#isnt too shitty

[pancake-syrup]

this isnt going very good i want to eat candy

and ive yet to start packing... hm.

[birdy-babe]

Helluva Boss Full Moon Spoilers‼️

Remember that anger is a secondary emotion

[sentinens]

summer!

[nex-has-gender-envy]

Oh no, Venom haven't understood the point of movie. . .

It's fine guys, Eddie will explain it to him later

Got inspired after seein ACTUAL og text to this panel and Venom deadass saying "mojo dojo casa house"

[heteromerous-rhyming]

i think that i've figured out why i don't like show sally.

ok like don't get me wrong, virginia kull?? she ATE with that interpretation. her acting?? amazing. like i could truly get the core of her character.

it's just that i don't like the character the writers give us.

cw: discussion of abusive relationships, of toxic family dynamics, probably a good bit of generational trauma. I don't really get into details except with stuff shown on the show and written in the books but i wanted to be safe.

as someone from an immigrant household, as someone whose mom works a part time minimum wage job, as someone whose seen and been there as my parents fought, i just really really dislike sally's portrayal in the show. and it's partly because of poseidon and partly because of gabe (mostly because of her character in general but yeah, lets get the men out of the way first)

I feel strongly about poseidon in his relationship to sally very specifically. i don't mind his relationship to percy either books or show. but it's pretty damn clear to me that this show was written by someone who's never experienced sally's situation, of being the single working parent with an absentee partner (or in gabe's case a partner who literally ahHHHHHh). because from the beginning, from sally's reaction and snark to gabe, I felt like something was wrong or off, and it was Specifically the show because i read the books and i watched (some) of the musical and i never felt that way towards either of those. i'm not saying that my family situation is sally's (don't have a god for a father for one), but. by all accounts sally knows that this is an abusive relationship, the only reason that she's with gabe is because of the protection he offers percy. i have to assume that this is true because sally jackson turning gabe to stone is something i'm assuming is staying in the show, and i remember this being mentioned by grover? or someone in the first few episodes. and the cord that struck in me was not the traditional (that is, visible, defined, i don't like this word but i don't have a better one) abusive relationship but relationships in my community, of women staying with husbands because of their children, women outright saying this, women who know the world is cruel to single women and to single mothers specifically. sally, to me has never been under any illusions that gabe is any sort of relationship material. she has never been under any illusions that poseidon would be able to help in any way.

and that crux of sally's relationships made her first scene in the show all that more jarring. but it's not anything specifically that i can put a finger on. and maybe i'm wrong for this or maybe i'm expecting too much. but. sally doesn't have the resentment or the quietness or the bitterness or even the loudness that i expected. you have been the only true caretaker for your child, the only one in the house that really puts food on the table and on top of that is expected to do emotional labor? to cook and clean or at least pick up the food?

but she treats gabe like he's an annoyance. someone to brush off. and you see the manipulation tactics from gabe, you do, but.

its not that i want sally's spirit to be crushed. my mother's spirit wasn't crushed. the women in my community, they laugh, they cry, they watch silly tv shows, they have lives that they live, and in many cases they live well.

but the women that i know are also angry. they are either on fire or they used to burn. when they banter with their partners it often turns ugly because they are tired of the same damn argument day after day, because often the trivial things that are asked are compounded and compounded and compounded because you live in the same house, there is no escape, there is no private space, not really.

it's new york and sally works a job to support an apartment and her family. they are not well-off. sally has no support network we can see, and how could she? poseidon mentions that she has no one to talk to about these things, her parents are clearly out of the picture. all this to say. there is a certain understanding of class that exists within the books that was excised, i believe unknowingly, from the show, and it is the worse for it. there is a tiredness, a worn-down-ness from being low income that sally had in the books, but in the show i only see a struggling first time single parent. i don't see the complexity of a woman who literally gave up on finding a fulfilling relationship to be with a man for her child. i don't see the complexity of a woman working fulltime and still getting demanded from at home. and i didn't realize that I wanted to see that until I saw the show. i didn't realize that that was what i loved about the books.

i hate that they tried to bring poseidon back into sally's life as this perfect man who through cosmic forces can't help. i hate that sally calls him, i hate that he says he'll listen. but most of all i hate that sally just accepts him, falls into him. it's really hard to be a mother when your partner doesn't seem to help you parent in any way, even if he cannot help you. he's a greek god, there's no way in hell that he can begin to understand the lengths that sally has gone through to sacrifice and survive, the very human things that she's done. sally in the books thinks of poseidon as a sweet memory, almost a fairytale, and it's clear that this story is the one that brings her comfort. poseidon is a one night stand, a sweet stranger, she understands he's not coming back. but this poseidon comes when sally calls, and that i cannot believe. i cannot believe that she still thinks of him as the fairytale man, that she accepts him so easily if there isn't that distance. i cannot believe that there is no resentment, that she still puts faith in him as her god (the first episode when she talks about him just felt so wrong to me) if he's not a memory, but a recurring figure. this is not a story of star-crossed lovers, sally feels too real as a human being for that.

sally finds trust, finds contentment, in the books after percy leaves home, after she no longer has to put up with gabe for his safety. she does not find poseidon again. she marries a human man, a very ordinary human man who cares for her. poseidon visits after she is in this relationship and its an amicable one. he is percy's father but also distant memory all in one. sally has the strength to survive a terrible relationship and still find a way to heal and live fully after that.

but the anger. the fire was there. she turned gabe to stone. she reclaimed her life with her two hands.

you don't kill a man for no reason. you don't kill a man without emotion.

but it's that reason and that emotion that i don't get from the writer's room. and it just makes me deeply sad.

[scarletackrmn]

it is 2:30 in the morning, I just got home from doordashing for like 10 hours straight, and I see that @the-booty-crusader liked my post and IM LITERALLY SCREAMING! I’m so tired I almost cried, being tired makes me emotional, SSSSHHHHH.

I read their “Red Robin, Into the Timverse” series on Ao3 ages ago (fucking read it, its so good, IT HAS AMAZING ART DONE BY THEM I LITERALLY WANNA COSPLAY THE PHOENIX TIM FROM THE OTHER UNIVERSE) and I was literally reading their Tim Krake fic while dashing today.

I’m sorry if I seem super weird, I’m just so excited and idk how the hell you saw that post (its chefs kiss but i digress). Ok I think I need sleep

[starwikia]

suicide cw

look i have been in this area before mentally. it sucks and i wouldn’t wish this on anyone. but, and this is going to sound callous, but i don’t feel any sympathy for james somerton. even if i hope he’s like. not dead. But thats all the amount of goodwill im willing to give him. The more i think about this really, the more angry i am. 

ngl this entire situation is another example of how white people weaponize their mental illness to avoid consequences. Im seeing it in real time.

this man has a continuous habit of using self-harm as a get-out-of-jail-for-free card. in both of his apologies, he has worded his supposed attempts in ways that were clearly meant to guilt people who displayed his plagiarism and overall horrendous history of racism and misogyny. i say supposed because, while i’m not saying those are lies and this would he such a fucked up thing to lie about that i don’t want to think he has, unfortunately, it’s been proven again and again that his word can’t be trusted, as he’s known to lie to try get out of consequences. Hes a proven liar. him lying about this is actually the best case scenario, because no one should go through this entire situation, wouldnt wish this on anyone, but you can only do this so often before people stop sympathizing with you. is this callous? Yeah, but like. I’m actually fucking angry he cant straight up take no as an answer. that this is how he reacts realizing he cant be one of the Cool Kidz™️ on youtube anymore. he acts like he DESERVES a career, like its not a privilege hes lost due to his own actions.

He lied about apologizing and forgiving people, he lied about giving the money to hbomberguy to give to ppl he ripped off (yknow, instead of doing it himself), he lied about the jessie gender situation and rewrote the narrative to make it so he isnt the bad guy, and hes the victim all along actually!

you can’t tell me that supposed last message of his isn’t meant to be a 13 reasons why esq attempt to deflect the blame “look i’m going to kill myself and it’s all YOUR PEOPLES FAULT for not letting me achieve my DREAM of being filmmaker IN PEACE!!! I just wanted Nick’s (the guy who I have thrown under the bus again and again) portfolio up!! Im just being a good friend dont you all FEEL BAD” he refuses to take ANY ACCOUNTABILITY of any of his actions and he IS STILL trying to shove the blame over to other people again.

it’s also pretty ironic people are like “uhhh well hbomber’s fans harassed him!!!” like hbomber outright told people NOT to HARASS JAMES!!! ALSO acting as if james doesn’t have a very real documented history of STRAIGHT UP sending his fans to harass and threaten smaller creators, more notably women, trans, and bipoc creators. especially after he’s stolen typically very personal anecdotes so he could profit from them. so why can he do it but the second people are like “hey this guys an actual piece of shit.” and he can’t handle it suddenly people are trying to white knight his shit? like no he doesn’t get that. he doesn’t get that at all just because he couldn’t handle the consequences of his actions. 

what? were supposed to stay quiet about a man profiting off of other minorities because he wanted to be the spokesman for all gay people? people tried to solve this on a smaller, more private scales for YEARS and he kept doing it. it was clear that the giant public video was the ONLY way to get people to notice. HE WOULDVE GOTTEN AWAY WITH STEALING 87 FUCKING THOUSANDS WORTH OF DOLLARS. HE CANT HANDLE THE FACT HE CANT GET AWAY WITH IT. 

am i supposed to feel bad for the guy who basically threatened a trans woman with the police? i don’t care what anyone says, it’s so fucking obvious that he threatened jessie by implying he was getting the police involved in their conflict. what am i supposed to act like that didn’t happen? are we supposed to pretend like he didn’t glorify nazi’s and outright said that gay people made up a good chunk of the nazis? That he didnt say america joined ww2 bc they were jealous of the NAZIS. WHAT WOULD POSSESS YOU TO FUCKING SAY THAT. but then? He gives women (not even women most of the time, he misgenders nonbinary ppl constantly) shit for writing mlm. are we supposed to act like he doesn’t straight-up sees himself superior and better than people of color and steals their works to put himself on a pedestal? Are we supposed to act like he didnt spit on our elders by saying “only the boring gays survived aids” like man! Fuck you! He BLANTANTLY MAKES UP HISTORY TO PUT HIMSELF ON A PEDESTAL!! HE ACTIVELY TRIED TO REWRITE LGBT HISTORY TO SUIT HIS FUCKED UP NARRATIVES!

yes this sucks ! no one deserves this but no one should be making him a martyr. Thats what he fucking WANTS! He wants to be immortalized as a victim!! (again, supposedly, it was reported hes alive but its not confirmed).

The shit he got isnt near the amount of fucking callous behavior hes done again and again. Again, to drill this point, EVEN IF HE DIDNT CALL THE POLICE HE THREATENED A TRANS WOMAN INTO THINKING HE DID!!! The fact he tried to use a head injury to justify years of the outright ghoulish shit fucking astounds me. Why the fuck did anyone in his life thought it was a good idea to let him TRY to come back. in the end, he had options. he didn’t need to try to make a comeback. HE DIDNT NEED TO FUCKING LIE OR IGNORE THE SHIT HE WAS CALLED OUT ON the reality is, he wanted to come back thinking he could shove it under the rug, was told that no dude, you’re not allowed to be a youtuber anymore. you’re done. you need to move on and went full nuclear. it’s not on anyone’s hands but his own. HES BEEN DOING THIS TO HIMSELF!! But nah man we cant call his shit out bc hell may or may not kill himself. Fuck the other minorities who have the same issues but worse and sometimes BECAUSE of him. This is going to SUCKKKK so bad when other ppl, specifically white gays, are going to weaponize this shit to get away with their stuff.

[sheila--e]

Some sort of Sheila E. force possessed me last night and I sent her over to Japan.

[maxthesillyy]

thinking about. i dont know how to phrase this really but. chloe and frank.

like. when Chloe killed Frank i (, personally,) feel like her guilt from it was less because she killed Frank, and More because she Killed Someone (and their dog).

but!!! thats not to say she didnt feel guilty for killing Frank. because she definitely did. because on some level. despite everything. despite all of his shitty behavior. a part of her still cared for him. that tiny 15-17ish year old part in her still cared for him.

because that 15-17ish year old with intense abandonment issues in her only had. a small handful of people in her life that actually cared for her, and when THOSE few people aren’t even doing the best job at it— it’s no shit that Chloe’s standards for Good Friends are going to be Immensely dropped.

and so. it’s kind of like what happened with Rachel, but WAY less intense. when she found someone who didn’t hate her, and was willing to hang around her—after so so long of people hating her and not wanting to be around her— it makes sense that part of her would kinda latch onto them a little bit.

and so, even after all of the shit she’s learned he did— even when Frank starts to hate her— even when he threatens Max and her’s lives— part of her keeps remembering him as one of the few guys who stuck around when no one else did.

it’s just that. no matter how bad the person— if you’ve known someone for years, and they were one of the only nice people to you in a town where theres like. four people that are nice to you— it’s gonna hurt if you kill them. even if it was self defense. even if it was entirely their own fault— even if you two aren’t on even remotely good terms anymore.

ESPECIALLY for such a sentimental person like Chloe. taking that in consideration it makes me wonder. maybe she didn’t feel bad for killing Frank. maybe she felt bad for killing the person Frank used to be to her. but maybe she realized that That Frank already died long ago.

but yeah. im mentally ill. take everything i said with a grain of salt considering it is 12:07 AM.

[faunandfloraas]

It is kinda funny seeing people talk about Seungmin lately because he definitely has gotten more bold and confident for sure. He's also just getting opportunities to be perceived as an individual on his own as well for the first time in a while but it's still jarring to see people be like Aw he was always such a quiet goodie two shoes little nerd and it's like...... he was the one to leave and seek out his own vocal coach and blatantly talk about it, which of course lead to I.N and Lee Know also doing the same, he was the one to go on bubble and tell off sasaengs who used to camp outside their old dorm for invading members privacy but also because it effected other residents and staff at the complex, something that i'm certain upper management wouldnt have been happy about, and he wasn't curt or nice about it either. like he's never actually been a wallflower, he's always had a pretty strong backbone and seems to stick to his principals, its not really new.

[godsfavoritescientist]

Sometimes the way people talk about missing social cues is so over the top 😭 people will really say stuff like "how can someone live such a soulless joyless existence that they don't understand my joke" and "if you don't laugh at this are you even human" and "I can't imagine being such a miserable asshole that you think this is serious" and "how stupid do you have to be to fall for this 💀" and on and on like. I promise autism isn't a moral failing

[leo-actually-draws-things]

If GlamMike got his hands on an Illusion Disc

For Context a little more on the settings of it, and why it varies under the cut (and a bonus)

Bonus from a seperate au called the Extended College AU, it was originally for OCs in a DnD campaign I'm running that got their own au, and then to make the town more full a bunch of fandoms were added

Technically in the EC AU Michael is 15, in the modern era (a freshman/first year in high school) but I wanted to draw the Michael from that Au and how he would've mellowed out by the time he himself is in college (honestly the reason I made these in the first place was EC!Michael)

So yeah EC Michael (future version being 21, with his boyfriend about to be fiancé, and a less than a year old son)

[daily-basil]

Ok I got a submission about it so I'm gonna do a quick update--

I'M SO SORRY FOR THE LACK OF DAILY BASIL! Literally everyone is busy right now. I am Attempting to make daily-basil doodles in anticipation of reopening the blog, but basically several other mods are either busy, on vacation, artfighting, or otherwise unable to contribute right now

I've been trying to draw some Basils so that I have a few to use when we do reopen the blog entirely but it has been a Struggle. Apologies for the hiatus going on for much longer than I had anticipated oops

- mod snuuy

[suckinitup]

i saw the words mark winters and like a spell cast over me i started thinking about him again. anyway mark winters hero and ashe villain in that villain oneshot. how does this happen. fucking EAsy. mark gives ashe up.

consider it. there has GOT to be some program with the WATCH for parents who are overwhelmed by their children's dangerous power and need help. this is basically what happened to william. there's gotta be different circumstances and different levels of interference- but ashe isnt even a teenager and he already has a kill count. there is NO WAY he's not being removed from the household for at least the majority of the year until everyone has a better understanding of what he can do and how he can Not Do That Again. in canon, of fucking course mark wouldnt do that. that's mark winters. he'd lose his entire family in less than a week and thats his kid. he cant be sure theyre taking care of him out there or if he'll see him again or whats going on. if ashe leaves, then what is there for him to live for.

but villains mark. hes still mark. he's still hurting. and maybe its not him who's got that heroic little spark- maybe it was his wife who thought they were cool, or he wakes up to ashe sobbing too many times after a nightmare, or he cant stop looking at that fucking book and hating it and he starts to worry that resentment will spread to ashe too. he wants what's best for his kid and the one thing he knows is that ashe won't find that here.

so he picks up his phone. and he calls WATCH.

its rough for both of them. theyve both lost their whole family now. they call every night, then ashe gets busy (because he has friends here, and every time some instructor is harsh with him or something is hard he resents his dad more and more. he knows why he was sent away, but it gets in his head that his dad was scared of him, and thats hard on him. why wouldn't he rather hang out with his friends) and stops picking up the phone as much so it's once a week. then once a month.

mark thinks about killing himself a lot. he lives in a shitty little apartment with horrible neighbours and he goes out to eat every night and he thinks about drinking but he has to stay sober tonight- what if ashe picks up the phone? he cant let his kid hear him like that. and i think he gets offered jobs here and there and he takes them because hey, ashe is gonna come back at some point. he's gotta make sure the kid gets a good present for christmas.

and he gets wrapped back up with overlord.

but the big difference okay. the huge difference. is that he is not responsible for keeping ashe alive. he can take more risks. he can hold grudges. he doesn't have to do the same things that canon mark does - he doesn't have to break his moral code down to its barest essentials (don't hurt kids) like he did in canon. he gets to be fucking PISSED at overlord, and the scientists who hurt him, and every motherfucker who has made his shit life even worse.

thats how he meets tide. they fight a few times, ofc, gotta have that tidalwave viciousness. but then tide has more information than mark does, and mark knows more about the power structures than tide does, so they start working together, and then they dont stop. mark does less and less crimes- tide is valuable as an ally, and his moral code is a fucking pain in mark's ass. he hides his crimes, and then it's more convenient to just stop doing them. tide more often than not has the resources that they need through WATCH and it means that mark gets his ass kicked less often. win/win.

even after overlord goes down, they keep working together. mark never officially agrees to join WATCH but tide quietly keeps giving him new gizmos and gadgets. he gets one of those weird fucking communicator bracelets and tide pretends not to notice how mark modifies it. in WATCH itself tide starts getting scheduled as "tide and wavelength" because where one fucker is the other is too. tide is mark's only friend.

fucking . the clinginess of villains au mark for tide paralleling the clinginess of ashe for the pd in canon ^^ consider. tide feels similarly too he's been lonely as Shit since he stopped getting along w his brothers. they find comfort in each other. they start having beers with each other after work and they start sitting next to each other all the time and they dont talk about it but things Do get more desperate every time one of them goes down in battle. tidalwave ‼‼‼‼

ashe, meanwhile, is getting more powerful. he has mentors who don't snap at him for using the book. they dont try to take it from him or destroy it. they let him keep notes, let him study it, let him learn what monsters are too dangerous and what he can handle. he's learning a lot and he's getting good at it.

and he misses his dad.

mark still calls sometimes, but ashe never picks up. mark sends him cards for birthdays and christmas, and ashe keeps them stashed away in drawers he's scared to look at. he is scared and angry and he is full of many emotions. canon ashe never had to doubt that his dad would help him but au ashe thinks that his dad abandoned him. he's a monster and his dad hates him. its a fuckin stack of dominos where things just fall into place to upset him more and more and more (including the guilt at never picking up marks calls and maybe its not marks fault. ashe Did kill his own mom. of course mark was scared. but ashe can control it now. ashe can protect mark from the book. he can leave, and they can leave, and be a family again and ashe will never have to think about WATCH ever again). so ashe runs away.

he follows the address on the letters and he walks inside and he doesnt see mark. he sees tide. he had been so relieved when he'd finally found mark's apartment- scared and guilty and excited and a thousand different teenage-drama scenarios running through his mind. his dad yelling at him or rejecting him or sweeping him up in this big bone-crushing hug or crying or running or- or- or. the one certainty ashe had was that he wouldnt have to deal with anything WATCH. not here.

but tide is on mark's fucking couch. and mark is asleep on tide's fucking lap. and tide's hand is in mark's fucking hair. ashe had never considered his father getting close to anyone after his mom, and now he's gotten close to tide.

now imagine a teenage tantrum with the power of Big Arms and Rage Without Direction and Abandonment and Hurt and Loss and Super fucking Scary Book. tldr: ashe tries to kill tide <3 mark tries to stop the fighting <3 ashe thinks that he's turned against him <3 tide gets capital h Hurt. ashe runs away again. mark is once again left in the ruins of his own life and just has to fucking deal with it.

[downthedraincomic]

Finally made an actual age/timeline thing for Sam and Brandon WOOHOO!

Sam has one less image because honestly she looks almost exactly the same. She just looks more tired (who can blame her).

I'll make a thing showing alternate fits because they look so DRY but I mean they're both cringefail loser squids

[lord-squiggletits]

Part of why I hate this fandom's take on Autobots vs Decepticons is ppl (mainly 'con fans honestly) who can't have any nuance of the situation whatsoever and love to write plots like "oh the humans are racist and abusive towards Cybertronians so this is how Megatron is right" no actually I don't think colonialism/imperialism and racism are justified so long as you can point the finger and say "they were the aggressors first" or "their hands are no cleaner than ours bc their society sucks too" sorry. Please come up with better sociopolitical narratives in your war story.