#intro to comics

[thevindicativevordan]

Could you please explain to me what 'Jobbing' means in your metas. Thanks.

It's a wrestling term that is used to refer to when one fighter is meant to lose to another, simply because their bosses want to make the other guy look good. It refers to a wrestler "doing the job" of losing to make someone else look good. Recent example:

Zdarsky wants to make Failsafe look tough and smart so he has him kick Superman's ass. Clark "jobs" by losing when he really shouldn't, but he's just a narrative prop to establish Failsafe as tough. Hence he's "done the job" he was meant to.

[nenoname]

hunting down a specific image but finding miscellaneous storyboards/some cut panels from the stan comic story instead

[noodles-and-tea]

Last part whoo!!!

PART 1 / PART 2 / PART 3 / PART 4

[chloesimaginationthings]

The Vanessas and Mikes if they met sooner in FNAF..

[sockiepuppetry]

The dark lore of transformers animated

[chocobje]

Hi I made another AU

edit: Okay can we all agree to ignore the fact I didn't realize it was in the wrong order until 10 minutes later thanks

edit 2: OH MY GOD IT WAS STILL IN THE WRONG ORDER THIS WAS UP FOR A FEW DAYS NOW I'M SOBBING

Captions for the text under cut incase:

ENTRY #■■■

"So, in Gardenview we have these revival machines for Toons. Death among Toons is normal for us. It's not that big of a deal since the humans can just bring us back."

"(Toon Handlers encouraged us to minimize death, especially when we're with kids.)"

"The revival machines would always bring us back as if nothing has happened. Memories intact and everything. When the humans left us— Gardenview, oddly enough, still had power. So the machines still worked. But overtime, they started acting up..."

"One day, the machines worked automatically by itself. Seems like whenever a Toon revives they grew more sick... Then Violent."

"I'm unsure what causes the ichor to be so harmful... But I promise to get to the bottom of this."

-

[joyfuladorable]

Comic redraw of a 40th Anniversary page but make it a Rise Capril AU where Casey doesn't meet any of them until after she becomes a vigilante UwU👌🏼

+ Bonus textless page!

[linipik]

Crush🦋

[sualne]

sneaking out

(timeline)

[hazelnootnut]

ACT 2 "You're... me?" "That's right, stardust!"

You know I've been drawing Loop as their Siffrin form so much that it's got me thinking. I've read and seen so many fics and artworks of Loop eventually getting back to looking like their old self, but I don't think I've seen any so far of Loop already being a mirror copy of Siffrin. So uh, yoink?

ISAT AU where the game plays out the same way (plot-wise at least) but Loop looks like Siffrin the whole time and while Siffrin is extremely perplexed that there's another him, he's still gotta accept their help because how else are they supposed to escape the loops? Good ol' Loop is here to help, helpful friendly Loop!

Siffrin is going through it still but Differently.

[thevindicativevordan]

So, was just thinking about it. DC really tried to push more diversity in their comics. Future State was literally about that, and also they made Tim's coming out as bisexual a really big deal. But it seems like, that all of that failed financially. Do you think it's because comicbook audience doesn't really want diversity in comics at all, or it's bad creative and lack of marketing?

Direct market has typically not been supportive of efforts to broaden the audience beyond the white straight males who have historically formed the core. There have been a few exceptions - Milestone in the 90s sold quite well I understand, Ms. Marvel (Kamala) had stronger sales than Carol - but those seem to be aberrations. Even creators have acknowledged that the calls for diversity don't seem to be backed up with actual sales. Liking a tweet or reposting a tumblr post saying DC/Marvel should be better at representation, has not translated into actual sales when efforts were made.

But that doesn't mean there isn't an audience out there, it just means you can't reach them through the LCS. Take for example Supergirl: Woman of Tomorrow. Her monthly sales were soft, but in trades she found her audience. On Amazon the recent announcement of a movie caused a huge surge in sales, and now the book is sold out. Kamala sold strongly digitally, at least for a while. The YA OGN market has been a place where the Teen Titans have done very well, while they struggle for relevance in the direct market. Gene Yang has never been a huge deal in the direct market, but his graphic novels sell exceptionally well to schools and libraries.

Didio for all his flaws recognized that efforts needed to be made to reach people who will never be Weds Warriors. Javins has continued that push with stuff like Webtoon. I don't believe that Tim Drake for example will ever be a big deal again in the direct market. If they were to make a Webtoon or a YA OGN instead? Then maybe he could succeed. Webtoons, YA OGNs, that's where I would be focusing any pushes for diversity.

[ask-sentientau]

Introduction Comic

going back somewhere familiar... what now?

[toxooz]

i love a man who is the living embodiment of mnt Everest

[krussyarts]

Designs by @cammy-mcspammy!!! I have been obsessed with these omg

I literally sat down to draw them and didn't do anything but eat sleep and draw for two days straight

[idiot-mushroom]

spider-guy intro 🕷️🔥‼️💪

[allykatsart]

Closure

◀️Previous ▶️Next

Rosie help, the girlfriends are Having Angst-

I wanted to focus a bit more on Vaggie and Charlie's feelings with the whole fallen angel thing. I know they had a whole episode in the show about it but I WANTED MORE DAMNIT- XD

We'll get back to Emily and Charlie soon, don't worry, but for now this is Vaggie's side. Which is a lot more pessimistic and heavy.

Commission me!