#is this what being lovesick feels like???

[simpforsolas]

So my biggest problem with Solas x Mythal isn’t that I’m “jealous” of their relationship or anything like that. In fact, I really like the concept of her being a toxic and abusive relationship he has to let go of to be able to move forward and find true happiness with the inquisitor.

My problem is that it cheapens Solas’s motivations and seems to make his only reasoning for tearing down the veil be loyalty to Mythal. It also, to me, downplays the significance of the inquisitor’s influence on him. This was disappointing because in Inquisition, we were introduced to Solas as this very wise, idealistic, and thoughtful person who cared deeply for his causes. Justice for Mythal was one of his motivations, but I never interpreted it as his main motivation. I thought his main motivation was always to make a better world and fix his mistakes.

I truly believe that he’s not wrong about some things. The veil IS a wound inflicted on this world. It was made by him; it’s not the world’s natural state. It’s falling apart and broken. It creates a class divide between mages and non-mages, and by separating spirits from the physical realm, it makes them more susceptible to corruption into demons and makes people scared of them. There are tons of instances through DAO - DAI where weak spots in the veil lead to mass demon possessions and death. It made a world where elves die instead of live forever, and where they either live in slums or as shadows of their former glory in the woods. But DATV didn’t address ANY of this. It painted Solas to be this lovesick pup whose motivation was purely emotion-based, and it didn’t help that this game didn’t go into Thedas’s socio-political climate so a new player wouldn’t understand that the world of Thedas is seriously messed up, and that Solas’s plan would resolve a lot of the issues in need of fixing.

The problem is, and always has been, the cost. Solas restoring the natural order of the world would cost thousands of lives, and destroy the current world and all the good it has to offer. In order to abandon this plan, Solas needed to not only be released from Mythal’s service, but to let go of the world of the past. He needed to acknowledge that the world he loved is gone, that a new world that he also loves has taken its place, and that it deserves a chance to live. It’s sort of implied that he goes through this shift in belief in Trespasser, but it’s not enough at the time, and that’s okay.

Anyway, with all this in mind, this is how I’m choosing to interpret Solas’s entire redemption arc. Solas did have his reasons to tear down the veil that he passionately believed in, but through his interactions with the inquisitor and rook, the only reason that truly remained was that he didn't want to fail Mythal. They changed his perspective on the world, and showed him that it’s a world worth preserving, even if it’s different. He didn’t want to do what he had to do, and by the end of DAI and/or Veilguard, the only thing keeping him tied to his course was duty to Mythal. So she has to free him to allow him to move on.

However. If Mythal had released him from his service at the beginning of inquisition, because Solas hadn’t gained any affection for the new world, it wouldn’t have mattered. He would’ve been like "cool i'm doing this anyway because I want to.” Changing his course required two things: having his heart changed by the inquisitor, and Mythal allowing him to move on. Unfortunately I feel like the game is a little sloppy with this and makes it feel like freedom from Mythal is all that matters, but my dear friends, she is not. It was a team effort all around, and Solas’s redemption would not have been possible without our beloved inquisitor. 💜

[honourablejester]

Is this, the anxiety about working women, a common interpretation? I’d never heard it before.

Not an interpretation I’d have come to myself, either. The femme fatales that I think of first aren’t usually working girls, they’re things like wealthy wives wanting to bump off their husbands (Phyllis Dietrichson from Double Indemnity), wealthy heiresses trying to cover up their (/family’s) crimes (Vivian Rutledge, The Big Sleep), itinerant conwomen (Vera, Detour), or ex gun-molls who shot their shady boyfriends and will do anything (and seduce anyone) to make it out alive and with the cash (Kathy Moffet, Out of the Past).

The femme fatale is more … the woman who pretends to love you (or even genuinely does love you) but whose priority is something else, often money, and she’ll use you until she gets it and then go through you for a shortcut afterwards. They’re usually not working girls, they’re bored and murderous wives, alluring crooks, or desperate blackmailers. They’re either rich already, seeking more control over their money, or desperately seeking financial stability via crime. The fear to me feels more like being used and discarded by a woman who wants something else more than you, at least in some of the cases?

Also, a lot of the classic 40s noir movies were based on books that were written much earlier, in the 30s, which would pre-date the post-war economic anxieties (although fit right in for the Depression-era economic anxieties, and the ‘woman willing to kill for money’ might well fit there). Though, granted, a lot of those stories were altered in the book-to-screen transition, and the adaptations likely did reflect more contemporary anxieties.

There was also some real life inspiration for some of the famous femmes fatale. Both Phyllis Dietrichson of Double Indemnity and Cora from The Postman Always Rings Twice, both by James M. Cain, might have been at least partly inspired by Ruth Snyder, a woman who in 1927 murdered her husband with her lover in the hopes of cashing out the insurance policy they’d ‘signed’ in his name.

There’s a lot going on with noir as a genre, it’s a whole melting pot for a bunch of early 20th century anxieties. The class changes coming out of the Belle Epoque, the interwar period, prohibition and rampant crime in the 20s, the massive economic turmoil of the stock market crash and the Great Depression in the 30s, and then, yes, the social changes during and following WWII in the 40s, with so many disaffected returning soldiers, rampant crime, and the skyrocketing rates of divorce that resulted from hasty wartime marriages. Noir as a genre was an attempt to ground Hollywood glamour in some of the darker realities of those very turbulent few decades, and while the femme fatale has certain common traits, she also has a lot of variety, reflecting more than one anxiety of the time. She’s just … the woman who’s just as hard and bleak and dangerous as the men, except men (in Hollywood movies in the 40s) didn’t usually fall in love with other men, but they could (and shouldn’t, and did) fall in love with the femme fatale. She was more a reflection of the general fear that the romance and safety of marriage that society had promised men at this time was no more real than the financial or physical safeties they’d been promised either.

Which, yes, women in the workforce is part of that disintegration of promised safeties, so I can see it as an element, an aspect of the fear. But I wouldn’t have said it was the driving one, just one more facet of the perceived social degradation embodied in the noir genre. Textually, a lot of the classic femmes fatale weren’t even in spitting distance of a factory job. For a start, it’s not exactly glamourous. And for a second, that’s a long, slow way to get what you want, when you can just murder or betray someone for money instead. Or string some poor lovesick sucker along as a patsy for your crimes, or as an escape hatch for your schemes.

Basically, I don't think the fear was of being supplanted, or at least not in all cases, it was more a fear of being used. Controlled. Betrayed. Murdered. The femme fatale wasn't the woman who replaced you, she was the woman who lured you, seduced you, lied to you, hurt you, controlled you, incited you to do things you wouldn't normally do. Instead of being the safe harbour, the soft, righteous reward promised to the hero, she hurt you instead. Used you. Love is a lie, marriage is a lie, and murder might well be the result.

My film noir hot take that I’ve been mulling over for a while is that I really don’t think the femme fatale in noir was an expression of anxiety about women working in the aftermath of WWII. Evil seductresses are present in literature since before the printing press, and in pulp crime fiction since at least the 1920s! And when did you ever see a femme fatale working as a mechanic or on an industrial assembly line? I’m not saying the archetype doesn’t pull from contemporary sexism, but Rosie the Riveter didn’t invent the idea of sexy mean ladies, especially in gritty melodrama.

[tmntxthings]

一∑From the Start・゜・。

author’s notes: scurries in from the darkness, throws this > 💣 < out into the light, and runs back for cover 💥

warnings: unedited, angst, drabble, unrequited love, pining, daydreams, cliffhanger

—————————————————————————

When Leo invited you down to the lair to hang out, you had thought maybe it would be a movie thing. Or perhaps even going to the ramp room, chatting while he practiced skateboarding tricks that almost always ended badly with bruises. You wouldn’t have been surprised if he had dragged you into the kitchen to whip up something to eat or just snack on whatever the two of you could find.

But no, instead, he led you to his room, with a skip in his step. When you questioned why it had to be just the two of you. Why all of his brothers were rolling their eyes in Leo’s direction. He just shook his head, “I can’t tell anyone else! You’re the only one I can trust!” It was then, that you had a sinking feeling.

This scenario had happened before. Many times actually. You glanced back at the bros, exasperated already and you hadn’t even heard anything yet. But you knew.

Once in his room, Leo let go of you, and jumped face first into his bed. He let out a dramatic screech, kicking to boot before he turned to the ceiling and announced, “I’ve got a crush,”

You held back a sigh as you walked over to the only chair in his room. Pulled it out from under the desk, and sat, getting ready for the long haul. “Who and how?”

He really hadn’t even needed the question. He was off to the races explaining exactly how he had met ~them~ and all the moments after, from whence his heart first skipped a beat, the beauty that they hold, how they laugh at all his jokes. Your eyes clouded over.

This was pure torture. As your eyes unfocused, you let your train of thought wander away from Leo’s babbling fancies. Truly you’d lost count of how many times this had happened before. It was always the same things that made his heart flutter. That made him go crazy, so much so, that he’d tire out his brothers from all the lovesick shenanigans and bring you into the mix.

Which was like listening to chalk squeak against a chalkboard. Shrill and grating. If you didn’t tune it out, you’d go crazy yourself. Because it was despicable to listen to your own crush, talk about how much they wanted someone else.

For a second, you could just blink, look over at him, and pretend he wasn’t saying anything of consequence. “Blah blah blah,” his mouth moved, but you weren’t listening. That was better. It was unfair how pretty he could be. Especially when he was happy, especially when he was falling hard. The way he smiled, how his eyes shined. His hands couldn’t stop moving, he just had to animate with his whole body about how he felt. Your knee started to bounce. He was being cruel and he didn’t even realize it.

It wasn’t fair. But then again, how would he ever know unless you told him? You imagined what it would be like. To interrupt him. To confess your love. He’d probably laugh in your face. Ha what a great joke Y/n, now get real and back to my love crisis. That’s what he’d say. Or something along the lines of it.

But sometimes you could imagine him pausing completely. Getting taken so off guard that he no longer had the words to respond. That maybe he’d look at you with a different light. So maybe that was why you did it. On the off chance that, maybe, Leo had always harbored something for you too. Just deep down! So deep that he felt the need to hide it with all of these other so called crushes.

“Leo!”

He blinked and sat up from where he had been laying, interrupting his tangent.

“What?!”

Straightforward. That would be the best route.

“I like you.” Your eyes were steady, yet your heart raced. It was thundering in your chest as you watched one of his brow bones raise.

“I like you too Y/n” he said so as if it was obvious. Which meant he was misunderstanding.

“No no, not like that. I like you.” You strained with the emphasis as you willed his thick skull to understand. And it must’ve gotten through because his eyes widened just a bit.

“You like me?” He questioned, sitting up even straighter than before. Now you had his attention. And you could feel sweat building up in your palms as you nodded seriously.

“But, we’re best friends..” and you could’ve let that shoot you down. But you continued on. Getting up from your spot, from the single chair, and making your way over to him. Despite how every step made you second guess yourself. Despite thinking maybe it was a better idea to just run out of his room. Or to just settle for the friendship you thought you had wanted.

But you pushed through it all as you sat down next to him. “We are. You’re my best friend Leo. And I, maybe I’m greedy, but I can’t help it. I’ve liked you for so long now. And I don’t think I can just sit idly by anymore.”

You took a breath, palms closing into fists. Eyes closing because if he was going to reject you, it’d be better to not see the pity on his face. You piped up once more before he could say anything, “Every time you talk about your crushes, I can’t help but think, but wish, that it were me! And every time you get over one, I get ahead of myself, I hope that maybe, one day, you’ll look at me differently!”

There was so much you could say. So many different ways to say it. But that was the gist. “That… you’ll like me like that. That you’ll return the feelings I’ve felt for you,” you blew out a breath. Then looked into his eyes.

Leo was rarely ever serious but he was now. “I never knew…” he said softly after a moment of silence. Of taking in all that you had revealed. You nodded not knowing what that meant for your relationship with him now. And the fear of losing him forever leaked onto your face. His eyes softened, a green hand going out to cup your cheek.

“I wish I’d known sooner,” and with that he brushed a finger against your skin. He looked down at your lips as they parted with a shocked breath. He smirked, as only Leo could, and leaned down with a silent question that had you tilting your head to give him better access to your lips.

“Y/n are you even listening to me?”

You blinked.

“Huh?”

You were in the single chair.

“Hello! Earth to Y/n, this is like the biggest moment of my life, I’m telling you I think they may be the one!! Come on focus!!”

Right. You straightened up, crossing a leg over the knee that wouldn’t stop bouncing.

“Sorry, go on,”

And he blinded you with that smile as he retold all of the sickening things that made him so endeared to his crush. If only it wasn’t so endearing to you.

—————————————————————————

This ↓ is why this ↑ came about :D

[wikitpowers]

there are 2 wolves inside of me and one of them thinks Anush is going to be giving Kit a shovel talk and the other one thinks Anush is going to be diehard KitTy nation I'm so conflicted

i think anush will definitely be wary of kit at the start, bc i predict kit will be kinda cold and distant when kitty reunite bc he doesn’t wanna get hurt again. and so anush won’t like how kit (presumably) acts towards ty. but also he will see how happy ty is now that he’s with kit again and how he says his name and how he reacts to kit’s presence and then i just know he will be a hardcore kitty shipper!!! he just wants ty to be the happiest he can be (bestie core🫶🏻)!!! and that includes having kit by his side!!!

(but anush giving kit shovel talk for being a dick would actually be hella hot icl! like YES! protect ur bestie! tell ‘em how to behave!)

[carnivalcarriondiscarded]

thinking so so hard about LaughingStock and how that'd go down. disastrously, probably

[bunnihearted]

the thing is if i have romantic feelings for someone i can have them for such a long time it just wont go away nd i also cant even be interested in anyone else :(((

[like-sands-of-time]

It's pretty insane that saying that arwen could have been done so much better is met with such disdain. And the way I'm seen as an Arthur stan or Gwen hater by saying that. I'm literally saying the both of them deserved better..?

Gwen (and Arthur let's be completely real here) was a victim of a show that was chronically inconsistent in their characterizations of people. She suffered (as Arthur did) from a story line that I'm sorry is just really bad. And you can still love Gwen and Arthur from legend. But I can still say this interpretation falls short in showing the growth of their relationship in a way that feels real and not just .. necessary.

[bangcakes]

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[inthehausofholbein]

from a notification i saw wrong, i came up with a whole costume idea

(from far away, i thought the book was a strapless top and her pink shirt was a puff-sleeve bolero??? i don’t know, man, but you’re welcome)

[regallibellbright]

WIP Wednesday, I guess (hey, I haven’t gone to sleep yet)

This bit, springing off of my tags from this post, shout outs to @purplelea, punched me in the face while I was trying to take a nap or at least think about the two fics I’m actually seriously working on, so I guess you’re going in the rotation.

“Besides, he’s already rejected me,” Joshua says.

Shiki and Beat turn toward him. “What, for real, yo?” Beat asks. Joshua nods.

“He never mentioned it to us,” Shiki says, frowning. “Just that you offered him your job again. Without the guns this time.”

Joshua frowns. “Yeah, and? He turned me down.” When this only makes them look more confused, he goes on. “Clearly if he were interested, he’d have said yes. I’d name him my eventual successor, we stay in the UG together and visit you guys, and then eventually when he was ready to be Composer I’d take over the Producer role, and we'd rule the city together. Obviously.”

“Or maybe he just ain’t interested in the job,” Beat says. Joshua looks at him like he just suggested the moon doesn’t exist. “What? Jus’ sayin’, he didn’t say anything 'bout that, yo.”

“It was implied.”

“In other words, you didn’t confess, and Cowards Club continues,” Shiki says. Beat nods. Joshua groans.

“Like it matters? Even if he didn’t turn me down,” Joshua says, clearly humoring them, “he’s obviously way more into you two than me. One of you should go for it.”

“Uh, no? How’s it obvious?” Beat asks. “‘Cuz I heard ‘im when you showed up, Priss. He wasn't that happy to see me, yo.”

Joshua looks at Shiki. “Neku broke back through a hole in reality to save Beat and punched the power overload right out of Minamimoto. There was glowing. Sparkles. I have seen every ill-conceived dramatic romantic gesture anyone’s ever committed in this city, and it topped all of them.”

[cherry-shipping]

o i think i realized why i was suddenly embarrassed talking about me and sans. while getting used to talking abt my ships publicly i decided itd be easier to talk about him in a half joking post dating kinda way (i.e. “hes my boyfriend and i love him”). but that means that my favorite part in our relationship to think about (pre dating stuff) is still embarrassing as hell

[vellhighbandi]

When you're missing your constant companions cause you just came from an exam and didn't see them waiting outside dissing the question paper... And then they finally get free and reply to the text you sent days ago... and a screenshot is shot into the gc, just like that the group chat is back on fire and it's like the group was never really dead, just waiting for everyone to get a grip of their life and find a way to section off a part of their day exclusively yours, for old times sake.

O jaate nahi kahin rishte purane... Kisi naye ke.. aajane se... Jaata hoon main toh mujhe tu jaane de... Kyun pareshan hai.. mere jaane se... Toota hai toh juda hai kyun... Meri taraf tu muda hai kyu... Haq nahi.. tu yeh kahe.. ki yaar ab hum na rahe...

Ek teri.. yaari ka hi... Saaton janam.. haqdaar hoon main... Tera yaar hoon main...

[rossary-of-the-rose]

I love Gravity Falls so much it makes my heart feel sick, in a literal way. I can barely breathe, I’m shaking and I feel feverish, all out of love for a kids cartoon. This cannot be healthy.

[sylveriasarcana]

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[domesticated-whores]

had an absolute bonkers dream that I grew a weird cock thing (basically it wasn't a realistic cock, it was more of a very smooth wet tendril that served a cock's purpose) while fucking that guy I like and it ruined the mood, lol

[shidoukanae]

wanted to do another TME sketchdump (that i actually finish coloring ;;;) and so i did!!!

been thinking about TME almost literally 24/7 (and the other time is spent on OCs lol) and i still can't get over how this story is literally everything ive longed to see (as well as full of things i didn't know i longed to see. hewwo Empress Arne and Emperor Christopher).