#is that her prejudice

[ghostlypawn]

the way i literally still havent decided if lupe/carson represents pride or prejudice bc they really BOTH do and ik thats the way in the book but ppl still agree liz is prej and darcy is pride......

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[backstepping]

ayo edebiri: the movie reviewer we deserve

and her dad also has an account

[myszkaa]

A lone feathered woman

[wlwarhammer]

If I was mrs bennet I’d also loose my fucking shit because why am I the only one worried about destitution AND you’re all treating me like I’m crazy and hysterical for it

[taradactyls]

"I'm sorry I flirted, I was trying to roast you."

- Elizabeth Bennet after Mr Darcy's first proposal

[thessaralka]

the most romantic thing about the solas romance is how much love there is for lavellan in the act of breaking up with her.

solas breaks up with lavellan because it is objectively what is best for her. not because it's what he wants. not because his mission is just more important than she is. because he loves her.

it is in lavellan's best interests that she know who she falls in love with and has agency in that decision. solas breaks up with her because he is not entirely truthful about who he is. she can't make an informed choice about being with him without the truth. and because solas isn't ready to tell her the truth, he backs off.

whether we like it or not, fen'harel is part of who solas is, even if solas is part of his genuine character, the face he shows us in DAI is not all of him.

what is so sexy about solas showing his love for her in this way is he sees the clear power imbalance between them (him with all his secrets), and he chooses her well being over his desires, he puts the power back in her hands - by breaking up with her. he says, "it isn't right of me to continue with this when you don't actually know me". only his reveal in trespasser opens the door for her to accept him, or deny him.

ultimately, it is up to lavellan to decide what is in her best interests. does she accept solas, now knowing the truth, or does she say "wow yeah i actually can't live with that" and walk away?

[itspileofgoodthings]

one of the things that continues to strike me on reread is how much the character of Darcy, and Austen through him, finds Mr. Bennet dead. And how much Elizabeth, in growing and changing and discarding her past blindness, has to move past her way of seeing her father and thus of seeing reality, because the two are connected! Darcy’s letter exposes her father’s flaws to Elizabeth in a way she’d never been able to see before. Most especially the way his laziness and neglect of his own gifts have hurt his family and that ultimately he doesn’t. care. Not enough to change. It literally says that she comes home from Hunsford and tries to laugh at her sisters’ and mother’s folly (the way she used to; the way her father has taught her to by example for her whole life) and she can’t anymore! It sticks in her throat. She is grieved by the failures that she sees in him, all the more so because she IS his favorite and she loves him! And the thing about Mr. Bennet is he never changes. The Lydia/wickham situation exposes to him sharply his own conduct and the consequences and he feels it! Because he is neither stupid nor unfeeling. But he, like everyone, has free will. And he chooses not to change when the opportunity presents itself. He even jokes about how quickly his feeling bad will pass and how soon everything will go back to normal, to his laziness and his selfishness. He is set in his ways and he serves as a contrast to Elizabeth’s personal journey because he embodies a version of a person she could have become and was in danger of becoming if her only goal at all times was to laugh at and judge people from the sidelines.

[lizzybennets]

"Excellent. Now she will have to stay the night. Exactly as I predicted." "Good grief, woman. Your skills in the art of match-making are without question." "Though I don't think, mama, you can reasonably take credit for making it rain."

PRIDE AND PREJUDICE (2005) dir. Joe Wright

[elinordash]

Colin Firth as Mr. Darcy in PRIDE AND PREJUDICE (1995)

Can you tell me why Mr. Darcy keeps staring at me?

[cottagecore-raccoon]

The more I think about it, the more I think that Persuasion has my favorite premise of all of Jane Austen's novels

Anne Elliot as a character speaks to my soul. She feels tremendous guilt for a decision she made eight years ago. Her life is lonely, as she doesn't really have anyone she can truly confide in despite being surrounded by people. So she swallows her pain, the yearning she feels deep in her soul, and vows that if nothing else at least she'll be helpful.

And of course she is reunited with Frederick Wentworth (the one that got away) who seems to hate her now, and she just keeps going. She keeps being kind and supporting her loved ones while slowly carving out a life for herself. There's something about her classic heroism that just feels so attainable. I don't have Elizabeth Bennett's wit, or Jane Bennett's unwavering belief in the goodness of everyone, or even Elinor's constant composure. But I can be like Anne and just keep moving forward attempting to be helpful

Of course it all works out in the end, and Anne is finally surrounded by people who truly appreciate her, even if she had to wait an extra eight years. Others have observed the fairy tale quality of the ending, and perhaps that's why it speaks to me. The idea that if you just keep doing your best and being kind, you'll eventually find happiness

[fuckmeyer]

if smeyer wasn't a coward vamp!Bella would have immediately eaten her daughter Rensesmem whole-hog like Saturn Devouring His Son

[hesztia16]

Promt:

Bruce kept trackers in the people he loved. Ever since Dick was a young boy prone to get kidnapped. Some with consent, some… not so much. But it was a crime he was willing to commit, if only for the way it calmed his nerves when he looked at the little dots on his screen.

Alfred, in the kitchen, working tirelessly on lunch.

Tim, in Drake Manor (much to his annoyance, but he was working on that one), probably enjoying the weekend before school.

Dick, in Bludhaven (again, much to his annoyance) spending his day off with some friends in a coffee shop.

Barbara, in the library, helping visitors.

And the one little dot that always pained him to look at, but couldn’t bring himself to disarm, right above-

Where is it?

There.

Why in all Hell’s name was his son’s body in the hospital instead of the cemetery?

[ciderjacks]

Someone made a really well written post on chilchuck and misogyny, but its not able to be rbed so im just sharing my analysis of it here. Bc i love this topic. I love it so much.

[gilliandersons]

PRIDE AND PREJUDICE 2005 | dir. Joe Wright

[suntails]

fallen