bright white wings. feathers left on the ground. you could touch them. you often do, but only the discarded feathers. so so close to divinity and yet removed. you could never bear to ask him to feel his feathers that are still attached. couldn't defile him that way
the crown of light glows ceaselessly. a halo that constantly moves and shifts in hue. dazzling rays of holy light. you could sit and watch it for hours, the beautiful light that you will never reach. it burns your eyes. you don't care
they are holy, and together. you are other. you are all that is left once they have been carved out of your vessel. three bright red horns protrude from your head, a clear indicator of just how wrong you are. you should never have existed. you are not needed. they are the night and the day, they do not need a distant star to watch over them
they deserve the earth
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He shakes his hand and when Bill comes to collect Stanley pulls off the fake hand from the dollar store he used
You gotta work on your people skills there, Bill.
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you ever think about how edwin got like. no warning, no time time to process, nothing, when he reappeared on earth faced with the fact that virtually everyone he knew in life is dead. his parents? probably died in the 1950s or so (at best) almost forty years prior to edwin’s return. if any of his classmates were still around, they’d have been elderly, possibly senile, and in a few years they’d all be gone– except, of course, edwin. nothing looks the same, cars look like spaceships, there actually are spaceships, he can no longer see the stars, and everyone he knew is dead.
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Do y’all think that Sora is the one who first decides to not go with a similar outfit as the other ninja (Doc said it’s because she dislikes the conformity of all the same looking outfits) and then Arin goes along with that because he loves his best friend, but Sora will continue standing out as unique in a good way while Arin is just gonna be left out? M’just thinking about the way that Arin always looks up to people and copies them instead doing things his own way while Sora is exactly the opposite, and actually goes out of her way to do everything in her own kinda way.
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my fear for round 7 is growing by the day i stg. like. it’s been a while since i looked through qmeng’s old instagram and when i did i suddenly got hit in the face with devastating implications
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heartwork?uh yeah i sure hope it does. sorry i'll go
better go catch it!!
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and if i say the wedding dress mannequin is erik's 19th century equivalent of the hannah montana milk pillow
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truly one of the biggest pet peeves of mine is when someone is faced with a non mainstream identity and they say “I don’t understand it but I respect it!” like i don’t think you realize what constantly being told “I fundamentally don’t understand you and am comfortable making no attempt to try!” does to a person.
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Look.
Ace Attorney fandom.
I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.
But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.
Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.
It's that - in my personal OPINION - it could have been *great*.
I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).
They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete opposite of what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).
They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)
It just flopped and that's ok.
Even though it kinda sucked, it can still mean something to me.
Also I'm a Moe Curls apologist. I liked him, shut up.
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