OK THIS IS NOT A FUCKING DRILL EVERYONE FUCKING REPEAT AFTER ME. THIS IS WHAT YOU WILL DO WHEN YOU WATCH MUPPET CHRISTMAS CAROL THIS YEAR:
You will navigate to the page on disney plus (and it has to be here. Unless someone has actually uploaded the REAL movie anywhere else you cannot get it elsewhere)
BUT YOU WILL NOT HIT PLAY. You won’t do it. Because it’s NOT THE REAL VERSION OF THE FILM AND DISNEY IS FUCKING LYING TO YOU AS IT ALWAYS DOES
You will scroll down HERE. To EXTRAS instead. You MUST GO HERE. This is non -negotiable
THEN YOU WILL SCROLL DOWN TO THE BOTTOM OF THE EXTRAS AND YOU WILL THEN HIT PLAY ON THIS BAD BOY: THE FULL LENGTH VERSION
And you will watch it. And you will thank me for having been so blind and led astray by that stupid fucking mouse. You’re welcome.
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just watched Love Lies Bleeding, the newest A24 film, I have so many thoughts,,,,,
the movie's language is very well developed, and the editing is primo. sound design was also spectacular. A+ production overall.
In a more official review, David Rooney of The Hollywood Reporter called it, "a lesbian neo-noir drenched in brooding nightscapes, violent crime, and more hardcore KStew cool than has ever been packaged in such a potent concentrate."
genuinely, I'd say it's Thelma & Louise meets The Sopranos, a true film, not just a movie. a film we didn't know we had been waiting for.
spoilers ahead!!
if you decide you might want to watch it based on this review, I'd say avoid or be mindful if you get squicked and/or triggered by excellently wrought gay sex scenes, off screen and after match depictions of domestic violence, on screen domestic violence, mouth gore (no really, MOUTH. GORE.), vomit, guns and gun violence, or a homophobe punching a bisexual after she punched him for putting his hands on her. There are also a few depictions of altered states of consciousness and reality, one displayed as active hallucinations which narratively imply that anabolic steroids (essentially testosterone shots) create violent people who don't think about the consequences of their actions and black-out rage to kill others, while ALSO implying that hallucinations and delusions lead people to violence,,, ,,, ,,, And the other is just... subtle enough for most of the film until. surprise! giantess unbirth fetish bait at the end!
if that still sounds like it might be intriguing to you, keep reading :p
this movie has Kristen Stewart doing her sad twitchy sewer rat queer vibe to great effect, breakout star Katy M. O'Brian playing a bodybuilding nomad whose individual character arc is somehow giving gender and hate crime depending on the lens applied, butch 4 futch (argue w/ ur mama, Jackie is a bisexual futch) and butch 4 femme (although 4 is doing a lot of heavy lifting in this one-way dynamic) and (not so) incidental mob intrigue
and as far as aesthetics: it's set at the tail end of the 80s, so we have a delightful mesh of Kristen Stewart's oily 90s twinkdyke and Katy O'Brian's oiled-up 80s femme bodybuilder. howevrrr,,,
I'm not sure how to feel positively about the bait and switch of there being two clearly defined villains (the murderous mob boss father and the sister's abusive husband) having a diversion into the land of "this pillow princess femme who wants romance and a connection with the only other queer person in town is suddenly also a villain". I can see the potential transphobic underlying themes implied by depicting a masculinely gender non-conforming bisexual woman over-dosing "steroids" (testosterone) and turning her into a violent, delusional person who is even in narrative called a "monster" and told never to contact her family again (a very trans moment), especially when juxtaposed with the soft, effeminate, poor cis femme of dubious, unreliable-narrator-proclaimed straightness being an ongoing/foreshadowed minor antagonist in the storyline who manipulates the situation and main character to her advantage, and gets killed for it, but ultimately doesn't exist to do more than create tension between, and be a threat to, the main characters' relationship and the story's plot.
BUT! I do think it was thematically appropriate to finally make the relationship between Jack & Lou equal as a bow to tie the story together.
I enjoyed the film, I enjoyed the composition, I was more riveted to the screen than my ADHD ass usually managed when vegging out on the couch. it's everything I want from a movie where everyone involved ends up worse as a person after meeting each other
I'm just looking at it now with my AP English critical consumption skills and wondering if, maybe, queer communities in general, and the trans & lesbian communities specifically, are not currently enjoying the solidarity-filled political climate that would allow this movie to avoid potentially coming across as, well, a bit unknowingly biphobic and transphobic, even as a queer film, what with one of our main characters being depicted as loving her girlfriend "despite" her having had sex with men, and especially when the main pair get their "happy ending" at the cost of another queer person's life.
Maybe in 30-40 years.
VERDICT: polyamory (and solidarity over self-interest) could have saved this movie's 2nd half for focusing on the real villain: the cops and cop-lovers who were using their power to get away with disenfranchising people with escalating violence and abuse.
If you've also watched Love Lies Bleeding, or you know more about the context around the film, or you just like talking about meta analysis, please let me know what you think!
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