#if you are going to try and get into meta
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charmsthethird · 1 day ago
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japan '25
pairing: reader x lando norris
warning: mature content under the cut, you are responsible for your own media consumption. degrading.
a/n: bit different, trying a more direct approach to the smut. also, the reader is kind of lando's inner demons about the championship battle (not to be meta about smut lol). let me know what you think!
If there is a limit to how far you can push one, Mr Lando Norris, you had yet to find it. You had worried, initially, that he only enjoyed running his mouth and couldn't cash the endless cheques his ego wrote. But you had slowly come to learn that you had nothing to fear. Lando wanted nothing more than to pay in whatever way you thought he deserved.
The race had been a masterclass by four-time world champion Max Verstappen. You were proud of Lando—of course, you were—but second on the podium wasn't what he needed so early in his championship campaign. Lando knew that.
On the podium, drowning in champagne, he had known that. And now, hours later in your shared hotel room, you were making sure he wouldn't forget it.
"Please." The word punched out of him. "I was second. I was good."
Your hand breezed ever so gently across his stomach, fingernails teasing the edge of his boxers. "You came second last year."
"I'll do better next weekend," Lando huffed, his breath coming quicker the lower your hand drifted. "Just touch me. Please, I need it."
"But do you deserve it?" You ground the heel of your palm into the tent in his boxers cruelly.
His back arced off the bed, "Yes, yes, please. I do. I deserve it."
"Really?" You ripped your hand away, "You're not even looking at me."
Lando made a noise akin to a dry sobbing noise, nose scrunching and eyelashes fluttering. "I'm sorry. I'm sorry."
"You're still not looking at me." You pinched his right nipple harshly. "You're not making a very good case for yourself."
"I'm—" His hips jumped as you pressed your hips purposefully to his. Sliding a denim-clad thigh to press against him. He blinked slowly, panting with focus. "I deserve it. I can—"
"Go on, baby, I'm listening." You rocked into him gently.
"Sensitive." He whined uselessly. "Been hard since the car. Please just—"
"Just?" You mocked, angling your hips and pulling punched out little sounds from the man beneath you. "Need to be touched? Need me to use my mouth?"
"Yes," Lando seemed to come alive, eyes flicking up to meet yours, body shivering against yours, hips meeting your thigh. "Yes. Need you, please."
"Too bad only winners get that sort of treatment."
A long, fraught whine fell from his parted lips. He pressed forward, searching for your mouth, "I will win. I will."
"Yeah, baby, you will." Your sweet tone was undermined by the grip you took on his jaw. "But you didn't. So you'll get off like this."
"No baby, please," Lando's hands scrambled for your hips, pulling you further into him. "I'm still leading. I'm still—"
You twisted your fingers through his, pulling both hands from your hips to push them above his head. "Maybe I should call Max. Winners deserve proper treatment after all."
Lando thrashed weakly, his hips rabbiting. "No, no. It's mine. You're mine."
You kissed a tear from his cheek and pressed your lips to his ear. "Prove it. Make yourself come for me."
Lando's hips found yours as he keened, tiny shivers wracking his body as he gave bodily into a moan that seemed to rip his soul free. Dampening the leg of your jeans as he pulled harshly at your grip on his wrists, he curled himself into you. His lips finally found yours, as his breath ricocheted wildly. You pulled back, kissing tears as they tracked his cheeks.
"My baby. My champion." You traced your hands from his wrists, down his arms and to his sides. "You did so well."
Lando simpered, "Good?"
"So good."
That was the thing with you and Lando; at the end of the day, as long as he could prove himself to you here, the whole bloody paddock could screw themselves for all he cared.
You kissed his forehead, "And next week, you'll do better."
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demon-at-peace · 19 hours ago
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DC + DP theatre kids
So Sam is such a theatre kid, don't even try to lie to me, she's dramatic, sassy ect, but she wouldn't ever participate in it, because the popular kids would be there, and it would just be awkward, after highschool though she drags Danny and Tucker to a small theatre three hours away.
Located in Gotham of all places, the current play is Hamilton, (purely for myself) Sam is Hamilton, Tucker is Thomas Jefferson, and Danny decided to be Eliza, they are in love with it. They are singing Guns and Ships in car rides, just utterly in love with the tiny Gothic theatre and the play.
Sam is thriving, funding the theatre simply because she can't stand to see them go out of business. the theatre kid shenanigans are maxed out. They are gossiping in the wings (totally get told to shut up) Sam constantly complaining about itchy costumes.
And obviously the theatre hasn't had enough funds to put on a production like this for years. So they are going full out, and are sold out. The bats are worried, rouges are theatric, there is a reason the theatre hadn't gotten funding, or actors. The rogues liked to make a mess of things. After all last time something like this was the Grayson's.
So on the opening night everyone is just waiting, for something to go horribly terribly wrong. The bats stationed around waiting for the joker, or scarecrow, just something to happen. Dick is so stressed out, he's fretting, yelling at everyone, practically breaking down. The bats are nervous too, this is practically begging something to go wrong.
Except Danny, Tucker and Sam refuse to let something go wrong. The first interference, an attempt at releasing fear toxin, is easily stopped by Danny. The next rouge to try something is Mr. Freeze (idk I just needed a rogue) the room starts to get cold, and Hamilton stops it, delivering right on beat of one of his dramatic lines.
Joker goons come at some point and Danny (in full costume) is just foiling them effortlessly before strutting on stage and delivering the best performance of his life. Tucker utterly saves the tech from going wrong, mad scientist hacker mode and then flounces on stage as Thomas Jefferson .
the bats are smitten. Steph doesn't know what to say, the lead is hot, and clearly a meta, and just effortlessly beat up a goon in the wings of the stage.
Tim doesn't know what to say about this Thomas Jefferson, other than he's a genius, and really fucking pretty.
Jason might be in love with the badass crossdressing guy that's Eliza. Because anyone who can beat someone up while wearing a corset is his type.
Jason is full also in nerd mode, and is utterly oblivious, he's singing to songs, and full on in love with all the actors voices. So what if he knows Hamilton, he doesn't predict the headlines, or realize his career as a badass crime lord is done.
Duke is also a theatre kid and knows all the lyrics, because he was forced into an after school activity as a kid and fell in love. so he knows the lyrics too.
Eventually the performance is done, with nothing happening, the rogues beat to hell, the bats exhausted, but they still ask out their perspective partners, because if they lose the chance they will regret it for eternity.
They say yes, obviously. And the first dates just make them fall in love even more. Mind you the next play is even more chaotic.
---
Hamilton is just awesome. I have no defence, I am simply a nerd.
Sorry I haven't been posting, schools are stressful and I've been a moron. also thank ya'll for being amazing, fr tho I'm shocked so many people like my silly ideas, but thanks!
Also am I spelling theatre right? cause google agrees with me but Tumblr doesn't.
Bye!
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occasional-yan-stuff · 1 day ago
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Yandere!Meta!Otome Love interest X GN!Isekai!reader
details: Isekai, angry yandere, reincarnation
warnings: man handling, nonconsensual kissing, threats of violence (not towards reader), possessive behaviors, obsessive behaviors, implied stalking, allusions to infidelity, death by old age
You didn't feel it when you died. You were already so old. It was peaceful in your sleep. When you awoke you noticed so much had changed. Your skin was smooth and no longer loose. Your hair was soft once more and all the pains in your body were gone. The room wasn't one you recognized either. Well... it was familiar but you couldn't remember from where.
You approached the mirror and your eyes went wide when you realized. You hat turned into the protagonist from your favorite phone game! The very game you had spent so many hours in when you were stuck in your bed and could do nothing else but play games and watch TV. Your grandchildren always said that it was "cringe" for someone your age to play games like that but you didn't care. The boys were so pretty and charming.
Your favorite boy was one named Caspian. He was aloof and mysterious and his route was only playable when you had romanced all the other boys. The thing was, you didn't have to wait that long. You had played his route so many times you practically knew it by heart. You knew just the ways to act differently from the original route to make him curious about you. You knew everything to say to wiggle your way into his heart.
Kissing him in real life was so different from how the game had always described it. He tasted like black berries and moonlight. You never understood what the game meant when it described him like that but now... you did. And you understood how sweet and passionate he was. It was better than any man you had ever kissed in real life. He was better than any man you had ever loved in real life.
You got to redo all of your favorite scenes with him. When he saved you from wolves, when you cooked together, even some of the scenes you had originally had to pay money for. You knew what to say. You had payed for the knowledge in your past life. You lived through the whole route, just as you remembered it. Part of you had worried that when you finished the route it would all go black and you'd just be gone but... it didn't. You got to live on and experience everything beyond the story.
It was hard to know how to act at first since you didn't have the guide but eventually you just started expressing your real personality. Surprisingly, that didn't put him off. Being who you really were made you love him even more. You got married and moved in together. Each day he would come to wake you with a smile on his face that you hardly ever saw in the game.
"Good morning, beloved!" he would always say.
The two of you grew old together and eventually you died, just like the death you had had the first time. Still, although you two had a whole life together, you never truly did come to see him as anything more than a character.
When you woke up again you were back at the start of the game. Oooooh. So this is how it worked. You preceded to date and have a life with every single boy. Issac, a flirty bad boy, Terry, a golden retriever, Leo, the princely type (and the actual prince), and Gregory, the tsundere. Each one was an amazing experience but you noticed something odd... Caspian didn't act like he did in the game.
In the game, he would always avoid the MC and treated them like they werenent worth their time. Now, he was always catching you berween scenes, trying to strike up conversations in the hallway and listening to you silently in group scenes. He never payed any attention to the MC... what was different. Not only that, but every route you went through, he seemed more and more intent on interacting with you and getting to know you. By the end he was even flirting with you on occasion and sometimes, in payed scenes, you could swear you felt eyes on you through the window. This... wasn't supposed to happen.
Finally, you had been through all the routes. This life was going to be very exciting because you had a huge plan for this one. You were going to go against the script of the game, act as your self, and see what happened.
That's what you thought, anyway.
Shortly after waking up on day one, you heard a knock at the door. This definitely wasn't how the story went. Hesitantly and with much confusion you approached the door. It opened with a creak and there before you was Caspian. He was tall and dark and angry. Before you had time to say anything at all, he grabbed your face. Not hard enough to hurt terribly, but enough to press your inner cheeks up against your teeth.
"Good morning, beloved," He said through clenched teeth. You swallowed a lump in your throat.
"Have we ever met before?" your eyes darted around frantically as you tried your best to make your smile look clueless. Surely, he couldn't have remembered you. How could he? You had both died and none of the other characters had remembered.
"Don't play dumb with me," he snarled as he released your face, grabbed your arm, and pulled you up to his chest. Maybe it had something to do with you romancing him first? By not waiting to unlock him like you would in the actual game, something in the universe was rewritten, making him aware, like you.
"H-how did you-" you could hardly push a thought out.
He held you firmly by the waist before tossing you into a carriage. He locked the doors behind him after joining you.
"Do you have any idea what its like," he asked, crossing his arms as the carriage began to move, "To watch the person who pledged themself to you pledge themself to four other men?"
"Well, I didn't think yo-"
"You were supposed to love ME!" He was livid. You had never seen him this mad before. There was really no way to respond. He was leaning in so close to you now.
"Where are we going?" Was all you could bring yourself to ask.
"I'm taking you to our house," he said, "the house with all of our memories."
The tension was so thick. You couldn't bring yourself to say anything as he stared you down for the entire ride, occasionally taking a break to look you up and down. As angry as he was with you and the men who had taken you from him, he was also so very excited to have you again.
You pulled up outside of his mansion and he unlocked the doors. Your body was slung over Caspian's shoulder like a sack of potatoes as he carried you inside. He plunked you down in your usual spot on the couch. It was so familiar. Almost nostalgic.
"You are never leaving our house again," his voice was acidic, "if you try to then I'll have no choice but to make you regret it," a sadistic smirk appeared on his face, "and if I find out that you left me to go be with one of those men," his hand floated to the knife on his belt, "well, I'll just have to deal with him, won't I?"
Not a single word could be extracted from your lips. You were too full of fear. A creaking sound could be heard when he sat down on the couch next to you. You shuddered when he put his arm around your shoulder. He cupped your chin, more gently this time, using his thumb to part your lips.
"You'll always be mine," his smirking face was so close to yours that you could feel his warm breath on your face, "in this life or the next, you'll always be mine."
He pressed his lips against yours, hungry and demanding. He forced his tongue into your mouth. Despite your fear, he tasted like black berries and the harsh light of the moon.
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bloggerspam · 3 days ago
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Gonna change it up a little and reblog from my sideblog bc ill be doing some little omake scenes (extras, and in this case not-quite canon but might as well be) over there (if i think of any/can manage to be funny enough)
If you saw me reblog the new update no you didnt it was a last minute decision. >.>
===
So.
The unnamed Cousin who caught him in his lies was not in fact, a bigot who was appalled about Jon's powers, but rather a concerned meta-human himself.
Good to know.
Kon uses his hearing to try and get a bead on the suddenly missing Cousin's whereabouts, his irregular heartbeat standing out amongst the crowd.
He grabs the red-headed cousin who made Jon on his meta-human status and tugs her along to where his little brother might be. He can already hear the un-named cousin scolding the younger kids for their recklessness, which makes him smile in relief. He's always been bad at that kind of thing, even though it's his job to do so as the older one.
Even if Jon has technically existed for longer than he has, Kon has way more information downloaded into him. The fact that they didn't download him with the intricacies of being an older sibling should honestly be a crime.
At any rate, Kon and Jon definitely owe these cousins for discretion. Even though Ma said the Walkers wouldn't have had an issue with them having powers, it was still dangerous to even give the possibility of a connection to the Supers.
Especially since Clark was already Smallville's biggest and worse kept secret.
Honestly, he shouldn't have trusted Clark in the first place, even if Pa backed him up on it.
Kon hates to say it, but this is exactly why Tim is so adamant on those stupid plans and practicing them.
It started out so well too—none of the Aunts or Uncles or older cousins suspected a thing! Kon introduced himself, gave his branch family name, and most of them just, moved on!
When Pa and Clark said it wasn't unusual in a big family like theirs, Kon almost didn't believe them. It was only through the virtue of Jon's previous memories of not remembering a single cousin despite going to three of these reunions already that Kon even agreed to the foolhardy plan!
Kon had even asked for Mom and Ma's help just in case, but then Auntie Agatha had her emergency and Kon had to drop them both off and Pa needed help carrying Ma's pies—
All this to say, he shouldn't have let his guard down just because a couple of relatives let it pass. There was bound to be at least one relative who would notice, and Kon knows more than anyone that twisting yourself up in lies can get you caught real quick—you don't stay on a team with Red Robin and not learn that lesson the hard way.
Have fun, Pa said. It'll be fine, nobody'll notice, Clark said. Seriously, you're starting to sound like Tim, Jon said!
And look how that turned out, Kon thinks viciously. Both Jon and Kon have been made by not just one but three Walker cousins, and Kon has to deal with it as the older one.
The absolute worst.
From a mission objective point of view, Kon has utterly and terribly failed. He was thrown into the deep with no basic research under his belt, no rudimentary plan, and worst of all, no back up plans or back up plans for the back up plan.
Kon should have insisted they waited for Mom, damn it. Tim would have done that. Cassie would have probably lied better than him, and Bart would have just coasted on his cute little baby face.
Kon hates to say this even more, but his brashness of just jumping right in with the confidence of success no matter what is probably something he inherited from Clark.
But Batman isn't here to clean up his mess, and his team is scattered doing their own secret identity obligations.
He really should have waited for Mom to come back.
Kon rounds the bend of one of the Uncle's houses, the Reunion being held in the neighborhood the local family members have low-key taken over. With a total of four ranch-sized houses owned, next to each other, it makes for a big enough space to host (or so he's been told).
"Ellie, you know you were supposed to stay out of the bounce house." A stern voice is staying. He and the red-headed cousin find their prize just behind the edge house, somehow empty and devoid of the reunion shenanigans.
Jon and (presumably) Ellie are sitting on the grass looking caught out but otherwise happy with themselves. They keep nudging each other as the meta-cousin stands before them, arms crossed and shaking his head in defeat. He's even pinching the bridge of his nose, reminding Kon of Tim when the team does something they're not supposed to be doing.
"Baby Jon, didn't Uncle Clark teach you how to control your powers?" The unnamed meta-cousin asks his brother, exasperated. "What am I saying, he doesn't have a subtle bone in his body when it comes to the family.."
Kon snorts, unable to help himself, drawing the trio's attention.
"Jazz!" Ellie beams, waving excitedly before spotting Kon. Her wide-eyes freeze him in place. "Who's that?"
"That's what I'd like to know." The meta-cousin grumbles, hands going to his hips and Jazz stumbles over to check over Ellie and Jon.
"I told you," Kon adjusts his sunglasses to dart a look at the meta-cousin, before smiling down at Ellie. "I'm Jon's older brother, Conner."
"Baby Jon doesn't have a brother." Jazz and Ellie say in unison.
The meta-cousin throws his hands up in defeat. "And Baby Jon didn't have powers either, clearly we're missing something!"
"It's a new development." Jon grumbles. "You didn't have powers last time either, Cousin Danny."
"It's a new development." The finally named meta-cousin mocks back. "And clearly, I have a better handle on it than you do, Baby Jon."
"This is so unfair." Jon huffs, flopping back into the grass. "And I hate it when you guys call me Baby Jon."
Danny points at Jon whilst Jazz rolls her eyes as they both say in unison, "You're not a Cousin until you bring your first dessert."
"But Ma never lets me near the oven!" Jon whines as Ellie giggles, tumbling back into his brother and making him laugh with her.
"I think that's kind of the point, kiddo." Kon ventures, unsure feeling less and less confident in Clark's plan.
"Don't think I forgot about you," Danny points at Kon, who puts his hands up in surrender. "Far as we're concerned you're still a Baby too. You did not exist before this, and therefore have not brought a dessert."
"You don't know that." Kon challenges, trying to at least get one lie through. "I don't come to these things often, sure, but it's not like you know every cousin in this gods damned family."
"That's the thing." Danny squints his eyes in suspicion, "You'd be correct if you weren't in my age range. My generation came out the smallest—there's only three of us cousins in this age bracket, and you sure as hell ain't tall and blonde like Cousin Mark is, and you're damned well not a girl like Cousin Jenny."
"Plus," Jazz interjects, scrolling through her phone. "I don't have your baby pictures."
"What?" Kon and Jon say in unison, the younger sitting up in confusion. Kon clears his throat, trying to sound authoritative. "What's that got to do with anything?"
"Jazz has everyone's baby pictures." Ellie says as she also sits up. "Plus, she and Dad know every family member."
"See?" Jazz turns her phone around, showing a family picture of Ma and Pa and Clark and Mom when she was heavily pregnant with Jon. "I have every Kent's photo except for you."
Scrolling through, she starts showing them pictures of a toddler Jon on Clark's shoulders, Ma and Pa chatting at Mom's wedding, even a picture of Clark doing some kind of bull wrangling when he was Kon's age.
"And you just…have that." Kon stares disbelievingly at Jazz, "On your phone."
"Well, yes." Jazz looks at him confusedly. "I have most of the family's baby pictures."
"She even has some pictures of Great Aunt Martha's first date with Great Uncle Jon." Danny shrugs, as if this is normal.
As if this is sane behavior when you have 100+ family members.
"…How?" Kon asks, scrolling through her phone and jolting. "Is this Mom in high school?? Where did you get these??"
"They showed me once, so I took a picture of it." Jazz shrugs. "Sometimes the Aunts blast them out in group chats, or on InstaFace."
"Nobody even uses InstaFace anymore!" Kon feels like he might be crazy, this is insane right? None of his downloaded information is helpful, and Tim didn't include this in his powerpoint about social media.
"Jazz got one specifically to keep up with the family!" Ellie smirks, which makes Kon realize she thinks his reaction is funny. "She doesn't use any other social media."
"Aren't there like, a bajillion family members?" Jon chimes in from where he's hopping up behind Kon, trying to see. Kon bends over a little bit before he does something drastic, like fly. "Why do you have like, everyone's baby pictures?"
"I don't have everyone," Jazz argues, "Great Grandpa Arty and Great Grandma Bella didn't have pictures."
"Because that's what we're focusing on here." Kon snarks, looking to Danny and Ellie for help and getting exactly zero.
"It is not that strange!" Jazz huffs, snatching her phone back and scrolling through to a particular one. "It's nice to have memories and I like keeping track of everyone!"
She seems to find the picture she's looking for, shoving it in his face. It's a picture of an album.
There's a picture of Ma and Pa's wedding, a little sepia toned from sun or time damage where it shines a little unevenly in the album it's in. There are two hands in the photo holding open the album, a small pale hand with teal nail polish on it, and a slender woman's hand, wrinkles barely visible, with Ma's wedding ring on it.
Admittedly, Kon can understand wanting to save these kind of memories. Knowing Ma, she would have told Jazz the entire story too.
It makes a pang pulse through Kon, something close to jealousy and envy, but just a little to the left of it.
Something like loneliness.
"Is this Great Aunt Martha?" A tuft of black hair gets in his face, causing him to jerk back a little. Ellie has inserted herself between Kon and the phone, hanging off his arm and tiptoe-ing to see.
The point of contact soothes him a little, moreso when Jon nudges in from his other side, the two almost bumping heads and bickering over the photo.
Kon lets them have it, and the two sort of wrestle their way to the grass to peruse the rest of the album to try and find more of the Kents and Fentons like some kind of Where's Waldo game.
A hand clasps down on his shoulder, and when Kon turns his gaze away from the preteens he meets Danny's almost sad gaze.
"Listen. Clearly we need to do a sort of…" Danny steers Kon over to where Jazz has sat down neatly next to the kids on the grass, "debrief, I guess."
"Did Uncle Clark have you with a one night stand?" Ellie asks, which has both him and his brother choking on their spit. "Mom said he was hopeless with the ladies, but maybe he was good enough to have a rendezvous or two?"
The look on Jazz and Danny's faces suggest that they clearly don't think Clark is cool enough for that, and it warms the cockles of Kon's little heart.
"I don't think Uncle Clark is the...one night stand type." Jazz says, reasonably. "He doesn't really do anything casual by the mile."
"Conner's a Junior like me, so Uncle Clark would have been…" Danny does the math, "at least dating Aunt Lois, so if he did it'd be an affair."
"I am not an affair baby." Kon interjects exasperatedly, throwing one last Hail Mary out. "I was just really shy as a kid, and since Lois had me out of wedlock I felt real weird about it, okay!"
"Aunt Lois wouldn't have been ashamed." Jazz's voice is stern, which makes his spine tingle the same way it does when Tim or Ma or Mom scold him—like he's done something really wrong and should cop up to it. "Great Aunt Martha wouldn't have let her, I wouldn't have let her, and you've got another thing comin' if you think I'm gonna let you keep talkin' 'bout yourself like that young man."
"Shit," Danny cusses, rubbing the back of his head and pressing Kon down into the grass between the kids. "You might as well get talkin'. When Jazz's accent gets all funky it means she's real mad."
Kon looks at Jon, at a loss.
They don't know each other well enough to have built up some kind of sibling communication, and most of all Kon's still new to this whole, human/family/community thing even if YJ has done its damnedest.
But somehow, both of them know they've got to give up the ghost.
This is definitely all Clark's fault.
"…We tell you ours," Kon offers as Jon employs his deadliest puppy dog eyes, "and you tell us yours?"
Before Danny or Jazz can even think to interject, Ellie sticks out her hand towards his little brother to shake. "Deal!"
Cousins, Clones and Conning the Family
Family Reunion AU, where cousins Maddie and Clark try to smuggle their clone children into the family reunion that happens every 5 years and pretend they've been there the whole time.
Spoiler alert, one of them does significantly better than the other. Mainly Kid POV, and also on AO3! Multichapter. ===
The problem with big family reunions, Danny thinks, is how utterly fucking lost Danny is all the gosh dang time.
"Well now, you're Maddie's son now ain'tcha? How old is you now?" The woman standing before him guffaws, ruffling his hair. He lets it, trying desperately to remember the speadsheet Jazz created for the family and (obviously) failing to recall this woman's name.
Agatha? Selene? Riri? No, Aunt Riri is over there—
"Yes ma'am," Danny smiles up at the unnamed aunt, accent going a little twangy like it always does at these functions, "I'll be hittin' 17 in a coupl'a months or so."
"My, my, you youngin's sure grow like weeds!" The aunt coos, gesturing to a height by her hip, "You used to be this tall last time I saw ya, betcha don't r'member me now do ya?"
It's a trap. If he says he doesn't remember, which is expected at reunions such as these that happen every 5 years or longer, she'll start going on and on about the stories she has of the family. Danny would have to stand here and demure and laugh at these cousins he doesn't really remember too well, but know enough to know that she's gotten them all mixed up.
"Pshaw," Danny doesn't react when a whisper breathes the answer into his ear, "I'd never forget a pretty lady like you, Aunt Helena!"
It works like a charm.
The second he's out of her clutches, he feels around for a cold spot. There, trailing just behind him, is Ellie. She's not invisible anymore, so he tucks her under his arm and bee-lines it towards the metaphorical kid's table.
"Thanks, Ellie. Weren't you supposed to stay with Dad?" Danny leads them around, trying to avoid any other mishaps. "Did Jazz send you?"
"She made me flashcards!" Ellie smirks up at him, ignoring his other question and pulling a corner of an index card out from the palm of her hand. She's always been better than him at manipulating the ecto in her body, for obvious reasons. Danny's not bitter about it at all.
"Damn, all I got was a presentation." Danny grumbles. Jazz and Dad somehow know every single one of their family members, which is ludicrous when even Mom doesn't know despite it being her side of the family.
He still can't really believe how big his family actually is, but he supposes that's natural. He only sees them once every couple of years, the only relative they see even on a remotely regular basis is Aunt Alicia, who has no kids and refuses (rightfully so) to remarry.
Danny's fine with that, he gets the best of both worlds after all. Cozy holiday stays with Aunt Alicia and he has places to stay all over the country if he really needs it, no questions asked.
Plus, crazy as they can be, these reunions have always felt like a big country festival for Danny.
"She likes me better." Ellie snickers, tugging him back to avoid Uncle Charlie's drunken stumbling.
"Everyone likes you better," Danny rolls his eyes, pushing Ellie's head down and ducking to avoid a stray kid's toy flying overhead, "I like you better."
As if somehow knowing Danny's being self deprecating again, Jazz shows up to smack him on the head. "I like both of you equally in special ways."
Danny makes a disgruntled noise, grumbling as he rubs his head, "Mooooom, Jazz is therapizing me again!"
Even though he was only half joking, Mom does show up specifically to laugh at him. "Honey, your father and I love all our children equally!"
"It's a secret," Dad says from behind Jazz, kids climbing all over him, "But Ellie's the favorite!"
"Jack!" Mom yells at the same time Jazz screams, "Dad!"
Ellie dissolves into giggles, making everyone but Dad helplessly laugh. It's good to see Ellie laugh, she does it a lot but it still doesn't feel like it's enough. Danny picks her up, giggling mess and all, and tosses her at Dad.
She lands, as expected, straight into the pile of children who scream and accept her easily.
"Nice." Jazz chuckles, this time patting him gently on his head in approval. Danny shrugs, dusting his hands off and heading back towards salvation: the food.
He and Jazz mingle a bit, exchanging greetings and school updates with the Aunts and Uncles they occasionally bump into, making their way slowly through and keeping an eye out for the other cousins.
Eventually, Jazz gets nabbed by Cousin Dermot just as Danny reaches the table, tossing a pig-in-a-blanket into his mouth and chewing with glee. The locals of the family usually something potluck style—and though Dad's genes are strong and the Fentons can't cook, the bulk of the Walker family definitely can.
In fact—Great Aunt Martha said she was going to bring some mini pies right?
Danny spies a pile of them in the middle of the large table and reaches for one, only to bump into the spikes of black fingerless gloves.
The gloves are, of course, attached to someone else.
It's a boy, around Danny's age, in a spiked leather jacket (matching the gloves) and white tee shirt with ripped jeans. He's got the tiniest John Lennon sunglasses and piercings everywhere—it makes Danny squint at him, with how much the sun keeps catching on everything—the spikes, the piercings, the metal arms of the sunglasses, is this dude also wearing lipgloss?
Danny's not judging, a guy can appreciate proper hydration to avoid chapped lips or even just for the aesthetic, but it doesn't help with the glare.
"Sorry, my bad." Right, okay, city slicker then. Not that Danny's much of a country boy or anything. "Did my spikes get you?"
Maybe Cousin Jenny brought a plus one? Danny eyes the guys jeans—they look tight. Was Cousin Mark into guys? Is this dude a guy or possibly a masculine girl? Ack. Stupid sun frying his brain.
"It's okay," Danny says, blinking away and tossing mini pie to the other person. "Aunt Martha's pies are worth the minor injury. You comin' in with one of the cousins?"
"Uh, yeah." Citypunk looks at Danny nervously, "I mean, I am one of the cousins." The guy bites his lips, shrugging, "Uh, one of the Kents, actually. Ma's real proud of the pies."
Danny blinks.
"…You're not Jon." Danny says, very carefully and slowly.
"…No…" Stranger Danger draws his vowels out, "I'm Conner. His, uh, older brother? Can't blame ya for being confused though!"
"…You can't." Danny agrees, because out of the two them, Danny definitely isn't to blame for the confusion.
"Yeah, lots of cousins, and all," Curiouser and Curiouser beams at Danny, shrugging and rubbing the back of his neck, "Plus, I know Jon's more sociable at these things."
"Right, he really is rambunctious, that guy." Danny nods, as if that's the problem, and not the fact that Danny knows every single cousin his age. Big as his family might be, Danny's generation came out the smallest. Cousin Jenny and Cousin Mark are the only two his age.
With Ellie and Jazz each being four years younger and older than Danny, and the other cousins being well beyond those ages in gaps, there is no way this guy is a cousin.
"Don't worry," Punk'd laughs self deprecatingly, "I know he's the favorite. even if Mom won't admit it."
Danny feels a vein throb in his right temple.
He's unsure if he should slowly back away or get up in the guy's face. It's just—now that Danny thinks about it, if wedding crashing is a thing, does that mean family reunion crashing is a thing too?
What's the protocol here? Should he fight this guy for having the audacity to use Great Aunt Martha's name in vein?
Wait, no, that's Jesus.
Is Great Aunt Martha Catholic? ...Is that the one with Jesus, or was that Christianity?
Wait, Danny, you knuckle head, Uncle Clark was adopted. Conner could be adopted too! Even though he looks exactly like that Uncle Clark when he was younger…
"Is this your first time at a reunion?" Danny ventures, "We only have 'em—"
"Every 5 years, yeah." Conner huffs, "Nah, I just used to hide with Ma in the kitchens."
Okay, clearly Great Aunt Martha isn't in on this, because Danny used to hide with Great Aunt Martha in the kitchens. Danny's about to lose his shit on this guy—or maybe sic Ellie on him. Whichever is worse.
"Oh yeah? That's must have been cozy." Danny grits out, taking a deep breath so his eyes don't flash.
"Yeah, it was!" Conner beams shyly. though all Danny sees is a smug smirk. "She's real nice-like, I'm sure you know. Real lucky to have her for a Grandma."
"Real lucky." Danny agrees, because Great Aunt Martha really was one of the better Great Aunts. Though most of the Walker Kin were hardy and tough, in that badass kind of way. Mom really liked Great Aunt Martha's lessons on bull wranglin' back when they were younger. "Speakin' of, she ain't here?"
"Nah," Conner makes a sad little pout. "She hadta stop by Auntie Agatha's for an emergency. She left two days ago, so she's runnin' a little behind. Cl—Dad went to go pick her up."
Danny squints at the possible imposter. That sounded like he was going to call Uncle Clark by his name, which makes things confusing for Danny. Guy will call Aunt Lois Mom but he won't call Uncle Clark Dad easily?  Maybe he's a kid Aunt Lois had before marrying Uncle Clark? But Aunt Lois would never hide a kid, and Great Aunt Martha would never let her treat a kid like that. That's not even taking into account that this kid looks way too much like Uncle Clark for it to be a fucking coincidence. Plus, Danny knew about Aunt Aggie's emergency and how she might not be making it to this year's reunion—this gives Conner's story credibility.
But Danny knows that the best way to lie is with truths, even if the truths are confusing.
So what the hell is going on? Is Clockwork fucking with him? Did an alternate timeline get switched with his?
It wouldn't be the first time, but Clockwork at least had the decency to let him know at least.
"What the—" Danny blinks, as Conner picks up a very familiar, eye-searingly green colored post it note that was stuck to the plate under a mini pie. "Is this yours?"
"Yeah," Danny huffs. taking the note and rolling his eyes as lies roll off his tongue, "Sorry, y'know how it goes with Jazz."
"Oh, yeah." And Danny has to give it Conner, he at least rolls with the punches real quick, "I heard about it but didn't ever uh, see it in action."
"Really?" Danny feigns surprise, head pulsing in irritation at the words all is as it should be written in purple pen. There's no mocking smiley face, but Danny feels it in the ink anyway. "Thought she got all the cousins at the last reunion."
Conner chuckles nervously, "Oh, yeah—Guess I'm just, easy to miss you know?"
"Uh huh…" Danny eyes the guy and his piercings and very distinct style, from the tip of his clearly styled hair and needlessly ostentatious big black studded boots. "…Right."
Conner laughs, wincing. "These're new. High school debut."
"…You're a freshman?" Danny tilts his head, squinting.
"Junior." Conner automatically corrects, before stiffening. "…I just wanted to reinvent myself for Junior Prom."
"Right." Danny repeats, drawing out the vowels and finally giving up. He can tell Conner already knows what Danny is going to ask, and is trying to exit this conversation post-haste.
Fortunately for Conner and unfortunately for Danny, Jazz comes barreling in, almost knocking the former out in the process as she grips the latter's biceps tightly with her eyes wide and nervous.
Unfortunately for Conner and fortunately for Danny, though the look in Jazz's eyes thoroughly distracts the latter and gives the former a window to escape, Jazz's hissed out words end up keeping Conner rooted to the floor.
"Baby Jon has powers!" Jazz hisses as she moves Danny away from the possible imposter a couple feet. Even though she says it low enough for only Danny to hear, Conner's wide eyes as he whips his gaze towards them suggests that Jon's not the only one with powers.
And then words actually register along with that thought.
Danny hisses out the first thing he thinks of. "Since when?? I thought he took after Aunt Lois!"
"Since now," Jazz gruffs, switching her grip to drag Danny away, "and I need you to do something about it!"
"What?" Danny doesn't struggle, going along even as he eyes Conner who seems to be following them at a distance. "Why?"
Jazz pushes him towards the kid's area, rushing out a frantic "He's in the bounce house with Ellie!"
Danny freezes, or tries to even as Jazz keeps tugging him along, before shaking off her hand and booking it towards the bounce house.
Once the bounce house (a castle) comes into view, Danny clocks several things in succession:
One: Ellie and Jon are thankfully the only ones in the bounce house right now.
Two: Ellie and Jon are laughing, and through the mesh Danny can see Ellie watching Jon jump way too high to be considered normal.
And three: The bounce house is about to fucking tip over.
There's a gaggle of Aunts herding the younger cousins towards the food that's dense enough for cover, but sparse enough for Danny to dash through.
Between one blink and the next, he disappears.
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Yeah I'm gonna talk about the Andor rape scene.
First, disclaimer, I don't watch Andor, or any Disney Star Wars show. I did watch Rogue One, and it's probably the best thing Disney Star Wars ever did, which isn't saying much. So if you want to dismiss what I'm saying because I didn't see the scene and don't have the "context" or whatever, go fuck yourself because the only context I need is that there's now a rape scene in Star Wars.
Which is bad. It's stupid and retarded and it changes Star Wars forever for the worse. Star Wars isn't Game of Thrones. It isn't a dark, gritty, realistic portrayal of war and tyranny. It's a space opera, and while some space operas do "go there" with regards to rape and graphic content, it's not required, nor is it the norm. Star Wars was one of the space operas that didn't go there. It never needed to. You understood that the Empire was evil because Darth Vader was torturing people and they blew up an entire planet. The empire were the bad guys and the good guys were defined by standing up to the Empire. And even with that simplistic concept, the movies were still good. No one went to see Star Wars and thought "well, Vietnam just happened so I don't really think I can believe this portrayal of war unless some villages get napalmed and some women get raped". They said "oh wow Luke Skywalker is awesome he blew up the Death Star!" or "laser swords? Awesome!"
The idea that everything needs to reflect reality is such a braindead concept, but I'm not surprised that's the defense the showrunner is going with. Everyone involved with Disney Star Wars at every level has shown that they don't understand Star Wars at all. Not from a storytelling or character standpoint, or a meta, cultural standpoint either. "It's for kids" is never an excuse for bad or lazy writing, but it is a reason why explicit scenes aren't included. For decades, the most explicitly violent thing in Star Wars was Ponda Baba's arm getting cut off in the Mos Eisley cantina. That happened within the first half of the first movie, and the series never felt the need to try and top that because explicit content was never the point of Star Wars. It never needed to resort to cheap emotional ploys to get you to feel for the characters. Which brings me to my next point:
Aside from stories about rape, rape is never necessary in fiction. In fact, I say 95% of the time it's a crutch bad writers use because that's the only way they know to evoke a visceral emotional reaction. It's lazy and uninspired. It lowers the quality of whatever it's in. If you can't get someone to hate your villain without making them a rapist, then you're a bad writer. But this rape scene in particular is actually damaging to the original trilogy (as so much of Disney Star Wars is). Because the explanation is that you can't have a story about war and resistance without rape. Which means that the Empire is now known to have rapists in its ranks. Andor takes place in the same timeframe as the OT, which means that the same Empire that tried to rape that woman is the same empire that had Princess Leia captive on the Death Star for at least a few days. Do you see where I'm going with this? If your assertion is that rape must exist in the Empire to portray war and resistance accurately, then Princess Leia had to have been raped while in captivity, because the same Empire that captured this woman also captured her. But that never happened. We know that never happened because it was never so much as hinted at. She was tortured for information, but she was never raped. No female captive in the entire Star Wars saga, both the real Lucas stories and the fake Disney "canon", was ever raped. So by the directors own reasoning, the only Star Wars property to ever portray a realistic (where "realistic" is seen as good and "unrealistic" is seen as bad) version or war is season 2 of Andor. Which is massively insulting to every other Star Wars movie and show ever made. Even The Acolyte, which is objective trash, doesn't deserve to be implicitly slighted because it didn't depict rape. Star Wars is not about reflecting reality. It's about the fight between good vs evil. It's about family and belonging and standing up for what's right. Universal concepts that anyone can understand even if it's nothing like what you read about in the news everyday. And that's what it should always be.
Goddamn I hate that Star Wars is being ruined like this. I hate it so much.
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raayllum · 2 days ago
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The creators once posted sometime after S7 concluded that they had considered giving Karim a redemption arc before deciding that having him die making one last poorly thought-out power grab would be a more satisfying conclusion for his arc. I have no complaints about Karim being irredeemable, but how do you think making him beyond redemption is a better choice for the overall story?
Karim is one of my favourite characters in the show, and going forward into S6/S7 I wasn't entirely sure which way his character arc was going to land. I'd expected him to win in S6 (so that he could free Kim'Dael) and so that he'd have further parallels to Ezran (S4/S5 meta on that here). This was mostly due to me expecting Karim to foil and be a contrast to other characters — Callum, Viren, Ezran, Janai — as his primary narrative role.
For Callum & Ezran, it was as brother-mages (Callum) who'd betray the other (over Runaan) whenever that plot point came around. For Viren, Karim was following his path politically and was usurper. For Janai, ridden with uncertainty and doubt, Karim was impulsive and all too certain.
However, it was evident that the brothers would reconcile (they did), that Viren had cinched a continuing atonement arc (already in s4, then outright in s5 — which, afterwards is when the bulk of the linked meta was written), and that Janai would ultimately reclaim/remain being queen of her people.
So where would that leave Karim?
An important note I think, then, is that TDP has never preached complete pacifism. It has always, routinely, framed violence as a last resort but still a resort, and that figuring out what is worth violence vs what isn't is a crucial, difficult, but occasionally achievable process. Ezran is the most pacifistic character by far, and he still has a huge attempted "people I (would've) murdered" body count after all.
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So I'd argue that TDP's stance isn't so much as "people can always change" so much as it is "you have to be real damn sure that a person Won't choose to change before you kill them". And even then, it acknowledges that stopping a person from doing active harm in that moment even unto death/murder (S3 Viren with Rayla; S7 Aaravos with the archdragons) is not an exclusively bad thing, either.
Life is precious. Life is valuable. We take it, but we do not take it lightly.
What then, is 'irredeemable' in TDP? To put it simply, there's not much: you can kill someone, or kill someone's beloved family member, or orchestrate a war, or gaslight/deceive people, or burn people alive, or repeatedly use dark magic or consume your own flesh, or all of the above, and still be considered Redeemable within TDP depending on 1) why you did any of the above regarding the Circumstances and/or 2) if you changed afterwards.
That doesn't mean you're going to get endless passes, not every character can have the same arc for both time, variety, and personality, but most characters (Kasef, Viren, Claudia, even Aaravos) have at least the seed of potential to make better/other choices.
With this in mind, Viren's atonement/redemption arc being almost exclusively about his interpersonal relationships > his global political wrongdoing makes the answer abundantly clear as to what TDP thinks is unforgivable if you don't come back from it: forsaking your loved ones.
This does not mean abandoning them, or even standing / fighting against them. It doesn't even necessarily mean killing or trying to kill them!
It means seeing them as JUST the enemy or JUST a thing. Just an obstacle or barrier in your way, or a tool to use for your own ends.
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This is, notably, when ultimately dooms Aaravos in S7. He forgets about his child (Sir Sparklepuff) till it catches him off guard. He does not fathom that Avizandum's love for his mate and child could be stronger than Aaravos' control over him. And it is this forgetfulness, this 'twisting' of love into something else, that Terry lampshades as well: "Maybe this started out as a story of love, but along the way it got twisted. He isn't doing anything for love. He's doing it out of revenge" when it comes to personal love, and Runaan when it comes to other matters: "I remember I fought you. I tried to kill you! How could I?" / "I was a peacemaker, a twisted peacemaker, I suppose [...] but I am not dead. I am alive. I have a family I love."
Much like Kasef is 'punished' narratively for his impulsivity and penchant towards violence, providing a contrast for our young heroes and proof that not every young person will make the same choices they did, Karim is a cautionary sign of what happens if you forsake your loved ones — and you do not recover it.
There's a reason that despite walking Viren's path in so many ways, Karim does not recover the same way Viren did, because Viren re-learned how to see his children as people, not objects. Not heirs or spell parts or assets.
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Karim became so concerned with seeing others — his family members, his loved ones — as symbols (things), he lost sight of everything else. He got so swept up in seeing Janai as a queen, and then a false queen who was in his way, that he couldn't see her clearly as his sister anymore, and this eventually extended to everyone / everything else in his life, including himself (viewing himself as a martyr, a true king, a flame to remake the world through).
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This is also why the broyals reconciliation is through the lens of "we're brothers and we need each other" and has nothing to do about being king or high mage. Those are their jobs and especially for Ezran are important parts of themselves, but it's still just parts, not the whole. It also helps indicate that Claudia and Soren at the end of 7x09, who clearly do still hold love for each other, are not as broken as Janai (who retained love) and Karim (who did not). None of them ever lost love like the way Karim did. There's a lot throughout arc 2 about how steadily he got there, which may be worth a meta someday, but who knows.
The actual manner of death — Karim swaggering in arrogant and puny as ever, severely overestimating his power and leverage, with consistent focus on his hands (his red glove, holding 'fate' between his fingertips with the sun seed) being little more than a red smear in Aaravos' hand is also some deliciously chewy symbolism and an ultimate slap in the face (deservedly so) to his own ideals of grandeur.
Is there an interesting story to explore of Miyana, or something else, being a catalyst for Karim changing? Sure! But I think Miyana and her children's situation — as well as her potential dynamic with Janai and Amaya — is infinitely more interesting given his absence, as well as allowing Karim to occupy a more unique part of the narrative with his thematic explorations. He's a fantastic character foil and character in his own right, and I think he embodied everything they set out to do like, absurdly exceedingly well.
So short form answer: yes! I'm inclined to agree that it's a more satisfying ending tbh, especially with his writing in 7x03 onwards! I do miss him dearly, though. I miss him every day.
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musclesandhammering · 2 days ago
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Don’t be sorry, I live for meta like this, lol.
You know, I didn’t even make the connection but what you said was so true about Odin forgiving Thor and Loki because they ultimately came around to protecting the kingdom whereas Hela ended up taking her anger out on Asgard.
I could analyse this family’s issues for hours but I think it’s really interesting how you could make a 3-circle venn diagram explaining the various comparisons and contrasts that each child has to the others in regard to Odin’s parenting of them.
Like, all three of them had an unhealthy dynamic with their dad. Thor was clearly the golden child- the one Odin was closest to and most proud of- while hela and Loki were kept at a metaphorical distance due to their rebellious history and reluctance to concede. On the other hand, Hela was set apart from the boys in that, as you mentioned, she never recovered from her wayward spiral and because of that, was never embraced by her father again. Finally, Loki is different from Thor and hela because, where they’re both (biologically and metaphorically) beneficiaries of his imperialism, Loki is a victim of it, and should have a completely different perspective on Odin’s warmongering than the other two.
All of that is to say that it’s fascinating how, despite them having mutual experiences as well, they also all have very individual grievances re: Odin’s treatment of them- and that lets us see Odin himself from three completely distinct angles. I’ve mentioned in the past that it’s like they all represent different era’s of his personal journey. Hela is his full-on conquerer days and all that baggage that came with it. Thor is his attempt to be better and leave those things behind him (even though, as we see with Thor, all is not perfect there. Despite his attempts at benevolence, the empire is still going strong, even if he’s not actively invading new realms). And Loki is the skeletons in his closet- Loki’s very origin is a reminder that Odin is still very much a coloniser and just like Loki’s heritage, his solution is not to deal with it in an atonement-seeking way, but rather try to cover it up).
That being said, none of this means Odin is a bad person or doesn’t care about his kids. In fact, I think it’s a very good parallel to real life boomer parents (lol) who love their children but are so tangled in their olden mindsets that they’re never fully able to love them in a healthy way. They may try to learn and get marginally better overtime, but unfortunately they don’t usually ever become model parents. Odin realises he’s made mistakes with his kids and the guilt over that haunts him, but he also doesn’t know the correct way to handle things. Even when he’s trying to improve, he’s still basing his self corrections on that same old warmongering king-before-father thought pattern and because of that, he just makes the same mistakes in a slightly less obvious way.
Anyway, I’m done yapping I guess. I love finding people who see Odin as a complex character instead of either “he’s an evil pos” or “stfu he was a great dad!” because, to me, the whole story is way more tragic if Odin and Frigga (and Laufey and Farbauti and Hela’s mom I guess) weren’t trying to mess their kids up but ended up doing it anyway.
brb just thinking about how Odin banished Hela a thousand years ago and then he banished Thor in 2011 and then his anger turned to Loki and Loki decided to banish him to a retirement home before Odin could get him
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ultimate-marysue · 1 day ago
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Actually DC fixing Gotham's jailbreak problem or even killing a couple of Batman rogues would be such a breath of fresh air.
The roster is pretty tight as it is, so trying to fit new bad guys without stepping on a pre-existing rogue's niche is kinda hard. The old rogues are fun, we love a classic, but they're also a bit stale. There are only so many times you can re-invent the wheel before you need a break, and since we're shuffling between the same bad guys again and again you don't have enough time to miss them for the most part.
I'm not saying you can't do interesting stuff with the classic rogues, I actually think some of them could make for pretty interesting modern storylines. I just think it comes a point where it's to the detriment of Batman himself. How many times can Joker escape Arkham or Blackgate before you start scratching your head about it. Yes, I actually really like the whole no killing thing. Cassandra Cain is my favorite character, I don't think Batman has to start killing rogues, but he should definitely do something about the constant break outs.
Yes, I know, it's great to bring an old rogue back...but that's only if you're bringing them back from something.
Let Bruce Wayne fix Blackgate penitentiary, let him actually invest in cleaning Arkham and turning it into what's meant to be instead of a torture facility. Now, when he catches a rogue it has stakes. Once most of the old rogues are out, introduce new players taking over the power vacuum. Maybe one of them is in cahoots with police and we need an arc of cleaning the police force (god forbid we make an actual critique of the structure but that's DC for you). Maybe one of them is an anti Bruce Wayne with enough money and resources to keep his criminal and personal lives separate. Give him villains that require detective work to put behind bars! Or just give him villains that fit the new era.
You don't have to keep having the same rogues break out of jail again and again, especially if you're not interested in exploring other philosophies outside of Batman's "Killin is wrong and we can't do anything about how extremely ineffective our jails are nor change society in any meaningful way". The thing is, to keep Batman from stagnating they have to keep jumping the shark which means that Gotham keeps getting worse and worse despite Batman and Bruce's efforts. In fact, it almost seems like he's making things worse.
This post is my answer to that: make things better, give some semi permanent solutions, add new rogues to fill the power vacuum and keep things fresh without needing to have seven active gangs, several meta humans, the mob, ten serial killers, several assassin cults and the Joker all simultaneously active. I know nostalgia sells, but it also makes things worse! Also, I'm only suggesting this because of the direction I perceive DC to be taking with current Batman (which is edgy but a bit more wholesome than the Dark Knight era). If they wanted to go back to noir, super edgy and dark, sure, turn Gotham into a hell hole. But idk, having so many lighthearted issues and comics with way more family stuff (fluff and drama alike) doesn't jibe with the absolutely hopeless state of Gotham.
Idk, maybe someone will tell me "mmmm actually this has been done before" but I just want them to stick to it. Fix Blackgate or I can't take Batman seriously.
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thalthanmadanus · 2 days ago
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Here are some Drarry fic ideas that I had for a very long time and would still catch dust in my samsung notes if I don't just give them away. If anyone liked one feel free to take it lol.
1. Harry Potter x Jumanji
It's kinda self explanatory but I was thinking, either in 6th year or 8th year, the Jumanji board would appear in Hogwarts, there would be chaos everywhere before the gang would find the source and so 4 students from every house have to play. Draco is the snake, I was thinking Neville could be the lion, Luna the raven, and yeah for Hufflepuff I blanked out lol ( it could be Zacharias or Justin but eh). I thought the plot happening in 6th year would be funny if Draco disappeared from Hogwarts for a moment (entered the board) and Harry who was stalking him from the map gets so sus and confused so he tries looking for him. They find the board. They play. And just like in the movie, an older Draco comes out llmfwzgtgbkgb. Cue Harry's little crush. 8th year could also work.
2. Harry Potter x fanfic
Basically, a published biography about Harry comes out.... and a fandom about it also comes out lol. Harry finds out the book (his life??) has a fandom and they're writing fanfics and the most popular ship is Drarry lol. He gets so confused, calls it bullshit, checks some fics and then goes: damn 🫠 why are these fics good tf? and then falls into the Drarry hole. He gets so deep into the fandom, enters servers, discusses characterizations (dissociation go burrrr) and goes into fights about them. He's number 1 Draco apologist, defending his character (lmao) everytime an anti appears. He's also a huge fan of a Drarry author who in Harry's opinion "gets Harry's and Draco's personalities"... plot twist that author is Draco.
This is such a meta heavy prompt in my opinion...
3. Harry Potter x time travel
A typical harry potter fic where Draco accidentally time travels to the past EXCEPT he doesn't become younger but actually stays his age while his younger self also exists. I don’t particularly care for which year he time travels to but I think the fifth year would be interesting or 6th year.. oh yes, also Draco becomes a teacher at Hogwarts lmao (in disguise ofc) and that’s why I think a 5th year or 6th year would be very interesting. Especially 6th year. I had in my mind that older Drarry are already established so when Draco goes back in time he's just looking at younger Harry and Draco like this 🙄 also I like the idea of younger Draco being suspicious of this new teacher (his older self) meanwhile Harry actually likes this teacher. I also like the idea of Older Draco and younger Draco interacting (positively). It could work for a nice character study.
4. Harry Potter × Life is Strange
Now imagine 6th year but either Harry or Draco have Max's power.
If you don't know, Life is Strange is a video game about Max who develops the ability to rewind time and even stop it after trying to save her friend from getting shot.
I think this would work nicely with Harry, him developing this ability just a second after Sectumsempra happens and keeps on rewinding time over and over again trying to find a way to talk with Draco that doesn't end up in him being cursed or Draco almost dying.
5. Harry Potter x time travel 2
Both Harry and Draco accidentally time travel to the thirties and have the brilliant idea of adopting tom riddle. That's the prompt. lol. Drarry as parents for Tom.
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prototypesteve · 2 days ago
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🌊
I absolutely agree that it’s impossible, right now. The obstacles feel bigger than anything on the other side might be worth,
Sometimes it’s not about what’s on the other side of the obstacle, it’s a about what’s on your side of the obstacle, with you.
The dumbass and the sea. A story.
⚠️🛟 CW: Thalassophobia. Skip to the next large title block to bypass this, if need be. 🛟⚠️
I once fucked up severely, and went on an 8 km kayaking trip (4 km out, 4 km back) while I had the kayaking the skills to go on a 3 or 4 km kayaking trip. Worse yet, I had very little experience kayaking in coastal waters (everything I’d done before then was on lakes). My mind wasn’t ready to process “range anxiety” in water that was home to large animals.
The last hour of my trip back was impossible. The waves were scary, the rocks on the side of the island I was kayaking alongside were big and there was no place to just stop and wait. The sun was going down. The weather was changing. I was stressed and anxious, it was impossible.
But there were sea lions and orcas in the water nearby. Now, statistically they’re absolutely harmless. These were “resident” orcas who only eat fish. BUT I knew if one even surfaced for a breath of air within 100 meters of me (sorry I grew up with metric I just can’t estimate feet) I would go into a panic attack.
So I now had two impossibles. It felt impossible to keep pushing myself to paddle back for that last hour, but it felt even more impossible to imagine what I’d do if I saw a big living thing swim by me.
So I picked the less impossible thing, and kept paddling, and got back, and screamed and hated myself for being an idiot, and I got over it.
🟢 End of thalassophibia content warning 🟢
Yeah? So? What the fuck does this have to do with Tumblr and having backup plans?
On April 2 of 2025, Tumblr’s parent company got rid of about 16% of its staff.
While their stock isn’t public, the price it’s privately traded at is published, and it’s a mess. Down almost 25% in just one quarter. (As of April 24, 2025.) Stock prices matter in these situations because they affect the owners’ wealth, and there can be the temptation to get out before your $10 million dream becomes $3 million. That’s how some platforms get sold.
Tumblr doesn’t even need someone like Trump to attack it. Tumblr is on the same life-support Automattic has put itself on, to try to get through a Trump recession.
What this means for you: Even IF it’s impossible, you have to ask what you’d do without Tumblr, and the answer can’t be that you’d die, or you’d fall apart, or you’d go insane.
When you spiral like that, you make mistakes. I spiralled like that last month while I was quitting Instagram and waiting for Meta to close my account. I almost accidentally outed myself to my family. I carelessly left a copy of Ace Voices out where someone would have found it. I was in a pissy back-and-forth conversation with someone because I was in a crap mood, and I made a small mistake that would have amounted to a big mistake.
Your mental well-being has a direct correlation with your safety. “If you feel fucked up, you will fuck up” as one instructor told me.
Also, yes, if you put this all together, I’m more afraid of explaining asexuality to my baby-boomer dad and/or my GenX sister than I am of being capsized in the ocean by an orca.
🪂
Do, at some point, make real queer friends. One, two, a dozen. Friends you can actually meet for a walk or whatever.
Online communities vanish. Platforms collapse, or turn awful, or get politically messy they can vanish out of your life overnight. Have someone to fall back on.
It’s hard. But what would be harder is if I lost Instagram (last month), Reddit (last year) , and Tumblr (if/when Trump goes nuts) without also having real live humans I could talk about it with, over lunch or whatever.
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winxanity-ii · 2 days ago
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When the fic I so good you wanna write a fanfic of a fanfic. (With ur permission of course). But my brain worms are acting up again so I need to spitball
Ok so I was just imagining, like a reader gets reincarnated into your fanfic, do they have powers? Maybe maybe not but either way the gods notice sooner or later. Hat do they want to do? Find a way home? Try to live as inconspicuously as possible? Shake up the plot? Be an absolute gremlin and troll everyone Cheshire Cat style? Who knows but one thing is for certain. They got isekaid into a fanfiction of epic THE MUSICAL, and they are horrified that everyone randomly breaks out into a musical number at the slightest inconvenience and they CANNOT take anything seriously due to that. Unfortunately they themselves are not immune to this plot device. Isekai comes at a cause after all. (Sorry my English is a but bad it’s not my first language😭)
FANGIRL SCREECHHH YESSS you’re literally psychic because… I lowkey wasn’t gonna say anything, but I have slipped it into a few past A/Ns 👀
Okay so basically—yes. You are 100% on the money. One of the reasons I’ve been so tedious and careful with Godly Things is because I always knew I wanted to write an isekai fic into it later. Like, that’s literally the origin story. Originally I was like “hmm how do I write an isekai into EPIC: The Musical without just yeeting reader in awkwardly,” and then my brain said, “Wait… what if I just build the fic they'd get isekai’d into first.”
So boom. Godly Things was born.
Then it kinda exploded. 20+ chapters later, I’m like “huh. This is no longer a silly setup. This is a full-blown mythological spiral with themes and trauma and divine agendas???”
BUT. Once Godly Things wraps, I’m absolutely going off the rails with the isekai version. Like I’m talking max-level gremlin reader. Fully aware. Mildly unhinged. Possibly cursed by the format. Definitely traumatized by spontaneous musical numbers. Can’t take anything seriously. Gets divine dreams and tries to sleep through them. Tells the gods “no” like that’s a valid answer. Thinks Telemachus is hot but also absolutely NOT going to let that slide without at least three breakdowns. Full fanservice. Meta chaos. You get it 😌
ANYWAY. Long story short: YOU GET IT. You see the vision. When it drops, I’m calling you first.
(Also your English is totally fine, don’t even worry!! I understood every word and loved all of it 💛)
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azzandra · 1 day ago
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I have made a Patreon
So, I finally found out that I'm only going to lose my job at the end of May. This is not great timing, because I also have zero savings at this time, and I was hoping to start slowly building them up again this year. Not sure how long it's going to take to find a new one. Kind of a bummer, but I think things will work out eventually. All that being said, I've decided it's time to get another stream of income.
Therefore, a Patreon!
I'll be posting two new WIPs on Patreon, as well as miscellaneous other writing. For an explanation of the schedule, you can refer to this post on Patreon, or check under the cut below!
Currently, the first two chapters of the novel I'll be updating weekly are up and public, so people can judge whether they would like to support or not.
Either way, I appreciate everyone who has ever read and enjoyed my work, whether they choose to support me on Patreon or not. We live in financially hinky times, so I am not even sure what to expect at this point, but ultimately, every little bit helps. Accordingly, I've set the tiers relatively low.
I have also had a ko-fi for quite some time, but haven't used for much so far.
Anyway, here's what you can expect from me on Patreon:
1. Grievances to Grave (Fantasy/Ghost)
Summary: Amaris takes a job as head servant in Plumgarden Manor with the understanding that there's something strange going on in the household, and that more servants have been leaving than being hired. The problem presents itself quickly: the first wife, who died tragically young, is haunting the household and regularly tormenting her former husband and his new wife (promoted from mistress).
This wouldn't bother Amaris as much if the servants weren't getting caught in the crossfire of this--quite frankly--completely justified haunting. She's going to do something about it! Unclear what, but she'll improvise.
Update schedule: One new chapter a week on Patreon, every Wednesday. Chapters will be published publicly on Ao3 at a later time.
2. Unlovable (Fantasy/Transmigration)
Summary: At the age of 15, Iris Denmoore was meant to be taken over by a transmigrator. The transmigrator did arrive, but instead of possessing Iris Denmoore, she was dropped into Iris' bedroom in a body that was completely identical to the original, except for one catch...
At the age of 25, Iris Wellyn (née Denmoore) is revealed to her husband as a transmigrator. All her secrets unravel at once: the original Iris Denmoore is still around, stashed away in the countryside, but she is sick and convinced she is dying. And the transmigrator Iris is tied to the original by a bond that makes her experience all of the original article's physical hurts and ailments, up to and including death.
For the sake of the transmigrator they'd all learned to love, Iris' entire family gets caught up in the uncomfortable process of trying to convince the original Iris she must live.
Update schedule: once a month, Patreon exclusive
3. Tidbits of writing, some meta, extras, cut content, previews of future things I'm planning on writing
Update: sporadically
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lewiscarrolatemybrain · 1 year ago
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One more time
A Positive Change Arc -- often called a Hero's Journey -- is one possible shape a story can take. It is not the only or the best character arc, it's just one option. In a Positive Change Arc, the protagonist begins the story believing the Thematic Lie, and must learn and embrace the Thematic Truth over the course of their journey.
TGCF and MDZS are not Positive-Change Arcs. They are Flat Arcs.
(I have not read SVSSS)
A Flat-Arc is a story where the protagonist begins already knowing the Thematic Truth, while the world around them believes the lie. In a Flat Arc, the protagonist will have their knowledge of the Truth challenged and tested, they will be tempted by the Lie, and they will ultimately use their conviction to inspire the world around them to also embrace the Truth.
Flat Arc characters do not need to learn the Thematic Truth. They already know it. They may be seduced by the lie, they may falter, but they will always rally back to the Truth in the end.
(If they ARE successfully converted to the lie, then that isn't a Flat Arc anymore, it's a Corruption Arc, and it's usually a tragedy.)
"But Xie Lian and Wei Wuxian learned--" Nothing they learned impacted the Thematic Truth. Did they learn things? Yes! That's how Being A Person works. Both of them DID change and grow as people from the start of the series to the end. But neither of them learned anything that impacted the Thematic Truth. Because they already knew it.
Xie Lian was already kind, he already wanted to help people, he already believed that common people should be protected and uplifted. His suffering at the hands of BWX did not teach him any deep or important lessons. He already knew the Truth. BWX tried to tempt him to embrace the lie -- that people are undeserving, that you should never do anything for anyone who won't grovel with gratitude, that caring for other people is a waste -- and failed, because Xie Lian knew the truth and even when he was at his lowest he was searching for confirmation that he was right. Xie Lian only needed one single act of kindness to reassure himself that he was right and BWX was wrong. He did not learn anything new, he reaffirmed what he already knew and understood.
Wei Wuxian is good, and righteous, and morally upright. He is a character who does the right thing regardless of the consequences he might face. The sects collectively wanted to destroy him because he refused to bow to them, not because he ever at any point actually did anything wrong. Even the vengefulness he showed while actively at war is narratively justified, and it's key that the sects did not care about the desecration of bodies while it served them. He did not learn any valuable or important lessons when the Sects raided the Burial Mounds. The fact that Lan Sizhui exists at all is proof for us as the audience that everything Wei Wuxian did was worth it. All of it mattered, and all of it was the right choice, because a-Yuan is alive. He doesn't come back to life having learned anything new, he already understood the Truth.
Obviously neither of them are Omnipotent. They learn that there's dudes in love with them, they solve the mysteries of their respective true Big Bads, they uncover some other stuff. But the Thematic Truth, the core theme of the story, is not a lesson either of them needs to learn. It is a lesson they teach others by refusing to bend to the Lie the rest of the world believes.
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jollyhunter · 3 days ago
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I AM SO SORRY FOR THE LATE REACTION 😭😭😭 Please know that your feedback means so much to me!! I've read it multiple times by now but never found the time to reply - I swear I am so far behind with everything 😭
I absolutely loved the whole concept of this and how you turned the despised writer's block into an actual curse!! Such a genius move!! 🤓👏👏 (And now I hope it's an actual curse I can always blame it on lol)
Ahh I'm so happy you liked the idea! Maybe the boys have some anti-writer's curse tat's or hex bags we could get? 🤔 Would def be worth the pain 😂
Classic Dean! What a pick-up line lol. It's that kindergarten-pulling pigtails for me 😆 (The chipmunk cheeks also had me dead 😆)
Yesss exactly! I always feel like that's one of Dean's 'love language' 😆 (That gif is exactly what I had in mind when writing it!! 😂)
Also, Dean, c'mon! No, you cannot read anything we ever write 🤪
Now here's a little fun fact: I at first intended to go full meta and have reader (or writer?) be part of the canon supernatural fandom and write fanfic smut of Dean and Sam. Dean's reaction would be pricless when he'd find out, wouldn't it? Huh - maybe I'll still do that. *rubs hands*
How he comforted her was so damn sweet! My heart melted how he tried to be understanding and reassuring 😭 And then he turns around, tells her to pay for his food, and behaves so fucking weird! My head was snapping so fast, trying to figure out what's going on, I may have whiplash. Hooked me right in with that one 😂🫶
glad that curveball hit the mark 😂 (does that work as a saying in English? You get my point XD)
Thank you for your Dean contribution! Yess he's a total goofy <33 I'm so happy I get to look through so many sweet gifs now 🤭
I hope I get to continue this sometime hehe, she definitely deserves a happy ending after all! And maybe "she gets to be as dirty as she wants with Dean" 😆
PS: When I found your account, I immediately had to follow you and not just for the Supernatural fandom, but because I loved your blog vibe and your profile pic!! My son's name's Fox, so I was instantly drawn to it lmao 😂🦊🩵
Ohhhh that's such a cool name!!! Tell your son to be proud of it. And that I'm kind jealous lol! 🦊 And thank you so much, Wayne 🥰 ALSO I was shocked to see that I'm not following you? I always thought I did!!!
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⋆ ˚。⋆ PAIRING Dean Winchester x Writer!Reader [Early seasons vibe]
WARNINGS None! No use of Y/N. English isn't my native language.
⋆ ˚。⋆ SUMMARY You're in your favourite diner; Got your coffee, breakfast, laptop in front of you. It's the perfect time to write. If it wasn't for the writer's block that's holding you in a chokehold. Oh, and the guy who has decided to join you.
⋆ ˚。⋆ WORDS ~2k
⋆ ˚。⋆ J/NOTES This silly little thing's dedicated to all my moots who’ve fallen victim to the writer’s curse just like me. I feel you. We can do this!! We can break the curse!!! 🫂
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"Doesn’t suit you." A playful voice snaps you out of your thoughts.
"..Huh?" You look up just in time to see a well-worn leather jacket brush past your shoulder.
The booth seat across from you is being filled as a stranger slides in. A plate in one hand and a spoon in the other. Your eyebrows rise, and for a moment you debate whether to tell him the seat is taken.
But the guy doesn’t seem to notice your thoughts. He’s busy ogling his food, humming a curious ‘hm’, and then shoving a spoonful of cereal into his mouth. All the while he continues to mutter, his words now half muffled, "That thing you’re doing to your face."
You blink at him.
He puffs his cheeks, and green eyes travel up to meet yours for the first time, "Makes you look like the Grinch." His lips quirk into a smirk.
What? The audacity.
You stare at him with a deadpan. "Thanks for the compliment." He continues to chew, the flakes crunching. Accompanied by a content hum. Well, at least someone’s enjoying their breakfast.
"Just sayin’." He purses his lips before he eats another spoon, his cheeks stuffed like a chipmunk’s and an eyebrow arched. "What’s up with the face, sweetheart?"
"Uh," - is all you can manage at the moment. Too distracted by the way he's guzzling his yoghurt like a starved caveman. All eyes fluttered closed and nodding to himself like he's thinking ‘Finally, some good fucking food’.
He swallows. Tongue darts out to swipe a white dribble off his upper lip. When his eyes suddenly snap open, you avert yours in record time.
Your gaze's now fixed to the edge of the table, as if it’s the most interesting thing in the room. Left and right of it an elbow each. Of course you had to drop your gaze right between his arms. Well, this is awkward.
"You working on somethin'?" He suddenly asks, and you startle like a deer.
Your lips part - ready to form an answer - when you watch him splotching your notebook in slow-motion.
Your eyebrows twitch in irritation. You dart out a hand, just managing to pull your papers back before another dribble of his slobber taints your notes.
"Dude, please, you’re eating like a barn animal," you comment under your breath, face scrunched up as you wipe the stain off your paperback. Way to lose ones charm.
"But a handsome one," he quickly retorts. And stuffs another spoon into his wide grin, swallows and jerks his chin at your laptop. "So?"
Okay, fine. Maybe he still does have charm.
Your eyes follow his gaze down to the screen facing your way.
"I’m writing," you reply flatly, trying to hold his curious gaze as you tuck your papers safely under your forearms.
His expression flashes into a surprised one. Probably more at your tone than the answer itself.
Granted, the words 'I'm writing' should have come out enthusiastic. They at least used to. But that was before you’d been staring at a white screen for what felt like weeks.
"Uh-huh," he mumbles, the sound muffled as he keeps shovelling the muesli down his hatch. "Can I see?"
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"W-what?"
How- how dare he? Only an uncultivated potato would ask that. This is like the biggest No-No. One does not simply ask a writer to look at their unfinished work. You don't stare at a painter when he's still painting. That's like asking someone to strip naked. And then have them bend over.
Let’s ignore the fact that there’s not a single written word to be ashamed of. Because there’s literally not a single written word in your doc.
"No." The answer probably came faster and more obvious of your inner panic than it should have, because to him it clearly translated to; 'Oh? Then I‘ll see it all the more.'
"Aw, c‘mon." His teasing grin spreads, the spoon tipped against his lower lip, "I won‘t judge." Damn it, why does he look kinda adorable?
Before you can react, the guy clamps the spoon between his lips, reaches over the table with his free hand and tilts your laptops screen back down.
"Hey!" you smack his hand away but it‘s too late - his grin just grows and he chuckles.
"Writing, huh? You mean you’ve been staring at a white wall. Here I thought you were writing some spicy stuff about me. What’s all the fuzz about?"
"I- I'm just... I'm still thinking..." you mutter and avoid his gaze behind a hand, trying to cover up the slight tint of embarrassment that’s crept onto your face. "I've got it all in my head, though." You try to back up your answer. He tilts his head back with a chuckle.
"All in your head, huh? For how long this been going?" he quips, lips twitching amused.
"Well, uh-" you begin, then clear your throat with an awkward rub of your neck, "A few days... or... weeks... maybe..." Your voice lowers more with every word until it's reduced to a sheepish whisper.
"Damn, that sucks." he huffs.
"Yeah," you admit with a heavy sigh, "It does."
For a moment you just share a look. His green eyes watch you closely. Calm and curious. But without ever being obtrusive. More like he's trying to get a read on you, like he's patiently waiting, allowing you to open up and reveal more.
And for some reason you find yourself to do just that.
"It's so frustrating, you know?" You begin and slump back in your seat. But he holds your gaze, the entire time and nods subtly, silently telling you to go on. "Like I've got all the ideas in my mind. I can see the scenes play out, can hear the characters talk. But the same moment I try to write it down, it all just-" you break off with a huff, gesturing a 'poof' with your hand.
After a moment, you add another frustrated sigh. "Honestly? Feels like the damn pipeline between my brain and hand's constipated." His eyebrows shoot up at that description.
"You’re an odd one," he laughs and sets the emptied plate down, "I like it."
"Pfff - look who’s talking. Mister 'handsome barn animal'." You jab and can’t help the chuckle. He smirks satisfied at your reaction, tugs at his leather jacket and winks at you.
You roll your eyes with a wide smile.
"What's your name?" You ask curiously.
"Dean," he answers simply. Then leans forward to rest on his forearms, "And you, sweetheart?" Your ears flush when he comes closer and you suddenly become very much aware of the effect his intense gaze has on you.
"I- uh, I'm -" you introduce yourself with your name and he repeats it with a smile, like he's committing it to his memory.
There's a moment of silence again and you don't quite know what to do or say - luckily he seems to have picked up on your inner distress.
"So," he begins, his face suddenly taking an air of - what was it? Business-like? Professional? You couldn't quite tell. "Back to your constipation."
"Yeah? What about it? You interested in my constipation?" You return the question, trying to imitate his new tone.
"Y-yeah," He tries to stay serious, but you both have to bite back a chuckle. "I am, actually."
"What about it?"
"This may sound stupid, but..." He mutters and rubs his forehead like he knows the question that'll follow isn't formulated very well, "Can’t you just, write? You know, like will it through?"
"No- That’s not how it works... it’s - it’s not that damn easy- it's - you don’t understand… It's not that I don't want to. I - I just - ugh-" You groan, face dropped to your hands.
You take a deep breath. The frustration of the past weeks threatening to break down on you again. Your eyes begin to sting and you screw them up in an effort to keep yourself from having a full on breakdown in front of a stranger. In a full diner no less.
"Hey, it’s okay, I believe you." he says with a lower voice now, the flirty attitude gone. The sudden change in his tone and his last words catches you off guard.
Your eyebrows pull together and you lift your head just enough to meet his gaze over the edge of your screen.
The air gets caught in your throat when you notice how close he is. He’s leaned across the table, emerald glinting pools searching your face for a trace of an escaped tear. His hand twitches but he puts it back down before it brushes yours.
"Don’t beat yourself up over it. It’s not your fault, ‘kay?" He murmurs. Almost like he’s sharing a secret with you.
"What? What are you talking about..?" And your voice drops to an equally low level to match his.
"You’re doing great, sweetheart. Trust me." He reassures you but avoids your question with another cheeky smile.
Although this one seems different. Genuine. And soft at the corners.
Unfortunately you don't even get to fully take it in when he's suddenly up on his feet. His eyes dart around the diner before they return to you, a hand raised to ruffle through his dark blond hair.
"I gotta go," he mutters, his attention suddenly drawn down to his empty plate, "Ah - Could you pay for that? You're a real sweetheart."
"..What?"
He doesn't wait for your answer as he slides out of the booth and rounds the table. When he's next to you, he stops for a moment and leans in.
"Oh and - Don't do anything stupid, okay?" He whispers. Then straightens his back again, throws you a flirty wink and a wave of his hand while he bounces off with a casual, "See ya~"
"Uh-" your gaze follows him, perplexed, before you echo his words under your breath, "Yeah... see ya."
You kinda hoped you would.
Wait- why would you do something stupid?
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The diner door jingles when Dean steps outside. After a glance left and right, he walks towards a taller guy. He looks not much younger than him, but longer brown hair frames his face, his focus on the papers in his hands.
When their eyes meet, Dean jerks his chin at him and he follows him round the corner and out of sight of the diner.
"And? You got a lead?" He asks hopefully.
"Yep." - He pops the ‘p’ - "Looks like it's our lucky day, Sammy. I think we've got our patient zero." Dean takes charge and heads over to a black Chevy, his hands fidgeting in his pants pockets for the car key.
His bow legs bounce off the concrete floor while Sam follows him with long strides.
"You think it's a deal gone wrong? Or maybe some sort of black magic that backfired?" Sam thinks out loud as he flips through the journal in his hand.
"I don't know man. She seemed pretty clueless to me. Maybe Bobby was right, and it is a curse." The car lock clicks and the trunk flings open.
He pulls out a shotgun and props it up against the lid before he starts rifling through the various contents. "I don't even know what I'm looking for." He sighs.
Sam rubs his temple with equal frustration, "Great. How the hell do we get rid of a writer’s curse?"
"Beats me." Dean huffs, then tosses a set of wooden stakes aside and leans back to run a hand through his hair, "Maybe we should call Bobby again…" - he turns to flash a boyish grin at his brother - "...and then check her out some more?"
Sam groans, "Dude, can you not think with your dick, for two seconds please?"
"What? She’s cute. Plus, she’s got that whole ‘tormented soul’ vibe."
"Seriously? Chances are, that she’s the cause for all of this crazy crap that’s going on in this city."
Dean’s smirk doesn’t falter. Instead he shrugs his shoulders unperturbed, "Let’s pay her a visit tonight. If she turns out to be a witch, we just gank ‘er."
"Dean," Sam scoffs and drags a hand down his face, "I know that look." Dean wiggles his eyebrows.
Sam shakes his head, followed by an incredulous chuckle, "Come on, man, you know you can’t charm your way into her pants. She's clearly not the type for a quick fling. And you’re not exactly Shakespeare."
Dean gets the shotgun out from under the lid and throws it back into the boot. "Oh Sammy, you've still got to learn a lot about women," he says, slamming it shut.
Sam rolls his eyes when his older brother turns to pat him on the shoulder, before he takes off to round the Impala. He pulls the driver's door open while Sam does the same on the opposite side.
"Mark my words, Sammy." He laughs and points a finger gun at him across the roof. "Every girl likes it dirty. Some just don’t show it."
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If you reblog, I demand at least one gif of Dean that fits the last line. Cuz I couldn't find the one I was looking for and I want to wake up to many many flirty Dean gifs 😂
Dean Tag List
@aylacavebear @jc-winchester @ambiguous-avery @bettystonewell @lyarr24
@ladysparkles78 @v1v1-3 @maddie0101 @champagnepoets @livya99
@salemslostwitch @supernotnatural2005 @lamentationsofalonelypotato (I'm tagging you for this because our talk partially motivated me to write this ♡ and to post it even though I hate it lmao 😂)
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teratomatica · 20 days ago
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you always land on all fours
#umineko#umineko spoilers#ikuko hachijo#ikukos turn for a more serious piece... the old man has reigned for too long#now. INCREDIBLY LONG INCOHERENT TAGS RANT INCOMING FAIR WARNING HAS BEEN GIVEN:#it makes me so so sad how little discussion there is about specifically ikuko because imho she fits so neatly into a lot of the more#overarching Big Themes of the game in a way that i have not ever really seen people take notice of or point out in a meaningful way#like even just off of the top of my head. the significance of names and what it means to go by a name that's Not Yours (she has like 4+)#what it Means to be a witch how it represents a person's deepest insecurities and flaws & how its at its core a coping mechanism#the fact that it takes two to create a universe and trying to do it on your own anyways has the capacity to bring you intense misery#^ (how she's shown to be extremely dismissive of her own work and skill until a collaborator comes into her life and helps/encourages her)#and even the family/patriarchy/misogyny stuff that is so prevalent in the rest of the game comes back around to her. even her Only Friend#(young&stupid atp to be fair) remarks that shes Weird for being unmarried + the little she does say about her past invites the question of#to what extent her self-image stems from her family deeming her a freak outcast & effectively disowning her while celebrating her brothers#and i have lot in my mind about the witch thing specifically because i think her particular situation is very reflective of what umineko's#entire magic system and fantasy facet as a whole is meant to represent for an individual. from what little we see of (what is presumably)#her Real personality she is shown to be deeply self conscious in a way that is JARRINGLY diametrically opposed to both 1.) what we see in#featherine and 2.) what we see when she is acting as a Public Figure. because both of the above are very much purposeful acts that she is#putting on in order to obfuscate her true self. and i have always been very resolute & adamant about not totally equating her to featherine#not only because im very firmly in the camp of “featherine is the avatar of the Pen Name & tohya is part of her too” but also very much b/c#i feel very strongly that the stark differences between the two are very centrally relevant to her character & her psyche. as is the case#with most other witches featherine's personality traits serve to reveal/magnify a lot of ikukos inner workings by playing on her#insecurities/reversing them e.g. ikuko being very quick to downplay her skill/achievements becomes featherine being the COMPLETE opposite#to the point where she barely registers even other witches as living beings rather than just fun touys. BUT even though i do champion the#ikuko/featherine separation so hard i ALSO think it is purposefully relevant that at first glance the line between them seems so blurry#her introduction implying a more nebulous separation between her reality/fantasy counterpart is i think is an intentional move on her part#like it is part of the front she is putting up when acting as the Author. as opposed to Ikuko the person who we (in a way ironically very#similar to the way that the Real Battler is presumably only shown during the boatscene) only very briefly get to see take up screentime#which even on a meta level lines up very well with her apparent underlying nature as a like. extremely private largely reserved/shy person#hit tag limit but if by some miracle anyone is still reading this thank you... please see ikuko with the love she deserves... ok ily byeee
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hamofjustice · 3 months ago
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a funny/sad thing about people who go on tirades about how penny pokemon sv is an awful selfish violent criminal who should be arrested instead of being reached out to and helped, and how they feel insane that anyone likes her is... she absolutely already feels that way about herself and they didn't notice
she spends the whole game doing what she can to protect her friends from being blamed for anything, calling herself a massive idiot under the guise of being someone else, turning herself in voluntarily, wanting to be given more punishment. it weirds her out that her friends and the school directors and chairwoman keep showing her mercy and seeing the good in her and what she was trying to do instead of throwing her in the trash she thinks she belongs in
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