#is the best or only story structure

[lewiscarrolatemybrain]

One more time

A Positive Change Arc -- often called a Hero's Journey -- is one possible shape a story can take. It is not the only or the best character arc, it's just one option. In a Positive Change Arc, the protagonist begins the story believing the Thematic Lie, and must learn and embrace the Thematic Truth over the course of their journey.

TGCF and MDZS are not Positive-Change Arcs. They are Flat Arcs.

(I have not read SVSSS)

A Flat-Arc is a story where the protagonist begins already knowing the Thematic Truth, while the world around them believes the lie. In a Flat Arc, the protagonist will have their knowledge of the Truth challenged and tested, they will be tempted by the Lie, and they will ultimately use their conviction to inspire the world around them to also embrace the Truth.

Flat Arc characters do not need to learn the Thematic Truth. They already know it. They may be seduced by the lie, they may falter, but they will always rally back to the Truth in the end.

(If they ARE successfully converted to the lie, then that isn't a Flat Arc anymore, it's a Corruption Arc, and it's usually a tragedy.)

"But Xie Lian and Wei Wuxian learned--" Nothing they learned impacted the Thematic Truth. Did they learn things? Yes! That's how Being A Person works. Both of them DID change and grow as people from the start of the series to the end. But neither of them learned anything that impacted the Thematic Truth. Because they already knew it.

Xie Lian was already kind, he already wanted to help people, he already believed that common people should be protected and uplifted. His suffering at the hands of BWX did not teach him any deep or important lessons. He already knew the Truth. BWX tried to tempt him to embrace the lie -- that people are undeserving, that you should never do anything for anyone who won't grovel with gratitude, that caring for other people is a waste -- and failed, because Xie Lian knew the truth and even when he was at his lowest he was searching for confirmation that he was right. Xie Lian only needed one single act of kindness to reassure himself that he was right and BWX was wrong. He did not learn anything new, he reaffirmed what he already knew and understood.

Wei Wuxian is good, and righteous, and morally upright. He is a character who does the right thing regardless of the consequences he might face. The sects collectively wanted to destroy him because he refused to bow to them, not because he ever at any point actually did anything wrong. Even the vengefulness he showed while actively at war is narratively justified, and it's key that the sects did not care about the desecration of bodies while it served them. He did not learn any valuable or important lessons when the Sects raided the Burial Mounds. The fact that Lan Sizhui exists at all is proof for us as the audience that everything Wei Wuxian did was worth it. All of it mattered, and all of it was the right choice, because a-Yuan is alive. He doesn't come back to life having learned anything new, he already understood the Truth.

Obviously neither of them are Omnipotent. They learn that there's dudes in love with them, they solve the mysteries of their respective true Big Bads, they uncover some other stuff. But the Thematic Truth, the core theme of the story, is not a lesson either of them needs to learn. It is a lesson they teach others by refusing to bend to the Lie the rest of the world believes.

[maybe-boys-do-love]

Actually kind of tired of seeing people qualify shows as QL or queer coming-of-age instead of BL when they’re perceived to depict any aspect of the gay experience beyond two guys just falling in love.

[fictionadventurer]

In my continuing quest to learn more about Laura Ingalls Wilder as a writer beyond the Little House books, one of the most surprising things I've learned is that apparently she wrote a small collection of cutesy poems about nature fairies.

They were originally published in a children's column in the San Francisco Bulletin in 1915, and are apparently about a couple of fairy characters who paint flowers and bring dewdrops and bring about other natural phenomena. This post goes into more detail about the poems, and the interesting blend of practicality and whimsy that goes into her presentation of fairies.

It also provides one of the poems.

And this quote about the importance of giving children fairy tales that's almost Chestertonian.

Wilder explained why she preferred such magical images of natural processes in a column for the Missouri Ruralist called “Look for Fairies Now.” She argued that children needed tales of fairies to help them see beyond the surface and to use their imaginations. In the olden days, she explained, farmers left some of their harvest for the Little People who “worked hard in the ground to help the farmer grow his crops.” Perhaps this idea was just superstition, she continued, “but I leave it to you if it has not been proved true that where the ‘Little People’ of the soil are not fed the crops are poor. We call them different names now, nitrogen and humus and all the rest of it, but I always have preferred to think of them as fairy folk who must be treated right.

On the one hand, this feels like just another example of how it was apparently a requirement for female authors of a certain era to write cute nature fairy poems. But with the context of the quote, it's also surprisingly fitting for who she is as an author.

[cauterisen]

to me, superhero kimiko is a dc character AND a bat character but kimiko is also a spider-man character but NOT a marvel character do u get it

[ghostlynimbus]

The good news is I think I have figured out a strategy for trying to get back on track with There's a Rumor

The bad news is it's going to take a lot of time and work.

[buglarvainspector]

Excuse you, Found Treasure by Grace Livingston Hill was -- you know what, nevermind.

Nobody understands the bond between a girl and the mediocre book she read when she was 13 years old.

[sanjida1]

AI HIGH TICKET COMMISSIONS

[desertdragon]

Semi Abt last post but I do think it's funny now that the first expac without all the history built up over the last decade from the other expansions since that plot ended in EW, the general reaction to DT story is people finally realizing these mfs can't write a cohesive campaign that isn't (95%) stale bread and empty platitudes

[aria0fgold]

I just realized that the setting in which I put my OCs' stories in is... sci-fi, isn't it? This is sci-fi........ This is a baby sci-fi in the making......... losing my mind why did I do this.......

[foldingfittedsheets]

When deciding who to work for there is a sliding scale of employers that goes from lil mom and pop shops up to corporate monoliths. I have worked at both ends of the spectrum and I can pretty definitively say that tiny businesses are hands down the most insane employers.

The sweet spot is a place that has like 10-20 stores; that’s the best possible work environment. They’ll be polished enough to have protocols that make work structured, but not so bogged down with bureaucracy that nothing can ever get done.

This story is not from that sweet spot. This story is from my time working at Oil and Vinegar. Now, like many little franchise stores, the idea was solid. There was on tap imported olive oil and vinegar and it was really delicious. Top shelf. Unfortunately, each location was like the Wild West because owners varied wildly.

My owner was the human embodiment of Mr. Krabbs. His eyes were just constant dollar signs. Throughout my training he informed me of the price of every single piece of equipment I touched and how much it cost to replace it.

He had cameras set up to watch us, and an app on his phone to access the live feed. He’d call us to ask what we were doing when he’d just checked a camera to make sure we were being honest.

Now, the trouble was he had two locations. His location further south did amazing. It was way more centrally located and got three times the foot traffic. The one I worked in was in the snottiest mall possible in Arizona and consequently the rent was through the roof.

It was not going well for my store. We didn’t get as much traffic, so there was only so much I could do in a day. I could dust, sweep, and wait for customers. I read a lot and was frank when he called to interrogate me. I always asked for additional tasks but he never had any. What could I do to prop up a failing business?

But this man was convinced there was some Secret Reason that the store I was in was doing worse. He crunched numbers, looked at staff, and eventually hit upon the most insane possible solution.

We used too much toilet paper.

We were probably stealing toilet paper! Bleeding him dry one single ply square at a time! How dare we need to use the bathroom?! His south location used half as much toilet paper as we did, we must be thieving little monsters!!!!

Friends. The south location was populated entirely by men. My location had three people on staff who had to sit to pee. It was so blindly transparently the source of the discrepancy but this man was convinced we were making off with toilet paper to bankrupt him.

So he implemented what he believed to be an entirely reasonable response to this base treachery. We were allowed to have one roll of toilet paper. At any given time, one roll was permitted to us. This was so transparently unhinged that we protested but he insisted. If we were low on toilet paper we needed to call him to drop off a roll that he brought from his home. Smiling jovially, he assured us he lived so close by that it would be no problem!

When we needed to call him often for more he started tearing his hair out. What were we using toilet paper for?! Why wasn’t his genius plan to stop our scandalous waste working??!

Finally, the manager, the only man on staff had to pull the owner aside and be like, “Look, man, their bladders are smaller. They need to wipe every time they pee. They need to pee even more on their period. Is this really the hill you want to die on?”

Yes. It was. The manager was fired unrelated reasons and denounced as a traitor. The toilet paper ration lasted until I quit and probably until the store closed six months later.

[arolesbianism]

I am being bewitched by the random card au once more. I <3 inventing more and more ways to ruin characters lives with magic bullshit I pulled out of my ass

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[bbyobbyo]

seventeen as dads headcanons

content: reader is married to svt, normative(?) family structure, literally just unhinged thoughts, not proofread lol

note: was trying to write an actual fic but then got distracted sorry, dadventeen brainrot is so real

Seungcheol

Super protective “don’t touch my family” dad outwardly

All of his kids’ friends are straight up SCARED of him

But within the household he's the one sneaking ice cream when you say no, albeit guiltily

Shopping trips with him will always result in buying something for them and he is very willing to be taken advantage of

“Babe if I can’t spoil them now, they’re gonna grow up and move out before we know it!”

Tries his best to be handy around the house, but probably makes it worse, ends up calling Mingyu to come fix it

Jeonghan

DEFINITELY a “go ask your mom” dad

This man not only powerless, he doesn't even want the power, he's just here to have a good time and if you say they can't, then sorry kiddo

You can’t tell me that he doesn’t bring up becoming a family prank channel at least once a week

LOVES bragging to everyone else about his kid’s achievements, cannot shut up about them to anyone in a 5 foot radius tbh

His kids definitely talk to him about everything, which is great because he is SO nosy.

Has a list of all their best friends, enemies, and crushes at school somewhere on his notes app for future reference when they come to him for advice

Joshua

The REAL practical joke dad, admittedly made them cry a few times when they were younger and felt really bad about it

Perfect sweet husband and father in image, all of his kids know he’s actually lame af

Dominates the summer barbeques, UNDISPUTED GRILLMASTER

Super dependable, will drop everything if his family needs him and never goes back on his word

Gives surprisingly good fashion advice

Jun

Definitely walks around the neighborhood with his baby in a sling carrier strapped to his front, POINTS AT EVERYTHING OF INTEREST

When they start learning how to speak he adopts all his baby’s weird mannerisms (it started off as a cute joke but then realized he couldn’t stop)

Cries at every baby milestone until they’re like 10

Will not stop bringing up embarrassing childhood moments, especially in front of their kids’ friends/significant others

Cuts fruit for them instead of apologizing

Hoshi

Will fully ally himself with his kids

Like legit would do anything for them. ANYTHING.

I’m talking borderline go to his kid's school to beat up their hypothetical bullies himself sort of dad

The kids can always count on him to say yes if you say no

Absolutely DEVASTATED when they grow out of the tiger stuff he buys for them and become angsty teens

“What do you mean tigers aren’t cool? Do you not love your old man anymore?”

Wonwoo

Quiet doting dad

Definitely more affectionate when the kids are younger but gets into the awkward advice-giving stage when they grow up

LAME DAD JOKES GALORE, groaning is a regular activity in this household

Tries to google basic algebra every time his kids ask for help on math homework because he doesn’t want to admit he forgot everything

Chaotic af unsupervised. “Guess we’re having pizza again tonight kiddos” kinda dad because he cannot and should not cook

Jihoon

Another quiet dad, but make it savage

I feel like he would just love roasting his kids (affectionately of course)

And always overwhelmingly acts of service so his kids know they are loved

Allowance randomly appearing under their pillow, their favorite foods magically stocked in the fridge, always relenting to one last bedtime story no matter how tired he is

Would let you have final say but he makes it really clear he’s on their side and empathizes with them but its out of his hands

“Next time just don’t get caught, okay?” *winks*

Minghao

Loves loves loves just spending time with his babies

Doesn’t matter what he’s doing he just wants to be in the same room as them or cuddling and holding them

Emphasizes equality in your relationship so his kids can grow up with those values and learn to respect others

TURNS EVERYTHING INTO A LIFE LESSON OH MY GOD

Doesn’t believe in allowances but will cave and literally buy them anything they want if they ask

Would rather die than miss any important event (competition, speech, recital, talent show, graduation, etc.)

Mingyu

Absolute super dad, what can’t he do? Nonstop home improvement projects, cooks anything his kids are craving, offers to drive everyone everywhere

But also the whiniest dad ever lol constantly complains about people “ruining his system”

Absolutely FUCKS at the school bake sales, earns them twice the target fundraiser amounts because he's dilf material and knows how to get the moms to spill their pockets

Likes to have the final say, but you’re both usually on the same page in regards to discipline so his kids aren’t getting away with anything

Just the most supportive dad in the universe, the kids learn to never take him for granted

Seokmin

You already know his kids are gonna be spoiled rotten. He will be the favorite parent by default sorry I don't make the rules!!

His arms are the very definition of a safe space

Leaves all the discipline to you because he cannot keep a straight face when delivering a lecture (one time he made them cry and also ended up crying because he felt so bad)

Does so much embarrassing shit just to cheer his kids up when they have a bad day, acts surprised when they tell him he's cringe

Such a pushover that they are probably gonna make fun of him when they're older, but that's okay because they know there's no universe in which their dad will stop loving them

Seungkwan

As long as he can pick them up still, his kids are never on the ground for too long

Two words: SPORTS. DAD.

He could practically captain the cheerleading teams at their school with how many events he's been to

Knows all of his kids’ friends parents, they all get together and have coffee once a month actually

Nags nonstop and complains about everything he has to do for them, but is always diligent and does it without question

Gets so pouty when they start getting embarrassed to show affection, he WILL get his cheek kisses if it's the last thing he does!!

Vernon

Chillest dad in existence?!?

Literally as long as his kids are safe he doesn't give a single fuuuuckkk

“Sleepover? Yeah, call me when you're done and I'll pick you up.”

He WILL argue with you if he doesn't think there's a good reason to say no to them

So cute and encouraging to all their weird hobbies and phases throughout the years. “Lemme see” and “Really? Show me” are regular phrases in his vocabulary

His kids are definitely gonna inherit his legendary facial expressions afnngjdg

Chan

Super affectionate and doting, but also quite strict with them at times

“I just want the best for you, I want to see you succeed”

HAS A PHOTO OF THEM READY AT ANY TIME, lockscreen is a different shot of his kids every day and is eager to show it off even if no one asked

Not so subtly signs his kid up for dance lessons

Just the most encouraging dad ever, makes sure that they know making mistakes are a part of life and that he will always love them no matter what

[fibfoolingart]

i swear this was just supposed to be some fun aesthetic swap doodles, but then i started thinking about The Implications and now i have a wholeass story behind this au lol

any world where grace chasity isn’t a horny, homicidal prude, we lose the original plot, so this au would revolve more around the church of the starry children then max jägerman lol

solomon decides the best way to wield power in hatchetfield is through religion instead of government and he unites all the tiny denominational churches into his church, becoming the pastor (happening around the same time steph starts middle school.)

it works. almost everyone attends solomon’s church, and it becomes a required social event for anyone who’s anyone in hatchetfield.

but it’s all a manipulation for bigger purposes as solomon slowly incorporates text from the black book, pushing the church into culty territory.

as the preacher’s kid, steph is under constant scrutiny. she might have wanted to rebel as a kid, but the wrath of god is a much bigger threat than just breaking her phone and solomon uses fear and guilt to keep her in line, turning her into a model of godly behavior (at least on the surface).

the chasitys refuse to join solomon’s church, but their small congregation shuts down when there aren’t enough people left. 

grace’s parents encourage grace to pour all her free time into individual bible study to make up for the lack of church, church activities, and church outings, but grace starts treating the bible like a textbook instead of a spiritual guide.

without structured church activities, her obsession with rules and procedures shifts to the school system

grace unknowingly separates herself from spirituality when her bible obsession becomes academic. she’s still a christian, but she’s more likely to corner you in the library to infodump about angelic hierarchies than preach about purity.

travis coulson was ruth’s older cousin. it freaked her the hell out that someone could be bullied that bad that they have to transfer and their entire life is erased for a dumbass lie that everyone believes. so ruth vows that she and her friends will never be outcasts (or timberwolves) and drags pete and richie into a "popularity pact" in fifth grade, forcing them to get cool or else.

the trio spends their summer doing research and practicing social skills. (they basically spend their time practicing masking autism and refining their ability to camouflage.)

the trio starts researching what’s cool. their findings? football players, student council presidents, and school play leads are the pinnacle of popularity. so, they throw themselves into middle school tryouts and campaigns to fit these roles:

richie tries out for football but ends up as the mascot.

ruth auditions for the lead in the school play but gets relegated to lighting tech.

pete campaigns for class president but only gets elected secretary.

instead of quitting there, they regroup and try again in high school:

richie uses the athleticism he got as a mascot to land him a spot on the swim team.

ruth works her way up to the the student/assistant director for the school plays

pete works his way up the student council ranks, eventually becoming class president.

the trio is finally just cool enough that their quirks get rebranded as "quirky-cool" instead of "weird." they still bond over star wars and anime in secret, but their popularity ensures they’re never targets again.

[losergames]

Chop Shop is strictly 18+ for language, themes, and potential explicit content. 

🔗 - Game Intro | Bug Report | Ko-Fi

Episode Four is now available! (+ 59,000) - PLAY HERE

Debrief after your meeting with Inez.

Steal... or don't!

Yvonne has a secret.

2 more achievements.

And more!

This update comes with a patch (Version 1.2.3) For this update you will need to start a NEW SAVE. An updated inventory macro has been implemented and is not compatible with old saves. I really wish you didn't have to but it's what's best for the game and its longevity!

Patch notes + author notes are under the cut. If preferred, you can access them in game in the start menu.

STORY

PROLOGUE:

General edits and fixes.

More vague, as to not elicit any emotional connection to the crew for continuity.

EPISODE 01:

Added a new set of personality building choices when meeting KJ, Jonno, Natasha and Aiden at the bar.

EPISODE 02:

Tweaked the conversation with Dilani in the closing scene to reflect more on the situation. Added some more fearful dialogue and flavour text.

Other general edits and fixes.

EPISODE 03:

Fixed gaps and spacing issues.

Minor phrasing and sentence structure changes.

Grammar and typo fixes.

UI + TECHNICAL

SETTINGS:

Changing the font size now only applies to the game text in the passages.

Added descriptions to the toggleable settings.

UI:

The background now changes colour dependent on what theme you are using, instead of the default black.

INVENTORY:

The inventory macro has been updated! Previously V2, now V3 of the ChapelR Simple Inventory Macro.

CREATE A SAVE

Modified the randomise PC choice, setting pronouns in 'sets' instead of randomising each pronoun separately.

GAMEPLAY MODE

Players can now choose a gameplay mode when starting a new save: Regular or Challenge.

Challenge mode disables the back button, disallowing players to return to the previous passage. Players cannot redo dice rolls or try out different choices for desired outcomes.

Challenge mode is not available in Create A Save. All CAS made saves default to regular mode.

AN: hello hello! it has been a while -- episode 04 is finally here!

this ep was a long one to get through but we finally made it out of the fog. i found that i wrote a bunch of stuff that just... didn't fit? but is hopefully going to be used later down the line, so it's cool i've got shells of scenes for later.

i can't find any game breaking bugs myself and my amazing beta testers have scanned through as many possible variants as they can! of course, if there is anything funky, broken, or maybe not triggering correctly, please submit a bug report!

again i will say that you will need to start a NEW SAVE for this update. unfortunately the updated inventory macro is not compatible with previous saves. i really didn't want this to be a thing when updating chop shop but it is unfortunately just the way for this update - apologies!! i know it's super annoying when games do this but chop shop is still a wip so there will always be some teething problems along the way.

as i look through my notes, we have now completed act 1 of my outline (AAAAHH) so soooo exciting. finally pc can stop wringing their hands about being bad and actually //start// being bad.

if you've made it this far -- hello and thank you! i'm so happy we're at the point where PC is making some real decisions, taking another step into their life of crime.

happy update day and happy reading!! thank you so much for the continued support and patience!!! i hope you enjoy the new episode! - becky :-) <3

[sideysvault]

⋆˚࿔ Handmade 𝜗𝜚˚⋆

Cregan Stark x fem!reader ₊ @hotd2025bingo. ₊

⋆⁺₊⋆ ━━━━⊱ • ⊰━━━━ ⋆⁺₊⋆

wc. 1258k

tags. [sfw] arranged marriage, slowborn, fluffy, family life, they are both shy and dumb, mutual pining.

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Most days, the woman was deeply intimidated by his presence, by his way of being. Cregan Stark had impossibly gray eyes, which reminded her of a winter storm. Whenever she walked behind him, his broad back would obfuscate almost all of her view. Not to mention his God's forsaken honor. It all made her uncomfortable. 

It was like the North itself was rejecting her. No matter how hard she tried, she never seemed to be worthy enough for it, honorable, brave enough. 

The prolonged exposure to the weather seemed to use all of her body’s stored energy. Most days, the Princess felt tired, with her facial muscles fighting to move against the freezing breeze, her cheeks were perpetually red, in a constant state of burning. And, the people of the region? Despite her best efforts, they still saw her as nothing more than an outsider. Someone not built like them, not educated on their rigid values. A liability at best, and a foreign spy at worst. 

And the only thing more righteous than the frosted soil? The lord of Winterfell himself, Guardian of the North, Lord Cregan Stark. Her husband. 

It is not like she could not admit it. It was intoxicating, that beautiful honor of his. Even after consummating the marriage, even after sharing the same bed in the cold of dawn, he called his wife by title instead of by name. She supposed it was to be taken as a sign of respect. But the majority of the time? It felt like a polite rejection. 

The Princess did not need to corroborate the date to know what it was. She was turning a year older, alone, in a strange land with strange people. And even if she knew that she had no right to complain —After all, a young, kind, and distant husband is every woman’s dream— she had still hoped for marital love.

You see, beyond the tales of honor and horrifying efficiency, she had heard stories of families in the North being formed out of love and loyalty. Even rulers had this privilege, often growing to form meaningful connections with their arranged spouses. Perhaps the ardent patriotism they felt to their land seeped into their crops and fed them with devotion. Or so had the Princess thought. But it had been months now, and all of her efforts had been rendered futile. 

In defiance of her pride, when he saw Cregan Stark, she couldn’t help but to waver under his charm. Feeling the inexplicable need to gain his affection at whatever cost. Cregan was a stern and formidable man and a good friend to even the Night's Watch, the most forlorn amongst the realm. 

And Dear Gods, was he a handsome man. A long, steel-strong face, auburn brown hair, and unbelievably tall. Her husband did not need the heavy furs he usually wore to keep out the fur to look stout and robust, but they definitely made him look irresistibly personable. She had always thought that a Lord rarely wearing precious metals or jewelry was rare. Further, speaking on her husbands' rejection of traditional power structures. She had sin with a lack of modesty in the past, but now she viewed elaborate decoration as ostentatious and unnecessary, specially when their people were struggling.

Cregan was loud, just and had a strong moral compass. How could she compete? How could she ever complement his values? 

She had a recurring dream, at least as of late. The woman had begun to wish for only two things: For her husband to perceive her as fair enough as to fall in love with her, and for the crimson red between her legs to stop appearing altogether. After all, who, amongst all men, could be a better father? A kinder husband?

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Regardless of the land's greatness, it could not be argued that the North was considered one of the poorest regions in Westeros. He tried to ignore his shameful instincts. But whenever he saw her, he couldn't help but feel like a brute. He did not have much to offer; a busy life, an inherited, dangerous prophecy, primal worship of the Old Gods, a struggle for survival, and his people, who were stern by nature.

He felt a pinch of superficial guilt in seeing his beautiful wife dressed in the North's dour clothing. The shades of blue and gray danced behind his eyes, covering her warm skin in the musky colors of the winter climate.  

Cregan knew that this was merely an easy mark to avoid unraveling his true grievance with the situation. He could not provide what she deserved, and his wife still woke up besides him every morning, with a kind smile on her face.

This would be the first birthday his wife would spend on her new home. And Lord Cregan was trying to reclaim what he felt ashamed of. Determined to transform the grouches, into something she would like. 

But how could he possibly thank her for her kindness if he just had all the work done by someone else? Making it himself would be the least she deserved. The Lord of Winterfell wanted to gift her a costumed jewel that would remind her that she deserved to have a little comfort in her life. He did notice how hard she had tried to follow the North's austere ways, specially his own. And while he endlessly appreciates her tact, he wanted her to let go of the idea that being married to him implied she had to restrict herself so severely. It was a weird thing, he thought. How fond he had become of her and how little he had been able to show it.

While he was gilding the hot metal, Cregan’s mind trailed off to her naked, sweaty back, and the way she turned back to look at him with lustful, doe-eyed eyes, he remembered the times she prepared them a glass of wind, ideal for them to share at night, talking till dawn about nothing in particular. The truth was that the Northerner was not particularly fluent with words, but he would love to hear her silky voice telling him stories and teach him facts that he would've never thought to be so fascinated by. He craved learning every detail about her, no matter how mundane. Cregan Stark adored her for travelling with him and learning about the winter soil and its costumes, meeting people with a strong, confident gaze that remained resolute, even in spite of her skin, which always cracked under the freezing cold. 

He loved seeing her play with snow when she thought no one was watching, he liked how kind she was, that his wife was never scared of petting the wolves; He felt fascinated by how quickly they would trust her, as if they could also perceive the brave openness in her soul. 

A smile appeared on his face as he realized that he wanted a family. Not for the continuation of his surname, but he wanted to create a home of their own, with who he considered to be quickly becoming his closest friend. Having a babe that carried their mother’s laugh within them, her wit, her curiosity, It would make him the happiest man in Westeros. 

He tried to infuse in every dent all the words he was too ashamed to say, a cowardly way, yes, but perhaps the safest way of expressing the deep love he had developed towards her. The love she was too shy, too stupid to express with his own voice.

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notes. This is my first time writing for Cregan! I'm still not super sure about how to characterize him, but this has been stuck in my mind since I saw the prompt on the hotd bingo. Personal updates? After two years, I'm still in love with my ex (yay!). This is a bit slppy and rushed but i missed posting and the comfort writing can provide<3. Anyway, take care.

All credits from the idea of Cregan calling you by title instead of name goes to @sylasthegrim’s wip. Thank you sm for the inspo! go support them rn

-Sidey xxxo