#interior painting nyc

[paintworksny]

Unveiling the Beauty: A Deep Dive into Wood Floor Repair in Manhattan by Paintworks NY

Manhattan, the heartbeat of New York City, is home to a myriad of historic buildings and contemporary spaces, each with its unique charm. Amidst the diverse architectural tapestry, wood floors stand as timeless elements of elegance. In this detailed exploration, we'll delve into the intricate world of wood floor repair in Manhattan, spotlighting the expertise of Paintworks NY and their commitment to preserving the beauty of these iconic surfaces.

I. The Allure of Wood Floors in Manhattan:

From classic brownstones to modern penthouses, Wood Floor Repair in Manhattan have been a staple of Manhattan's interior design for decades. The warmth, character, and versatility of wood make it a preferred choice for homeowners and businesses alike. However, with the passage of time, these floors may succumb to wear and tear, prompting the need for expert repair services.

II. Challenges in Wood Floor Repair in Manhattan:

Wood Floor Repair in Manhattan's dynamic climate, foot traffic, and the inevitable impacts of daily life pose unique challenges to wood floors. Scratches, dents, water damage, and structural issues can mar the surface, requiring specialized attention for restoration. Paintworks NY, a trusted name in the industry, excels in identifying and addressing these challenges, employing advanced techniques to breathe new life into worn wood floors.

III. The Paintworks NY Approach:

1. Comprehensive Assessment:

   Before initiating any repair project, Paintworks NY conducts a thorough assessment of the wood floor's condition. This includes identifying the type of wood, assessing damage, and understanding the underlying causes to formulate a tailored repair plan.

2. Precision Craftsmanship:

   The team at Paintworks NY consists of skilled craftsmen with a wealth of experience in wood floor repair. Their expertise spans everything from repairing minor surface scratches to addressing more complex structural issues, ensuring a meticulous restoration process.

3. State-of-the-Art Equipment:

   Utilizing cutting-edge equipment and technology, Paintworks NY enhances the efficiency and precision of wood floor repairs. This includes dustless sanding techniques, minimizing disruption and maintaining a clean environment during the repair process.

4. Customized Finishes of Wood Floor Repair in Manhattan:

Recognizing the importance of aesthetic cohesion, Paintworks NY Wood Floor Repair in Manhattan offers a range of finishes to match the client's preferences. From glossy finishes that exude modern sophistication to matte finishes for a more rustic appeal, the team ensures that the repaired wood floor seamlessly integrates with the overall design.

IV. Case Studies: Exemplifying Paintworks NY's Expertise:

1. Reviving Historic Parquet Flooring:

   Explore the restoration of a historic brownstone's parquet flooring, where Paintworks NY skillfully repaired intricate patterns and revived the original beauty of the space.

2. Contemporary Loft Floor Transformation:

Journey through the transformation of a modern loft's distressed wood floor, showcasing Paintworks NY's ability to blend contemporary design with meticulous repair techniques.

V. Tips for Wood Floor Maintenance:

To prolong the life of wood floors, Paintworks NY provides practical maintenance tips, including regular cleaning, protective measures against furniture, and the importance of addressing issues promptly.

VI. The Future of Wood Floor Restoration:

As sustainability becomes integral to design practices, the blog explores Paintworks NY's perspective on eco-friendly wood floor restoration methods, shedding light on the evolving landscape of the industry.

In the heart of Manhattan, where history meets innovation, Paintworks NY emerges as a guardian of wood floor elegance. This blog serves as a comprehensive guide, offering readers a glimpse into the artistry, precision, and dedication involved in wood floor repair. Through a commitment to craftsmanship and a fusion of tradition and technology, Paintworks NY ensures that the timeless allure of wood floors continues to grace the interiors of Manhattan's architectural gems for years to come.

[marejadilla]

Vincent Giarrano, "Kate in NY”. American contemporary realist painter and former comic book artist. B. 1960 in Buffalo, New York.

[dixt]

the nomad hotel in new york, usa

[criticcritiquing]

Hill Art foundation. Liza Lou painting.

[warner-york]

Modern, architecture...

[okdrawer]

I’m gonna post Monkie kid stuff cuz im a fan. :3

[miumiublogsstuff]

📷Nikon F80

🎞️Portra 160

#foryou #filmisnotdead #film #filmcamera #filmphoto #filmphotography #kodakfilm #fujifilm #kodak #35mm #35mmfilm #35mmfilmphotography #35mmphotography #vintage #olympus #nikon

[kkmcaninch]

The National Association of Women Artist (NAWA) is excited to share the Award Recipients for the 134th Annual Members Exhibition. I am honored to receive the Miriam Russo Enders Award. Where the Lemon Trees Bloom 36 This exhibition will be up at One Art Space, located at 23 Warren St, New York, NY 10007, until Saturday, July 1, 2023.

Congratulations to all the recipients and to all the talented NAWA Members who participated in this amazing show!

[longlistshort]

High Noon Gallery is currently showing Les Problémes du Confort, an exhibition of work by Mary Jones.

From the press release-

Jones began this most recent body of work, collectively called simply, “Interior Design,” by painting Sumi ink over the black and white printed pages of a comprehensive French Interior Design publication from the 1960s. “[I chose the series’ title] not only to underscore the attributes of the original images, but to address their psychological component: the topos of dreams, so notably analyzed by Gaston Bachelard and James Hillman, spaces we conjure to discover the elements of our inner lives. Homes and interiors are not only spaces we remember, but also labyrinths of symbolism, familiar to all of us as emotionally charged experiences,” she explains.

The addition of her signature mark making started as an exercise to identify patterns in the tonal pages, separate from the context of the imagery. It seemed to act as a compositional barometer of sorts, deflecting the space in certain areas and illuminating it in others. The painted catalog images were then collaged, blown up, printed on canvas, and painted again, further conflating space and gesture, and inhabiting the vacant interiors with a visible energy. In doing so, Jones satisfies the principles of high design with the paintings’ harmonic beauty, and also the open systems of fine art by positioning the work as cultural critique that challenges the colonialist motifs that permeate the aesthetic sensibility of many of the spaces.

Jones’s work has long gnawed at the malleability of subject matter. She consistently uses legible imagery to anchor her abstractions, prodding at the fickle divide between the two modalities. Her sensitivity to painting’s illusionistic properties is connected to her experience as a faux painter, freelance work she’s done for 25 years. While the object of faux painting is to not let the artist’s hand show, Jones riffs on her craft by skillfully merging gesture and image in ways that are largely indistinguishable. She allows the marks to emulate form and object, playing on the viewer’s expectations of pictorial logic and slyly addressing the disparity between fine art and design, as for many decades— and especially during painting’s theoretical heyday in the second half of the 20th century— they shared a tenuous opposition. Design is associated with expense, and American society is perpetually transfixed by the Romantic notion of the artist as a working class hero.

Ionic Memories (2023), depicts a decadent room steeped in Roman busts and columns, the title a tongue-in-cheek reference to the science of memory and the unstable nature of artistic movements and empires alike. Jones echoes the velvety matte blacks of the printed image in her direct painting gestures, mixing a near perfect replica of the tone and texture for her to set up a meta tromp-l’oeil effect. In the foreground, a collaged brush stroke swipes away at the interior revealing a snowy landscape wherein a bush and modernist cabin are obscured by a swath of pink oil paint. In the context of the whole, the landscape reads as decorative forms within the room, such as fan coral and glass spheres. Other works such as Cocteau and Table (2023) make greater use of a fragmented effect wherein decisively multiversal looking forms cut through the composition like a glimpse into a parallel reality. Through a mix of painterly and faux elements, Jones takes care to merge her augmented realities just enough to allow the viewer to believe the image exists in one picture plane.

Perhaps to be comfortable is to momentarily resist time, to be temporarily impervious to the clamors for change. In Les Problémes du Confort, Jones reminds us that the arrangements we make with ourselves are transitory, constructed illusions to describe and reflect a sense of our place in the world we know, and that improvisational beauty can be found in transitions, in languages we don’t know, and in uncertainty.

This exhibition closes 4/23/23.

[mehanizem]

A FLURRY OF CONTEMPORARY ART & DESIGN: 1890S TRIBECA PENTHOUSE REIMAGINED BY CRINA ARGHIRESCU ROGARD

[laurel1smith]

World is a small place to live i❤️‍🔥❤️‍🔥

[holoproduction]

😍😎🤫From the classic charm of 2D animation to the immersive wonders of 3D animation😍😲

[reticulating-splines]

WIP - West 70th

1880s-1910s row of Upper West Side townhomes.

Been working on this row of late 19th c. brownstones on and off for the past year now, so needless to say when I heard about For Rent I was hype.

Download Here

This initially started because I was homesick for NYC during the pandemic. Specifically for the area of the upper west side my dorm was in while I was a student. I mainly blame this experience for my obsession with historical architecture - walking along central park west past the Dakota on the way to the subway, smoking on the stoops of the brownstones late at night, going to classes in the wedding cake that is the Ansonia - it was just everywhere, and so, so beautiful to look at.

Except a lot of it is faded glory - buildings subdivided, details chipped or covered in the thickest coats of grime or paint. So I wanted to replicate some of the old New York from around the turn of the century. The one I read about in the Luxe series and saw in the Samantha movie lol.

The basement or garden level of each four-story brownstone will be dedicated to the original purpose as the main workplace of the service staff. Unfortunately no room for the actual garden, so laundry lines and planters are on the roof. There are bedrooms and bathrooms for a cook and a housekeeper/butler, along with the staff dining and the kitchen. The butler's pantry is directly upstairs from the kitchen, and the top floor is almost exclusively made up of staff bedrooms and washrooms.

I usually do the service areas first because they're the most interesting, and there was nothing more interesting than a full edwardian brownstone kitchen. Lots of exposed piping, beadboard, subway tile, and shelves of clutter. Has a separate scullery, pantry, and stairs down to a basement storeroom to keep your best champs-le-sims nectar in. There's also a servant's bellboard in the kitchen and the staff dining room. It along with the "boiler" system are made with tool and CC-free.

The main entrance and parlor are doing their best to continue the gothic revival theme of the exterior. The library and dining room follow in the enfilade starting in the parlor. Since this first house is a corner lot, it has a bit more width and space than a true brownstone. The only actual brownstone I've been inside of is Lady Mendl's, so ofc I had to have an extensive tea setup. Def took a lot of inspo from these two pics alone for these rooms.

The main stairwell and picture gallery lead to three large bedrooms on the second floor, and then up to the children's room and nanny's bedroom on the third floor. I really like skylights. I learned the importance of decent lightwells in staving off depression one semester when my window looked out onto a brick wall

The master bedroom and the children's room above it both have their own private sitting rooms and bathrooms. All rooms have either fireplaces or cast iron radiators.

There's no way this is going to be finished by the time For Rent comes out, so im just going to release it in whatever state it's in when it does come out. The exteriors and interior room layout for all the townhomes will (hopefully) most likely be set by then anyway.

Now available for download!

Also the anniversary of Chez Cromwell is coming up! Ive been gone for the better part of the year due to starting a new job, but I havent been idle. C.Cromwell has been updated for infants and ceilings, which led to me redoing the exterior and almost every room, so a rerelease is coming v soon! Sneak peek below. Happy Thanksgiving!

[criticcritiquing]

[warner-york]

SAIL linggggg, Christopher Cross...

[carolmunson]

what're you doing new years?

(bigmoney!steve x f!thick!reader)

recommended reading: peanut butter vibe once bitten, twice shy recommended listening: what're you doing new years eve? by ella fitzgerald brought to you in part by carol's christmas song blitz, and readers like you.

cw: minors dni. 18+. drinking, smoking (cigarettes), casual dominance, references to cocaine, bathroom smut, p in v, fingering (f!receiving), literal IDIOTS in love, fake dating trope, discussions of class relations, gambling, mild daddy kink

a/n: we made it, folks! dividers by @newlips

December 31st, 1996 - NYC The apartment smelled like fresh paint and saw dust. Sprawling and sunsoaked, a lot of open space. You assumed all the apartments in Tribeca looked like this, gorgeous inside and out. Expensive and old money, beautiful brick outsides with stunning interiors. Windows with ornate arches that went from floor to ceiling with deep sills for books or antiques that cost more than your mom's life insurance.

"It's really nice," you say, stepping into the open concept livingroom - Barcelona chairs and a sleek black couch sit on a plush carpet. It looked like a show room. The heels of your leather boots click and echo on the redone hardwood. Boxes and boxes of his life in Indiana are stacked in the room against the wall, trailing all the way to a full chef's kitchen. New appliances gleam with the film still on them, untouched.

"It's really nice," you say, stepping into the open concept livingroom - Barcelona chairs and a sleek black couch sit on a plush carpet. It looked like a show room. The heels of your leather boots click and echo on the redone hardwood. Boxes and boxes of his life in Indiana are stacked in the room against the wall, trailing all the way to a full chef's kitchen. New appliances gleam with the film still on them, untouched.

"You wanna see my room? It's almost fully done," he smiles. Steve offers his hand to you but you're hesitant. He falters when he catches the gears turning in your head and puts his hand in his pocket, leading you with a cock of his head to the left. "Down that hallway s'a guest room, laundry, full bath," he rattles off pointing down one hallway while he leads you down another, tapping on closed doors, "A couple other rooms I haven't figured out yet. Broker said they'd make great nurseries. I had to laugh." He's trying to joke with you, but you know it hurts him to say that. He's always offhandedly mentioned how much he wants to be a dad.

"And here's my room, master bath, full dressing room -- you know, sort of just like home," he smiles, clicking open the door and guiding you inside. It's set up very much like his old room in Indiana, big kingsize bed with triple fluffed pillows and hotel style linens. Crisp white this time, slight navy accents, light wood. It was bright and airy, the gauzy curtains fluttered gently against the central heating vent.

"Very you," you smile, "It's like you never left."

"Some things never change," he shrugs, opening the double doors to the dressing room, "Come see."

The room is a little smaller than his bedroom, which means it's still bigger than your apartment. The way his clothes are hung in the cubbies and his shoes are oragnized on the shelves can only be described as sterile.

"It's not done, obviously, but, we're getting somewhere," he smiles.

"Oh good, right now it's a little serial killer-y," you laugh, noticing that the other side of the room is completely empty, "Lot of vacancy here. Planning on getting a whole new wardrobe? Bored of the Saint Laurent you already have?"

He rolls his neck slowly to stretch it out, looking over at you and the vacant side of the dressing room with heavy lids through his specs. He lets out of a soft chuckle, "Nah, wanted to keep it empty so you can fit all your clothes in there, too."

You swallow. A tight smile freezes your face when he says it and you remember the conversation you had outside of his office building in Indiana the week before. His hurt features when you left him abandoned back in the lobby while he called another cab home. You came home in tears, your mom and sister consoling you and your tipsy dramatics. 'Never thought you'd be the heartbreaker, honey.'

You know she didn't mean it like that, but it still stung. Who were you to give up someone like Steve Harrington? Steve Harrington who, after he went home and cried in his shower and called his best friend about it, still wanted you to put your clothes in his closet. Still wanted to watch you wake up in the morning and rush to get ready for work. Still wanted you to come up behind him while he made you both coffee on Sunday mornings. Still wanted you take you out to dinner every Friday night so you could both sleep in on Saturday mornings.

"You got plans for tonight?" he asks when you don't reply to his half truth of a joke. You jolt out of your trance when he asks, looking over to see him cleaning his glasses with the cloth he always keeps in his back pocket. A gentle flush of pink has made itself to his cheeks and nose, your shoulders sulk a bit. You want to give into his little fantasy, but that's all it is. It's his little fantasy that doesn't need to be a reality, he'll have it with someone else -- anyone else.

You clear your throat, "Uh, yeah, actually. Um, the head of marketing, she always invites the department to her uncle's fancy New Year's Eve party so I finally made the cut. Some ridiculous theme this year -- casino or something? Just so they can all throw their money around." Steve starts to laugh, tutting while he puts his glasses back on, hands on his hips. "What's so funny?" you ask, arms crossing against your chest.

"The party's in midtown, right? At the Plaza?" he asks, matching your posture.

"Technically it's more midtown east, but yes," you reply with more attitude than you were expecting. You don't like hearing him talk like he knows his way around New York when he's been here all of ten seconds. "Yeah, your department head's uncle is Carl. CEO of Slate Insurance, s'my boss. Why do you think I came out here a little early?" he smirks. Fuck.

"Don't look so disappointed," he says, walking towards you slowly, dropping his hands to meet your hips, "You wanna just go together?"

You step out of his hold and catch his shoulders drop in his sweater, a pang of guilt drives through your chest at his disappointment, "I can get there myself, it's no problem."

"I mean, it's not the kind of party you roll up to in a cab," he says matter of factly, like it's obvious, "You have to like, make an entrance."

"I wasn't going to take a cab," you glower. A rejected Steve was sometimes not a very kind Steve, all showboating and no substance -- he just wanted to be a jerk. "What were you planning to take?" he asks, brows raised over his frames in faux curiosity, "The subway?" "Better than showing up in that tacky green Porsche," you retort, cheeks burning at his meanhearted teasing. He grins and shakes his head. "I left the Porsche with my dad. I'll probably take the new Benz," he shrugs, cocking his head while he looks at you, "Well -- my driver'll take the new Benz, but you know what I mean." Your face sours, he was reaching the border of ugly cockiness. "Looks like you’re not into a Mercedes," he frowns, a faux apologetic look washing over his face, "You wanna ride in the Bentley instead?"

"You sound like such an asshole," you confess, walking out of the dressing room and back into his bedroom. "What? I can’t congratulate myself for getting a new job?" he bites back, following you, “I’m just tryna catch up to what my life is gonna look like here, Nat.”

“Not all of us have that life, Steve.”

He softens while looking at your back, he reaches out to rest a hand on your shoulder to turn you around, “M’not trying to be an asshole, I’m sorry.”

“S’okay,” you shrug, “I just—you know you can still be 'Hawkins Steve', Harrington. You don't have to be like these Wall Street guys.”

“I know,” he nods, both hands meeting your shoulders, “You wanna come with me tonight? Be my date? Carl’s sort of a traditional guy, it’ll be nice to make him think I’m some family man with a girl at home waiting for me.”

"Steve," you started, "We talked about this. This is your Christmas Party all over again." His eyes cast downward for a moment as the evening replays in his head at record speed. The day you left him, the day he realized he planned your whole future in his head but you didn't want that.

"I'm sorry, I shouldn--" you start before he comes back to himself in time to interrupt.

"You can be my fake date," he nearly whines, lips pouting.

"I dunno," you shrug, his hands slide from your shoulders to the dip of your waist.

"You don't want me spoiling you all night? C'mon. I gotta show off to these assholes," he asks, voice warm and soothing. His cologne ghosts your nose and your knees get weak, "And you're a great way to start showing off."

Your heart thrums when he speaks, it's so frustrating to be around someone so handsome, "Don't be stupid, Harrington."

"It's not stupid, Manhattan. It'll be fun, we're just playing pretend," he takes a step closer to you and you can see his stubble, the plushness of his lips.

You consider it, he fights off a smile because he knows you're about to say yes. Steve Harrington always gets what he wants. Steve Harrington always gets the girl.

"Just playing pretend, huh?" you challenge.

"Just playing pretend," he smiles, wrapping you in a gentle hug -- friendly, chaste, sweet, "I'll pick you up at seven."

The hug is soft -- but you can feel his heart beating hard against his chest.

Bbbrrrriiiinggg!

You run to your front door, pressing and holding the button on the intercom to buzz him in. You click the lock before escaping back into the bathroom to finish your face, makeup bag torn open in your sink. As you finish your lipstick you hear a soft knock echo down the hall.

"It's open!" you call, and the loud squeak of your front door screeches through your apartment.

"Y'know this could really use some WD-40," Steve says while he shuts the door behind him, "Do you have some? I can --"

You peek around the door frame, patting your lipstick into your lips with your finger. His eyes glint behind his glasses.

"Hey," he smiles, brushing some of the snow off of his coat.

"Hey," you smile back.

"You look pretty."

"So do you," you tease before escaping back into the mirror. He meets you at the frame of the bathroom door, leaning against it with his arms crossed.

"Should I start telling you I'm picking you up earlier so you'll be ready on time?" he asks, dipping his glasses down his nose to peer at you over the rims, "Or are you wearing pajamas?"

You roll your eyes mid-mascara application, throwing everything back in the bag when you finish, "I just have to put my dress on and then we can go, I promise."

You hurry to your bedroom, only mere steps away, pulling your dress out of it's bag hanging on your closet door, "Give me five minutes!"

You shut your door in his face, slipping the navy satin over your head. It wasn't anything too special -- vintage cut fit and flare. The curves of your body made it look more expensive than it was. Your tailor did wonders on it after you snagged it from a sad looking rack of sale dresses at Saks. You pulled on a pair of nude, gloss finish stockings -- silicone on the bands snapping around your thighs with a loud smack, before slipping on a pair of heels.

While grabbing a small purse to keep your effects in, you open the door to reveal Steve resting against the wall of the hallway. He looks inside, giving it a once over with one turn of his head.

"This is uh...cozy," he says, his smile is unethusiastic.

"Fuck off, Harrington," you groan, spritzing your ever declining bottle of Angel by Mugler across your chest and wrists.

"Let me look at you, hm?" he asks, stepping all the way into the room. You turn toward him, skirt of your dress swaying with the turn of your hips. His eyes unfocus for a moment, you hold back a chuckle -- men are so easy.

“So let me wrap my head around this real quick,” he puffs his chest a bit while he walks toward you. You giggle while walking backward, tripping on your heels, “You were gonna go to this party alone —”

“Wearing this?” he asks, catching you by the waist to steady you. He lets a finger drag from the halter strap of your dress, following the curves of your body downward, “That’s just not fair, Manhattan.”

“You’re Manhattan now, too, Steve,” you correct. His light touch sends a shiver through you and he lets out a satisfied hum. He smells like spice and evergreen, your mouth runs dry when his eyes linger on you for a little too long.

"C'mon, can't let Vinny wait too long for me down there. You're makin' me look bad," he says gently, taking you by the hand to your front door. He pulls your camel coat off the hook and holds it open for you, gliding it onto your arms with the finesse of a man who knows exactly how to treat a woman. Betrayal is the only emotion running through your chest as your body warms up against his touch.

Naturally, the Bently is the nicest car you've ever fucking seen.

He was right, you couldn't have shown up in a cab. There were paps everywhere and you couldn't understand why. It's not like there was any famous people here, just people with a shit ton of money. Were they famous by proxy? Would this show up on Page Six? If your networth had seven zeros, did you get welcomed into a hall of fame or something? Did everyone want to read about your life?

You squinted into the flashes of people taking pictures, Steve's hand immediately lacing with yours as you walked towards the entrance of the hotel.

"Careful, careful," he says, while you inch up the short icy stairway. Your heels clicking on the stone as you reach the doors, "Go slow."

"I'm okay, Steve," you assure, he looks back at you with doting eyes when you get inside.

"Just don't want you to hurt yourself, baby," he softly scolds before locking eyes with an usher for the party.

Oh, we're starting this now, you think to yourself. He walks with his hand still laced with yours while the usher leads you both to the Grand Ballroom, framed signs letting patrons know that the casino is in the Terrace Room down stairs. You immediately feel too broke to be here.

"Let me get your coat."

He undoes the button at your waist, smoothing your coat over your shoulders before removing his own. He checks them both and your eyes widen at the amount of cash you see in his wallet as he goes to pay. Gulping hard while he fingers through the bills -- hundred after hundred gleaming back at you.

He turns when he's done, running a hand through is hair, and gives you a very Harrington smile, "You ready?"

Your words catch in your throat while you look at him. His suit is perfectly tailored, the shirt patterned, but silk and neatly pressed. His leather banded watch sits perched on his wrist -- you can tell it's new. His pants hugged his thighs, streamlined in a straight line down to his ankles -- shoes freshly shined. Being handsome like this had to be a crime in some counties, there was no way he was just allowed to look like this and be rich.

"You ready, baby?" he asks again, offering his hand, "Come on."

Something about being called baby by him feels so natural. Like you forgot your own name and that's the only one that could get your attention. Baby, angel, princess, honey. You'd look up immediately and search for him at the sound of his voice. You'd know he meant you.

But he's not your boyfriend. This is just pretend. This is not what you want.

When the doors open, you can't breathe. The ballroom is completely transformed in gold and silver. The lights and chandeliers catch the decorations in a show of shimmer. Like the whole room was waiting to start glittering until you got there.

"Holy shit," you whisper.

"Yeah we're definitely not in Indiana anymore," he mutters to you. You feel his hold tighten on your hand in a show of something you hardly see from Steve. He's nervous.

You look up at him, eyes riding up from his jaw, cheek bone, to his eyes behind his glasses. His gaze roves over the party and he licks his lips, brow quirking before he makes a decision.

"You okay?" you ask, he looks down at you with a soft look in his eyes.

"I'm perfect," he says with a nod. The room is sprawling with tables and he's able to finesse a way to get you both to sit together even though the seating chart had you woefully distanced. It doesn't surprise you how easily he's able to assimilate to making things work for him here. You see his performance again and again: with the waiters, with how he orders drinks, how he checks his watch, how he smiles at people walking by.

You're both at the bar when you see it in full force, his arm protectively around your waist, thumb grazing the smooth fabric to keep him grounded.

"Steven?"

You both look over, an old man with a thick, white walrus mustache in a stunning black suit comes close to approach you. His wedding band is a shining platinum to match the watch on his wrist -- sapphires sit in the face of the metal backing. You wonder briefly how much it costs.

"Oh, Carl!" Steve beams, letting go of your waist for a moment to shake the man's hand, "How are you? Beautiful event -- really stunning."

"Thanks, thank you, but you ought to tell that to my wife. She's the one who plans these things, I just foot the bill," he laughs. His light eyes linger on you and you flush.

"And who's this? She looks like she just walk right out of Old Hollywood."

You introduce yourself, hand reaching out to shake his but he takes it to his lips to press a kiss to your hand. If he wasn't Steve's boss you wouldn't have smiled at the gesture -- but ah well.

"This is my girl, Carl. The one I was telling you about," Steve says with a blush.

"Just your girl?" he asks, eyes noting to your empty ring finger, "Hope she's your fiancé soon, Harrington."

"Sooner than she thinks. I promise, sir," they both laugh. Steve's hand returns to your waist and it feels like a leash. They talk for a moment, Steve passing you a drink while he does. It's business and you don't care, the drink is liquor forward and your face sours at the first sip.

"Sorry baby, that's whiskey. That's mine," he switches your drinks seamlessly while still in conversation. "We're just so happy to have you, Harrington -- my son Chuck, he's y'know, he's got no fuckin' clue what he's doin'. I blame myself, me and Muffy let him do whatever he wanted," Carl complains, "So I think havin' someone who just gets the business will be really helpful. I know you'll start guiding him in the right direction."

"I mean Carl, I was the same when I was twenty-six, he'll get there," it was like Steve had known him his whole life. He keeps his hands on you while the talk continues, two more men joining in. C-Suites. Big money. Important people. You're just a piece of art hanging on his arm.

You need to get the fuck out of here.

As if the heavens heard your plea, a call of your name takes you out of your bored trance.

"Over here!"

You sigh with relief at the sight of your coworker, also head to toe in shimmering Saks ready to wear in a sea of authentic Dior and Chanel.

"S'cuse me," you say gently, tugging out of Steve's grasp. He looks down at you a little sternly, you frown.

"Excuse me, I'm so sorry. A friend of mine is looking for me, it was great to meet you all," you smile at the group of men, stepping away delicately on your heels until they aren't paying attention. As they continue talking your run on the balls of your feet into your friend's arms.

"Rob, oh my god, what the fuck are we doing here?" you laugh. Robin Buckley looks like a million bucks, but you know she only makes $49k a year because you do, too.

"We do not belong here," she laughs with you, "Do you wanna go lose some money with me downstairs?"

"Yes, yes, one hundred percent," you not, "Get me away from these stiffs."

"So that's Steve?" Robin asks, passing you a glass of champagne while you finish the last sip of the margarita Steve got you a little earlier.

"That's Steve," you murmur, immediately letting the bubbles slide past your lips.

"He's really something," she grins, "You're complaining about being smothered by that?"

"Stop Rob, you don't even like guys," you tease, nudging her knee with the tip of your heeled toe.

"I don't have to like guys to know when a guy is hot," Rob says through a sip of her drink, "And he's fucking hot. Like, Tom Cruise hot. Top Gun hot."

"Oh, stop."

"Jerry Maguire hot -- and like, super fucking rich, obviously. That's a Prada suit. Are you kidding? Talk about 'show me the money,' he's showing you, babe."

"Yeah, but like," you frown a little, "You know how all the guys in finance always talk about how much they hate their wives? And all their wives are Tribeca moms who keep going on retreats to 'work on themselves' after they get cheated on?"

"Of course, that's like, the Tribeca mom rite of passage," she agrees, crossing her thin legs, her sequin dress shimmered in the low, warm, light.

"So, Steve just moved to Tribeca -- it's like...like I'm staring my future right in the face," you exclaim, another sip meeting your lips, "And it's not like I look like any of those women either. I'll be going on my first retreat in three months tops."

"Okay, well one, you have no idea what you're talking about," Robin shakes her head, "You're a smokeshow."

"And two, isn't Steve from Kansas or something?"

"Indiana."

"Same thing," she waves you off, "Steve's from Arkansas. He doesn't have the same mindset as the guys who came here when they were teenagers to jerk off at frat parties at NYU."

"They'll get to him," you shake your head, looking at her with a knowing glance, "They always do."

You both make your way over to the slot machines, weaving through crowds at roulette and craps tables, snaking by chairs sat at poker games. The piles of chips make you sweat. There was a lot of money down here.

"This is all I can handle, cards are so boring," Robin sits down on the plush leather of the seat across from the machine while you take the one next to her. You both play a few rounds in silence before she looks over at you again.

"Do you know what I think?" she asks, champagne glass empty in her hand.

"What do you think, Buckley?" you ask, finishing the last sip of yours.

"I think Andy fucked you up a little and you can't believe someone like Steve wants to be with you, so you're pushing him away," she says with a shrug, "You're trying to hurt him before he can hurt you."

"You sound ridiculous."

"I sound ridiculous or I sound right on the money?" she asks, pulling the lever on the machine. It runs and stops, she doesn't win.

"Sounds like you're not on the money at all," you shrug.

"Shut up," she laughs, "I'm just saying, I think you're really convinced he's settling when I think it's pretty clear he likes you a lot."

"You don't even know him!" you exclaim, running the machine over again.

"Looks like I might get to know him," she smirks. You turn toward the entrance and there he is, frowning while peering through the room. He's squinting behind his glasses trying to find you in the low light, hands in his pockets. For a moment you think about letting him not find you, maybe he'd pick someone else up at the party. Hell, women were gawking at him from the moment he walked in -- he had plenty to pick from.

But the desperation on his face made your heart ache -- this really was your world. Maybe he really did need you to help show him around.

Against your own judgement, you wave, hoping he'd catch you in the sea of people. You don't have to wait long to see his smile when he catches you, waving back and disappearing in the crowd.

"Hey, there you are," he breathes with a small jog towards you, "Thought I lost you."

"No, no, just out here draining my Christmas bonus," you laugh, tugging on the lever again. Robin looks over and smirks at you when he rests his hand on the back of your neck under your hair, thumb grazing the skin under the hinge of your jaw.

"This is Robin, she's my friend from work," pointing your thumb at her. Always the business man, he leans over you to shake her hand.

"Steve -- nice to meet you," he grins.

"Oh, I know who you are," she teases. You shoot her a look, but it falters. The way his hand leaves your neck to stroke over your head, gently enough to not ruin your hair, makes you melt. It had to be the booze. The haze of cigarette smoke making you woozy.

The lights of the machine infront of you flash wildly, the music sounding, screen glowing - WINNER! JACKPOT! WINNER!

"Oh, fuck yes!" you cheer while the chips fall into into the opening at the bottom.

"Come on!" Robin huffs, "I've put in at least twenty more dollars than you have."

"Didn't pick the lucky machine, Rob," you joke, collecting the chips in a stack in your hand. "How much did you win?" he asks, trying to count them while you clumsily try to keep them together.

"I think just a hundred bucks, so -- eighty dollar profit!"

"Ugh don't say profit, we're at a party," Robin groans, pulling the lever down on her machine hastily.

"Let me take those," Steve says, collecting the chips and putting them in his suit pocket, "I have to go get some anyway."

He pulls out his wallet, thumbing through bills and plucks an $100 out. He folds it, handing it to you, "Now you don't have to cash them."

"Steve..." you scold softly. He takes your hand and presses the bill into it, closing your fingers over the paper. He smiles, thumbing through his wallet again while you put the money in your purse. He plucks out another bill and holds it out in front of Robin. Her mouth hangs open at the gesture.

"Steve!" you raise your voice but he thinks the reproachful look on your face is just too cute.

"Sorry Rob, I think he's drunk," you apologize, embarrassed beyond measure.

"What? I think she deserves a consolation prize," he smiles. Robin plucks the bill from his fingers, putting it in her wristlet.

"I think he should be drunk around me way more often if this is how he acts," she rasps. Steve throws her a wink, arm snaking around you once you get up from the slot machine stool.

"S'it okay if I steal her from you?" he asks. You swallow thickly, both hating and loving how he pulls you around this party like you're his property.

"Steal her, take her home, take her kidneys, I don't care," she laughs, "Do whatever you want, consider me paid off."

"I'll see you later, Rob!" you smile, reaching out and squeezing her hand. As Steve turns around with you, you look back at her. She gives you an exasperated look -- 'What the fuck is wrong with you? He's great.'

He is great. That's what makes it so hard.

He leads you over to the chip exchange, fingers grazing your back while he lets go of your waist. His hand sneaks into suit jacket where he pulls out a wad of cash secured by a shining gold money clip.

"Can I get four grand in hundreds?" he asks.

"Steve that's -- stop," you huff, "Who're you trying to impress?"

"Impress?" he scoffs, "The buy in for blackjack is five hundred dollars, baby. This is just fuck around money."

"Here," he says, plucking a glass of champagne off of a waiter's tray as he offers them. Steve passes it to you, "Have a drink, stop pouting. It's a holiday."

You sip it bitterly while you wait and he sighs at you, pressing a kiss to your forehead before reaching back into his jacket pocket. He pulls out a cigarette and a silver lighter, embers glowing while he inhales, lighter escaping back to its hiding place.

"Hey," he says, blowing the smoke out away from you, "Wanna smile for me?"

You smile, it's fake and exaggerated, he laughs into his next drag, "I'll take it."

The attendant passes Steve a rack of chips, neatly rowed but as he's about to take them his name is called. Yet another group of stiffs asking for his attention.

"Will you hold this for me, honey? Thank you," he asks softly, passing you the rack. You nod while you take it, desperately hoping this conversation goes quicker than the last one. He introduces you like you brought you on a leash and they all shake your hand like you're a show pony that got gussied up to leave the stable. You're not a person, just an accessory -- and you know they're surprised at his choice, but he doesn't need the extra social currency.

You keep sipping your champagne and shutting up, but your ears perk up when you hear him mention you, "You know she just put together this wild campaign for their lipstick line with the creative team, she might as well have produced it. And now their quarterly has that lipstick up fourteen percent and growing. And here we are with just -- what? Claims? How do we even market that? She swears what she does is boring."

You blush at his praise. So he does listen when you complain about work.

The conversation changes and you're bored again, eyes surveying the crowd of long elegant women and handsome stuffy men. Cheers roaring from tables, the sounds from the slot machines, it seemed less overwhelming with a few drinks in you. You guessed upstairs was for the boring people.

"Have you ever even seen four grand before?" you hear sneering your way. You look up and there he is -- the heartbreaker whose heart you barely broke by breaking up with him. The boy who hardly cared.

“Andy?” you ask, brows pulling inward in disgusted shock, “What’re you doing here?”

Andy had gotten a new attitude after he got a new job, suddenly too good for you and your old group of friends. Suddenly telling everyone he broke up with you. Telling everyone he shouldn't settle for less. The glasses of champagne you’ve had finally meet your brain, making you woozy and nervous. The glittering decorations on the ceilings marry the lights and cross over your vision. Andy sparkles in front of you, his friends faded out behind him. A scene in slow motion.

You feel Steve’s hand on your waist, giving you little squeezes so you don’t feel like he’s ignoring you while he talks to his new colleagues about stocks and sales. Boring metrics that you’d care about if it mattered.

“I was invited. Perks of Chuck being my boss,” he gives you a smarmy smile, knowing you’re only here by proxy. Not because you’re important, not in the same way that—

“Whose this asshole?” Andy scoffed, giving Steve a once over. You hear Steve’s pleasant, ‘Sorry fellas, if you’d excuse me…’ to his group as he turns toward Andy and his friends. He flashes a charming Harrington smile.

“Andy! Nice to see you again, man,” he raises his champagne flute toward him cheerily. Andy looks at Steve with a furrowed brow, confused but sly.

“Sorry, guy. Not sure we’ve met,” he laughs — covered in new money sleaziness, his friends laugh with him, “Nat must’ve told you all about me, I guess.”

You feel Steve’s posture change — confident and cocky. His head tilts the way it does when you know he’s about to say something mean. Your body heats up when he places his empty glass on the platter of a near by server, putting the free hand in his pocket.

“We met in Indiana,” he corrects, confidence unfaltering, “You don’t remember?”

“Indiana?” Andy scoffs again. Your face twists into something Steve doesn’t like, a mix of annoyed and embarrassed.

“Well, since you’re at a loss let me reintroduce myself,” he smirks. He puts his hand out shake your ex’s, Andy loosely shakes it back.

“Name’s Steve,” he introduces himself with a warm genuine quality that people learn from years of sales work, clapping his other hand over Andy’s, “Steve Harrington. I’m Natalie’s boyfriend.”

He says it so casually that you immediately flush, it sounds too natural.

“Oh,” Andy says, surprised. He gives you a once over, offering you a pathetic glace, “You're dating her? You're her boyfriend?”

“Her boyfriend,” he lilts, taking his hand away. He slinks an arm back around your waist, tucking his shoulder behind yours, “And sorry, couldn't help but over hearing -- You said Chuck’s your boss? Chuck at Slate Insurance?”

“Yeah, and?” Andy asked, annoyed. Steve let out a gentle chuckle, the kind that sounds rich. The kind that sounds like a trust fund with seven figures.

“Oh, that’s—hoo!— that’s funny,” he teases, but it comes out cool and uncaring. He bites his lip to keep from laughing more, giving Andy a judgmental once over.

“What’s so funny about it?” he asks, arms crossing in a huff causing his cheap suit to crease.

“Oh, it’s uh, it’s funny because I’m Chuck’s boss,” he gestures toward him before tucking his hand back in his pocket, “So I guess I’ll see ya Monday, champ.”

Andy chokes on his sip of champagne, you bite back a mean giggle that bubbles in the seat of your chest.

“Now, hate to be rude but, my woman and I are gonna head over to the roulette table,” Steve starts, beginning to move you over to the next room with him, “Unless — you know, unless you’d care to join us. You feelin’ lucky?”

Andy’s face has gone red, eyebrows sloped down, a prominent wrinkle forming on his forehead. His friends look into their drinks, coughing and shifting awkwardly while they watch the exchange.

“No?” Steve asks, a slight taunt to his voice. Andy shakes his head no, “Ah well, suit yourself, I guess. Say bye, angel.”

Steve nudges you with his shoulder and you burn under the instruction, lifting your gaze to Andy who looks like he could maul Steve at any second, “Bye, Andy,” you mutter, your voice trailing higher than normal.

“See you around, man. Next time I catch ya, I'll give you the number to my tailor,” Steve's eyes linger on the hem of Andy's trousers -- sloppy and too long for him. He let's out a soft 'hm' before meeting Andy's gaze and shooting him a wink with a steely grin. Steve leads you out of the chip exchange by the small of your back, passing you another glass of champagne.

“Drink that before you say whatever smart thing you wanna say,” he says, hand dropping from your back to clasp with yours while he leads you through the throngs of people to the roulette table.

“I wasn’t gonna say anything,” you lie.

“Pfft, okay,” he shakes his head in front of you, but you don’t need to see him to know that he’s rolling his eyes. You arrive at the edge of the table, oak wood bumping into your hip.

“I’m not much of a gambler,” you confess, taking your places around the table closer to the wheel. He kisses your cheek before taking your chin between his fingers gently.

“You thought I’d have you dropping your own cash here? That’s cute,” he teases with his voice low enough so the other players couldn't hear, “Daddy’s gonna gamble, baby. You’re just gonna watch.”

“Steve,” you blush, “Don’t say that.”

“I don't know,” he shrugs coolly while placing his chips, turning back to you when he's done, "I think you like when I say that."

He wins big at roulette, of course he does. He's Steve Harrington.

Now he has you nestled on his lap while he plays black jack, your hips and thighs spilling over the leg you're perched on. Everyone's drunk so no one cares that you're not supposed to do that, as long as your hands are in view of the dealer. It's not a real casino anyway.

His breath hits that spot between your neck and shoulder that makes you squirmy, hips rolling achingly slow on his thigh when he does it. You have half a mind to think he's doing it on purpose.

"Watch yourself, angel," he mumurs, placing a hand firmly on your hip to steady you, "Don't want you to fall."

You watch him play, him and his colleagues, some men he doesn't know -- they're betting real big. Big enough that you had the pleasure of holding two more racks of chips for him while the other two were stacked on the table in front of you.

The three other men have either had too many or are sitting between 12 and 16 in their cards. He has fourteen in front of him, a jack, a three of hearts, and an ace. You watch him tap the table to hit and then double down, you gulp. A fourteen thousand dollar bet, and it's just chump change to most of the guys down here.

The dealer hits, a seven of clubs slapping down on the table. "Blackjack."

He smirks and the table claps while the dealer expertly slides over $35,000 in chips which you load dutifully onto the empty racks on the table next to you.

"Really got lady luck on your side tonight, huh Harrington?" the older man next to him asks. You feel Steve's hand clap your thigh.

"Actually, she's on my lap," he smiles and you flush at his teasing, listening to them talk while the dealer shuffles for the next round. His hand slides over your thigh and he talks to the guys at the table like he's not driving you insane when he toys when the hem of your dress.

"Can I get anyone a drink?" a waitress asks the table. You turn to Steve while the men start to order, some glasses of wine, some full bottles of liquor.

"Get whatever you want, honey," he says, pressing a kiss to your shoulder. The waitress looks to you expectantly and you smile. It's probably the first non-horny smile she's gotten all night.

"Can I get a bottle of Dom for the table, please?" you ask, "The earliest vintage you have."

You were pushing your luck -- but you were at a blackjack table. He squeezes your thigh and you squeal under his touch while the dealer starts the game.

"Didn't know my girl was so greedy," he teases in your ear. Your lip quirks.

"M'not really your girl, Stevie," you whisper back.

"No?" he murmurs back to you, hand skimming your dress up the side of your thigh, "Spending my money like you are."

You blush hard, he loves how easy it is to fluster you once you've had a few. Still lucid, less tightly wound. He liked when you loosened up for him, when you relaxed into his touch with all these people around.

The Dom comes and the waitress starts pouring glasses, Steve gets the bill and shoots you a look when you go to peer over the leather.

"Don't be rude, baby," he tuts, tilting it away from you. There were way too many numbers in the total for a bottle of champagne.

"Sorry, Steve," you mumble while he passes the waitress his credit card with the bill. The champagne is dry and heavenly and your smile when you take the first sip makes all the money he paid worth it.

"You like it?" he asks, attention going back to the game.

"Mhmm," you nod into your next sip.

"Good," he smiles, "Have another bottle at home we can break into later."

Home. Oh. He wants you to go home with him. Was that the plan? Were you following through with the fake date thing the whole time? All night?

"Hm," is all you reply. He keeps winning big -- but you're really the only thing he's betting on.

It's starting to get a little late and the party is picking up. All the screens in the casino have Dick Clark on, the big party on the other side of town is ramped up to eleven.

Steve holds your hand at the chip exchange, the manager and two security guards stand by while they stack bundles of cash for Steve. You know the short set of bands is more money than you've ever seen in your life, it almost makes you nervous.

"This isn't gonna fit in my money clip, angel, can I borrow your purse?" he asks sweetly. Your purse isn't huge, but it can fit the money in it.

"Uh, um, yeah," you say, you mouth running dry while he puts at least forty grand in your bag.

"Thank you, baby," he smiles, the booze affecting his grin. You let him lead, taking you out of the casino and back upstairs to the ball room. There are people everywhere, but more importantly, there is food.

You both don't even think about it, manuevering to the buffet in silence, giggling while you load up plates with obscure hors d'oeuvres and different types of bread and dessert. You sit at the table, barely talking while you eat, but stealing glances at each other.

"I think this is octopus, try it for me and tell me," he says, holding out a small sauteed tentacle on a cracker with avocado.

"I'm not trying it for you!" you laugh, "Try it for yourself. Don't be such a wimp."

"C'mon, just try it for me, tell me if it's good," he smiles, leaning his chin on his other hand to watch you. He pushes the cracker further towards your mouth and you give in, lettling him pop the bite sized morsel into your tongue. His fingertips brush your lips and he swallows, adams apple bobbing slowly against his collar.

"Definitely octopus," you nod.

"You're so brave," he says dreamily, fingertip booping against your nose.

"Okay weirdos, enough with your fake date, let's go dance," Robin's voice booms from a couple tables over while she walks towards you. She grabs both of your hands to lead you to the crowded dance floor. The live band plays fast jazz and the three of you make up what you can to it. Robin really taking the prize for most creative dance moves.

"Is she okay?" Steve asks, giving you a little spin. You look at her and back at him, nodding.

"Yeah, she'll sleep good tonight," you let him lead, arm wrapped around your waist. The music slows and he hums to himself, pulling you closer.

"This is nice," his voice is warm and low, "This is what I wanted all night."

"To dance with me?" you ask softly. He nods, a bashful smile curling up his lips, glasses slipping a little down the slope of his nose. You push them up gently, putting your arms back around his neck.

"I really like dancing with you," he whispers, noses close to brushing each other.

"Thanks."

His bashful smile turns to a tight one, "Look, I'm sorry about the fiance and boyfriend stuff with Carl and Andy. That was outta line, I shouldn't have said all that shit."

"It's okay," you assure, but he's not done talking.

"I'm sorry if I've been laying it on too thick all night," he says apologetically, "Got too committed to the part, I guess."

"S'fine Steve," you say, looking up at him, "It's just pretend."

Hurt flashes in his eyes, brows softening when you say it.

"Yeah...it's just pretend," he mutters. He loosens his hold on your waist and you can tell he's embarrassed. You can feel his hands become clammy over the fabric of your dress, skidding against the satin while they move.

A woman gets to the center of the stage, a beautiful 40s gown clinging tight to her curves while she grips the microphone. The opening words of Ella Fitzgerald's, 'What're you Doing New Years Eve' , starts with the band.

"Aw, you don't hear this song a lot," you smile, "My dad loved this song."

"Yeah?" he asks. He takes a deep breath, looking at the other couples getting close, nuzzling, kissing. Diamond rings dazzling in the light, wedding bands glinting in his eyes.

"C'mere," he says, reinvigorated to keep up the charade. His arm snakes all the way around you, chest to chest, his other hand holding yours. He rests his forehead against yours, moving slow with you to the music, the instrumental lulling you both into the fantasy you both created.

Steve had such a way of making it feel like it was just the both of you.

'Maybe it's much too early in the game, Ah, but I thought I'd ask you just the same, What are you doing New Year's, New Year's eve?'

"It's a pretty song," he says.

"Yeah," you agree, lost in how he looks at you.

'Maybe I'm crazy to suppose, I'd ever be the one you chose, Out of the thousand invitations you received.'

You rest your head on his chest while the horns solo, the hand on your waist trailing up to brush your hair and cup your face.

"Hey, look at me," his voice is quiet, "Wanna see your pretty face, Manhattan."

"I look tired," you complain, looking back up at him with a scrunch of your nose. His thumb slides over your cheek bone.

"You look perfect," he confesses.

'Ah, but in case I stand one little chance, Here comes the jackpot question in advance, What are you doing New Year's, New Year's Eve?'

"Hey Nat," he starts.

"Mhm?"

"What if it --" he lets out a breath through his nose, "What if it wasn't pretend?"

"What?"

10!

"What if we didn't have to pretend?" he asks, "What if we just...what if we just were each other's real dates? Cause like --"

"Steve, come on."

9!

"You can't pretend like this doesn't feel right," he pleads, "Like this doesn't feel real."

"Steven, I told you this morning--"

8!

"Baby, I haven't stopped thinking about you since you left me at the office," he confesses, "Thinking about how to change your mind. I want you so bad, Nat. You have no fucking idea."

"I'm just the only person to tell you no," you assure, "That's the only reason you want me."

7!

"No, I promise that's not it," he urges, both of his hands cupping your cheeks while he talks. The cheering getting louder around you at the clock ticks closer to midnight.

6!

"You're not gonna want this after a month of you being here. Look at everyone around you Steve -- I don't fit in here," you say, "Don't you want a trophy wife? Someone who everyone gawks over?"

"Have you seen yourself?" he asks, eyes wild, "Had to walk behind you all night so all these guys would stop staring at you."

5!

"Steve you're just...settling," you finally say it and it feels like a weight has floated off your chest, "This was the opposite of what you came to New York for."

"Settling? Are you stupid?"

4!

"You wanted to do something new and exciting," you counter.

"You are new and exciting," he can't believe the words coming out of your mouth, "You are why I wanted to be here. I wanted to do something new with you."

3!

"I've been sitting in Hawkins for the last five years thinking about how much fun you're having out here. Thinkin' about how much fun we could have together -- haven't stopped fucking thinking about you since the night I met you in Porter's."

"You're just saying that," you argue, lump growing in your throat, "You're just drunk."

2!

"I'm not just saying that, please just listen to me" he pleads, "Fuck Nat, I --"

1!

"I love you."

HAPPY NEW YEAR!

Silver and gold metallic confetti pours from the ceiling, your breath hitches while it glitters on it's way down.

"I love you so much, it hurts," he confesses, eyes shining behind his frames, "I just -- I think I loved you the whole time."

Your mouth falls open against his hold on your cheeks.

"You don't have to say it back, I--"

You stop his sentence with your lips against his. The kiss he wanted to give you all night. It feels like an old movie kiss with with way his arms wrap tight around your back and waist and your hands meet his face.

He breaks away from you for a moment, locking his eyes with yours.

"I really mean it," he murmurs, "I love you."

"I --," his eyes linger on yours, your cheeks heat up, "Steve."

"Yeah?"

"I love you, too."

He knew it. God, he fucking knew it.

The lock clicks and he checks it once, twice, three times before caging you in against the wall. There weren't any families here so it's not like anyone was looking to use the bathroom with a changing table. Everyone was using the lounge bathroom for coke anyway.

"Fuck, you're so pretty," he gasped into your mouth, "You're so fucking pretty."

"Thanks," you breath against his kiss. His lips trail from your mouth down your jaw, lips sliding down your neck to your chest. His tongue is warm and wet on your skin and you sigh up to the ceiling at the feel of it.

He manhandles you at the sound, arms overtaking you to shove the complimentary products on the sink's counter and throw you onto it. You look at him with swollen lips from his kiss, eyes begging. He grabs your hand to press it firmly up against his erection, staring down at you down the slope of his nose, “That’s how you got me all night, lookin' at me like that. Wearin' this dress -- what's wrong with you, hm?”

"S'wrong with me?" you slur, dragging your hand back over his cock without his guidance, "S'wrong with you? This suit fitting you so nice, that stupid fancy watch?"

"Stupid? My Patek?" he laughs, "It was nine grand, don't call it stupid."

"You're disgusting," you spit, but it doesn't have the bite you can normally dish. The way he lingers over you makes you lose your edge.

"Mmm, love when you're a little mean," he groans while he buries his face in your neck, reaching for the hair at the nape of it, tugging just enough to make your thighs twitch, "Get to watch you get so nice for me."

You feel his lips drag over your sensitive skin, pulling it in between his teeth to bite down. He takes in your scent, grunting into your jaw while the perfume he likes rules his senses. He's rough, hungry. He's a little drunk, but so are you.

You thighs part to make room for him, ass nearly hanging off the counter while his hips press into you. You run a hand through his silky hear while he assaults your neck, eyes reeling when he hits that spot right past the base.

"You all wet?" he asks in your ear, gravelly voice booming in your chest. His hand skates up your fleshy inner thigh, heat greeting him like an old friend.

"I'm so wet, Steve," you whine back, pushing your hips against his fingertips while he strokes over your satin covered clit.

"Yeah, you're so wet for me?" he mocks, "I got you all worked up out there?"

"Y-yeah," you whimper while his fingers toy with your panty line, inching inward. He's smug when he feels what's waiting for him behind the fabric.

"Showing you off all night? Throwin' all my cash around?" he growls, a finger sliding in between your legs, "Givin' it all to you to hold on to? That got you all hot and bothered?"

"Y-yes, yeah," you nod, biting your lip to keep quiet.

"Oh-ho baby, they can't hear you out there -- party's gettin' a little rowdy," he teases, "Go ahead an' moan for me."

A second finger follows his first and you start whimpering with every thrust, every flick of his wrist. You grip the counter, skirt of your dress falling back as your thighs lift up and out involuntarily.

"Steve," you moan it like a prayer, it echos back at you, "Shit, fuck, just like that."

"Good girl, baby," he grins, more so when your hips rock in time with his fingers, "Oh, you showin' off now?"

"Sh-shut up, Steve," you chuckle between gasps, face crumpling again while he grazes your g-spot with his fingers. Your walls grip him, gushing over his knuckles. A lazy smile falls onto your face while your hips pick it's rhythm with his fingers.

"Love when you smile like that for me," he says softly, pressing a kiss against your lips -- the facade of your rich, sexy, big money fuck toy falling away, back to his Hawkins beginnings, "You look so beautiful."

"You think I'm beautiful?" you tease against his lips, but you know the answer.

"Don't think it, I know it," he whispers between pecks.

He takes out his wallet with his free hand, flipping it open, using his nimble fingers to pull out the condom he'd kept in there tonight just in case. His other fingers ease out of you slowly, tossing you a stern look when you whine.

"Be patient, pl-- Jesus, baby," he melts when you take his fingers, still shining with your slick, directly into your mouth. You make a big show of letting them leave your mouth with a wet pop, his mouth hanging open, eyes unfocused.

"Just wanted to clean up my mess," you say with an innocent shrug.

"You're gonna kill me," he breathes out, sliding the condom on and tossing the wrapper to his feet. Your legs part immediately, skirt of your dress falling way with your thighs, the roll of your tummy poking out to the cool air as you hold your legs up close to your chest.

"You're okay? You want this?" he asks, "I know you had a few."

"I want this," you nod, "I want it."

"Good, cause it's yours," he grins, gliding the tip down from your clit to your entrance, "S'all yours."

"All mine," you whine, sighing high and breathy while the tip breaches inside. Your hips roll instinctively to feel more of him and he obliges, pushing in a third of the way to feel you make room for him. The moan you let out makes him bite his lip. You feel so good around him.

"Who fills you up like me, huh?" he pants while he pulls out and pushes back in, gripping the fat of your thighs hard enough to bruise. "No one, Steve," you moan back, while he rocks against you, "P-please more, please." His lips fall open when you ask, "More, huh? You want all of it?"

You nod feverishly, gripping his shoulders, nails nearly ripping the fabric of his dress shirt as you pull him by the hips. He laughs, locking his hips in place where only half of him was snugly inside you. He adjusts his glasses, peering at your through them, "Say please again, angel." "Please, Stevie," you beg, hips shimmying. He tutts at you, pushing a little farther in and a whine peals through you.

"Like that?" he asks, "You want a little more?"

"Please, please, please," you huff, the stretch of him slowly moving in driving your eyes to the back of your head. The bulbous tip creeping past your g-spot unbearably slow -- juices seeped out of you over him.

"Please, please, please. All that whining, think this is all you can handle angel," he mocks gently, hand cupping your cheek. His thumb grazes over your lip while he starts his thrusts again -- half way to all the way out.

"No, no, all of it, please," you grovel, "Please. It's mine."

You bite your lip, eyes watering while the pleasure builds below your belly -- you're aching for the fullness of him.

Your eyes round in neediness, overtaken by the wetness between your legs, the way he touches you, "Please, daddy." "Fuck, baby," he groans while he pushes in to the hilt, lips finding yours while he readjusts. His arm reaches around your back to angle you differently, caging you in against the mirror on the wall. His other hand snakes up to the back of your neck, pulling you in for a deep kiss, all deep breaths and tongue. Steve's hips roll against yours, shallow thrusts to keep himself as buried inside of you as possible, "See what happens when you — mmm — ask me nicely?" You roll your eyes but he thrusts again and your head lolls back against the mirror, “Sh-shut up, you’re so— you’re so — ah! oh fuck, fuck, fuck.”

“I’m so what? We’re you gonna say ‘I’m so annoying’?" he grins into another kiss. You can feel his tip pushing against your cervix with every short thrust. Your body stretched around him with ease, making you gasp with every thrust of his hips, “M’so deep you can’t even talk right.”

He presses his forehead against yours, eyes shut tight while sweat builds on his forehead, "Oh shit, shit you feel so good."

"Harder, please," you whisper. He nods against you, picking up the pace of his thrusts and he has to cover your mouth to drown own the sounds coming out of you.

"Shh, shh, not too loud baby," he giggles, "Don't wanna lose my job."

You take a deep breath through your nose, trying to maintain your composure while you pulse tighter and tighter around him.

"Steve you...oh my god, yes, yes, like that," you slur out while he holds you steady on the counter, watching you come undone around him. "Say you're mine," he says, grunting between thrusts, "Say you're all mine."

"M'all yours Steve, all yours," you nod, eyes pooling with tears as each thrust sends you closer to seeing white, "Oh fuck, fuck -- I'm gonna cum, ohmygod m'gonna cum."

"Cum for me angel," he says through gritted teeth, getting close himself, "Cum for me."

Your legs vibrate when he pulls your hair to bare your neck to him, final thrusts sending blinding pleasure through your body. You shake and spasm beneath him, whining and mewling at the come down.

"That's it, baby," he coos while you gasp back to reality, "That's my girl." He buries his face in your neck when his hips stutter, groaning, gripping your legs so hard you know you'll bruise.

"Mmm, god," he grunts, "Oh fuck, I'm gonna -- oh, baby --"

You both rest against eachother, breathing heavy, hands roaming. He pulls out slowly while he softens, discarding the used condom in the trash. You go to move but he stops you, pulling up his briefs and pants and cleaning you up gently.

"You okay?" he asks, "That felt good?"

You nod, "Was it good for you?"

"Bathroom sex with my girlfriend? Oh, amazing," he smiles, helping you down off the counter.

"Girlfriend, huh?"

"Do you wanna be called something else? I'll call you anything you want," he bushes, "S'long as you're my girl, Manhattan."

"You're girl," you muse, "Steve Harrington's girl."

"Sounds really good, doesn't it?" he tosses you a cool look, "Lot's a girls would beg for that title."

"You're annoying," you huff, opening the door to the bathroom and peeking outside to check for people. The coast was clear and he leads you out to the hallway by the hand, heading over to the coat check.

"We're going home?" you ask.

"We're going to yours," he says.

"Why?"

"So we can start packing up your shit to bring to mine tomorrow morning."