#isn't that what the show is truly about?

[nadiaerre]

“Some birds can’t be caged. We’re on borrowed time… Our sins catch up to us all eventually. While you were kidnapped, I walked in your shoes: I sat in the FBI, felt the camaraderie. It’s compelling. It’s also an illusion.”

[poorly-drawn-mdzs]

The penisest of tunes.

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[spicyvampire]

BIBLE WICHAPAS SUMETTIKUL as GREAT PACHARAWIT SRIWATSOMBAT in

4 MINUTES (2024) EP. 3

[jerys]

you know what we need for benedict's season is genuine yearning pining longing unable to touch forbidden scandalous not only on a societal level but on a class level romance vibes. i need that man to not be able to LOOK at sophie in case the wrong people see. i want him utterly unable to speak to her or interact with her in any meaningful way because the slightest wrong move might ruin her entirely. benedict is the least repressed bridgerton sibling by a long chalk, and i want him to Suffer bc his usual method of immediately hooking up with any person he finds even mildly attractive is completely off the table in this scenario. i want him to have to fight himself every moment to keep his distance i want him to be in abject agony i want him to truly Yearn hopelessly!! they need to not touch for like at least six episodes and when they finally do i need benedict to immediately pass out

[hella1975]

would you like to talk about how bad the mha ending was hella

as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY

[jtl-fics]

Fluent Freshman - Part 16

PREVIOUS

Sweeties is very busy tonight but they get a table relatively quickly. He sees some people looking at their group all dressed in the ‘required’ attire for going out to Eden’s and reminds himself that maybe it’s for the best that people remember him tonight. It MAY help the police find his body in a shallow grave somewhere if they can piece together his last few hours.

Nicky stops by the salad bar and grabs three packs of crackers. He hands one pack to FF who just stares blankly at it before shrugging and figuring his stomach needs something so he opens the pack and just eats the crackers.

Nicky looks at him with an abundance of fondness that he doesn’t understand but shakes his head and hands a laminated menu over to him to order dinner from. “I know you’re not drinking but you still gotta take your meds before we leave.” Nicky reminds and FF nods. He reaches into his pocket to confirm that they’re there and feels something cheap and plastic.

Oh god, he forgot to take his Happy Meal Toy out of his pocket. No one needs to know that.

He shoves his hand into his other jacket pocket and the sandwich baggy with his single dose for his Ulcer is right there.

He starts to look at the menu when he realizes that everyone else already knows what they’re going to order since they apparently come here regularly. He tries his best to never be a regular at any place where they can see him and repeat his order back to him (Hello CVS girl, yes thank you for holding some Pepto for him. No he is very brand loyal and would not like to try Tums thank you.)

FF stands behind the art of the panic pick.

He has cultivated this ability over his many years of panicking. He can look at a menu and pick an item that might not be the thing he most wants on that menu it is something that he can eat or drink. Then while he has that pick queued up and ready to fly if a member of the waitstaff comes over before he’s actually read what’s on offer he has his panic pick.

A place like this has GOT to have a burger.

He finds it under the sandwich section easily enough and now he has his panic pick as he peruses the rest of the menu.

The waitress comes far faster than he had anticipated and slams waters down at each of their spots. “What can I get you?” She asks and before anyone says anything Nicky and Aaron slide over the two packets of crackers that she takes before looking at the empty packet in front of FF, “Just two?” She asks.

WHAT KIND OF CODE IS THIS?

“Just two.” Nicky says grabbing his trash and handing it over to her.

She shrugs, “Anything else on the menu I can get you boys?” She asks.

They all make their orders and Nicky, bravely, steps in to remind him he likes his burgers well done when the waitress asks.

“Sorry, I should have warned you.” Nicky laughs bumping his shoulder against FF’s “This place has this stuff called cracker dust, it gets you high but it’s not addictive.” He says.

Every single 80’s PSA goes off in FF’s head all at once.

NICKY “FLIPS TURTLES BACK ONTO THEIR FEET” HEMMICK DOES NOT LOOK LIKE HOW THE ‘JUST SAY NO’ ADS HAD SAID HE WOULD.

There’s not a trench coat! He wasn’t even wearing a hoodie with the hood up! There’s no sunglasses! Nicky had given him a baggie for his ulcer meds but IT WAS A SANDWICH BAG.

“I see.” He says out loud.

“Do you wanna try some.” Aaron asks. He double checks and yeah Aaron is still in the same club clothes he had left the house with. He has on a hoodie but the hood is down.

He does as any 80’s teen sitcom protagonist does by the end of the episode.

“No thank you.”

He thinks Mr. T would be happy that he said No. That ad had been especially nerve wracking as a kid when Mr. T ‘shakes some sense’ into the camera.

“Alright, no worries. Neil and Andrew don’t do any either.” Nicky says quickly.

The drugs come with the food and Nicky and Aaron pocket them before handing over cash to the waitress who just counts it right there. He focuses on digging into his burger and realizes it has jalapeños on it but Nicky volunteers to eat them with his nachos and lets the conversation weave around him as he polishes off his burger and takes his ulcer meds. “Oh cool, hand me the bag so I can keep our stuff in there.” Nicky makes a grabbing motion with his hands and FF just hands it over.

He zones out as he eats his fries. He wonders if Great Gran is upset watching him or if she’s happy that he said no to drugs. Maybe he should have said yes, then he could at least be blasted out of his mind when Andrew dragged him to the basement.

Well, it’s too late now.

The waitress comes and clears out their plates but picks up her notepad and pen again. “So, what ice cream do you boys want tonight?” She asks and looks straight at FF.

But FF is prepared.

Ice cream places are easy. His panic pick is a given, it’s Vanilla. Every ice cream joint has it so he barely even notices how his heart rate kicks up to 190 BPM and his palms grow instantly sweaty.

“Vanilla.”

“Sorry Hun, we’re fresh out.”

OH GOD. QUICK, SAY SOMETHING ELSE.

“Surprise me.”

NO YOU IDIOT SAY CHOCOLATE.

“Surprise you?”

RETRACT, IT’S NOT TOO LATE.

“Yeah. Surprise me.” He repeats and he can FEEL Nicky vibrating with laughter next to him.

“Alright Hun, I’ll surprise you.” She winks at him and he blinks back at her.

The rest of the table all order (They’re all normal people who order strawberry (neil), the special with chocolate (Nicky), Lemon Sorbet (Aaron), and Brownie Fudge (Andrew).

“Surprise me.” Nicky whispers to him.

“I panicked.” He whispers back.

“Yeah obviously.” Nicky snorts but pats him, “It’s fine. The worst is you might end up with Pistachio or something.” He pats FF on the back.

FF likes Pistachio and the world loves to make FF suffer.

“Here you go hun. We just got this in, it’s Mango.” She says setting down two scoops of a bright orange ice cream down in front of him, “With a little surprise.” She winks again as she sets the other ice cream down.

They all get started.

Why is the Ice Cream kind of spicy?

He eventually puzzles out that the waitress has served him a Mango and some kind of pepper (probably habanero) ice cream. She smiles when he thanks her for the surprise, tries not to let it show how much the spice is KILLING his stomach let alone the acid of the mango.

Andrew has his eyes narrowed on him and he’s sure the man doesn’t want him to make a scene at a place that seems to be a frequent haunt for the family. So he eats every last bite and ignores how his lips tingle.

“Ohhh it must have been good. Maybe we should get you her number.” Nicky says looking at his empty bowl.

“No, I’m good.” She was pretty but considering the acid currently swirling in his stomach she probably thought he was an asshole for asking for her to ‘surprise him’. Even if that wasn’t the case, what if she thought it’d be cute to serve him this spicy ice cream as a cute couple thing? His stomach can’t take that.

“Aw man you’re no fun.” Nicky pouts.

They pay for their meals and the waitress hands him his receipt with a wink. He nods back at her before shoving the receipt into his pocket next to the Megamind toy. “Have a good night.” He says.

“You too Hun.” She says.

They head out for Eden’s and in a way the ice cream is a blessing because his stomach hurts enough that he barely even notices his anxiety about being at the place where Andrew most certainly is going to stab him at least once by the end of the night.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

NEXT

Per your requests:

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The requests to be added to the tag list got spread out across a few  different mediums on this one so if I missed you I swear it wasn’t malicious I’m just brunch dumb at the moment. Remind me in the replies!

As stated before if you’re up here and I spelled it  right but you  didn’t  get a notification there might be something  switched around in  your settings that won’t let me tag you properly?

[byfulcrums]

The sun and moon symbolism was used so well in LMK

I love how it wasn't used as a way to tell us about their personalities but instead as a way to reflect their beliefs, their places in the world and how their relationship with it can vary

When you think about sun and moon characters, the first things that comes to mind are "extrovert and introvert", "loud and quiet", "optimistic and realistic (or straight up pessimist)", etc. You think of two labels that are used, to put it simply, as a way to tell us that oh, this character is bright and nice and this other character is quiet and follows them anywhere. And depending on what you think about Shadowpeach, this might suit them! But if we're talking about canon, then it's just... not them

Macaque isn't a shy, timid guy who while he's smart and clever, he doesn't stand up for himself. SWK isn't a happy and cheerful but also dumb guy who tends to be the one to defend Mac when he doesn't do it himself

Here, the sun and moon symbolism is used to explain the nature of their relationship, not their personalities. It's used to give us a simple explanation of why they're that way without showing us a 20 minute backstory scene to make us understand what the fuck happened (though that wouldn't be unwelcome)

The sun shines brightly and gives us its warmth, but in the end, he'll always be alone; no one can get close to her without burning. The moon's brightness comes only from the sun, and she's most noticed when it's night, while the shadows cover the earth

The moon needs the sun to shine, but the sun wouldn't change at all if he wasn't there; Macaque needs SWK to be there for his character to be important. but Sun Wukong's story would have remained almost the same if Macaque had never been his friend. If you want a story where they never knew each other, just read JTTW!

However, while the sun doesn't need the moon at all in real life, these two characters are supposed to be actual people, not a rock and a ball of gas in space. Macaque can be his own person without Sun Wukong being there, and Wukong is strong enough to not need someone fighting by his side but still wants it anyway

They're not soulmates, at least not in the way the wind and the sea are. Sun Wukong's love for Liu'er Mihou isn't a thing destiny wrote. It's not heaven's, not space's, not faith's: it's his. And his love for Macaque is what makes him need him by his side

[honestlyvan]

Looking at this tweet:

and thinking about how I actually did this to Prime Wheeljack on my second viewing, deciding that he has to deal with fuckoff arm and wrist pain like I do

except he fucking did it to himself, because of course he did -- all of his integrated weaponry is custom, with his engineering background meant to primarily support hand tools, his initial loadout was configured for near-recoilless weaponry like Bumblebee and Smokescreen, but running around doing commando blackops shit (in his mind) necessitated larger firepower and there were no medics around to finger-wag him out of doing whatever upgrades he wanted so now all of his weaponry is a grade or two stronger than his structural components should on paper be able to handle.

As a result his whole upper body has a ton of microfractures from magnetic shear and recoil -- nothing that his self-repair can't handle, but just like with humans, supportive member damage doesn't heal back up to be stronger without very specific kind of physical therapy to accompany it. As a result Wheeljack has actually gained mass and lost a lot of the flexibility and aerodynamic and balance qualities of racer frames, and is maintaining his ability to do trick driving largely through just. Doing it, lmao, and not thinking about his worsening health.

[bougiebutchbitch]

seeing 'dead dove & proship dni' on a blog is a first for me. like. i've seen 'proship dni' - and even if I think it's stupid, because you're basically saying 'I believe it's okay to harass people who create fictional situations I disapprove of', it doesn't surprise me anymore. But 'dni dead dove'??? you hate properly tagged fics and want that nasty stuff just floating around in the ecosystem where anyone can accidentally stumble across it? Like turds in a river?? okayyyyyy

I know, I know, they think fiction = reality. They want to eradicate any and all darkfic altogether, regardless of if you're a survivor exploring your feelings/trying to understand your abuser's pov, or digging into the nitty gritty awfulness of trauma recovery, or just putting fictional characters in a horrific situation to see what they do, like a fictional saw trap that is hurting literally no one. Y'know, like TV writers do all the time. I know they buy into the idea that video games cause violence. But like. ???

[theghostofashton]

thinking about how tk reacts to being called the coach's son, how upset he is, how he turns to recounting his accomplishments, trying to create that distance between them, and thinking about how many times he's done this before. what it must've been like to grow up as owen strand's son in the aftermath of 9/11. the boy whose dad saved so many people and lost his entire crew, then rebuilt his entire firehouse. thinking about how many times tk's been called the coach's son, accused of being favored because of who his dad is, unable to exist outside of owen's shadow for all incredible, wonderful, heroic reasons that somehow don't feel that way. the tension between loving his dad and being so proud of him and resenting him a little for all of it.

[t4tadrienette]

Goku definitely wanted to train Gohan for fun, just like Grandpa Gohan did with him, but then he wanted to respect Chichi's desire of him not becoming a fighter. He also spent 4 years of Gohan's life together and living peacefully.

But then he died, and when he came back, he found that Gohan was turned into a fighter by Piccolo, fair, I guess. He didn't see him fight, tho, he doesn't know the story behind him becoming a fighter, just that he was trained by Piccolo.

Then Gohan wants to go to Namek to find the dragon balls because he has to make sure their dead friends come back, and Goku goes wow that sounds like me, he also can't stand to stay on the side when it comes to these things.

Weeks pass, and now he's finally able to reach them on Namek. They have to fight, of course. Things happen. He's the only chance they have to defeat Freezer. Things fall apart now, Goku becomes Super Saiyan and tells Gohan to take Piccolo and get away. Goku is stuck alone on Namek. He saves himself by pure luck. He decides to stay where he is, to learn something new, to be able to also control his Super Saiyan state.

A year passes, and he comes back to earth. News from the future, saying that in 3 years, there's gonna be a new threat. They have to train, Gohan wants to train with him and Piccolo to fight this new threat. The three years have passed, and now there's another threat outside of the androids. Goku finally healed, he gets Gohan and tells him they're gonna train to defeat Cell. Gohan accepts to train with him. Gohan puts his all into that training, and Goku finds out Gohan has so many capabilities than what he shows. That's good! They have a chance at defeating Cell, maybe.

They finish their training, Goku wants Gohan to spend as much time with Chichi, and he wants to spend the remaining days before the Cell games as a family, you never know. The Cell games start, and Goku goes first to study him, to see how strong he is and if Gohan might have a chance. Oh, Gohan definitely has a chance. Come on, Gohan, now is your turn, I can tell you know you're stronger. Gohan is having difficulties, tho, Goku says it's just a matter of time before his fighting instict and anger sets in. But Gohan doesn't like fighting. That knowledge comes to Goku as a shock. He always assumed Gohan was fighting for the safety of the earth and for the love of fighting as well. At the end of the day, how could he think different, he never truly saw Gohan fighting, and at the end of the day, he was just picking up what Piccolo started in the first place. He never truly showed a disliking for fighting, or at least he never told him. He didn't know how in his first fighting against the Saiyans, he was petrified by fear. He wasn't there for the love of fighting, but because he had to, since he had this power.

Goku realises he miscalculated this. He immediately tells Krillin to pass him a bean so that he can get back into shape to go help him. Of course, Cell stops him before that. After Cell started to attack the others, finally Gohan snapped and unleashed his power, Goku was right after all. Gohan was definitely more powerful than him. He was the right warrior to defeat him. Gohan needs to defeat him once and for all, tho, but he doesn't. He says he has to have a slow and painful death. Those are some shocking words coming from Gohan. It doesn't sound like him. Well, now that has brought some problem, Cell is now about to explode and take all the earth with him. Now Goku has to make a decision. He will sacrifice himself. At the end of the day, he was the one to put Gohan in that position in the first place. It's only fair for him to do that. But, his sacrifice is useless, Cell comes back. Gohan tries his hardest, but his arm is broken. How can he defeat him now. But Goku is there to help him find the strenght and the others too. In the end, Gohan finds the strength to finally beat him.

It's time to revive people. There's still the problem of Goku not being able to be resurrected a second time. They think hey maybe we can use the dragon balls from Namek. But Goku stops them. He thinks that Bulma was right. He only attracts threats that put the earth in jeopardy, Piccolo, the Saiyans, the androids, and Cell. Maybe if he stays dead, they will stop coming. Like that, he will not put Gohan in danger anymore, Gohan will not have to fight anymore. So at the end of the day, it's better for him to stay away, rather than him staying with them, after all he was the one to put Gohan in that situation in the first place. In the end, he makes the selfless choice for Gohan. Maybe it's better for him not to have a father, but being safe, than having a father and being put into danger. At least, that's what he thinks is the right thing to do

[fantasylandblues]

ok so i am now balls deep in The Last Kingdom and i decrete this is an Eliza Butterworth appreciation blog from now on

[swiftfootedachilles]

im just gonna be honest gang obviously its gonna be easy for you to say youre in love with a character and theyre an angel when anytime they do something you don't like you brush it off as out of character

[spicyvampire]

Hate /heɪt/ verb -> Enduring anger focused on a particular person or group of persons. Over time hatred may generate the personality trait of hostility. Surprise /sɚˈpraɪz/ noun -> The briefest emotion, surprise is triggered by the sudden occurrence of an unexpected event. It is often a way station that leads, after more appraisal, to any of the other emotions. Fondness  /ˈfɑnd·nəs/ noun -> A liking. Guilt /ɡɪlt/ noun -> Regret about a past action [...], a feeling of worry or unhappiness that you have because you have done something wrong, such as causing harm to another person.

Atlas of emotions + Cambridge dictionary

4MINUTES (2024) EP. 6

[i-dreamed-i-had-a-son]

“because he never accepts that it's never been about righteousness--it's about repentance.” except javert killing himself IS repentance.

well, it’s like 12 different things, because bro had gone days without sleeping and very little food and water and he already had low self-worth and kept asking the amis to kill him and just assumed he was going to die AND THEN valjean upended his understanding of the world and morality. he was really going through it & there are a lot of overlapping reasons for why he jumps into the seine.

but javert is like Number One Most Responsible guy in the whole story. taking responsibility is his Thing (forever bitter the musical doesn’t include the punish me monsieur le maire scene). how else, in his derailment, could he atone for his conceived misdeeds other than by handing in his resignation to god? in the brick he had already left a note urging his superiors to treat convicts at toulon better, which is another step in his repentance (and another crime the musical commits by not including it). jumping into the seine was another step.

honestly a lot of ppl who like the book think the musical was dead wrong to exclude him from the big heaven group sing, because it COMPLETELY undermines the themes of forgiveness and compassion threaded throughout les mis. like the musical was simply wrong lol.

This is helpful context! I am still finishing the brick, although I have fully read the abridged version, and that detail about the letter wasn't included, so I didn't know that occurred! (And thank you for the message--this is a long response but I'd love to hear more of your thoughts!)

I agree that Javert is certainly deeply distraught and remorseful; like you mentioned, his worldview is literally falling apart, and his actions reflect his mental state. But his death isn't really repentance--in the sense that it's not what God would have wanted. To me it reads like a Judas situation: a desperate realization of a huge mistake, and doing the only thing you think can make it right, namely, ending it all. That's the just punishment for someone so wrong, isn't it?

But true repentance, meaning the repentance that the Lord desires, is about changing your ways, not "paying a price." Had Javert really understood the beauty of Valjean's mercy (an image of Christ's, just as the bishop's undeserved mercy was to Valjean himself), rather than killing himself, he would have lived to also become "an honest man"--in heart. One who could forgive and understand forgiveness, for himself as well as others. One who could recognize that he is not The Law, that he can fall, but that he can also be "brought to the light." One who could accept that men like Valjean, and men like himself, CAN change, and be changed.

It's tragic to me because so much of "Stars," and his character in the book as well as the musical, is about wanting to be righteous, to rise above his birth and the sinfulness he associates it with. It's about wanting to please the Lord by his actions. But in his end, he shows he never understood what God really wanted from him, and that's where my original phrase comes in: not righteousness, but repentance. To live, and face the man you were, knowing it's no longer the man you are. That it's never been about what you've done or can do, but about what's been done for you. That's the Gospel that he could never fully accept.

To use another example you mentioned, that misunderstanding drives why he asks the Mayor (Valjean) to punish him--in his worldview, mercy is unjust, or at the very least, unfair. Evil must be punished; "those who fall like Lucifer fell" receive "the sword." But "as it is written," God "desires mercy, not sacrifice" (Matthew 9:13). God would have wanted Javert to live, and Javert couldn't see that, and that's why it's devastating to me. In his misunderstanding of the heart of God, he misses what would have set him free from the chains of sin he's always been trying to escape.

That's why he's contrasted with Valjean, who (though he carries guilt about his past till the end of his life) is eventually able to face it and confess what he had done to those he loves. He knew there was mercy to be found, if only it was asked for. Javert was too blinded by pride and shame to realize it, and so, while broken, he never was able to truly repent.

For that, you must go on.

[chicanedaze]

Good adaptations aren't scene by scene, line by line reenactments of a book. It's a completely different medium, that the creators can use to tell the story a different way. Besides budget issues (just writing a scene where a bunch of crazy stuff happens costs about $0, while portraying it on screen is a different matter), the pacing/flow is different in live action stuff than books.

The SPIRIT of the adaptation is what matters. The original PJO movies weren't bad because Annabeth's hair was brown or they didn't say the dialogue straight from the book or dare I argue, because they mixed in elements from further in the series. Rather, it was bad because the vibe was simply far too edgy. Percy was sassy, it did have humor, monsters were fine, but it fell flat on its face because it didn't understand its characters, its world, or its TONE. THE TONE. It was genuinely awful.

Good adaptations expand on the source material without losing the charm of the original. They understand what makes characters tick and what's at the core of the journey, its not about aesthetics or being faithful to the point of being dull and having nothing new to say.

The PJO series is doing that. Having Rick involved probably helped a lot. It has a rocky start, in my opinion. But from the second half of ep. 2 and into ep. 3, I see it gaining its footing.