#it also feels more natural to me

[dieanywhereelseart]

played around with a re-design for sissel in mixed media. watercolor, ink, marker, and highlighter. you can fit so many shapes in this dead guy.

[hinamie]

alongside someone like you

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[weaselmcdiesel]

Hiking with the matesprit

(this was hugely inspired by @/erysium and their gorgeous natural scenes! particularly, this post)

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[dreadark]

that ivan loves till is the most obvious thing about them

but. does ivan know that…?

the ivan that regards his own feelings as shallow, the ivan that learned how emotions are expressed only from copying others… does he even know that the love he’s felt for so long is love? probably not. and part of the reason is the one he loves himself

because the easiest example he has of love is till's feelings to mizi. till outright calls it love, and ivan watches him so much he has to be aware of this and till’s love to mizi is totally unselfish, right. he doesn’t seem to actually want much from her—just that she's still there and still "mizi"

but ivan can't be satisfied with just watching he… wants. ivan wants till’s attention, till’s affection—

surely this selfish wanting can’t be love

...no wonder he was never able to express his feelings straightforwardly when he belittles them so much but he can’t stand not having anything either, so he does… whatever he does instead to get any scraps of attention he can, from someone he's convinced doesn't care about him at all only showing affection when till can't see it, right until he knows he's going to die

but ivan's feelings for till are all he still has of himself... to think of them as shallow...

I've seen this translated as "I should've been kinder" to him (till) or to her (sua)

but really, the one he should've been kinder to was himself

[dustykneed]

not a SINGLE day goes by where i don't think about that post with the photo of andrew's death grip on alex's waist. you know the one

(i have, regrettably, once again, lost the damn post. if anyone has any clue as to its whereabouts i would be much obliged if you could drop the link lol. but at the very least i had the presence of mind to download the photo so here yall go xDD:

[applestorms]

L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

[inkskinned]

you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.

you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.

instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.

you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.

your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.

because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.

so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.

all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[ganondoodle]

once you notice how few characters in media have brown eyes it really becomes impossible to not pay attention to it and its been bothering me ever since

[rubberbandgirlme]

mamma mia here i go again with another chapter from my leander thesis 🤓 please accept my humble input on mc's curse, the importance of reading between leander's flirting lines and rss's wonderful storytelling details.

ngl when i finally chose not to touch leander's hand first (can you blame me, i'm weak for that man) i was bewildered at how strikingly different the options in this scene play out, and i, strange as it seems, like this one much better.

first of all, it's a parallel (even if it's not intended, the connection is still there) to the opening scene with a deranged traveler: the touch, the sensations, the (foreshadowed) strangling:

leander is definitely affected by the curse — possessed even, i would say, as if he was being told to strangle mc. notice how his actions line up with the traveler's, only in slo-mo, because leander was fighting to take back the control. and when mc calls out for him, he either snaps out of it or gets to the exact point when he takes a hold of the curse. this brings up a question: could mc's curse be sentient? alter the minds, you say? (more under the cut because it got long)

i've seen people speculating that mc's curse might bestow the enlightment but that's not true: mc was told that (and that's why this origin has me by the throat (pun absolutely intended): imagine living with so much guilt, thinking you were doing good, but in fact driving people mad… mmm tasty). it ties perfectly into every origin path where mc was being lied to, deceived and betrayed. however, there's definitely something more to the curse's nature that's yet to be disclosed.

my favourite moment though!! is this nuanced character storytelling!!

the very hand that was inches away from choking mc to death is quickly disguised as caring and soothing. wonder why? to gain mc's trust (non-verbally), to show that leander's in control, he's strong, he's there for mc, he'll take care of them. of course, leander, being a leander, downplays the whole experience of being possessed/affected by the curse, but he's being honest at once. he doesn't lie to mc — and that's also how he's gaining trust, verbally this time.

one more question that begs to be asked: why the hell all of this doesn't happen if mc touches leander first? it seems that the quality of the touch (😭) also plays an important role here:

leander must have felt the power of the curse, but he wasn't possessed by it, he could control it right away — why? because the touch was fleeting? or because it was mc who was touching him, not the other way round?

now hear me out (i might be wrong on this one, because i can't remember any more examples off the top of my head, but i feel like it's definitely a thing. let me know if something comes up!): we should pay closer attention to how leander says the truth (or half-truth), but it could be understood differently at a flirting angle (it's slightly different from this one, where he covers up his misstep). what i think he means here is that he controls the curse, but it sure is a difficult thing to do. "not due to your power" my ass, his need to look strong and heroic and weak at the same time is ridiculous, someone cure this man (ivolunteer.gif)

one more and last thing that's bothering me (it might play into the previous point btw): if you keep touching him, he tells mc that fissures on their hands match his golden pin. why??????? that's such a dumb thing to flirt about, such a weird comparison. what kind of connection is there? it's so out of place, it definitely means something more. leander spill

[justaz]

i don't like putting homophobia in my fictional worlds so like when i think of bbc merlin i like to imagine uther as a classist anti-magic bigot but a hashtag ally. anyways i thought of a way to make homophobia make sense in canon without it being like. serious?

we know that true love is a force powerful enough to overpower any love spell so i think it's safe to say that love is the most powerful force in albion, above even magic. and this is smth i maybe made up but sex is a sacred thing in magic and to the druids. sex rituals happen all the time and the power from sex fuels spells to make them more powerful.

how would uther weaken the magical community? outlaw wlw and mlm relationships to that love and sex can't be used in magic. he couldn't outlaw love and sex entirely as men and women needed to have children to continue on the population. he uses the new religion to push that it's immoral to engage in mlm/wlw relationships and that's what arthur grew up hearing but he's known since he was a kid that he's gay so he has his own super deadly secret he can't let anyone know.

the druids never bend to uther's laws and continue their free love and that's why arthur is always sympathetic to their plight and hates when his father sends him to raid their camps because part of him feels like he's hurting his own people. it's also why uther is able to get away with attacking peaceful people without anybody bashing him for it - they have magic and they're immoral.

so uther has his anti-magic laws but also his anti-love laws

[prismaticsaltedink]

Scoria and Sakura are best friends! It's so cute when I see the things they do together, and it makes me so beyond happy that they both came to live with me so that they could share their lives with each other. They absolutely insist on it, and does so much good for the other.

I can't imagine how else they could have found happiness if things hadn't worked out exactly as they did. Scoria has basically been Sakura's "emotional support snake" while she worked through things from her past I'll never fully know that caused her a lot of issues with panic and fear. Sakura knows this too, and looks out for her sister, the only one she truly trusts and feels completely safe with.

The moment they wake up they both want each other to snuggle and play with. Scoria loves to be affectionate with both me and her sister who seems to have not had this earlier in her life- but Scoria is showing her how nice it is not only directly but demonstrating with me and Sakura also trying, copying what she has seen her sister do.

Sometimes when one goes to check on the other they'll join in on... I'm not even sure what they were doing. But they had a good time while taking a mandated union break from digging tunnels for the isopods.

So happy I get to share in the adventures of these two best friends! It makes me so happy to see them living their best lives together, and being beyond content snuggled together with their found family.

[skymagpieart]

Making super niche content catering only to me, but I decided to draw the Old Hillsbrad Foothills - Renault Mograine and Sally Whitemane interaction - however put them closer to the ages they have during the same event in "Ashbringer" where I assume Renault is ~15 and so is she. Also baby Darion who is a kid and he was present for the creation of The Ashbringer.

Yes, my math is probably off, I just assume Renault would be a teen here and if not, yeah this is just super self indulgent stuff. I wanted to draw 15-16 year old Renault and Sally and also a baby Darion.

[thesummerestsolstice]

I don't know if this is what Tolkien intended, but whenever I picture Maglor's Gap I picture it in the spring; a meadow in full bloom, with colorful flowers and gentle bumblebees. While Himring is icy for much of the year, the lower plains around it are warm and welcoming for a good few months in the spring and summer, and have much milder falls and winters.

I feel like it's important for Maglor's Gap to be not just a strategic choke point, but a genuinely beautiful piece of Beleriand that Maglor and his followers loved dearly. Somewhere they thought of as a home. Somewhere they eulogized in songs long after it was destroyed.

Maglor sings of the Gap, in the Noldolante, but the only part of it remembered there is the part where it was scorched into nothingness.

But he also told Elrond and Elros about his old home; keeping its better memories alive. Elrond, as Gil-Galad's minstrel in the Second Age, often sings songs about the wildflowers and songbirds of the Gap in Spring. Not many know that's what he's singing about, but he does, and that's enough.