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riotwritesthings · 1 year ago

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Unrequited Dreams

WinterIron, M, 3.5k - Soulmate AU, Angst, hopeful ending

I can finally share my piece from the Reforged WinterIron Zine! I'm so excited, I'd had the idea for this fic for years and it was delightful to finally bring it to life. And now I get to share!

Thank you to all the mods over at @reforgedzine for making this happen!

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The night before his thirteenth birthday Bucky is so excited he can barely fall asleep, because he’s going to have his first dream about his soulmate.

The anticipation has been building for weeks, for years; his family has taken to fondly rolling their eyes because Bucky can't talk about anything else. He can’t wait to find out something, anything about his soulmate, about how they'll meet for the first time. He can't wait to start trying to make sense of the hazy details the dream will leave him with.

In the morning, Bucky wakes up sobbing, because now he knows that his soulmate is gorgeous and graceful. That knowledge is crystal clear even if few other details are.

And now, Bucky knows that he's going to put a gun in his soulmate's face and pull the trigger.

Thirteen year old Tony wakes up feeling cold and hollow except for a sharp ache settling deep in his chest.

Apparently, it was stupid to be excited, just like Howard always said. Because now he knows that their first meeting involves his soulmate pushing him away.

Literally.

Tony knows that dreams are funny things. He read all about soulmate dreams and how easy it is to misinterpret them, how they tend to exaggerate, back when he was dumb enough to look forward to them. But he would swear that the shove felt hard enough to knock the air from his lungs, felt strong enough to throw him clear across the room.

The ache in his chest lingers the entire day, and every morning that he wakes up from the same dream, the pain is agonizingly fresh, digging a little deeper.

So Tony grows up and learns how to push people away first. He tells himself that when he meets his soulmate, he’ll be ready.

Bucky never tells anyone about the dream, even when his parents give him concerned looks. Eventually people stop asking.

Every time he has the dream, Bucky remembers a little more. His soulmate is dressed in mostly black, moving gracefully and carelessly through a room in chaos. His soulmate has gorgeous eyes and a wicked, beautiful smirk.

Every time, Bucky shoots his soulmate in the face and wakes up nauseous.

At least when he joins the army, no one else talks about their dreams either. Most nights, Bucky is too exhausted to dream at all, and it’s almost a relief when nightmares start to overtake the few times that he does.

Most nights, Tony drinks until he falls into a short, restless sleep, just to avoid the one dream he doesn't want to have.

He doesn’t want to see his soulmate’s cold, emotionless eyes. He doesn’t want the all-too-brief feeling of his soulmate's hand beneath his own before he's shoved away.

When Tony does dream, it’s of clenched fists, feeling frustrated, helpless. Feeling like his entire life is falling apart around him, and it’s all so stupid.

So he refuses to figure out any other details because he’s already going to have to live through it at some point. He doesn't want to know if that fleeting contact of hand against hand is a first meeting, doesn’t bother trying to remember anything about the large, bright room the dream takes place in or the people around them. He doesn’t care if it's a charity gala or something else. None of it matters.

Tony wakes up and drinks more.

He builds and smiles for the press. He does his best to not lose the few people he has, and tells himself that he won’t care when his soulmate doesn’t want him.

Sometimes he even believes it.

The Winter Soldier doesn’t dream at all.

Not during the short, fitful sleep he gets on missions. Certainly not while he’s frozen.

He forgets.

When the moment finally happens in real life, they don’t recognize it.

Bucky isn't in his right mind. He’s barely clinging to awareness past the hold of the conditioning in a room in chaos. He doesn't recognize the graceful motions of the gorgeous man who jumps into the fight, or the moment he points his gun in the man's face.

The bullet doesn't connect, and when Tony doesn't die, the Winter Soldier rips his hand away from Tony’s, shoves him across the room and knocks the air out of his lungs.

Tony isn’t thinking about the brief contact of his hand on Barnes’ over the barrel of a gun, of Barnes’ hand splayed across his chest. He’s thinking about the fact that his life is falling apart, and that he needs to stop a rampaging Winter Soldier. He doesn’t have time to think about the splinter itching at the back of his mind.

They don’t even notice when they stop having the dreams, after that moment.

Tony is alone in his workshop, in the too-empty compound, when it hits him that he doesn’t even remember the last time he dreamt of his soulmate.

It’s not just because he barely sleeps, not just because when he does dream it’s of his friends falling from the sky, of cities and worlds crashing to the ground. He’s spent so much time trying to ignore the dream, apparently he’s even been ignoring the fact that it’s gone.

It’s a stupid thing to be upset about.

Tony has always known how they would feel about him, known they wouldn’t want anything to do with him, but he still has to sit on the cold tile floor as his legs give out. He blinks back tears, wondering how far he must have fallen, if he doesn’t even deserve a soulmate who pushes him away anymore, doesn’t deserve anyone.

He wonders if his soulmate dreams about someone else now.

Bucky is in Wakanda, trying to find peace, when a doctor asks about the dream.

For a second Bucky doesn’t remember. And then he does. And he can’t breathe.

He doesn’t dream much anymore. When he does, it’s always nightmares. He hasn’t dreamt of his soulmate since before the war.

Before the Soldier.

And Bucky realizes he’s probably already killed his soulmate, and doesn’t even remember it. Everything goes fuzzy.

No one asks about the dreams again. Bucky has so many regrets to move past, he just shoves this one down with all the others. His soulmate is probably long gone. There’s no need to think about it.

So, he tries not to.

Having everyone back at the compound is exactly as awkward-as-hell as Tony thought it would be. It only makes him feel a little better that he’s clearly not the only one feeling it.

The reasoning is sound, the threat is coming, but that doesn’t mean Tony has to be happy about it.

But he smiles, shakes hands when he has to, and reminds himself this is for the best. He can bury his hurt feelings for the good of the world. He can be an adult, pretend everything is fine. He shows everyone to the residential wing, despite most of them already knowing their way around, and doesn’t meet anyone’s eyes as he says to make themselves at home.

Slowly, they start putting the team back together. There’s lots of talks about trust and honesty that feel hollow and stilted, but Tony supposes it’s progress.

They still work well together in the field, but that was never the Avengers’ problem.

Around the compound, though, the split remains obvious. Everyone seems torn between walking on eggshells and the urge to act like nothing’s changed even though it has, Tony among them.

The different sides of the war still give each other wide berths in the hallways, and Steve still stands protectively between Tony and his shadow of a best friend when they happen to run into each other in the gym.

Tony spins on his heel with a lazy wave, doesn’t even care if he’s too obvious. For just a moment, Tony’s gaze meets Barnes’ as he turns.

For just that moment, Tony finds himself caught in that deep blue stare before the doors slide closed behind him.

Bucky spends a lot of time wandering the compound.

He’s aware everyone thinks it’s a paranoid-perimeter-check thing, which it partially is. But it's also just him enjoying the novelty that he can spend his time wandering aimlessly. He can go where he wants when he wants, never has to sleep unless he chooses to.

He’s still getting used to it; remembering how to enjoy the freedom.

Which is how he runs into Stark in the kitchen at three AM, when he’s trying to outrun his nightmares. Tony is apparently making pancakes.

Bucky freezes in the doorway as they stare at each other. Just when he’s preparing to back away, Stark’s lips curl into a tiny smile. Stark tips his head towards the rest of the kitchen, obviously inviting him to stay instead. Bucky grabs an apple and sits at his usual spot at the far end of the table, trying to look comfortable, and it’s somehow easier than he’s expecting.

It’s only a couple minutes before Stark finishes making and neatly stacking his pancakes on a plate. Then he dumps everything in the dishwasher and shoots Bucky only the briefest look before leaving with his plate of food.

Bucky tells himself to avoid the kitchen around that time. He should give Stark some space, because he’s so clearly uncomfortable with everyone being back.

But two sleepless nights later, Bucky’s feet carry him on a familiar path without thought.

Stark is making waffles this time. He barely even looks up as Bucky takes up the same space at the table. Stark glances at him again as he’s preparing to leave, at the power bar Bucky’s been picking at, then transfers one waffle to a smaller plate. He sets the small plate on the table, just within Bucky’s reach. Then to Bucky’s surprise, Stark sits at the counter instead of leaving.

Bucky pulls the plate closer, and they eat in total silence. They’re not even facing each other and Bucky is actually a little relieved. He doesn’t know what to say to anyone these days, much less Stark.

It’s the first time they’ve done more than pass in the hallways, but it’s not as uncomfortable as it should be. When Tony stands to leave with a wave and a small, warm smile, Bucky finds himself disappointed.

As the weeks go by, Tony notices Barnes getting more comfortable around the compound, sometimes with Steve but most often alone.

Not that Tony lets himself wonder why he cares, why he scrolls through security feeds of the hallways like he needs to check on Barnes. It’s just morale has been slowly improving, and that’s the last bridge Tony has to mend. Or, the last bridge to build from scratch over a giant chasm, in this case.

He’s coming back late from a charity event, a little tipsy with plans to head to the lab, but gets sidetracked when he passes through the living room and realizes Barnes is on the couch watching Star Trek. Tony pauses for a second, filled with nostalgia, but he tells himself to leave Barnes to his marathon in peace.

To his surprise, Barnes looks at him with a tiny smile, unsure but devoid of suspicion or impatience. Tony sinks into an armchair, asking himself why. They proceed to watch four and a half episodes in silence.

Tony wakes up to Steve and Sam clomping through after their morning run, slumped down in the chair with a blanket carefully draped over him.

It becomes a habit, and Barnes becomes Bucky, even if they haven’t actually spoken yet.

So maybe Tony has FRIDAY alert him when Bucky is queuing up the next episode so he can head to the living room. After the first time, though, Bucky waits for him to arrive before hitting play and greets him with a smile that gets brighter every time.

Tony doesn’t let himself wonder about the why’s. Like why he spends so much time simply existing in the same room as Bucky, why that doesn’t feel awkward at all. Or why it seems to be the only thing that helps Tony ignore the empty pit in his chest.

One night, Tony realizes he hasn’t seen Bucky in a while. There’s been no marathon nights despite being due to start Next Generation. He tells himself it’s not creepy to flip through security feeds., He’s just curious how Bucky is spending his sleepless nights now.

Tony’s heart leaps into his throat when he finally locates Bucky on the roof of the hanger, standing on the ledge. He’s breathless by the time he makes it to the hangar, heart racing and legs shaking from the sprint. He doesn’t even know what he thinks is happening, except…

Bucky looks at him with wide, exhausted eyes when Tony bursts through the door, and he could swear Bucky’s shoulders drop in relief. Tony doesn’t have time to think. He just starts talking, because Bucky looks so haunted, and Tony knows a thing or two about distractions.

They’re still on the roof when the sun comes up., And Bucky has to stop pointing out all the constellations he can remember while Tony fills him in on the new star science he’s missed.

After the roof, something shifts.

Bucky can’t put his finger on exactly what it is, or even when it happens. But that one stilted conversation about the stars becomes less stilted conversations about whatever’s on TV becomes friendly debates about the merits of different toppings as they make pizza at midnight.

Before Bucky knows it, he feels like he’s home.

He finds a groove with his new life and starts branching out, starts connecting with the rest of the team. He’d almost forgotten what it felt like to be a person. To actually interact when he passes people in the hallway and eat with a group.

To be more than a ghost, to be part of something good.

Always though, he gravitates back to Tony. Because Tony actually makes him laugh and it fills a void in his chest Bucky has long gotten used to. Because Tony is always trying to do better and god Bucky wants to learn how.

Because when Tony’s been on an inventing binge, Bucky can trick him into taking a nap by putting on home improvement shows, and it makes Bucky feel like he’s doing something right. The team smirks when they walk in on Tony drooling on his shoulder, but it’s not like that.

He recognizes the look Steve and Natasha start to give him, smug and knowing. And fine, maybe Tony would have been exactly his type, before. But it’s not like that.

Because Bucky is the man who killed his soulmate. He doesn’t let himself think about that kind of thing.

When Bucky decides that he wants to officially join the Avengers, Tony leaps at the chance to make him new gear.

He does the same for the entire team, after all, making sure everyone’s safe. It doesn’t make Bucky special. No matter what the wide grins from Rhodey try to imply.

Tony just loves a challenge, loves the excuse to build something new. So maybe he gets more input from Bucky than anyone else, offers to help Bucky test all the gear on top of team training, but it’s not an excuse to spend more time together. He just sees what Bucky is trying to do, and he’s all too familiar with that struggle.

Despite the knowing looks from everyone, it doesn’t mean anything that he lets Bucky into the lab to see the prototypes, even if it is Tony’s only place of solitude in the compound. Even if eventually Bucky just hangs out there with him for hours.

Tony keeps telling himself it means nothing.

Watching Bucky try to teach DUM-E checkers is the final straw, though. Warmth fills Tony’s chest so fast and hard that he can’t breathe around it. And he finally admits that maybe it all means something.

But Tony is the man who doesn’t deserve a soulmate, who never even got to meet them. Who’s not sure he’d want to meet them anymore, as guilty as it makes him feel.

Maybe he can’t lie to himself anymore. Maybe he’s completely in love, but Tony knows better than to say anything.

Days spent in the lab with Tony run together in the best possible way. It’s a blur of playing with the bots, watching Tony create the future, and trying to convince him maybe the new reboots of Star Trek do have something to offer.

Bucky knows what a privilege it is to be here, to see Tony at his most relaxed and occasionally unhinged. He tries not to let it go to his head, give him ideas, even though every day he falls more in love. He’s even getting used to the pangs of guilt over the soulmate he should miss.

Until one day they’re watching a movie on the lumpy couch in Tony’s lab. When it’s revealed that Tony called the plot twist from the very beginning, he smirks at Bucky at just the right angle.

Bucky’s heart drops into the floor.

He knows that smirk. He’s seen it a thousand times in a thousand dreams, even if he hasn’t had it in years, he remembers.

And of course it’s Tony, who’s smart and gorgeous, graceful and just the right amount of wicked. Who Bucky already loves so much he can’t breathe sometimes.

Tony, who he still can’t possibly deserve.

So Bucky says nothing, as happy as he thinks he’ll ever be. Tony is here, alive. Bucky’s soulmate is too smart and too tough to die. Bucky gets to watch the way he laughs when their friends do something stupid, to watch Tony’s back in fights while they both try to do better.

He’ll never get to taste the edges of Tony’s smile, but he shoves that aside. Tony is alive. That’s more than enough.

Tony’s first thought when he wakes half-buried under rubble is that he’s officially over alien invasions. The second is that the power of the suit fading in and out, causing the concerned shouting over the comms to cut in and out, is really not helping with his throbbing head.

The aliens swarm into what’s left of the nightclub, stealing his attention before Tony can work up the breath to answer, and all the suit’s questionable power has to go to blasting the ones that get too close. The oversized bug-like soldiers just keep coming, and Tony starts to wonder if he’d be better off ditching the deadweight of the armor.

But he’s not sure he can make a run for it. His head is spinning and he’s dimly aware of blood filling the suit, and the aliens are still coming—

There’s a roar of approaching gunfire and then Bucky is bursting into the destroyed building, wielding a large knife and the only gun Tony has built in years.

And the thing is…Tony knows those movements.

He knows that brutal fighting style, the blank rage in those blue eyes. He recognizes the wrath of the Winter Soldier. He’d been dreaming of it most of his life.

Tony can’t believe he never put it together before, because of course it’s Bucky. Resilient and brave and so kind, Bucky who still deserves so much better than Tony. Of course.

Maybe it’s just easier to recognize him with unconsciousness trying to drag Tony under. Maybe Tony’s already dreaming.

He must be, because suddenly Bucky is leaning over him. His eyes are warm, and scared. Tony doesn’t know this part of the dream, doesn’t know what happens next.

Everything is going black. Tony struggles to find his words, to plead. To beg not to be shoved away again.

Bucky sits unmoving beside Tony’s hospital bed for three days, even though all he wants to do is run.

He saw the recognition in Tony’s eyes, he knows that Tony knows. He wants to leave before Tony asks him to, because what else could Tony want from a soulmate like him?

But that’s not what Tony had said. Tony asked him to stay while sounding so scared, so resigned. Like he knew Bucky wouldn’t and it was already breaking his heart.

So, Bucky stays.

He’s staring at his fists, trying to stop himself from wondering, when the heart monitor starts beeping triple time, giving away that Tony is awake. Bucky jerks his gaze up to meet Tony’s big brown eyes, watches the flashes of fear and hope that go through them.

Bucky knows he must look terrible, hasn’t slept or shaved in days. He’s barely eaten, and he can feel the lines of worry set into his face. But Tony’s still looking at him with something like awe, just because he’s here.

When Tony smiles nervously the wave of hope that crashes over Bucky nearly overwhelms him, could crush him beneath it.

Bucky smiles back.

#my fic #winteriron #starkbucks #bucky/tony #bringing angst to the soulmate party #IM SO EXCITE TO SHAREEEEE

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kandisheek · 8 months ago

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FIC REC WEEK 25 - KIDFIC

Play Date by Akira_of_the_Twilight

Pairing: Bucky/Tony Rating: T Words: 27,186 Tags: De-Aged Tony, Domestic Avengers, Howard Stark's A+ Parenting

Summary: “Forgive me, Captain," FRIDAY said. "I needed a moment to be certain I hadn’t erred, but based on my facial recognition systems, I can safely say that Mr. Barnes and Mr. Wilson have located Tony.” “What the fuck?” Bucky rose to his feet. The kid tried to run, but Sam caught the rugrat and restrained him. “Let me go!” The kid struggled. “My dad isn’t going to pay any ransom. You’re just wasting your time.” Ransom? Facial recognition? Bucky stared at the kid—really looked at his face. Amber eyes, oval face, olive skin, strong but narrow chin, a slightly larger than normal forehead, and a nose somewhere between small and medium in size. “Oh, fuck. Tony?” The tears were back in Tony’s eyes. “Fuck you, you assholes!” He wiggled one arm free and punched Sam in the kneecap.

Reasons why I love it: It's a Winteriron weddiiiiing! I love the team feels in this fic, and kid Tony's hero worship for Steve is so fucking cute. The way he reacts to Bucky at first but slowly comes to trust him is so satisfying to read because it feels completely organic. And Tony's whole backstory with Howard just tears at my heartstrings. Generally, this fic is super well-written, especially the dialogue. I love it so much, and I bet you will too, so go ahead and read it!

Childhood is the Kingdom Where Nobody Dies by MemoryDragon

Pairing: Steve/Tony Rating: M Words: 31,765 Tags: De-Aged Tony, Missions, Avengers Family

Summary: Seven-year-old Tony Stark wakes up on a Hydra base, lost, afraid, and alone. He has to overcome his fears before it's too late for the Avengers and Captain America.

Reasons why I love it: The team is so fucking adorable in how they handle Tony. And of course, even when he's de-aged, Tony is a BAMF genius. I especially loved the scene with Coulson and the suits, it's so subtle and yet so impactful. And the aftermath of the mission is so charged with emotion that it stuck with me for a while after I finished the fic. It's incredible, and I hope you give it a shot, if you haven't read it already!

Treading Desire Lines by fohatic

Pairing: Steve/Tony Rating: T Words: 43,749 Tags: Selectively Mute Morgan, Post-Canon Fix-It, Babysitter Steve

Summary: Tony knows that his daughter can be difficult, but he really needs someone to do him a solid when an important opportunity arises. Unfortunately, word is already out: Morgan Stark is a real handful. Never one to shrink from a challenge, Steve steps in, hoping to shift the strained dynamic between him and Tony and having no idea how the course of his life is about to change.

Reasons why I love it: Oh my god, Steve is such husband material in this one. I love the whole set-up with Morgan, and the way Steve handles her is just fantastic. The trust that grows between them is nothing short of beautiful. And how it all leads into Steve and Tony mending their bridges is so sweet. I love this fic so much, and I bet you will too!

#marvel #winteriron #stony #fanfic #a year in fanfic recs #fic rec #fanfic rec #fanfiction recommendation #kidfic

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maukree · 1 hour ago

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Link to part 1 Yay, here we are. Part 2 of my *not quite Civil War (616)—The Messiest Divorce in Superhero History specifically (or Civil War, which is mostly actual Civil War just for this part, with very little winteriron)—where everything gets dark, painful, and incredibly shippable for so many ships. Not gonna lie, the whole point of these posts is for me to catch up before I start working on my MTH fill for the 616-canon-heavy winteriron fic, and also to have a convenient resource to link to if MCU-only fans actually choose to read it and want to know what happened in canon versus what is complete bullshit for my writing pleasure. That said—this event is a goldmine for all kinds of ships. So I’ve snagged the juiciest bits for your reading (and thirsting) pleasure because every ship is valid, and I don’t discriminate. (Though, I have my favorites, so they’re gonna stand out.) Now—Tumblr has a 30-image limit per post, and I am not about to split Civil War into multiple parts here, so there is a lot of ground to cover in this. There will be more parts after this, so you get one post for Civil War specially, with as much crammed into it as I can, laid out as simply as possible—for me, and hopefully for you too. P.S. While my cover image lists the overall timeline and which series I discuss in terms of winteriron, Civil War and this part here hits the fan right smack in the middle of Captain America and The Invincible Iron Man (they each get a few issues inside), but there’s a lot of other crap happening too elsewhere. I’m not about to unpack every superhero’s massive tie-in series here in equal detail, but I will mention others before the first BIG fight and how they pertain to Tony, Bucky, Steve and Peter—because, obviously, that’s who we’re here for, and Peter is in the middle... 'cause he is kind of important here. If you want the full, issue-by-issue breakdown of every tie-in, crossover, and emotional kick in the nuts that happened, and you didn’t like the five-hour video I sent you to in Part 1, Marvel’s got you covered with their Complete Guide to the Civil War Event (or which order to read it at, which I am following here, sort of.) *visuals are after each arc/issue covered. Fair warning: this has a lot of food for irondad or starker, but this is canon, so just deal with it. K, click that Read More button, and let’s goooo into “holy shit, why are they like this?”

What triggered Civil War for real / Was used as an excuse for registration? Basically, the U.S. government has been side-eyeing caped vigilantes for years—tolerating their sometimes helpful, sometimes catastrophic crime-fighting because, well, they weren’t technically employees. Things had been escalating for a while, but the final straw was when a group of young, reality-TV-era superheroes (The New Warriors) tried to do their thing, and—shocker—it went terribly. Some guy called Nitro (not part of the New Warriors, just a villain doing villain things) exploded next to an elementary school during a fight with that chirpy young group, killing over 600 people, including a lot of kids. There was a national outrage, and nothing gets the government’s attention quite like untrained superhumans causing massive collateral damage in broad daylight that people complain about. Suddenly, Congress, the media, and your grandma had an opinion on whether superheroes should be running around unchecked, which has resulted in the Superhuman Registration Act (SRA)—which most people are probably more familiar with from the X-Men movies and whatnot (where it was basically “Mutants, go register”), or as the comic book equivalent of the Sokovia Accords in the MCU. The SRA demanded that all superheroes:

Reveal their identities.

Undergo training.

Operate under official oversight.

Which… totally sounded reasonable to some people. But only some people. Sure, about half of the superhero community saw it as necessary law and order, but the other half saw it as the death of personal freedom. And that is how this Marvel Civil War came about in the comics. (They did have a second one waaaay later, but I am not getting into that.) The easy comparison with MCU here is:

Team Pro-Registration (led by Tony).

Team Anti-Registration (led by Steve).

Where it gets VERY different:

It has very little (nothing, but he's around) to do with Bucky.

It's long.

A lot of people are involved.

Fighters on each side die.

It gets twisted and very much downhill from here as far as Tony's bromance with Steve goes (or on the up, depends on how much you like your angst). And, yes, there is a possibility some of the characters would've remained alive (but, like, a lot of Marvel characters die and come back even more often in the comic books) if Tony and Steve had just fucked it out, honestly. The Amazing Spider-Man (1999): Mr. Parker Goes to Washington (#529-531) (Not actually released in 1999—the series itself started in 1999. Marvel’s way of naming shit and constantly renaming it will break your head, I swear.) This specific three-parter covers Tony dragging Peter into the most emotional relationship drama to ever drama. For clarity (and because I think I’m too funny and can’t resist commenting along), while Civil War is gearing up, Tony starts making deeply emotional decisions under the guise of strategy, and his first move is to recruit Peter and make sure he is on his side. Because obviously, if you’re about to start a massively controversial government-backed superhero initiative, the first person you want in your corner is the kid with no money, another tragic backstory, the worst luck in the history of caped crusading, but a very good sense of right and wrong. At this point in the timeline, Peter is living with Tony in the Avenger's tower, Tony is already acting like his chaotic billionaire stepdad while Peter is hitting it off with the Avengers on the daily. For real, Peter even calls him “Dad” once or twice, although mostly, he calls him “boss” and, what, do you know, he is actually his intern. MJ is staying with Peter, but you can ignore that. So what actually happens here relevant to Civil War beginnings: Tony takes Peter to Washington, D.C., where he’s testifying before Congress about superhero accountability. While in D.C., Tony gives Peter a new version of the Iron Spider suit (like two days after another new version ’cause he can’t stop spoiling him or, like, gearing him up for war or something, idk...) and starts laying the groundwork for making him his right-hand. There are a lot of father/son vibes, mentor/protégé vibes, and if you’re reading this through a Starker lens, well—Tony spends a lot of time complimenting Peter, and putting a hell of a lot of emotional weight on his presence.

Fact: Tony genuinely cares about Peter in here (not looking at it through starker lens right now, trying to think winteriron long game here), but he’s also desperate for allies as the political pressure builds. Because Peter is not just a good boy for Tony but good in general, he is clearly conflicted from the beginning about the government stepping in to control superheroes, but Tony reassures him that it’s the right thing to do and that he is actually working on stalling it and making sure it stays under control (he is being hella shady). Peter also trusts Tony implicitly (big mistake, buddy), and because this is the road to Civil War and not just Fun Congressional Trips With Tony and Pete, we also get some early signs of how badly this is going to go for everyone involved. So, Peter backs Tony up (as Peter, hiding his identity and later as Spider-Man, refusing to reveal his identity at the meeting), showing loyalty to Tony despite his own lingering doubts. This whole arc is really about Tony starting to make moves to secure the Pro-Registration side, and Peter—bless him—doesn’t fully grasp what he’s getting into yet. This is an awesome arc to read for anyone who likes Tony and Peter in any capacity, but it’s so clear that Tony doesn’t just care about Peter here—he needs him. He is also the guy who will, very soon, break Peter’s heart, and it’s very gutting. Like, they kick the whole event off with this, and you can feel your heart bleed in advance. Why this Matters for Civil War: Tony starts Civil War with Peter at his side, which will make it all the more painful when it inevitably falls apart. Peter’s trust in Tony is absolute at this point, and that will change—violently. Tony also secretly hires a bad guy to attack them in D.C. to make a point, and this should really be one of the many signs on how seriously Tony's starting here from the very beginning.

In Fantastic Four #536-537, Thor’s hammer crash-lands on Earth. This is a big deal because, at this point, Thor is still MIA (doing his own godly nonsense somewhere and starring in his own comics), and everyone is trying to get their hands on his nutcracker. Naturally, Doctor Doom shows up, because if something cool falls from the sky, he’s contractually obligated to try and steal it. The reason the hammer is important is because Reed Richards is around for this, so while he’s not fully immersed in Civil War beginnings yet, he’s about to be. Also, Thor and his hammer specifically play a massive part in Civil War (stick a pin in that mental note). Doom doesn’t get the hammer, obviously, it just chills there because nobody can lift it. Following the Fantastic Four issues (but also technically happening before them—just go with it), we have New Avengers: Illuminati (2006) #1, which is basically a bunch of rich, powerful men sitting in a room and making decisions that will screw over everyone else. This issue gives us the Illuminati’s response to the SRA, aka a lot of self-important posturing. The Illuminati (Tony, Reed Richards, Namor, Doctor Strange, Black Bolt, and Charles Xavier) gather to discuss how this whole registration thing is about to go down. And—shocker—they do not agree. Everyone except Reed and Tony, who tend to agree on more things than people give them credit for, thinks that the SRA is a massive disaster waiting to happen. T'Challa is there too, and while he loves being complemented on how pretty his country is, he still tells them to fuck off. Politely. Namor flips off Tony too and nearly drowns him. It's a cool action sequence. So, nothing too exciting, but good to know. That said, this is side content I don’t personally care about, but will splash in here and there for basic understanding as needed, and not spend image limit on it (unless it extra cool).

Civil War (2006) #1 This is where things aren’t just leading to the breakup of Tony and Steve—this is where everything fully hits the fan. I’ve already covered the tragedy and the public outrage/last trigger for SRA, but let’s talk about a lovely parallel happening in the aftermath. During the funeral for the folks who died, Tony gets spit on. A grieving mother blames him personally for the deaths of all those children, since he's kinda bankrolling Avengers and stuff, and while Tony was not even remotely involved in this paticular Nitro-exploding and killing kids mess—just the cleanup—he takes it HARD. (Yeah, remember how badly he took everything in the movies? It's worse in the comics, and the woman is aggressive about it.) And regardless of whether it’s comic books or movies, if there’s one thing Tony cannot handle, it’s being told that his inaction led to innocent people dying. This is where his shady, kind-of-sorta “leaning” into supporting registration cements itself into a full send. Unfortunately for both sides of this war, Fury is nowhere to be found to smack some sense into people, because he pissed off the U.S. government (again) and is currently persona non grata. So instead, Maria Hill is running S.H.I.E.L.D, calls in Steve for a little chat, while a bunch of other heroes are off in various places having their “Should we let the government own our asses?” powwows. Hill, naturally, expects Steve to be the poster boy for the Superhuman Registration Act, because, you know, Captain America = America, right? Big mistake. Huge. I don’t know if it’s the way she talks to him in her “I’m in charge now, shut up and do what I say” tone, or the fact that she basically says, “Hey, so here’s the deal—there’s a new law coming down. You’re going to help us enforce it, and we’re going to use S.H.I.E.L.D. to make sure every superhero signs up. Cool? Cool.” Either way, Steve's response is HELL NO. Hill, in her usual charming manner, reacts to being blown off by trying to arrest him. Which is hilarious. Steve then proceeds to beat the crap out of some S.H.I.E.L.D. agents, escape the Helicarrier, and go underground. But not to hang out with Fury who pops up at a later stage. Just underground, officially becoming the face of the Anti-Registration movement. Now, I’m probably not being fair to Hill (I actually do like her), but I am also Switzerland when it comes to comic book Civil War (and MCU Civil War), because both Tony and Steve are being absolute fucking idiots about literally everything in either canon. Frankly, Bucky is the only smart one when this takes place, and mostly 'cause he’s nowhere to be seen yet after ghosting Steve in London. He’s out there somewhere, probably drinking whiskey in a safe house, brooding about his past crimes, cleaning his guns, and for now busy NOT giving a single fuck about what's going on. While the love of his life that he hasn’t met yet (reminder: this is a winteriron timeline) is going out of his way to become the most hated man in the superhero community. Sad.

She-Hulk (2005) #8 is mostly a pointless tie-in to Civil War in the context of what I am trying to do here, but we do get a peek at Tony’s methods and how he’s running his “Collect ’Em All” campaign for Pro-Registration allies. Jennifer Walters (She-Hulk), has a bunch of things going on somewhat related to the main event, but the only one you need to know here is that Tony makes an appearance to give her information she needs for a case she is working on—“for free, not asking for anything, no strings attached” of course (which, lol, sure, Tony). This is a good look at how Tony operates. He’s not exactly strong-arming people right away, but you’d have to be blind not to pick up on the “Pick a side or get picked for one” vibes. In general, his methods vary through the Civil War, but you have to give it to him, he is very creative and approaches each person in a wickedly unique way. Crafty. He's crafty. In Wolverine (2003) #42, Logan is seen catching some heat and getting the “You’re not welcome here anymore” treatment from randoms, demonstrating how the baseline folks are reacting to what’s going on (although, when does he not get this heat, honestly?). He gets into a few debates with fellow supers about how the SRA is giving Nazi vibes, all while side-eyeing the Sentinel parked outside the X-Mansion pretending to be a lawn ornament and suspecting it’s not actually there for their “safety”. Wolverine isn’t my favorite in general, but he slaps in this, because instead of sitting around and yapping about whose side he’s on, he’s one of the few people actually making sense and decides that Nitro—the asshole who kickstarted this and exploded all over the place, killing all the people—hasn’t been rolled over by an avenging tank yet and it should probably be done. Right? The man has a point. Avengers. Tony tells him to drop it because “we have bigger problems”, but Logan is like “Yeah, nah” and sets off on a mission to gut Nitro with a fork (or, well, six of them), since someone here has priorities and actually takes being an Avenger (which he has been for a few months only tbh) seriously. I am not gonna talk about Wolverine much after this, so feel free to hunt down his issues on your own.

Amazing Spider-Man (1999) #532 This is one of my favorite issues, honestly, because this is the moment Tony asks Peter for everything, and Peter realizes what his loyalty to Tony actually means. In short, they visit the White House together (Tony brings him along to all the cool places, as you can see), and Peter’s life as he knows it gets irreversibly fed. This issue is a massive turning point because Tony wants a lot. And I mean, a lot. Up until this point, every time Spider-Man’s identity has been revealed, it’s been because a villain unmasked him—never voluntarily. But now, with the SRA officially getting signed by the president, the rules are clear: If you don’t register, you and your entire family become fugitives. Your assets will be confiscated, your safety will be gone, your life will be over, etc. AND if you do sign up, you might also have to snitch on others and hunt them down. Like… tough. Very tough. Tony, being the dramatic bastard that he is, casually admits to the President that he is Iron Man right there in the Oval Office, while Peter is completely missing this historic moment because he’s looking for a bathroom, checking out Secret Service agents, and admiring priceless art. (I respect his priorities.) Then comes the Big Ask. Tony wants Peter to do the same—to stand beside him and publicly reveal that he is Spider-Man to the world. Peter, reasonably, is not down for this plan at all initially, but Tony, ever the master manipulator with a heart, leaves Peter with a choice. (Sort of. Which is really no choice at all, if you think about it, since, if Peter refuses, his entire life crumbles.) MJ and Aunt May (especially May) help him process the decision, and while they ultimately support him, Peter himself is still torn right up until the last second. Even when he’s about to go to Tony with a YES, he still considers running. He even makes the arrangements to run, but doesn’t. The issue ends with Tony and Peter standing side by side at a podium, about to make this announcement. This issue slaps for both irondad and starker, honestly.

Civil War: Front Line (2006) #1 While superheroes are busy picking sides, Front Line follows the journalists stuck in the middle, trying to cover this mess—specifically Ben Urich (Daily Bugle, professional shit-stirrer) and Sally Floyd (indie journalist, professional snarker). The two of them are trying to make sense of the SRA fallout, tracking how the government is spinning the Stamford disaster (all those dead kids). In the same issue, Speedball—one of the good guys who accidentally got a school full of kids blown up when he was fighting Nitro—gets arrested, which is awkward as hell and also the first time on the page where someone flashes their S.H.I.E.L.D. badge to start arrests, signaling that things are starting to get really serious. Speedball has a VERY bad time after his arrest and is often used to remind us all that the places where supers who didn't fall in line go are not a spa. At all. Since this is essentially a press room issue, it ends with the reveal of Tony’s identity—that same press conference where we last left him with Peter. And LOL, DUDE, you do not begin this shit with “Hello. I am Tony Stark, and I am an alcoholic.” This. Is. What. He. Says. YES. While Peter is next to him, shaking in his boots and waiting for his very private life get gutted into pieces to support Tony's agenda.

Civil War (2006) #2 Following the first arrest, things are properly rolling downhill now. More arrests, the first betrayals, and the first real punches are about to happen. Tony, still fully committed to the government’s golden boy arc, is working with S.H.I.E.L.D. to form his superhero task force to hunt down the noncompliant capes. Steve has been AWOL since flipping off Hill but there is a resistance going on. I mean… it sounds good, right? For now, Tony looks like a total dick, and Steve is the hero. As a note, however, Tony is not being a complete blind asshole here, and does struggle with hoping they are doing the right thing just before SRA officially becomes law. Because comics don’t release in a neat timeline, the end of this issue is also where we get some lovely art of Peter unmasking during that press conference (the art shifts between comics, enjoy it and deal with it).

At this point, Civil War is fully spiraling, and the “oh shit, this is getting worse” moments are stacking up. In Thunderbolts (2006) #103, Tony and his team sign up the Thunderbolts—a group of villains-turned-government-enforcers (not to be confused with the MCU version, and no, Bucky is not here yet). And what is their job is to hunt down villain holdouts and then recruiting them to hunt down more holdouts. Yes, the plan is literally “let’s get criminals to enforce the law.” Things are just getting plain weird and scary and in Civil War: Front Line (2006) #2, the press and civilians are starting to get real nervous about how Tony is taking down people who used to be on the side of good with very little prejudice for not complying. Essentially, the whole “this is about protecting people” argument is starting to look flimsy AF when actual normal people are watching buildings collapse and their heroes get thrown into Superhero Guantanamo. Nobody is having a good time at this stage, but, to lighten the mood, Peter gets fired from the Daily Bugle via headline: “YOU’RE FIRED!”

New Avengers (2004) #21 is where we properly get into Steve’s headspace, and IT IS HILARIOUS. This issue is basically Steve being alone and sad after flipping off Maria Hill and instantly regretting everything, including his own existence. He angsts for most of it, because of course he does, and at some point, Bucky makes a 0.5-second flashback appearance, because it wouldn’t be a Steve issue if he wasn’t feeling sorry for himself and reminiscing about people he’s lost. The vibe here is “I should draw my feelings or write a book” (multiple panels on him trying to do that), but instead of actually dealing with his trauma of being a fugitive, which he is very upset about, he just… keeps brooding. Then S.H.I.E.L.D. sends Dum Dum Dugan to bring Steve in, and that’s when the paranoia kicks in. Suddenly, Steve is feeling betrayal from all angles (fair), and even Falcon catches some suspicion, even though they are best buds in this, since Bucky is out there gallivanting somewhere, not getting involved yet. After Steve and Falcon reunite, they set off on a noble quest titled: “Let’s Make Civil War About Peter Parker, Because He’s the First Pick for Everyone.” They gently stalk Peter to see if he’d be down to join Team Cap, but they are very late. Steve is devastated, because Peter once called him cute, and now Peter is already firmly on Tony’s side, kinda-sorta-but-actually-yes. And if that wasn’t enough betrayal for one issue, Hank Pym tries to help S.H.I.E.L.D. to arrest Cap, which really just solidifies the whole “Steve is having the worst week of his life” situation. Maybe if Steve had actually talked to Peter instead of stalking him, Peter would have called him cute again, and Civil War would have ended right there, since our sunshine babydoll can make everyone see light. But alas.

As you probably picked up on already, Peter is right smack in the middle of this, as mentioned about 10,000 times. In Amazing Spider-Man (1999) #533, they fully cover how much his life went to absolute shit after that press conference. It wasn’t just getting fired. Everyone wants a piece of him now. Some people want to kill him, a lot of people want to fuck him, and the internet is absolutely losing its collective mind. (For real—his unmasking breaks the internet, including the porn sites. FACTS.) At the same time, Peter is deeply uneasy about everything, and Tony is “comforting” him while simultaneously sharpening his betrayal knife. The same knife where Tony does not ASK Peter if he wants to be part of his superhero-hunting strike force and instead, he just signs him up publicly without permission. Peter, already on his WTF is going on subplot, doesn’t even get time to process any of this properly before Tony cranks the drama to 11, piling on on top of his little 'favor' to reveal his identity and says: “Hold my beer, meet your new teammates, and get ready—because the dying is about to fucking start tomorrow.” Whelp.

Things don’t actually escalate to full-on hero-on-hero-we-give-a-crap-about murder aka THE BIG WTF MOMENT just yet (patience), but people are getting hurt just for trying to not pick a side, and crime is skyrocketing because, shockingly, when heroes are too busy planning on punching each other, villains thrive. In Fantastic Four (1998) #538 Johnny is in a coma because a mob beat him within an inch of his life just for existing as a super, the Fantastic Four are already crumbling and even Reed’s own family thinks he’s being a dick. (And they are correct.) He is so firmly on Tony’s side that it’s almost embarrassing, and I suspect some consensual touching is involved to be this stupidly on board with Tony, but I digress here too, since I don’t even know if this is a ship. There’s some setup happening for later events, but we’re not going Mariana Trench deep here, so let’s move on. Oh, someone does pick up Thor’s hammer. I wonder who that is. Over in Civil War: Front Line (2006) #3, the press is still deep in the trenches, and there is a lot of talking happening. Everyone is talking. Some folks are being interviewed. Nobody is doing shit. It's getting... boring. It's also getting very confusing.

BUT.

We are FINALLY, at least in this ‘brief’ (ah, who the fuck am I kidding here) recap, at the stage where I am mentally prepared to talk about The Great Civil War Standoff (aka, Please, Just Start Punching Already) and promptly skip to HOLY FUCK NOT THIS MUCH PUNCHING, boooooys, what are you doing??? (I rock myself in the corner.) As mentioned, the whole thing sorta stalls while each side is staring at each other with deep, unspoken yearning, waiting for the BIG fight, while smaller fights start breaking out all over the place. And because event comics are an actual nightmare, I am going to stop talking about the tie-ins here. I’ve set the scene, now just assume there’s a TON of random skirmishes happening, Cap and Spider-Man have already thrown hands (yo, this pretends to be a winteriron timeline, go look for your shippy business elsewhere, I am hungry), a bunch of unimportant extras are getting hurt or worse, and at this point, it’s just Tony vs. Steve and their twisted moral compasses playing an extremely violent game of chicken. I know, I know—I am taking a big skip after I just dropped an obscene amount of lore on you. But listen. Event tie-ins, and I cannot state it enough, are so messy and out of order while… being in order, sorta. You get to one good bit, and then Marvel chucks another 2,000 issues between you and the next good bit, and suddenly, you’re sitting there, waiting for the cliffhanger to be explained while trying to remember why the hell you should care what Quicksilver was doing five minutes before it happened and why you can’t just skip ahead to the yummy shit. Headache material, honestly. So, anyway. The scene has been set. Yay. Civil War is in progress. What we know now and what I am desperately trying to remember here:

Bucky is still in the wind.

Steve’s resistance is being annoying and resisting, but occasionally making sense, gaining traction, and also getting innocent people hurt left and right.

Tony is entering his “I am a very scary man” era and is also getting people hurt left and right, both physically and emotionally.

Peter is still with Tony but is having a minor existential crisis every five minutes on the account of emotional hurt, and barely any other Marvel issue in this timeline doesn't have an opinion on why he is still with Tony, is he sucking his dick or what, 'thought he was the good guy'/'ah yeah, this is why Tony needed him', etc.

The X-Men are staying out of it, mostly, because they’ve seen this movie before.

Deadpool and Cable, as well as about a gazillion other supers, have their own shit going on, but I refuse to get into that.

The Thunderbolts are being shady, surprise surprise, and they only get an honorable mention here ‘cause I’ve mentioned them earlier to demonstrate Tony’s spiral into being not just a bit of an asshole but very much an asshole.

Reed is so into Tony that he’s about to do something crazy. (I don’t even know if the touching is consensual at this point, since he is absolutely whipped by Tony, and it stinks of Stockholm syndrome.) So, now that we have decided on where we are and had a cup of tea/smoke, let’s have a look at the actual Civil War issues as they proceed, Captain America Civil War issues and Iron Man issues, skip a bunch of other important shit after, but ultimately, get to where we need to be before Part 3 of me posting (some other day) because I want to talk about Tony and Bucky and not about Civil War.

Civil War (2006) #3 Alright, we are finally here, because Civil War #3 is where shit gets real. Tony, being the tactical genius and emotionally constipated mess that he is, decides that it’s time to spring a trap on Team Cap. He and his Pro-Reg team set up a fake distress call because Steve is Steve, and if there’s even the slightest chance someone needs saving, he’s gonna show up. Boom. Steve does, of course, and Steve and his Underground Resistance walk straight into it. This finally gives us the most tense superhero standoff so far, with S.H.I.E.L.D. hovering overhead, a ton of supers on both sides locked, loaded, and ready to throw hands, and Peter right in the middle, not knowing how the fuck he got stuck with this lot. Tony, to his credit, tries to be the adult here. He actually reaches out, extends an olive branch, and tries to talk some sense into Steve before this escalates into full-out war (okay, okay, he tells him to chill the fuck out and comply, in slightly different words, but there is an actual amnesty Tony has worked out if Steve goes willingly, so he did try). Steve, being the absolute icon of stubbornness that he is, nods. Agrees to talk, at least. And immediately tries to take Tony down using some sneaky tech. Which gives us Tony vs. Steve, and it is GLORIOUS. These two beat the absolute crap out of each other, while everyone else on their respective teams also starts brawling (dozens/hundreds), with caped bodies flying, punches being thrown, and Peter still mostly blinking, but also fighting, while being upset that he failed to mediate between his two extremely stupid super dads and is not enjoying the whole “exhausted child of divorce” role they’ve been trying to pin on him. The fight between Tony and Steve is brutal, but Tony actually has an edge, since he’s Extremis-enhanced, a tech genius, years ahead in strategy, bla-bla-bla—so Steve is struggling. It goes on for a while, this fight, and then, the cliffhanger to end all cliffhangers. Because Thor (codename “Lightning”—this is important) shows up to backup Team Tony. Which shouldn’t be a big deal, right? We suspected it, since hammer and all, but... christ.

Civil War #4 is where we go from “Oh shit” to “OH FUCK NO.” The Thor that shows up at the end of Civil War #3 is not… actually Thor? Only in comic books, folks, since he’s a clone that Tony, Reed, and Hank Pym cooked up in a lab. While Team Cap is a bit shook, (they take Thor being a god of thunder seriously, he’s also been presumed dead for ages), Tony is trying to get Steve to give up, but Steve is having none of it. It seems largely (ha!) in favor of Team Tony right now, until Goliath (a massive giant person, can shrink down, used to be buddies with Thor, actually) shows up for Team Cap and Thor… kills the fuck out of his nice buddy, making everyone, Tony included, freeze in a “what the actual fuck just happened?” terror, since innocents getting hurt and extras getting hurt are sorta… whatever, but this is one of their own, technically, biting it. Team Cap calls for a retreat, very shook, and Reed’s Sue Storm is the first important superhero to straight-up bail on the Pro-Registration side right this moment because she is DONE with this bullshit and with Reed, who has been such an asshole to Fantastic Four, honestly—not giving a crap about Johnny being in a coma and possibly (at the very least emotionally) cheating on her with Tony. Sue is so done that she shields Team Cap long enough for them to get away, and after the fight writes Reed a dramatic “I’m leaving you, please feed yourself, there’s oily fish” note, and takes Johnny (who is no longer in a coma, yay!) with her to fight the good fight, or a fight, as long as it's not on Reed's side. And on both sides, folks on the sideline are starting to really question leadership and what kind of fight it really is. Peter is actually asking, “Wait… are we the baddies?” having massive doubts about Tony, and Steve doesn’t seem to give a shit how many of his friends get hurt, and it’s all very fucking gutting and not even a little funny. In general, this looks bad for both Steve and Tony, because Steve is throwing his side against Tony’s like cannon fodder and doesn’t seem to listen to anyone’s opinions on the fact that amnesty is at least worth discussing at this point, and Tony is after causing massive (ha!) death with a faulty clone, so a lot of superheroes are—if not outright bailing and changing sides now—at least considering it. Tony actually pays for Goliath’s funeral, since he was a cool guy and didn’t shrink down after dying. Had to buy him a massive amount of plots because, well… giant. Has a gutting interaction with his widow that tries to remind him what Tony is doing this for to begin with. For me this is a very important issue for Tony's character in this. He pays for Goliath’s funeral, because that’s who Tony is—he genuinely does care. But instead of acknowledging that this is the moment to stop, to rethink, to pull back, he keeps going, because, sadly, caring doesn’t stop him from marching forward and getting deeper and deeper into this.

Captain America (2004) #22 – The One Where Steve Gets Laid (and Sharon Gets Therapy for related reasons)

While Tony and Steve are busy emotionally wrecking each other on a public stage, we take a brief (very) detour into the mess that is Steve Rogers’ love life. Hill, who has been on a power trip ever since Fury went underground, decides that since Steve is still out there resisting like a stubborn bastard, someone needs to bring him in. And who better than his kinda-ex, kinda-current, definitely-in-love-with-him S.H.I.E.L.D. agent girlfriend?

Sharon is not thrilled because she’s really not here for the double standards. Like, Tony liaises (👀) with half of the superhero community, according to her, and the better half of S.H.I.E.L.D and nobody gives him shit, but the moment she has a little love crisis and starts questioning where her loyalty actually lies, suddenly, it’s a whole thing.

But fine. Mission accepted.

Sharon sets out to “bring Steve in”—by which I mean she tracks him down, immediately bangs him, and then quotes dead presidents at him in the post-coital glow. And because it's also Steve's love language, he also starts quoting dead presidents back. (If you’ve ever wondered what Steve’s pillow talk is like, now you know.)

Now, in case you were still wondering whether Sharon is truly down bad for Steve, let’s talk about how she sabotaged her own mission by giving the strike team (cape-killers) the wrong address. On purpose. So she could a) bang Steve and b) display her undying passion for those dead president quotes.

And this is why Sharon is in therapy. Because, as it turns out, this is not how S.H.I.E.L.D. traditionally deals with traitors.

For those who remember what I talked about in Part 1 of this pre-civil war, here is something: Red Skull and Lukin are still out there, watching all of this unfold like it’s their personal Netflix binge, and they are THRIVING. They love that the heroes who should be stopping them are too busy punching each other instead. And because they are absolute dickheads, they are also actively manipulating Sharon’s emotions to make her feelings for Steve even stronger.

(Which explains the banging. Though, let’s be honest—she was into it.)

Amazing Spider-Man (1999) #535 (and half of the next Spider-Man-specific issue, sorta) – The One Where Tony Officially Breaks Peter’s Heart (And Ours) Alright, kids, this is it, and you should be thankful I made you crack a smile over dead presidents (hopefully), because this is crying-level shit.

This is where Peter starts realizing that maybe, just maybe, signing up with Tony was a colossal fucking mistake— and not just sorta feeling it.

Tony, still deeply entrenched in his “I Am the Government Now” phase, still has a soft spot for Peter (awww, tragic) and when Peter demands to see where the prisoners he is bringing in and not loving it are kept, Tony decides that it’s time to give Peter the full tour of the Negative Zone prison (a very dodgy place, tbh).

And our science nerd, all-around good guy, man with a conscience—takes one look at the absolute nightmare Tony has built and goes, “Wait. What the actual fuck is this? You can't be serious.” Tony: “Oh, yeah, this? This is where we’re locking up heroes who don’t register. Indefinitely. Without trial. In a literal alternate dimension, so no lawyer can ever get them out.” Peter, blinking hard, possibly resisting the urge to throw up: “…Excuse me?” Peter tries to confront Tony about it, he does, but very quickly catches on that Tony is not above implying he can do the same to him. Which is… whelp.

The whole conversation goes something like this, if you want a slightly longer version (see visuals for the full one): Peter: “Hey, Tony, quick question—what the fuck?” Tony: “Ah, Peter, my boy, don’t worry about it, this is for the greater good.” Peter: “The greater good? Again, what the fuck?” Tony: “You’re being dramatic.” Peter: “Am I? Am I though?” Tony: “Peter…” Peter: “Dad?” (happens) Tony promptly tries to ship Peter off on some other business to get him to cool off, but Peter is finally on board with the fact that this man has cracked, and he no longer feels safe around him. He doesn't even trusts MJ and Aunt May with Tony anymore (threats have been made) and tries to take them and go on the run. And then… He and Tony end up exchanging punches. God, it’s so bad and upsetting, you have no idea. I have no jokes for this, and ship it, don’t ship it, but this is the ultimate betrayal on Tony’s part. Peter is falling apart after, barely escaping, not knowing where to go, and Tony… is also feeling heartbroken, equally as gutted. I’m gonna leave this here for now, since we need to go into some other issues before we continue with this plotline. But you get me, yes? I need tissues when I think about this.

Captain America (2004) #23 - BUCKY!

Alright, everyone, take a deep breath. We are finally getting to the Bucky part of this winteriron timeline.

Bucky is officially entering the chat, and he is looking DAMN FINE while doing it, got a new hair-dew + arm and everything. He also has a lot of feelings while breaking into a S.H.I.E.L.D. facility to pull some spy shit for Fury, because of course he is, and I am devastated I am running out of image limit here soon.

He’s absolutely judging Steve for leading a resistance movement and somehow not inviting him... and sorta doing it the way he's doing it.

He’s also side-eyeing Tony for being a government stooge, even though that’s neither here nor there, since they don’t actually know each other at all (yet), but awareness is awareness, and it still doesn’t stop him from forming an opinion.

Bucky is, in fact, just generally pissed. And sexy. Always sexy. But the best part—and why Bucky really should be shaking hands with Peter here (another shoutout to winterspider)—is that Bucky is watching Steve and Tony’s breakup in real-time and judging both of them.

His basic thoughts on the matter boil down to “Wow, I left you two alone for five minutes, and this is what happens?” since while Steve and Tony are out here making Civil War everyone’s problem, Bucky is off-screen, forced into being hot and competent, actually doing something productive by hunting real villains.

He has zero actual desire to get involved in the war itself, though he does seem to be more pro-Steve, obviously, and is way more concerned about Red Skull and Lukin than he is about whatever the hell Steve and Tony are doing.

Speaking of villains, Red Skull, who we find out is using Doom’s tech but not actually working with him, is under the impression that the whole Civil War was his big, evil, successful plan. (It wasn’t, everyone contributed, but let’s humor him.)

On the slightly more angsty side—because Bucky never misses an opportunity for angst, picked it up from Steve—he does blame himself a little bit for Civil War, since some of the shit he did when he first got defrosted was cited as part of the long-ass list of “Why the SRA Needs to Exist.” Not that he’s spiraling over it, but he’s self-aware enough to recognize he helped fuel the fire. But mostly, he’s doing what Bucky kicks ass at—being hot in shadows, judging everyone, avoiding Steve’s nonsense, avoiding Tony’s nonsense, and handling actual problems. God, I want his babies.

Civil War (2006) #5

Where we swing back to Tony being a massive dick about almost everything—except for the fact that he loves Peter, one way or another.

At this point, they are sorta in the process of arguing/fighting (there is some timeline overlap), Peter is trying to run away from him, and when S.H.I.E.L.D. is about to take it too far, Tony absolutely panics because he cannot see Peter hurt.

But Peter is now technically a fugitive, and Tony’s side has recruited some deeply unhinged people, so it’s open season on Spidey, with very specific instructions that Peter is to be brought in alive and unharmed—no matter what.

That would have been great… except Peter is now running on pure panic and heartbreak, immediately realizes he is completely fucked, ends up in a stinky sewer, and gets his ass kicked into next week.

He almost dies but gets saved by Punisher of all people, who promptly brings him to Steve and the Resistance (where Sue and Johnny are pretending to be a married couple for a mission, which is weird—let’s not talk about it).

Meanwhile, Tony is spiraling. Again.

His entire strategy is falling apart, Sue Storm has already dumped Reed over this bullshit war, Steve is still out there leading his resistance, and now his own protégé—his son in all but name—has turned against him.

Tony is visibly wrecked over Peter’s defection, but since he has the emotional processing skills of a brick, he just channels all that heartbreak into “fine, let’s get Daredevil arrested next” energy, which he does—for which he is given a piece of silver and called Judas. (Brutal.)

That’s not to say Tony doesn’t care. He very clearly does, and this issue makes it obvious that he still sees Peter as a kid who needs protection, even when Peter himself doesn’t want it. But his way of showing it is, unfortunately, locking up Peter’s friends in a pocket dimension and putting a hit out on him (technically), so, uh… yeah.

Meanwhile, Steve is also getting more extreme, starting to questionably recruit people he normally wouldn’t, and letting Punisher into his little rebellion. (Which is definitely going to end well. Totally.) He is also over the moon Peter is on his side now and announces it to the others while... Peter is still unconscious. Now tell me both Steve and Tony are not simply fighting here over who gets to read him a bedtime story? Come on.

The Invincible Iron Man (2004) #13 & Amazing Spider-Man (1999) #536: (Tony’s Possible Career Change & Peter’s “Fuck You” Tour)

Alright, so The Invincible Iron Man (2004) #13 is technically Tony’s first solo Civil War issue, but fuck all actually happens.

It’s mostly a lot of “Tony, what the fuck are we doing?” meetings, brooding with some old friends, chatting to Happy while being deeply unhappy, and simultaneously spiraling, yet still, and committing war crimes in the name of national security. (Multitasking, sure.)

But one major thing does happen here, and while it’s just an offer at this point, it’s HUGE:

They start floating the idea of Tony taking over as Director of S.H.I.E.L.D.

At this point, S.H.I.E.L.D. is still running itself into the ground under Maria Hill’s special brand of leadership, but someone suggests that maybe, just maybe, the guy who is single-handedly running the actual show anyway should just be in charge of the whole thing.

And while that doesn’t happen just yet, it changes EVERYTHING for what happens post-Civil War. When it finally comes, is going to be a game-changer for his relationship with Bucky later on. (Yes, we are keeping our winteriron priorities straight, thank you.)

So, while this is happening and I am yawning 'cause Tony's first issue is so fucking underwhelming, in the Amazing Spider-Man (1999) #536, we pick up from Peter’s dramatic escape and near-death sewer experience, and things are finally coming to a head.

Peter, now officially 100% done with Tony’s bullshit, does something that could not be a bigger middle finger if he tried.

He digs out his old, classic Spider-Man suit (because fuck the Iron Spider, fuck you, Tony, I called you Dad unironically, you were my family, WTF), goes on national TV, and gives a full speech dragging the entire SRA, the Civil War, and Tony himself.

And as a helpful reminder here… Peter is not a “friendly neighborhood Spider-Man” in these comic books—he is a fucking legend, a bright, shining beacon of good for so many people (while still a menace to others, of course), and what he says actually matters.

For all of my shippy jokes and the subtext, there is a real reason why both sides want him. And it’s not just because he’s hella adorable and can kick things really hard.

When he talks, people listen. And when he does start talking, he absolutely obliterates the SRA, calls it unconstitutional, publicly calls out the people supporting it, and tells the world that he refuses to be part of it anymore. Tony loses his shit.

Okay, okay, some food for thought here, for once not related to ships I see everywhere (I have a sick mind and you are somehow still reading this, so don't ask me what's wrong with me and I will not ask you what's wrong with you).

Now, before anyone grabs their pitchforks, this is not me defending Tony’s actions (man makes a LOT of mistakes, obviously), but it is also worth remembering that he’s not a total monster here. He genuinely believes that what he’s doing is necessary, and unlike in the MCU where it’s all “let’s get a leash because one building blew up and we might have destroyed a country” the 616 version of Tony actually has a more thought-out (if deeply flawed) reason for being on the Pro-Reg side.

So, what is Tony trying to sell people on here?

Superheroes need to be trained. The trigger event for the SRA was a bunch of untrained, reality-TV-era heroes going up against a villain way out of their league, and as a result, a school full of children exploded. From Tony’s perspective, this was preventable. If these heroes had been properly trained, those kids (and some other people, but I mostly say kids, this is me not being nitty-gritty accurate about everything) wouldn’t be dead. This is not entirely wrong, but his method of fixing it is basically turning superheroes into government employees and locking up anyone who doesn’t comply, which is… less great.

The public has lost trust in superheroes. And Tony, unlike Steve, actually cares about public perception, comes with his brand and all. He sees this as a way to restore faith in the superhero community by offering transparency and accountability. The problem is obviously the way it’s being enforced is, again, deeply flawed and increasingly authoritarian.

The alternative, in his mind, is worse. He is absolutely cracked as far as Peter is concerned (fair), but here’s where Tony’s futurist brain actually screws him over—because he is not wrong when he says that if the superheroes don’t regulate themselves, the government will do it for them, and it’ll be worse. He thinks he’s getting ahead of the inevitable, but instead of negotiating and making sure the law is fair, he enforces it like an actual jackbooted stormtrooper.

So yeah, Tony is still a mess, and he’s still doing a lot of fucked-up things, but his core reasoning isn’t as evil as some people paint it in here and maybe even not as bad as I paint it overall in this recap.

He truly thinks he’s saving lives and making the world safer. He’s just doing it in the most morally questionable, emotionally compromised way possible, and at some point, even he knows it’s spiraling. That doesn’t excuse the Negative Zone prison or bounty hunting his own allies, engaging in shady business and, Jesus Fuck, cloning Thor, but it does explain why he started down this path in the first place. Tony is also on the side of the law and, for the most part, public opinion here (mostly, since actual normal public is scared AF right now). The problem is, the law isn’t always right, and Tony, in all his genius, somehow keeps forgetting that.

Now let’s hop over to Steve (“Oh No, Babe, What Are You Doing?” should be the title of his entire movement) and talk about how his ideals are great but his execution is a trainwreck. Look, Steve is not wrong—but he’s also not right in the way he thinks he is. And the biggest issue with Steve in Civil War is that his entire approach boils down to “Fuck No.” That’s it. No. No compromise. No alternative plan. Just hardcore, unwavering, freedom-loving NO. Steve’s Core Beliefs in Civil War:

"This is about freedom." Steve believes heroes should have the right to make their own choices about when and how they act, and he fundamentally rejects the idea that they should be forced to register. (Fair point, buddy, but maybe think of a Plan B? No? Cool, cool.)

"If the government can force us to do this, what’s next?” Steve has read a history book before and is fully aware that government overreach never stops at just one bad idea. And considering how mutants have already been treated (X-men and mutants are a very persecuted group here), he is not about to wait around and find out what comes next.

“I will not be controlled.” Instead of seeing if there’s a way to meet halfway or at least slow things down, Steve immediately goes, “Fuck this,” ditches his government job, and starts an underground resistance movement.

Which brings us to Steve’s biggest flaw in Civil War. Where Steve Screws Up:

Steve doesn’t even TRY to negotiate. Tony, for all his shady billionaire manipulation tactics, at least pretended to be open to discussion. Steve refused outright. Instead of using his influence to propose a better system when he still absolutely can, he straight-up vanishes into the night like Batman with extra patriotism.

His resistance is a mess. Unlike Tony, who is (somewhat) organizing a structured system, Steve’s team is basically “whoever wants to punch the government in the face” with no real plan beyond “resist.” He takes Punisher in, for crying out loud. There are no rules, no real discussions about alternatives, and no clear path forward with Steve's movement at all. This means his resistance is a bunch of scared, desperate heroes who are putting civilians in danger while trying to evade capture and kinda... all want to go home.

He is willing to let people get hurt for his cause. People are getting hurt left and right, not just his own team but also civilians caught in the crossfire. Instead of adapting or trying to find a smarter way forward, Steve just keeps doubling down, because this man went all-in on a bad bet and refuses to walk away from the table.

He does not listen. To anyone. A lot of people would have been on his side if he had actually tried to talk about a solution instead of running headfirst into a guerrilla war. Even when his own people start to question him, he digs his heels in and refuses to budge. Fuck them and the horse they rode in is basic response to any "Emm... dude?"

Steve vs. Tony: The Real Tragedy

Steve sees Tony as a sellout, Tony sees Steve as reckless and the reality here is that they’re both kind of right.

Steve is fighting for freedom, but his method is chaotic and ultimately very dangerous. Tony is trying to prevent chaos, but his method is authoritarian, ruthless, and deeply problematic. And this is why Civil War is what it is. And why it is a lot more fun than the MCU one, if you properly get into it. At the end of the day, comic book Civil War isn’t just about laws and the SRA—it’s about two men who genuinely believe they’re doing the right thing, both completely incapable of seeing the middle ground. And, well… it all ends in disaster, obviously.

Captain America (2004) #24: In which Steve takes a page out of Bucky's book and punches the right people (for, like, 5 whole seconds) for a change. Finally! A break from all the Civil War emotional trauma to remind us that, yeah, Steve is a hero first, war criminal second. I am gonna guess it’s because we’re getting close to the finish line here (you are nearly free, yay!), so they just had to show Steve fighting someone other than his own friends for once. Progress. For… reasons.

He’s still knee-deep in Civil War Resistance mode, but he remembers for one night that there are actual bad guys in the world and focuses on a real threat: Hydra. (Or Hydra-adjacent assholes. And explosions. Lots of explosions.)

So, in this quick issue, Steve teams up with Sharon, who is now secretly working with Fury (who is still underground being an off-brand James Bond with a cigar budget, doing his own resistance thing much better), and together, they take on some good ol’ Hydra goons. Well, Steve takes on Hydra goons by blowing them up (probably killing them, but let’s just say “off-screen unconsciousness” for the sake of the PG-13 rating), and Sharon rolls in with her flying car to rescue him from S.H.I.E.L.D.

And, oh yeah, Red Skull is still lurking in the background, thriving on the fact that the Civil War is keeping everyone too distracted to stop him. He’s over here cackling like a Scooby-Doo villain, making sure Steve and Tony stay too busy ruining each other’s lives to notice he’s playing puppet master behind the scenes. (Smart move, honestly. Props to him for being the one guy who actually planned his shit out properly.)

Look, the details might be fuzzy (it’s getting late for me here), but the core takeaway is this: Cap is actually being Captain America again for an entire issue—stopping real threats, foiling evil plans, and protecting people instead of just yeeting his side at Tony’s.

The Invincible Iron Man (2004) #14

A good Tony issue following a good Steve issue… I wonder why that is. Not a good issue in the sense that Tony’s thriving—oh no, this man is drowning in consequences—but good in the sense that we finally get a proper deep dive into the emotional wreckage that is Tony Stark, destroyer of friendships, king of bad decisions, and certified government tool (actual fucking tool, honestly, but I love him and he can have Bucky’s babies, though I am not into mpreg).

This issue is actually packed.

Happy is dying in a hospital bed, Steve is still actively resisting arrest, Peter is on a fugitive road trip, and Sue Storm is ready to rip Tony’s head off for ruining her marriage. The government is still offering him more power, because sure, let’s give the stressed-out man on the verge of a breakdown full control over the most powerful intelligence agency on Earth.

Anyhow… not to go into too much detail here, but Tony cannot resist one last chance to talk things out with Steve and arranges a stadium meeting with Cap. You might think, “Oh, good, they’re going to try reasoning with each other like adults!” HAHAHA, NOPE.

The meeting lasts about five seconds before it devolves into a fight, which Steve… starts again. The emotional tension is through the roof, Peter is there too (aww, hurts), and they’re not just fighting over the SRA, they’re fighting over their entire broken relationship. If someone played “It’s Time to Go” by Taylor Swift over this sequence, it would fit perfectly.

Though Tony actually mostly fights with Peter here and still manages to pay him a compliment in the process, giving us hope that not all is lost, which we desperately need. But overall, the whole thing is still a disaster. Life is fully kicking Tony's ass from all directions, the temptation to drown it in whiskey is creeping back in, he is considering hitting the bottle, and… Tony is at a crossroads. He’s losing everyone who ever mattered to him, his side is looking increasingly shady, and the weight of everything is crashing down on him. We actually get some raw, human, vulnerable Tony, instead of just “mustache-twirling villain” Tony. So yeah, finally, a good Tony issue.

In case you were wondering, Peter is in fact fully on team Cap now, not just for the stadium fight, and in the Amazing Spider-Man (1999) #537 still has his morals intact (bless him), and this issue is about reinforcing that.

So, Steve—who is now basically Peter’s new/old father figure, 'sits' him down and hits him with the big speech.

And, my GOD, does he deliver it.

He drops one of the most iconic Captain America monologues in all of comic book history:

“Doesn’t matter what the press says. Doesn’t matter what the politicians or the mob say. Doesn’t matter if the whole country decides that something wrong is something right. This nation was founded on one principle above all else: the requirement that we stand up for what we believe, no matter the odds or the consequences.”

And you just know this wrecks Peter emotionally, because this is exactly the kind of moral backbone that made him idolize heroes in the first place. This is the moment where Peter fully solidifies his stance. He’s not just on Team Cap because he got burned by Tony—he believes in what Steve is saying. Tony is having an emotional crisis over Peter leaving, which I completely understand, and... Peter also throws some flirty one-liners at the Cap, since our babe can't help it.

Civil War (2006) #6 and we are at maximum endgame (ugh, still hurts) mode now.

At this point in the war, neither side is even pretending to be civil despite moments of personal growth, slash remembering who they are, and both Steve and Tony have fully committed to their respective roles as Head of the Underground Resistance (Steve) and CEO of Government Overreach Inc. (Tony).

We start off with Tony and Reed in full villain arc, sipping coffee and talking about how crime rates are dropping (I have no idea how, since all the superheroes are busy beating the shit out of each other instead of fighting crime, but never mind me), and immediately move on to the Punisher deciding today is the day for homicide.

He sneaks into the Baxter Building (as one does) to steal information on “Number 42” which is not Tony’s latest suit model but instead the name for his prison in the Negative Zone where they’re throwing unregistered heroes indefinitely and that caused Peter and Tony to block each other on Facebook.

Totally normal, non-dystopian behavior, nothing to see here.

Sue Storm is out here making power moves too, pulling up to Atlantis and trying to convince Namor to get off his fishy ass and help Team Cap. Namor, in true “I am too sexy to care” fashion, basically shrugs and says, “Surface problems? Sounds like a you problem,” before dramatically flipping his cape and walking away. (Sue, girl, I admire the effort and only mention it, cause you are one of the very few truly likable characters in this Event.)

Back at Team Cap’s HQ, Steve unveils his master plan: an all-out raid on the Negative Zone prison to free their captured allies. The team is hyped, ready for action—until Punisher casually murders two villains in cold blood right in front of everyone because they dared to ask if they could help. Steve, who may be a war criminal but still has standards, absolutely loses it and beats the hell out of Frank before throwing him out of the rebellion.

Tony on his end is having an emotional meeting with Miriam Sharpe (aka, “Tony’s #1 Fan Who Also Made Him Feel Like Shit at That Funeral”). He throws some cash at a pretty garden with angels for the dead kids, she thanks him for all his hard work but also makes it clear that, yeah, this war is costing him everything. (Gee, thanks for the reminder, Miriam, I’m sure Tony didn’t notice he’s lost literally all of his friends by now.)

The issue ends with Steve pulling a classic Uno Reverse Card on Tony. The Pro-Reg forces think they’re about to stomp the rebellion once and for all, but—surprise, bitches!—Team Cap knew there was a mole in their ranks (Ragnarök, I’m looking at you, you Dollar Store Thor knockoff), and they had Hulkling impersonate Hank Pym to sneak in and free all the captured heroes before the fight even starts. So, yeah. Big-ass battle incoming, and I can nearly go to sleep.

Civil War (2006) #7 You’ve made it! (I low-key question if anyone actually did make it this far, but I am very into this now, so…)

This is the big one. The final battle. The moment where all this superhero divorce drama comes to a head, and oh my God, it is so much.

So, after about a million issues of emotional devastation, betrayal, and Peter collecting father figures like infinity stones, we finally get the massive all-out brawl between Team Cap and Team Tony. And when I say massive, I mean half the Marvel Universe is throwing hands in the middle of New York City. Superpowered beings are crashing through buildings, explosions are going off everywhere, and don't ask me why they thought “protecting civilians” and “obliterating the city” were compatible ideas.

Steve and Tony really do go at it like two exes who just found out they were sleeping with the same person (Peter, doll, what are you doing? Kidding, kidding).

Steve is beating the absolute shit out of Tony, and Tony—who is running on the fumes of guilt and exhaustion—lets him.

Because Tony is ready to die. That’s right. Tony, who has been holding onto control like his life depends on it (because it literally does), just gives up, drops the metaphorical gloves, and basically tells Steve: “Go ahead, finish it.”

And Steve almost does.

(Not to draw parallels here, but Bucky tried to pull the same move with him and proceed with murder-kill when he was brainwashed. What's Steve's excuse here?)

Like, Steve almost wins. The Resistance might not have, but Steve does. He is seconds away from beating Tony to actual death in the middle of the nightmare they’ve caused—but then. Civilians. Regular-ass, non-superpowered, completely terrified people tackle Steve to the ground.

They’re not protecting Tony (maybe a little, it's up for debate, see the panels)—they’re stopping Steve. Because holy shit, Steve. Look at what you’ve done. Steve does. Look. And finally sees it.

The destruction, the sheer chaos, the city that’s half in ruins because of this war. He sees the fear in their eyes and realizes that this isn’t about freedom anymore. He’s lost the plot. They’ve all kind of lost the plot, and someone has to give up, and he will not let Tony beat him to it.

So, Steve. Fucking. Stops.

He takes off his mask, drops his shield, and says, “It’s over.” He turns himself in. He turns Steve Rogers in specifically, essentially following the law, and Team Cap officially loses the war.

At the end of this, Tony—bruised, in desperate need of a good fuck (hey, Bucky, where you at?), and still internally monologuing about how the fuck his life turned into this—is appointed Director of S.H.I.E.L.D. And this is how, after so many words, christ, the Civil War officially, techically ends, and the winteriron timeline can properly begin. Happy tears, I am crying happy tears right now.

So, Part 3 of this ‘brief’ (lol) timeline is coming ASAP, and it does deliver on some juicy Bucky and Tony interactions—actual on-page moments, not just me connecting the angst dots with wishful thinking, promise.

And if you’re thinking things might slow down now—oh, my sweet summer child. We are only just getting to the fun part, since Captain America essentially becomes Bucky’s comic book. The stakes are different, the players have shifted, but Tony and Bucky finally start existing in the same space.

If Civil War was crazy, what happens next is the part where we go off the rails entirely in the best possible way.

To confirm, where we are:

Bucky is in the wind but possibly smoking cigars with Fury.

Bad guys who were ignored for this Event do have some plotty evil planned.

Tony is in charge of S.H.I.E.L.D. and he still has to keep hunting down anti-registration supers.

Steve is alive and in jail. For now.

And Peter—oh God, I have to mention this, because I must, and this just further confirms that some of the editors were shipping Peter with someone other than MJ.

So, Peter is an absolute disaster, thanks for asking. And if you know comic books and reading this just to laugh at me getting shit wrong and are wondering, “Wow, does she about to mention One More Day?”—yes. Yes, I am. And I don’t want to talk about it. But I will, just for a second.

One More Day (2007) is Marvel committing a crime against humanity.

It’s a four-issue arc where Marvel editorial decided Peter was too happy and needed to suffer more, so they erased his marriage to MJ from existence. (Ah, yeah, he was married to her this whole time, in case I didn’t mention it, but I was too busy pushing Starker on people if the winteriron angle didn’t work out.)

Basically, after Civil War, Peter’s life goes to absolute hell. He unmasked, so every villain with a grudge is coming for him, Kingpin puts out a hit, and Aunt May gets shot.

Peter, being the absolute hero of a man that he is, tries everything to save her. He begs Tony for help (doesn’t work). He tries to make a deal with Doctor Strange (doesn’t work). And just when it looks like May is going to die, the literal devil (Mephisto) shows up and is like, “Hey, Pete, what if I saved your aunt, but in exchange, I erased your marriage to MJ from existence so you two never got married and will never be happy together?”

And Peter and MJ actually say yes. BOOM. Years of character development and one of Marvel’s most iconic relationships is GONE, conveniently removing all that pesky guilt when Peter flirts with older men.

So, Aunt May lives, but now Peter and MJ were never married, and no one remembers he unmasked during Civil War. The comic book fandom hates it. The writers regret it. Everyone pretends it didn’t happen. Marvel did make a movie about this though, kinda. Also kidding. But for real, it’s one of the most infamous and universally despised retcons in Marvel history.

And on that cheerful and very nerdy note, thank you for reading.

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rayshippouuchiha · 2 years ago

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I've been recently going through a bit of a WinterIron fixation for the first time in a while so I decided to go through your WinterIron tag, just for fun, and first of all, may I compliment you on your impeccable taste? I've seen some of the best fanart, edits, prompts and short stories I've ever encountered in there so thank you for that.

Second of all, I think I found the original prompt for Blood in the Water (Love on the Tide) and The (Not So) Great Pretender and I'm not sure I can express the pure DELIGHT and JOY that it flooded my system, asfdgbh it was amazing

I HAD to reread them after that, of course, and they continue to be absolute perfection. In fact, I think BitW is the singularly best Mermaid AU I've ever read, period, not just for the MCU but for any fandom ever. So, thank you once again for that beautiful piece of writing 😊 However, I'm also really Concerned(TM) because the original prompt features Bucky getting kidnapped, I think??? Is that gonna happen in the fic??? I should've known things were going too well, there wasn't nearly as much angst as usual😩 Just imagining what Tony is gonna have to go through before he manages to get him back... Ray, why must you hurt me in this way (affectionate)🥲

Oh oh wow yesssss

God I honestly miss WinterIron, might have to dip my toes back in if I can find the will.

And yeah BitW is planned to be a fun romp right up until the moment shit gets real!

#RayRambles

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fynnsmarvelrecs · 2 years ago

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I'm going to be putting out a winteriron fic list for my first real fic rec, let me know if you come across this and have any suggestions for that or any other pairings :) (Rare pairs included in that, if it exists I'll find it and weed through it for the best ;) )

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themculibrary · 2 years ago

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Fics With Trigger Warnings Masterlist

AKA the Greater New York PTSD Support Group (ao3) - triedunture E,

Summary: They’ve successfully completed what might be the most dangerous mission in history: the recovery of the Winter Soldier.

Now comes the recovery of Bucky Barnes, which is turning out to be even more difficult.

A story about Bucky coming back to the surface with the help of Steve, Sam, pancakes, video games, the city of New York, assorted Avengers, and beds that–really, let’s be honest here–are too soft to sleep on.

and they called him lemon boy (ao3) - turtle_bean T, 3k

Summary: “Well, my name is James, and I’m a volunteer at the Crisis Line. I’m an MIT graduate, I’m employed in the army, War Machine is my favorite Avenger, and I love pineapple on my pizza. Is there anything else you’d like to know about me?”

Yeah, why does James keep asking questions? Why can’t the man let him die alone?

“Why did I fucking call?” Peter hisses to himself.

–

or, peter calls the crisis line.

Casualty of war (ao3) - wolfypuppypiles M, 22k

Summary: Peter got knocked down in Civil War, but when Tony went to check on the baby Avenger, he realized he was more badly hurt than first realized.

There wasn't meant to be any casualties, but there always is in war.

Contractually Obligated, at Least Out of Uniform (ao3) - snack_size clint/steve E, 57k

Summary: A chance encounter in the SHIELD hallway leads Clint and Steve, post-Avengers, to get to know each other better when everyone else is off having adventures. Things develop slowly, and awkwardly, and probably only thanks to one well timed comment by Tony. From there, Clint and Steve try to navigate a new reality, each other, and their various past traumas.

Holiday Spending (ao3) - isfan bucky/tony T, 70k

Summary: Winteriron collage au w/fake relationship; Tony asks Bucky to be his fake boyfriend, either to shake off some matchmaking friends or to piss off Howard. Turns out Bucky is all Tony ever wanted in a boyfriend. Too bad it’s not real (extra angst if Tony paid for Bucky to act as his boyfriend, now Tony wonders if it was all for the money). Happy ending?

Homefront (ao3) - copperbadge steve/tony E, 12k

Summary: Steve Rogers is a capable leader, a kind and cheerful man, a good friend, a strong role model, and a loyal soldier. He’s also teetering on the edge of suicide.

Left Foot Forward (ao3) - shatteredhourglass bucky/clint M, 22k

Summary: There was an unspoken rule among the Avengers that they didn't talk about Clint's soulmark. They didn't talk about it, they didn't look at it, and they didn't bring it up.

Master of Communication (ao3) - somanyfeels (orphan_account) steve/tony T, 10k

Summary: Tony didn't like being touched, on the rare occasions he wanted physical contact he would initiate it. It was how things were, how it had always been, and he was fine with it. His new team didn't know, they just kept touching and Tony wasn't quite sure how to ask them to stop.

Minefields (ao3) - arianapeterson19 pepper/tony, bucky/steve/tony T, 34k

Summary: Being in an abusive relationship was a bit like needing glasses. He didn’t realize it until the damage was done.

Funny how people assume only men can be abusive.

Mokusatsu (ao3) - shadesfalcon bucky/clint/steve, background sam/natasha E, 125k

Summary: Clint Barton has been strung along from abusive relationship to abusive relationship all his life. Not that he would use the word “abusive”. He would argue that, as a sub, he was born to take whatever it is his dom feels like throwing at him.

But even with that attitude, he’s nervous about his current situation. Trapped in a bureaucratically mandated relationship with not one but two doms is going to be difficult and dangerous. Especially since these two doms are both members of the Avengers themselves.

He hopes that whenever he disappoints them, they’ll have at least a little pity on him, even though he knows he won’t deserve it.

More Than Meets the Eye (ao3) - LokiNeedsHugs1031 loki/tony, steve/bucky E, 249k

Summary: Tony Stark and Loki have known each other long before the attack on New York. Tony is shocked to find that Loki doesn’t remember him at all, that hence the reason Tony being thrown out the window, that is until he’s slammed to the ground by The Hulk. When Tony sneaks a peek at the beginning of interrogations he discovers that the Loki that attacked New York has seemingly woken up from some kind of mind control, and is begging for help.

No Magic Would Save Me (ao3) - arsenicarcher (Arsenic) pepper/tony M, 20k

Summary: Once upon a time, an angel with the unlikely name of Pepper came to the circus, and took Clint away.

peter’s stars (ao3) - IronPengu, parkrstark steve/tony T, 175k

Summary: Steve and Peter lose their apartment and are kicked out on the streets. Steve has to juggle between jobs to earn whatever money he can, take care of his son while resfusing to let him realize how much they’re trouble in, and keep them warm and safe on the city streets in winter.

So, he really doesn’t have time to date the billionaire that flirts with him everyday as he buys his cup of coffee. Even if he did, he can’t let himself fall for the man. Because if he knew that he lived from a backpack and showered in a public bathroom there’s no way he’d still want him…right?

Push (ao3) - phoenixreal steve/tony E, 21k

Summary: Tony Stark was known for pissing people off, it was a given. Then, after the man everyone thought was nothing more than a selfish prick decided to nearly kill himself saving Manhattan from a nuclear bomb, even the most sure of Tony's bastard status had to rethink it. And then, his team who were sure they had him pegged, they were invited (ordered) to move into Stark Tower with him. To their surprise, they found he had furnished full floors for each of them, somehow knowing their tastes exactly, including a floor dedicated to the resident Asgardian who would only be there some of the time. Surprised, and please, they all wonder at the enigma that is their host. After a couple months, Pepper Potts stops coming around so much, and they realize that something has exchanged between them because they are rather professional to each other. Pepper still frets over Tony, but instead tells the others to keep an eye on him rather than doing it herself. They easily forget that Tony is, and always has been, simply a human civilian. Then things get strange when they find themselves locked down within Stark tower, and after a harrowing viewing of a mysterious video, they find their resident playboy is completely gone.

Put Away Childish Things (ao3) - arsenicarcher (Arsenic) ot9 M, 36k

Summary: Tony and Clint are captured by villains who can only get what they want from a child-Tony. So, obviously, they de-age him. Because comics.

Who Saves The Hero (ao3) - CamelotQueen T, 15k

Summary: May brings home her new boyfriend. Something about him makes Peter feel nervous, but he makes May happy. And if May's happy, then Peter is happy.

Then it escalates.

#themculibrary #mcu #marvel #angst #tw #triggers #triggers masterlist #masterlists

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amethystina · 2 years ago

Note

For the ask game: how do you decide what fics to write?

Krya på dig!

4. How do you choose which fics to write?

I'm unsure if this means what fics to write out of all the ideas I come up with or what fics to write on a day-to-day basis, so I'll just answer both!

When it comes to deciding what ideas will move on to the next stage and actually get written, it's usually the ones that give me something new to explore or, alternatively, a challenge. I have SO many ideas and so little time (and also can't write short fics to save my life) that I have to be pretty selective. I can't just go with ideas I think are fun or exciting in the heat of the moment, but rather ones that will give me something in the long run.

It doesn't have to be something spectacular, though. Just being able to explore new characters is more than enough, which is also why my first fics in a fandom are usually set in the canon verse (if with a twist sometimes), detailed, and focus heavily on characterisation and capturing the tone and voice of the characters and world as a whole. Or at least focus on the characters and their dynamic more so than outrageous plots or AUs. Because those are the fics I choose to prioritise and write first. THEN I might branch out a little and try new things.

(The only real exception is my first Winteriron fic (Autonomy, a huge, sprawling space opera) but that was mainly because I started writing it back in December 2015, before Tony and Bucky had really had any shared screen time in the canon verse, so making it an AU just gave me more options xD)

As for choosing what fics to write from day to day, that's usually based more on my mood. I'm someone who usually finishes my fics before I post them so I can work on them at my own pace and in whatever order I choose. My readers (or potential readers) usually have no idea what I'm working on so I can usually do so without any external pressure.

That... has changed with Who Holds the Devil, though. Which means I'm honestly a little lost at times because I DO have several other WIPs I would like to work on (like the sequels to Gravitational Pull) but I feel guilty as soon as I do, since I know that people are waiting for the next update on Who Holds the Devil. And I admit I don't really like the feeling. Sometimes it's like I only have a very small window to work on other fanfics before I start feeling guilty and have to focus back on Who Holds the Devil. Which is still a delight to write, make no mistake, but, sometimes, it is definitely also a must rather than a want.

Long story short: I should definitely avoid posting WIPs if I can because they mess with my head in a way that's just not good for anyone involved x'D

Och tack så mycket, jag ska försöka 💜 Jag erkänner att det är lite kämpigt just nu, men det är väl bara att tuffa på. Förr eller senare så lägger det sig :)

#Amethystina Does Ask Memes #chocoholicannanymous #Fanfiction Writing Asks #Thank you for the question!#It was a fun one to answer!#And please don't take the answer as me forcing myself to write anything #I don't #I'm just a perfectionist who likes to make people happy #So I put a lot of pressure on myself #But I wouldn't do something I TRULY hated or felt bad about #Which is why I sometimes take longer breaks from Who Holds the Devil #That is me recognising that I need some distance #So don't worry #I know what I'm doing and when to take breaks :)

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iam93percentstardust · 3 years ago

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State of the Fic

I didn't really write much this month. The depression hit me hard, low engagement has me feeling low inspiration, and after writing nearly 100k words over the last few months, I thought that I deserved a bit of a break. I do have some shorter fics for readers to take a look at though!

WIPs

Still no WIPs currently being posted! I'm taking a break from those to knock out some of my shorter ideas.

Recently Posted

Marvels Unsolved: Mysteries of the Maximoff House (Winterironfalcon): Posted on June 1

This week on Marvels Unsolved, Bucky and Tony investigate the Westview Anomaly and the Maximoff House as part of their ongoing investigation into the question: are ghosts real?

The Truths We Hide (Stevetony): Posted on June 3

When Loki casts a truth spell on Tony, he has to figure out how to break the curse before it kills him - and before he tells Steve how much he loves him. But maybe… just maybe, telling Steve isn't such a bad idea after all.

Today Was a Fairytale (Stevetony): Posted on June 4

Today was a fairytale You've got a smile that takes me to another planet Every move you make everything you say is right Today was a fairytale ~ Steve gives Tony daisies. And it’s… nice. Tony’s suitors send him roses and exotic orchids and genetically modified blossoms that bloom in impossible colors no one could ever hope to find in nature. His mother makes sure there’s always a fresh bouquet of irises in his room—they usually come from her own garden, but he still doesn’t know how she manages to find them even in the middle of winter. And Steve… Steve gives him daisies.

Wrapped Up in Your Love (Stevetony): Posted on June 13

Tony has a bad day, so Steve takes care of him.

You're My World, Bro (Gen fic): Posted on June 18

Rhodey is already halfway across the living room to where Tony is sitting on the couch, desperately saying, “Tones, I need your help,” before their apartment door has even shut behind him. Tony, conditioned by a lifetime of living with Howard, automatically says, “No."

I Found a Love for Me (Stevetony): Posted on June 20

Steve comes home to find Tony waiting for him with a surprise.

Coming Up

1. My first Winteriron fic in almost 6 months!

2. Fairytale of New York: the new holiday fic! Chapters 14-17 have been written

3. MTH fics! Currently working out an idea with the Thor/Tony auction winner

4. Birthday prompt fics!

5. Bluebells and Belladonna: the winteriron magical flowership fic I’ve had sitting in my drafts for almost two years

#state of the fic #alle writes #long posts

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thatgirlwithasquid · 2 years ago

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Tag game: Answer these questions, then tag nine people you want to get to know better.

Tagged by @thecrabnebula

Three ships: Harringrove, Cunningway, Winteriron (ive only read a lil bit for them so far but the hurt/comfort is exquisite…. also the steve rogers bashing because thats a not-so-guilty pleasure)

First ship: Tyrus (I wrote some VERY bad fics for them on amino a few years back 😬)

Last movie: Avengers Civil War

Last song: Blue Again - Weakened Friends

Currently watching: Daredevil

Currently reading: actual book wise? The Stolen Heir by Holly Black (I preordered it and was soooo excited!! :) )

Fanfic wise? Too many at once, tbh. I’m a real bad mood reader lmao so I jump between them as I see fit. Lemme compile some of the list of current reads…

1) Just the Two (Three) of Us

2) Astronomy In Reverse

3) Love of a Different Lifetime

4) 5 times Peter met the Winter Soldier

5) But You Hate Blueberries

AND MORE!! All buried in my *checks safari* 135 tabs open on my phone…

jesus christ i have a problem

Currently consuming: Nothing

Currently craving: just plain Dairy Milk but someone (read: me) maybe (read: definitely) exhibited absolutely 0 self control and has already eaten all the chocolate they got for christmas.

Tagging @flashwaves @onebrainsel @intothedysphoria @shieldofiron (and im too tired to try and remember what other people i like so thatll do. no pressure xxx)

#tag game #i think it’s apparent that im in a lil bit of a marvel kick rn #also i seriously need more sleep my eyes are blurry and my brain is like ‘actually youve never interacted with any person ever’#rude of it since i kinda needed to think of people to tag :P

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mcfiddlestan · 3 years ago

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I wasn't technically tagged, but got it from @luninosity. :D

Rules: List all your WIP titles, all meaning even the ones that are vague or nonsensical. Tag as many people as there are WIPs (that might be a lot, so we’ll see!)

I have a lot so I'll separate them by ship, I guess (since I only really write the same ones lol)

FrostIron

- 30 Day OTP Porn Challenge: I've still got 12 days left to do. Day 19 has a... wobbly outline.

- College AU smutty one-shot for a friend: outline/prompt was given to me by said friend. Tony's an exchange student living in London, where he bumps into fresh from Norway student Loki, who needs help getting around. Tony offers to help, things lead to things. Smut.

- Fools Rush In: previously posted six completed chapters, but I hit a bad writer's block and took it down. I hope to someday finish it. it was one of the first long fics I started that was in-universe.

- Real Genius AU: semi-outlined, based on the 1985 movie with Val Kilmer. Chris Knight gives off heavy Tony Stark-vibes.

- Royals AU - outlined, a couple of chapters written. Kind of got the idea from the E! show The Royals. It's an ambitious fic, too. It was the first fic I brought in other characters besides the core Avengers, such as Erik Lehnsherr, Wanda and Pietro Maximoff, and tbh if I were to start working on this today, I'd throw in Sam Wilson and maybe other characters.

- The Flame: another, like FRI, that was previously published on AO3. Up to five chapters, lots of scenes written but not strung together yet. Initially looks like ThunderFrost, but it is inevitably FrostIron (no Thor and Loki were not brothers). Idk if I'll ever get back to this one tbh.

- The House Guest: the storyline is all planned out, but I've only written two chapters. It's genderbent -- Antonia Stark and fem Loki Laufeyson. I've even got edits done. I'm hoping to work on it this year.

MaLoki

- Live-action Maleficent/Thor movies crossover: I've had this one in my WIP pile for almost a decade. It was something cooked up with @vikishus around the time the first Maleficent movie came out (I think). I've just never sat down to write anything for it.

Stucky

- Musician!Bucky and Firefighter!Steve, modern day au: has a storyline, and a few pieces/scenes written. (Mixed in is some SamTasha)

- The Greatest Showman-ish AU: some idea jotted down after repeated viewings of the movie lol

- Every Piece Will Find Its Place: post-Winter Soldier prompt given to me anonymously; storyline sketched out, opening written

- 1950s Matinee Idol AU: an idea I sketched from a tumblr post I saw forever ago

ThunderFrost

- Hurricane: sequel to my one ThunderFrost fic, Lead the Way. The plot's kinda there and some bits.

WinterFrost

- The Christmas Date: my perpetual almost-done gift for a good friend. It's literally nearly done. But I can't seem to get it down.

- All I Ask: my artist!Loki and recovering vet!Bucky AU. Been working on it for about five years now. Four chapters are done, with other scenes, and a full plot sketched out.

- Nobody's Hero: a prompt sent to me anonymously that's canon divergent. Bucky and Loki meet and fall in love in the 1940s, then Bucky goes off to war and the first Cap movie ensues. Fast forward to the present day, Loki finds Winter Soldier!Bucky and fights to break through his Hydra brainwashing.

- Second Time Around: like Fools Rush In and The Flame, I removed this from AO3 when I hit a block. Three chaps and a plot 3/4 written. Bucky is more a mix of Bucky and TJ from Political Animals (cuz I started it around the time that was on the air).

- Whatever It Takes: my single Dad AU. Seven chaps completed. The whole plot done. Just gotta write it!

- Snow/Zima RP: my attempt to transform my long ago RP with my ex into a more readable fic-like story. It's not easy lol.

WinterFrostIron

- I have a random OT3 prompt waiting to be written with these three. 🤷🏽‍♀️

WinterIron

- Bodyguard AU: got a plotline and a few scenes. Hoping to work on this soon.

- Alt Prompt 12: I posted a prompt for #12 in the 100 Ways to Say ILY challenge already, but I had another idea I sketched out that was totally different. Still might make a good one-shot.

- @teadrinkingwolfgirl's angst prompt: it's a blank doc staring at me in my Google drive.

Random Ships

- Harley/Bucky: I don't remember who sent this to me. But it's basically a DC/Marvel crossover. Joker's involved with Hydra, Harley is his Asset. She bolts, the Winter Soldier is sent after her.

- Loki/? Xmas prompt: one of those random Xmas prompts that make the rounds every year. Haven't decided who to pair him with yet.

- Fantasy Rom/Com starring Chris Pine and Tom Hiddleston: Okay, so this was taken from a random article online about fantasy romcoms that would be fun. This was one. And I was like, yo, I could write that. So far all I have is the prompt lol.

I don't even know how many I just wrote, so I'll tag a few peeps and if you're reading, feel free to do it!

@teadrinkingwolfgirl, @ishipanarmada, @bouncydragon, @rennemichaels (sorry I can't think of anyone else!)

xoxo

#fic tag meme #this took me all day yall

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everything-withered · 4 years ago

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Author update~

Real life has been A Time, but in a good way which is very strange because of how utterly wretched it was the year before that. I'm starting to understand that that is simply the nature of life and not to feel guilty for it or talk myself out of feeling good about it, so here I am writing this:

I don't have a plan yet in moving forward fandom wise outside of dedicating less time to it, though at minimum, I would still like to clear out my ask box which has a combination of winteriron and ichiruki so without further ado..

With winteriron: this ship and its fandom have such a special place in my heart for (no exaggeration) saving my life, and my journey with them won't feel complete until I hit 100 entries in the Who's Been Lovin' You Good series. At the time of writing this, I'm still 30 entries down which I think is more than enough time to keep exploring them individually and as a pair (occassionally more than lol).

As for ichiruki: they are my forever ship. Once upon a time, I was sixteen and in love with them, and here I am at almost twenty-six and still in love with them. Their ship and their fandom have been amazing to me from beginning to present, and I'm eternally grateful. I can't say that I could stop writing them even if I tried -- lord knows I'll see the sun and moon motif somewhere twenty years down the line and immediately think of them. Though, I will say that long chaptered fics are probably not in the cards if I have any hope of completing a draft for publication.

I do have ideas and 🎶concepts🎶 which I'd love to keep sharing even if there's no longer fic attached though so look out for that, and beyond the occasional drabble/prompt fill, I do have plans for longer one-shots as a compromise to the no-full-length projects so there is that.

ALSO.

I'm working on compiling the full scope of my winteriron and ichiruki fics into pdfs.

I've already done the first half of Who's Been Lovin' You Good for winteriron but its in need of edits and probably won't be fully ready until I hit 100.

For ichiruki, I'm thinking the full length fics will be individual pdfs, along with a collection for the one-shots of both AUs and Canon Divergent.

Wanting to create the pdfs for both ships is something important to me. Living in the time we are now where everything is virtual and where things can be deleted at a drop of a hat, I wanted to give you something you can keep, in a sense, and if you choose to.

When the pdfs are ready, I'll post the link here and it should be available on my wordpress -- which I still need to fix huhu, bear with me ya'll.

My replies on here and ao3 will still be pretty staggered, and because school and work has invaded, I had to set up a separate discord account so I'm not even using that, but please know I love and appreciate you all so much, and I carry your kind words with me everywhere.

Anyway. Yeah, that's it.

That's me.

#personal #author update #ichiruki #winteriron

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kandisheek · 4 months ago

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FIC REC WEEK 41 – FRIENDSHIP

RHODEY & TONY

Emergency Contact by whumphoarder

Pairing: Rhodey & Tony Rating: G Words: 4,042 Tags: MIT Era, Hurt/Comfort, Sick Tony

Summary: It’s not that James disliked his roommate, it’s just that they didn’t exactly get off on the right foot. Or, in which fifteen-year-old college freshman Tony Stark needs a ride to the ER and James Rhodes is too responsible for his own good.

Reasons why I love it: This fic feels incredibly real to me – like, if Tony and Rhodey were real people, this is how their friendship would've started. I love that we get to see the beginnings of Rhodey's affection for Tony and that they have this sort of brotherly dynamic between them. It's amazing, and I hope you go and read it for yourself!

Deposit Security by Reioka

Pairing: Rhodey & Tony Rating: G Words: 3,366 Tags: Mentions of Abuse, MIT Era, Hurt/Comfort

Summary: Tony's always been a little weirdo. Jim likes him anyway.

Reasons why I love it: Rhodey is so patient and kind with Tony, is really great to see. And I loved that glimpse into Rhodey's family life and how Rhodey's mom practically adopts Tony on the spot. It's super sweet, even though Tony's struggle breaks my heart. This fic is amazing, and you should definitely read it!

fly so free (smile down on all you see) by orphan_account

Pairing: Rhodey & Tony, Tony & Peter Rating: G Words: 2,041 Tags: Domestic Fluff, Italian Tony, Tony Acting as Peter's Parental Figure

Summary: Rhodes finds a file in FRIDAY’s databases titled “Tony, Face It: He’s Got You Wrapped Around His Little Finger”, created by someone called May Parker. Of course, he investigates.

Reasons why I love it: The last line of this fic always makes me grin like an idiot. I really love the way FRIDAY teases Rhodey here, their dialogue is super fun. And of course, I'm always a sucker for Irondad, so Tony and Peter being adorable together makes me beyond happy. You should give this one a read, it's wonderful!

Don't Overthink It by Potrix

Pairing: Rhodey & Tony, Bucky/Tony Rating: T Words: 1,883 Tags: Protective Rhodey, Misunderstandings, First Kiss

Summary: Now, Jim is about as straight as a person can be—tested a couple of times by drunkenly making out with his best friend, which Tony loves to bring up whenever it’s really inappropriate to do so—but he has no problem admitting that, objectively speaking, Barnes is an attractive guy. He’s got that whole gruff, frowny, bad boy thing a lot of people are into going on, but whenever he actually does smile, it’s devastating. One time, Jim had seen a girl on the street do a double-take and nearly walk into a magazine stand after Barnes had smiled at one of Tony’s dumb jokes. Or, alternatively; Rhodey means well, meddles, and actually sort-of-kind-of ends up helping in the end.

Reasons why I love it: Aaah, meddling Rhodey, my beloved! His concern for Tony's well-being is so sweet, and I love how he has Tony's back without ever intending to mention it to him. Also, the background Winteriron romance is adorable, they're such dorks in love. Please go and check this one out if you haven't, it's amazing!

Interlude by icarus_chained

Pairing: Rhodey & Tony, Natasha & Tony Rating: G Words: 1,830 Tags: Fluff, Team Dynamics, Rest

Summary: After 48 hours of drawn out global action on behalf of the Avengers and SHIELD, Tony and Rhodey come aboard the Helicarrier for debrief and downtime. People are tired and frazzled, and slighly more unguarded than usual.

Reasons why I love it: This is such a sweet look at the team behind closed doors. I especially loved the banter between Rhodey, Tony and Fury, and how this truly feels like a deleted post-battle scene. Plus, that little sincere Rhodey-Tony moment at the end there made me super happy. I love this one, and I bet you will too!

#marvel #fanfic #a year in fanfic recs #fic rec #fanfic rec #ficrec #rhodey tony

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hawkbucks · 4 years ago

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I don't even remember if I reposted it, but here's the WinterIron fake dating AU that I found on my disc drive. I combined all the posts in one; where there's a divider, that means it was a new post.

Lotta fake dating fics have Tony be the one who asks Bucky and I love it, but also: Bucky being the one asking Tony?

Like, maybe Rebecca is getting married and she asks him “are you bringing anyone?” with the most hopeful look on her face.

Bucky sorta bluescreens and stutters out a “yeah” because he knows Rebecca really wants to see him with someone and happy, but he’s only really been focusing on his studies instead of his social life.

She smiles and claps her hands together, exclaiming her excitement to meet Bucky’s date! Meanwhile, Bucky is panicking on the inside.

He could ask Steve, considering that he and Steve are best friends and no one would really question them getting together, but there’s also the fact that Rebecca knows Steve better than Steve probably knows himself and would tell they’re faking right off the bat.

There’s Sam who, despite their teasing relationship, they really do like each other. He wouldn’t have too much of a problem bringing Sam around if he doesn’t already know that Sam would hang this over his head for the rest of his life and all but force Bucky to buy him food and clothes and stuff to repay him, and that’s not even talking about the endless teasing.

There’s Sharon, but she wouldn’t agree. She’d just roll her eyes and call him dramatic. It’s a fair judgement.

There’s Natasha, and they’ve actually dated before and that would be awkward. “Oh yeah, the girl I used to date back when I was a sophomore in high school and I are back together again!”

He still ends up texting Steve and explaining his dilemma and please, Steve, do you know anyone?

Steve tells him he’s an idiot which, fair, yeah, but then he tells Bucky that he knows a guy, cute, your type, I can give him your number. Then he sends Bucky a photo of himself and some other guy with brown hair and pretty eyes and dimples, what the fuck.

Please give him my number.

I can feel your thirst, Steve texts. Disgusting.

So, he brings Tony (all it took was confirming that there was going to be food and that yeah, they have salmon as a menu item, is that what you want me to pick?), and Tony’s a hit! He’s charming, polite, and pretty cute to boot.

Then Rebecca corners Bucky during the reception while Tony’s getting some cupcakes and Bucky immediately jumps to the conclusion that Rebecca figured out that they’re not actually dating and she’s about to tear him a new one, but she smiles and gives him a bear hug. “Your boyfriend is a sweetheart,” she gushes, “and I’m glad you brought him along. And, you know, Robert and I are having a party for Thanksgiving. Maybe you two would like to come?”

And the only thing that runs through Bucky’s head is shit, shit, shit, shit, shit, shit, shit, shit, shit, shit—

Bucky can’t handle these feelings. He just can’t. It’s too much too soon, and the intensity at which he feels them is both overwhelming and terrifying to him, especially since he and Tony haven’t even known each other for that long.

During the party, Tony really pushes the act. He takes Bucky’s arm and places it around his shoulders, feeds Bucky some pumpkin pie, blushing when Rebecca coos at the both of them, and even sits on Bucky’s lap when everyone heads to the couch to catch the recording of the Macy’s Thanksgiving Parade that Rebecca set.

And Bucky desperately wishes it was all real. He wishes that Tony really is in love with him as opposed to doing this to help out. He’s never felt warmer than when Tony smiles at him, bright and genuine and making him ache all over. He knows that his feelings are only going to keep snowballing and snowballing until he can’t take it anymore and snaps and confesses to Tony, and he doesn’t want that. He doesn’t want Tony to feel obligated to go out with him. He doesn’t want Tony to feel like he’s being put on the spot.

Tony cuddles closer to him, whispering about how the Snoopy float looks really cute. He chokes down a sob and responds with “yeah, doll, it does”.

Bucky drives Tony home. He always does. It’s the least he can do. “So, when are you going to need a boyfriend again?” Tony teases, feet up on the dashboard. They’re already at Tony’s apartment complex, but Tony, infuriatingly attractive Tony, insists on talking to him. “If you’re swinging by Becca’s for Christmas, I can come with you.”

He doesn’t respond, instead choosing to continue looking ahead and squeezing his hands on the steering wheel. “Hey, you alright?” Tony asks softly and, god, he wishes Tony wasn’t the way he was.

Rip it off. Like a band-aid. C’mon, Barnes. “It’s fine. I’ll just tell her we broke up.”

“What?” Tony’s voice wavers, an undercurrent of hurt swimming below that one word. Bucky hates himself for it. “Did I do something wrong? At the party? I—”

Bucky sets his jaw, looking at Tony (and wishing he didn’t because Tony actually looks devastated). “We were never really together, Tony. Don’t act like it matters.”

He hears a hitch in Tony’s breath. He looks away. “Yeah, I guess it doesn’t.” Tony unbuckles his seatbelt and opens the car door. “Maybe this is why you don’t have an actual boyfriend.” It hurts, but it’s better that Tony leaves hating him because he can’t imagine the breakdown he’d have if Tony kept coming around with those kicked puppy eyes of his and asking why Bucky has been avoiding him.

Tony walks into his apartment complex without looking back.

Bucky thinks he needs to get drunk.

And that’s how Steve finds him. Completely sloshed, half-sitting half-lying on the couch with red-rimmed eyes and a tear-stained hoodie. “St’ve,” he slurs, lifting his bottle of Jack Daniel’s.

Steve sighs. “What, did Becks show everyone your baby pictures again?”

Bucky shakes his head. “Fucked up.”

“Yeah, I can see that. At least save some of that for me.”

He shakes his head again. “Tony hates me.”

Steve freezes, halfway through shucking off his jacket. “What did you do?” He looks at Bucky with that Disappointed Parental Stare of his.

“He hates me.” Bucky feels himself start to tear up again as he reminds himself that he won’t be able to see Tony again. Won’t be able to breathe in the comforting smell of that vanilla and cinnamon lotion that he’s so fond of. “Made ‘im hate me.”

“Why in the hell would you do that?” Steve gets his jacket off this time, throwing it on the hook and not paying it any attention when it slips off and falls to the floor with a thud.

“Don’t know.” Which is a lie. He knows why. He just doesn’t want to face it.

“No, no, you don’t get to feign ignorance.” Steve walks over and takes the bottle from him, ignoring Bucky’s protests and whines and taking a few swigs of his own. “I’ve only seen you get this drunk twice before: the first was when you and Nat broke up and you broke into your dad’s liquor cabinet, and the second was when you came home from the army. Considering I don’t see your fatigues with you—”

Bucky growls weakly. “Shut up, Steve—”

“Then stop pushing people away,” Steve growls right back. “You fix this.”

“We didn’t ev’n know each other that long—”

“No, you might not have, but if you’re sitting here on our couch, drunk off your ass ‘cause you think he hates you, that means something. Fix. This.”

Then Steve’s phone goes off. He sets down the Jack and he fishes his phone out of his pocket. A swipe, and it’s unlocked. He snorts, shaking his head. “You know who just texted me?”

Hope. “Tony?”

“No. His best friend. You want to know what it says?”

Bucky doesn’t think his answer matters much. Something tells him Steve will tell him even if he says no. “Go.”

Steve clears his throat. “’Hope your buddy is happy. Tony won’t stop crying.’ Then some middle finger emojis. Seven of them, to be exact.”

Bucky sinks further into the couch, his stomach twisting into knots and nausea rising up his throat now that he knows Tony is crying and he’s the reason why. He makes a swipe at the Daniels, but is unable to reach far enough. “You gon’ reply?” he croaks.

“Oh, yeah. I’m gonna tell him that you’re being miserable, too. And that you’re an idiot.”

Bucky grunts.

“It’s for your own safety. Believe me, if he thinks you’re getting your jollies from this, he’ll send you on a one-way ticket to hell.”

He grunts again. That’s only mildly terrifying. And probably not even close to what he thinks he himself deserves. “You gon’ leave?”

“Yes. And I’m taking this—” Steve picks up the Jack— “with me.”

True to his word, Steve leaves with the bottle of Jack.

Bucky sits up and uses the sleeves of his hoodie to dry his eyes. He tries to keep quiet as he sobs.

The next day, he goes out, stretches his legs after spending the entire night on his couch. He contemplates going to visit Tony and beg for his forgiveness, but it’s… it’s probably too soon. He’ll just wait. In the meantime, he picks up a plush of Snoopy holding a heart. It’s cute.

1 week. He thinks he’ll wait a little more.

2 weeks. Maybe just a bit more.

(Rebecca calls. Asks him about Tony. He says that they broke up. She only replies with a small I’m sorry. It was clear that you two loved each other.

He bites his lip so hard that he tastes copper.)

3 weeks. It’s just a bit before Christmas. Steve comes into his room. “Rhodes texted me. He said Tony admitted that he wants to see you again. Apparently he passed on my word that you were being pretty gloomy about it too.”

Bucky fidgets on his bed. “So, what, I’m just supposed to roll up on his apartment with some flowers and chocolate?”

“Sarcastic bastard,” Steve mutters, although there’s no real venom behind his words. “It’d be a start.”

Bucky thinks for a second. He gets up and starts rifling through his closet. “Alright. Leave so I can change.” Thankfully, Steve obliges. Bucky tucks the Snoopy into his backpack.

He picks up some Ferrero Rocher. He remembers Tony eating them by the handful at the reception. It’s packaged in a transparent box shaped like a heart. For the flowers, he picks up some red roses, the classic choice. He even gets a card that says “I’M SORRY!” with a picture of a sad-looking cat on it.

“Girlfriend troubles?” the cashier asks as they ring him up.

“Boyfriend, actually,” he replies, surprised at how easily that rolls off his tongue.

They hum. “Hope it gets better soon, man.”

He hopes so too. “Thanks.”

Somehow, he manages to make the drive to Tony’s apartment without crashing the car. 6339. He remembers Tony telling him his apartment number if he ever wanted to come up and visit. Looks like he’s finally taking him up on that offer.

Before his nerves can take over and tell him to run and maybe flee the country, he takes the elevator up after explaining to the concierge that he’s there to visit a friend. He knocks on Tony’s door, holding the flowers up in front of his face, the Snoopy plush sitting on top of them along with the card. The box of chocolates he holds behind his back.

When he hears the door open, he pulls the flowers down just enough to see over them. “Hi.”

“Bucky,” Tony breathes out. He looks like he’s about to start crying again, clad in his donut-patterned pajama pants and an oversized shirt that advertises a noodle place that Bucky passed on his way. (Seriously. So many tears!) “Why’re you here?”

“To say sorry.” Bucky holds the flowers out.

“What you said really hurt,” Tony says, voice cracking, but he takes the flowers. “You got me a Snoopy?” He takes the plush off of the bouquet and smiles softly at it before looking back up at Bucky, expression holding cautious hope. He places Snoopy back in the bouquet.

“I know. I’m sorry. I was… I don’t know, scared. Not that I’m tryin’ to come up with an excuse for myself, but… you know.” He shows Tony the chocolates this time.

“Scared?” Tony takes the chocolates like he took the flowers.

“I really like you, Tony. I was thinking about asking you out for real after the party,” Bucky admits, looking Tony in the eye and hoping that Tony can see that he’s being genuine. His palms start getting clammy. Is the temperature rising or is it just him? “And I was scared.”

“Why?” Tony asks, sounding on the edge of desperation. “Why were you so scared you couldn’t just tell me?”

“Because I didn’t want you to feel obliged to say yes.”

Tony tilts his head to the side, eyebrows furrowed as a frown tugs at his lips.

Bucky begins to regret his answer. Obviously it isn’t one that Tony likes.

“Is that it?” Tony sounds gentle. So gentle. “I like you too, you know. And you know I’m not a pushover. If I didn’t want to go out with you, I would’ve told you that.”

“I know. I know, but I never said my mind was good at thinking rationally.” The corner of Bucky’s mouth quirks up at the self-deprecation.

“Mine isn’t either.” Tony places the chocolates with the card and the Snoopy in the bouquet, using that now free hand to wipe at his eyes. His sniffles. “And I have to apologize too. For what I said before I left your car.”

“It’s fine, Tony—”

“No, it’s not. It was such an asshole thing to say.” Tony sounds upset on Bucky’s behalf.

“I made you angry.”

“That didn’t give me the right to imply that you’re unlovable.” Tony stares at him in silent challenge. Try and refute me, his eyes say. “I’m sorry.”

Bucky shakes his head, knowing there’s only one way to end this. “I accept your apology.”

“And I accept yours.” Tony smiles at him, nose tinged with pink, and a burst of warmth spreads in Bucky’s chest. It’s gratifying to see that smile directed his way again. He just might join Tony in sniffling if this continues.

Tony reaches out to grab his hand, lacing their fingers together. “Why don’t you come inside? I can make you some coffee.”

“I’d like that,” Bucky says, squeezing Tony’s hand once. “I’d like that a lot.”

—

If you guys are curious, I listened to this song on repeat while doing this lol. (The link should lead to a video with the English translation!)

#old posts #This is... so much longer than I remember it being.#God the days where I actually did stuff. F in remembrance.

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