blockade to go speak to Singed in Zaun. During their fight, Jayce snaps at Viktor that he didn't know that Viktor's friend was from the undercity, and when Viktor asks why that matters, Jayce says the above: [people from the undercity] are dangerous (earlier he had also said, "there are people down there who seem hell-bent on destroying us!"). That's when Viktor grows cold, reminding Jayce that he is from the undercity, and even after Jayce apologizes, Viktor knocks his hand away, choosing to stand up on his own.

In season 2, chembarons hired by Ambessa (though no one knows that at the time) attack the memorial for the dead council members. In the aftermath, Caitlyn calls them animals. Notably, Vi shows no reaction at all to this; she doesn't so much as flinch at Caitlyn's word choice. Instead, while she does downplay what happened to an extent ("they wanted the spectacle, they're trying to scare you"), what's notable is that she separates herself from the people of Zaun. This is especially notable when she tells Caitlyn to call off the invasion, because of the risk it poses for those not from Zaun:

"Down there, you'll be on their terms."

Viktor seems to have pride in the fact that he is from Zaun. He has love for his home. As difficult as life was there, as much as the pollution led to his illness and disability, he has no shame that he's from Zaun and he still sees value and has love for the people there. This is why, when Jayce writes the Zaunites off as "dangerous", Viktor grows cold. He is no different from them, in his mind; if they're dangerous, then so is he.

Vi is . . . different.

In season 1 arc 1, Vi expresses to Vander that she has bought into and believes that those in Piltover are more than those in Zaun:

Now, here, Vi is still grouping herself in with the rest of Zaun. But there is a level of self-hatred (and hatred for one's home) that we don't see in Viktor. Viktor doesn't see himself as lesser than those in Piltover. He doesn't see the Zaunites as lesser than those in Piltover. Vi, however, does. She states this as if it is a fact. And while she loved her family, and has parts of Zaun that she likes (e.g. Jericho's food), it's worth noting that at the end of season 1 episode 1, she isn't telling Powder that they'll liberate Zaun, or fight for Zaun, or anything like that. Instead?

"This city's gonna respect us." This city. Not our city. Here is the first moment we see in which Vi puts some separation between herself and the rest of Zaun. She wants to make them respect her (and Powder). Even if she's less than those in Piltover, she still sees an opportunity for herself to be above those in Zaun.

All of this is to say that, when she has no reaction to Caitlyn calling Zaunites "animals", when she refers to them as "they," when she refers to Zaun as "their terms" . . . ultimately, it isn't too surprising. Vi represents a type of person who does exist in marginalized groups: the self-hating type, who hate others in their group for "drawing aggression" or "negative attention."

Think about queer people, for instance, who hate those who are flamboyant or open about who they are and who they love. The ones who think, "If we just assimilate more, be less of a bother, be less obnoxious, then the queerphobes will accept us." Obviously, other queer people find this type of person extremely frustrating, sometimes even infuriating, because we know that it doesn't matter what we do or how we act; bigots will never accept us.

But what we should understand, and extend compassion for, is that self-hating marginalized people are that way because it's a defense mechanism -- a survival mechanism, really. They can't square why bigots hate them, so they reach for any kind of explanation they can find, even if that explanation ultimately blames others in their own group and does more harm than good. Not to mention that hating yourself for who you are is often a result of long-term, systemic abuse -- the exact same kind of abuse that comes from living under an oppressive regime that murdered your parents and will assault you at any given opportunity, even for something as petty as your little sister miming shooting them with finger guns.

Vi says that she, "grew up knowing [she] was less than them." This is extraordinarily damaging to the psyche, and Vi's self-hatred -- and the extension of that hatred toward Zaun, not wanting to save them but wanting to make them respect her -- is a trauma response to that. One that Viktor, obviously, doesn't share (and neither does Ekko, or Jinx) -- but everyone reacts to trauma differently.

The point is, we saw shades of this already in Vi's childhood; her statement that she's less than topsiders, but that she wants those in the undercity to respect her. So when Caitlyn calls the Zaunites animals, Vi doesn't flinch. She agrees. And she speaks of them as separate from her, because Caitlyn has already designated her as one of the good ones (reinforced to her by what Maddie told her Caitlyn said right before the memorial), and because, well, those who attacked the memorial did do something horrible. And maybe if they wouldn't do that, and maybe if Jinx hadn't blown up the council building -- maybe if they were better behaved -- then the enforcers wouldn't have to invade and do what they were about to do, now would they? Those in Zaun -- or at least those in Zaun who decided to strike against Piltover -- brought it on themselves, so Vi isn't with them. She's with Caitlyn, and is okay with referring to them as animals.

It's interesting to think about.

[hainethehero]

No hate, genuine question. Why do yous think bucktommy was such a good relationship? Tommy bought him tickets to basketball when its established he doesn't like basketball and buck didn't even know if Tommy was gay or bi after 6 months like that doesn't seem like they knew each other at all what makes it seem like they have such a good relationship?

Genuine answer, I liked that Buck finally had someone that was upfront with him and really interested. Before then, it was mostly him chasing interests.

As for the basketball tickets etc., it was terrible writing. The writers clearly got direction from whoever (showrunner, execs etc) to just half-ass it. The writing was just terrible bc Tommy up until then was very in love with Buck, and even Oliver said, they were in the early stages of learning/exploring each other.

And again, there was clearly a miscommunication between the show & the interviews that Tim and Oliver did.

Tim said he liked Lou a lot and felt like Tommy was the perfect guy to set up Buck's queer storyline and relationship with. He also said he wanted to give the relationship respect and didn't want to make a big deal about it because a lot of shows do that, when queer couples should be treated not as something gratuitous and showy, but as something natural. He also said that he wanted to change up the fact that Buck has always been on a rollercoaster of relationships and has never quite settled and he wanted the opposite of that to happen with Tommy.

Oliver said that he wanted to do the same and be respectful of showing a genuine queer relationship. He even said that Buck and Tommy were taking things slow and getting to know each other and exploring this new territory for Buck. He even said he wanted a slow burn where the desire just builds etc.

Then, in the show, after season 7, there were barely any Buck and Tommy scenes. Yes, Buck and Tommy were there for Christopher's birthday, but that was more about Eddie. There was no genuine effort to develop their relationship. Most of season 8 was about Bathena & Henren, (not even Eddie or Chimney got enough screentime tbh). But they clearly showed through the writing and the pacing that the Buck/Tommy relationship was no longer something they wanted to spend time and energy on. The discrepancies then, are the difference in the interviews and then the show. People genuinely thought they were going to do what they said (see interview above & Google the rest of interviews bc there were a lot with the same sentiment expressed about being respectful about Buck and Tommy.) But they clearly didn't and went with the, "oh we were tricking you and rly just going to break them up so that Buck can kick off his yt boy angst" arc.

Honestly I'm still confused af:

Why did they dive into this plot if Tim and Oliver knew they were just going to half-ass it?

Did Oliver just not like Lou and ask Tim to end it abruptly?

If Oliver/the cast didn't like Lou, why did they keep him on?

If they did like Lou, why did no one defend him when he was getting sent death threats, petitions to get him off the show, degrading comments about his looks, name-calling etc?

And if Tim and Buck were genuinely truthful, that they wanted to be respectful in developing and building this queer relationship, why did they let it get railroaded by sloppy writing, bullying from stans, no promotion of the relationship ship whatsoever and minute long scenes where there's no deep conversations or focus on their dynamic?

If the 911 cast didn't like Lou so much, whyd they keep him on? Why did they continue the storyline? Why lie in interviews and say things like slow burn, instead of being brave and saying, well, i don't like the direction my character is going in, so we're scrapping Buck and Tommy?

It all just seems like blatant cowardice to me, from the entire cast, but specifically Tim and Oliver. And now that they broke up, Oliver's brilliant response is, "i want Buck to fuck this guy and that girl, and that girl and this guy and this girl..." like, CLEARLY he did not give a f--k about the relationship, so he should've expressed that earlier, instead of making stuff up about slow burn and desires, and getting over hurdles together.

So to answer your question, we were expecting what Tim and Oliver alluded to, (and up until 8x05 they seemed smitten with each other, even with boils on Buck's face- and then immediately broken up next ep) and instead got shitty pacing, little to no development of the relationship, and weak, half-assed writing that seemed more from a middle-schooler than an actual writer.

[shadowgast-recs-weekly]

Featuring Astrid and/or Eadwulf

Sometimes, meeting someone's ex can tell you a lot about a person. I imagine that's especially true if they were in a traumatized teenage assassin polycule together. This week, we've got seven fics that feature Astrid and/or Eadwulf - and as always, don't forget to comment or kudos if you like them!

All this, heaven could never describe by Kaeda (112238, Mature) Reccer's Content Notes: Temporary character death

AU in the Tusk Love universe where Bren never killed his parents, has a THING going with Essek, and is told by an alternate self to form the Mighty Nein.

Reccer says: Delicious intimate moments between Caleb and Essek. I also love how developed Eadwulf is!

Please keep lying to me by idontreallylikebutterflies (3076, Explicit) Reccer's Content Notes: No Content Notes

Caleb and Essek are spies, and should not be hooking up. They are however hooking up. Caleb is not as subtle as he should be, his friends suspect.

Reccer says: Is there anything better than finding eachother in impossible or just very stupid circumstances and having good redemptions and amazing relationships? Bonus because this is part of a series.

Another Time, Another Place by Operafloozy (9780, Teen) Reccer's Content Notes: No Content Notes

A time travelling assassin epistolary AU where Bren and Essek are rival time travelling assassins.

Reccer says: I like the twist at the end with Astrid and Eadwulf

Neighborhood Watch by Timbrene (2800, Teen) Reccer's Content Notes: No Content Notes

These are the facts. Essek Thelyss is a traitor to the Dynasty. He has collaborated with the Cerberus Assembly on dunamantic research. His loyalties are an entirely unknown quantity, and likely nonexistent. He is, above all else, a liar. Also, he all but lives in the neighborhood now, and it’s very uncomfortable.

Reccer says: I love this Astrid POV of Essek (and Caleb), and what it says about all three of them

cradled in fault lines by Anonymous (1732, Teen) Reccer's Content Notes: No Content Notes

Astrid has learned to live with one eye by now. It’s manageable, most days. Until one evening, when the wine she’s pouring for Caleb sloshes out onto the table and directly into his lap.

Reccer says: Excellent characterization! I remember who wrote it before they anonymized it, and they are one of my favorite authors of all time. It’s incredible

one small step by 100batmans (2919, Explicit) Reccer's Content Notes: No Content Notes

Caleb being super into watching Essek & Eadwulf together.

Reccer says: Hot and sweet!

Whistle song by Chekov (115412, Mature) Reccer's Content Notes: No Content Notes

Caleb and Essek have settled down, living a peaceful life in Rexxentrum, that is, until someone tries to assassinate them. It goes as well as one can expect, it goes actually a lot better than they expected.

Reccer says: It has been so long since I read this, but the cast is great and the relationships are well written as well. And I always love a complicated but trying so hard Blumendrei friendship.

and then, for this last one, we have two recs!

do you have enough love in your heart, to go and get your hands dirty? by SaltCore (4355, Mature) Reccer's Content Notes: Graphic Depictions of Violence

Caleb is rescued from a dire situation. And Astrid is carefully observing the Shadowhand's moments

Reccer 1 says: I'm a fan of the whumpy hurt/comfort tenderness that happens in the fic. I also found it a bold and effective choice to be in Astrid's POV and written in 2nd Person Reccer 2 says: Mutual distrust layered inextricably with affection and so much history. (The housecat conversation is particularly delicious.)

This is one of our weekly communally-generated shadowgast rec lists. Every week we announce a new theme and allow anyone to submit a fic recommendation. 

And hey, anyone includes you, if you're so inclined!

Next week's theme is supernatural creatures! Vampires, Werewolves, Fey Creatures, and the like Any fics coming to mind? Well, then use this form to submit!

[rambleonwaywardson]

Clegan Astronaut AU - Epilogue

Masterpost Read on AO3

AU Summary: the boys as modern day NASA astronauts. Taking place in 2025, Bucky is heading to the moon as mission commander of Artemis III while Buck is CAPCOM at NASA. Established relationship (obnoxiously in love).

Author's Note: We made it. Thank you a million times over to every single one of you who has engaged with this story. It means a lot to have you along for the ride.

---

Something funny happens when you fly faster than the speed of sound, nothing but a hunk of metal separating you from the sky. Time doesn’t seem to work right anymore; everything can move slow and fast all at once. You take a breath. It feels peaceful, somehow. Sacred. 

Even when you pull so many Gs that it presses a stone to your chest and strangles your lungs until they burn, as long as you can push through the tunnel vision and the dizziness, suddenly everything becomes clearer. Perspective, some might say. Others just call it exhilaration. Freedom. The feeling of being alive.

Bucky Egan is seriously addicted to that feeling. For months now, he’s gone without it. He spends more time than he should standing out at JSC’s Ellington Field, closing his eyes and breathing deeply as other astronauts perform flight tests and training exercises overhead. He listens to the rumbling sounds of the jets, wondering if he’ll ever be up there again. Free.

A jet, a prop plane, a space capsule. He’d take any one of them, really, if he can’t have all of them anymore. 

Some things are written in stone. Bucky knew seemingly out of the womb that he wanted to fly. He wouldn’t settle for anything else, wouldn’t settle at all. He was going to become an Air Force pilot, and then – once he learned that there were real people flying aboard something called the Space Station, orbiting around the planet 16 times per day – he was going to become an astronaut. From the very second he even knew it was an option, he wanted his feet to be off of this Earth. He wanted to feel what it felt like. He wanted to see what it looked like. He wanted to hear what it sounded like. 

He wanted all of it, and he never much minded the risk. Flight, after all, was his first love, and Bucky Egan will do just about anything for what he loves. A part of him always figured, if he had to die, he wanted it to be in the sky. If he had to die, it would be worth it, as long as flight was what claimed his life. Commit his soul to the stars, a supernova in the dark.

But then, of course, there was Gale. 

The night they met, two young boys standing awkwardly in a college dorm, Gale told Bucky that he didn’t intend to be an astronaut. He had Bucky wrapped around his finger from that very first smile, but he wanted to become an engineer for the Air Force. Maybe, if he got lucky, work his way into NASA’s space program. Someone back home to keep his feet on the ground may have done John Egan some good. But, in the end, it was him that looked at Gale and told him that all of that was bull. It was Bucky that pulled him along with strings tied to their hearts, convinced him to just give it all a shot – what’d he have to lose? And here he is, nearly two decades later, an everyday flyboy.

This life they’ve built, orbiting one another like a binary star system, is greater than any adventure Bucky ever could have imagined. The way he’s lived it, he figures he’s lucky he’s made it as far as he has. He’s lucky to be alive after that little stunt on the moon. He’s lucky to have the most amazing husband this side of the universe. He’s damn lucky for all of it. Maybe he’s a fool to ask for more.

But he’s not ready to keep his feet on the ground.

Not yet.

—

July 17, 2026 Houston, TX

Admittedly, this was maybe not Bucky’s brightest plan, taking a video call in the dimly lit Orion cabin, where he has to lay on his back, legs elevated, staring up at a brightly lit screen. He can feel a bit of a headache coming on, and he isn’t sure if the vague throbbing in his leg is real or just a figment of his haywire imagination. He might be losing feeling in his feet; he isn’t really sure. Is he setting himself up for failure? Maybe. This afternoon he needs to be in top form, or at least as close to it as he can get. But he’s committed now, and he’s too stubborn to move.

So here he is in the mock-up, like any other mission sim, tucked into his commander’s seat. Or, really, he supposes it’s Gale’s now. The Artemis 4 crew has been doing their fair share of sims in recent months, and Gale has been pulling longer and longer hours as they get closer to launch, as Bucky needs him at his side less and less.

Maybe that’s exactly why Bucky’s sitting here now. To feel close to his husband during a time when their careers, as usual, tend to pull them apart. Or maybe he’s sitting here because he needs the reminder, a silent dedication to who he is, what he’s meant to be doing, what he so badly needs to keep striving for.

Or maybe, he’s only sitting here because the seat of a cockpit is always where he’s felt the safest.

Safe isn’t the right word. 

In control, maybe. Most like himself. A cockpit is always where he’s best understood the world around him: sky above, Earth below, his heart strangled with a love for the unknown. The Orion capsule is another home to him. Things might go wrong – sometimes horribly, horribly wrong – but everything about it was constructed and tested with the singular goal of helping Bucky and his crew break boundaries, make history. Every single thing about it is so specific, so familiar, so carefully planned and crafted. John Egan knows this spacecraft better than he knows himself. In the chaos that is his life, it’s the capsule that carried him away from this planet that best keeps him grounded.

So he sits, laying on his back in the commander’s seat that once was his and is now Gale’s. He doesn’t really remember the process of getting here, but he remembers the intense need to be here, like he didn’t have a single other choice. When he first answered Gale’s video call, his husband stared at him for a long moment, then laughed and said something about “only John Egan has an emotional support spacecraft.” He didn’t say anything about how strange it is, considering Bucky almost died in this spacecraft. Maybe, in some weird, fucked up, convoluted way that he’ll have to talk to his therapist about later, that’s one reason he finds being in this tiny space so reassuring.

He’s not a psychologist. He’s hardly even an astronaut.

In any case, fully convinced that this was exactly where he needed to be to call his husband today – a day that has his nerves all shaken up like a can of soda – he duct taped his phone to the console above his head so that he can look at Gale without having to hold it up above his face the whole time. It fell and smacked him squarely on the nose once at the beginning of the call, but it’s been holding well enough since then. 

He doesn’t know how long they’ve been talking. Surely it’s been longer than they’d scheduled for, and someone’s gotta be looking for him by now, grabbing onto unassuming JSC employees and asking in a mild panic “Have you seen Major Egan?” Gale’s crew is no doubt waiting for him, too, perhaps just out of view of the camera, reminding him that they have to get started on some task or another. A part of Bucky feels guilty for holding Gale up for so long, but the rest of him needs this desperately.

This is the first time since Bucky splashed down in the Pacific last November that they’ve been apart for more than even a day. Scratch that, for more than 12 hours. Gale has stayed at his side, for better or worse, since the night he first laid eyes on Bucky again in the hospital. It feels like forever ago, and yet it feels like yesterday. Sometimes Bucky still wakes up convinced he’s dying, convinced that his hands don’t work, phantom pain burning through his leg, unable to speak. 

It was a long winter, and a long spring. Bucky has gaps admittedly, times when the brain fog whisked him away from reality, made it hard to stay in the moment, hard to figure out what was real. It all but disappeared with time, thankfully. He still has a moment here and there, especially when he first wakes up or if he’s stressed or nervous (not that he’ll admit to anyone but Gale that he’s even capable of being nervous), but they’re becoming less and less common.

Getting that leg to heal was a complete bitch. Turns out micro- and zero-gravity aren’t very kind to broken bones. Eventually the cast came off, and he progressed to a brace, walking with a cane, slowly, slowly working toward walking on his own again.

Gale was there the whole time. Holding him up, steadying him, cheering him on, taking the brunt of Bucky’s frustration and fear. No matter how many times Bucky lost his temper or wanted to give up or refused to get out of bed or go to PT or OT or his CT scans, Gale stayed. Gale didn’t give up on him. Gale loved him through it all.

It’s July now. Almost eight whole months since Bucky fell to this Earth, broken and barely breathing under a bright Pacific sky. It’s the dog days of summer, long and hot and busy as ever here at JSC. Gale has been gone for six whole days, training in Iceland with the Artemis 4 crew. Weirdly enough, the volcanic, rocky landscape of Iceland’s arctic desert is a perfect training ground for astronauts headed to the moon, and it has acted as such since the Apollo days. With Artemis in full swing, NASA has started sending the lunar crews out there again to conduct simulated missions that mimic what they’ll be faced with on the lunar surface.

Bucky misses those days, training and bonding with his crew – his best friends – as they bounded across the dark, eerie Icelandic rock in fake moon gear, out of their minds with excitement for what they were training to do. He’s spent much of this video call asking Gale about Iceland and their simulated missions, half wanting to relive it and half hoping maybe Gale would forget why Bucky wanted to call so bad in the first place. He can see on Gale’s face that he’s failing.

Sure enough, after indulging him for longer than Bucky honestly expected, Gale sighs and tilts his head, raising an eyebrow. “How do you feel?”

Bucky doesn’t quite know what Gale means when he asks this. The implications have changed so much over the years. 

In college, he’d ask Bucky How do you feel? when he woke up with a hangover after a night of drinking too much with their friends. Or that time he got terribly sick in the middle of midterm season and shoved through a Statics exam with a fever. When he pulled an all-nighter trying to finish a class project. When he passed Thermo by the skin of his teeth. From the first day of classes to the day they graduated.

How do you feel?

As young adults in the Air Force, or at NASA, he’d ask Bucky how he felt before going up for a mission or a training exercise. Or after survival training in the desert, wandering to the finish line dehydrated and sunburnt but alive and ahead of the rest of their astronaut class. He’d ask him after long training days or messy flights or after they’d been apart for days, weeks, months. He asked him when they both sat, shell-shocked, after losing a friend in the flames of a crash landing. How do you feel?

Before their wedding day, when Bucky was terrified of their future but knew without a doubt this was everything he ever wanted, Gale asked him, How do you feel?

During quarantine. Before the launch. On the pad. How do you feel?

Every day over CAPCOM or video call. Even when Bucky couldn’t hear him, couldn’t say anything back. How do you feel?

When Bucky came home, Gale would ask him that question several times a day. It was tough; there’s no use lying. There were times Bucky wanted to give up, couldn’t bring himself to leave the house or do much of anything. It was painful and it was confusing and it was messy, and sometimes all Bucky could do was stew in silence or, once or twice, tell Gale to fuck off. But every time his awareness drifted or he had to be moved with his bum leg, every time he woke up in pain or had to be left alone for any period of time, Gale, his voice gentle and concerned and so full of love, would ask him, How do you feel?

So what does he mean now?

Bucky doesn’t know how he feels. He should feel good. Excited. It’s about damn time this day came around. He’s John fucking Egan, not afraid of anything, born for the sky. He should feel as sure of himself as the day he climbed aboard the SLS.

So why doesn’t he?

He is excited. Don’t get him wrong. He’s been waiting for this since he woke up in a Houston hospital. But there’s a pit in his stomach and a weird, fluttery feeling in his chest and a weight settling over his shoulders that he can’t seem to shake.

He doesn’t know how he’s supposed to feel. He wants it to be the same as it was before. But it isn’t. It can’t be. 

Not anymore. 

“I’m fine.”

Gale frowns in that concerned, knowing way that he does. He looks so soft now, comfy in Bucky’s Yankees sweatshirt with his hair messy, no doubt fresh from debriefing after a ‘mission’ or about ready to get prepped for another. But Bucky squirms and looks away from his gaze; it sees right through him. It always has. 

“Try again,” Gale insists.

“I’m…” Bucky feels a weird phantom twinge in his leg. Blinks and it goes away. He rolls his eyes. At the question? At himself? Get it together. “I’m fuckin’ nervous,” he admits uncomfortably. “Of course I’m fuckin’ nervous, Buck. What if I get out there and…”

What if I get out there and I can’t do it anymore? What if I can’t handle it? Physically. Mentally. What if today just proves what we were all so worried about months ago: Bucky Egan is grounded. For good. 

“Fuck.” He can’t say any of it, can’t risk speaking the death of his career into existence. The melodramatic part of him thinks the bugler might as well start playing Taps right damn now if today doesn’t go his way. Fold up a flag and present it to Gale as the jets fly overhead.

He can only imagine the way Gale would frown and grit his teeth if Bucky said such a thing out loud.

His husband full well knows what Bucky means, though, and he’s quiet, thinking it over. Bucky can see half formed placations tumbling through his head like desperate dreams running on fumes. But eventually, he says, “it’s gonna be okay, John.” His voice is careful and easy, and he doesn’t even sound like he’s faking it. 

It makes Bucky’s heart clench.

“Gale,” he whispers, and he hates how vulnerable his voice sounds. It rings in his ears, echoing back and forth and back and forth as he roughly scrubs a hand over his eyes, squeezing them shut tight. 

He’s always felt most in control inside of a cockpit. He knows the way an aircraft moves better than he knows anything or anyone on this Earth, except maybe his husband. Flight makes him know who he is, gives him his metaphorical wings. And yet he’s also never felt more out of control than he has in a cockpit. 

If he goes up there, he has no idea what’ll happen. He has no idea what his body will do when it gets crushed into the seat by several times the force of gravity. He has no idea if the thing that used to lift him up will carry him again, or if it’ll spit him onto the ground in a pathetic heap of has-been.

So how is he supposed to feel right now?

Starbursts of pain color Bucky’s vision. Skull-splitting. All-consuming. It’s burning him alive from the inside out like a physical force trying to rip him apart. He thinks falling into a black hole would hurt less.

He feels sick. The G forces are too much.

He can’t think a coherent thought that isn’t something along the lines of ‘please make it stop.’ Somewhere, deep in his brain that won’t work, he hates himself for that. Knows he should be better.

And out of all of that – this crushing, crunching, nausea-inducing pain that has Curt yelling at him not to throw up in his suit – the words that pop up into his head like a cartoon thought bubble are “the Big Crunch.” 

It’s Gale’s favorite theory for how the universe might end. Because Gale is a space physics nerd that has a favorite theory for how the universe might end.

It’s like the opposite of the Big Bang – an exploding outward from an infinitesimal point, 0 to 73.3 kilometers per second per megaparsec in about a trillionth of a second flat. The Big Crunch would be an imploding inward, a collapsing into a single infinitesimal point at a similarly impossible to comprehend rate. Theoretically, this point could be anywhere in the universe.

John wonders if that would feel something like how he feels – crunching, disconnecting, reconnecting, blinding, unbearable. He sort of wishes it would just happen right now, with that point somewhere in this spacecraft. He’ll take the whole universe down with him. He doesn’t really mind, if it’ll make this stop.

“Gale?” He finds himself crying out the only word he can get past his lips. The only word that matters. The only word that can come remotely close to making any of this better. 

“Gale?”

Why won’t it work? Why won’t Gale save him?

He’s getting more desperate. Please. 

“Gale?”

“John? You with me?”

Bucky blinks. He looks back at his phone, sees Gale’s face, all worried and shit. It makes his heart sink, because Gale’s been looking at him like that a lot in recent months. Today is a big day, and Bucky knows Gale is worrying he won’t be able to handle it. He also knows that Gale feels guilty for worrying he can’t handle it. 

But Bucky’s worried, too.

“I wish you were here.” He says these words so quietly he isn’t sure Gale will hear them. He isn’t sure he wants Gale to hear them. He looks away from the phone as he says it, feeling too vulnerable and too raw on this day when he’s supposed to be Major John Egan: cool, cocky, composed. 

He can pretend for everyone else. Everyone besides Gale. He’ll tell them that he’s ready, even if he isn’t.

He won’t ever be ready until he does it anyway.

The lights are dim around him. In the glow of the console in front of his face, he strokes his fingers gently over the tactile buttons beside the screen. They feel so familiar; he thinks he could press one with his eyes closed and know exactly what it would do.

“I wish I was, too.” Gale’s voice comes back soft and real, bringing Bucky’s attention back to his phone screen. The way Gale’s face is so open and genuine – so unlike what the rest of the world gets to see of him, with a crooked half-smile half-frown accentuating the mix of emotions in his eyes, wide and searching Bucky’s for some answer he doesn’t have – makes Bucky want to pull him through the screen and hug him tight.

He wants Gale to hug him tight. He wants Gale to pull his feet back down to this planet and tell him he’s safe and protect him from everything that has hurt him so badly. He wants Gale to make sure the stars keep burning at night and the world keeps turning and the darkness doesn’t swallow them whole. He wants Gale to quiet the buzzing in his brain and the ringing in his ears. The little voice that’s telling him he can’t do it, can’t do any of it. He wants Gale to come home right damn now and make all of it go away.

But Gale won’t do that. Because he knows that, right this very moment, Bucky needs to climb the rest of the way up this mountain. He needs to stand at the top himself in order to understand that he can do it, he can make it. Gale can’t do anything but stand beside him.

“Do you think I’m ready?” Bucky asks. He says it with a mindless air, looking away as he traces his thumb over the bottom of the console, but there’s a jagged edge to his voice that gives him away. He doesn’t know if he wants Gale’s reply. There was a time when it didn’t matter what anyone else thought – even Buck. Bucky Egan would do what Bucky Egan wanted to do, whatever he convinced himself he was capable of doing.

Some things change. Sometimes forever, and sometimes only for a moment.

He makes tentative eye contact with his husband through the screen. Gale nods – a curt, somewhat hesitant little thing. “Maybe,” he says honestly. “You’re ready to at least try. But if it doesn’t go the way you want it to, you just keep workin’, and you’ll try again. You’re Bucky Egan. Nothing can keep your feet on the ground forever.”

Bucky is about to say something snarky and maybe self-deprecating back, but before he can, there’s a voice in the background of Gale’s side of the call. His eyes widen and he looks off screen, putting a hand up to whoever was trying to get his attention. He looks back at Bucky and sighs. “I gotta go, darlin’. You’ll be alright, hear me?”

Bucky forces a smile. “Yeah. Yeah, obviously.”

“I love you,” Gale says, shoving every bit of adoration he has into those words, and Bucky wants to bottle it up somehow, hold onto it for when he needs a reminder. 

“I love you, too,” he says. 

The corner of Gale’s mouth lifts into a shy smile. “Ad lunam, ad astra,” he says, and then he’s gone.

Alone again, Bucky reaches up to turn off his phone, and he lets his hand fall down to rest over his chest. He rubs his thumb over his wedding band, twists it around and around his finger. “Ad lunam, ad astra,” he whispers to himself. 

When the master alarm starts blaring through the cabin seconds later, red lights flashing in Bucky’s eyes, his heart rate shoots up as he instinctively starts thinking through every single thing that could possibly be wrong. His eyes scan the console in front of him, searching for system statuses that aren’t there, and he blinks in confusion before he shakes his head, remembering that he isn’t in a training exercise. Someone’s tracked him down. 

He turns off the alarm and lets silence fill the cabin again. 

“You know, when you said you were gonna find somewhere quiet to flirt with your husband, we thought you meant your office or a shady tree or somethin’.” 

Bucky turns his head awkwardly to see Rosie outside, his head ducked down to peek through the hatch at him.  

“It was quiet before you came and scared me half to death,” Bucky retorts. He reaches up and rips his duct taped phone off the console, picking the tape off and rolling it into a ball. 

“If that scares you, you’re in the wrong place,” Rosie quips. He freezes, just for a second, his eyes going that little bit wider, and Bucky sees the moment he realizes what he said. A harmless joke. A truth, if nothing else. Something that would’ve made Bucky throw a meaningless little insult right back at him a year ago. 

Everyone’s been walking on eggshells for a while now. No one would dare even insinuate that John Egan doesn’t belong here, especially not while he’s working so hard to claw his way back. 

But he takes Rosie’s words for what they are, rolls his eyes, and brushes a hand back through his hair. “If you ain’t a little scared you’re doin’ it wrong. Or you’re crazy.”

Rosie lets himself smile, shaking his head, and he crawls in through the hatch. He pulls himself into the seat beside Bucky, where Curt would usually sit. Bucky sticks the tape ball to his shoulder, and Rosie grabs it, shoves it into his pocket before Bucky can bug him with it any more. 

“Man, can you believe we spent weeks cramped up in this thing?” he muses, his eyes skimming over the industrial walls of the tapered conical cabin. He’s talking about the real Orion capsule, not to mention the hundreds of hours logged in this very simulator. 

Bucky glances around. This glorified minivan of a spacecraft is the stuff of his childhood dreams, like something straight from science fiction. “We’re astronauts, Rosie,” he points out, as if he doesn’t wonder every day how he managed to make it this far. “I can’t believe we left the planet at all.” Rosie scoffs, and they share a look, like neither of them are certain anything that’s happened in the last year was real. 

Bucky shakes his head, adding, “not like we ain’t used to it.”

“At least on the station we got more than one cramped space.”

Bucky doesn’t ask the question that surges through his brain at the mention of the station: Do you think I’ll ever go back? He isn’t ready for the answer. And he doesn’t want to hear ‘I don’t know’ or ‘Of course you will’ or ‘You’re John Egan, you can do anything.’

John Egan couldn’t sign his own name with a pen a few months ago.

Instead he looks over at the fake window on the side of the fake capsule, assessing the distance from it to him. It’s so close. “Felt like that window was a world away during the return trip.” He remembers being led over to it. The feeling of Beary Egan’s fur between his fingers. The throbbing in his head. The unbearable burning in his leg. The nausea in his stomach. Everything spinning around him.

But out the window, stars. So many stars. And he was going to get to them one way or another.

Rosie looks at the window, then back at Bucky. The crew physician remembers all of it, all too well. Part of him wishes he could forget the worst parts, but another part of him feels a need to be the keeper of those memories. He thanks the universe everyday for guiding all of them home. “Everything seems further away when your body doesn’t know if it’ll make it to tomorrow.”

They’re quiet for a long time, just two crew members in a capsule mock-up. It has snapshot memories flashing through Bucky’s mind, and he rubs his thumb over his wedding ring again to ground himself. He thinks about Rosie’s words. “I made it,” he whispers. 

“Yeah,” Rosie agrees. “Yes you fuckin’ did.”

It’s a truth that John has been trying to remind himself of every single day for months. He made it; he’s alive. 

But is that enough?

What do you do when the best experience of your life was also your worst? What do you do when the thing you love nearly killed you? What do you do when all is said and done, when there’s nothing left to do but forgive, even though you will never, ever be able to forget?

What do you do when the universe tries to strip away your identity, leaving nothing but a trembling shell, the pieces strewn about for you to pick up one by one?

You rebuild yourself, step by step. And what do you do when the edges don’t fit anymore, rough corners scrubbing at wounds that won’t heal, nothing but sheer grit and determination gluing you together?

Is it enough? Do the pieces fit well enough for you to be whole again? Will time sand away the jagged edges, sew together the messy seams? Pieces lost and pieces gained, and all you can do is search in the dark for who you were and who you thought you were and who you still can be. 

And you wonder, is it enough?

Bucky holds his hand up in front of his face. Out in zero G, there’s no up or down. You’re weightless, every part of you. Holding your hand up in the air takes no more effort than holding it out to the side or down or back or forward. On Earth, though, there’s good old gravity. 9.8 meters per second squared. 32 feet per second per second. A reliable force keeping your heels on the ground so you don’t just float away. With the way Orion’s seats are oriented, Bucky and Rosie lay on their backs, staring up at the tapered ceiling of the capsule and the screens set up in front of their faces.

Here on Earth, holding his hand up in front of his face takes effort. He’s not weightless down here, and as he experimentally pinches his fingers together, he watches the way they shake.

He bites his lip, takes a breath, closes his eyes. He doesn’t open them.

Gale once told him about the conversations he had with Dr. Huston – the fear that even if Bucky even made it home, he may never be the same. Now he wonders if that fear came true. Is he the same? Will he be the same? He doesn’t know.

He wonders if Gale does. He wonders what Gale sees now, when he looks at him.

He squeezes his eyes shut even tighter.

Ad lunam. Ad astra.

“You’re gonna be fine, John.” Rosie’s voice cuts through the ringing in Bucky’s ears, quieting it. “This is what you’re meant to do.”

Bucky swallows thickly, willing his voice not to come out a strangled mess. “What if… what if I’m not anymore? What if it doesn’t come back like it’s s’posed to?”

“You’ve been training.”

“What if I never...”

“Take a breath.”

Bucky does. There’s no room for panic. No room for doubt. Just him and the sky. 

“Open your eyes.”

When Bucky releases himself from the darkness, his hand is perfectly still in front of him. He straightens his fingers, bends them again, straightens them. They don’t shake.

“You’re ready, John.”

—

The sun is bright over Ellington Field late that afternoon, and Bucky pushes his aviators up the bridge of his nose. He tugs at the collar of his flight suit as he strides down the runway, adjusting it beneath the straps of his parachute pack, and he squares his shoulders, lifting his chin. He feels the hard pavement beneath his boots, hears the beat of his footsteps. The ground crew waits for him.

When he stops in front of the Northrop T-38 Talon, he squints against the light reflecting off its sleek white side, and he feels his breath catch in his throat at the sight of this beautifully engineered machine that will launch him into the blue. He curls his fingers into a fist, spreads them out wide, and slowly, steadily, he presses his hand to the nose of the jet standing in front of him, just waiting to come to life. The T-38 jet trainers are used by NASA for training exercises and keeping the astronaut corps’ flying skills up to par. He knows this aircraft as well as he knows Orion, but he hasn’t flown it since last July, a whole year ago now. 

“Hey there,” he whispers, letting his eyes roam over it – the fuselage, the engines, the wings, the tail, the wheels. A beautiful bird. It was designed long before Bucky was even born, but it doesn’t look it. “Long time no see.”

“Worried she won’t remember you?”

As Bucky’s eyes stay trained on the ground, studying the wheels, his hand still pressed to the nose, he feels someone else’s presence at his side. He looks up, pulling his hand away. Curt’s there, watching him with a teasing smile on his face. He’s wearing the same gear as Bucky: blue NASA flight suit, G-suit, parachute pack, a helmet tucked under his arm. His other hand grips the shoulder strap of his harness.

“Not one bit,” Bucky replies.

Curt chuckles and pulls Bucky into a tight one-armed hug, as if they haven’t seen each other in months even though Curt makes a point out of bugging him every day. “You ready?” he asks when he pulls away.

Bucky nods and grins in that wild, daring way, as if he hasn’t had a single doubt this whole time. As if he wasn’t just freaking out to Gale and Rosie over what he’s about to do. He brushes his hair back and gazes at the jet again. “Let’s see how well I remember her.”

After passing his sunglasses off to a ground crew member, he climbs the ladder leading to the Talon’s second seat, behind Curt’s. They each stow their procedure documents in the cockpit and hang their helmets on the rail before hopping back down for a walkaround inspection. This thing’s been checked at least twice over by ground crew already, but Curt and John don’t fly without giving their own seal of approval.

When Bucky climbs the ladder again and, at long last, settles into the tight cockpit of a real, flight-ready jet, adrenaline rises in his chest at the same time that a sense of belonging presses him into the seat. He sits back, and staring at the instrument panel just beyond his fingertips feels something like coming home. He can’t stop the grin that spreads over his face. The crew chief helps Curt and Bucky strap in and connect their G-suits, and then Bucky slides his helmet over his head so he can hook up to the oxygen supply and comms. He sighs deeply; for the duration of this test flight, this jet is a part of him, or he’s a part of it.

Ladders stowed and systems checks complete, Curt gives the signal for air, and the ground crewmen oblige, pumping life into the Talon’s engines. Once they’ve completed the last of their pre-flight checks, Bucky hears Curt’s voice buzzing in his ear. It crackles over the comms, a sound Bucky hasn’t heard coherently since he was bounding along the side of Shackleton crater.

“It feels damn good to fly with you again, Major.”

“Cut the crap, Biddick,” Bucky teases. “Without me around, you’re officially NASA’s best pilot.”

Curt scoffs at that, and Bucky imagines him rolling his eyes as he double checks the takeoff and landing data. “Should’ve left your ass on the moon… astrofag.”

Bucky rolls his eyes right back, but he can’t help but laugh. Whether he’ll admit it or not, the name is growing on him. He shrugs, reviewing the same numbers. “Only one way to get back there.”

Chick’s voice cuts in from the tower, and it makes Bucky feel something like relief to know Harding is here for this, rooting for him. “One step at a time, boys.”

As Curt starts taxiing, Bucky looks out over the side of the aircraft. The wings of the Talon and the still-open canopies shake as the tarmac rolls by beneath the wheels, bumping them along. He and Gale have taken their prop plane out a few times this month and last; Bucky even took over the controls for a while one time. But this, today, is his first time back in a supersonic jet trainer. He’s only flying second seat, leaving most of the piloting to Curt, but today is a major stepping stone toward feeling whole again: today he finds out if he can handle supersonic flight.

Since his neurologists cleared him for it a couple months ago, he’s been training for this day in earth-bound simulators. At first, the Gs were too much for him, leaving him feeling weak, pathetic, and discouraged as he passed out or started feeling sick at embarrassingly low G forces. But it’s been coming back to him in recent weeks. 

The Talon – capable of flying at Mach 1.3 and climbing 30,000 feet in just one minute – can easily pull 7 Gs. Bucky thinks he’s ready. He wants so badly to be ready. He wouldn’t be flying today if anyone thought he wasn’t ready.

They’re at the end of the runway, staring down the length of it as Curt pivots the Talon so its nose points straight ahead. When Chick clears them, they lower their canopies, and Bucky feels the cabin pressurize. He blinks in surprise as they lurch forward, and then they’re barrelling ahead, faster, faster, faster, until they lift up off the ground, ascending into the clear sky.

He breathes deeply as they climb, picking up speed as they shoot up into their airspace, approaching 16,000 feet. They coast there for a minute, making sure everything is still in order up at altitude. 

“Doin’ alright back there?” Curt asks as they both check their systems again.

“We’re go back here,” Bucky affirms. “Let’s fuckin’ do it.”

“Your wish is my command, Major,” Curt says. He lowers the nose of the jet, and they pick up speed as they drop again, getting up to about 500 knots, three-quarters of the speed of sound. Curt brings the stick back then, sharply pulling the Talon’s nose up, and Bucky watches the G-meter gradually kick up to 5 as they shoot upwards. The force presses him back into his seat, making it hard to breathe, and he clenches his muscles as he feels his G-suit get to work trying to keep the blood from draining away from his head. The needle creeps toward 6, goes a little over it. He grits his teeth hard, feeling his heart start to beat harder, faster as his vision starts to tunnel. His head feels funnier than he wishes it would, but he forces himself to focus, strains to breathe, determined to keep going. 

“Fuck,” he mutters, tensing his lower body as he and his suit fight to prevent G-LOC.

Chick’s voice crackles in Bucky’s ears. “You’re doin’ fine, son.”

Curt keeps pulling back until they’re up around 20,000 feet and the nose passes vertical; they’re now flying inverted. The nose of the Talon is like an arrow, going wherever you point it, and currently it’s looping them over backward at Curt’s command, with the ground through the canopy where the sky should be. The G-meter starts to chill out, dropping again as they lose speed. Bucky’s vision clears as the blood returns to his head, and he breathes in deeply.

Through the canopy, he catches a glimpse of two lonely, fluffy clouds in the distant sky, and below, little buildings and invisible people and dark, sparkling bodies of water spread out across the Earth. Stardust, he thinks, smiling just a little bit as he watches the world around him, trying to see it through Gale’s eyes. Bucky’s always found it beautiful, but more than anything, he’s always cared about the flight, the adrenaline, the excitement. Gale cares about the beauty, the wonder, the imperfect perfection.

“You still with me, Bucky?”

“Yeah,” Bucky assures Curt. “I’m here.”

Curt expertly flips them around and levels back out, upright once again and coasting along at a smooth 400 knot clip. “You ready?” he asks after giving Bucky some time to recover.

“I didn’t come all this way not to be.”

“I don’t need the sass,” Curt shoots back, but it’s light, like normal. “You have the controls.” Bucky’s pretty sure he hears the word ‘asshole’ muttered at the end of that sentence, and it makes him smile.

He shakes the stick in confirmation, and suddenly he has all the power of the Talon right there in his hands. His eyes flick down to where his fingers grip the stick, his heart skipping a beat, but his hand is perfectly still. “I have the aircraft,” he says, and he hopes Chick is still listening.

He sends them into a roll, feeling giddy as his head gets snapped to the side and his body seems to remember exactly what it’s supposed to do. Flying this thing is ingrained within him, like riding a bike – a bike that’s 46 feet long with a 25 foot wingspan, 3,000 pounds of thrust, a 55,000 foot altitude ceiling, and a top speed of 858 miles per hour. 

He asks the plane for a little more, a little more, pushing them higher, faster, forward. He hears Curt whoop loudly into the comms: “Come on baby! We’re fuckin’ back!” And Bucky hasn’t felt this alive since he was on the moon.

After a few minutes of unfiltered glee at the helm of his long-lost ship, feeling pieces of his soul sink back into him, he banks them around and hands the controls back over to Curt for the grand finale, their final test of the day. At about 32,000 feet, they enter a shallow dive, using it to increase their speed again. Bucky feels himself being pressed back, but with a more comfortable amount of force this time as the sky blurs by. He watches the airspeed indicator. Mach 0.92… 0.96… 0.98… 0.99. The indicator jumps, out of sync, as the bow shock passes.

Bucky nearly gasps as they hit Mach 1… 1.02… 1.06… 1.11. 

A strange feeling of calm descends on him. They’re flying faster than the speed of sound; they’re flying faster than anything else on Earth. There’s a certain beauty to it that Bucky’s missed in the last eight months, and he blinks away stubborn tears as the world starts to make sense again. He looks out the window, sees nothing but blue skies, and he lets oxygen fill his lungs as he grins beneath his mask. He laughs, and he hears Curt laugh with him.

—

Back on the ground, once the canopies are up and Curt’s parked them squarely in the Talon’s hangar, the crew chief secures the ladders to the side of the aircraft, giving the pilots their exit. He asks Bucky if he feels alright, and Bucky nods once his helmet is off, leaving dark, sweaty hair sticking up in all directions. “Never better,” he says.

In his head is a steady mantra: I am an astronaut. I am an Air Force officer. I am a pilot.

He just proved it to himself, even if he still has more work to do. He is a pilot. He is all of those things. Not was… he is. 

He climbs down slowly, gripping tight to the sides of the ladder in a way that has him second guessing how much brain power he needs to dedicate to his grip strength. Just a few months ago, his fingers wouldn’t listen well enough to do even this. But he studies his hands for just a split second, one foot on the rungs of the ladder and the other hanging mid-air, and he realizes that his fingers are working just fine right now. His legs feel a little weak as he steps down, down, down, and he holds his breath as he lowers himself the last big step to solid ground. His head goes just a little fuzzy, and for a nerve-wracking half second, he worries his knee might give out and send him crashing to the pavement, but his toes find contact, and he lets himself hop down. His head clears. He takes another deep breath.

His heart is beating fast; he still feels the adrenaline thrumming in his chest, and it makes him feel so goddamn alive. The world around him feels so unreal, the feeling of Curt clapping him on the shoulder so far away that it makes Bucky stumble to the side. He laughs and shakes his head before turning to press his hand to the jet one more time. 

“Next stop, flyin’ her yourself,” Curt says.

For the first time in months, Bucky actually believes it might happen. It’s not even a half-truth said to the media, a manifesto spoken to shove him through PT, a dream to get him out of bed in the morning. It’s right here in front of him, just inches away, and he’s so close. 

He doesn’t say any of it out loud, but he knows Curt can see it, too. They all can see it. Someday soon, John Egan won’t be grounded anymore.

He tucks his helmet under his arm and takes his aviators from the crew chief with a nod of thanks before putting them on. With a glance over at his best co-pilot as they walk away from the aircraft, out of the hangar, he ruffles Curt’s sweaty hair. “What the fuck?” Curt says, but he’s looking somewhere out ahead of them when he says it.

Bucky squints into the early evening summer sun at a small silhouette running fast toward them. After a second of confusion, he laughs and sinks down to his knees just in time for a wriggly husky to crash into his chest. “Pep!” A second one runs up to his side, licking at his ear before going after Curt. “And Meatball,” Bucky laughs. Pepper shoves her nose into his face, making him lean his head back, pushing her away even as he curls his fingers into her thick coat. “What the fuck are you doing here?”

“Flyin’ looks good on you major,” a voice calls out. Bucky’s heart skips a beat, and his head shoots up, his hands freezing in the middle of scratching Pepper’s ears. Meatball trots away, toward the group of people approaching them. 

There’s Benny and Marge – here for support and for media updates respectively – as Bucky expected. Then there’s Chick, fresh from the tower and looking something like a proud father, or maybe just a relieved boss.

And then there’s Gale.

Bucky’s husband – the same one that Bucky was supposedly video calling in Iceland just hours ago – is now also in a NASA flight suit with his hair gelled back. He’s walking across the tarmac to him, illuminated by the sun. 

“Holy shit, man!” Benny exclaims, giving Bucky a firm, excited side hug before slapping Curt on the shoulder. “Bucky Egan is back.”

“That’s right, you can’t get rid of me,” Bucky jokes as Marge comes forward to hug him. He knows she’ll want some pictures of him and Curt by the Talon in a minute, but for now she just whispers in his ear that she’s proud of him, and she squeezes him tight.

Chick pulls him into a rare hug, patting him on the back. “You did damn good,” he says. “Damn good.”

And then there’s Gale. He stands in front of Bucky, looking a little sheepish but tall and proud and beautiful. He raises an eyebrow, and Bucky can’t do anything but stare at him for a long moment. He stares, and stares some more, before finally he blinks and surges forward. Gale grunts at the force of Bucky’s body hitting his, but he firmly plants his feet and wraps his arms around him. “Hello to you, too.”

“Hey, angel,” Bucky whispers. He presses his nose into Gale’s hair, inhales the scent of his shampoo and product. He smells like Houston, like the gulf, like waking up to sunlight shining through the windows, like all the things Bucky loves. He smells like home. “All that about what you were doin’ in Iceland today was bullshit, huh?” 

Gale shrugs. “Surprise?”

Bucky grips the fabric of Gale’s flight suit, twisting it in his fingers. “Were you… did you see?”

Gale nods. “I saw all of it.”

Bucky bites back a grin, hiding it against the side of Gale’s head. He hears Marge take their picture. It’ll be framed and on his desk within the week.

—

By the time the sun’s gone down, the Talon tucked away in its hangar and the ground crew gone for the day, Bucky is back at Ellington Field, sitting on the hard pavement of the runway. There’s the lightest breeze drifting around him, carried in off the bay to relieve Houston from the oppressive heat of the daylight. Major Egan is still in his flight suit, adorned with patches – his name, John Egan, written in neat script beneath a set of wings; the NASA logo; the U.S. flag; his ISS mission patch; and finally, Artemis III.

There’s a crescent moon peeking out of the darkness, set against a backdrop of dark blue-black sky pockmarked with the stars that have guided Bucky his entire life. He stares up at them, the moon and the stars, his mind jumping from one thing to the next. Running through his flight today, everything good and bad about it; thinking through how much further he still has to go until his body is 100% ready to fly alone again; wondering if Gale is looking for him, if he knows Bucky well enough to know where to find him. He’s remembering walking on that moon – every day he works to reconcile it all in his brain, what went wrong and what went right. He’s thinking about what it will be like when Gale goes up there in just a short four or so months.

He can hear footsteps walking over the pavement, and he breathes out in a huff. His husband knows him like the back of his own hand after all.

He spares a glance over as Gale settles on the ground beside him, pulling his knees to his chest in a way that Bucky thinks can’t possibly be comfortable anymore at their age. They sit, close enough that their arms brush, and they look up at the sky that has laid the path for their entire existence.

“Everyone’s headin’ to the Hundred Proof,” Gale says. “Thought you’d wanna drink to being back in the cockpit.”

Bucky hums. “Guess that’s somethin’ I oughta do.” Since he was released from the hospital last December, the Hundred Proof has become a place of celebration and camaraderie again, rather than one of collective grief and worry. His Artemis portrait went up on the walls of the bar just before the new year, along with Curt’s, Rosie’s, and Alex’s. Soon enough, Gale’s ISS portrait will be switched out for his Artemis 4 one, too. Buck and Bucky; one is never far behind the other. 

Bucky crosses his legs and leans forward, resting his elbows on his knees, still looking up as if he can see the entire universe if he only squints hard enough. “We’ve been through a lot together, haven’t we?”

“Have we?”

Bucky looks over at Gale again, scoffing in disbelief, but he finds Gale hiding a smirk as he presses his cheek to his knee, watching Bucky. His hair is messy again from running his hand through it, the gel never holding for long, and Bucky rolls his eyes, reaching a hand out to ruffle it some more. 

“It’s worth it,” he says matter of factly, letting his eyes drift back to the stars.

Gale scoots closer and lets his head fall against Bucky’s shoulder. “It’s our life,” he agrees. He doesn’t need to emphasize the our; it’s as if there was never any doubt in this universe that his life would be John’s and John’s would be his.

“Sometimes I can’t really believe I made it here.”

“You were never gonna take no for an answer.” Gale doesn’t know exactly which part of Bucky’s life they’re talking about. He wasn’t going to settle for less than the astronaut corps. And he wasn’t going to settle for less than Gale either. 

“I said sometimes,” Bucky mutters, but there comes a point, no matter how badly you’ve always wanted something, where it doesn’t feel real anyways. He doesn’t quite know what he did right to make it to this very spot, even if he can trace his exact path, every single step and crossroads and difficult decision. Sometimes, all he feels is fucking lucky.

Gale scoffs and turns his head, pressing his nose against Bucky’s neck, above the collar of his flight suit. He kisses the delicate skin there. “I never had a doubt,” he whispers. “I’m proud of you.”

Bucky leans back, pulling Gale with him until they’re both laying on the hard ground. It’s uncomfortable as hell, but Gale curls against Bucky’s body anyway, shifting so his head lays right over his heart. Bucky’s fingers curl into his hair. They don’t shake. They don’t even hesitate.

“It’s a damn good life,” Bucky breathes out, the words floating up to the heavens and wrapping around them both. He means it with everything he has. 

Gale hums in agreement. With his ear pressed to Bucky’s chest, he can hear his heartbeat, steady and strong. It’s a sound that he took for granted before, but he never, ever gets tired of it now. He squeezes his eyes shut and silently counts along. One. Two. Three. Four.

“You’ll come home, right?” Bucky asks. Few people in this world would be able to distinguish the slight tremble to his voice, the way it jumps almost imperceptibly, nerves twining through it. But Gale hears it loud and clear. With his cheek pressed to Bucky’s chest, he feels the rise and fall start to slow, feels the way Bucky is nearly holding his breath.

Gale closes his eyes, bites at his lower lip. He knows that Bucky knows better than to ask that question. Both of them know that their line of work has never, not once, come with guarantees. They know better than anyone that promises like that are as good as empty. And yet, without promises, what is there to keep them moving forward?

So Gale buries his face in Bucky’s chest and says the only thing he can say. “When have you ever known me not to come home?”

Bucky scoffs quietly at that, but Gale knows that’s all he wanted to hear. They both know that, technically, the odds of him making it home are high; the opposite outcome, statistically, has little to no standing. Bucky takes Gale’s hand, and he mindlessly fiddles with Gale’s fingers in a way that feels normal and domestic, like they’re just any other married couple in this funny little world. Like they’re just them – awkward teenagers and reckless young adults and newlyweds all at once.

Gale could count the days until he launches out of this planet’s orbit. The hours. The minutes. He could mentally tally them as they tick by, pulling them closer and closer to the next adventure, the next mission, the next dream. The clock is running.

But, despite it looming over them, with all of the excitement and adrenaline and worry that it entails, at this exact moment, beneath a sky full of stars, it feels far away. He could count down the seconds. He could feel the anticipation of it winding through his body with every beat of his heart. 

But instead, he focuses on Bucky. He counts his husband’s heartbeats, the purest sign that they are both alive, that they are both exactly where they need to be. One. Two. Three. Four.

“Ad lunam, ad astra,” Bucky whispers into the night.

Gale hides a smile against the fabric of Bucky’s flight suit. It smells like flight – fuel and sweat. He focuses on that, on the rise and fall of Bucky’s chest, on the feeling of warmth between them, the sticky summer air drifting through their hair. 

“To the moon, to the stars,” he repeats back. And with a soft smile, he lets himself breathe.