#into him like psychologically

[sunshinerotting]

not to break up two perfectly fine toxic yaoi couples but do u think L and hannibal would’ve done all that shit about each other. im like 90% sure hannibal let will get away w his shit initially bc he looks like hugh dancy but L doesn’t show his face until a little bit in so maybe hannibal would be into him by then idk

[catboy-beckett]

Kim Kitsuragi is a fascinating character because there's not that much fun or interesting or compelling about him. And yet somehow over the course of playing Disco Elysium the game rewires your fucking brain around him. He's the middest man you've ever seen in both appearance and personality but at some point he says something kind to you or something critical of you and you feel like you just got hit by a truck and you need his approval like you need oxygen and like how tf did this happen. what are you

[to-be-a-dreamer]

Tfw you realize you’re so predictable a winning bingo card was made about you in less than an hour and there was never a way for you to win the game because you ARE the game

Where’s that post where someone was saying Brennan was probably stressed out during the entirety of his scene in “Pencil’s Down” because he was ready for it to be an elaborate scheme targeting him specifically? Because I’m pretty sure that’s the same shirt he was wearing so there’s a non-zero chance those were filmed on the same day, which is why Brennan was probably already on-set/available on such short notice. And since the set is still intact, that means this was filmed immediately before his Pencils Down scene and it is absolutely reasonable to assume he was waiting for it to be another elaborate setup.

[a-scary-lack-of-common-sense]

A phone call between brothers (takes place AFTER this incident and Fiddleford's phone call)

Sorry if this is OOC!

[dukeofthomas]

"Are the Robins child soldiers" It depends. If the story is super serious and into exploring complex morality and grounded from reality's standards, then yes. If the story is lighthearted, made for children, fluff, etc., then no. If it's somewhere in the middle, it might depend.

If an author wants to write a story seriously delving into the fucked up-ness of children fighting criminals, they can, and if you don't like it, you can read something else.

If an author wants to write a fun story about villains and heroes featuring Robin in a world where that's not an issue, they can, and if you don't like it, you can read something else.

If an author wants to write a serious story but not apply IRL-logic to Robin, they can, and if you don't like it, you can read something else.

[arrimorr]

My ocs, Sir and Ser, aka the eldritch malevolent policemen 😔

[ew-selfish-art]

Dp x Dc AU: Jazz Fenton, after years of fixing her brother’s injuries, becomes a Doctor with an inclination towards behavioral health and psychology- In order to make the difference she wants to see in the world she joins Dr. Leslie Thompkin’s practice. 

Jazz Fenton, M.D. has spent years of her life doing research, doing the hard work and the emotional labor, and finally, finally, she’s joining a practice she can feel 100% confident in. She’s goddamn good doctor and she wants to make the biggest impact that she can. 

Dr. Thompkins (who insists that she call her Leslie as they’re colleagues now), is a kind woman, sharp as a tack and keeps her practice open at odd hours to help the most unfortunate. It took some time for them to bond and trust to be built, but now Jazz is being allotted a few night shifts here and there. 

It’s incredible. Jazz gets to spend time with the kids who come in and really talk to them (in addition to getting them antibiotics, heating pads and pokemon themed bandaids) to help equip them with a few coping skills. Her passion for psychology never disappeared after all, but the expansive knowledge of how to heal the human body has made her find a sense of fulfillment like no other.

Having proven herself and worn Leslie down, Jazz now takes up about 1/3 of all the night shifts in the month. She’s hoping to get to 50/50 by the end of the year but she’s content with what she has. Danny keeps odd hours anyway so calling him after work on her walk home can happen any time of day and he will always answer enthusiastically. 

It’s a particularly busy night before he comes in. The Red Hood. 

He was known for being an ally to Leslie, despite being on contentious terms with the Bats, but Jazz had never asked directly. Never one to turn away a patient with bullet hole wounds, she hops into action to get his wounds cleaned, sewed up and gauze wrapped. She’s handing him a sheet (an Infographic! Dani made it with her! Graphic design is her passion!) on how to care for his wounds when he first seems to recognize that she’s not Leslie. 

“No, Of course not. I’m Dr. Fenton. I can’t blame you for not remembering but I did introduce myself as you bled in the entry way. You’re Red Hood, right?” 

“Hm. Didn’t realize the practice was expanding. Where can I find-” He grumbles before pushing her hand aside from where she had still been supporting his shoulder.

“Hold on there, mister. You’re going home, you’re following this infographic and you’re going to get some sleep.” 

“Lady you don’t know-” His voice modulated ton came across antagonistically. As if he was trying to intimidate her. Ha, Jazz rolls her eyes at the inclination.

“Who I’m talking to? Who I’m dealing with? You’re hilarious. I can eat you vigilante’s hero complexes for breakfast. Tell me who I’m calling to pick you up and then you can say thank you.” Jazz snaps at him. It really had been a long night but his whole dialogue thus far is making her a bit batty. 

“Oh really Doc? You know Leslie’s tough shit, and from what I can tell you’ve got nothing on her-” 

“Trying to make me feel insufficient when I just saved your life? That’s cute. I’m sure a lifetime of abandonment by both of your parental figures gave you that. I’m also sure that you inherited this desire to prove you’re not going to be dependent on anyone who wants to help from whoever got you dressing up in tights to fight crime in the first place. Again, I’d love to talk at length about how predictable you-” 

“Bwah- wait- I’m Predictable? You’re probably some nepobaby who had parents who told her she could have the world-” But Jazz cuts him off with hysterical laughter- he couldn’t be further from the truth. Her parents loved her, but nepotism? With what, the ghosts? If anything she got that from Danny, but he doesn’t need to know about her ghostly titles. 

“You’re just some guy who came back from the dead and made his trauma everyone else’s issue. So shut it. And tell me how I’m getting you home from this clinic.” She seethes though her voice stays devastatingly level with each word. 

Speechless for a moment, he eventually relents to Jazz that he’s already called for help on the comms but it will be hours before they can come for a pick up. The sun had already come up and the night had been over for most of them before Hood had walked into trouble. She groans and the realizes the time for herself and the empty clinic around them.

“Fine. My shift just ended anyway. I’ll get you home in one piece and I swear to all the ancients that you’d better follow the directions on the infographic.” 

And that’s how Jazz ended up calling her brother while supporting the weight of a grown ass man (who no longer wanted to talk to her) on her walk home. 

The next time Red Hood appears in her clinic, he’s brought a dozen roses in addition to the cut on his neck that definitely needs to be pressurized like ASAP. Did he stop for the flowers on his way to the clinic? He’s going to pass out from blood loss! She doesn’t even like roses!

[rhysuje]

Frame redraw! Salim saving Jason from the spear.

(only one of many times these two save each other)

https://ko-fi.com/rhysuje

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[sammichly]

yk what i want wymack to one day follow through and actually sign the foxes up for a marathon. they make a day out of it and everyone is So Unhappy to be there at 6:30 in the goddamn am. except for. fucking neil. hes having a grand old time going for a fun little run with his team :)

meanwhile literally everyone else is wishing a thousand fiery deaths upon him for being a sick enough bastard to enjoy this. wymack went home early.

[dykealloy]

“we sent yuan away so his feelings could subside” you sent him to gay rizz bootcamp is what you did

[equill]

Another Otsutsuki?!

we’re messing up the timeline for this one. (I lost this crack idea but then it came back… the abyss stare back and I jumped in.)

anyways, now some kids meeting the new kid

Panel 1: There’s something wrong here.

Comic 1: Attention.

they’re both in the same boat

Comic 2: Day Off (with confusion.)

he just a little insecure,, (kakashi still told him to get it together)

back to the future now

Comic 3: What. (huh?)

Panel 2: very tiny.

[somewhereincairparavel]

Jason's approach to Nico is actually SO tactful and empathetic. He is super emotionally and strategically intellectual + he is canonically an expert at reading body language because of lupa + he also observes people a lot, so I'm not surprised.

He called Nico out and told him to stop hiding in the shadows and pushing people away, but simultaneously reassured him that he was willing to be nicos friend. He gave nico a blunt reality check on what he's doing, but wasn't rude about it.

He never told anyone nicos secret, not even his girlfriend, and was very patient with him even after he lashed out. And after their friendship evolved, he was STILL very tactful and sought consent before he hugged Nico. He never forced or guilt tripped nico into staying at camp, and respected his decision if he wanted to leave but told him he'd always be welcome in both camps.

He also went to Nico's cabin simply to check on how he was doing and reassure him that he'd always be there for him no matter what (kind of like how he went to piper's room on the argo ii to check on how she was doing even though HE was the one who got stabbed by a sword like 5 mins ago lol-)

And that little scene where Jason got excited after nico said he's staying and just overflowed nico with plans on what they could do (like sing in campfires) but immediately apologized for overwhelming nico so much , while assuring him that they didn't have to do all that if nico didn't want to, and that he's just glad nico was staying.

Ugh jason grace the man you are

[meltedmush]

Keep making the Binghorse. We gotta ward off people from entering this fandom. We need to keep it pure. I fr don't want this fandom to become famous. I'm scared that there will be toxic fans left and right.

HAHA I absolutely understand the sentiment. I feel a bit contradictory since I want more people to appreciate SVSSS, but the at the same time I like small tight knit communities and I personally can’t handle large fandoms whatsoever. 😭

Although I do feel as though describing the SVSSS as pure is very funny for how lawless this fandom is. But behavior wise, it is definitely a very positive and supportive space!! I haven’t met anyone or seen anything unpleasant since I’ve entered the fandom. Albeit, it’s only been a few months since I’ve started interacting with the fandom, and over half a year since I first read SVSSS, so I have no clue what horror stories the SVSSS fandom has. (I honestly haven’t interacted with that many SVSSS fans tbh…. Even though I want to.)

In addition, funny enough, I feel as though the book almost acts as its own barrier of entry. SVSSS isn’t the type of book you can read once unless you’re good at reading against the grain and noticing all the nuances and subtext. I know the first time I read SVSSS, SVSSS disturbed and confused me so badly. I talked to a few other people who read SVSSS once, who said that LBH and SQQ’s relationship felt like Stockholm syndrome. But people who’ve read SVSSS several times will know, that is not the case, and that SQQ is an INSANELY UNRELIABLE narrator.

I honestly find it funny how effective Binghorse or all the other skin creatures is at filtering toxic fans.😂

There’s always a general reaction to the skin creatures: “Omg, cute!!”, “wtf, but I like it”, “wtf”. Or getting blocked, or death threats. (I haven’t received any…? I don’t think…? One message I received is definitely debatable since I can’t tell if it’s sarcastic or not….😭)

But regardless, I’ll definitely keep drawing Binghorse!!! It’s actually really enjoyable!

[applestorms]

L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

[crabsnpersimmons]

thanks for the positive response to himbo Moon! he also wanted to say thanks:

some extras under the cut!

Edit: Image descriptions added!

no text version:

oh and in case you're curious about what his new body looks like, i managed to remember to take a picture of the sketch before inking! he basically has glamrock freddy's model design, except his legs and feet are more slender so he can be more light on his feet:

also... i did the math (meaning, i eyeballed a height chart with freddy's model and put the numbers in an ellipse calculator i found online)—freddy, and therefore moon here, has a bust size of 179.74 cm or 70.76 inches (almost 5'11" circumference).

writing muse: not thicc enough. the world record for the largest muscular chest is 74 inches!

...do with that information what you will

this is what i did with that information (with a cameo of @vacantfields's android moon! they've got a bit of rivalry/affair/kismesis between each other ♠️)

poor hairdresser himbo moon isn't as flexible as he used to be :')