#is crowley saying he loved aziraphale from the start

[aziraphales-library]

Y’all are awesome and I appreciate the hell out of this account! Any fics that are an attempt at a season 3? Preferably comedic ones! Thank you so much and keep up the amazing work! ❤️

Hello. We have a #good omens s3 speculation tag, so check that out. Here are more to add that have some kind of humour tag...

a place to be by kaiyen (NR)

In which Crowley moves back into his flat, Aziraphale has problems at work, and the Second Coming of Christ is but a stone's throw away. In the end, Crowley makes it to rolling green hills, leant against a stubbornly yellow Bentley. He remembers the first morning. He had slithered out of the ground not long before dawn, the dirt damp even before the first rain, the grass cool and crisp against his scales. And the sun had risen, jewels spilling across the great blue sky, warm and golden from the East. Crowley – Crawly, then – had wanted to follow it, had felt a great pull Eastwards. He went, too, until he found the ripe red fruit nestled amongst the lush green leaves and knew what they were for. It was luck, then, that the humans had left in the direction of the sunrise. Luck, or– ineffable. The sun rises over the South Downs, and Crowley finally wants to stay.

The Ineffable Shades of Gray (Good Omens Season 3) by altsernative (T)

After returning to Heaven, Aziraphale learns the Metatron's true intentions, finds himself disillusioned, and regrets his choice to leave Crowley, who has been working in the Temptations department. They reunite, and find themselves stopping the final war between Heaven and Hell and learning God and Satan's true intentions for the world and each other.

Demons are Forever by in_a_pickle (T)

After finallly finding the courage to tell his best friend his feelings, Crowley's dreams are shattered when Aziraphale once again chooses Heaven over happiness together. With ‘Great Plans’ afoot upstairs, Aziraphale discovers that the starring role he accepted comes with some unforeseen duties and that Crowley’s kiss has become something of a distraction. Crowley meanwhile is trying to come to terms with a broken heart and is trying to fathom why Heaven is so keen to have Aziraphale back in the fold. A mini adventure with our favourite group of two, written in case I get hit by a bus and never get to find out what happened next.

The Intended Effect by Esme_Abner (E)

A post-S2 fic that begins with a very sad Crowley and a conflicted Aziraphale and a surprisingly not-awful Jesus. It's all building toward our boys reconciling, because like everyone else, my heart is broken and I need to pick up the pieces somehow. And they might try to like save the world again, too.

(I just can't wait for) Season 3 Good Omens! by RCReveal (T)

After Season 2, I really needed to find out how Aziraphale and Crowley could get their reunion: a real reunion & not 'pretendy real'. They both have so much growing to do with neither of them, yet, being able to even say 'I love you' clearly to each other. Angel, what's going on? What kind of doublethink are you doing to still think that Heaven is the Good side & that you can't even admit to being friends? But you'll do anything to protect the World. Crowley, always planning on running. Sorry, but that won't work. If you had run at Armageddon there'd be no here to be in. But somehow, still a little seed of optimism. And wow! what you two can do together! Especially with a little help from old and new friends. So here's a story about averting the Second Coming with that great ensemble cast of characters in Heaven, Hell, and Whickber ST. Long set up, but then starts to speed up, kinda a wild ride from chapter 42 onto the end. This story is at about the same level of cursing, violence (well, maybe a little more Gaiman-esque), humor (definitely much more Terry Pratchett-esque) and romance as that of the second season.

There's a Special Place on Earth for Beings Like You by Kipje (T)

Set two years after Aziraphale leaves to become Supreme Archangel. It’s the Second Coming. Aziraphale is tasked with finding parents for the new Christ and returns to earth. He needs Crowley’s help, but the two haven’t spoken since the break-up. Crowley doesn’t want to forgive the angel, nor does he want to help out with the baby, but he finds it incredibly hard not to get involved. OR Aziraphale and Crowley raise the new Christ together; a girl named Eden. While they try to sort out their feelings and avert the apocalypse. Excerpt: Crowley had always assumed Aziraphale would want to run away with him in order to be together. He had never bothered to ask if there was a version where they would be an ‘us’ on earth. What was Aziraphale supposed to do once they arrived in the Alpha Centauri system. How would that even work with his book collection? Sure, Aziraphale had fallen in love with the demon – and it had taken him a while to be able to admit that – but he had also fallen in love with humanity, with earth. He had never planned on leaving. He knew earth would be no fun without his favourite wily serpent, but that did not mean he would be fine anywhere as long as Crowley was there. He had standards.

- Mod D

[sic-vita]

GOOD OMENS aspects of love - richard curtis vs jane austen

[casuallychat]

So I didn't get to see S2 until today and I'd previously seen half a spoiler that Aziraphael died?! And then I hit block on all spoilers and went about my day. But then I sat down today to binge the entire season clutching my pearls the entire time, thinking of how Aziraphael would meet his end. And then the season (and what a lovely season it was) was all about how much Crowley loves his angel and I was fully expecting the ending to rip my heart out if Aziraphael died. But the ending?? The actual ending?? How about you feed me poison, it'd be less painful? Wow, give us everything and then give us NOTHING? IT TOOK ME 30 MINUTES TO GET THROUGH A 5 MINUTE SCENE BECAUSE I KEPT STOPPING IT. MY HANDS WERE SHAKING! I TEARED UP! AZIRAPHAEL, BABY, NO, WHAT ARE YOU DOING??

That is to say, the season was amazing, I'm planning a full rewatch of both seasons and a reread, and I plan to consume an unholy amount of fanfic for this. Neil Gaiman is a king, I won't accept criticism.

[love-has-a-way-ofgrowingbackward]

i think we're not talking enough about how when crowley drives away in the last episode he DRIVES UNDER THE SPEED LIMIT

[mediacircuspod]

This scene was absolutely beautiful BUT it’s also the crux of the issue. You guys this is where the problems start. Because—because Crowley’s already cast out, he finds COMFORT in the idea that they are lonely together. “As far as he can” becoming “as far as they can” is an END to his complete “otherness” and something to appreciate, to covet, and to find solace in. He’s finally not alone.

But—and this is important.

Aziraphale does NOT feel that. He can’t.

This moment is completely and utterly devastating for Zira. He finds out he’s not damned and sure, he’s relieved. But he’s no longer “an Angel” in the way that he’s learned is right. He’s now unchangeably and forever; less holy—a concept that is dearly important to his identity. “[Going] along with heaven as far as he can” is a FAILING on his part. Not heaven’s(at least to him). There is no solace or comfort—he finds existence like that—just the two of them—achingly LONELY. And that’s just how his perspective demands to be taken. It’s the only perspective he is capable of in that moment AND after it, too.

Take into account Crowley has went from having no one AT ALL to having SOMEONE. And he puts EVERYTHING he has into it. This is not good. It’s unfair to Aziraphale. And it’s unfair to himself. On the opposite side, you have Aziraphale. Who has just went from having the ENTIRE HEAVENLY HOST, to having this SINGLE demon— who, one minute ago, Aziraphale thought would be dragging him off to hell.

And the part that aches is that this perspective hasn’t changed. Aziraphale feels like his existence is lacking because he wants so badly to be GOOD. And good is Holy. Good is heavenly. He’s the problem for having morals that are misaligned.

Spoilers for the last episode:

Aziraphale has just been given the validation that he is not only GOOD but the most HEAVENLY Angel there is, the Supreme Archangel, even. And if heavens morals are now HIS morals, then that’s EVERY PROBLEM SOLVED. With a bow even, because Crowley’s basically on heavens side anyway, he’s GOOD, isn’t he? He’s been good this whole time, so why wouldn’t heaven want him back? Reinstating him as Angel would fix everything. They can be together, and they can be good, and they can be HOLY. All Aziraphale’s conflicting emotions about loving Crowley can be packed away because Crowley will be perfect again—and surely Crowley wants to be perfect—wants to be forgiven.(sorry everyone, that hurt me too, oof) Aziraphale is SHOCKED by Crowley’s refusal. He’s devastated that his version of perfect is treated as something naive and distasteful.

Crowley’s devastated too. He’s just lost “their side”. A concept that for 5000+ years has been THE ONLY THING he puts love into besides his car and perhaps his plants(And humanity, but he’ll never admit to that—I’m looking at the “No more dying” scene). Crowley is constantly being devastated by Aziraphale. He’s “too fast”, he’s too evil, he’s too good sometimes. Crowley has always been TOO MUCH. But this is different because for four years, he’s had “them”(on their own side) without the hiding, and without the denial and without Aziraphale constantly putting former jobs between them. PLUS he has a mountain of trauma centered around the concept of “forgiveness”, so that’s not great considering Aziraphale’s last words to him(THAT HE HASNT SAID ALL SEASON EVEN WHEN HE MADE CROWLEY APOLOGIZE IN THE FIRST EPISODE, AHHHHH). He’s losing everything and he’s desperate: Why isn’t he enough, hasn’t he been enough these last 4 years? Hasn’t HE been enough the last 6000?

Aziraphale has always been enough for Crowley. But being enough for Crowley doesn’t fix how Aziraphale has never been enough for himself, not since Job. He looks at this offer as a chance for HIM to be enough, and for Crowley to be FORGIVEN. Crowley looks at it as a betrayal because it’s Aziraphale saying Crowley ISNT enough, and he NEVER has been.

But that’s not what Aziraphale is saying. He’s saying, “Let me fix it for you”. Crowley is hearing, “Let me fix you for it.” Two completely different and completely horrifying concepts.

And then Crowley needs to say HIS piece(oh my gosh, btw, this was heartbreaking).

“Let’s be together on our terms” is basically what I’ve distilled it down to. But Aziraphale hears, “Let’s run away from our problems”

Aziraphale doesn’t want to run away, and Crowley doesn’t want to change who he is.

They both want to be together so badly but they don’t understand why they each want it so differently. And Aziraphale can’t compromise because he’s brainwashed and LOATHES himself. And Crowley can’t compromise because he’s traumatized and LOVES Aziraphale just as he is. Crowley doesn’t want to be good on heavens terms. He can see Heaven for what it is; “toxic”. He hates heaven not only for what the Host did to him, but for HOW THEY TREATED Aziraphale.

They both don’t understand each other because for all the pleading and presenting and monologuing, they never once in that whole conversation, actually talked.

[vidavalor]

Crowley actually says a barely-coded "I love you" to Aziraphale back in 2.03

In his proposal in the S2 finale, Crowley told us that he and Aziraphale know they're in love and have known it for damn ever but they pretend they're not a couple. This, by default, means that they've not specifically said the words "I love you" before, by Crowley's own admission. They've said I love you in their own little language and we've watched it before. It's little demonic miracle of my own. It's don't go unscrewing the cap. It's just a little bit of a good person and just enough of a bastard to be worth knowing... But what Crowley says in the S2 finale is that they've never-- ever-- said in 6,000 years is just I love you in those normal people, human words. It has always been too dangerous for too many reasons to count so they have euphemisms for it and whole conversations around it and have made that be enough. Why do I bring this up? Because Crowley found a middle ground between the words and their coded language with one another in S2 and it's flying under the radar.

So you know that scene when Muriel has shown up and interrupts Crowley and Aziraphale talking in the back room? The one where while Crowley is speaking, Aziraphale suddenly looks like he's about to pass out with sheer want? Yes, our angel always looks at Crowley like he hung the damn moon (which he did but lol...) but this scene is different. This scene is like... someone get Aziraphale a chair and a glass a water because he is pupils-dilated, audibly breathing, and eyeing up Crowley with naked want. More than the lust? He looks happy. He looks delighted. You can basically hear his heart race from that look on his face. Why here? Yes, Crowley looks hot. Yes, he's in profile in a way that is a visual parallel to Before the Beginning (which was an inspired choice for this scene.) Yes, he's here with a Plan and taking charge of the Muriel situation and swaying his hips a bit while he speaks. It's not any of that. Those are nice bonuses. Aziraphale likes them. He gets them all the time. It's what Crowley said in this moment. To Aziraphale. Through what he said to Muriel.

Crowley cracks a dry, kinda dark joke that is meant for an audience of one: just Aziraphale. He knows Muriel won't get it. Since Muriel is cosplaying as what they think is a human Inspector Constable and they are here to verify the miracle Aziraphale has told Heaven and so are monitoring them, Crowley quips that Muriel is here to spy on them (since they, well, are, actually) and that he knows that many human police officers like to make a bit of a hobby out of spying on "people in love."

People. In. Love.

In a one-two punch in the same sentence, Crowley called him and Aziraphale queer humans and he called what they have love, using the actual word *aloud* for the first time in 6,000 years. He said he loved Aziraphale in front of an angel of Heaven in a little coded joke but this time, using the coded bit to say the real thing for the first time.

Then, just to hammer it all home and make sure that Aziraphale really knows it was very much intentional, Crowley says 'love' again in the next sentence. He starts going on about how Muriel can come to him anytime with any questions about love and he's happy to assist with their understanding of human love with all of his implied vast, vast years of experience with the subject and how he'll be here to answer their questions, in the bookshop, while Aziraphale drives his car to Edinburgh.

Go back and tell Heaven I'm here, Inspector Constable, I don't give a fuck anymore. *We* don't give a fuck anymore. You go tell The Archangel Michael that I'm who they're going to get managing Angelic Embassy X aka The Bookshop until Aziraphale gets back-- yep, me, former Demon of Hell. The Boyfriend in the Dark Sunglasses. He's asked me to, which is his way of saying he wants to stop hiding and asking me not to sneak out to my car in the middle of the night which hallefuckinglujah, Inspector Constable... Go tell Their Beatitudes that we ravish each other all over the bookshop. You won't even be lying. As Maggie'll put it later in the season: I'm done being afraid all the time. I love him. We're in love. There's your hot intel.

Aziraphale:

Aziraphale: Inspector Constable, be a dear and spray me down with all 700 of our fire extinguishers, will you?

[halemerry]

So there's a lot to unpack here but I want to start by talking about the ending and specifically about the Metatron and the calculating moves made at the end of episode 6.

Every single piece of what happened there was a manipulation technique being employed against Aziraphale to an almost brilliant degree and I'm honestly a little obsessed with what this says about the Metatron in particular.

Let's go in order.

First of all. We see him order coffee. In a human body. Something sweet and sugary. He talks to Nina and asks her about her shop name. Does anyone ever ask for death? And when she tells him no they don't his response is to say "so predictable". Our introduction to him here even when everything about him reads like a sweet old man is presented to show us someone who reads the world in terms of being predictable to him.

He then shows up in the middle of Aziraphale's existence being threatened. He immediately cuts down the threat's authority (using outdated language like Az himself would favor) and reemphasizes his own connection to Heaven. When Michael doesn't recognize him and he puts her down and then directly engages Crowley. Crowley who, to Aziraphale, has for centuries at a minimum been someone he thinks is smarter, better, more Good than these other archangels. The Metatron validates these beliefs. Crowley is more Heavenly than these archangels who couldn't even recognize the voice of God when he was standing right in front of them.

The Metatron draws attention to the fact he's in a human body. The kind of body Aziraphale has been in and loved for nearly 6000 years. He then banishes the archangels, implying their morality is in a gray space, and validates Muriel someone we have seen Aziraphale react positively to and someone outside the current power structure. Look at me, he's saying. I see and validate the little guy.

He then tries to talk to Aziraphale. Aziraphale says "I've made my position quite clear." And then the Metatron offers Aziraphale the coffee. This bartering chip, consuming sustenance, is a thing that Aziraphale and Crowley have used as their connective tissue for centuries. It's an olive branch for them. It's giving Aziraphale bodily pleasure and the Metatron implies that he himself has partaken also - a thing we know that Aziraphale has struggled historically with moralizing. He is seen by the closest thing he has left to his parent and he is having old fears validated as safe and old habits being played upon to make him feel secure

He then REMOVES Aziraphale from his home turf. Not only does he remove Crowley from the equation but he takes Aziraphale from the place that has stood as a place of sanctuary throughout the entirety of the season. The shop is Safe and Aziraphale is leaving it and he is leaving the one person who might be able to smell the bullshit coming from the Metatron. The music notably turns absolutely dire here.

The next time we see them the Metatron tells Aziraphale that he doesn't need to answer instantly. He can take his time, if he likes. All the time he needs. And then tells him to go tell Crowley. Once again bringing Crowley in as a valid part of this while manufacturing a scenario where he can't possibly be.

Az ends up in a place where he's overwhelmed and confused and he wants so badly to believe what he's being told. It's an appealing thing from his perspective! He feels off kilter like he's made a mistake in judging the Metatron. He can't even fully articulate what happened to Crowley at first and he's had absolutely no real time to actually think it through. He's running on sheer reactive energy.

The Metatron starts their conversation by asking Aziraphale's opinion. Who should rule Heaven? This is once again playing into making Az feel validated and like he's a part of this decision making process. The Metatron corrects him, complimenting Aziraphale and making him feel capable and in control. He reassures Aziraphale's bafflement. And draws attention to some traits that, while true of Aziraphale around Crowley, are not his defining traits in the eyes of Heaven. You don't just tell people what they want to hear I find particularly notable in this regard given Aziraphale spent most of his time on earth actively lying to Heaven and doing just that. But it fits into the narrative Aziraphale has built around himself, especially post Apocalypse. The Metatron then says I need you (a phrase Az will use much more painfully here in a minute).

And even after all this Aziraphale says no. He says flat out he doesn't want to go back to Heaven. He says this!!! And then the Metatron sweetens the pot. He swaps tactics. Not once has this come up until Aziraphale pushes back against the idea. If the Metatron could've gotten him without using it I have no doubt he wouldn't have bothered with it. Come to Heaven and we can save Crowley. Aziraphale loves Crowley. Aziraphale thinks Crowley is better than any of the angels he's interacted with. Crowley is Good and Nice and Kind and always saving him and now he's being presented with a way to return that. He can Forgive Crowley - a thing Crowley has always presented to Aziraphale as something he struggles with. All of these things Aziraphale has watched Crowley react to in a way that belittles himself or distances them from one another. Of course he wouldn't consider that maybe what he was actually saying is "I'm unforgivable and I don't want that forgiveness."

The Metatron offers Aziraphale a Dream Offer for the pre Armageddon Aziraphale. You can keep your Crowley. You can heal him like you have always thought he deserved. You can have power and control the people who for your whole existence has beaten you down. It can go back to how it was but BETTER.

When Aziraphale leaves he still hasn't answered. He goes and has the conversation they have. It's intense and emotional and the Metatron comes in after the Moment all casual and asks how it goes, knowing fully well the shitstorm he had just set up to get created. And then he turns around and says "always did want to go his own way" which is not only true of Crowley but framed as a bad thing despite the fact that he has just spent twenty minutes or so telling Aziraphale that he's done his own thing and that is Good. He is playing both sides of this perspective as it suits him. And then he cuts down Crowley asking questions, pressuring Aziraphale to avoid doing the same. He then proceeds to ask Aziraphale not if he's made up his mind but if he's ready to get started. He is one by one closing off exit routes to this thing as Aziraphale starts to look more and more panicked and indecisive. He makes sure the bookshop is in good hands and asks Aziraphale if there's anything he needs to take with him. Letting Aziraphale have the illusion of choice while cutting down "I don't want to" as an option altogether.

And Az, as soon as the Metatron is out of shot, tries to express this. And then he falls back right on old coping methods. The Metatron pats him on the head. Reassures that he's the right one for this. That he is Good. That his particular skillset is needed here.

It is a masterstroke of manipulation. A very dark twist on what we see Crowley do time and time again with Aziraphale throughout the millennia. Familiar in a way that makes Aziraphale feel safe. Except this time this is being used to put him back in line. It's brilliant and painful and it fucking hurt and I need a season 3 to see the Metatron get what's coming to him stat.

[katiefrog217]

AziraCrow | Book Reading

(Scroll down for mini story vvvv) + (Companion Piece)

Aziraphale liked books, especially the old ones. They were the main reason for owning his bookshop, after all.

He loved reading them, too. Sitting quietly in the back of his bookshop with a good book and the occasional accompaniment of an old record made for quite the delightful evening, in his opinion. Despite his being handless (and therefore, fingerless), Aziraphale was perfectly capable of turning pages on his own. Not with his talons of course; Heaven only knew the trouble that would come from attempting to turn the aging and potentially fragile paper with such unreliable instruments. It would be a simple enough fix if a page did happen to tear, but the memory would haunt him forever. Instead, all it took was a flick of his wing and woosh, the pages would turn themselves. Sometimes he just had to ask nicely. However, there were times that he didn't need to expend the effort.

Those times just so happened to coincide with a particularly serpentine visitor.

Crowley's visits were irregular and not always predictable. Most of the time he would pop in to complain about Who-Knows-What and disappear off to Who-Knows-Where. Sometimes he would stay longer, and they would share a glass of wine or some other alcohol, chatting a lot about nothing and reminiscing about times long passed until the shadows grew long. On rare occasions they would sit in comfortable silence, doing nothing more than enjoying each other's company. Aziraphale would then pick a book to read and Crowley would slither over to join him.

Of course, Crowley didn't like reading - or at least claimed he didn't. 'Not worth his time,' he'd say dismissively. Still, he (bored expression and all) would come, make himself comfortable by coiling around both the book stand and Aziraphale, and just watch. Just about anyone on Earth would likely be uncomfortable being stared down by such an intense gaze, but not Aziraphale. Over the many millennia, he has grown used to being observed by those golden eyes. Dare he say, he even found it comforting in a way, but that was besides the point.

He wasn't sure how it started; perhaps Crowley found himself overly bored that day, but he began turning the book pages whenever Aziraphale raised his wing to compel them instead. It had started him at first, and he had looked to Crowley with much confusion, though the demon had nothing to say in return. He merely shrugged (or at least it could be considered the serpentine equivalent of a shrug) and turned away. A few more pages in, and he'd turn them again. This happened over and over until Aziraphale heaved a sigh gave in, allowing the serpent to do as he wanted. At first, it was quite awkward to give verbal cues, and there were times when he became so engrossed in his reading that he forgot entirely, but eventually they settled into a comfortable rhythm. Nowadays he didn't even bother. It had become almost automatic: Aziraphale would finish the page and it would turn, no questions asked.

Aziraphale suspected it would baffle the minds of many to see a demon treat anything so gently, yet Crowley turned the pages in such a way that they were never bent nor crumpled. In fact, it seemed to him that the older the book was, the gentler Crowley'd be. He seemed... 'content' was the wrong word to describe his attitude towards the activity, but he never said a word otherwise. At least, not to Aziraphale.

He never pointed this out, of course. Crowley would stop doing it if he did, and he didn't WANT him to stop. He enjoyed it too much.

Once in a blue moon, Crowley would make a comment about whatever Aziraphale was reading at the time. It was often snide, mocking, not always audible. Hisses of exasperation or an exaggerated eye roll were not uncommon either. Then he would turn away, bored despondence washing over his face, shutting down any attempts to further the conversation. Not that he would respond if Aziraphale did, though that hadn't stopped him from trying. On one occasion Aziraphale had tried to push the topic, only for Crowley to deflect, insisting that he had only glanced the passage at random. He stopped turning the pages then. Aziraphale never tried again and settled with only giving him sidelong glances when he said something particularly egregious.

And so they would read, the silence broken only by the ticking of an old clock and the occasionally rustle of a page.

...

Aziraphale liked his books.

He liked reading them alone in his bookshop.

But he liked them best when Crowley was there to turn the pages for him.

[fuckyeahgoodomens]

The Good Omens Musical Masterpost🎵❤

How it started :)

Some time before 2013: Vicki Larnach, the australian composer and lyricist, read the Good Omens book, imagined figures dancing on stage with brilliant music and thought, ‘Ah, I’m gonna ask Terry Pratchet and Neil Gaiman if I can turn it into a musical.’ and sent an email to the publishers. The next day she got an email saying, ‘We don’t want a musical but Terry’s coming to Australia, so come and say hello and tell us what you got.’

Rob Wilkins came down to meet Vicki and Jim Hare - Vicki's husband and writer - and took them to meet Terry. They spent an hour and a half with them where Terry asked ‘piercing questions’, had tea with them and they showed Terry a song that Vicki wrote (about the Chattering Nuns). Terry said to Rob, ‘Rob, write and email to Neil, “Dear Neil, this is Terry. I’m sitting in front of two hippies from Sydney and they want to make a musical out of Good Omens and I’m tempted to let them do it.”’ which was the best email they ever heard and then Terry said, ‘Okay, you have me curious.’ - it was because of the Nuns song which sounded like the book. ‘I’m gonna give you six months, come back with a first draft libretto and five songs.’

They then sent it to Terry who sent it to Gaiman. Terry said, ‘I really like it, you’re moving story, you’re doing all the right things, but where’s showstopper, where’s the toe-tapper, you know I need people to go to intermission just snapping their fingers with the song they just can’t get out of their head, and I haven’t heard that.’ - and they realized that they were so busy serving the story they forgot to do the wow-factor, but found it very encouraging from Terry that he wanted to make it better.

They went through the whole book again to find a centrepiece - and they found it  when Warlock is growing up and Aziraphale and Crowley are with him, and spent months working just on that one thing and called ‘All Living Things’ [the song at the start of this post :)] which is a line from the book.*’ Terry gave that song to a person he knew and asked him to play it to his wife with no context and when the next day the person said that his wife woke up still singing the song Terry said to Vicki and Jim: ‘Well, that’s what I asked you to do.’ 

* [“This here’s Brother Slug,” the gardener would tell him, “and this tiny little critter is Sister Potato Weevil. Remember, Warlock, as you walk your way through the highways and byways of life’s rich and fulsome path, to have love and reverence for all living things.” “Nanny says that wivving fings is fit onwy to be gwound under my heels, Mr. Fwancis,” said little Warlock, stroking Brother Slug, and then wiping his hand conscientiously on his Kermit the Frog overall.]

Vicki and Jim got the permission to being adapting it as a musical in 2013.

Vicki and Jim on it a couple of years ‘fumbling about’, took it as far as they could and decided to bring another person into it: Jay-James Moody

In 2015, Jay James-Moody joined the collaboration initially as a dramaturge and directorial eye, eventually evolving into co-book writer. Vicki, James and Jay have continued to evolve through countless more revisions and a number of private development readings with the support, time and talent of numerous wonderful Australian performers testing the material.

In November 2017, the musical was presented in its then-current form and entirety for the first time before an audience of over 500 eager attendees. The cast included Luke Joslin, Lachlan O’Brien, Nancye Hayes, Barry Quin, Brett O’Neill, Lauren McKenna, Nicholas Craddock, Paul Capsis, Rob Johnson, Amy Lehpamer, Debora Krizak, Blake Erickson, Nat Jobe, Ana Maria Belo, Jordan Hare, Bella Thomas, Anthony Abrakmanov and Samson Hyland.

Following a rapturous response to this reading it continued to be refined and developed.

In 2019, ten days before the show came out they did their last presentation, since then they’ve been to London and shown a videotape of that workshop to Gaiman and Rob Wilkins which was ‘a pretty heartstopping experience’.

Differences between the musical and the book

The ending of the musical is a bit different.

It opens with the burning of Agnes Nutter and Aziraphale and Crowley are introduced there. 

Act One ends with them ‘essentially breaking up’ because of a huge argument and they dissolve their friendship, Act Two starts with the first time they meet.

The Future?

What is the future for the musical: in 2021 they said that they need to work on some things and then they hope to do another run, initially in Australia.

There will be a CD of the soundtrack available when the show is produced in it’s full version.

In 2024 on insta they said that it is in "complicated process of rights to stage Good Omens" and "We appreciate your support and patience of the progress or seeming lack therof, of Good Omens the musical but we assure you, we will bring you the show in the next few years."

Videos

Vicki, Jim and Jay talking 46min about the musical (this video was shown at the Ineffable Con 3 in 2021 :))

Sizzle Reel 6min

Anathema singing The Perfect Place

Crowley calling Dagon to check on the hellhound

Shadwell and Newt

Aziraphale vanishing Hastur 👀

Links

Webpage

Instagram - a lot of more bts videos and pics :)

How to support?

Subsribe to the instagram page and like and comment that you want the musical on posts :)❤. If you want to be a sponsor or donor, there is contact on their webpage.

[lottachaos]

GOOD OMENS SEASON TWO SPOILERS

Ok I’m gonna be deeply ranting and analyzing the kiss scene (mostly just the kiss itself) because OH MY GOSH THERES SO MUCH TOO IT

First of all here’s a gif of it:

And also I don't have a gif of it but when Crowley releases Aziraphale, what struck me was that he didn’t make them burst apart he gently and almost sadly just stepped back. And then watched. Now. One of the biggest things I’ve been thinking about in this (because I’ve been obsessively watching it over and over) is how Crowley is kissing him. It’s a long kiss. It’s not sensual. It’s not eating each others faces. It’s intimate and very romantic. Crowley missed Aziraphales lips by a hair and is slightly kissing his chin. Crowley holds him there as they sway back and forth slightly. I can’t see if his eyes are open or not. But the thing that strikes me about this is how much all of Crowley’s body language and everything just scream about how much he doesn’t want to move. He finally kissed his angel and he wants to stay pressed up against him, finally locked in the embrace he didn’t realize he needed for so long. He just stays there. He doesn’t kiss deeper. He just stays pressed against him, not wanting to deal with how Aziraphale will look at him afterwards.

then he has to break apart. He does it gently, but suddenly. Like he had to force himself but doesn’t want to . He wanted to stay, but he knows he can’t. So he steps back with his heart breaking more than he thought possible.

now onto Aziraphale.

Aziraphale is shocked. His eyes go from open to closed to open to closed. He leans back so slightly you almost can’t see it. He doesn’t seem to know how to feel.

And then his hands go around Crowley. It almost seems like it’s an unconscious motion, given how he looks after they break apart. It looks like for a split second, he lets himself melt into Crowley, as his hand wraps around his back and slides across it. But then he hesitates again abd takes his hands away. He thinks he can’t melt into Crowley. But there was the one moment where he broke.

after they break apart, Aziraphale looks shocked, upset, desperate, and to me, even a little disgusted. Probably because he doesn’t know how to deal with it. He licks his lips and moves his mouth around abd seems uncomfortable. But then after Crowley leaves he presses a hand to his mouth. He holds it for a second and starts crying. He realized he liked how it felt. He realizes everything he’s been missing. He loved the feeling of Crowley’s lips on his. Most importantly, he loves crowley.

on the topic of people hating on Aziraphale and saying the metatron did something to him, I disagree. This seems completely in character fir Aziraphale. He’s not an arsehole, he’s in conflict. He thinks he’s not allowed to love Crowley. I get him.

ok Thanks for coming to my Ted talk hehe bye

[violet-witch-6]

Gonna be real, my first time watching THAT scene I honestly wasn’t sure how they were ever gonna patch things up because I can’t even imagine the pain of standing in Crowley’s place after 6,000 years of loving someone in silence, trying to show them who you are at every opportunity, painstakingly chipping away at the delusion they’ve bought into since the beginning (more than you ever did) in order to show them the truth—to show them who you are (who the two of you could be together) —and then just as you’ve finally worked up the courage to lay it all out there and toss the dice hoping (with what, for the first time, you’re starting to believe are less than doomed odds) that they’ll love you back and that it will be enough—only for all of it to be dragged out from under you because they look you in the eye and all but tell you that they never understood you at all. They weren’t listening. And, sure they want what you want (to be together), they love you back (still unspoken but legible in the way they glow at the thought that they might still save you) (as if you need saving) (as if you’d want it)—but not as you are. They think the change they ask of you would be received as a grace and the betrayal of that is gut wrenching in a way that no flat out rejection could be, I think. If I were Crowley, I can’t imagine how I’d come back from that.

But then I watched the scene again. The moments after that betrayal. Once Crowley’s put his glasses back on, raised his defenses and sounded the retreat. I wondered, watching the scene again, how it could ever reach the point where the kiss made sense when they were already so torn apart. But the thing is that no matter how wrong Aziraphale was to want things to go back to the “way they were”, everything that led him to that conclusion comes from the thing Crowley loves most about him: his goodness. Aziraphale is good in a way that heaven is not, and Crowley knows that, but Aziraphale still hasn’t learned that lesson. He wants so desperately still to believe in god and heaven and the ineffable plan and even though it’s that desire that’s led him to hurt Crowley, I don’t think Crowley can completely begrudge him. By the time Crowley’s walking out of the book shop, the betrayal has already faded—not gone, but less than when compared to his sadness for Aziraphale and what his angel is going to go through when heaven lets him down (again)—assuming that it doesn’t just break him.

And the kiss—that fucking kiss (be still my beating heart)—that was Crowley planting a seed. “I know better than you do” he says and he does because Crowley has always been more honest with himself than Mr. “Master class in self delusion” A. Z. Fell. Aziraphale is about to be more alone and more lost than he has been in 6,000 years, so Crowley needed to make 100% clear to him where solid ground was. Aziraphale won’t be able to rationalize this away or hide behind propriety because it can only mean one thing and that is that he is in love with a demon whose on his own side with no interest in ever rejoining the heavenly host because heaven is not the epitome of goodness or love that he so desperately wants to believe it is. It’s not even capable of being that—no matter how hard Aziraphale tries to bend it back into what he thinks is it’s natural shape (because isn’t that what he wants so desperately to do as chief archangel? To make heaven the place he’s always thought it was?). Crowley really said “whatever you do next, do it knowing I love you”. He said “I’m done letting you ignore this.” And I get it. Cards on the table means cards on the table. No more half measures no more dancing around it—any of it. If Aziraphale wants to walk into the belly of the beast, then the least Crowley can do is make sure he’s doing it with his eyes wide open.

[theonevoice]

Have a gold star...

I swear, I started this as a wholesome innocent comment on how when Crowley has to think of a prize, after 6000+ years, his sweet head still goes to stars as the ultimate symbol of something beautiful and cherished.

But then I was struck by something: sarcasm.

Both times, when he tells someone to "have a gold star," he doesn't say it with a tone of affectionate irony, like the cool-but-sweet uncle with a rough personality but a soft heart. He says it with a tone of bitter sarcasm, of painful disenchantment.

Because it's not a prize that he is offering; it's a sop, a cruel joke-gift, something that will get you excited at first just because you have a stupid, naive, innocent soul, and you will later realize that it means nothing to the one who assigned it to you, and that they are ready to take it away whenever they want, while the rest of the world laughs at your ridiculous gullibility.

Because this is what stars were for him.

They were his beloved, exciting creation. The star-factory nebula was his cherished task, assigned to him by God, and he believed that it was meant to be a thing of beauty and splendor, and hold value in the grand scheme of the universe... only to discover, immediately after he created it, that it was never intended to have any value at all. It meant nothing to God. It wasn't even planned to last enough to fullfill its purpose. It was a joke, a cruel prank. 

The stars were God's bad pun of giving angel!Crowley something to do, and love, and have hope and expectations for, and then taking it away. Revealing that it was just a shiny piece of gold cardstock that only a simpleton could consider valuable. Of course he can only say "have a gold star" as a dry snarky sarcastic comment on someone who thinks they have achieved something meaningful when it's actually nothing. Be it the Them defeating the Four Horsemen. Be it Muriel being noticed by the Metatron.

Great, sure, have a gold star, be all excited and squealing with happiness, it will turn into ashes before you even know it.

I am not sure that Crowley's snake eyes were ever intended to signal that he cannot see the stars because snakes have bad vision (even ignoring the zoological fact that they are sensitive to UV light though, so they should still see astronomical objects, in the book it says that demons must be able to see at night, and that's why Crowley doesn't need to turn on the lights on the Bentley), but for sure the Fall and Heaven's cruelty has ruined the stars for him, in a way.

Now, in his mind, they are the ultimate symbol of delusion, of naivety, of foolishly investing your love and passion and hopes in something, of stupidly ignoring that the things you cherish will be ruined or taken away from you or leave you on their own accord.

That's also why Aziraphale's "nothing lasts forever" cuts him so deep. That's why his "no... no, I dont' suppose it does" sounds so much like a truth that he is remembering instead of one that he has jsut discovered.

Here you go, you did it again, you thought you had something significant and instead it was just like your stars, you should have known that whenever you find something beautiful it's just a matter of time before you lose it, you shouldn't get too attached.

In s1e6 he says it to the Them, in s2e6 he says it to Muriel. I do hope that in s3e6 he will get the chance to say it again, but this time it will be honest and out of joy, because whatever is going to happen will make him able again to believe that you can be happy, and can hold onto the good things that you love. You can have all the gold stars, for real. They don't always have to disappear and leave you in pain. They can stay with you.

[dalliancekay]

"You can stay at my place, if you like."

Remember this?

I was wondering today, why do (some) people still think that Aziraphale said this (and many other things he does/says) meaning that he doesn't want to stay at Crowley's place because he's still beholden to Heaven, it would be wrong etc etc.

Just as (some) people say he says I forgive you after Crowley kisses him because the kiss was a sin, a temptation and Aziraphale is offended by Crowley for doing this to him... I'm genuinely perplexed.

He's not saying, Oh, I don't think I should, Oh that would be wrong, Oh, are you out of your mind demon? He's saying: 'I don't think my side would like that.'

He spent 6000+ years worrying Crowley will get punished if their friendship/partnership/Arrangement/love was discovered. His first instinct here is the usual - I couldn't possibly, it would put you at risk.

We've seen how Heaven treats him. We have seen how he lies and deceives them repeatedly; S2 even starts with Aziraphale hiding his former boss from Heaven cos he knows he must be in BIG trouble to show up in his shop and he'll be damned (literally) before he gets them to do as they like with someone asking him for help without knowing what happened.

So why do (some) people assume he's helping Gabe out of some duty TO Heaven?

It's not that Aziraphale is not scared. He is. He knows Gabriel wanted to kill him a few short years before. He is not an idiot (this is a line I seem to be repeating in most of my posts).

He's not as dramatic about it as Crowley, but of course he's afraid. He is not missing Heaven in S2.

He's still terrified of them.

And that's why he's going there. That's why he's going to face his fears and save his life and his love or die trying.

[neonvqmpire]

we need to talk about how close aziraphale actually was to saying no to the metatron after the kiss and why:

he's extremely conflicted and keeps looking out of the window to crowley in the car.

he previously said "nothing last forever" when crowley told him that he cant leave the bookshop (crowley also meant "you cant leave me"; the bookshop is a metaphor for their lives on earth for him) and he states exactly this as the first objection here. obviously the metatron shuts it down by appointing muriel as the next owner of the shop.

now he's stuck between wanting to be with the being he loves & who he now knows loves him back and his deep inner need/duty to do good. crowley's confession and kiss clearly made him question his decision and change his mind because here is when he actually decides for both.

you can see how he does not want to join heaven alone. he keeps looking out the window when asked if he needs anything to take with him.

he desperately needs crowley there but he can not have him so he lies and says no.

i this moment he tries to say no to heaven one last time. he starts saying "i think i-" and then looks out to crowley one last time. he's really considering crowleys offer here. i think the decision that he makes instead is actually FOR crowley as well.

he decides to join heaven not as he was previously convinced by the metatron to do good and rule together with crowley (which he did not want to do) but instead to go and keep a close eye on heaven FOR crowley.

aziraphale isnt stupid, he remembers what crowley said about heaven being toxic.

i think the confession and kiss makes him question heaven. crowley, who fell for asking questions made aziraphale question heaven too. something that he was always too scared to do. he has started to rebel in his head. he realised that something has to be up with heaven/the metatron bc they offered him the position. he decided to go but with a completely different purpose than before. 

he puts on a smile and it seems fake because it is. he wants to appear like he hasn't just fundamentally changed his position and decided to go against the one force who he was always afraid of yet dependent on. 

this is sth extremely relatable to someone who is queer and autistic and was raised by very conservative family members. even the thought of supporting queer people felt rebellious, terrifying but also extremely exiting and powerful because i knew it was the right thing to believe. 

aziraphale was being so brave here. he saw a glimpse of the life he wants and can have and choose to join heaven anyway to fight for this life. he is convinced it will not be possible for them to be together if heaven is still kicking about and making him feel powerless and scared. he wants to secure their future by changing or possibly even destroying the system from the inside out. 

unfortunately he didn't have time to tell crowley about his change of intention and i think it really breaks his heart. crowley would probably not understand it anyway. they still have a lot to work through and learn but ultimately they will find each other again. they always do.

i am so so interested to see where and how they meet again in s3, if we get it. after everything i just really want them to be happy and to spend their eternity together. they deserve it after all they went through.

[thethingswedotomorrow]

I love the Good Omens 'Night at Crowley's Flat' trope where after stopping the apocalypse in season 1, they go to Crowley's Flat and talk and kiss and fall in love and have a peaceful night, I do.

BUT

What if the night became 'The Night an Angel and a Demon Get Insanely Drunk and Teach Each Other How to Act'

Because honestly

They go to the flat, and ALL they know is they are going to have to swap themselves if they want to survive and finally be free from Heaven and Hell

But they have absolutely NO clue how to pull it off successfully

Sure, they know each other in and out.

Aziraphale has Crowley's eye color committed to memory (and also to paper, since Aziraphale spent 4-5 years in the late 80s trying to find a craft store in London that could help him do the color justice)

Crowley could find his angel in a crowd of millions (and not even just because only one single person in that crowd would be dressed in that ridiculous shade of tartan)

BUT they know they have to truly get this right, down to the exact detail.

So, naturally, they start by promptly opening the closest bottle of scotch that Crowley had available

Crowley was convinced this would be the easiest thing they've ever done

"Only you, Angel, would find a way to worry yourself to death AFTER stopping an apocalypse"

They begin with the easy part, switching corporations and clothing.

It was easy. Until Aziraphale realized he had to actually physically move in the very, very tight pants Crowley prefers.

The first three times he tries walking, he falls face down. And each time, realizes how it's equally hard to get back up again.

Not to mention that Crowley's corporation had learned that after 6000 years, it didn't really need all those vertebrae and bones since he never used them anyways

So now Aziraphale is just laying on the floor in terribly tight pants, very confused on how Crowley has managed all this time

(Crowley is also on the floor, having dropped there laughing after the 2nd attempt)

After they both get up (one much faster than the other) Crowley tries coaching the angel on how to walk like him

Until Crowley realizes he doesn't actually know how he walks, he just sort of wills himself forward and hopes his limbs keep up with him along the way

Eventually, after enough drinks, they settle on a technique called "Just pretend all your limbs are snakes. And you're a snake. Honestly, just as snake-y as you can manage, Angel."

Aziraphale, as difficult as this was for him, figures out that he may have gotten the easy side of this situation here. Crowley very much disagrees.

"Once an Angel, well, definitely not always an Angel, but close enough right?"

He very quickly realizes he may be wrong when Aziraphale asks Crowley to copy his walk

"Dear Lord Crowley, it cannot be that hard. You simply have to walk in a straight line"

It was indeed that hard.

Crowley has all his vertebrae now, but no knowledge of how they should be used

He tries to hold his hands behind his back and march forward, walking in what he thinks is probably, on some plane of reality, maybe a straight line

He's convinced that he's the perfect image of a stereotypical angel, head held high, an air of 'holier than thou' surrounding him

When Crowley asks Aziraphale, he only says, "Well, I suppose it will have to do for now."

Internally, Aziraphale thinks of the fact that Crowley looked identical to a bumbling penguin walking on ice.

When Crowly sits down, very pleased with himself for an impeccable performance ("As always, Angel. I've still got it." Aziraphale uncaps the vodka and drinks straight from the bottle, just staring into the distance.

He has just realized that their existence hinges on whether Crowley can figure out how to sit on a chair like a proper being with appendages and a spine.

And the odds are not in their favor, if they way the demon is sprawled out on the couch (reminding Aziraphale suddenly of a very well-done noodle, and suddenly he's starting to wonder if humans had the right idea with stress eating) is any indication

Crowley announces that he refuses to utter the words tickety boo, even if faced with destruction

"Honestly I think I'd rather have the holy water at that point" "Crowley." "I swear you just make sounds up sometimes, those aren't even real words"

4 bottles (and a very large order of takeout) later, they've got the act down well enough that it's starting to weird Crowley out

"Angel, seriously, enough with the nose. When have I ever done that with my nose? Exactly zero amount of times. I'm not a rabbit"

2 bottles later and Aziraphale has miracled Harry the Rabbit into the flat for a reason they can't quite remember

But they've got music playing from somewhere in the corner, and plenty of drinks, and the night goes on into the morning, and then they're sobering up and marching out for the most dramatic acting of their lives

And the world hasn't ended yet, so they'll probably be fine. Probably.

[las-lus]

Aziraphale lied Theory

First of all, this theory is not mine, its from @/doubleskk on Twitter and can be found HERE. Go show them some love! It's in Portuguese, so I'll do my best to translate it - blue texts are my personal additions!

This season, we have something very clear in Aziraphale's development arc: is his relationship with LIE. He lied to protect Job's children, and he lied he had performed a miracle to make Nina and Maggie fall in love. That's not counting other little lies, sprinkled throughout the season here and there.

We keep seeing Crowley say "I'm a demon, I lie", but in the big finale, we have Crowley saying the truth - the big truth, the one he has been avoiding for 6 thousand years.

All of this was to set the stage for the biggest lie of all: the lie he had to tell Crowley to fend him off and protect him.

When Metatron goes to buy the coffee, he asks Nina if people ask for death, as the name of her shop is "Give me a coffee, or give me death". What if that name is an allegory for the actual conversation between Metatron and Aziraphale?

Aziraphale may have been threatened. Either Azira goes back to heaven (coffee), or he and Crowley would have their existence erased from the Book of Life (death). So, to protect Crowley, Aziraphale had to invent a lie to make sure he got away. The Book of Life was namedropped a couple of times in the show, a Chekhov's gun that never went off - Neil is too good of a writer for that.

And Aziraphale knew that Crowley would be pissed if he agreed to go back to Heaven after everything that happened, and he knew that Crowley would never accept being an angel again. "But rescuing me makes him so happy" - Aziraphale had to make sure Crowley wouldn't realize he needed saving.

That's why he knew exactly what to say to mess with Crowley.

At 41:14 of episode 6, when Azira starts telling the (alleged) lie to Crowley, he becomes all flustered, moving his hands from side to side and stammering, SAME PATTERN as when he lies to the angels about having done the Nina and Maggie fall in love, in episode 2.

[This part really works better with 2 videos side by side, which you cannot do on tumblr, so if you want you can check them out here]

The sequence of him talking to Metatron at the table is nothing more than an enactment of his lie. The conversation didn't go like that, Aziraphale made everything up.

And when Crowley declares himself, Aziraphale starts shaking his head in despair: not now, don't tell me that now.

He also looks out the window as soon as the confession starts, as if he knows Metraton was watching him outside.

Then there's the kiss, Aziraphale falters for a moment, but he has to keep up with the lie and he knows he has to hurt Crowley on purpose. And after Crowley leaves, Aziraphale is MUST recover in seconds, because Metatron is coming back. Also notice that when Metatron comes back, he doesn't ask if Crowley agreed to go back to heaven or not. He just sends a "How did he take it?"

That is, there was never any choice, and for Metatron Aziraphale was only going to break the news that he was leaving. And Aziraphale had to invent a lie to the inmates to make sure Crowley stayed away from him.