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haveyouseenthismovie-poll · 3 months

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End of month update - June

Hello, all! This is the end-of-month update, where I post Tumblr’s current top four films that have received the highest percentage of “yes,” “no,” and “haven’t even heard of this movie” votes.

As of today, the top four films with the highest percentage of “yes” votes are:

Finding Nemo (2003) | Shrek (2001) | Monsters, Inc. (2001) | The Lion King (1994)

Next, the top four films with the highest percentage of “no” votes are:

Sausage Party (2016) | Pinocchio(2019) | Sharknado 2: The Second One (2014) | All Quiet on the Western Front (1930)

Finally, the top four films with the highest percentage of “haven’t even heard of this movie” votes are:

Faat Kiné (2001) | Now Add Honey (2015) | Like a Cat on a Highway (2017) | Dean Spanley (2008)

This top four changed through the new additions of Faat Kiné (2001) and Now Add Honey (2015), which replaced Monica and Friends: Bonds (2019) and Monsturd (2003).

Currently, The Incredibles (2004) is the still the only film to receive absolutely zero “haven’t heard of this” votes.

That’s it for June’s end-of-month update! Remember that you can view last month’s update by clicking here. Additionally, you can view the full ranked Letterboxd lists of movies that have come up on this blog by clicking the following links:

This list is ranked from highest-to-lowest percentage of “yes” votes.

This list is ranked from highest-to-lowest percentage of “no” votes.

This list is ranked from highest-to-lowest percentage of “haven’t even heard of this movie” votes.

Also, remember that the ask box will open for requests some time before July 4th! There will be a post announcing when it's open, so keep an eye out for that if you'd like to request some movies!

#end of month update #text

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7878neptun7878 · 26 days

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Eurodance Collection - Vinyl Store Rq by Roxana

The set includes albums by the following Eurodance artists:

Masterboy - Different Dreams (1994)

Maxx - To The Maxximum (1994)

Fun Factory - Fun-Tastic (1995)

DJ Bobo - There Is a Party' (1994)

E-Rotic - Sex Affairs (1995)

Dr. Alban - Look Who's Talking! (The Album) (1994)

Captain Hollywood Project - Love Is Not Sex (1993)

Haddaway - The Album (1993)

E-Type - Made in Sweden (1994)

U96 - Club Bizarre (1995)

Snap! - The Madman's Return (3rd Edition) (1992)

Magic Affair - Omen (The Story Continues...) (1994)

Twenty 4 Seven - I Wanna Show You (1994)

2 Unlimited - Real Things (1994)

Mr. President - Up'N Away - The Album (1995)

Culture Beat - Serenity (1993)

Centory, Turbo B. - Alpha Centory (1994)

ICE MC - Dreadatour (1996)

Aqua - Aquarium (1997)

2 Brothers On The 4th Floor - Dreams (1994)

Basic Element - The Ultimate Ride (1995)

Captain Jack - Operation Dance (1997)

East 17 - Steam (1994)

Scooter - Wicked! (20 Years Of Hardcore Expanded Edition) (2013)

Future Beat - Destiny (1994)

Activate - Visions (1994)

Melodie MC - The Return (1995)

Pharao - Pharao (1994)

La Bouche - Sweet Dreams (1995)

Mark 'Oh - Magic Power (1996)

K2 - Der Berg Ruft (1994)

Rednex - Sex & Violins (1995)

Mo-Do - Was Ist Das? (1995)

Modern Talking - Back For Good (The 7th Album) (1998)

Download:

#ts2 #sims 2 download #ts2 download #sims2 #music sims 2 #music #eurodance #eurodance collection

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marimayscarlett · 8 months

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They all said the band could continue depending of which member would leave. Rammstein sound is Paul, Flake and Oliver first, lyrics and voice, Till. I believe if Schneider or Richard left, the band could continue with new members. Most famous riffs are from Paul after all, and the slow songs are from Oliver. Many guitarists could do as much as a good job as Richard and I doubt the majority of the public would notice outside the fandom. From Flake himself : depend on who's leaving.

Hi 👋 (

Wow, ok, there's a lot to unpack here. I'll try to work my way through it. (This is long, and I don't expect anyone to really read this.) I have to admit, I was a little taken aback when I opened this ask. In my opinion, it is strange and quite presumptuous for an outsider and a person who has no part whatsoever in the creative process of this band, to presume to be able to assess who in the band is dispensable. Following the logic of your thought process, in the sense of "many guitarists could do as much as a good job as Richard", you are discrediting any creative input and output this man has ever done in Rammstein, Emigrate and any band he was in before. That seems pretty unfair to the founder of a band you seem to like. (And interesting that once again the criticism is aimed at Richard - this man gets that from fans quite often...). Schneider also seems to find no mercy in your eyes and seems replaceable to you.

What I'm missing in your overall thought process, which looks at the matter from a purely technical point of view, is the interpersonal relationship between the members, the creative influence on one another, the support, the exchange of ideas between them which brings up new ones - all these factors which play a role in making the music what it ist.

I also find the statement that the quiet songs are from member x and the riffs from member Y too simple. Rammstein always emphasize how much of a democratic system they are, it's well known how many influences go into the songs. Sure, many components of the songs come from ideas of the individual members, and yet I think your statement is too short-sighted, that's not how songwriting works at Rammstein (something Richard also had to learn). A few examples that show how diverse the influences in the creative processes of the songs are:

In the song 'Engel', a riff from the song 'Be up to know' by Orgasm Death Gimmick is used - Richard's old band.

The song 'Mutter' dates way back - a first instrumental version was found on a demo tape by Richard from 1994. He himself mentioned he wrote this song for a wedding.

The song 'Heirate mich' reuses a riff from the song 'Klaus Kinski' by the Magdalene Keibel Combo, Flake's and Paul's old duo. Another riff which dates back to this Combo is used in 'Herzeleid'.

A little example for the band's creative instrumental process in a song: In 'Los', Till plays the harmonica, Olli couldn't stand it, Paul liked it and fought hard for it. Schneider contributed a lot to the aesthetic of the song with his blues guitar skill.

For 'Du hast', Flake and Richard largely contributed - the song is build on synth sequence by Flake and a riff by Richard.

The musical idea from 'Mein Teil' comes from Paul.

'Wilder Wein' was written musically and lyrically by Till (to impress the ladies).

A big joint project of the band was 'Deutschland', based on a demo tape by Richard, who was thinking of his family when writing the song.

While this wonderful post (@namelessrammgirl sure has a way with words 🤍) today listed what each band member contributes to the band, I'd also like to let the guys speak for themselves on the subject of the band ending and leaving - as we all know this has been a recurring theme:

Richard doesn't totally believe that the band can function if one member leaves. However, he says that looking back at music history, something like this always works, but the old chemistry is no longer there. He is very open about the fact that he would be ready for something other than Rammstein and would try out new things. He also talks about a rule within the group that if one of them quits, they continue to participate financially - so the subject of leaving (not only for Richard, who has often entertained this idea) was probably a general topic in the band. [source]

"As long as we feel that the ship is still sailing and the port has not yet been reached, we will continue. But if we were to enter a port, I wouldn't be sad." This statement comes from Paul. "We haven't talked specifically about an end yet, but we are aware of the fact that Rammstein is a finite story, even if there is no plan for it yet." This statement is from Schneider. [source] Both make it clear that Rammstein will come to an end for them at some point, Paul also mentions in this interview that the untitled album contains "truly a lot of blood, sweat and tears, anger and stress", Richard mentions that his ideas, even though he got on really well with Paul, were criticized a lot - as you can see, things are always bubbling in this band. It's not a question of who can do what technically well, there's a lot of interpersonal stuff at play here, which makes the band uniquely successful and the work in it uniquely difficult.

So while we shouldn't look at everything through rose-tinted glasses, the potential issue of 'who leaves the band and how do they move on afterwards' should absolutely and only be a matter for the people involved. We as fans should, in fact, be happy and grateful that after 30 years, internal conflicts, accusations and a terrible year 2023, this band still manages to work together, give us tours and unique music. It's always easy to moan and make suggestions for improvement - but in my opinion, it's not at all helpful.

#rammstein #ask

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fatehbaz · 2 years

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Kurdish ecology. Indigenous seeds and food heritage. Palestinian edible plant archive. Ezidi foods and reverence for landscapes. The narratives of “exiled foods.” Suryani, Zaza, Kurdish, and Armenian displacement. Okra and mustard greens. Dispossession and native plants in Anatolia and the Mediterranean. Imagining alternative worlds and affirmative care structures. Landscapes breathing in slow, deep time. Seed exchanges and “entanglement of solidarity” across regions in defiance of military surveillance, industrial monoculture, and extraction. “Homeland is not where you were born, it is where you are fed.”

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Okra is strong and can survive the precarity of exile and migration: it can be found in a Bangladeshi vegetable stand in Rome, an Ezidi camp in Diyarbakır, or a guerilla garden along the highway in Kowloon. Okra is one of the world’s oldest cultivated crops, spread by the processes of colonization and the slave trade from Africa and India to the Mediterranean and westward to the new world. Its versatility makes it well suited for states of dispossession and survival. [...] The colonization and standardization of landscapes is always rooted in controlling the cultivation and erasure of localities. [...] Today, the same region [Anatolia and the Mediterranean] is inundated with wars and oppressions that destroy not only biodiversity but also the intangible heritage of ingredients and their narratives across our earth.

“Survival-with” and “through” is something of an entangled kinship that can be described as migrating ingredients, refugee seeds, and exiled foods. Works by artists Seçkin Aydın and Gülsün Karamustafa deal with forced eviction and exile from their homelands in different historical periods in the last century in Anatolia. Aydın is a Zaza minority from an evicted Kurdish town called Kulp (Diyarbakır Province). His work I can’t carry my grandma, i can also not eat her or wear her (2015) uses the metaphor of Aydın’s grandma keeping small fruits in his pocket during their journey of exile when he was a child. [...]

Karamustafa’s work Heimat Ist Wo Mann Isst (1994) depicts three spoons wrapped in an old cloth. The title means “Homeland is not where you were born, it is where you are fed,” which refers to cross-Balkan and Anatolian transnational migration.

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Practices of collecting and archiving heirloom seeds are a form of solidarity and resistance against extractive capitalism and industrialized agriculture. Such projects protect and aim to restore natural habitats and biodiversity. They are critical of dominant monocultural approaches [...]. How can we consider a more-than-human ethics around seed and seed heritage? How can we collect cross-narrative assemblages of seed heritage? [...]

Indigenous phenomenologies are essential for tracing food heritage and the ingredients that are tightly connected to local communities of Zazas, Ezidis, Armenians, Suryanis, Kurds, and others who are continuously exiled by force in the ongoing extracted landscapes of the Tigris. Often with colleagues we find ourselves discussing, for example, the giyayê xerdelê (mustard greens) that can be easily foraged in the hills of Heskîf, a millennia-old archeological heritage site that has almost been destroyed by the nearby Ilisu Dam, which justifies the expropriation of lands from Kurdish villages and from many nomadic shepherds who were forced to leave. Military surveillance of farmers and of the common grazing grounds of Ezidi, Suryani, and Kurdish villages leads to a loss of the network [...].

Kurdish ecology activists Bişar İçli and Zeki Kanay, who were banned from their municipality and their university positions by the Turkish government in 2017, started an agro-ecological solidarity commune in Diyarbakır. They archive, exchange, and create networks of seeds around the Tigris River basin, producing an entanglement of solidarity infrastructure among Kurdish communities against military surveillance and capitalism-led extraction in this region.

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Cineria, an Ezidi village near Batman, Turkey, was nearly emptied out in the 1980s due to conflict in the region between the Kurdish movement and the Turkish state. [...] Soil, stone, rocks, caves, and water are fundamental cosmological elements of Ezidi cultural practice connecting the past, present, and future. Each year the village hosts semi-nomadic Zaza shepherds who migrate from another southeastern Turkish city, Bitlis [...]. The Ezidis accommodate the shepherds for six to seven months in Cineria; both communities communicate using the Kurmanji language. [...]

Long walks through landscapes are a basic practice of Ezidi women, where they learn about the land and the cultivation cycle connected to Ezidi cosmology, which is about keeping and protecting ingredients, seeds, and healthy soil. Honouring nonhuman elements is fundamental to Ezidi cosmology. As Ezidi women walk through the landscape, they tell stories of dispossession, mourn for lost soil and seeds, and whisper continously: “av, agîr, erd, ba, roj.” [...]

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Palestinian geographer Omar Tesdell, who created the Palestinian edible plants archive, tells us that landscapes move in slow, deep time, and that all wild plants, seeds, and healthy soil are our heritages. These heritages will not only support our precarious societies but may create an ethical, responsible entanglement of resilient coexistences for our collective future. [...]

Following an okra plant through narratives, infrastructures, forgotten languages, and entangled exiles is not a metaphor. As artist Jumana Manna writes, we strive toward “imagining alternative/affirmative care structures that remain, within and beyond the current reality, aligned towards plant and human life alike.” Navigating through migrating ingredients, refugee seeds, and exiled foods, we witness and learn about extractive strategies, state-making, and slow violence.

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Text by: Pelin Tan. “Entangled Exiles.” e-flux (journal). Issue 131. November 2022. [Italicized first paragraph/heading added by me.]

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wendyius666 · 1 month

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A list of movies/shows based on the 'Snow white' fairytale! Part 1

(I haven't seen all the movies/shows so i apologize in advance if there is something inappropriate)

Snow White and the Huntsman (2012)

Snow White (1987)

Schneewittchen (1961)

Snow White (1995)

Snow White: The Fairest of Them All (2001)

Snow White: A Tale of Terror (1997)

Snow White and the Seven Dwarfs (1937)

Snow White (1990)

Happily Ever After (1989)

Blanche Neige (2009)

Snow White (1916)

Grimm's Snow White (2012)

Snow White: The Mysterious Father (2015)

Snow White and the Three Stooges (1961)

Schneewittchen und die sieben Zwerge (1955)

Mirror Mirror (2012)

I sette nani alla riscossa (1951)

Skazka o myortvoy tsarevne i o semi bogatyryakh (1951)

The Wonderful World of the Brothers Grimm (1962)

Osenniye kolokola (1979)

The Charmings (1987–1988)

The Magic Riddle (1991)

Schneewittchen und das Geheimnis der Zwerge (1992)

The Legend of Snow White (1994–1995)

Willa: An American Snow White (1998)

In Dreams (1999)

The 10th Kingdom (2000)

Pretear (2001–2003)

7 Zwerge (2004)

7 Zwerge - Der Wald ist nicht genug (2006)

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techniktagebuch · 4 months

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Januar 2024

Leichtfertiges Lesen von Schadensberichten hat Folgen

Vor Weihnachten habe ich nur so zum Spaß die Versicherungs-Schadensanalysen bei www.ifs-ev.org binge-gelesen und dabei viele erstaunliche Dinge erfahren, zum Beispiel, dass Katzen Herde mit Sensorfeldern einschalten können, indem sie drauf herumlaufen. Aber beim Beitrag "Eine nicht enden wollende Schadenserie" bin ich nachdenklich geworden. Es geht darum, dass Kühlschränke bestimmter Marken, die vor 1994 hergestellt wurden, überraschend die Küche in Brand setzen. Überraschend für die Kühlschrankbesitzer*innen, nicht so sehr für das Institut für Schadenverhütung und Schadenforschung, weil es eine bestimmte Serie ist, mit der das – trotz einer Rückrufaktion aus dem Jahr 2008 – bis heute passiert.

Das im Artikel abgebildete Etikett kommt mir bekannt vor. 2021 habe ich ein ganz ähnliches im Kühlschrank meiner Mutter fotografiert, um eine neue Türdichtung zu bestellen. Ich vergleiche den Mutterkühlschrank mit den Angaben im Artikel.

"FD7208" bedeutet, dass der Kühlschrank im August 1992 hergestellt worden ist. Es gibt so viele schöne Datumskonventionen auf der Welt.

Um herauszufinden, ob auch wirklich der zurückgerufene Kompressor verbaut ist, müsste man aber den Kühlschrank aus seinem Einbauküchenfach herausnehmen und die Rückseite betrachten.

Das machen wir im Januar. Es ist tatsächlich der brandgefährdete Kompressor.

Was man nicht im Kühlschrank haben sollte: Danfoss-Kompressor von 1992, dessen Modellbezeichnung mit T, F, N oder S beginnt. (Die 2004 auf dem Etikett ist nicht das Baujahr, leider.)

"Es ist doch jetzt die ganze Zeit nichts passiert", sagt meine Mutter, die den nur 32 Jahre alten Kühlschrank noch einwandfrei findet und keinen neuen möchte.

Ich lese aus einem älteren IFS-Beitrag von 2017 über das gleiche Thema vor: "Obwohl die betroffenen Geräte mittlerweile mindestens 23 Jahre alt sind, entstehen durch den Produktmangel noch immer regelmäßig neue Brände. (...) Wenn auch über 20 Jahre nichts passiert ist, sollte man die Sicherheitswarnung ernst nehmen, denn die Brandgefahr steigt im Laufe der Zeit."

Wenn man nichts von dem Problem weiß, argumentiere ich, ist es zwar auch nicht schön, wenn die Küche abbrennt. Aber wenn man Bescheid wusste, so wie wir jetzt leider durch meinen unvorsichtigen Katastrophentourismus im Internet, und dann brennt einem die Küche ab: Das geht einfach nicht.

Widerwillig kauft sich die Mutter einen neuen Kühlschrank. Der sei ja dann auch energiesparender als das alte Ding, sagen meine Geschwister und ich. Was sich erst nach Lieferung und Einbau des neuen Kühlschranks herausstellt: Diese Energieeinsparung wird durch dickere Isolierung erzeugt. Und da ein Einbaukühlschrank nicht größer werden kann als sein Einbaufach, muss stattdessen sein Inneres schrumpfen. In den neuen Kühlschrank passt nur noch halb so viel wie in den alten, er ist wirklich unverschämt klein, worüber sich die Mutter mehrmals täglich ärgert. Aber im Keller steht ja noch ein zweiter, meistens ausgeschalteter Kühlschrank, den mein Vater schon einmal als Ersatz für den vorhandenen gekauft hat und der der Mutter damals zu klein war. Es ging kein ganzer Kuchen rein und der Vater wurde kritisiert für seine Unkenntnis der nötigen Kühlschrankdimensionen. Zwei zu kleine Kühlschränke, von denen einer nur bei Bedarf eingeschaltet wird, sind energiespartechnisch vielleicht sogar besser als ein großer, so reden wir uns das jetzt schön. Außerdem ist die Küche nicht abgebrannt.

(Kathrin Passig)

#Rückrufaktion #IFS #Kathrin Passig #Kühlschrank #Haushaltstechnik #Brandgefahr #Energiesparen #Herd #Kochfeld #best of

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experimentik · 2 months

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Experimentik #77 / 18.Sep.2024 / chirp crush / Kristina Warren

18. September 2024 / 20:30- (doors 20:00) *no entry during sets

duo: chirp crush Verena Barié - recorders, electronics Sjoerd Leijten - electric guitar, electronics

solo: Kristina Warren - electronics

FB event ---------------------------------

Das Konzert ist Teil des Monats der zeitgenössischen Musik Berlin der initiative neue musik e.V. / field notes berlin

title photo © Seiji Morimoto

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Das Ensemble chirp.crush - Verena Barié und Sjoerd Leijten - traf sich 2017 in Amsterdam (NL) und kreiert seitdem Klanglandschaften und experimentelle Narrative.

Ausgehend vom Atem als Tonerzeuger gestaltet chirp.crush - zusammen mit Markus Hennes/Stimme - abstrakte Narrative durch vielschichtige elektronische Prozesse und elektronisches Instrumentarium. chirp.crush verstehen sich als Grenzgänger zwischen experimentellem Hörspiel, Radio- und Klangkunst. Das Ensemble wurden durch zwei FEB-Ensemble Stipendien (2021 & 2022) des Musikfonds e.V. gefördert, sowie von der Kunststiftung NRW und dem NRW KULTUR-sekretariat im Rahmen von Aufführungen in LTS4 im Lichtturm Solingen.

Verena Barié (*1994) ist eine weltweit agierende Blockflötistin, Medienkünstlerin, Komponistin und Kuratorin. Nach einem klassischen Bachelorstudium mit Hauptfach Blockflöte absolvierte sie das Masterprogramm Live Electronics des Conservatorium van Amsterdam. Die Blockflöte hat Barié schon früh an die Schnittstellen von Musik, Neuen Medien und Performance-Kunst geführt. Seit Oktober 2019 lebt sie in Köln und ist als Co-Kuratorin am LTK4 – Klangbasierte Künste Köln tätig. Seit 2021 arbeitet Sie im Vorstand der Kölner Gesellschaft für Neue Musik e.V. und gestaltet das kulturelle Leben der Kölner Freien Szene durch musikalisch-künstlerische Veranstaltungen sowie kulturpolitisches Engagement mit. Mit ihrem Projektraum LTS4 in Solingen kreiert sie dialektische Projektreihen mit Medienkunst. Barié ist neben ihrer Solo-Tätigkeit u.a. seit 2017 im Renaissance Doppel-Sextett THE ROYAL WIND MUSIC (NL) und seit 2020 im klangkünstlerischen 1. DEUTSCHEN STROMORCHESTER (DE) zu hören.

Sjoerd Leijten (*1982) ist ein transdisziplinärer Künstler, Komponist und Radiomacher mit einem ausgeprägten Interesse an dissidenten Klängen und Politik. Er arbeitet häufig mit Elektromagnetismus, field recordings, noise, Echtzeitverarbeitung und Open-Source-Software und -Hardware. Seine Werke umfassen Performances, Konzerte, DIY-Instrumente, Installationen, Veröffentlichungen, Filme und Audio. Seine Musik für Kino und Videospiele wurde mehrfach ausgezeichnet. Sjoerd lebt in Antwerpen (BE) und ist Mitinitiator des von Künstler*innen geführten Veranstaltungsortes TOITOIDROME, situiert in Borgerhout. Beim lokalen Untergrundradiosender RADIO CENTRAAL 106.7 FM moderiert er die zweiwöchentliche Radiosendung TRASHKOT zusammen mit dem Künstler JO CAIMO: „Ein ranziges Gewebe aus Geräuschen, Gesprächen und Müll bildet eine wackelige Brücke zwischen Musik und Politik.”

https://www.instagram.com/chirp.crush/

photo © Vesna Faassen

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Kristina Warren (US, 1989) is a Providence-based sound artist whose live performances offer listeners a gentle, restorative environment. Slow analog cycles combine with detailed field grains and room-specific resonance, interweaving the fringes of attention with warm, present volumes. In Spring 2023, Warren was in residence at Vienna’s [AT] MuseumsQuartier/Q21, collaborating with TONSPUR Kunstverein Wien to present a new sound installation, Lavender Lauds, supported by the Fulbright Commission [US]. Warren’s work has previously received support from Interfaces/European University Cyprus, EMS Stockholm, Spektrum (Berlin), Signal Culture (New York/Colorado), the American Composers Forum, and Non-Event (Boston). Warren has collaborated with ensembles including Chartreuse, JACK Quartet, So Percussion, Talea, Yarn/ Wire, and the Merseyside Improvisers Orchestra. Also active as an organizer of new music performances, Warren was the 2022 Artist/Curator-in-Residence at Providence venue The Music Mansion. Recently a Visiting Assistant Professor of Electronic Music & Multimedia (Brown University, 2017-21), Warren holds a PhD in Composition & Computer Technologies (Uni. Virginia, 2017).

photo © James Lastowski

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Experimentik 2024 is supported by inm - initiative neue musik berlin / field notes

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axe-of-ender · 9 months

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writing WIP tag game!

thanks @hxlda-hxlda for the tag <3

Rules: In a new post, post the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. Let people send you an ask with the title that most intrigues them and then post a little snippet of it or tell them something about it and then tag as many people as you have WIPs.

in the process of this i ended up finding a shit ton of old fics. we love deep dives!! hint: these are all life series / hermitcraft AU's:)

a. winner takes it all | there is something wrong with me b. 1994 (CEB) c. 2000 (IST, MRB) d. 2004 (JJL) e. 2006 (GSM) f. 2007 (GPS)

This is the third new google doc ive made in the past 2 days

(Chris McCarrell voice) WHAT IS HAPPENING

unsure which of my mutuals still write (for any fandom), it's been a while! if you don't then consider this tag like pat on the head, kiss on the cheek, or a fresh baked pie: @halftheway @rachelsquill @omegamoo @manyfandomsonelog @zenith-1029 @boonbeenblade + anyone else seeing this, consider yourself tagged if you so like :)

#tag game #outgoing mail #ask game #1 has sub-stories so its broken down #you want to know about the weird three letter acronyms so bad

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unfug-bilder · 2 months

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Der Zyon (1994 geboren) ist Landesvorsitzender der FDP Brandenburg. Keine Ahnung, warum sie den Vornamen so rausstellen?!

#niemand braucht die fdp #brandenburg #totaler Wahlkampf

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fabiansteinhauer · 2 months

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Land

Man kann dieses Land das durchgestrichene Land nennen, ein Land, über das am Tisch und in Tafelgesellschaften nicht zu sprechen ist, weil dann im Gespräch verloren geht, was einen Tisch und eine Tafelgesellschaft ausmacht. Wie soll man zurückkehren? Was soll man erwarten dort? Erzähle ich am Tisch oder in Tafel-Gesellschaft, dass meine Entscheidung, 1993/1994 dort zu leben, zu studieren und zu arbeiten, einer der beiden beste Entscheidung in meinem Leben war und dass ich in dem damals offenen und versprechenden Land fantastisch empfangen und behandelt wurde, schauen mich meine Gegenüber, die in den letzten Jahren geflüchtet sind und mit teils ausgerissenem Herzen nun hier wohnen mit vergrößerten Augen und leichtem Anflug von Schrecken an. Es ist ein Grausen: ich habe die Lust und die Mut verloren, dorthin zu reisen. Berkowitsch und Petrijtschuk sind zu sechs Jahren Haft verurteilt worden - in einem der zahllosen absurden Prozesse.

#das durchgestrichene land #jewgenia berkowitsch #Swetlana Petrijtschuk #hinderland

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rwpohl · 1 year

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son art et son temps, guy debord 1994

#son art et son temps #guy debord #1994 #material #flyweight #obst & gemüse oder der kunde ist könig

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schlagerkopf · 1 year

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Ableben

On paper, I’m supposed to despise Naftaly Bennett, very much so. But I don’t. I think he’s a solid dude. His external look gives me some kind of chill vibe. He’s got that Cheshire cat look. He’s the type of person I want to dance with, soaked in sweat, in a wedding or a big event.

Maybe it’s not Bennett I should despise, but his manager – the genius who came up with the elections slogan “Something new is happening”. This insanely transmittable slogan that showed on buses and other random places I’ve been and went these last few months has kept reminding me that terrible moment in which I was given the bad news that “something new is happening”.

It happened today exactly one year ago. Friday night, 15th of June 2012. I was 26, two months and four days. Lying on my bed, my old N95 phone from 2007 was stuck to my left ear. My airconditioner was making noises of working, hardly making anything cool – I wasn’t cool in any way, not the situation, not me. On the Friday night news in the living room, my parents were watching the panelists laughing about something, while I was slowly dying in my sinking bed. The room was lit only by the hour on the digital counter on the TV cable transmitter – eternalizing the hour in which love died. I won’t be 100% true if I will argue it is exactly what she said – “something new is happening”. Maybe it was “something is beginning”. Her stream of words continued without pause, her voice sounding as if she is a little unsure, trying not to hurt – but knowing how much it hurts, how much pain it brings about.

“He’s not sleazy, he’s really sweet”.

And then started my elegant pleas for another chance:

“I love you”

“Give love another chance”

“Please”

And the likes.

That also had a pretty built-in response, that was pretty much based around “too little, too late”.

“It’s over Amir, you do not hear how many ‘No’s’ I’m giving you in this conversation”.

Then: “Good luck in the exams”.

That’s it. Alles ist vorbei. I’m left alone, shocked, crying like a baby with my old ass phone, while everyone’s already got smartphone, and she’s probably going to kiss him and do other deeds that I will never ever do again with her in this dimension.

She tapped that long red thingy on iPhones to end the convo. For me it was a simple “END” button. And when they were hit, that’s it, it was over. One year and ten months. 18 months overall. 547 days. And that’s it. A little button is pressed, a little dance of a finger, and we turn from actuality to history. A notable part of two people’s lives has ended. One, as it seems, only wants to forget it. The other, good god, a 26 year old and 4 months man, crying like a baby.

Yeshayahu Leibowitz was an Israeli public intellectual who said interesting things. On one show in 1994 he was asked if he missed old Israeli politicians, from the age of those who built up and founded Israel. He answered with his special accent that hints he was not born in Israel himself, that he does not understand the question.

“I do not understand the question. What does it mean to miss a person?”

The person who asked the question tried to sharpen, resulting in Leibowitz simply saying:

“All of these – they were right for their hour. And we are dealing in this hour”.

I watched this some sad evening and it lifted me up immensely. Here’s a role model. What is it to miss someone, at all? What good does it do? It helps nothing, it’s not constructive. What was once, was. What matters is now.

If Leibowitz indeed didn’t miss anyone, he was a superhero of sorts, and the strongest one. Superman can fly, yeah, sure, but doesn’t he miss someone? And Spiderman? Doesn’t Batman miss his parents?

Missing is my kryptonite. It makes me weak. Especially when I am in my bed, full of memories and so empty, and especially if it happens in a late-night hour.

Missing is a sort of alchemy. It’s not something real, existing, it’s not something you can touch or smell. Mine is the worst kind of longing. It’s for something that was but isn’t. I believe the Portuguese call it “Saudade”. You can miss your friend but you know you’ll see them next week. And you can miss your lover, knowing you’ll never see them again.

It’s hard to write about breakups. I wrote her a letter two weeks after the breakup. It was six pages and I’ve included some chocolate and a flower. It didn’t help. Because writing about breakups is futile, in a sense.

It’s hard to write about breakups because seemingly there isn’t much to say. I mean, yeah, ok, there is, but what will I say? It’s a paradox seeing that I’m in the midst of writing a long piece about breakups. It also doesn’t go with the fact that if it weren’t for breakups, most music we would be listening to nowadays would be instrumental. So, let’s agree that there’s a lot to say about breakups but at the same time there isn’t – life is complicated like that. I can say that I am hurting so much but how will I transmit this pain to you, the reader? The longing, the pain, the regret, the heaviness on the chest at 2am, when you wake up from a dream where she still loves you, and you realize reality is here and she doesn’t anymore. She used to, a lot, but no anymore. No more “good morning” text messages.

And what can you say anyway? “Time heals”. “Many fish in the sea”. I spent all of summer 2012 depressed in my room, what a waste. Sleeping on the pillow she bought me for my 25th birthday. A 90s boombox she once found and gifted me on a random morning where we said goodbye with a kiss, five months before she dropped the bomb on me – if to quote the Gap Band.

On the morning of June 5th 2012, after she spent the night over at my place, we just kissed and she got into her car and left to work. It was just another goodbye. How was I to know it was the last one ever? That it’s the last time I ever see her? The last time I see her in a world where she loves me? In a world, in a galaxy, where she has love for me in her loving heart? I thought about this moment for so long, about our last kiss – not knowing it is our last kiss. Maybe she knew already? Just a kiss and she left. I was clueless. Like I always am.

In university, I studied about Martin Heidegger the philosopher. The professor talked about a word in German named “Ableben”. Like many others in Deutsch, it has many meanings, one of them is “Came to an end.

I see the word as the following: “An idea that came to an end. An idea that died. The idea that was between her and me, love, has come to an end. Suddenly, one side decided it is over, and the other side must deal with that.

And that’s something I learnt about breakups in the sad year that I had since she said the words that ended up meaning “it’s over”. Breakups are TOTAL. That is why they are so hard to accept, why it’s so hard to let go. If you don’t accept the breakup you’re not in tune with reality. But reality doesn’t ask you. It’s a madness, like The Stranglers called it in their song “La Folie”. It’s crazy to think and cry about someone all the time, dedicating all that brain power to someone who, maybe on a good day, dedicates you two neurons. Why don’t you do something better with your time? It’s like dancing on a grave.

And here is the realness of “Ableben”. It’s not like somebody died. It’s an idea that died. It’s so abstract. No more good morning and night texts. No more emails that come in the right time in the middle of the day, filling you with love and hope. No more I love you’s, no more kisses and hugs. This all came to its bitter sad end at a certain moment.

I thought a lot about the moment in which love dies. I understand it’s a long process, stopping to love someone who you love dearly. You don’t stop loving in one second. But it feels like it’s some epiphany, some inner switch that you go to sleep loving Amir and you wake up not loving Amir anymore. And it’s so hard for me to fathom how you can stop loving someone you’ve shared so much with, that you were such close friends and lovers.

And it’s crazier that I lover her still, as I write these lines. Of course, not as strongly as I loved her last year, but I still love her. I’ll always love her, even if I don’t know who she is right now, she’s changed. I can feel closer to the woman in the grocery shop than her. And even though I am mad at her and understand that breakups exist and it’s part of life. I still can’t understand how you do that to someone who you call a friend. I stopped caring about the singing of the birds in the morning, and that’s the greatest loss.

And the memories, my my, the memories. They keep playing. It’s like self-torture. Some streets I won’t dare walk through in Tel-Aviv. The bench from August 2010 here we kissed on our first date. When something new was happening and nothing was ending. I still miss her and who she is and what we were. Our long hugs every time we met. And I regret my actions that led her to another’s arms. And still I bite my lips whenever I pass by that garden where we shared our first kiss and look at the empty bench and grass and try to understand that feeling that is so amorphic, knowing that something is dead and that something else, new, has begun, and that new thing is the most beautiful thing in the world but you’re not part of it, you’re dead in the water; for me the new thing died, and I continue staring at the “Game Over” screen.

#writing #love #heartbreak #sadness #romantic

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Bruhn, Joachim

Adolf Hitler, der unmittelbar allgemeine Deutsche. Über die negative Dialektik der Souveränität. Vortrag am 30.01.2013 in Freiburg

Die “Bibel der Arbeiterklasse” als Koran der Linksdeutschen. Wie man das Marxsche “Kapital” gemeinverständlich zubereitet

Der Staat des Grundgesetzes. Vortrag auf Einladung der Gruppe Morgenthau, Frankfurt, 6. März 2009, und die Diskussion dazu.

Warum können die Marxisten nicht lesen? Vortrag vom 30. Oktober 2012 in der Buchhandlung Schöbel in Heidelberg

Echtzeit des Kapitals, Panik des Souveräns. Über die Zukunft der Krise. MP3-Datei des Vortrags auf der Konferenz der Antinationalen Gruppe am 6. November 2010 in Bremen Überarbeitete und erweiterte Fassung des Vortrags, veröffentlicht in: bahamas N° 63, Winter 2011/12

Nur echt mit dem “Druckfehler” auf Seite 47. Rezension zu: Elken/Hochschild, Israel - ein Kolonialsiedlerstaat in der Sackgasse.

Das Antideutsche im Kommunismus und die mangelnde Universalität im Marxismus. Interview mit Werner Pomrehm, Freies Senderkombinat (FSK)

Die sog. “Protokolle der Weisen von Zion”. Zur Kritik der politischen Ökonomie des Antisemitismus und (ergo) des Antizionismus. Vortrag von Jochen Bruhn auf Einladung der Jüdischen Gemeinde Pinneberg am 16. März 2011

Der Staat bin ich. Kurzer Lehrgang, langer Marsch: Wie die antiautoritäre Politik in der ersten Person ungebrochen in den Staatsfetischismus münden konnte

Unmensch und Übermensch. Über das Verhältnis von Rassismus und Antisemitismus. Aus: Joachim Bruhn. Was deutsch ist. Zur kritischen Theorie der Nation.

[English] Non-Human and Super-Human. On the relationship of racism and antisemitism. From: Was deutsch ist. Zur kritischen Theorie der Nation, Freiburg (ça ira-Verlag) 1994. Translated by E. A. in 2019.

Who are the Anti-Germans? Intverview by Stephen Cheng, May 2007

“Nichts gelernt und nichts vergessen” Ein Grundriß zur Geschichte des Antizionismus in Deutschland. Vortrag vom 26.2.2010 im Golden Pudel Club, Hamburg

Die Stille vor dem Schuß. Antwort auf Gremliza. konkret 3/2009

Subjektform ist die Uniform. Aus: Jungle World N° 6 vom 5. Februar 2009.

Studentenfutter. Über die Transformation der materialistischen Kritik in akademischen Marxismus.

Die bürgerliche Wissenschaft vom Reichtum als Politische Ökonomie des Reformismus - Über Sir John Maynard Keynes, Bahamas 26 (1998)

Bomber-Harris und das Minimalprogramm der sozialen Revolution in Deutschland , Rückfragen an Gerhard Hanloser (jungle World v. 23.6.99), Erstveröffentlichung: jungle world, 7. Juli 1999

Vom Mensch zum Ding, Eine Anmerkung zum Asylbewerberleistungsgesetz

Karl Marx und der Materialismus: Über den Gebrauchswert des “Marxismus”

Warenform, Denkform, Revolution: Über Notwendigkeiten der Ideologiekritik, zugleich eine Antwort auf Karl Heinz Roth, Blätter des iz3w 222 (1997)

Vom Antizionismus zum Antisemitismus. Der Zionismus ist eine falsche Antwort auf den Antisemitismus. Er war jedoch die historisch einzig angemessene Antwort. Aus: Jungle World, Nr. 32/1997.

[English] From Anti-Zionism to Antisemitism. Zionism is a wrong answer to antisemitism. It was, however, the only historically appropriate answer. From: Jungle World, Nr. 32/1997. Translated by E. A. in 2019.

[Français] De l'antisémitisme à l'antisionisme. De: Jungle World, Nr. 32/1997. Traduit par Memphis Krickeberg pour le blog Solitudes Intangibles en 2019.

Was tun? Was denken? Die Linke zwischen Deutschtümelei, Kapitalismuskritik und Revolutionsversuch. Fünf Thesen zur Diskussion auf dem Kongreß "Terror der Ökonomie & Elend der Politik". Mai 1998 in Freiburg

Der Preis der Demokratie: Über einige Eigenheiten des Rechtsnachfolgers und die Segnungen des Positivismus, Bahamas, Juni 1997

Nazismus als Erkenntnisfalle: Warum Geschichtswissenschaft die denkbar ungeeignetste Methode ist, Auschwitz zu verstehen, Bahamas, Frühjahr 1997

Die Rote Arme Fraktion – Über die Revolution und über ihr Gegenteil (1986 - 2007):

Randale und Revolution. Das “Konzept Stadtguerilla” und die Gewaltmythen der Antiimperialisten und Autonomen, Aus: Wolfgang Pohrt u.a., Die alte Straßenverkehrsordnung. Dokumente der RAF, Berlin: edition tiamat 1986, S. 157 – 174

Revolution des Willens. Über den bewaffneten Kampf und die Schaulust am Terroristen , Aus: Klaus Hartung u.a., Der blinde Fleck. Die Linke, die RAF und der Staat,Frankfurt: Neue Kritik 1987, S. 122 – 135

Winterpalais, Führerbunker, Meinungsbörse. Der Herbst 1977 und die Eindeutschung der Linken Aus: Links. Sozialistische Zeitung (November 1987), S. 18 f.

Notwehr des Leibes. Der letzte Hungerstreik der politischen Gefangenen Aus: Stadtzeitung für Freiburg (April 1989), S. 18 – 21. In französischer Übersetzung von Bodo Schulze unter dem Titel Le corps, alerte rouge. La dernière grève de la faim des prisonniers politiques in: Temps critiques N° 1 (Printemps 1990), S. 91 – 99.

Der Sinn des Lebens und die Politisierung der RAF. Nach dem Hungerstreik. Aus: die tageszeitung vom 28. Juni 1989, S. 12 f. In französischer Übersetzung von Bodo Schulze unter dem Titel Le sens de las vie et la politisation de la RAF in: Temps critiques N° 1 (Printemps 1990), S. 101 - 112

Loïc Debray, La haine du sujet surtout s’il est révolutionnaire ou comment ramener le nouveau a du déjà vu, du déjà fait. Aus: Temps critiques N° 2 (Automne 1990), S. 117 - 126.

Antifaschismus als Revolutionsersatz. Aus: Temps critiques N° 3 (Grenoble: Editions L’Impliqué, Printemps 1991), S. 153 - 164.

Der Untergang der Roten Armee Fraktion. Vorwort zu Emile Marenssin. Stadtguerilla und soziale Revolution; ça ira, 1998.

“Charaktermasken abschminken”. Abstrakte Herrschaft, bewaffneter Kampf, konkrete Leichen. Erweiterte und annotierte Fassung des in Jungle World vom 14. März 2007 erschienenen Artikels.

Zur Dialektik der Gegenaufklärung - Zweimal 11. September: Über das leere Verstreichen der Zeit und den Fortschritt der Linken in den Abgrund.

Dialektik der Dummheit. Seit dem 11. September macht die Linke große Fortschritte auf ihrem Weg in den Abgrund. Aus: Jungle World, Nr. 36/2002.

Adornos Messer. Wie die linken Intellektuellen mit der marxschen Kritik der politischen Ökonomie umspringen. Aus: Risse. Analyse und Subversion N° 4 / Frühjahr 2003

Die niedere Kunst der Demagogie. Ein letztes Standbild aus dem Leben des Theoretikers Robert Kurz. Aus: konkret N°6 / 2003

Hartz IV für Lenin & Lafontaine. Aus Konkret 04/2005.

Metaphysik der Klasse. Soll es wirklich so gewesen sein, daß der Nazifaschismus weder den Begriff noch die Realität des Proletariats berührt hat? aus: phase 2.12 (Juni 2004)

Das Ende der politischen Ökonomie. Moishe Postones Interpretation der kritischen Theorie von Marx an der Grenze von Theorie und Kritik, aus: jungle World N° 30 vom 14.7.2004.

Einheit des Vielen ohne Zwang. Der Kommunismus Theodor W. Adornos. Vortrag auf Einladung der Offenen Antifa Müster am 23.11.2004, MP3-Audio-Datei mit 24 MB Größe

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Derivatenhändler der Kritik Robert Kurz und das Deutschtum des Marxismus, Januar 2002

Avantgarde und Ideologie. Vorwort zu Willy Huhn, Der Etatismus der Sozialdemokratie

Bockenheim ist überall Zu Besuch bei den Anti-Antideutschen. Ein Bericht

Aus der Kahlfraßzone. Über den nationalen Sozialismus der Raubmörder. Zu Götz Alys “Hitlers Volksstaat”. In: Konkret Mai 2005

Realität als Bückware. Über ein neues Produkt des Theoretikers Ulrich Enderwitz. Aus: Bahamas Nr. 47 (Sommer 2005), S. 53 - 55

Neue Linke, altes Elend. Anmerkung zur Linkspartei Aus: konkret August 2005

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Die Transformation der Demokratie. Auch Bücher haben ihr Schicksal, insbesondere dieses. Dezember 2005

Die Psychokratie und ihre falsche Subversion. Rezension von Corinne Maier, Die Entdeckung der Faulheit. Dezember 2005

Die Gewerkschaft läßt denken. Rezension zu Holger Schatz, Arbeit als Herrschaft. Dezember 2005

“Nichts gelernt und nichts vergessen” Ein Grundriß zur Geschichte des deutschen Antizionismus. Annotierte und überarbeitete Fassung des in Jungle World N° 19 vom 8. Mai 2008 erschienenen Artikels

Völkischer Geist, von Stalin verschweißt. Georg Fülberth und seine Genossen. links. Sozialistische Zeitung Nr. 292/293 (Sept./Okt. 1994)

Die ehrenwerte Gesellschaft. “Illegal ist unsozial” konkret 5/93, S.20

Von der Gegenöffentlichkeit zur Verbraucherinformation. Ein Nachruf auf die “Stadtzeitung”. Aus: Stadtzeitung für Freiburg, 3/92

Was bedeutet: “Nie wieder Deutschland”? Eine ungehaltene Rede 1991

Ist der Faschismus schon Geschichte? Vortrag auf der Tagung “The Challenge of Neo Fascism” des “Christian Movement for peace” in Strasbourg am 27.2.1990

Social and political origins of Neo-Fascism. Thesis for the Christian Movement for Peace to be discussed on the seminar “The Challenge of Neo- Fascism”, hold at the European Youth Centre (Strasbourg), 26.2.1990

Abschaffung des Staates. Thesen zum Verhältnis von anarchistischer und marxistischer Staatskritik. Archiv für die Geschichte der Arbeit und des Widerstands Nr. 10, 1989, S. 125-140

Wer waren die Grünen? Grünes Neandertal und sozialdemokratische Modernität. Aus: die tageszeitung vom 19.4.1986

Unter Zwischenmenschen. Bhadwan Shree Rajneesh und die Verwandlung der bürgerlichen Gesellschaft zur therapeutischen Hilfsgemeinschaft auf Gegenseitigkeit. Aus: ISF - Diktatur der Freundlichkeit

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Zauberland. Notizen aus dem Zusammenbruch des Staatskapitalismus. Aus: Stadtzeitung für Freiburg, April 1990, S. 21-23

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