#is the mistake NOT thinking about him?

[superexplosive]

some of yall aren't thinking about Atomic Robo 24/7 and frankly it shows

[stargirl230]

ghost of you

super quick Sua screencap redraw to celebrate the new video release - no I was not expecting it to be Like That and yes I was devastated

(no reposts; reblogs appreciated)

[heph]

BEAUTIFUL SHADE OF FORDTRAMARINE!

[blabberoo]

You've done this before...

Countless of times...

Why now?

Bonus :)

[flwrkid14]

What If… Damian Believed Tim?

Imagine this: Tim Drake, standing alone in his belief that Bruce Wayne is still alive. Everyone else—Dick, Alfred, even the League—thinks he’s grasping at shadows. But Damian? Damian listens.

Not because he trusts Tim. Not because they’re friends (far from it). But because Damian knows one thing: Tim is never wrong when it matters.

It gnaws at him. The grudging respect he holds, born from Ra’s al Ghul’s own words, calling Tim a detective worthy of his respect. And now, Damian’s watching as Dick dismisses Tim’s theory. It feels… wrong.

So, Damian makes a choice. He doesn’t scoff. Doesn’t fight. Instead, he stands beside Tim, unyielding. Not as allies, not even as friends—but as two sons who refuse to give up on their father.

Tim’s solo mission becomes their mission. Night after night, they search, fight, and piece together a puzzle no one else believes in. And somewhere along the way, between shared glances and unspoken words, they stop being rivals. They start becoming brothers.

Because sometimes, belief is the strongest tether. And sometimes, it takes the least likely person to believe in you to bring you back from the edge.

[pricegouge]

the erotic pin up thought but imagine nikolai tattooing his favourite pic and surprising his lover with it :3

he's already been away for two weeks when you get a text from an unknown number. you don't need the contact to discern who it is, anyway. in istanbul. things are running long. don't expect me back so soon. you're not expecting a reply when you tell him not to worry, to just keep himself safe, but you're delighted when you get one anyway.

>>You too, milaya.

he messages you at least once a day, just to check in. you've never been able to contact him like this while he's been on mission before and you don't want to ruin it by being too needy but the temptation of your phone lays heavy in your pocket all week. you'd hate to interfere but he makes it hard when he keeps up a slow, steady means of communication. you wonder about the mission, don't dare ask. it seems unlikely that he'd let himself be so distracted if it were something high stakes, though. it's possible he's been relegated to glorified taxi while bigger pieces make their moves and you can't help but sympathize when you picture him waiting around, dining in the quaint kind of cafes he'd never really seemed to find an appreciation for - at least, not on his own. he was always happy enough to take you but it had always been very clear where his interest lied, dark eyes trained on you even as he ordered. observant, filing away each little reaction he could pull from you with savory dishes and select deserts. you flatter yourself, imagining his patience breaking, just a little more each day, just enough to text you, earlier and earlier each day until two weeks have come and gone and you've basically fallen into a constant rapport.

you ask for pictures of the city and he obliges, little peeks into the life he's living while away. yet more evidence this is some bizarrely political mission he doesn't really need to be present for. you note when he moves locales a few times but he tactfully avoids telling you his location again. he stops sending you pictures altogether when you start guessing correctly.

so you start sending him pictures instead. they start out innocent enough, testing the limits of what you're allowed to say on this line. he shows gives no intent to stop you when you show him the view from the summit of a local hike, nor even when you snap a picture outside a local restaurant, its logo left carelessly in frame. he only tells you to enjoy, doubles down when you send a selfie with your cheeks stuffed full of spanakopita.

you start to think he deserves a reward, being on the clock for nearly a month straight and still finding the time to check in with you.

his hangar is a sacred place, one you rarely enter without his accompaniment. too many expensive tools, machinery pulled apart with all its fragile bits exposed. you're always afraid to touch, afraid to break. nik had told you once that every item there was made of sterner stuff, that you couldn't hurt a swashplate if you climbed up on it. funny how you might be taking him up on the offer now.

(you wouldn't know really, the knowledge about what a swashplate even was having gone in one ear and right out the other. not your fault when he looked that good, jumpsuit folded down to reveal a sweaty, clingy tank top, wiry hair visible through the thin ribbed material.)

but you're getting ahead of yourself.

the tarp kicks up a mess when you pull it free, concrete dust having settled in nik's absence. it sends you into a sneezing fit and you curse, smudging your makeup as you try to wipe away the moisture collecting on your lash line. you decide to roll with it when you catch a glimpse of yourself in some nearby chrome, see the kind of effect it brings to your overall look.

your makeup is classic, a bright lip and exaggerated liner. even a painted on beauty mark to really knock it home. the outfit was harder to settle on, your every instinct telling you nik always appreciated when you looked your finest, all dolled up in expensive labels he'd bought for you. but ultimately you'd decided what was good for the goose was good for the gander, pilfering from his closet until you'd found what you were looking for, the exact same outfit which drove you mad.

nik's a big man, his jumpsuit made to reflect that. it drapes away from your waist when you let it hang but it's nothing that a clever safety pin corset can't fix, the top of the suit left to hang over it, hiding it away. long legs are easier to remedy, hems tucked into a pair of hiking boots you hadn't cared about in years, now painted to look the part with the same gear grease you'd smeared all over yourself, tasteful swipes meant to accentuate your soft curves, here on display under the dirty tank top you'd sworn you'd told him to get rid of, now tied tight around your waist to show off your chest. and now with your smudged makeup you think you've finally got it right, the look exactly what you'd been going for when you'd first got the notion in your head.

with the stage already set, the photoshoot goes easily enough. the poses are almost instinctual, the big wrench you wield almost natural in your hands as you lean provocatively over the engine block, tits to squished you doubt he'll ever even notice the size isn't right for the bolts in front of you. you try a couple of different styles, positions which are obviously designed with aesthetics in mind interspersed with more competent looking ones, even though it makes you feel ridiculous when you think of how obvious it will be to him that you don't know what you're doing.

you just have to remember how little he's going to mind it, all told.

editing isn't your strong suit. you're racked with doubt all the while, hyperfocused on every little flaw you spot. it gets easier when you remember the whole shoot is meant to be quite grimy and in the end you settle on a decent collection. you even remember to upload them to a file sharing site to avoid compression, sending him the link with a wink and a warning not to open in front of his comrades.

he calls you naughty immediately, but it's long hours before he can properly respond, a call that wakes you up in the middle of the night so he can pant and moan in your ear about how much he wants to bend you over that engine, peel his suit off of you and eat your cunt from the back. it's the first time you've heard his voice in weeks and the low rumble of it conspires with the slickness in your panties which never fully righted itself after your little photoshoot, the anticipation of his reaction keeping you primed for him. you come together before trading quiet reassurances. how much you miss each other, how you can't wait to see him again. he makes a vague promise to be home soon and you're still so sated that the twinge of loneliness feels like nothing really.

you think that's the end of it. that maybe he'll request more, at most. but then you wake up days later with a furnace at your back and a hairy arm draped over your side. it's still early, the sun not even up yet. you should let him sleep but you can't help rolling within the age of his arm and planting a chaste kiss on his cheek. even in the low light you can see how haggard and hollow he looks, run ragged for too long. his beard is overgrown, the short stubble he usually keeps filling out into a decent beard.

really it's unfair how handsome he looks even now.

"go back to sleep."

you huff a laugh and press another kiss to him. lower now that you know he's awake. above his cupid's bow, your own lips drawn tight with your smile. "but it's morning."

"can't be," he counters, voice thick with exhaustion. "i only just fell asleep."

you hum, distracted as you trace the wrinkles of his forehead. was that one always there? was it new? "maybe it's not wherever you were," you concede. "where were you, by the way?"

"where wasn't i?" he sighs as he rolls away, a great puff of air that cuts through the easiness of the morning, reminds you of what exactly he's likely returned from. the culmination of the mission, even the easy one it seemed to be. he was rarely ever trotted out for emissary visits, after all.

but you don't want to think about all that so you follow him as he rolls, laying yourself across his chest to keep him grounded as you rub against his far shoulder. "well you're home now and my vote's for sleeping in."

his chest rumbles beneath you, a quiet laugh you can feel more so than you can hear. he takes your hand in his and presses a kiss to your fingers before setting it back down in favor of reaching much lower to pull you more properly onto him. your grip shifts from his shoulder to his bicep and you pause when you feel the edge of a bandage there, worry settling low in your belly as you trace the edges of it. "you're hurt?" you demand, but you don't give him a chance to respond before sitting up and leaning across him to turn the lamp on.

it takes you a moment to make sense of what you're looking at, the bandage you'd felt before nothing more than four haphazard lines of tape holding a square of black plastic against his skin. he laughs at your confusion, thumbing the furrow between your brows away as he also sits up, pulling you onto his lap as he reassures you he's not hurt.

"what's that then?" you ask, afraid to peel the edges up and see for yourself.

he's chuckling as he does it for you, the wrap pulling away to reveal the neat black lines and bold color of a traditional tattoo, a plump little pinup in a barely-hanging-on mechanic's jumpsuit, her cartoonishly circular tits squeezed between her own arms as she leaned confidently over simplified engine block. it's good work from what you can tell. his bicep is a big canvas, the tattoo itself appropriately sized, leaving the artist enough room for minute details, smudges of brown oil accentuating your curves and a wry smile below demure lids.

still.

"you didn't," you scoff, too blown away to even know if you're actually mad or not. you don't think you are, but what if he -

what if -

"well it was either this or i get you airbrushed on the side of the blackhawk, but you are mine, and i do not want just anyone to see you like that."

[oceanwithouthermoon]

"i dont hate this female character, i just have a nuanced take on her" and the nuanced take is comically stereotypical misogyny

[blueskittlesart]

first appearance vs most recent panel. hits him with my babyfication beam

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[moderndayamymarch]

one of my favorite things about the deathly hallows book is the revelation that snape and petunia knew each other. like if you asked someone in 1997, “hey which two characters from harry potter have longstanding childhood beef with each other”. I’m not sure anyone would’ve answered “harry’s bitchy muggle aunt and the mean potions teacher”. but it also makes total sense. like they are the two biggest haters.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[sylvancastor]

Jaecaerys continues to be the only person with any sort of common sense. Obviously I'm not excusing what he says about people from the lower classes, but he makes a good point about his legitimacy being endangered by clear proof Targaryen bastards can claim dragons. Which is why the book makes SO much more sense bc the entire dragonseed idea is his idea, not Mysaria/Rhaenyra's. We can't know for sure bc of how F&B is written, but with it being Jace's idea it's implied at the very least that he's weighed the benefits versus the consequences to his own legitimacy and their dire need to win the war and decided in favor of having the dragonseeds claim dragons. Taking that idea from him though and having it basically be Mysaria's is a complete insult to him and a politically damaging decision he didn't agree to. And not only does he have to deal with that but also in this version he has to be the one consistently wrangling Rhaenyra's council because she's literally NEVER there. I sympathize more with Jacaerys every week bc I'm frustrated, so I can't imagine being him.

[shokuto]

Gwen didn’t not tell Miles about the canon event because she didn’t care, she didn’t tell him because she thought he’d die trying to stop it. It’s explicitly why she tried to stop him from changing Pav’s canon, why she freaked out when the rubble fell on him, and why she’s more dissident against Miguel after. Like the point with her is she buys into Miguel’s agenda of being powerless against the narrative until Miles averts it in front of her and inspires her to believe in the impossible

[batcavescolony]

To like comics is to ignore comics.

When your favorite character has existed for 80+ years, has had 100s of writers, has changed over and over again, sometimes they got it wrong. You have to decide what to ignore for your own sanity.

[mylittlecrow]

i will never shut up about jon promising to protect sansa in 6x09 and then the parallel of lyanna begging ned to promise to protect jon IN THE NEXT EPISODE. something something “if the day should ever come when your lord father was forced to chose between honor on the one hand and those he loves on the other what would he do?” and we KNOW ned picked love. ned loved his sister so much he lied to his king and bff to protect jon. ned loved his daughter so much he sacrificed his honor and duty to the realm and lied to protect sansa.

the writers intentionally put sansa at the center of jon and dany’s conflict. sansa’s not in king’s landing during the battle in 8x05 or 8x06 but she still haunts the narrative, her name is brought up by FOUR different characters. jon was ready to die if dany saw him as a threat to the throne. “i'm tired of fighting it’s all i've done since i left home.” and the only way to get through to him and to get him to fight again and to kill dany is to mention sansa and how she’ll never be safe with dany around. “if we don’t take back the north we’ll never be safe i want you to help me but i'll do it myself if i have to.”

and sansa is so used to being alone. she spent months waiting for robb to rescue her from king's landing, and it never happened. robb chose the north, his duty, over her. and she's beaten for the north's independence and then sold to two different families who stole the north from her. and then she finally finds help in theon and brienne and podrick but she doesn't feel completely safe again until she's in jon's arms. but even then she's still ready for more disappointment, to be separated from her family again because “life is not a song” and “there are no heroes.” but jon isn’t robb. “jon isn’t tormund. jon isn’t davos, or the red woman, or stannis for that matter. jon is jon.”

“where will you go? where will we go. i won’t ever let him touch you again. we need to trust each other. until i return the north is yours. touch my sister and i’ll kill you myself. what you did for her is the only reason i’m not killing you. i’m her family too. what about everyone else? what about the other people who think they know what’s good? i’ll protect you, i promise. no one can protect me, no one can protect anyone.” but jon proves her wrong, he can protect her. he will keep her safe. because when his day comes and he has to chose between love and duty, he chooses her. there still are heroes in her story and their story isn't over yet.

[pleaseinsertwittyurl]

There are always 2 sides.

The discourse around Louis and Lestat being a victim and abuser and nothing more drives me insane.

Something i don't think enough people remember is that the very same reason the fight began in 1×05 (lestat grabbing claudia by the throat when she tries to "take louis away") we see Louis himself do to her in 1×07 when she tries to get Louis to burn Lestat.

They BOTH would harm her rather than live in a world without the other. They are both guilty of abusing her and each other.

There is an implication that a good deal of time passed between Louis and Lestat meeting and the church. Louis expresses that he shares himself with Lestat in a way he only had with Paul. I would assume that goes both ways, to a degree. We know Louis knows at least enough about Nicki to discourage Claudia poking that wound. He also clearly knows that the threat of leaving is his most powerful weapon against Lestat.

Mental abuse is abuse. And Louis abused Lestat mentally for years. Shaming him, ridiculing him, shutting him out, manipulating him into making Claudia (a traumatic moment for him, whether Louis understands the depths of it or not) by promising to give him what he's being denying him, promising to never put him through what he fears the most.

Louis admits to purposely making Lestat suffer. He admits he was warned that Claudia would suffer and he wanted her anyway because he needed to feel redeemed. He is not innocent. He is not a trapped, weak victim. He made choices to hurt both Lestat and Claudia time and time again.

Does this justify Lestat's actions in 1×05? Obviously not. But we now know Louis was not willing to stop the fight. He taunted Lestat the same way he taunted the Alderman. He was unleashing years of frustrations just as Lestat was. His priority was not to protect Claudia, it was to hurt Lestat, consequences be damned.

I hate the drop scene as much as the next person and Lestat has admitted he will never earn forgiveness for what he did. But if you view Louis as some squeaky clean victim who was manipulated, trapped, and abused by Lestat you are missing so much of what this show is conveying.

We will always tend to paint ourselves as the hero of our own story. It is hard to accept your faults or that you hurt people you love. It is much easier to shift that blame on to someone else, to frame them as the villian. But life is not usually that black and white. Claudia had harsh words for them both in her diary, even before they got to Europe, for a reason. They both made hurtful mistakes with her, both treated her like a pawn in their relationship instead of a person, both harmed her, took away her choice, never prioritized her.

That is the great tragedy. That she never had a choice and was not allowed to be her own person. And in the end, they both are responsible for her misery and her death. That's what makes the reunion scene so important. They have been grieving her and carrying that guilt alone, all the while longing for the comfort of the other for 70+ years. Louis has found clarity in his memories, he has accepted his role in their suffering, he has seen Lestat's perspective more fully. Lestat is broken, totally consumed with that guilt and grief. Both know that although they cannot change what they've done, they can forgive the other, even if they can't forgive themselves. They can love each other despite everything they've done to one another because they cannot stop loving each other. But now they can try to rebuild that love from the rubble.