#isobel waller bridge

[crystalclaire]

since my ophelia (2018) playlist has been making rounds again, here’s a few more of my film/book inspired playlists:

1917

dead poets society

my policeman

if we were villains

[nofatclips]

Savior Complex by Phoebe Bridgers from the album Punisher - Video starring Paul Mescal, directed by Phoebe Waller-Bridge [Behind the scenes here]

[down-the-rat-hole]

if emma 2020 has a million lovers i'm one of them if emma 2020 has a thousand lovers i'm one of them if emma 2020 has one lover it's me if emma 2020 has no lovers i'm dead

[thegasolineandthematch]

Idk what emotion Isobel waller-bridge put into you dream off Munich edge of war but I need it injected into my veins Jesus Christ

[northernlibrary]

Annual reminder that Isobel Waller-Bridge's score for Emma (2020) is the perfect spring listen. It's the musical equivalent of drinking a floral tea.

[agentmilayawithshield]

Emma. (2020) soundtrack >>>>>>>>

[madame-r]

For me, one important aspect to enjoy a period drama - or any movie and tv show really - is the soundtrack. Here are my go to for this genre...

[howardshum]

Watch footage I shot of The Boy, the Mole, the Fox and the Horse author Charlie Mackesy drawing as a live orchestra plays

[bob-the-movie-man-film-reviews]

The BAFTA Short Film Animation Nominees, 2023.

#onemannsmovies review of the BAFTA Short Animation nominees for 2023.

A One Mann’s Movies review of the nominations for the BAFTA “British Short Film Animation” Category. I’ve not done separate reviews for these BAFTA Short Animation nominees but am including short reviews for them in this one post. The Boy, The Mole, The Fox and The Horse. Bob the Movie Man Rating(s): Plot Summary: A lost boy is helped with guidance and advice from the animals he meets along…

[neil-gaiman]

do you have a spotify wrapped?

I do, but you have to get about 30 songs in before you hit a song that isn't an Ash-requested song, because most of the driving playlists are his and the request to play things over and over again are his. "Birdhouse in Your Soul" has just taken over from "Carl Poppa" and, more recently, "Call Me Maybe" as the thing he asks for when he gets into a car, which makes my driving time a little more fun. (On the other hand, top artists gives Isobel Waller-Bridge at #2, after The Loud House and she's definitely mine rather than Ash's.)

[megmoon1111]

⭐ ⭐ ⭐ ⭐ ⭐ 

[ishaslife]

astarion is falling in love with you / a playlist

This video would not post on youtube due to copyright issues, it was really saddening as I'm really proud of this playlist and worked very hard on it. I am aware that it's not ideal to post it on the medium I did but I really wished to share it. If this playlist is your kind of thing, reblogs would really be appreciated.

I started wondering about what Astarion might be feeling when he meets you and slowly starts falling for you. This is my attempt at explaining Astarion's feelings through music. No, I will not stop using daphne's theme and painted skies.

EDIT - A re-vamped (heh) version of this playlist is now available on my youtube to listen to, link here.

ACT 1 - 00:00

I know what you are by carter burwell

transylvanian lullaby by erutan

awaken by dario marianelli

forbidden forest waltz by chuck e. myers "sea"

fenris theme by inon zur

ACT 2 - 17:38

marry me, bella by alexandre desplat

daphne's/syanna's theme by marcin przybyłowicz, mikołaj stroiński & piotr musiał

rogue heart (instrumental) by inon zur

mr. turner's waltz by isobel waller-bridge

ACT 3 - 31:00

mysteries of the cosmos by j scott rakozy

ethan's waltz by abel korzeniowski

letters by abel korzeniowski

lament by ramin djawadi

painted skies by masayoshi soken

NOTE: None of the music or audio used in this video belongs to me by right. All copyrights go to respective owners.

[cassmouse]

ISOBEL WALLER-BRIDGE

DROP THE FULL VERSION OF THE SWEETPEA INTRO

AND MY LIFE IS YOURS 😭

[foxglovevibes]

Musical pieces I associate with the different MC/character ships of Hogwarts Legacy Pt. I

Ominis Gaunt

- "Epiphany" by Trent Reznor & Atticus Ross for Soul

(To me, this particular piece just evokes so much the tenderness/kindness that Ominis prefers to keep hidden out of fear of being taken advantage of and really encapuslates just how it feels when he begins to open up to the MC and show his true self to them. Not to mention the hope his relationship with them would give him as it continues to grow and evolve, the desire it gives him to become kinder to, and even forgive, himself for the things that had happened to him in his youth-)

Natsai Onai

- "September" by Sparky Deathcap

(Immediately, this instrumental just evokes the adventurous/wondorous spirit that Natty has, as well as how profoundly her relationship with the MC affects them and the way they see the world. And how they in turn leave a deep and lasting impact on her as well. But, after Natty takes the crucio meant for them, they find that they have a chance to truly get to know one another better without all of the action around them being their primary focus. Only to find themselves inexplicably wrapped around the other's finger and finding everything about the other as captivating as the dangers they had faced together.)

Amit Thakkar

- "Lucy Meets Mr. Tumnus" by Harry Gregson-Williams for The Chronicles of Narnia: The Lion, The Witch and the Wardrobe

(This piece never ceases to make me think of MC spending nights stargazing with Amit, seeking out astronomy tables together or going over old tomes on the observatory deck with hot cups of cocoa to warm their hands (courtesy of Deek-). Sometimes keeping to their studies, other times getting to know one another better. Once even trying and failing not to fall into a laughing fit when they stay out for so long that their robes had gotten frozen to the observation deck's railings. Amit in particular coming to realise that he's spending less time looking for the constellations in the sky, and spending more time looking for them in MC's eyes-)

Sebastian Sallow

- "The Ludlows" by James Horner for Legends of the Fall

(God, this piece. This piece really just captures the bittersweet tenderness of MC's relationship with Sebastian. How bright, how hopeful their very beginning together had been and how they grew to draw strength from and depend on one another in their times of need. How deeply they cared for one another before Sebastian's worries, his fears nearly took him to a place MC couldn't follow. With venomous words said and dangerous actions taken. But it also captures the relief of managing to come back together after everything is said and done. How MC could still see him as the boy they first came to know in the withdrawn and angry stranger he had become.)

Poppy Sweeting

- "Emma Suite" by Isobel Waller-Bridge and David Schweitzer for Emma

(This suite has a lot of unexpected qualities and hidden treats within it, something that perfectly fits Poppy and how she first approaches MC. And it definitely captures just how intrigued the MC is by Poppy as well and how drawn they are to/protective they are of her. Both in her endeavours to do right by the magical creatures around them and on a personal level. And is also quite fitting in how Poppy is initially singularly focused in doing her best to make amends for her past and family, but steadily comes to recognise just how important it is for her to have MC in her life and reaches out to show her own trust in them as well.)

Garreth Weasley

- "Obituary" by Alexandre Desplat for The French Dispatch

(The quirky and endearing nature of this piece is absolutely spot on for what the MC's relationship with Garreth would be like. Absolutely full of moments that make them want to rip their hair out, unbelievable fondness and enduring sweetness that just mellows everything out. Garreth is far from perfect and neither is MC but thats what makes it all the better when they come together to work on how to making this thing between them last.)