#is his city and he loves it so much

[mushro-om]

Batman, he knows in the end it might not mean anything. Gotham is cursed, the circle of villains taking up after the old ones wont ever stop

Everyone thinks his job is pointless in the end..but he sees Gotham as something more than anyone else will

He sees a chance for the citizens to have some saftey, to be saved. He sees a chance for some change no matter how small, he sees 𝒄𝒉𝒂𝒏𝒄𝒆 in everything in gotham.

Its his city, and he will love it till the end even if it will destroy him

[poorly-drawn-mdzs]

Dog Meshi.

[wikitpowers]

something about jamie campbell bower as jace wayland in the cob movie hit different oof…

[spicylove4ever]

Was this the moment he realized he was not going to see his daughter again?

[kotonni]

Ok this might be a stretch but after act 2 I was so curious to see why Jayce had looked upon Viktor like that

It wasn't fear, not exactly, upon seeing Viktor in a divine sort of position I could only describe Jayce's gaze as awed.

Of course, before the third act came out, the popular theory of "Jayce is stuck in a time loop and has killed Viktor many times before" explained a lot about his behavior but not about this look. Why would he look so shaken if this isn't his first time seeing him?

Now that the show is over I do believe we might have an answer and of course the answer is given to us in this scene.

When Cait mentions Viktor, forcing Jayce to confront that more than Ambessa, the greatest threat to their lives and Piltover is Viktor himself, Jayce thinks back to that first meeting after the time skip.

Of course we know at this point that there was no time loop. This is indeed the first time Jayce sees Viktor as the herald, and Viktor's reaction to seeing Jayce for the first time after months has been distorted in Jayce's own memories.

In his mind Viktor smiles at him. Although he is about to kill him, from Jayce's perspective, Viktor's first look at him after months of being separated is one of pure affection.

During his time in the arcane he was forced to undergo contidions that directly reflect Viktor's own upbringing, but let's not forget he was also haunted by such visions:

Making Mel's image dissappear only to be replaced by Viktor's is extremely symbolic, this is not Jayce obsessing over Viktor and his actions, instead we are directly told that not only is Jayce's relationship with Viktor of the same sort as his relationship with Mel, Viktor is quite literally replacing his former lover.

We could talk about the constant parallels between Mel and Viktor for days, but I believe my last point is backed up even further by propably the most evident mirror shot of the two of them:

appearing again during Viktor's conversation with Jayce:

This is very clearly a POV shot of Viktor from Jayce's own eyes, although it is Viktor talking, the images we see are from Jayce remembering their first meeting which, of course, was fated to happen.

With this established and going back to my main point, I believe upon seeing Viktor for the first time in months, who is gazing down at him with a smile on his face, and after being forced to confront his feelings for Viktor, Jayce looks up at him with love.

This is his own realization that they are in fact meant to find one another in every timeline.

[lady-corrine]

I do think people forget that when Rhaenyra walked the castle battlements of Duskendale weeping, refusing to eat or sleep, she was, in all the ways, heartbreakingly alone. She was a mother with five children lost, a widow too (for some reason people forget this aspect?), a dragonrider who had her dragon with whom she had shared her cradle killed (the canon literally tells us that Syrax's death left her inconsolable). It's just very interesting how for some people everyone else is allowed to suffer and their losses are blown out of proportion, but Rhaenyra isn't, and her total losses (which were devastating) are of little to no value to some.

[nighthaunting]

I know we’re all just clowning here on tumblr dot com but I do think the perception of Morgott as like, ultra-religious and sort of blindly following the Golden Order despite their hatred of Omens is a really contextless reading of his situation.

If we read the description of his great rune it says:

That the Omen King was born of the golden lineage, and that he was indeed the Lord of Leyndell.

Morgott was the rightful ruler of Leyndell, Omen or not that was his golden city full of people who would revile him if they knew of his true origin.

I think his motives are less someone who’s tricked themselves into believing in something that hates him and more someone who’s wanted a place where he belongs for so long that now that there’s finally a place that he provably has a right to he’s never leaving.

Morgott isn’t deluded about what the Golden Order is or he’d never have invented the Veiled Monarch. Even the lines about his becoming the Erdtree’s protector don’t really indicate he had a particularly faith-based reason for doing so, but rather that he found that he came to love the Erdtree despite not knowing love.

Morgott is the gothic heroine who just inherited a big cursed estate but he wants a place that’s his own so bad he moves into the haunted house anyway and starts loving the architecture despite it being full of ghosts that hate him.

Morgott who led the Night’s Cavalry to hunt Tarnished, and beat the shit out of Rahdan, and launched the Seige of Mt. Gelmir and prosecuted the bloodiest and most costly war in the Shattering is not a guy who is getting his blind fundamentalist on, he’s a guy who’s decided that he’ll pile up a mountain of corpses before he lets anyone take away or threaten his place and is willing to be extremely proactive about defending it.

Editing to add:

And see the thing is, I think there’s even more nuance to it than just Morgott finally having a scrap of something to call his own and being willing to defend it with all his might!

In hindsight, I actually think Morgott had a better idea than anyone what the Tarnished would eventually have to do to get to the Elden Throne.

His dialogue as he’s dying makes it clear he’s known about the thorns blocking the way into the Elden Throne and been considering every way anyone might get through them.

In his dialogue as Margit in Stormveil, he says very specifically “the flame of ambition” and speaks of snuffing that flame.

I think Morgott realized that the only way a Tarnished could get into the Elden Throne would be to burn the Erdtree, and not only has he come to love this fixture of the haunted house he chooses to live in, but he knows that burning the Erdtree would destroy the place he calls his own.

Is it any wonder he’s so proactively trying to stop any Tarnished from even approaching Leyndell in the first place, when in his eyes it wouldn’t be unreasonable to view a sufficiently powerful Tarnished as a direct threat to the piece of the Lands Between that he’s carved out for himself?

[vickisage]

Some old sketchbook drawings of Rorschach’s cat. He named her “Cat” and is not actually aware that she is a girl cat bc it would be “rude to check, Daniel.”

[gummi-ships]

Kingdom Hearts Dream Drop Distance - The World That Never Was

[yuwuta]

PLS PLS PLSSSSS keep talking about kids with olympic athletes! gojo and nanami pls pls pls i have to Know. everything u wrote about yuuta was already so so cute

(prev olympics au here)

the gojo twins are hilarious because your baby boy looks exactly like satoru, but has very little of his personality—it seems like the only things he inherited was satoru’s love for sweets and love for you. still, even though he’s a strong swimmer, he much prefers to relax in his floaties alongside you if you’re also in the pool, or chill by your side on a lounge chair, glasses too big for his face keeping the sun out of his eyes as he shares his smoothie with you, and asks to borrow your phone to take pictures of his sister and daddy in the pool. 

your baby girl on the other hand… she might have your face but she’s got satoru’s everything else—his competitive streak, his confidence, and definitely his mischievous nature. she’s the one who tiptoes into your bedroom at five in the morning, tapping at her daddy’s shoulders, and putting her little finger over his lip to shush him before he can wake you up; she’s always the one to convince satoru to take her swimming the backyard at the crack of dawn, and why by the time you and your baby boy wake up, she and satoru are already past warm up laps and swimming lessons and onto who can make the splashiest canonball competitions (she always wins because while her tiny body can endure a belly flop, satoru’s years of training physically doesn’t allow him to do it… and maybe because he’s not so competitive when it comes to his baby girl, he’ll always let her win). 

kento’s professional judo career honestly doesn’t last very long. after his first olympic games, you two start dating and he proposes just after he wins gold the second time he’s in the olympics; he does maybe two more years of national competitions while you’re pregnant, and decides that the intense training for the next two years in preparation of a third olympic competition isn’t worth missing time he could spend with you or your baby girl—plus, with all the money he’s made from competitions, winning gold medals, brand ambassadorships, commercials, and collaborations, he had enough money to provide for all of your for the rest of your lives. so, that’s what he does (his dream has always been to be a househusband, anyway...) his previous salaryman career comes in handy when deciding how to invest his money, how to buy a house, how to take care of his friends, how to set up a fund for your daughter, and an extra account or two… just incase more babies come along… 

by the time your baby girl is four, she’s already kento’s biggest fan. she loudly and proudly proclaims to everybody that her daddy was basically superman and won all the shiny trophies and medals in the house from when he was being a superhero. if anyone recognizes kento when they’re out together, she always confirms their suspicions, proudly boasting, “yeah kento is my daddy! he’s a winner!” it always makes kento’s heart swell to hear her praise. he doesn’t compete professionally anymore, but he does train from time to time, and has taken on a few mentees, and your daughter LOVES to watch him coach/train. she’s got her own uniform that she always puts on whenever they go to the gym together, and gets so excited when kento or ino or yuuji pretend to spar with her. 

she’s honestly kento’s mini figure. she’s respectful and reserved, but strong and knows when to fight and how to use her voice. there’s a time when he gets a call from her school saying that she got in a fight, the principal frames it as your daughter needlessly pushing around an older kid, but your daughter is certain in her words when she tells her dad that it was because the kid was being mean to the younger kids, and to her. kento doesn’t say a word to the teachers—doesn’t even fight them sending her home early for the day, because he’s happy to scoop her up and take her out for ice cream and tell her that he’s proud of her.

[starmocha]

I don't always have to be sad to post caps of Zayne. Sometimes (Always), I just want to look at his hands. 💁‍♀️

[poorly-drawn-mdzs]

End of Empathy (time for violence)

[First] Prev <–-> Next

[bread-is-my-life]

Winter stainmight, winter stainmight! ❄️

Plus a comic

A silly headcanon of mine that is 100% canon/j is that Stain always has some spare pair of gloves with him ONLY because Toshi always forgets his 😭 I think after a while it will just become an ordinary thing for them. Just a small moment of Stain caring for Toshi hehehfd :3

[cowboygideon]

I don't know whose idea it was to kill off sokka for tlok but if I ever find out I'm putting a hit out on them because WHY WOULD YOU DO THAT HE AND KORRA WOULD HAVE HAD THE BEST DYNAMIC WHY ARE YOU A COWARD

[k-kaez]

joel genuinely gets so excited when he builds and it makes me so excited GOD HES SUCH A GOOD BUILDER

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

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*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)!