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hollowed-theory-hall · 8 months ago

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What do you think about Hermione? Love her? Hate her? Any thoughts about her being given the time Turner? Because that's what made me dislike her. There's literally no way it makes sense for her to have that other than favouritism from Dumbledore. Because if they were really willing to give out time turners to any smart kid, Barty Crouch Jr. and Tom Riddle should also have gotten time turners.

Okay, there are two parts for this answer. The first part is that I got to defend Hermione on the Time Turner bit because it's not her fault Dumbledore plays favorites.

I'm pretty sure Dumbledore knew Sirius was innocent all along (or at least suspected it) and intended Harry and Hermione to have all the means to help him at their disposal.

“Dumbledore just said — just said we could save more than one innocent life. . . .” And then it hit him. “Hermione, we’re going to save Buckbeak!” “But — how will that help Sirius?” “Dumbledore said — he just told us where the window is — the window of Flitwick’s office! Where they’ve got Sirius locked up! We’ve got to fly Buckbeak up to the window and rescue Sirius! Sirius can escape on Buckbeak — they can escape together!”

(PoA, page 395)

They were still ten feet away from the forest, in plain view of Hagrid’s back door. “One moment, please, Macnair,” came Dumbledore’s voice. “You need to sign too.” The footsteps stopped.

(PoA, page 401)

The back in time Dumbledore, before he sent Harry and Hermione back in time, seems almost too aware of what's going on. Even though he hasn't sent them back in time yet. So, I'm suspicious he had a plan there.

“Where is it?” said the reedy voice of the Committee member. “Where is the beast?” “It was tied here!” said the executioner furiously. “I saw it! Just here!” “How extraordinary,” said Dumbledore. There was a note of amusement in his voice.

(PoA, page 402)

But even if Dumbledore didn't plan Sirius' escape and the Time Turner shenanigans, it's not Hermione's fault Dumbledore wanted her to have a Time Turner. Honestly, it's good she had it for Sirius' sake, but Dumbledore's favoritism isn't on her. I feel it's wrong to blame her for a decision that wasn't hers. It was Dumbledore's and McGonagall's decision to give Hermione a Time Turner and not to other students. We don't even know how common Time Turners are for students (my guess is not at all, and Hermione wasn't supposed to have one, but that's a different post), but it was still a decision completely out of Hermione's hands.

As for the second part, which is my opinion on Hermione:

I like Hermione, she isn't in my top favorite characters, but I do like her. She's interesting, adds contrast to Ron and Harry and I related to her a lot when I was younger.

I hate what the movies did to her. They stripped her of everything that made her interesting and made her this perfect figure who always knew what to do which Hermione just isn't. Hermione tends to panic and stress out in the books often. It's often Harry who comes up with last-minute plans under pressure.

And yes, she's smart, but she isn't always the cleverest or wisest (I'll say Ron has the most common sense in the Trio), and a lot of times she doesn't think her plans through (like with Umbridge, the centaurs, and Gwamp. She didn't plan anything other than not wanting to see Harry in pain). And that's an interesting character flaw for her to have. And she knows this about herself. I mean, she says herself there's more to magic than just reading books.

And book Hermione really loves Harry and Ron and appreciates their cleverness compared to movie Hermione who's just done with both of them and their idiocy constantly. Which is a disservice to the Golden Trio's friendship. All three are really smart in different ways. and the three of them know this (sorta, Harry has really low self-esteem so he doesn't think he's smart).

My biggest grief with Hermione's character in the books was always her complete faith in authority she trusts. Throughout the series, Hermione is the one of the Trio who always speaks up that they should trust Dumbledore and do what Dumbledore says because she respects him. Hermione, once she respects an authority figure, she tends to just have full faith in them and their judgment. And that really got on my nerves sometimes. But again, that's an interesting character flaw that contrasts Harry and Ron and creates an interesting dynamic. It's a character flaw that is an extension of Hermione's loyalty. I think her loyalty is a trait that is often downplayed too, but she is so loyal. Like, once she decides you have her loyalty you could do pretty much anything and she'll try to justify you. She'll make excuses and justifications so people she's loyal to are in the right.

And she does this justification with her own actions too. I like Hermione's ruthlessness that is so often ignored. She:

Set Snape on fire as a 1st year (but, yeah she loves all authority *sarcasm*)

Kept Rita Skeeter in a jar

Marietta Edgcomb (the curse on the DA parchment in general)

Came up with the DA coins and told Harry she got inspiration from the Dark Mark:

Harry looked sideways at Hermione. “You know what these remind me of?” “No, what’s that?” “The Death Eaters’ scars. Voldemort touches one of them, and all their scars burn, and they know they’ve got to join him.” “Well . . . yes,” said Hermione quietly. “That is where I got the idea . . . but you’ll notice I decided to engrave the date on bits of metal rather than on our members’ skin. . . .”

(OotP, 399)

6. Confounded Cormac McLaggen so Ron would get the Keeper position.

7. Basically everything she did in Deathly Hollows, I'm not listing all of it.

And there are more I'm probably forgetting!

The point is, Hermione is ruthless when she wants to be. She's not to be trifled with.

I think her loyalty, as I mentioned above, is a very distinctive trait of her character. She didn't have friends before Hogwarts (she was probably bullied for being a know-it-all. Like, it shows in her behavior) and she latched onto Harry and Ron and has been incredibly devoted to their friendship since. She's not only devoted to her friends but invested in keeping Harry and Ron as her friends (and each other's freinds).

And she actually is really smart. Yes, book smart, she can memorize books like a pro, but she's also a really good puzzle solver. From the riddle in the obstacle course in 1st year, figuring out the basilisk, finding out Lupin's a werewolf, figuring out Rita's Animagus form, etc... Hermione is really good at organizing information and putting the puzzle pieces together. And that's before I mentioned her magical talent, from brewing Pulyjuice Potion (a complex and advanced potion) in 2nd year in the girls' bathroom to usually being the first in class to get spells right.

Hermione's desire to know everything, as I mentioned in another post, I think is an extension of her desire to belong. She arrives in a new world as a muggleborn, and she takes each and every chance she gets to learn about the Wizarding World. To appear as if she was always there. Because she wants to be a witch so badly she doesn't mind Obliviating her parents and sending them to Australia.

I have more thoughts, but I'm just blabbering...

So, Hermione, while not in my top five, is an interesting and flawed character that I like a lot.

#harry potter #hp #hermione granger analysis #hermione granger #hp meta #harry potter meta #asks #anon asks #anonymous

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bunnyshideawayy · 10 months ago

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cassian. great man, wonderful friend, absolutely terrible mate.

we have seen Nesta’s sisters, who arguably have less of a reason, defend her more than Cassian has ever thought about. HELLO?

my issue with cassian acosf and onward is that we are truly expected to believe they he deeply understands Nesta when he’s been shown time and again to never stick up for her and never fully trust her. he does nothing to help her over come and face her traumas / depression, she’s left to do that on her own, but best believe he’s down to fuck and make her hike! (no sarah sex and physical exercise are not cures)

after reading the entire series once and now twice seeing Rhys threatening anyone who dares breath wrong in Feyre’s direction under the guise of just “protecting his mate” i find it extremely hard to believe cassian allowed or even sides with anyone who speaks ill of/to Nesta or threatens her- all of which Rhysand and most of the IC (besides her sisters and Az) do, most of the time while directly in front of cassian in conversations he’s involved in. the most he does is…pout a little? throws a hissy fit? the two times i can remember him even remotely stick up for Nesta he immednantly backtracks as soon as Rhysand pushes back, both times the final decision being put in Feyre’s hands, this continues even into CC3 (and let’s thank the mother Feyre loves her sisters which is something ik yall nesta haters can’t stand.)

let’s move onto something i know yall don’t want to talk about, his verbal abuse. “oh but nesta also said-“ we know what she said, that is not the point. if this man knew all along nesta was his mate and truly wanted to help her heal from her traumas and depression why did he take every chance he could to provoke her? Nesta called Rhysand an asshole, and he IS especially to Nesta, and instead of keeping silent as he does when Rhys/the IC harshly critique her, he immediately gets angry and in her face to defend him. funny he can’t do that with her, his MATE? or let’s talk about this scene

oh okay! that’s totally something you say unprompted to your mate who is severely depressed and traumatized because she won’t eat! she’s totally not shaking because she’s triggered! then to add the lecture “we’ve been here before, too” oh okay! so you admit you know what she feels like (very doubtful although i’m not going to compare their traumas, both are valid he just does not understand her like he thinks he does) it’s patronizing and a little frustrating. she doesn’t want to be there in the first place, purposely throwing a sensitive subject in her face will not magically motivate her or cure her- she is simply doing what she has no choice in. she has been stripped of all autonomy, humanity, and “normality��- she feels alone and valuable in a way she as never felt before and she has NO HELP. none!

i’ll end with the hike. yay more physical activity as punishment- but if i said that was abuse yall will bring up the pregnancy so ill do it for you! Yes, Nesta was wrong to tell Feyre THE WAY SHE DID, she had every right to tell Feyre about her own body and pregnancy, it just shouldn’t have happened the way it did. everyone knew it was wrong to keep it from Feyre, even Cassian, so instead of forcing her to hike a mountain as punishment to ware her down mentally and physically he couldve stood up for both Feyre and Nesta to Rhysand the moment he threatens to KILL NESTA. a simple “hey buddy you knew it was wrong to keep that from Feyre you can’t kill my mate for telling her even if it was out of anger” would suffice. not once during their entire hike or during her breakdown does he reassure her, not even when she is tearing herself apart because she doesn’t feel worthy. don’t even get me started on what happens in CC3.

over all i think Nessian is great and they have some great moments, the end of ACOWAR lives rent free in my mind but i am incredibly disappointed with Cassian. i do feel like Nesta deserves better from everyone (besides Feyre and Elain who, again, are the only ones who i truly believe love her unconditionally.)

anti nesta’s this is not a safe space for you.

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bargainbinwizard · 10 months ago

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What the fuck is wrong with you Israel

I've been pretty silent on the Israel and Gaza war for a long time but it's come to a point that I needed to get magically involved. It's an ugly situation all around. Israel mass murdering Palestinians,Hamas being a thing, Antisemites coming out of the woodwork,Israel booting people from their land and people saying that Israel as a country should cease to exist...even though Jews were native to Israel (aka Canaan) but got conquered by the Babylonians and Romans in ancient times and so as a consequence, they were spread out across the globe getting shat on by everybody in history. But I can't even say that Israel is defending themselves from Hamas because they're too busy fucking around in the Gaza strip shooting down people getting flour.

I'm just going to make it very clear that just because I say that Israel as a country should exist ✨DOES NOT MEAN THAT I SUPPORT ISRAEL KILLING PEOPLE OR THEIR CRUELITY TOWARDS THE PALASTINIANS ✨. I don't want anybody popping onto my page to villainize me and putting words in my mouth. I may not have the funds to save the entirety of Gaza but that doesn't mean I haven't been donating. Also I do my Gaza/Israel reblogging on my main blog,this is just a side blog. That's why you haven't seen anything here. I don't want to hear from any of you that I'm secretly rubbing my hands evilly and cackling watching Israel bomb Rafah.

In short, fuck nazis and people who think that being an antisemite makes you a hero. Go do something useful with your time like donate to Gaza charities like a normal person, would you?

Anyway, in terms of my magical work. I've been focusing on trying to get the news channels on tv to talk about what kind of nasty shit Israel soldiers have been doing in Gaza. There's pictures and videos on the internet from the Palestinians being killed,Israel soldiers talking pictures of themselves on children's' bicycles that they've stolen,olive trees being destroyed and so on and so forth. Yet, the only thing the news wants to focus on is Hamas and making Israel looking like the good guy. If I can get get the news to talk about Israel's war crimes and the corruption in the Israel military /government with pictures then I've done my job. Well,I may need to create a peace spell to somehow make Israel and Gaza stop fighting. Not sure what spell components I need to use.

Its also pretty shitty that there are so many fundraisers to get people out from Gaza and to give people aid that I don't have the funds to save everybody,just give people a measly 20 dollars while their fundraiser goals are several thousand dollars. And if I donate to one charity, I'm not donating to the others and that means they'll have to suffer. I don't have the wallet of Mr. Beast or Bill Gates. I can't save everybody and they might die before they reach their fundraiser goals. And more fundraisers are going to pop up.

EDIT: Added some links. I made it fair by talking about both Hamas and Israel.

youtube

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fioras-resolve · 1 year ago

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okay so hear me out here, ace attorney fans

pressing a statement is a defensive action. it's like blocking in an action game. in most cases, it carries no risk, and lets you look for an opening to strike.

those strikes are presenting evidence, or anything else that comes with a penalty. it's an offensive move that puts you at risk, but has a high payoff if it does work.

fundamentally, a lot of players like to hold the block button. and you can see why a witness like moe or tigre would incense us so much. by penalizing pressing, they make it impossible to defend without risk.

some testimonies require pressing. sometimes pressing in ace attorney 1 is literally the solution, while other times pressing is what creates the opening to take the risk of presenting evidence.

it's worth noting that ace attorney 2 and 3 have a particular habit of putting you on the defensive. barring the tutorial, every first trial of justice for all starts off by making you gather evidence. this requires that you press every single statement just to get the full picture. you cannot present anything, you are just pressing.

this could be viewed as the game forcing you to block for two minutes, thus making bad, boring testimonies. but i actually wanna be more charitable here. these moments are the prosecutors putting you on the defensive, which says something about their characters and how they operate. in some moments, like the bellboy's testimony in turnabout sisters, gives you no offensive options as a way to convey helplessness. i think these kinds of testimonies can be valuable for storytelling reasons, even if they are "less compelling gameplay."

ace attorney investigations, on the other hand, is all about compelling gameplay. i might be biased, because i have miles edgeworth as an alter in my head, but i do like both investigations games a fair bit, and consider aai2 the peak of the series. but the thing with these games is that they focus in on the core gameplay of ace attorney: finding contradictions and presenting evidence. it's a very offense-focused game. every single argument (the games' equivalent of testimonies) ends with presenting evidence. it's actually incredibly stripped down from the rest of the series, you might have to press just to get a bit of new information, but you will then have to find the contradiction in that information. you cannot proceed without landing a decisive blow.

i have a few problems with shu takumi's contributions to the series after the original trilogy. most of them are a topic for another time. but something i wanna focus in on here is the repeated mechanic of "mob cross examination." essentially, you're questioning multiple witnesses at a time, and sometimes when you press someone for more information, others will perk up at what they say. you can then question them and ask them what's on their mind. i think this is a cute mechanic in theory, and it does lead to some good storytelling moments. but it also makes these games very press heavy in a way that i don't like. it kind of ruins the tension of the thing, you know?

i feel like i'm one of the only people who actually gives this stuff any attention. like, a lot of people in the ace attorney fandom essentially see the games as visual novels, caring more about the story than anything you actually do in the game. this is, i suspect, why there's aversion to "filler" in these spaces, because a lot of people just aren't here to play a mystery adventure game. to be clear, i recognize myself as one of the weirdos here. i'm a game designer who cares a lot about mechanics. but like, there's genuine room to talk about game design in the ace attorney series. how these games feel to play, how you make a court drama also a fun game. or maybe i'm just looking for something to do with this series that is likely not getting a new installment for a very long time

#ace attorney #game design #ace attorney investigations

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tempobrucera · 2 years ago

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I genuinely can't wrap my head around the fact that there are people out there who still suport R*ger W*ters in the good year of our lord 2022 when there are literal decades worth of evidence of why he is a piece of shit and always will be. Not only is he a raging antisemitic asshole and has been for years, he has also openly supported numerous dictatorships through the years. Like, I know tons of people probably don't know this but he was openly supporting Venezuela's ex-'president' Chavez and Venezuela's current 'president' Maduro, when everyone and their mama knows tons of people have died of famine and sickness in the hands of those two, that they ruined the country's economy, that the portion of the Amazon forest that is in Venezuelan territory is being destroyed because of them, that tons of reporters have been murdered for trying to get the word out there about what's going on, and the few people who have managed to survive everything I mentioned above escaped the country... I know this because I am one of those people who escaped. And who was these dictators' bestie? Who was supporting their campaigns, even financially? Yeah, R*ger W*ters.

It's annoying and heartbreaking that people are so willfully ignorant they will support a bigot simply because he made a couple of cool songs half a century ago. Like sure, Wish You Were Here is a nice song or whatever. However that doesn't excuse the fact that Mr. Roger is a jackass. You can enjoy an artists' music catalogue without kissing the ground they walk on, especially when they're awful human beings.

Hi,

thank you so much for sharing! <3 And I'm sorry that this happened to you and that you had to leave your home. I can't imagine how that feels to have no other choice other than to leave the country you lived in, not because you want to but because you have to.

I also don't get it, at all. Or why we have to defend every idiotic decision everyone makes, it's not healthy. I think no one should work with him (but I'm a fan blog of a specific band that's why my focus was on that one and not on anyone else). On that note: Just because someone jumps from a cliff, doesn't mean you have to jump after. Just because someone else did it as well, doesn't give you a green card to do the same and to be stupid, because I sure as fuck hope that they all own their own brain cells (tho some of their fans apparently don't).

Then, I have to be honest. I also didn't know that he supported Chavez and Maduro (and I live in the UK, he's in the press with another idiotic thing he said, every few weeks). That's why I googled, just in case someone wants to know more: (But honestly, you should listen to the people who are effected by all the bullshit he supports, not by fanboys and fangirls who excuse any behaviour or just don't give a fuck because they have the privilige that they can say and have the freedom to not care enough or make pick and mix out of opinions to only pick the good ones and even be proud of it - honestly you should have a big fat think about that one. Yes, privilege makes ignorant, so some people might want to check themselves).

When your favourite rockstars defend dictatorships

Roger Waters condemns Richard Branson's Venezuela aid concert

Waters Sings Maduro’s Praises While Venezuela Burns

"Waters sided with a man many call a “dictator.” Human Rights Watch explains why:

No independent government institutions remain today in Venezuela to act as a check on executive power. A series of measures by the Maduro and Chávez governments stacked the courts with judges who make no pretense of independence. The government has been repressing dissent through often-violent crackdowns on street protests, jailing opponents, and prosecuting civilians in military courts. It has also stripped power from the opposition-led legislature."

Roger Waters ‘Deeply Moved’ By Gift from Venezuela’s Maduro

#ask #thank you for sharing this here <3

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trekkie-in-space · 3 years ago

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Straight Fact about Marsella/Marseille from La Casa de Papel and some following Headcanon/Theories ✨✨

- Fact -

- Very discreet, he observes a lot and talk a little, called at a least at two reprises a mute (by Bogotà and Denver)

- Close to animals, especially dogs, love them, respect them, trust them more than human. He is against animal suffering.

- Ex-Soldier, has been called an assassin (by Bogotà) and Hitman (by Denver), killed human, killing a human is not a problem (straight up threatened Denver to cut him in half)

- Lost all his friends during war

- Had a dog during war, the dog was very loyal to him, stayed when human left (That dog was probably not Pamuk)

- Had a dog, Pamuk, very loyal/close to him too, got killed by children playing war

- Know many languages : Spanish, French, Italian, German, English, Croatian, Serbian

- React very quickly to Denver grabbing his arm/to physical provocation was trained to react that way + probably has a sharp instinct, not shy to threaten physically and orally someone

- Answer quickly to the professor order, see him as the chief/boss and obey him. One word from him is enough, do not discuss order.

- Extremely lucky - dude crash a car and get out pretty much without a scratch - I BEG YOUR PARDON ? - the car rolled and all, what if it had deformed to the point he couldn't get out ? What if he had broken a bone in the shock and couldn't dash out ? Because you can protect yourself all you want, getting in a crash, even one you plan, is very dangerous. Dude was like 'I have things to do and nothing will prevent me from doing them' and just walked out like nothing happened. Wtf man ?

- Has a lot of respect for the professor and to his plan. Will defend the plan when the professor wants to take risk but still follow change in plans if the risk is less than the gain (When they fight after Lisbon 'death' and then go into the crowd disguised.).

- Try to provide emotional support to the professor, he is clumsy about it but do his best and tries a lot of things

- Caring toward the professor, with (and I'm sorry but I don't know how to say it differently, but..) A certain tenderness. Like anybody in the group (or most) they are not just colleagues. But there is just a softness with him.

- React to Palermo 'Boum Boum Ciao' the same way the professor does. Seem annoyed, middly ashamed but also taken by the energy around (to crack a smile like the professor).

- Can be very intimidating if choose to, but in relaxed situation seem very kind/soft and not unbearing or obnoxious/showing.

- Extrapolations on Canon, Theories and Headcanons -

- The last hit he gave the professor when they were fighting is not because he misread the situation but because the professor just said Lisbon could betray them (which is technically true) and his hit was his way to say, 'have some faith/respect in your wife'

- During that fight he intentionally took hit from the professor to allow him to unload stress/give him a win. Why ? Because he is a trained ex-soldier who clearly shows good physical abilities, he knows how to fight and could probably take on Sergio even if he know how to fight too. Prior to this we see two scenes. One in a relaxed sitting (the soccer match) where Helsinki give him a slap and he doesn't react badly, he takes the hit and laugh, they were in front of each other he could have potentially avoid the hit, but did not hold grudges for that hit, basically taking a hit or two is not much for him and won’t be enough for him to get angry/escalate a situation. BUT during the pig scene to remove a micro, he reacts badly to physical provocation by Denver after he had to defend his position not to touch the animal with the rest of the team. Even if just a few said something, the whole team was baffled by his decision/principle, it was a moment where he was 'alone against all' and he defended himself in a quick and efficient manner.

They are in a middle of a heist, they are allies and he clearly does not want to fight, he fights because Sergio wants to fight and he probably doesn't give his all but just enough not to get bullied and give Sergio a mean to keep unleashing on him. (Man I swear you're doing too much)

- Definitely have some trauma and problem concerning human and trust. In two separate points, he has lost a lot or enough, and he had been deeply hurt by that (his friends all dead, his animals), probably have some unhealed emotional scars or one that heal badly and one way to cope is to keep a bit of distance + he seems to have a certain discipline/restrain in general.

Second, he mistrust humans, he is careful around them. Probably (definitely) has seen a large panel of the worst humanity has to offer. Probably don't trust easily but love when someone proves him they are worth trusting - which I think is what happened with the professor. Otherwise probably work alone or keep some distance.

- Jumping on that. He completely agreed to the professor as the boss, and his boss. Coming from a military background, he is used to having someone above him giving order and he answer promptly to the professor order or demand without questioning it/arguing (except when it touch to something the professor explicitly stated they should not do like improvisation, then he will argue). Overall he trusts him, might even admire him or have a deep respect for him and his plan/what de does/his personality.

-> I also believe his personality is one of a 'shadow' by that I mean he is his best as close support to someone/something acting behind for the good of the plan (which he does in the series), but I think he thrives in that role. He is a real doer. Dude will do anything that need to be done. like, he is perfect for a second, with someone above him to direct the action.

- Always had a good relationship to animals, now it had become a coping mechanism and a way to have companionship without the burden of 'human' nature. Not that he doesn't miss more close relationship to humans. Nor is it not painful when he loses someone or an animal close to him. it's just he find solace in animals compagny.

- Very soft, kind, caring inside. He let that out for the people he care about/trust. We see him mostly with the professor and above it being his role to care for the professor and all the 'beside' matter and needs. There are a lot of moments where he is very attentive to the professor or caring in ways that go above a professional setting (I'm sorry but when in the latest season when he put the cover back on Sergio as he sleep.. Such tenderness I swear ! or the way he tries to offer him emotional comfort/help)

-> Also the way he care for Sofia..

- Give off asexual vibe, sorry not sorry but it's true. That man is ace.

- Why is he on the heist ? I think outside of money and personal material gain he might be in for revenge against the system. He was a soldier, an executor in the government hands, he may want to fuck the system, give shit to a system that has used him, that took a lot from him. Maybe he was betrayed by that government and the people in it, root for his mistrust of human or just added enough to a preexisting base.

- The way he reacts physically and violently to Denver grabbing him when he turn away is very telling. He has a strong instinct and sharp reflex. But also definitely found himself in a situation where this would have been a life of death situation or overall high danger. This is absolutely pure speculation but outside of his work as a soldier and now hitman this reaction could be rooted deeper in child abuse and trauma, which could also reflect to his discreet and unshowing personality, he keeps to himself.

Anyway this looked like reflexes from training and from past traumatic experience. -> In a way his reaction seemed a bit too much (definitely) for the situation they were in, but also somewhat 'slow' (I'm interpreting too much the acting but whatever) as if he thought about reacting the way he did, nearly didn't but still did because he was pissed off from earlier and had been triggered. So he just decided to go with the outburst, and set his position straight.

-> Being grabbed from behind/prevented from leaving might also be from a fear/trigger to be trapped (the way he place himself behind in the class, close to the door (which could be nothing lol x) )). Which could also be tied to his time in military where his agency had been stripped from him completely/where he was lacking freedom and had to do things he didn't want to do.

- A big BIG softy, but also those hands have killed and will kill again. (in a way him and Helsinki are a bit alike)

- Keeps most of his emotions inside, tend to stay mostly neutral and what he show is just the tip of the iceberg, but don't be fooled, that man have a lot of emotions.

- Probably need a lot of time to open up, but do info dump at time when he think it might be relevant (ex: during the pig scene, or in the car with Sergio after Lisbon 'death') and you're like 'what ?' very likely need to be asked question if you want to know things about him.

- He likes honesty, but probably won't be himself, tend to be secretive, probably a good liar. He will be honest on a few important things otherwise...

- That man way of love his act of service x)

#LA CASA DE PAPEL #MONEY HEIST #MARSEILLE #MARSELLA #LCDP #EL PROFESSOR #SERGIO MARQUINA

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peepeepotter · 4 years ago

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Hogwarts: New Girl AU

A/N: Warning, some canonical changes were made for plot reasons, the biggest being: Harry and Ginny never dated; Harry, Neville, and Draco are all professors; George has a new WWW store in Hogsmeade. Also, she starts off living with the four guys whereas in New Girl she only lived with all four for about a season. I just thought it would be fun!! Also, when I wrote this it felt a lot longer than it ended up being—so let me know if this is too long or too short or just right!! P.S.: I do NOT condone transphobia (I’m LGBT and will defend trans people until the day I die) and obviously I feel JKR is a shitty person, I write because I like writing and we’ll all agree that 5 year old Daniel Radcliffe wrote the HP series :)

Chapter 1: Who’s That Girl?

Pairing: George x Female Reader

Warnings: Cursing

Words: 3k

Series Masterlist

“So, you know in horror movies when the girls are like "Oh my god, there's something in the basement. Let me just run down there in my underwear and see what's going on in the dark", and you're like "What is your problem? Call the aurors!", and she's like "Okay" but it's too late because she's already getting avada kedavra’d. Well, my story's kind of like that.” y/n said, remembering the borderline traumatic moment that happened two weeks ago.

Y/N sat in the back of a muggle taxi, on her way to her shared apartment with her boyfriend Cormac McLaggen. Only, incredibly uncomfortably, she was completely naked under a trench coat.

“It’s a surprise for Cormac. I’m just gonna walk in and drop my coat, like BAM. There it all is. He said he has this fantasy that I’m a veela with a heart of gold.” Y/N attempted to whisper into the phone speaker.

“You added the ‘heart of gold’ thing, didn’t you?” Ginny asked, chuckling and knowing full well that McLaggen wasn’t exactly a thoughtful person, and wouldn’t have included that in a sexual fantasy.

“Yeah. I wanted to really get into the character, you know?” Y/N tried to get into the fantasy more, hoping it would make her less uncomfortable.

“Oh really? What’s your veela name?”

“Uh...Fleur?”

“That ones taken, Y/N.”

“Whatever, I don’t need a veela name.”

“Either way, I’m so proud of you for getting out of your comfort zone! Good luck babe.” Ginny encouraged.

As Y/N walked into the apartment, she was trying to position herself sexily in the living room. She laid on her side on the couch. Too cliché. She propped herself on the back of the couch. Too masculine. Eventually Cormac entered the living room from the bedroom wearing only his boxers, making Y/N panic about the fantasy.

“Y/N! You’re back early! I wasn’t expecting you—“

Y/N dropped the trench coat. Immediately after a girl, Pansy Parkinson she recognized, followed McLaggen out of the bedroom. Their bedroom. And she was only wearing her underwear.

“Oh.”

“So that’s what happened and why I really need a new place to live. Anyway...what was the question?” Y/N smiled at the four men in front of her. They all looked traumatized by her story.

“Um, do you have any pets?” George asked.

“Oh, no I don’t. Sorry,” She chuckled awkwardly.

“You know what’s funny? When I saw your ad on DumbledoresList I thought you were women.” Y/N laughed. “Crazy, right?”

“Hold up, why would you think that?” Draco spoke before the other two could.

“Just some of the vocabulary used. Like sun-soaked and exposed brick daydream.”

“Draco you wrote exposed brick daydream? Oh my god,” George was nearly in tears with laughter, Harry and Neville following quickly. “Jar, right now, dude.”

“Yeah, jar, seriously. Five galleons.” Harry agreed, pointing to a jar on the mantle of he fireplace with a neon green post-it note labeled “Prick Jar.”

Draco rolled his eyes, getting up and putting the galleons in the jar.

Y/N coughed, trying to refocus the attention. “Look, I really like this apartment. I also really don’t want to live with my friend anymore. She’s a quidditch player...all her friends and roommates are quidditch players. They get into some real weird shit.” Y/N felt like she was pleading with them. Just let me stay here!

“Look I still don’t feel like we know enough—” George was interrupted by Draco.

“Oh, quidditch players? When can you move in?” Y/N grinned, hoping the promise of these three men meeting hot quidditch players would help.

“No, no, loft meeting. Bathroom.” Harry ordered, leading the way down the long hall to the bathroom at the end. When Y/N heard the door shut she quickly and silently followed, eavesdropping on the conversation.

“Come ON guys, she’s friends with quidditch players. Next to veela’s and the girls at Beauxbaton, that’s like the hottest girls in existence.” Draco begged the other two.

“The fact that you’re a professor now and you said that is like...incredibly disturbing.” Harry glared at Draco, George and Neville shaking their heads.

“Yeah, and my sister is a quidditch player so I don’t know about that.” George shuddered.

“I’m not going to lie to you guys, I don’t want a girl living here. Sometimes, I get home from a long day of teaching and I just want to strip and lay on the couch. Let the boys chill.” Harry casually shared. Y/N gagged at the thought, but the other three men in the bathroom made noises of agreement, or at least understandment of his statement.

“I am...actually neutral on this one.” Neville shrugged, causing Draco to scoff.

“You would be neutral on this.” Draco rolled his eyes, but directed his attention toward their fourth roommate. “Alright George, tie-breaker. It’s up to you. Is she in or out?”

“You guys know I don’t do well under pressure like this. Just give me a minute let me think.”

Both Harry and Draco started arguing with each other, putting George under more pressure to make a decision. He slowly backed himself into the stall in the bathroom and locked it. Neville watched everything play out, arms crossed with a smile on his face.

“Oh, now look what you’ve done!” Draco said, gesturing to the hiding George.

“What I’ve done! You started it—” Harry replied.

“Whatever, executive decision—she’s in.” Draco announced.

“YAY! I’m in!” Y/N exclaimed, not able to contain her excitement on the other side of the bathroom door. Draco opened the bathroom door.

“Nobody decided putting a silencing charm on the door would be a good idea?” Harry asked the boys in the bathroom.

“Oh you guys have a stall and urinals? Like a public bathroom? Okay, yeah I guess I can get used to that.” Y/N said, looking around the bathroom that reminded her a little too much of the bathrooms at Hogwarts.

“What do you do for a living anyway? Why do you want to live out here in Hogsmeade?” Draco asked as the group of five made their way back to the living room.

“I just became a professor at Hogwarts! I spent a really long time in both the muggle world and the magical world studying creatures. So, I’m taking over for Hagrid.” Y/N smiled, very excited to be doing her two favorite things in the world: working with animals, and teaching bright young minds.

“Oh, Harry, Neville and I are professors at Hogwarts too. I teach potions, Neville teaches herbology, and Harry teaches...Harry what fucking subject do you teach?” Draco crooked an eyebrow at Harry, purposely acting like he didn’t know what Harry taught.

“Defense against the dark arts.” Harry glared at Draco. “And George here just opened a new Weasley’s Wizard Wheezes shop in Hogsmeade.” Harry said, clapping George’s back. George sheepishly smiled at Y/N.

“Oh that’s awesome! I loved pranks at Ilvermorny. Cormac hated pranks.” Y/N started to tear up, staring off into space.

“George gets it, he was dumped, too.” Draco took his turn to clap his hand on George’s back this time.

“Yeah. Dumped,” George scoffed.

“George I just can’t do this anymore!” Angelina pleaded with George as he covered his ears, despite only the one really working.

“LALALA I CAN’T HEAR YOU! WE CAN’T BREAK UP IF I CAN’T HEAR YOU!” George yelled.

“Yeah, I was dumped.” George shrugged. “What about it? It was like eight months ago Draco! Move past it. Pfft, dumped.” George got very heated over...seemingly very little, Y/N noticed.

“Ignore him, he’s still fragile. Which, you aren’t too fragile, right?” Draco asked.

“Pfft. I’m so tough. Don’t even worry about it.”

“We’ll always have Paris. We didn’t have, we, we lost it until you came to Casablanca. We got it back last night. … And you never will. But I’ve got a job to do, too. Where I’m going, you can’t follow. What I’ve got to do, you can’t be any part of.” Y/N was screaming the words of the monologue from Humphrey Bogart in Casablanca at the television, the four men staring at her from the kitchen.

“Feel like we’ve made a mistake yet?” Harry asked Draco, who rolled his eyes and approached Y/N.

“Y/N, stop.” Draco turned the television off. “C’mon, you can’t be like this! You’re a strong woman! Strong women don’t cry over men who clearly didn’t deserve them in the first place! Strong women go out and hook up with strangers in the bar in Hogsmeade to get over their ain’t-shit exes.” Draco pulled Y/N up from off the couch. “Go take a shower. We’re going to the Three Broomsticks tonight and you’re hooking up with someone.” Draco pushed her in the direction of the bathroom.

“And that gentleman is how you take care of a crying woman. Not that any of you know how to handle women at all.” Draco snipped at the three men, who—to be fair—did not know how to deal with women at all.

At the Three Broomsticks, the four men watched Y/N absolutely fail at flirting with any even remotely viable man in the bar. Eventually Draco called her back over to the booth where the four men drank and talked about their days.

“Honey, you’ve got to stop doing whatever it is you were doing out there. In fact, you’re going to stop doing anything. You are going to go sit at the bar and look pretty until a man approaches you, and then you are going to smile and nod and agree to go out with him.” Draco nagged. The three other men were chuckling quietly as Y/N trudged to the bar, hoping for men to approach her.

“Anyway, what is this shit we’re chaperoning on Friday night?” Draco turned to Neville and Harry, hoping one of the two would know.

“I think it’s a school dance but like...not fun for the kids at all. Like I don’t think there’s actually any dancing at all.” Harry summed, confused as well. None of them had ever been to muggle high school, and did not understand what a “homecoming” dance was. The Muggle Studies professor suggested it might be fun for the first Friday back to school, and McGonagall agreed as long as the kids didn’t have too much contact on the dance floor. The Muggle Studies teacher explained to the three men that it was “middle school rules, no touching below the shoulders, room for Merlin in the middle.” if dancing were to be allowed. Neville, Harry, and Draco were clueless as to what that meant.

“Glad I won’t be in on that shit show.” George laughed, taking a sip of his drink.

“We actually signed you up.” Draco said nonchalantly, drinking his beer. George spat his beer out violently.

“Excuse me? I have to spend my Friday night watching a bunch of kids...do what? Drink butterbeer and sit on opposite ends of a room?!” George was clearly pissed off, wanting to have done literally anything else with his Friday night.

“I mean, you’ll see your brother.” Harry offered, which actually eased George’s tensions a bit. He smiled, missing his family.

“Oh, alright. Harry, you charmer, you always know how to get me.” George winked at Harry who waved him off.

“How are things going with you and uh...Loony?” Draco asked Neville. The three other men rolled their eyes, annoyed at how Draco still seemed to live in his own little world.

“Luna. And things are going...they’re going.” Neville shrugged, clueless to his own love life.

“Just as expected, he doesn’t know anything.” Draco shook his head at George and Harry, as if Neville’s cluelessness was their fault.

“Are you blaming—” Before Harry could finish accusing Draco of exactly what Draco was doing, Y/N came back from the bar, squealing about getting a date.

“What did you do?” Draco asked, smirking, just knowing he was right.

“I did what you said! I just smiled and nodded and said I wanted to hookup and he gave me his number and now we’re going out Friday night!” Y/N jumped up and down in tiny jumps, starting to fist-pump.

“This American is so weird sometimes.” Harry whispered.

“It’s endearing, I think.” Neville commented.

“Naive, maybe.” George rolled his eyes, the only one who seemed to notice that she blatantly told the man she would have sex with him.

When the night of her date rolled around, the four men found themselves with an unexpected floo guest.

“Ginny, what are you doing—” George stood.

“Who told her it was a good idea to get back out there again? That’s not your job, that’s my job. I’m her best friend, you guys are just some weird adult men living together. No offense brother, dear.” Ginny was in the living room, pointing an accusing finger at the men sat on the couch while Y/N was in her bedroom getting ready. Ginny was clearly ready to go out clubbing for the night, and was dressed in a short dress and very tall heels.

“None taken.” George rolled his eyes, plopping himself back on the couch.

“Now I’m going to go handle the mess you all created, thank you very much.” Ginny glared, walking over to Y/N’s room and walking in.

Y/N laid on the ground surrounded by clothes. Her hair and makeup was clearly done, but she seemed stumped on what to wear. She was currently wearing a witch hat, a crop top, sweatpants, and cowgirl boots.

“Y/N,” Ginny sighed. “What were you going for with this?” Ginny gestured up and down Y/N’s body.

“Witchy space cowgirl.” Y/N shrugged. “It seems like something you’d find in a porn anyway—”

“Here, let’s find you clothes that will actually get you laid.”

After about half an hour, Ginny emerged from Y/N’s room first, dressed in a crop top and sweatpants.

“Now presenting, the new but not improved, still absolutely perfect Y/N.” Ginny gestured towards Y/N’s bedroom, where Y/N emerged. She was wearing the short black sleeveless dress and tall heels Ginny had been wearing when she emerged from the floo. Draco let out a whistle, Harry and Neville started clapping, and George was sat, stunned. Well, until Y/N started fist pumping again, then they all started booing her.

“Don’t let me keep you guys, I know you have plans with a bunch of 11 to 17 year olds tonight.” Y/N giggled, watching as the men stood up at the reminder.

“Don’t worry, we’d rather be anywhere else. Even here watching your weird dancing.” Draco puffed, the other men agreeing.

“So yeah, that’s how we got a new roommate.” George explained to Fred, who’s hazy, ghostly form nodded.

“Believe it or not, I actually know her. I was her first friend here.” Fred grinned, pointing to himself. George wasn’t surprised. Ever since Fred died and became a ghost, Fred frequently felt lonely, and George knew that. Besides Peeves, he really didn’t have many friends. He couldn’t interrupt teachers while they were teaching, but since Care for Magical Creatures was not a required class, Y/N had a lot of free time. They bonded over pranks, baked goods, and George. “She’s so cute! You totally would’ve dated her a decade ago.” Fred teased his younger twin.

“Yeah, well, things change I guess.” George felt his phone vibrating in his pocket, and looked at the caller ID to find it as Madam Puddifoot’s store number. “One second.” He told his brother. “Madam Puddifoot?” George asked.

“George dearie, your friend Y/N here was stood up by her date. I figured someone should know, she’s in my shop crying and I have to close in,” she paused, clearly checking the time. “In a half hour. Do you think you could help?” George stood, already walking towards the school’s exit.

“Oh hello there.” Y/N sniffled, eyes red and puffy as she looked up to see George taking a seat in front of her. “Don’t you have a school dance you’re supposed to be chaperoning.” She furrowed her eyebrows, pointing a finger at him. She meant for it to be accusatory, but with red puffy eyes, George mostly found it (as Neville said) endearing.

“Some things are more important than watching boys and girls stand on opposite ends of a room.” He shrugged, reaching across the table and grabbing his friends hand. “Listen, real men don’t treat women the way you’ve been treated the past few weeks. I’m sorry you’re going through this. If it makes you feel better, sometimes I still call my ex and leave voicemails in a country accent.” George offered, making Y/N giggled, wiping lone tears.

“Well, you can always call me and talk to me in a country accent instead.” She shrugged, in an attempt to help him the way he’s come to help her. “Do you want to go home and watch—”

“Literally anything other than Casablanca, okay? I will watch whatever sad chick flick you want, but you have watched Casablanca like twenty times this week.” George puffed, standing up and reaching his hand out for Y/N. “Let’s go home and get drunk and cry.” He smiled. Y/N grinned, grabbing his hand and letting him walk her out of the shop. She was still embarrassed, but her heart felt a lot better knowing someone came to help her out of this feeling. She’d never admit it to George, but it was probably the nicest thing anyone had ever done for her.

When Draco, Neville, and Harry returned home, their suit jackets thrown over their shoulders and looking rather tired from dealing with teenagers all night, they found quite the sight for their sore eyes. George and Y/N were stood in front of the TV, clearly drunk, singing along to Heath Ledger’s character serenading Julia Stiles character in 10 Things I Hate About You. Draco, Neville, and Harry all looked at each other, shrugging. They dropped their suit coats and joined in, feeding the fire that was drunken George and Y/N.

And that was the end to Y/N’s first week in the loft above the Weasley’s Wizards Wheezes store in Hogsmeade.

Taglist: @yllwtaxi @ememseay

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jerseydeanne · 3 years ago

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When I last sat down with Prince Harry for an honest, candid, funny and frank interview, he told me he would use his “privileged position” for “good stuff” for “as long as I can, or until I become boring, or until [Prince] George ends up becoming more interesting.”

Harry, then 31 and one of the most popular royals, seemed aware of his sell-by date. “There’s nothing worse than going through a period in your life where you’re making a massive difference and then suddenly ... you drop off. You want to make a difference but no one’s listening to you.”

Recently it has been almost impossible not to hear Harry, although the jury is out on how much people are still listening. So when he announced last week that at the age of 36 he is writing his “intimate and heartfelt” memoirs, “not as the prince I was born but as the man I have become”, it felt as if Harry thinks his greatest hits are already behind him. After settling in America, why the rush so soon after the soul-baring interview with Oprah Winfrey and a glut of other interventions?

A friend of Harry’s says that while he was still a working royal, he harboured a Prince Andrew complex of slipping down the pecking order and becoming irrelevant: “Harry has always been in such a rush to make an ‘impact’, because he thinks he has a limited shelf-life before the public want to hear more from George and his siblings and he worries that after that, he’ll turn into his uncle.”

Harry now wants to tell us about his “dedication to service” and how he’s “worn many hats over the years”, because “my hope is that in telling my story — the highs and lows, the mistakes, the lessons learnt — I can help show that no matter where we come from, we have more in common than we think.”

The privacy-obsessed prince will let us into his head for a rumoured multimillion-pound advance, with “proceeds” from sales of the book published by Penguin Random House in late 2022, the Queen’s Platinum Jubilee year, going to charity. Harry is said to have been working on a manuscript for more than a year with the American ghostwriter JR Moehringer, who worked on Andre Agassi’s memoir. Whatever is — or isn’t — in the book it is certain to outsell Meghan’s The Bench, which has shifted 6,195 copies here. Yesterday, a spokeswoman for Harry denied reports of a four-book deal, with a second book after the Queen’s death, as “factually inaccurate”, confirming “there is only one memoir planned” and “no project co-ordinated around” the monarch’s demise.

We are likely to hear Harry’s take on the very public breakdown of his parents’ marriage, the impact on his childhood and more on the devastating effects of the death of Diana, Princess of Wales, when he was 12. He has said he failed to deal with it for years, leading to a period of “total chaos” and a near “total breakdown” in his twenties. Of walking behind his mother’s coffin, Harry has said: “I don’t think any child should be asked to do that, under any circumstances.” Will the book reveal who asked him and what choice, if any, he was given?

How Harry chooses to relay the “party prince” years, when he was living it up in London nightclubs and smoking cannabis at his father’s Highgrove home, leading Charles to arrange a visit to a rehab centre, will be fascinating. Will the period be analysed retrospectively as the reeling aftermath of his mother’s tragic death? Or will there be candour about a young, privileged prince having a blast and doing what many young men in his position would have done?

“I never thought he was out of control then,” says a source who knows Harry well. “In his new Californian guise, I think he’ll tell it honestly, framed in the context of his ‘journey’ towards ‘healing’. I think there will be a lot of the old broken me versus the new fixed me who dealt with the pain, and a lot about Meghan as the woman who liberated me to deal with it all.”

A seasoned royal watcher says they are “looking forward to the Vegas chapter”, one of Harry’s most notorious escapades when he was photographed naked playing strip billiards in a Las Vegas hotel suite in 2012 shortly before being deployed to Afghanistan. “Too much army, not enough prince,” Harry later said, admitting: “I let my family down.”

Having become so outspoken on race and “unconscious bias” after meeting Meghan, the first mixed-race woman to marry into the modern royal family, what will Harry tell us he learnt after calling an Asian army colleague “our little P*** friend” while at Sandhurst military academy in 2006? The incident was widely condemned, a year after he was forced to apologise for wearing a Nazi uniform to a fancy dress party. “He’ll be smart enough to know that to gloss over those incidents would undermine the book,” says a royal source who knows him.

Harry’s account of family life will be intriguing — how the triumphant trio of William, Kate and Harry briefly became the “Fab Four” with Meghan, their fairytale wedding with the no-show by Thomas Markle, the father-in-law he has never met, William and Harry’s rift, the painful split from the royal family and their new life in America, right up to the controversy last month surrounding the naming of their new daughter, Lilibet. The Sussexes called in lawyers to dispute a BBC report that the Queen was “not asked” about the intimate nickname. “False and defamatory” said team Sussex. The BBC stood by the story. Buckingham Palace did not dispute it.

What will Harry’s version of life inside and outside the royal goldfish bowl look like? He has pledged total honesty, and is “excited for people to read a first-hand account of my life that’s accurate and wholly truthful”. But as the Queen’s statement following the bombshell Oprah interview in March pointed out, “some recollections may vary”.

In that interview, and in the mental health documentary series Harry made with Winfrey, he claimed talking about mental health with his family was off-limits. Royal life “wasn’t an environment where I was encouraged to talk about it”. His comments left some scratching their heads. After all, Harry, William and Kate championed ending the stigma around mental health for years in their hugely successful Heads Together campaign.

On the Armchair Expert podcast in May, Harry also credited “a conversation I had with my now-wife” for his decision to have therapy. Yet in another podcast in 2017, Harry said he sought professional help “three years ago” encouraged by William, who told him: “You really need to deal with this.” The inconsistencies in some of Harry’s recent recollections have been well documented, leading some to describe him as a “revisionist historian”. Harry’s rumoured ghostwriter has spoken about the importance of honesty.

There is little hope in royal circles that will happen. The Sussexes’ recent outbursts have driven once-loyal aides to despair. “I fear they may sail into the sunset now, convinced they did the right thing by speaking ‘their truth’,” says one. “Now I hope everyone shuts the f*** up.”

Charles has been portrayed as an emotionally and financially stingy parent. A source close to him says: “He has genuinely been so upset by it all. He just doesn’t recognise any of the examples or narrative.” Friends of William and Harry say William, who was forced to publicly defend his family against accusations of racism after the interview with Winfrey, “despairs” of his brother but the shock factor is wearing off.

Harry has done brilliant things in his time. Moving the dial on mental health, serving his country at war and launching the Invictus Games are just a few of his achievements. Nobody should begrudge him wanting to bang the drum there, and if he wants to bare his soul on how he has coped with undeniable adversity and tragedy in his life, fair enough. But if his book becomes the main course of a score-settling feast then he will lose many more hearts and his greatest fear will be realised — “no one is listening”.

#prince harry #prince andrew #memoir #british royal family #meghan markle

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fuckyeahtx · 3 years ago

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Letters From An American

Today in Fuck Abbott and the GQP Harder Than Ever Before Welcome to Fucking Gilead Edition

September 1, 2021

Heather Cox Richardson

Last night at midnight, a new law went into effect in Texas. House Bill 1927 permits people to carry handguns without a permit, unless they have been convicted of a felony or domestic violence. This measure was not popular in the state. Fifty-nine percent of Texans—including law enforcement officers—opposed it. But 56% of Republicans supported it. “I don’t know what it’s a solution to,” James McLaughlin, executive director of the Texas Police Chiefs Association, said to Heidi Pérez-Moreno of the Texas Tribune when Republican governor Greg Abbott signed the bill in mid-August. “I don’t know what the problem was to start with.”

Texas Gun Rights executive director Chris McNutt had a different view. He said in a statement: “Texas is finally a pro-gun state despite years of foot-dragging, roadblocks, and excuses from the spineless political class.”

The bill had failed in 2019 after McNutt showed up at the home of the Texas House Speaker, Republican Dennis Bonnen, to demand its passage. Bonnen said McNutt’s “overzealous” visit exhibited “insanity.” "Threats and intimidation will never advance your issue. Their issue is dead," he told McNutt. McNutt told the Dallas Morning News: "If politicians like Speaker Dennis Bonnen think they can show up at the doorsteps of Second Amendment supporters and make promises to earn votes in the election season, they shouldn't be surprised when we show up in their neighborhoods to insist they simply keep their promises in the legislative session.”

That was not the only bill that went into effect at midnight last night in Texas. In May, Governor Abbott signed the strongest anti-abortion law in the country, Senate Bill 8, which went into effect on September 1. It bans abortion after 6 weeks—when many women don’t even know they’re pregnant—thus automatically stopping about 85% of abortions in Texas. There are no exceptions for rape or incest. Opponents of the bill had asked the Supreme Court to stop the law from taking effect. It declined to do so.

The law avoided the 1973 Supreme Court Roe v. Wade decision protecting the right to abortion before fetal viability at about 22 to 24 weeks by leaving the enforcement of the law not up to the state, but rather up to private citizens. This was deliberate. As Dahlia Lithwick and Mark Joseph Stern explained in an article in Slate: “Typically, when a state restricts abortion, providers file a lawsuit in federal court against the state officials responsible for enforcing the new law. Here, however, there are no such officials: The law is enforced by individual anti-abortion activists.” With this law, there’s no one to stop from enforcing it.

S.B. 8 puts ordinary people in charge of law enforcement. Anyone—at all—can sue any individual who “aids or abets,” or even intends to abet, an abortion in Texas after six weeks. Women seeking abortion themselves are exempt, but anyone who advises them (including a spouse), gives them a ride, provides counseling, staffs a clinic, and so on, can be sued by any random stranger. If the plaintiff wins, they pocket $10,000 plus court costs, and the clinic that provided the procedure is closed down. If the defendant doesn’t defend themselves, the court must find them guilty. And if the defendant wins, they get…nothing. Not even attorney’s fees.

So, nuisance lawsuits will ruin abortion providers, along with anyone accused of aiding and abetting—or intending to abet—an abortion. And the enforcers will be ordinary citizens.

Texas has also just passed new voting restrictions that allow partisan poll watchers to have “free movement” in polling places, enabling them to intimidate voters. Texas governor Greg Abbott is expected to sign that bill in the next few days.

Taken together with the vigilantism running wild in school board meetings and attacks on election officials, the Texas legislation is a top red flag in the red flag factory. The Republican Party is empowering vigilantes to enforce their beliefs against their neighbors.

The law, which should keep us all on a level playing field, has been abandoned by our Supreme Court. Last night, it refused to stop the new Texas abortion law from going into effect, and tonight, just before midnight, by a 5–4 vote, it issued an opinion refusing to block the law. Justice Sonia Sotomayor’s dissent read: “The court’s order is stunning. Presented with an application to enjoin a flagrantly unconstitutional law engineered to prohibit women from exercising their constitutional rights and evade judicial scrutiny, a majority of Justices have opted to bury their heads in the sand.”

Texas’s law flouts nearly 50 years of federal precedents, she points out, but the Supreme Court has looked the other way. ”The State’s gambit worked,” Sotomayor wrote. She continued: “This is untenable. It cannot be the case that a state can evade federal judicial scrutiny by outsourcing the enforcement of unconstitutional laws to its citizenry."

The Supreme Court has essentially blessed the efforts of Texas legislators to prevent the enforcement of federal law by using citizen vigilantes to get their way. The court decided the case on its increasingly active “shadow docket,” a series of cases decided without full briefings or oral argument, often in the dead of night, without signed opinions. In the past, such emergency decisions were rare and used to issue uncontroversial decisions or address irreparable immediate harm (like the death penalty). Since the beginning of the Trump administration, they have come to make up the majority of the court’s business.

Since 2017, the court has used the shadow docket to advance right-wing goals. It has handed down brief, unsigned decisions after a party asks for emergency relief from a lower court order, siding first with Trump, and now with state Republicans, at a high rate. As University of Texas law professor Stephen Vladeck noted: “In less than three years, [Trump’s] Solicitor General has filed at least twenty-one applications for stays in the Supreme Court (including ten during the October 2018 Term alone).” In comparison, “during the sixteen years of the George W. Bush and Obama Administrations, the Solicitor General filed a total of eight such applications—averaging one every other Term.”

So, operating without open arguments or opinions, the Supreme Court has shown that it will not enforce federal law, leaving state legislatures to do as they will. This, after all, was the whole point of the “originalism” that Republicans embraced under President Ronald Reagan. Originalists wanted to erase the legal justification of the post–World War II years that used the “due process” and “equal protection” clauses of the Fourteenth Amendment to apply the protections of the Bill of Rights to the states. It was that concept that protected civil rights for people of color and for women, by using the federal government to prohibit states from enforcing discriminatory laws.

Since the 1980s, Republicans have sought to hamstring federal power and return power to the states, which have neither the power nor the inclination to regulate businesses effectively, and which can discriminate against minorities and get away with it, so long as the federal government doesn’t enforce equal protection.

Today’s events make that a reality.

Worse, though, the mechanisms of the Texas law officially turn a discriminatory law over to state-level vigilantes to enforce. The wedge to establish this mechanism is abortion, but the door is now open for extremist state legislatures to turn to private citizens to enforce any law that takes away an individual’s legal right…like, say, the right to vote. And in Texas, now, a vigilante doesn't even have to have a permit to carry the gun that will back up his threats.

During Reconstruction, vigilantes also carried guns. They enforced state customs that reestablished white supremacy after the federal government had tried to defend equality before the law. It took only a decade for former Confederates who had tried to destroy the government to strip voting rights, and civil rights, from the southern Black men who had defended the United States government during the Civil War. For the next eighty years, the South was a one-party state where enforcement of the laws depended on your skin color, your gender, and whom you knew.

Opponents have compared those who backed the Texas anti-abortion law to the Taliban, the Islamic extremists in Afghanistan whose harsh interpretation of Islamic Sharia law strips women of virtually all rights. But the impulse behind the Texas law, the drive to replace the federal protection of civil rights with state vigilantes enforcing their will, is homegrown. It is a reflection of the position that Republicans would like women to have in our society, for sure, but it is also written in the laughing faces of Mississippi law enforcement officers Lawrence Rainey and Cecil Ray Price in 1967, certain even as they were arraigned for the 1964 murders of James Earl Chaney, Andrew Goodman, and Michael Henry Schwerner, that the system was so rigged in their favor that they would literally get away with murder.

When they were killed, Chaney, Goodman, and Schwerner were trying to register Black people to vote.

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heartslobbf · 4 years ago

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i think about catra and her attitude to saviourism a lot like. throughout the series she completely rejects others attempting to save her: to adora in 1x11, ‘for the last time, i don’t need you to save me,’ the scene with scorpia in 3x01 where she says ‘i can save you’ and instead catra chooses to push her away, 5x06’s ‘i told you not to come for me’.

i think that this is one aspect of catra’s character that really, really resonates with me, and it’s something i don’t see people talk about that much. catra is so brilliantly competent, she effectively gets herself out of being kidnapped in 2x02, the takes over the entirety of the crimson waste in a day, increases the horde’s productivity by 400% by only the end of s2. there are only two instances in which catra has to be saved before save the cat (which, oh boy) and those are 2x05 and 4x04.

2x05 is much much MUCH more scorpia’s moment but there is still a commentary to be had about catra in that moment. she definitely falls victim to hubris, this sense of overconfidence that, yeah, okay, i’m currently trapped in between the jaws of this evil robot thingy and the only way to stop it is by destroying a disc that i refuse to destroy because i’m a Lesbian but i’m competent, i don’t need to be saved, i’ll either get my way or i’ll fucking die. what is interesting about 2x05 is that catra does actually thank scorpia for saving her, however begrudgingly, and that’s probably down to the fact she’s beginning to have more security in their relationship. in 1x11, she’s more apprehensive to adora’s attempts to save her since all the security in their relationship has gone for catra since adora left.

this takes me onto 4x04 and the idea of security in relationships. at the end of 4x04, dt has to save catra from the collapsing hideout and afterwards, catra says to them ‘thank you, for... saving me.’ she’s hesitant, but it’s a lot more forthright than her ‘thanks for getting us out of there,’ to scorpia; the latter plays down the severity of the situation, makes out catra could’ve probably saved herself somehow, but with dt catra is upfront about how they’re the only reason she’s alive right now. that’s significant. catra is, for some reason, totally assured in the security of her and dt’s relationship despite the fact they hardly know one another. this is for a variety of reasons, most importantly the fact that catra thinks dt likes her more than her money (not that they don’t like catra, but, they’re quick to betray her for a bit of victory) and also, catra’s other relationships are collapsing before her. she thinks adora has given up on her, she can see how scorpia is beginning to question her.

catra won’t accept being saved by someone she can’t trust, and trust is incredibly important to her, hard to earn. in s1, adora loses that trust when she breaks the promise, and consequently catra can’t uphold her end of it or accept adora’s attempts to make up for it. she now knows she isn’t adora’s top priority, and can’t place trust in her to save her over everyone else. that’s terrifying for someone like catra, who relied on her promise with adora as a means of survival since she was a child. this is why save the cat is so fucking important, because it’s the reparation of that promise to look out for one another.

in 5x03, catra chooses to save glimmer as a means to save adora (‘are you saving me?’ ‘not you. adora.’). this is the first step in making the promise all over again, this is catra finally being the one to try and fix it first instead of adora. she resigns herself to death and makes it so adora never has to come to the velvet glove, never has to face horde prime on this awful ship, so she can just go back to etheria with glimmer and fight him off of their home. but, that’s not what happens. adora comes back for catra, she recognises that catra was looking out for her and in turn decides to look out for her: ‘i can’t just leave her there.’ she can’t. that would be breaking the promise all over again, after catra finally made the decision to uphold her end of it once more.

and 5x05? could write essays on this episode alone, obviously, of course, but anyways. this episode is so painful. the way that catra is stripped of all the things she prides herself on, her individuality, her competency, her agency, leaves her utterly unable to save herself. she claims to glimmer in 5x03 that ‘i always find a way out,’ but she can’t. she can’t. sometimes, catra has to accept that she cannot save herself. she needs others to help her. this comes back to her complete breakdown in s4, the way she repeatedly claims she doesn’t need anyone. she does. she needed scorpia in 2x05, she needed dt in 4x04, she needs adora now in 5x05. over the course of these instances, we have seen how catra comes to accept that fact, and her acceptance of adora saving her in 5x05 is so fucking brilliant.

at first, she rejects it. she told adora not to come for her, she resigned herself to death, and yet she’s still here. she has to put in the effort to be a better person now. but, as adora continues to confront her in 5x06, says that if catra wants, she can be all alone again and take care of herself, something changes. catra changes. she allows herself to accept adora’s help, accept entrapta’s, and most significantly asks adora to stay. she acknowledges that she wants adora, feels more safe and secure with her, and for once can actually admit that. this is the moment that the promise comes back together, where catra and adora have both upheld their ends of it, where they’re both finally willing to continue to do so.

and then they do. whilst catra still feels uncomfortable with the idea of being saved (the way she tries to downplay the events of 5x05 in 5x10 with ‘the only reason adora, you know, saved me or whatever’) she allows adora to look out for her and in turn catra will look out for her. they’re healing. adora defends catra from being too battered by the princesses, catra jumps into fire for adora. catra tackles melog head on to protect adora, adora strives to reassure and protect catra around shadow bitch. adora saves catra on horde prime’s ship, catra saves adora at the heart of etheria.

catra finally, truly learns that saving someone is a measure of love. yes, whilst catra and adora made that promise that compelled them to save each other, it was broken. in the end, they saved one another without even repairing it. it’s only in 5x12 that catra says ‘it’s time i made good on [my end of the promise],’ and whilst the promise was always a measure of love in itself, neither catra nor adora fully realised that until it was broken and they both attempted to fix it anyway. their love existed outside of that promise and it always did.

catra doesn’t always need to be saved, definitely not, but if she has people there who are willing to do it, she is loved. she is loved, and she deserves to have that. she deserves to be able to accept it. the fact that she does? poetic fuckin cinema luvs

#the conclusion sucks but like. dont come for me im emotional #this is SO long on god how do some ppl write such snappy short and sweet meta #shut up daisy #spop #catra #catradora #adora #she ra #double trouble #scorpia #glimmer #catrademption #spop meta

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dreaminginthedeepsouth · 3 years ago

Link

LETTERS FROM AN AMERICAN

September 1, 2021

Heather Cox Richardson

So, nuisance lawsuits will ruin abortion providers, along with anyone accused of aiding and abetting—or intending to abet—an abortion. And the enforcers will be ordinary citizens.

Today’s events make that a reality.

When they were killed, Chaney, Goodman, and Schwerner were trying to register Black people to vote.

—-

Notes:

https://thehill.com/homenews/state-watch/437665-texas-gop-leaders-drop-constitutional-carry-bill-after-gun-rights

https://www.texastribune.org/2021/08/16/texas-permitless-carry-gun-law/

https://www.npr.org/2021/08/31/1033068542/texas-voting-restrictions-bill-abbott-republicans

https://slate.com/news-and-politics/2021/08/texas-abortion-supreme-court-roe-wade.html

Mark Joseph Stern @mjs_DCBREAKING: By a 5–4 vote, with Roberts joining the liberals, the Supreme Court REFUSES to block Texas' six-week abortion ban. Opinions here:

s3.amazonaws.com/s3.documentclo…

3,936 Retweets5,180 Likes

September 2nd 2021

https://www.vox.com/2020/8/1/21350679/supreme-court-border-wall-trump-sierra-club-stay-stephen-breyer

https://www.vox.com/2020/8/11/21356913/supreme-court-shadow-docket-jail-asylum-covid-immigrants-sonia-sotomayor-barnes-ahlman

LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON

#history #Texas #repressive legislation #abortion #women #women's rights #equal rights #voting rights #Texas Taliban

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scuttleboat · 5 years ago

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Parenthood as a Major Theme in The Witcher

aka a defense of Yennefer's fertility arc

In some commentary on The Witcher season 1, I've read about disappointment that mid-season Yennefer spends her story time dedicated to hunting a fertility cure. The primary critique of this 2-episode arc for her is that it appears to conform too readily to a trope that "all women eventually want babies", and also seems counter to her previous disregard and cynicism for the idea of motherhood.

I think there's two cases that can be made that demonstrate why this element of the series deserves more than to be judged as "lazy or reductive writing". The first is Yennefer's personal journey--which after two viewings I believe holds up strongly. The second, even bigger case is what the theme of parenthood means to the show, and why Yennefer is only one of several aspects of it. That's what I am going to talk about in this post. Expect full spoilers for season 1.

Birth, Babies, and Legacy in Season 1

To put it bluntly, the topic of reproduction is all over The Witcher. The show is kind of obsessed with it. Let's go through the ways that parenthood and/or reproduction feature significantly in every episode:

1 - The conflict in Blaviken is a result of Stregobor's murderous obsession with killing babies born under a supposed curse. Those infants and girls represented power that he wanted to terminate. In Cintra, Ciri becomes an orphan.

2 - Yennefer's mixed elven parentage is the source of her power and her physical deformity. Trauma is inherited generationally, seen again in Fillavandrel's outcast society, stripped of heritage and legacy. Jaskier's first song references abortion.

3 - A striga is made when a pregnant woman is cursed and her undead fetus becomes a ravenous monster. Foltest wants her to be rescued to live as his child and heir. Her monster body still has its umbilical cord--a gnarly cosmetic flourish that drives the point home. In Aretuza's scary gyno chair, Yen is sterilized in exchange for ultra-performative femininity. Although she consents, it is a corrupt bargain designed to exploit her.

4 - The Queen of Aederin and her newborn are assassinated for being unable to birth a male baby. Yennefer almost dies trying to prevent it, then gives a monologue about how the patriarchy only sees women as vessels. Queen Calanthe tries to protect her daughter from the Law of Surprise, only to see it initiated again on her grandchild.

5 - After some 50 years as a mage Yen goes hunting for a fertility cure, using alchemy and then a djinn. She tells Tassaia that although she knew what she was giving up in Aretuza, "I didn't know what it would mean to me." Also, wow a lot of sex is had.

6 - Geralt and Yen talk about parenthood and their respective lost opportunities. The episode mcguffin is a dragon egg, whom they both fight to defend. Borch Three Jackdaws states the theme of parenthood outright. On the surface he is proclaiming his own motivation, but in the context of Geralt and Yennefer's prior discussions we know that he is speaking for both them and the show as a whole:

"This is my final 'first'. A child. This treasure, this legacy, must endure. There is no other reason to go on."

Episode 6 also shows how Geralt and Yen have grown since episode 4. She is forced to accept that natural birth is impossible, and Geralt is forced to reflect out loud that it's only fear of parental failure that has prevented him from claiming his own child.

7 - On getting news of the Nilfgaard invasion, Geralt decides to claim Ciri. Calanthe and Eist go to extremes to keep their child in their family.

8 - Everyone wants to be Ciri's new family, including this nice woman who doesn't have any daughters. In the end, Geralt finally becomes a father.

Destiny = Family

I firmly believe that the show is leading us to a point where Geralt, Yennefer, and Ciri form an eventual family. The desire for family is verbalized multiple times for Ciri, notably in Brokilon Forest when she calls Dara her family, and then when Dara leaves her and tells her find another family. Twice in the show women try to adopt Ciri, promising safety and care. Yet she's driven by a strong directive to find Geralt as "he is your destiny". She is his Child Surprise, essentially this universe's fucked up version of a godchild. And the Law of Surprise is not just tradition, but a cosmic binding with tangible consequences. Geralt initially denies this, but Duny, Eist, Mousesack, Yennefer, and Borch all vocalize it, and season 1 events bear it out.

If Ciri is steered by a bond of destiny, so is Geralt. When he rejects the Child Surprise at Pavetta's wedding, Mousesack warns that doing so will bring ill fortune. Episode 5 and 6 subtly but persistently imply that this prophecy is true, as the witcher's next several years are filled with sleeplessness and an undefined longing. Magically binding himself to Yennefer alleviates some of that (essentially by making him happy), but I don't think it's only because of love, but also because his destiny being intertwined with Yennefer is a step towards his destiny being intertwined with Ciri. Because even after getting some peaceful nights with intermittent Yennaffairs (get it? hah!), something still seems off with Geralt.

"You feel it just the same as me that hole inside you. That itch inside your brain keeps you awake at night. Come with me, I'll show you what you're missing." - Borch Three Jackdaws

This is a cute screenplay trick because we assume that he's talking about nostalgic adventure, but on review he's actually talking about parenthood. Later when Geralt gripes that the thing he was missing is Yennefer as she walks away again, Borch replies, "What you're missing is still out there. Your legacy, your destiny. I know it." (hello Ciri!) We never get a clear idea of why Mr. Three Cool Names knows all this stuff, but I didn't care because a dragon being cryptically omniscient is exactly the sort of thing I want from my fantasy shows.

Conclusion

So it's family, family, family. Yennefer is just one corner of this thematic tapestry; the other three are Geralt, Ciri, and #destiny. Their journey to find each other, to accept these bonds, is what the show is about. I expect the theme to cement even more in future seasons.

Consequently, to reduce Yennefer's storyline to cliché alone is to miss the way everyone on this show is obsessed with parenthood in some form. It also misses how much fatherhood will be central Geralt's journey. Even if he came to the same decision 2 episodes (and 13 years) later than Yen did, Geralt actively decides that he want to claim his role as a parent figure. That isn't the easy gripe target of "women want babies", but the point is that Yen and Geralt are both on the same path, with Ciri as the destination. A character can have something that resembles part of a cliché without being negatively defined by it. In The Witcher, the greater context is relevant to this critique.

So I urge you to look at the full season and see how her fertility arc fits into the big picture. If you still wish that Yen had continued to be proudly child-free, then I respect your desire to see that story told. However, it would be worth it to recognize now that this probably isn't going to be the story you want. Parenthood is a big part of it. This story is going to be about two magical adults and one magical child becoming a family.

A family of total badasses, adopted through destiny and love.

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lonelier-version-of-you · 3 years ago

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So I just rewatched both parts of report to the mirror and I had some thoughts that I thought you might be interested in. First, how did I not pick up on the romantic connection of John and henrik, it’s so obvious and I completely missed it when I watched this episode at the time. Especially in the line “it’s time people saw the real you. Us” which is definitely not just a thing friends say. Then the scenes at the lake, when henrik says that he wanted something to believe in, it reminded me of the episode where he talks to roxanna about how his therapist wanted him to look to the future and then John took advantage by giving him something to believe. It’s so tragic. What’s even more tragic is that John drowned in the lake in the same way henrik’s mother did, and how he tried to before John saved him, the whole thing is so awful but beautifully tragic. My final thought is that the song “what difference does it make?” by the smiths really reminds me of John and henrik. Especially the opening lyrics “all men have secrets and here is mine/so let it be known/for we have been through hell and high tide/ I think I can rely on you”. Sorry if this is a ramble but I have so much more analysis on this two parter after a rewatch than I did the first time.

Can you believe my laptop fucking crashed right when I first tried to answer this, smh. But YES HI welcome to 'Report to the Mirror trash' hell with me, I think about that two-parter like 24/7 lol.

Honestly I don't know how anyone could have missed the romantic connection between John and Henrik by that point in the storyline, haha. Although I guess a lot of people were bored of the story by then and weren't paying much attention, so there's that. But at least you figured it out eventually, can't say that for a lot of this fandom. (I thought Henrik had a bit of a crush on John at first, but I didn't realise that 1. it was intentional, 2. it was more than a crush, they were madly in love, and 3. John reciprocated Henrik's feelings, until the flashback episode aired. That was so gay, any sense of plausible deniability was gone after that.)

The "it's time people saw you again, John, the real you - us" line really is just so blatant. Like, I don't know how people think Henrik being bi is up to debate when that line is literally right there? I've been trying to figure out a single possible platonic interpretation of it for 3 years now and I still haven't found one (nor have I found a platonic explanation for the "something positive" scene). Not only is it not a thing a friend would say, it's most certainly not a thing Henrik would say to anyone except someone he was in love with.

(Also, a fun fact: what Henrik says to Meena in part 1, "John Gaskell is a great friend of mine, he's a good man. But more importantly, for the medical world, he is on the verge of something incredible." is very, very similar to something his daughter-in-law Sara once said about Fredrik - "But he is a good father. And he's a good husband, my husband. And I stand by him." Those lines were written by the same writer, Andy Bayliss, so there's no way it wasn't intentional. So the show literally compared John and Henrik to a married couple.)

The lake scene is absolutely heartbreaking, isn't it? It fucks me up every single time. Even after everything John's done, Henrik still stands there and pleads for John to come out of the water. He even says "I can help you". 😭😭

As for the "I wanted something to believe in" line, that gets even sadder when you consider that the show implies Henrik lost his belief in God due to the trauma from the shooting. (In series 15 episode 52, several years before the shooting, he's shown praying before he does surgery on Chantelle, then talks with Serena about how he "made a pact with his god". Then in S20 E31, months after the shooting, he asks Roxanna "You still believe, do you? After what we've both been through?".) Consider the religious metaphors throughout the Gaskell storyline, to the point that the flashback episode is literally called One Man And His God, and... yeah. When Henrik said he wanted something to believe in, he really meant it. :( It's horribly tragic.

John choosing to drown himself in the lake is incredibly poetic but also incredibly sad, isn't it? And the way he asks Henrik to join him, too... goddd. It's all terribly romantic but in the worst, most toxic kind of way. (As my dad once put it - "no one has ever said "come drown with me, no homo"!")

And then there's Henrik's hallucinations from the MPTP, which include John caressing his face and telling him they're the same. There's so much to unpack there. (I still think hallucination!John was probably meant to kiss Henrik and it got cut out, but that's just a conspiracy theory of mine lol.)

And the way that, for the whole first part and most of the second, it's actually true! Henrik goes along with John's unethical decisions throughout both episodes (even though at this point he's been made completely aware of them), and at some points he defends John's actions even when John knows they're wrong. Report to the Mirror is Henrik at the most morally ambiguous we've ever seen him. He draws the line once he realises John has killed Roxanna, and when he (and Fletch, Ric and Sacha) find that John's left Lana cut open on the lab table, but everything up to that, he totally goes along with it. It's really fascinating to me, and shows just how bad their relationship is for each other.

And goddamn, that song is perfect for them! Personally I've always thought "I Knew You" by Future Islands fits Johnrik very well, especially the last chorus. ("Then I had to run / and now we'll leave it all said and done / What did you think he'd find? / Something in the cold of your eyes said "goodbye" / I knew you / I knew you as you were, not as you are / You knew me too / but it's not the same, not the way, the way, you used to...") "Twin Skeletons (Hotel in NYC)" by Fall Out Boy, too ("And I just need enough of you to dull the pain / just to get me through the night 'til we're twins again / 'til we're stripped down to our skeletons again / 'til we're saints just swimming in our sins again").

...I actually have a whole Spotify playlist of songs that remind me of Johnrik, if you or anyone else wants me to share it.

#asks #anons #long post

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kaediisarchive · 4 years ago

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Final thoughts on the 2021 Mortal Kombat movie.

LOTS of spoilers under the cut! Do not look at this post if you don’t want to see spoilers!

And remember, this is all just my opinion. It’s not like an actual in-depth review because I’m not a film student; this is just my perspective on what I saw as a fan of this franchise.

POSITIVE

Sub-Zero and Scorpion were great. Opening fight was great.

“Eddy Tobias” namedrop lmao

I love the snow preceding Sub-Zero’s attack. Very foreboding.

Score is AWESOME. My favorite soundtrack is probably the one that plays when Sub-Zero is attacking them in the city towards the beginning.

Sonya rigging her house with a secret bunker and trap doors is smart and fits her character.

I like that the dragon logo has an integral meaning to the story.

Loved Jax vs Sub-Zero. Not mad about the origin change of Jax’s arms. I like that he had to work through his feelings of inadequacy and failure; people don’t just immediately bounce back after something that traumatic. I also like that his arcana manifests to protect Sonya rather than in the heat of battle. It shows his emotional priorities and what separates him from people like Kano who manifest their arcana in a fit of rage.

Sonya “Throw Hands on Sight” Blade lmfao. They nailed her fighting style too and I am happy.

Kano is the best thing about this movie. No competition.

Kotal reference!

Nightwolf reference!

Shang Tsung’s soul magic being black and wispy and foreshadowing Noob Saibot.

KANO DID THE HEART RIP

CHEKOV’S GNOME I’M SCREAAAAAAMMMMIIIIIINNNNGGGGGG

I love Liu Kang in this. He is 1000000% a Wholesome Boi. I like that he’s younger and unhardened and not the fully realized champion version of his character yet. Let him grow into it so it feels earned later on. I like that he’s the underdog, and I like what they’ve set up for him in the future. Also, the casting for him was perfect and they nailed his fighting style, too.

That little “the FUCK” that the Kano actor improvised(?) in the middle of Liu Kang��s lines made me laugh more than it should have. I don’t know why that moment got to me so much but it did.

I love Kung Lao. And they nailed his fighting style, too! Great to see variation that represents the characters (though there were less shining examples, which I’ll touch on later).

LOW SWEEP! LOW SWEEP! LOW SWEEP!

Egg roll scene is best scene.

Kabal! I love his dry humor. And his voice reminds me of Duke Nukem, which I’m not mad about. It complemented his dialogue well.

Not mad about Kung Lao’s death because it was meaningful. His fatality on Nitara was sick, too.

Liu Kang taking the ribbon from Kung Lao’s hat and wearing it in his honor, giving an origin for his signature headband is FANTASTIC.

THE PIT!

FLYING BICYCLE KICKS!

LIU KANG’S DRAGON FATALITY!

SONYA’S ENERGY RINGS!

Sub-Zero was a GREAT final boss. They really built him up appropriately to make him feel like it.

Scorpion’s fatality! And his skull face!

NEUTRAL

Not sure how I feel about Sub-Zero being wholly evil and there being no involvement from Quan Chi. It’s more straight forward for sure. It makes him an interesting (and badass) character, and I’m really behind this portrayal in that he is one of the most believable characters in the movie, but I’m not sure if I like the implications for later films in how this has simplified the dynamic in the entire Shirai Ryu vs Lin Kuei plotline. Having Quan Chi be the Machiavelli was always one of my favorite MK twists. And how do we eventually end the feud now? If Bi-Han / the Lin Kuei were wholly responsible, why should Hanzo EVER make peace with Kuai Liang down the line? The complexity feels like it’s been stripped down a bit, but I do love this iteration of Sub-Zero. I truly do. That’s why this is in the neutral category and not the negative XD.

Why didn’t Jax tell Cole when he saw the mark? Why wait until his family gets attacked? Maybe he didn’t want to do it in front of his family to keep them out of it, but that ends up endangering them more. Not a gripe, just a curiosity.

Sound editing was a bit too intense at times for my taste. I have tinnitus, so...big boomy bass with very mild voices is a chore for my ears to switch between. My ears were ringing within the first twelve minutes.

Torn between “fuck you Reiko” and “Reiko deserved better”. He deserved just a little bit better, but Skarlet says “get fucked” anyway.

I don’t like the “shaky cam” used in the fight scenes. Not my cup of tea. Very hard to visually process at times.

Whatever cosmic force is picking the champions for Earthrealm is doing a shitty job at it.

Why did they change the location of the Sky Temple to a desert? Again, not a gripe, a curiosity.

“We will not see another full moon before the tournament begins” THEN WHERE IS THE TOURNAMENT BUDDY???

Not sure how I feel about the “arcana” concept. It’s an okay plot device but kinda hammy.

Kitana’s fan! But why? Why is it there? I could understand the Kotal and Nightwolf references because Sonya has been researching, but why is Kitana’s fan randomly in an Earthrealm temple? Purely cheap fanservice.

Nitara was really cool. Shame she had to die, but her death was cool and there have to be some characters that get killed off. Wish she had more screentime though; feels like another instance of fanservice just having her show up basically as a namedrop and a quick kill.

The phrase “Are you okay?” was said WAY too much in this film. So much that I actually notices how often it was said, and I usually don’t pick up on these things.

Pretty sure a camera operator fell at one point in a Sonya scene because the camera jerked around violently all of the sudden then stabilized. Whoops.

How did Sub-Zero know to take Cole’s family to the gym? WHY did he take them there?

NEGATIVE

Opening scene was awesome, but it’s emotional impact felt stunted. I feel like the order of events should have been twisted a bit. Hanzo find his wife and son should have been the big emotional climax of the scene, but it felt like a passing moment and gave him no time to mourn and no time for the impact to truly set in with me. It was an “oh no they died” moment instead of an “ OH MY GOD THEY DIED THIS IS SO FUCKED FUCK YOU SUB-ZERO” moment. I dare say that the Legacy web series did it better in spite of their lower budget and overall quality; the series of events had better pacing and gave more emotional impact because of it. I said what I fucking said don’t @ me.

Wish we got more Scorpion. I love Sanada, I love him as Scorpion, but they didn’t give us the time we needed with his character to truly get a grasp of him.

Cole Young is like white bread in a parade of decorative cakes.

Raiden, a normally passionate and protective character whose fatal flaw is that he involves himself too much in events because he cares about the people in his realm and ends up fucking things up because of it, now seems to not care in the slightest. He feels completely uninvolved save for an occasional pop in to give a nod of disapproval. I don’t like this unemotional take on one of the most emotional characters in Mortal Kombat.

Small complaint from my perspective as a martial artist but uh...”Throw your uppercut!” was a bullshit line in a bullshit scene. If you’re locked up with someone like that and the guy has his arms around your neck, you physically cannot uppercut. You cannot fit your arms between his arms because they are cinched tightly around your shoulders/neck. YOUR HEAD is between your fist + bicep and HIS HEAD. In that situation, the guy has also left his body completely unguarded, so the most logical thing to do since you CANNOT reach his head is to go for BODY BLOWS. Beat him until he lets go to protect himself, catch his floating rib with double strikes, or punch the dude in his fucking liver as hard as you can to DROP HIM. Cole is supposed to be an experienced fighter, yet he makes one of the most rookie mistakes a fighter could ever make. Normally I wouldn’t care to point out mistakes in fight choreography or whatever because it’s MK and I expect ridiculousness, but this is the WRONG kind of ridiculous. It’s just NONSENSE.

I have SO MANY issues with Mileena. I’ll make this as short as I can. I don’t like the design of her mouth. I don’t like her weird stacked voice. She shows NO personality, not in her acting or even her fighting style, just an evil minion that got angry because she almost got her ass kicked. The turned one of the principle characters of the entire franchise and a fan favorite into a GRUNT. There is NO mention of Kitana outside of literal “fan”-service. Not even a reference to one of the most important plotlines in all of Mortal Kombat. And then they KILL HER OFF!!! When they do inevitably bring in Kitana WHAT THE FUCK ARE THEY GOING TO DO SINCE THEY KILLED OFF MILEENA???? I’m heated and biased and they did my girl dirty.

Speaking of doing characters dirty, poor Reptile. They turned him into an actual animal. What a waste.

Why are they so mean to Sonya if she doesn’t have a mark? She wouldn’t be as much of a “liability” if they would take the time to prepare her and teach her how to defend against fighters that have unlocked their arcana. Mind-numbingly stupid logic.

This movie relies A LOT on prerequisite knowledge to work. It’s like they want fans to fill in the blanks for them. But not everyone watching is already a fan; this isn’t an obscure release, this is a blockbuster movie released worldwide. These gaps in lore and prior knowledge don’t make sense for such a broad audience.

Cole Young literally could have just been Johnny Cage.

Where was Raiden when his temple was being assaulted?

Cole’s arcana is LITERAL PLOT ARMOR IM FUCKING DONE

No but for real that’s the most boring decision they just ripped off Jax’s MK11 heater effect and Baraka’s blades (I know they’re tonfa and they aren’t attached and I DON’T CARE). Also, now he’s suddenly good at fighting again? After being dog shit this entire movie??? And tanks Goro?????

If Raiden is an Elder God in this continuity, why is he allowed to help Earthrealm AT ALL? It seems like favoritism and bends the rules that the Elder Gods are supposedly bound by way too much. They really just shouldn’t have made him an Elder God; I honestly think they just said it to introduce the concept without a fuck given towards the actual lore of the Elder Gods.

WHY DID RAIDEN TELEPORT KANO TO SONYA’S HOUSE AFTER HE BETRAYED THEM I HAD TO REWATCH THAT SEVERAL TIMES TO MAKE SURE I JUST SAW WHAT I SAW WHAT THE ACTUAL NONSENSICAL FUCK

Cole REALLY should not have been involved in that last fight. Especially not after Scorpion shows up. It should have been Scorpion vs Sub-Zero ONLY for the final fight. Cole tag-teaming Sub-Zero with Scorpion cheapens Scorpion’s revenge.

Camera work in the final fight was not good, especially in the first portion. At one point Cole gets thrown into a fence, but it cuts to an awkward inverse angle that makes him look like he’s bouncing off of a trampoline. This continues to happen and ruins several shots for me.

Honestly Scorpion should have just possessed Cole. Permanently. No switching back and forth. No more Cole, only Scorpion.

PREDICTIONS

Lots of dead characters come back as revenants and / or with upgrades.

Kano comes back with cyber eye.

Mileena comes back with full teeth.

Liu Kang becomes MK champion, wins tournament, and kills Shang Tsung. As it should be.

Cole Young helps Liu Kang become champion somehow idk maybe he sacrifices himself or something just please don’t make Cole the champion I will start a riot.

Next movie will start IMMEDIATELY at the tournament since there was supposedly less than a month until the tournament starts in this movie.

New characters coming in will be Kitana, Shao Kahn, Jade, Quan Chi, Kuai Liang, Noob Saibot, Ermac, and Johnny Cage.

OVERALL

This movie was good, bloody fun! It’s not an A++ Oscar-winner, but if you expected that going into it, you played yourself. It was Mortal Kombat; it was stupid, it was gory, and I had a blast watching it. Kano and Liu Kang were the best parts of the movie for me, with Scorpion and Sub-Zero tied for third. Also I popped a lot for the cheap nostalgia hits. I’m overall satisfied with what we got in spite of my complaints, and I only complain so in-depth about the things I love lmao so trust me when I say I’m not actually mad, just nitpicky. I’ve watched it twice now, and I would watch it again. It’s like a 6.8/10 for me.

#mortal kombat spoilers #mk movie spoilers #spoilers tw #[ooc]

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radramblog · 3 years ago

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Halo through its guns: ODST

A complaint many people had from Halo 2 is the lack of a huge battle for Earth that people were anticipating based on the marketing. The game spends one level in orbit over the planet and two more in New Mombasa before jetting off to the Arbiter’s side and to Delta Halo. While 3 spends a fair chunk of its campaign earthbound, there was still a contingent of people who wanted more from the facet of the franchise- to defend something familiar, to catch a glimpse of what the Halo universe was for civilians. I’m sure many of these folks were satisfied with the release of Halo’s first non-numerical (kinda) FPS installment, ODST.

Despite running in the same engine as 3, ODST plays quite differently, and all of that is a deliberate element of the game’s design. A set of more personal, lower-key stories through the perspective of a much different person to the Chief, and a closer-range look at humanity and the characters that make up the UNSC. And what could be closer range than a submachine gun?

Well, a shotgun. Also this one actually is pretty okay at medium range, considering.

…this is Halo 3: ODST through the Suppressed SMG.

Every previous Halo campaign has put you in the place of Master Chief or the Arbiter. Both of these individuals are incredibly powerful presences, both in rank and in combat prowess, and the games reflect that- much of those campaigns are kind of built to make you feel as kickass as possible. Arby and the Chief are constantly doing incredibly cool shit, and they utterly dominate swathes of enemies in their path, no matter what form the foe takes. They are loud, they are in charge, and they are there to win the fight.

ODST has a very different tone in mind. Much of the game takes place in a quiet, evacuated city during the night, with nobody but the protagonist and the occasional detachment of Covenant troops. Fast and Loud isn’t really the tone of the streets of Mombasa, save for during the squadmate levels. The world is dark and rainy, the music is solemn and pensive, and the player is made to feel utterly solitary as they hunt to figure out what happened to the rest of their squad.

To supplement this, the game has you playing not as a Spartan, but as one of the titular Orbital Drop Shock Troopers. In effect, while they’re still extremely effective soldiers, they are not superhuman, and much of the game mechanics reflect this. Gone are energy shields, with a slower-to-recharge and much more painful-sounding Stamina mechanic in place as well as the returning health bar. Every ODST you play as is much more vocal about being in pain when taking fire or on low health, which makes sense, seeing as they’re still, you know, dudes. The player is also weakened in other ways- the jump height is significantly reduced, fall damage is actually implemented, and melee damage is now about what a punch from a relatively solid person would be to a hulking alien instead of Chief’s apparent rocket-propelled-fists.

An…interesting decision to supplement this was to drastically lower the damage human weapons deal to energy shields, making Brutes significantly tougher to take down and the new Engineers priority targets (that the game also discourages you from killing). Nowhere is this more apparent than with the Suppressed SMG, whose shield-stripping prowess is thoroughly neutered to the point of feeling nigh-useless on higher difficulties. It also has a lot of recoil, especially noticeable when you’re zoomed in, making it harder to consistently land bursts of fire.

What I’m saying is that I picked the Suppressed SMG to represent ODST because it kinda sucks. Not that the game sucks, it’s fucking stellar, but part of the point of it is that compared to the Chief, you suck. This does get a little thrown out in certain levels, particularly some of the explosive holdout areas, but those feel all the more sweeter when you recognize how much more of a struggle the fight is for the characters.

Speaking of characters, ODST has a few of them! And while you never play as Dare, the Rookie, Buck, Dutch, Mickey, and Romeo all get distinct characterisation through their chatter, cutscenes, and generally constantly sniping at each other. Their personalities are, interestingly, reflected in their weapons of choice- Buck, being the leaderly all-rounder, carries the series traditional Assault Rifle, Mickey spawns with a Rocket Launcher but only two rockets because he’s an asshole and a cocktease, and Dutch has a Spartan Laser to represent his massive dick energy. But more importantly, Rookie gets both of the game’s silenced weapons- the Suppressed SMG and the Automag.

Rookie doesn’t get much of a personality, but there’s a bit there (and more in background material). He’s quiet, obviously reflected in his weapons of choice, and canonically the dude has very practical choices in his outfitting and his lifestyle, reflected by the versatile nature of his weapons. The suppressed SMG and automag do feel very “scout”-y, as relatively close-medium range guns that have 2x scopes in case you need them in a longer engagement (or just to get a better look at things). Their darker colouration helps blend them into the world, tiny lights visible only to the holder so they themselves don’t lose it to the night.

There’s a couple other major things the Suppressed SMG represents, and they’re tied into each other. The first, the removal of dual-wielding from the game in its totality. Not only is this further representative of the relative weakness of the ODST compared to the Spartan (canonically, the Spiker is fucking heavy), but it’s also a frankly necessary change to the game’s formula- at this point, the experiment that dual wielding was had run its course, and the limits that had to placed on it to make it balanced just ended up not being worth it. And despite many of these guns now being quite weak, you do end up being forced to use them a lot of the time- limited ammunition means that the S-SMG/Automag will only get you so far before you have to grab something off an unlucky Covenant patrol. Despite their weakness, the weapons in ODST shine brighter than you’d expect.

The other is a slight tightening of the weapon sandbox. The iconic Battle Rifle is gone, as is the as-iconic Energy Sword, as Elites are not present at all in the game save as a handful of bodies. The is Sentinel Beam is also absent (for obvious reasons) as are the standard SMG and Magnum variants. The level design, however, does give more time to the less-used weapons of 3- the Firebomb and Mauler appear more frequently due to the increased numbers of stealthy, jet-pack-y Brutes, and the finale of NMPD HQ lets you absolutely go to town with the Missile Pod, stuff like that. In an odd contradiction to the game’s overall philosophy, the heavy weapons/breakable turrets are actually buffed, as for whatever reason the Rookie and his squadmates can sprint at their normal pace carrying the things whilst the Chief has to slow down to make them work. This makes the second-to-last level, Data Hive, an absolute breeze, provided you know where the Flamethrower is hiding.

Speaking of Data Hive, it is kind of the only level where the Suppressed SMG is really allowed to wreak havoc, since it’s kind of the best gun in the game for dealing with Drones. A combination of tearing through unshielded targets, being one of only two hitscan automatics available, and being a bullet hose is great against hard-to-nail, flying opponents, not to mention the enclosed space the level takes place in. I’m not sure I’d expected it to drop the ones with shields, but it does at least get a place for it to be actually good.

You may notice I’m not talking about multiplayer, basically at all. Two reasons for that. Number one is that it mostly doesn’t exist- ODST was prepackaged with an extra disk that was just Halo 3’s Multiplayer mode (but with some extra maps). The second is that what does exist within ODST, Firefight, is still PvE, and as such the all the above pretty much still applies to it. Firefight is excellent, but for the purposes of this piece, it doesn’t have much unique to add.

In effective summation, Halo 3: ODST is a game whose mechanics and weapons are deliberately tweaked to evoke a distinctly different feeling from the game it’s based on. The characters are both more individualised and more specialised, and the gameplay reflects that. No other game in the series manages to get anything remotely resembling the atmosphere of ODST, and while a lot of that is a result of its aesthetic, story, and impeccable soundtrack, these would not hold up if the gameplay wasn’t changed to match.

ODST is the first of two Halo FPSs that deviated from the series’s tried-and-true formula, and greatly succeeded as a result. The other, Reach, will come up next week, as we finally reach the end of the Bungie era. Beyond that? God help us.

#ramble #halo #halo 3 odst #video games

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