#Zutara meta

[gloomybadger4life]

No beef, no shipping wars pls. These are things i have noticed.

@krista-kritical @wingchunwaterbender @local-enby

[yourhighness6]

Ugh I will always love the concept of Katara using blood bending to revive Zuko after the last agni kai, mostly because it makes no sense to me that Zuko was able to bounce back so easily after being struck by lightning, but also because the way the show treats bloodbending is just odd to me. It was a defense mechanism created by a traumatized victim of some of the most devastating parts of colonization, and although I understand that Hama was supposed to symbolize the "bad parts" of waterbending and was important for Katara's growth in realizing that the world isn't entirely black and white, its still disappointing to me that the show never explored the gray areas of blood bending, especially since that episode was, as I stated above, about understanding the gray areas of the war. Katara using blood bending to revive Zuko would add so much to the last agni kai in demonstrating that she has truly realized that "good" and "evil" are relative concepts, and Zuko being saved by both a defense mechanism of a survivor of colonialism and a type of bending used to terrorize his people would have even added to his arc, as the narrative required him to save and subsequently be saved by the physical embodiment of everything his family sought to annihilate.

[starlight-bread-blog]

"Zuko would take a lightning for anyone–"

But it was Katara that he chose to invite.

"Zuko would take a lightning for anyone–"

But Azula knew to aim at Katara.

"Zuko would take a lightning for anyone–"

But the scene was romamtically coded.

"Zuko would take a lightning for anyone–"

But Katara needed to get to heal him.

"Zuko would take a lightning for anyone–"

But it was Katara who was with him in season finales.

"Zuko would take a lightning for anyone–"

But he needed to choose Katara over Azula.

"Zuko would take a lightning for anyone–"

But Shu needed to survive in this life.

"Zuko would take a lightning for anyone–"

But the writers deliberately chose Katara.

Inspired by @captain-konami-code 's "They were enemies"

[halfhoursonearth-writes]

One of the things I love about the Ember Island Players is that by trying to make fun of the possibility of romance between Zuko and Katara in the play-within-a-play, the show actually introduces Zutara as text into the world of the show, particularly in Fire Nation pop culture.

Like, there's this widely-advertised production that shows the Fire Prince and the Southern waterbending master falling in love. Then, probably the next thing the gen pop hears about their future Fire Lord is that he's jumped in front of his sister's lightning to save this same girl's life, doing absolutely nothing to beat those allegations.

There's just no way the gossip mill isn't churning. It's too juicy.

[ecoterrorist-katara]

Zutara, romance novels, and the female gaze

Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):

And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.

On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:

And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.

I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either

[strawberrymilkyumyum]

i dont like the take that zutara is the like 'sexual' ship or something. not only bc im really uncomfortable with thinking that any relationship with teens is 'sexual' on screen - i really don't want to think about teenage characters in a kids show as sexual - but also because i feel like this perception of katara feels very madonna-whoreish

with a@ng, katara is the madonna, she needs to be perfect and pure. she can do no wrong and is held to an unrealistic standard that puts her under a lot of pressure. this results in katara's canonical traits and moments that don't fit this narrative being seen as monstrous, or even ooc. the problems with the madonna are the fact that by viewing katara like this, you won't ever see her as a character fully. she revolves around this idea of what she is to a@ng, and anything that strays from it is 'morally wrong' (it's not.)

according to antis, with zuko, katara is the whore. zutara explores a darker 'more sexual' side of katara that is connected to the canon moments that don't allign with a@ng. they are able to push all of the things they don't like about katara (and women) onto this ship of her with someone who is not a@ng. to them, katara's proximity to aang is what makes her the madonna, but with zuko, she is everything that they hate about her.

in all actuality, there is nothing inherently sexual about zutara. they don't have any moments that could even hint to sex when other couples in the show do. zutara is seen as sexual, not because there's anything actually sexual about the ship, but because they see katara without a@ng as a whore (not actually saying they call her a whore.) they feel more free to hate on her and allow themselves to call it sexual as a way to justify it. zutara isn't any more sexual than any other ship, less in some cases, but it will always been seen as such because antis see katara as a madonna with a@ng and a whore with zuko.

(i would just like to clarify that this is talking about generalizations. obviously not everyone who dislikes zutara feels like this, but i think this i a common way that people view it, even if they don't realize it.)

[johnskleats]

Zutara hours A@ng is hope embodied for both Zuko and Katara for different reasons. A@ng disappoints both of them; Zuko, because the Avatar is not enough to earn his father's love, and Katara, because the Avatar is not the savior and protector she was hoping for, but a child she has to mold into the hero the world needs.

Zuko needed the Avatar to save him from his father. Katara needed the Avatar to create a world where she could thrive. They saved each other instead.

that is all

[lieuxtenant]

most kat@@ng shippers annoying as fuck but the most annoying of them are the obtuse ones, and oh boy, there are so many of them

you gonna look me in the eyes (or in this case, at my tumblr’s pfp, almost the same thing) and say there is not a single hint of romance in katara and zuko’s dynamic? no, you can’t! stop lying.

trying to deny the very obvious romantic subtext is so stupid, we all know you don’t really believe that, you can’t be this unaware, the only way the writers could be more obvious about what they were trying to do with those two is if they had put a little momo holding a sign in the corner of every zutara interaction with a text breaking down the meanings of the scene, and there are a lot, just throwing here some ones without really going into it one by one or i would be here all day:

the fact that we have zuko and katara’s main fight in book 1 finale that is also when we learn about tui and la, atlaverse’s version of yin yang

their personal arcs being literally that “in kindness there’s evil and in evil there’s kindness” meme

not only that but they’re basically the catalysts in each other’s arcs (zuko’s in “the crossroads of destiny” and katara’s in “the southern raiders”)

“you rise with the moon, i rise with the sun” (they’re so nasty for this one)

do i really need to extend the “zutara are yin yang” topic? like come on

also tui and la means push and pull, zuko incorporates this waterbending pushing and pulling move he learnt by watching katara to his firebending

blue spirit zuko at book 1: water x painted lady katara at book 3: fire ????? absolute cinema

zutara bonding in a cave designed to resemble the cave of the two lovers (they’re so nasty for this one 2: electric boogaloo)

and wearing the same colors as oma and shu?!!?!! the star-crossed lovers on opposite sides of a war??¿? sounds quite familiar

(edit) because how tf did i forgot to include him willing to die for her in the last episode? directly mirroring the way her own mother sacrificed herself to save katara from the fire nation? and now there’s the fire nation’s prince jumping in front of a lightning for her

katara saving zuko’s life is supposed to be the final step of her healing, she was too young when the fire nation came and she felt helpless she couldn’t help her mother, her arc ends with her not only being able to overthrow azula, therefore putting an end to the fire nation’s tyranny but she was finally able to fell she can protect herself and her loved ones

[burst-of-iridescent]

What would change in the Zutara ship/dynamic and/or Zuko and Katara individually if Zuko didn't betray Katara in Ba Sing Se and immediately chose her?

i think most canon divergent zutara fanfictions get it right: they'd probably become close friends in no time, and develop a dynamic similar to what they have in the ember island players. but there's a reason this scenario is best left to fanon - as fun as it would be to see more zutara bonding in the first half of book three, there's always something lost for something gained, and in this case it would likely come at the cost of the depth and intimacy they developed in canon through the WAT and TSR arcs.

it is vitally important to their relationship development that katara gets to be deeply, righteously angry at zuko, and particularly that she goes on her field trip to find yon rha while they're still not on friendly terms. not only does her anger bar her from instinctually falling into a caretaking role with zuko as she does with most of the gaang at one point or another, allowing her to be cared for rather than being the carer, it also frees her from feeling like she needs to fit into any perceived image he might have of her. katara makes it clear to zuko that she owes him nothing - least of all her friendship, and everything that entails.

and it is this very lack of obligation that gives katara the freedom to be wholly and entirely herself. people always point to how katara behaves "uncharacteristically" in the southern raiders to prove that zuko is a bad influence, but the truth is that the way she acts in tsr is an inherent part of who she is. katara can be cold, furious and vengeful just as she can be warm, compassionate and friendly, and the fact that she can freely show both sides to zuko isn't because he's pushing her to be someone she's not, but because she has no need to live up to an idealised version of herself.

this would likely still apply to a degree in a no-betrayal au (tsr would happen in any version of book 3, just because it's so significant to katara's arc), but i find it probable that katara might be more hesitant about bringing zuko along, or less willing to bloodbend before him so readily. katara has to witness zuko's lowest point before she allows him to see hers. she has to take her dark-night-of-the-soul journey with someone she knows has neither the right nor the willingness to condemn her choices, in order to be able to focus entirely on herself and what she needs. very telling that she doesn't ask aang, her future husband, to go with her for support.

it's because zuko allows himself to be a whetstone for the blade of her fury, because he cares enough to find out why, because he tries to help when she's given him no reason to do so, because he stands shoulder-to-shoulder with her at her darkest, most conflicted hour without forcing her to bear the burden of caring what he thinks or feels about it, that katara is able to forgive and befriend him. it is because they see each other at their highest and lowest moments that they're able to have the deepest and most intimate relationship of anyone in the gaang. and none of that would've happened without the betrayal in ba sing se.

after all, love is brightest in the dark.

[whendeeplybored]

My favourite thing about Zuko and Katara is that they both are the sun and the moon. They are red and blue.

Let me explain.

Obviously at first glance Katara is the moon and Zuko is the sun, right ?

Katara is a water bender. Waterbending is associated with the moon since the benders draw their power from it. Contrastingly Zuko is a fire bender who draws his power from the Sun. So naturally we associate Zuko with the Sun and Katara with the moon.

It is also a fully established parallel in 'The siege of the North' with one of Zuko's hardest bars:

But anyways I'm gonna guess you all know this :p It is all pretty obvious after all.

What is very interesting to me is this. Hear me out. When you really think about it. Traditionally speaking. A sun-coded character is bright, fierce, fiery, attracts attention and brings joy and hope.

Isn't that the perfect description of a certain 14-year-old hair loop wearer we all know ?

On the other hand, traditionally a moon coded character is cold, sensitive, empathetic, maybe grumpy and sad, a light that only glows in the darkness (if that even makes sense lol, I mean they might try to find glory and success by being on the wrong side of history). Again doesn't that remind you of a scarred pretty boy from that old ass Nickelodeon show?

So what I mean is that in the concept of the show Zuko = sun and Katara = moon but outside of that Zuko can very much equal moon and Katara can fit the characteristics of a sun coded character.

This Tumblr post describes another side of it so well:

The Sun coded character here is a perfect description of Katara especially in the Southern Raiders episode which explores a side of her we just don't talk about enough ! I know the episode creates loaaads of drama but we can all agree (I hope) that she had a lot of bottled up rage which just exploded and almost overtook her in that episode. And do I even have to explain the moon coded one is literally Prince Zuko of a corrupt Fire nation who fought to lead his people into an era of peace or ? He even fits the stereotypical one perfectly (he do be moody and grumpy).

The writers just gave this perfect duality to them both like uuurgh!!! The fact that, in season 3, Katara learns that waterbending can be pain and death and not just the healing flow of life she thought it was and then a few episodes later Zuko discovers that firebending is also life rather than just destruction. Like wow how genius !!

*sigh*

Bottom line is Zuko and Katara really are the twin flames they think they are. 🙂‍↕️

Two raging purple flames.

[impossiblycolorfulpanda]

Something to think about

Whenever Zuko and Katara are separate, Zuko is mostly hot-headed while only calm rarely, Katara keeps herself collected and is reasonable with very few moments of angry outbursts.

Whenever they're around each other and they interact more, those traits are inverted and/or swapped.

Yin and Yang at its finest.

[weepynymph]

I gotta talk about this moment even though it's been discussed a million times

Zuko, opening up to someone about his scar for the first time (from what we’ve seen in the show at least, but we can reasonably assume he hasn’t spoken about it like this since he got it) and explicitly stating that whilst he's always associated it with with failures ('the mark of the banished prince'), he's finally ready to take control and change his life for the better. And whilst he has accepted that he can never change his scar, it’s ok because he still has the power to change his destiny.

And despite this assurance, Katara, the healer, still jumps in and offers to heal it anyway, understanding that this is still a burden she could lift from him - 'What if you could be free of it?'

She knows it won't change his life in the same way taking control of his own destiny will, but still, it's like she can't help but try to ease his pain. Even if it's a pain that's long since become a permanent part of him, something that might seem surface level or cosmetic to others - 'It's a scar, it can't be healed.'

And then we have this

'I've been saving it for something important.'

This. Healing Zuko's scar. A wound that has, for all intents and purposes already healed and is not longer a threat to his life, but still burdens him emotionally. That has come to represent all of his trauma. This Katara considers important enough to use her limited and precious supply of spirit oasis water. In the middle of a war. In the middle of a dangerous journey to save the world in which she and her friends might be seriously injured at any time (including in this scene, where Ba sing se is literally under attack as they speak).

And if that weren't enough

'I don't know if it would work'

Now, I don't know the mechanics of spirit water in the atla universe, but it seems to be pretty heavily implied later in the episode when she uses the water to heal Aang, and for a moment thinks that it hasn't worked, that it's sort of a one-time deal.

Which means that she's willing to potentially waste the spirit water just on the off-chance that it might remove the scar. Which in the context of the wider story seems utterly insane.

But Katara thinks it's worth the risk.

And presented with this opportunity, this beautiful, selfless offer to ease his suffering, even on a purely physical, surface level, Zuko wordlessly submits, and lets her touch his scar.

Now, Katara doesn't know quite how significant this touch is (although she's very emotionally intuitive so I'm sure she has some inkling of the gravity of this action) but we do. We know that Zuko doesn't let anyone touch his scar, ever. So what this communicates to us as an audience is that Zuko is allowing himself, for the first time, to put his complete trust in someone. To be completely, 100% vulnerable with them.

And the moment of touch is all the more significant because, in many ways, it isn't even strictly necessary.

Katara's hands are empty, she isn't putting the spirit water to his face, to attempting to heal it here. And while I'd argue this touch could be a practical one - assessing the damage of the scar with her hands to see how to proceed before she uses the water - the moment after, right before they are interrupted, isn't one of practical, medical assessment, but of intimacy.

The way Zuko waits, patiently, eyes closed, and the way Katara pauses, just for a moment, doing what I can only describe as gazing at him, and that slow blink in the middle- Again, not examining his scar or reaching for the spirit water to begin, but just taking it all in.

It's so breathtakingly intimate and vulnerable - a point of connection between these two people who are supposedly so completely different but are, here, somehow so alike in their openness and understanding of one another.

That Katara offers to heal Zuko's scar even when he's said moments before that he's made his peace with the fact that he's never be free of it. And the way he accepts her offer without words because she's right, part of him does want to be free of it.

It's just an absolute masterclass in creating an immediate and powerful connection and bond between two characters in an incredibly short space of time from a start point of complete opposition without rushing it or making it seem implausible.

[yourhighness6]

Is Katara "Motherly"? - The Discourse

The whole "is Katara motherly" discourse is a little annoying to me because for one thing its impossible to deny that in canon she acted motherly towards Aang, Sokka, and Toph, with Sokka even saying at one point when he thought of his mother Katara's was the face that came to mind.

But the other problem is that this fits into the shows themes so perfectly of children being thrust into adulthood and enormous amounts of responsibility too easily because of war and the subsequent (or end goals of) genocide, cultural genocide, and colonization. Katara's motherly characteristics are of the show's own making, they're right there in the text and their there for a reason, and although they weren't given enough attention as they should have been, there is no doubt that this is treated as, not exactly a tragedy, but as something bad and debilitating to Katara and her teenagerlike need to goof around with her friends.

But for whatever reason, the fandom seems to think that this characterization is fan made. Katara is supposedly forced into a motherly role by the fandom, particularly the zutara fandom, when in reality it is the show that does this to her. And the whole idea of momtara and dadko is that Katara doesn't have to be the mom anymore. She doesn't have to be the one solely responsible for the chores and the cooking and the emotional labor. She has a partner, and equal, who is willing to put forth the time and energy to assist her in what she feels obligated to do, and to tell her to go sit down sometimes before she burns herself out.

Could the other kids besides Zuko do this? Of course. But as we've already established, everyone in the gaang besides Suki shoves Katara into a motherlike role. Is this their fault? It's hard to say. Toph at least has a heart-to-heart with Katara about it, and Sokka's idea of her as a mother largely stems from trauma.

But my significant problem with Katara's motherly traits comes with the fact that there is no real closure to that arc in the "Runaway". Toph and Katara talk mostly about Toph's parents, and Toph tells Katara that she thinks she is capable of having fun. But other than that, there's nothing. The boys don't have to come to terms with the fact that Katara does not want to be seen (solely) as motherly or put in that position. Instead, the show gives us a few colorful explosions and subtlety implies that it is a little bit Katara's fault that she is seen that way. But again, that's not the fault of the zutara fandom or a reason the trope of momtara and dadko is problematic. It seeks to acknowledge these character traits in Katara, which a lot of kat@angers refuse to do, and give her a way to work past the trauma that caused them and help her adjust to a more healthy amount of stress and pressure on herself for a kid her age.

[starlight-bread-blog]

One of the most common protests to Zutara is that Katara hates Zuko and I agree. Really it's such a shame the show was cancelled after The Boiling Rock and Katara didn't get to forgive Zuko...

Or give him a hug...

Or show her concern for him...

Or cheer him up when he needs it...

Or recklessly run to heal him...

Or thank him in tears...

They are vicious rivals up until the very last second of the show. As you can see.

[halfhoursonearth-writes]

I try not to read anti-Zutara takes because like, help, I'm literally here to escape the dark divisive real world. But one point that I see over and over is that there's no time between when Katara forgives Zuko and the end of the series for the dynamic to shift between them.

I always found this kind of a surprising argument (leaving aside all the narrative and thematic groundwork already laid between these two characters, and also the in-show precedent for compressed romantic timelines like Sokka and Yue) because of the Ember Island of it all.

Between the scene where Katara forgives Zuko and the scene when he jumps in front of lightning to save her (both romance-coded visuals), they're living for weeks as unsupervised teenagers in beautiful beach house, emotions running higher than ever as they face down the end of the world as they know it, in a location the story has already told us "has a special way of smoothing even the most ragged edges."

It's kind of hard to imagine a setting or situation with more romantic potential. Except maybe the moment after Katara saves Zuko after he risked his life to save her.

I'm not saying the show cashed in on that potential, obviously. I just mean that one scene with the two of them having a heart-to-heart on the beach late at night or flirting in the surf would have been pretty much all it took.

[ecoterrorist-katara]

I love fics where the Gaang finds out about the story behind Zuko’s scar. That said, I still think Zuko and Katara’s interaction in Crossroads of Destiny is the most powerful scar scene possible, precisely because Katara does not get his backstory, yet treats him with compassion anyway.

From The Storm onwards, Zuko’s scar becomes a symbol to the audience. Zuko’s scar is inextricable from his inherent goodness, which is constantly warring with his desire to please his cruel father. I think that’s why fans are so eager to see the Gaang find out the story behind his scar — so that the Gaang can see Zuko the way we’ve seen Zuko since season 1, so that they can understand the full tragedy of his story, and so that Zuko can get the comfort he really, really needs and deserves.

But Katara doesn’t offer to heal his scar because he’s good, or because she’s appalled that his father was abusive and awful. She offers to heal his scar because she sees that he’s hurting, and she wants to make that hurt go away. Knowing his backstory would not have made her act any differently, because she had already offered the full extent of her compassion. Katara knows firsthand what he’s capable of. She’s seen him at his very lowest. Yet she chooses to comfort him anyway.

And Zuko — Zuko, for whom pain is about as natural as breathing, who doesn’t care if he lives or dies, whose list of “people who have seen the worst of him and care about him anyway” starts and ends with his uncle, who knows full well that Katara travels with both the literal hope of the world and her own brother…no wonder he lets her touch his scar. No wonder he wants her forgiveness so badly. No wonder he jumps in front of lightning for her and reaches for her while he’s literally dying. Because Katara didn’t see the good in him: she saw the human in him. Because to a girl defined by her compassion, they were the same thing. And to a boy who had been desperately trying to bury his own humanity, it was everything.