#iroh LOVES Zuko he really does

[ssreeder]

Helloooo!!

I'm finally out of lurking yeeyy!!! I don't usually leave comments on AO3 cause I tend to side track a lot and then i feel a bit annoying but i figured here it would be fine <33

I've been reading liab for a loooong wile and just wanted to let you know that in my 10+years of reading fics your work is definitely on my top 3 and one of the coolest thing I've read in general. (Even tho you always update on the weekends prior to my exams week, but i have my priorities in order and Zukka is always more important than an oncology exam 😤)

Buuuut I'm on vacations now so my liab brain rott is high again, and i can think non stop about the great characterization of your fic (especially zuko's i think you do an amazing job writing him).

Last chapter has to be one of my favorites in the whole series fr, it mayy had to do with Zuko being super touchy feely and extra emotional honestly, but they needed a bit of love before they start giving explanations to literally everyone. I'm honestly a bit ( or a lot) worried about Sokka and Iroh's relationship, I'm sure that with time Iroh will warm up to him but with Sokka being as protective as he is right now i don't know if he would take kindly of him to try and push Zuko into the throne ☠️ but we'll see.

Lastly I'm sure we all love the 20k words chapters so don't even worry about it hahaha

I'll go for now, byeee 💕

-🕸️

OMG HIIIII YOURE OUT OF THE LURK???? I lub it!!

Oh please don’t ever thing you’re annoying,,, have you seen my authors notes? I’m the most annoying person in the room & i would be thrilled to have you join me.

OMG TOP 3?!?! I fucking love you ahhhhh!! (& I do somehow always update during busy times - don’t worry I plan it that way just to mess with y’all ;)))

(Haha jk I’m not that smart)

Touchy feely Zuko with Sokka is going to be a bit more of a new norm for them and it’ll get kind of explained sort of introspected at some point but yeah Zuko WENT THROUGH IT & now he just wants to be comforted which is understandable.

Dudddeeeee yes. Iroh & sokkas relationship can go so many different ways. It’ll be interesting how they fit into each others lives especially knowing that Sokka knows Zuko who he is now and Iroh knows who he used to be and those two versions of Zuko are VERY different. I think it’ll also depend how much Zuko opens up to Iroh? Idk, Zuko can add a lot of unintentional tension there if he isn’t careful.

Thank you for this ask & i swear my next chapter will be under 20k BELIEVE IT!!! (Sorry I’ve been watching fucking Naruto so now I wanna say BELIEVE IT after everything)

I ALREADY adore you 🕸️ anon

[seyaryminamoto]

Fic-to-Art #44: Zuko and Katara meet Hotaru

This time around, my Patrons chose these two scenes from the prompt I offered them... and that prompt was "Hotaru", our tiny firefly herself <3 drawing her continues to be a challenge pertaining how to ever make babies look cute, but I hope she looks alright this time!

These two moments take place not too far from the other, but it's worth noting that Katara and Zuko don't get to see Hotaru at the exact same time. Thus, I figured I'd take advantage of the opportunity... and draw Sokka and Azula introducing their little one to their respective siblings. This will be an emotional chapter (lots of those coming up), but I do hope that these moments of happiness will be a good way to soothe the pains caused by our very intense angst from the current chapters... to be specific, this is chapter 378, so we're not that far away!! Just gotta wait a bit longer!

A part of me took joy in this specific prompt... the fandom has an abundance of "uncle Sokka" and "aunt Azula" content, be it with them together or not, while Zuko and Katara (also while together or not) happen to be the ones who become parents first. This often relegates their siblings to a secondary role, and too often there's either implications or outright accusations that these two just aren't fit for parenting. I don't really remember seeing much, if any, content where Zuko and Katara are the uncle and aunt instead... thus, I figured this would be a fun switch-up that, ultimately, doesn't mean any of these four aren't fit for parenting (Zuko's already a dad, Katara will be a mother someday in the future!)! It just means that Zuko and Katara get to bond with little Hotaru and be supportive siblings! And everyone's happy and wholesome in the process!

At any rate! I hope you guys like it, and as ever, if you'd like to be part of the creative process behind these pieces, a $1 pledge makes you eligible for suggesting art prompts and voting for the winner, as well as reading Gladiator snippets 6 days before the next chapter releases!

[ash-and-starlight]

.

[ljesaw]

it’s with depression that i fear i have to say, i think for a long time (too long really), zuko doesn’t reach out to his uncle during his retirement in ba sing se, not even for the much needed guidance he could use, because he considers it part of the exhaustive list of reparations the fire nation (and he himself) owes

[singswan-springswan]

zutara aladdin au you know I'm right

[ecoterrorist-katara]

Zutara, romance novels, and the female gaze

Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):

And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.

On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:

And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.

I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either

[thefandomthings]

Zuko x reader

"That's not what I meant, and you know it."

Betrayal

Hurt prompt #11: "That's not what I meant, and you know it."

Pairing: Zuko x F/Gn!reader

Warnings: Angst, No comfort, Established relationship, !!SPOILERS¡¡, Takes place in Book 2. Ep. 18

Notes: Oh boy, I have so many avatar requests, it's amazing. Thank you guys for participating in my event it makes me so happy! Tell me if y'all want a part 2.

Prompt Event Part 1 Part 2

All you felt was pain, deep inside your chest. Watching your boyfriend take sides against the avatar once again was brutal. What made it even worse was Iroh was to be imprisoned, you would hold the same fate if you were captured.

You stood next to Katara and Aang, Azula and Zuko on the opposite side of the cave. Azula held the same malicious grin on her face, watching the three of you with smugness.

"My, my Y/n. You seem so down, how sad." She mocks you with a slight chuckle. Zuko gives her a glare, his eyes wandering back to you. They are full of guilt, pleading for forgiveness from you. Practically begging you to understand why he did it, to come with him.

"Leave Y/n alone, Azula." Zuko grunts, getting in a fighting stance with his sister. Azula clicks her tongue and rolls her eyes at her brother.

"They're the enemy now, Zuzu. Can't protect them forever." Azula laughs, blue fire erupting from her fists.

The blue flurries of fire woosh past you fastly. Katara quickly blocks the fire with her water. Using her octopus arms she slashes and whips at Azula, both going back and forth. The ground beneath the five of you shakes and cracks.

Aang and Zuko are going at it hand to hand. You watch out of the corner of your eye as Zuko takes a hit by Aangs wind, sending him flying back into one of the crystal pillars. Your heart stops, skipping a beat as Zuko groans.

You curse under your breath and run towards him, Aang is calling your name frantically. You slid against the rock surface and get the few rocks that landed on Zuko off. He lets out a huff of air, the weight of the rock off of his chest allowing him to breath.

He's quick to sit up, using his hands, he does a walk over away from you. Your heart felt like it was stabbed, watching as he gets in a protective stance. He knows you'd never hurt him on purpose, and he'd never hurt you.

"Why are you doing this, Zuko? Why are you so desperate to gain your honor back?" Your voice is meek, tears gathering at your waterline, blurring his figure.

"You know why I have to, Y/n. This is my chance to prove to my father I am worthy."

Zukos heart physically aches, seeing your tears making him question everything. He never wanted to hurt you, never wanted to put strain on your relationship. You're his everything, you've been with him since the beginning along with Iroh. Loving him even when he didn't love himself.

"But Zuko, when you get home and see your father, will he even except you? What if he hurts you again, or what if he tries to kill you?" You plead, knowing this isn't him. He's just confused and fighting himself.

Zuko stays quiet, thinking over your words carefully. You have a point. His father could easily do all of those things, Azula to. Does he really want to go through with this? Having Uncle imprisoned, possibly you too?

He closes his eyes tightly, fists clenched at his side. He lets out a long breath, salty tears slide down his cheeks as he looks back up at you again.

"He won't. I'm sorry Y/n. You can't change my mind. I'm going home." He lifts his fists back into a defensive stance, hands trembling.

"Please...Please forgive me."

You let out a strangled sob at his words, heart clenching and shattering. Zuko grits his teeth, holding back his own cries.

"Get out of here, before Azula realizes I haven't killed you." Without realizing it, Zuko was beside you. Taking you into his arms, he holds you as close as he can. His lips pressing multiple kisses to your head. His nose buried in your hair, taking in your shampoo scent one last time.

"Does this mean you don't love me anymore? Since you're leaving?" You asked, face hidden in his neck, tears hitting his skin like rain. Zuko squeezes you softly, kissing the apples of your cheeks.

"That not what I meant, Y/n. And you know it." He pulls away from you, taking a few steps back to create distance.

Water then wraps around his waist sending him flying. You scream his name as Katara takes you in her arms. You sob holding onto Katara as she sees you down.

"It'll be alright, Y/n. I promise." She hugs you tightly, the sound of wind echos in the cave as Aang enters the avatar state. Suddenly lighting cracks, blue electricity shoots towards Aang. Shooting into his back like a spear.

"AANG!" You and Katara race towards him, watching as he falls, his body is lifeless. Katara catches him, tears falling from her eyes. You use your bending to keep the three of you protected as Katara holds Aang and bends up the waterfall.

Zuko watches as the love of his life disappears. He lets out a sob, his fist pounding the ground.

He's sorry. So, so sorry. He never wanted to hurt you, cause you this much pain. Yet he has, and he might never, ever be able to fix it.

He hopes you're safe, and he'll come and find you when the time is right before it's to late.

[wileycap]

So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[prying-pandora666]

ATLA Fandom and its Rejection of ATLA’s Messages

Can we talk about something for a moment?

The ATLA fandom loves to go on and on about all the ways the characters are “toxic” and who “deserves” redemption, in ways that are completely at-odds not only the messages and themes of the show but also in ways that are simply incompatible with being imperfect humans.

More than that though, there’s a complete failure or unwillingness to engage with philosophies unfamiliar to them. No effort to try and broaden their understanding. No, it’s all about pearl clutching.

Look at this:

Pretty funny little meme. Was posted on Reddit. Not that far-off from what actually happened in the episode.

Now let’s look at a couple of the comments.

The first commenter outright claims that a remorseless person doesn’t deserve forgiveness. No elaboration. No reasons given for why they disagree with Aang in this moment. It’s just stated as fact and several people uncritically agree. It is assumed that Aang’s thinking is wrong and everyone should agree.

You can see my comment countering this blanket statement, and bless the commenter below me for tying this back in to what Aang said. Understood the assignment! Succinct and to the point.

But then look at this:

The thing that really gets me about this is not only that they ignore the entire message of the very episode being shown here, but that they wholly condemn Aang’s (and his people’s) way of thinking as cowardice or a failing driven by fear. It frames Aang counseling Katara to not murder a man for vengeance as him somehow wanting Katara to stay afraid??? What???

Is it any wonder so many people twist and misrepresent this episode and its lesson?

No wonder then that so much of the fandom—and indeed even NATLA—is full of apologists for the Fire Nation despite their horrendous actions. The irony being that the one Fire Nation character the fandom widely condemns and refuses to extend empathy towards is the same one who expresses the very same sentiment contrary to Aang’s beliefs!

Remember what little Azula said about Iroh surrendering at Ba Sing Se?

The Fire Nation are the ones who believe in vengeance and violence. This is why Zuko thought killing Yon Rha was what she needed. It’s what he’s been taught. It’s what he and his sister were raised to believe. But the show is explicit about the fact that this is wrong. Iroh ends up living in Ba Sing Se peacefully! No revenge necessary!

The Air Nomads, meanwhile, teach forgiveness as a way to cultivate peace within yourself. Of course Aang reflects this teaching. And although Katara isn’t able to fully forgive Yon Rha (nor does Aang feel she has to), she is able to let go of her anger and find closure. She spares Yon Rha. She turns the other cheek. She moves on. Aang is explicitly shown to be right.

You don’t have to agree with all the messages of the show, but can we at least try to engage with them?

[umalvie]

it's really interesting to me how you can tell the level of respect azula has for mai, ty lee, and zuko through how she directs them within the confines of the fire nation's expectations of them all.

azula is someone who really values and upholds the fire nation's expectations of conformity, especially in regards to court. she herself plays her part as she's expected to. she plays by the rules her father sets for her, parrots his beliefs, renames omashu "new ozai" for her father, tasks herself with finding the avatar (zuko's fool's errand) and conquering ba sing se (iroh's greatest military failure), and is consequently ultimately hurt and betrayed when her father punishes her despite this by refusing to let her come with him during sozin's comet and giving her a meaningless title to mollify her. to her, playing by the rules that are set out for them within the fire nation, whether spoken or not, is essential, and to not play by them results in punishment. this mindset was already instilled in her before zuko's agni kai, but it was no doubt fully solidified by witnessing her brother pay for his inability to play the role he was assigned as a dutiful son and strong heir.

as a result of this, zuko is the most obvious liability of the fire nation kids in azula's eyes. he has already failed to abide by the rules once and is likely to do so again if she doesn't stop him from doing so. make no mistake, azula does not want zuko to stumble again. she manipulates him into coming home despite his wavering resolve by reminding him of what he could have and what he's always wanted (their father's respect, his honor and birthright restored, the return of a feeling of normalcy/familiarity) because she loves her brother and wants him to play the role he's supposed to successfully. if she didn't love him, she could easily have taken him home as a prisoner like her father wanted her to initially or killed him. i won't even entertain the notion that she brought him home specifically to take the heat if the avatar wasn't really dead; that is a deeply stupid thing for her to do which would result in her judgment and honor being called into serious question as she's the one who vouched that zuko killed the avatar which would be a failure in her role as the dutiful daughter and honorable princess.

so azula appeals to zuko's weaknesses to get him home because she loves him. but she still doesn't respect him because of his prior failings, so she tries to keep him on the straight and narrow within the confines of their roles in the fire nation. she confronts him about visiting their disgraced uncle in prison, tells him his actions could be misconstrued (although she knows exactly how zuko means them; she wants to remind him to play his part or suffer the consequences once more). she shuts him up in war council meetings by speaking over him so that he won't say something that would result in their father punishing him once more. she attempts to prompt him into letting her know if they should be worried about the avatar still, although he doesn't confide in her since he doesn't trust her and instead takes matters into his own hands by hiring combustion man. azula does not threaten to harm zuko herself if he fails in his role; she instead manipulates him with her knowledge of his personality and reminds him of the harm that their father will cause him if he fails.

ty lee is another problem azula thinks she needs to solve. once more, she loves ty lee, but ty lee has shown azula that she is not a reliable person to play her role as she's meant to. azula believes ty lee's failure to be even worse than zuko's, though. zuko said the wrong thing in a war council meeting because he didn't understand the rules; ty lee understood the rules, and she chose to run away anyway. this is not just ty lee being oblivious, but her choosing to intentionally disobey the rules.

so when azula comes to collect ty lee to resume playing her role, azula is initially friendly, perhaps giving ty lee the benefit of the doubt that she might have wised up, but the moment ty lee demonstrates that she is still refusing to play by the rules azula is convinced they all have to play by, azula turns to manipulations and threats of harm to pull ty lee back into line. like with zuko, azula loves ty lee but does not respect her. she knows that ty lee will not play the role society says she must unless azula coerces her into doing so. unlike with zuko, ty lee does not require multiple corrections from azula. the threat of harm once is enough for ty lee to return to her duties. noticeably, ty lee also manipulates azula a lot when she does so, showcasing her awareness of the roles they're all playing and her ability to play with the best of them.

but mai is different from zuko and ty lee. azula both loves and respects mai. yes, azula has to go out of her way to collect mai as well, but mai has moved to omashu with her parents. she never stopped playing her role. azula does not believe mai would ever stop. she respects mai's intelligence in a way she doesn't with zuko and ty lee because mai respects the rules of the game. so azula not only never utilizes threats or manipulation with mai, but she treats mai as almost an equal and allows mai to treat her as an equal. she asks mai to come along with her, and mai agrees. she promotes mai to a position of power above that of her parents, and mai obliges. she says that the trade of bumi for tom-tom is unfair, and mai calls it off. but it's not only when mai plays by the rules of the game that azula respects her and does not threaten or manipulate her to keep her in line. even when mai blatantly disobeys azula's orders, azula allows it. even when mai screams at her during the beach, azula allows it. mai knows that azula will allow it, too. she openly scoffs at the idea of azula lightningbending at her. why? because azula respects mai and her judgment. she sees mai as an equal because mai plays the game as well as azula does, including her moments of rebellion (this is undoubtedly what azula disobeying ozai by bringing zuko home under false pretenses and directly lying to him is, albeit a much higher stake rebellion than mai's refusal to search the sewers).

notably, while azula declares her intent to kill zuko after he commits treason and tells ozai that she lied to him, even when mai and ty lee take the ultimate step out of line with their roles, she doesn't allow them to be executed. i say "allow" here because she's not the fire lord, so it wouldn't be her personal decree to have them executed but rather her father's. they committed high treason. they not only aided and abetted in a prison break and the escape of some of the fire nation's most wanted but physically attacked a member of the royal family and the crown princess at that. this is a crime that's punishable by death, and yet mai and ty lee stay in their cells in boiling rock, seemingly unharmed given mai's unscathed appearance at the end of sozin's comet. ozai would have no reason to not simply execute them, but azula would since she loves them. it's entirely possible, she was on some level holding onto hope that she could coach them back into line again somehow.

but why does she hope to rehabilitate or at least preserve her friends while aiming to kill zuko? it's pretty simple: when zuko failed to play his part he did so in a way that meant azula was punished for having failed in her role as the dutiful daughter and honorable princess because she chose to play a different role that she gained nothing from playing: the role of zuko's sister. so in azula's eyes, zuko went out of his way to not only lapse in his role as the dutiful son and strong heir but to purposefully fail to play the role of her brother in a way he knew would cause her harm. do mai and ty lee also fail to play the roles of her friends while instead revealing their loyalty to someone else entirely when they betray her? yes, but them doing so does not result in ozai's wrath.

[zutarawasrobbed]

ALTA Live Action Season 1 Initial Thoughts (Spoilers)

I just finished the season, and holy shit!

Quick things that need to be addressed/debunked:

“Sokka is no longer sexist”

I dont know what people were talking about when they talked about Sokka’s “sexism” being removed. It’s still there! But not in the overly exaggerated comical way it was in the original.

In fact, it’s more in line with ancient practices of indigenous tribes where men are seen as protectors and providers while women are expected to nurture. It’s not the same “boys are better than girls” narrative in the original.

Additionally, Suki still beats the fuck out of Sokka and humbled him really quick. They’re super cute by the way. And I love Suki’s “I like my men a little stupid” vibe. She’s great.

“Aang doesn’t run away like the original!”

That is not true. He does run away, but not because he’s trying to get away from the temple but instead to get some air because he feels overwhelmed. He’s more like taking a quick break and planning to come back. It’s not exactly the same, but almost. It also is done in a way where his guilt feels more justified.

“Katara doesn’t talk about her mom anymore like the original”

This is true… BECAUSE THEY SHOW INSTEAD OF TELL. I was honestly not prepared to see the death Kya in such graphic detail and how Katara was in the room hiding when it happened. It’s honestly really sad and more heartbreaking.

Plot:

The timeline seems to be ambiguous compared to the original series where it was “end of current year.” In fact, they repeat “three years” a few times, which makes me think if the series get greenlit for more seasons, it would be over a three year period.

Jet is still villainized but given more nuance and not a simple "good v bad" way like the original.

Zuko’s story about how he got his scar has additional lore that makes him come across as even more selfless and compassionate. The additional context of the platoon he advocated for in the war meeting, becoming his current crew, really added to the story.

Eradicated the nepotism baby plot point with Pakku only training Katara when he finds out he used to date her grandma. Instead, Katara proves herself and ends up teaching the other male fighters the techniques she learned from watching other benders use their elements and mimics them.

This season doesn’t have Aang learning any waterbending, but rather facing his trauma and the consequences of his actions. He get roasted by all his past lives. Which is an interesting choice, but I think it works well in how they executed it.

This season seems to actually be Katara focused and her journey of learning waterbending which I honestly loved because it really hits home the element of “water” being the story of an untrained waterbender learning her element. But, I do think Aang could’ve learned a little bending. It felt a little off.

Katara ends up advocating for all waterbending women and ends up leading an army of both men and women during the siege. She’s really bad ass and is given the title of master without being formally trained by Pakku. She made herself a master.

I think the timeline is a little wonky because of how much they had to fit in with the limited episodes they had.

Kuruk is given respect! I loved that.

June actually seems into Iroh which I thought was a funny but cool way to flip the script from the original.

The relationship between Zuko and Iroh is really beautifully executed. I love the depth they added with flashback scenes and their bond prior to the Agni Kai. It also wasn’t as frustrating watching Iroh and Zuko’s dynamic because Iroh communicated with Zuko in a way he could understand with straight answers rather than seeming to actively sabotage him with cryptic puns and shenanigans like the original.

They changed the love triangle with Yue Hahn and Sokka to be very healthy. They gave Yue autonomy and a choice in her relationship- which- again- is much more in line with indigenous cultures. Also, Hahn and Sokka’s relationship is really supportive and full of respect and no ill will.

They way they handled grief and the realities of war with the loss of life was very well done and really drove home the point that this is a war and these are child soldiers.

There’s a lot more but these are my initial thoughts. Will probably post more later.

Shipping:

Kataang is all but removed. Literally DOA. There is no indication of a crust on either side. It’s painted like a sibling relationship, which is like the original, but this time everyone seems to be on the same page. But, I swear the writers had to have read ZK fics because damn.

They canonized a popular Zutara theory/hc about the cave of two lovers and how the crystals would light up once it went completely dark instead of a “kiss” activating the crystal glow.

Speaking of the Cave of two lovers. They keep the Oma and Shu story with red and blue coloring. Making it come across more as foreshadowing than a direct link to the present tunnel story.

Sokka is put in Aang’s place with Katara in the tunnels and turned it into a story about the love of family and sibling bonds. Aang wasn’t even present.

Zuko and Katara share a meaningful look when they first see each other and continue to have a Katara centric scene followed by a Zuko centric scene and vice versa.

The scarf scene. I will not be elaborating further. If you know, you know.

Zuko and Katara fight scene in the North is epic. He still taunts her with almost the exact same dialogue but it’s so sassy- I love the banter.

Suki and Sokka were really cute and the actors had great chemistry. I think Yue and Sokka was really rushed and didn’t really feel anything about them, honestly. But I attribute that to lack of episodes to develop all that plot.

[sproutingliliums]

What are some Zutara fanfics you like?

thank you for asking anon! rubbing my hands together and laughing diabolically rn. most of these fics are completed, but i have a few incomplete or ongoing ones listed at the bottom.

The Color of the Stars by bluenebulae this is my zutara bible... i have read this 3 times, and i think it's still my favorite zutara fic. it diverges from canon during the day of black sun. katara and zuko are both captured and thrown into prison and after breaking out together, they become reluctant allies and travel the world in search of the gaang while also trying to warn the other nations about ozai's plans.

they call you refugee by akaiiko

an arranged marriage alternate universe where when zuko is banished, he leaves the fire nation with—actually, the summary does a pretty good job of explaining it: "Zuko goes into exile with a scar, a mission, and a wife." i think i cried the first time i read this.

refraction by caroes3725

this one's my post-war zutara bible. it is maybe the post-war swt ambassador/politician katara slow burn of all time. it is 200k+ words and it's all worth it, i promise! i prommy!!! read it now!!!! <- this along with The Color of the Stars are maybe my favorite zutara longfics. period.

Mending Wounds by FictionIsSocialInquiry

canon divergent fic where katara sees visions of zuko in the foggy swamp. except in these visions he is older, the fire lord, her husband, and he is gentle and loving, and katara feels sick to her stomach! one of my favs!!!!

lost and found by Smediterranea

hakoda discovers a young zuko, injured, and takes him in. beautiful alternate universe fic where zuko grows up in the southern water tribe with sokka and katara.

The Things We Hide by Lykegenia

katara is held in the fire nation as a political prisoner following the southern water tribe's defeat after an assault launched by fire lord ozai during sozin's comet. the swt, however, will not go down with a fight. love, love, love this one! it has painted lady katara, blue spirit zuko, a sweet romance, political intrigue, and betrayal!!! it's a fun time. also i love hama's inclusion in this :)

The Blackfish and the Dragon by ama

during the day of black sun, iroh takes matters into his own hands and becomes fire lord. shortly after, a marriage is arranged between zuko and katara in order to secure the peace. it's a beautiful arranged marriage au where everyone is so perfectly in character. i really think this fic is one of the best zutara fics out there with a natural and rewarding slow burn romance. and azula is there and she's perfect.

Smoke & Mirrors by sansonnets

blutara bible!!!!!!! that's all i got... blutara go CRAZYYY

so i can die where i met you by irridescence

canon compliant. zuko and katara, eighty years later. the fic is centered around major character death(s), so don't read if you can't handle it but i was sobbing like a fucking baby by the end of it. such a beautiful gorgeous fic that will haunt me forever.

if you don't mind incomplete or ongoing fics:

But Who's Counting? by halfhoursonearth

katara thinks zuko's going to need at least 100 healing sessions after the agni kai. lovely prose and characterization and it's so tender and sweet. just read it!!!

so let us melt, and make no noise by LittleLostStar

zuko is sent on a mission to bring back the heart of the last waterbender so he can restore his honor and return home. but when he nearly dies while in the south pole, a healer named katara saves him and nurses him back to health. (the author describes this as a kinda-sorta frozen AU, and i think it's a pretty good description haha). it's an incredible AU with so much mystery and intrigue and tension!

forgetting is a kind of mercy by nerdylizj

"Five years after Katara and Zuko go missing in Ba Sing Se, Kya and Lee are found living peacefully in the Earth Kingdom countryside." finally, i gotta plug liz's silly n goofy dai li brainwashing fic. it's so good. so painfully angsty. it's about the pain of remembering and about making hard choices and identity and parenthood!!!

[ladyloveandjustice]

I watched a compilation of clips of live action Zuko scenes (mostly with Iroh) because I think the actor they chose for Zuko is great and I still think he's great, but as someone who recently binged the cartoon, it's really interesting me the way they sanded off the rough edges of Zuko's relationship with Iroh, and the way it sort of damages the characters and the plot...and it makes me think of reoccurring issues in media and how the approach characters (which is exacerbated by the fans who jump the gun and think characters doing unlikeable things or being problematic means the story endorses these thing and that it makes them bad characters)

There's an intense fear of making Zuko too "unlikeable" in the live action, and that really shows in the way they play his relationship with Iroh. In the cartoon, Zuko is honestly downright nasty to Iroh a lot of the time. He's mean! He takes out his anger on Iroh a lot! A good two thirds of their interactions in the first two seasons involve Zuko being frustrated, complaining, or even directly being aggressive towards him.

He has a lot of genuinely cruel moments. You (or maybe just I) can weirdly forgive him more for hunting Aang because he's doing it for a sympathetic, heartwrenching reason even though it is bad and he's wrong. But there's no reason or goal in him being mean to his uncle, it's simply that he's an angry, traumatized, scared teenager and his uncle is someone he can safely take that out on, because Iroh has the patience of a saint and will always forgive him.

And when Iroh tries to push him to realize that chasing after his father's love is futile, he gets downright vicious, calling him selfish, shallow, lazy, jealous of his brother, he just goes right for the jugular because he's so afraid of what Iroh's telling him, he doesn't want to hear it so much that he'll lash out at him as hard as he can to get him to stop, and also to convince himself that Iroh doesn't know what he's talking about.

Zuko is not a nice person for a good chunk of the series, and that includes his relationship with the one person who unfailingly loves and supports him, who's pretty much given up a comfortable like just to help and look after him, and I think that's important. It means he actually needs a redemption arc. It gives his guilt about how he treated Iroh later on weight. And the fact the series allows Zuko to be truly nasty but we still root for him shows how good the writing is. Because despite all that, we can still see the good inside him, we want him to be a better person.

And in the show, in the beginning, Zuko shows those sparks of good slowly. Which allows the audience to feel real tension in not knowing what he'll do. Take that episode in season 1 where Iroh is captured...the viewer genuinely does not know what Zuko will do from what we've seen so far. When he says he'll leave without Iroh, as a viewer, you wonder if he might do it because he's often so mean to Iroh. But it's clear that Iroh knows Zuko's threats are totally empty and he would never leave without him, he's not worried at all when he misses the deadline, and he also knows that Zuko will be coming to rescue him. But the audience doesn't necessarily know that at this point in the series, so when Zuko not only doesn't leave without him, but goes to rescue him and even gives up his chance to capture the Avatar to do so, it's new information for the audience. We see this kid genuinely loves his uncle, and is even willing to sacrifice a chance at the thing he wants most in the world to save him. I think it's that moment that Zuko officially becomes a sympathetic character (It was hinted at with his refusal to kill Zhao and his clear happiness when Iroh praises him, but it becomes concrete here), since we still don't know his backstory yet.

When it happens in the live action though, it's not new information though, and not just because I've watched the original . It's because they never allowed Zuko to be really unlikeable. He's not that mean to Iroh in this version, it's clear from the beginning he loves and respects him. They even have the moment where Zuko sees Appa happen AFTER he's already risked his life to save Iroh, so there's no suspense, of course he's not going to abandon his injured uncle to chase Aang, we already know he'll put himself on the line to save him. It doesn't have any impact because the audience is never allowed to question whether Zuko cares.

And this hesitation to make Zuko be mean to his uncle has ripple effects on the story the live action is unwilling to deal with- it damages Iroh as the character and makes his actions not make sense. Because if Zuko actually listens to Iroh and consistently respects him, why doesn't Iroh just work harder at trying to get him to stop trying to please his abusive father, to stop hunting the Avatar? it seems like he'd be willing to listen with enough work. Live action Aang even questions this and Iroh just. doesn't answer him. Blows it off. As Big Joel points out in his video, it becomes a baffling moment.

But it's clear to me why he doesn't push Zuko harder in the cartoon. The idea that his father's love is attainable and he just needs to get it back, that he can capture the Avatar and regain the family he lost, that this is the right thing to do...it's pretty much what's keeping Zuko going. If Zuko doesn't have that, he might give up on life entirely. Iroh directly says this. 'the important thing is hunting the Avatar gives Zuko hope'. And Iroh knows if he pushes Zuko too much about this, Zuko won't hear it, he will lash out at him and probably leave him, just as he does in season 2, and then how can he help his nephew heal, give him support, and gently guide Zuko to do better?

This is especially demonstrated in the beginning of season 2 when Azula says Ozai wants him back and Zuko, so desperate to be loved, falls for her trap. Iroh tries to gently tell him that his father is not that kind of person, gently tiptoes towards "your father's love is not attainable" and Zuko immediately lashes out viciously, shuts down the conversation, and is willing to leave without him (though he's clearly ecstatic when Iroh does choose to come with him. ecstatic for him, anyway). So Iroh has to pretend to agree with him. to go along with it, all so he can protect Zuko when it does turn out to be a trap.

It's pretty easy to see the turning points in the show that cause Iroh he steps up and finally really try to push Zuko to stop hunting Aang, be a better person and find his own happiness. There's the end of season one when Zuko would have died trying to capture Aang if Aang hadn't chosen to save him. This is a wake up call for Iroh. It's definitely when Iroh realizes the fact it gives Zuko hope doesn't matter, because Zuko's fixation on hunting the Avatar is very likely going to end with Zuko dead. Zuko is so fixated on this he won't prioritize his own survival. This is directly confirmed by the show because Iroh brings it up later when he finally snaps and yells at Zuko to stop this. And there's also the aforementioned moment, where Zuko's desperation for his father's love leads him into a trap and they both have to become fugitives. I think this is when it sinks in for Iroh there's no happy ending for Zuko where he's welcomed back home, and this hope could lead him straight into danger.

(I don't know if this idea Iroh doesn't truly think hunting Aang is a good thing but won't push Zuko too hard about it because that would only shatter their relationship in the first season was actually what they had in mind while writing season 1, but I do think they made it track pretty well when they decided to make his character shift in season 2. )

So yes, Zuko being more amiable and respectful makes Iroh's dynamic with him not make as much sense, and makes Iroh seem much more baffling and callous, especially since the live action makes it very clear that Iroh believes capturing the Avatar is the wrong thing to do from the beginning.

But they don't care about story consistency, or building believable conflict, or writing coherent character dynamics, or allowing Zuko growth. No, the writers like Zuko, they don't want to risk the audience not liking Zuko, so lets remove a lot of his flaws, make his feelings toward Iroh warmer and more respectful because that's easier to watch and everyone liked how warm and loving he was toward Iroh at the end of season 3, so lets just skip to that. The cartoon trusted us to see the good in Zuko and root for him on his journey even if it was messy and sometimes painful to watch, but the live action doesn't, so it won't put in the work. And so his story becomes less meaningful and satisfying, and so Iroh's behavior stops making as much sense. I could easily believe the Zuko in the cartoon would betray Iroh out of sheer desperation to be accepted by Ozai, even as it wracks him with regret, but I wouldn't be able to believe live action Zuko would make such a decision. He's too nice! He never disdains his uncle!

Characters being allowed to do nasty, mean things even to people who love them and then grow to be better is important for writing believable stories and believable growth, especially when it comes to redemption arcs. But I've seen a reluctance to accept that in some writers and a lot of fans. Katara's moments of cruelty are removed (which fans were always less forgiving of than Zuko's hmmm i wonder why), Zuko's moments of being cruel to someone who loves him are removed, we have make it clear Iroh is good from the beginning and directly excuse Iroh's hypocrisy in sometimes prioritizing Zuko's happiness over like, the safety of the world and ending the war sometimes, rather than simply see him quietly develop to be better on that front. It sucks.

We have to be willing to be uncomfortable with characters actions and words sometimes without dismissing them as bad characters, and I....just want fans to consider that, and writers to consider that.

[lilbagdermole]

It's common knowledge that Zuko and Aang, throughout the duration of ATLA, are a mirror of one another; a reflection of each other - not necessarily opposites but parallels.

So whilst I was analyzing the finale of the show, I noticed a really interesting parallel between our two protagonists:

Zuko was close to dying in his final confrontation with Azula and what pulled him back up, what saved him from dying was water. More necessarily Katara's healing abilities - but nonetheless, his opposing element saved his life.

On the other hand, Aang throughout his harrowing fight against Ozai utilizes Earthbending time and time again to save himself, techniques that we've come to associate with Toph (rock armor and seismic sense). And to access the Avatar State, that had since been blocked, Earth had been the ultimate catalyst to unlocking his Seventh Chakra.

And if we take into consideration what Guru Pathik told Aang - to unlock the Seventh Chakra he would have to let go of Katara. In a sense, this could have been a visual representation of how Aang lets go of his love for Katara, and how Toph (Earth) could take up that role.

Earth, his opposing Element, saves his life.

It's also interesting that our protagonists' conclusions and destinies are integrally tied to the aforementioned girls. Destiny and Fate are two major themes in ATLA, alonside the moral lesson shared to us by Uncle Iroh about the unity of the four elements and how each element can learn and grow from the other.

Zuko's destiny to bring honor to Fire Nation whilst also challenging his conflicting natures (Sozin vs. Roku; Ozai/Azula vs. Iroh) would have never come into fruition had it not been for Katara. Katara was the first person (other than his Uncle) to show him genuine compassion and humanity, she was the first person to glimpse into his true, kind and gentle nature. Additionally, had she not fought alongside Zuko to defeat Azula and save his life, he would have never been able to step up to the Throne and fulfill his destiny. Thus Katara is linked and bound to Zuko's destiny.

Aang's destiny was to restore peace to the world and end The One Hundred Year War. The Aang we meet during Book One - is timid and soft, a strong bender and with limitless potential, but he lacked the confidence, the back-bone, the grounding to step-up to his duties as the Avatar and defeat Ozai. Katara coddled him and never challenged him to look beyond himself. It's only after meeting Toph does Aang begin to confront his opponents with a different viewpoint, he gains a certain matureness in himself and suddenly we see him step up into his role and responsibilities. Toph's Earthbending not only saves him from death but it also gave him the strength to face his destiny. Thus, Toph is linked and bound to Aang's destiny.

It would have tied a lot of unexplored themes as well as provide a more satisfying conclusion (Aang entering the Avatar State because he followed through with Guru Pathik's lessons instead of pointy rock triggers it) and it would have been cohesive with the narrative thematic of ATLA.

I'm still astonished at how badly Bryke fumbled the bag with their romantic sub-plots. 🗿

[rightwheretheyleftme]

I’ve decided to make a second post about Aang’s parental neglect because the first one was hijacked by people accusing me of being delusional.

The more I think about Aang’s attitude, the less I understand it. In my post, I said that it would be understandable (but still questionable) for Aang to leave Bumi and Kya behind if he’s going to places made for airbenders- I take it back. Not only because it’s parenting 101 that even if you believe that your child won’t enjoy a vacation, you still take them, but because I’ve come to realize that there is no such thing as airbender-only places. They don’t exist.

Think about it, what is airbender culture? Is it being vegetarian? Kya and Bumi could do that. Is it believing in absolute pacifism? Kya and Bumi could do that. Is it meditating and being spiritual? Kya and Bumi could do that. Is it being bonded with an air bison? Kya and Bumi could do that.

The only thing that is exclusive to Aang and Tenzin is bending air and even that isn’t unreachable for Kya and Bumi. Remember in ATLA when we learned that you can learn techniques from one form of bending and use them for another form of bending? Iroh famously learned a waterbending technique and used it to create lightning redirection and we saw Zuko using techniques from all 4 forms of bending in his agni kai- So why couldn’t Aang teach Kya airbending techniques and have her use them for waterbending? It would’ve been perfectly possible. Even Bumi could’ve used the same technology that Teo and Katara used to fly- Aang acknowledges that Teo is essentially an airbender, so why couldn’t Bumi do the same?

What TLOK is presenting is an immense regression for the character of Aang. Are we supposed to believe that the same Aang who saw Teo flying and exclaimed “Even though Teo is not an airbender, he really does have the spirit of one!” would look at his own children and say “Nope, you’re not an airbender and could never be one”?

If I didn’t know anything about Bryke, I would assume that they hate Aang and that this writing choice is their personal vendetta against the character- But I do know about them and I know that they love Aang more than anything, so what the fuck is this? Is it a power fantasy about being so famous and powerful that you can get away with neglecting your children?

I can’t believe that Aang stans flooded my mentions. If I were a devoted Aang stan, I would track down the showrunners and key their cars.