#interesting how it differs from author to author!

[eyrieofsynapses]

If "because we're all assholes to someone" doesn't seem like a good enough reason not to pirate from jerks, by the way: many pirates aren't scrupulous about the difference between a book by a racist misogynist and one by a queer activist. The largest pirating websites don't necessarily exist solely out of the goodness of the owners' hearts; they're there to make money. The more books pirated, the more ads, the more revenue. If a website wants to draw people in, they're going to put up books by authors people want to read--and the overwhelming majority of those will be from authors who are not, in fact, harmful bigots. Pirating any book drives the industry.

But even if the pirating isn't financially driven (and yeah, a good chunk isn't), where do you draw the line? There are certainly some who will argue that an author who had vaguely misogynistic themes in their early work--but improved later on--deserves to lose money just as much as bigoted authors posting hate speech online. Is that true, though? Does one bad social media post from a decade ago get to decide if an author gets paid now? How far will people go to justify pirating something they really want to read?

Also, pirating isn't your only option to keep money out of an asshole's hands. Buy secondhand! Ask around and see if you can borrow a copy! Hell, libraries do fund authors, but at least it's not direct, if you're really set on your morals.

Or, you know... just don't read it. If it's by an asshole, why read it in the first place? Aren't there better books to spend time on? (Excepting required readings and research, when you may not have a choice. If that's the case, consider the paragraph before this one.) Boycott the author if you dislike them so much. Engaging with their work at all will indicate there's interest in it. So don't.

Please don’t pirate books at least while the author is alive. I’ll make an exception for actual billionaires and wildly expensive textbooks you cannot afford yet need to complete your studies. I can’t make an exception for assholes, because we’re all considered assholes by someone.  I don’t know how many people realise how many writers who created successful, beloved stories and characters still die poor while other people get rich off the same work. I don’t think people realise that in the UK the current average yearly earnings for an author has nosedived over the last fifteen years to £10,500. That obviously is forcing people to quit writing. It increasingly means writing is a job for people who’ve inherited money or have wealthy spouses who can support them. I don’t know if people realise that in general, writers are poor and getting poorer. I’m sorry, but if you think widespread sense of entitlement to free books has nothing to do with that … you’re just wrong. 

I say I don’t think people realise - the truth is I hope they don’t, because the alternative is that they don’t care. That’s certainly the impression I’ve got from Twitter, where a truly horrifying number of people are arguing that copyright on  all books should expire after thirty years, and you should be able to acquire books for  free after that. This … would not just mean that everyone gets free books. It would mean if you write a book at 30, not only do you lose any royalties from it at 60, but Disney can take it, make a franchise out of it, Scrooge McDuck it up in a pool of money while you starve because writers don’t get workplace pensions.

Some threads on the unintended (?) consequences of this. I can’t go over it all again. John Brownlow NK Jemisin Michael Marshall Smith Me Marina Lostetter Kari Dru and others William Gibson and others

There are plenty of others. It’s not that this actual idea will actually happen, but I do think it reinforces the idea that it’s not only okay, but sometimes actually virtuous to search for ways to enjoy writers’ work without paying for it. Like it’s somehow a step towards a better world. Not just at the reader end, to be fair, at the employer end too. And I do see a lot of people here too who are all about supporting workers unless the workers are writers in which case fuck’em. 

Like. If you want to radically change society in such a way that mass-media conglomerates don’t exist and so can’t exploit us and we’re supported to make art in some other way than fine. But can you start the revolution with actual rich people please, not ask us to live right now, in the society we’ve got, without the money we need to survive it. Finally, a plea: I really, really, do not want to debate this. This whole thing genuinely makes me feel tense and shaky and sick. If you’ve got to disagree - unfollow me, block me, vagueblog somewhere I can’t see it. The Twitter version of this already has me feeling like I’ve been kicked in the gut. I didn’t want to write this post. I just felt I wasn’t going to have any peace until I did.

[cuntdevil]

★ TINY LITTLE FIRES.

for two firemen whose jobs are to help civilians, they've managed to spark flames inside you that you wish not to extinguish.

( fic demographics. ) jujutsu kaisen, toji fushiguro & sukuna ryomen, sexually mature | minors, ageless & blank blogs : do not interact & 2519 words !

╰┈➤ firefighter!toji fushiguro & sukuna ryomen & afab!reader (she/her), throatfucking, fingering, dirty talk mostly on sukuna's behalf, double penetration, anal & vaginal sex, unprotected sex, creampie.

( author's note. ) i thought of this specific prn link when writing this and thought it was tojikuna fucking reader. just a liddol visual while you read 😋

It was overwhelming, the heat of two men looming over you— how they were both so hauntingly handsome as their eyes explored your body. They caged you in with their bodies, tiny little fires sparking inside of the pit of your stomach as they held interest on you all night. Shoko wanted to hold a small celebration dinner after completing her residency, finally becoming an actual doctor. She held it at a small bar and grill, where the food was greasy and the drinks were strong. You hadn’t thought your night wouldn’t be one so special, just have a few drinks and enjoy the time with your friends. However, from afar, two men had their eyes on you the majority of the night. Crimson and hazel following your form in a way that had you constantly looking behind you, eyes never failing to meet theirs. 

You weren’t the only one to take notice of their domineering stares, Shoko watching over your shoulder before saying, “You should go talk to them.”

Eyes widening as your head quickly turns to her. Immediately, you shook your head. “I’m here to celebrate you.”

“You’re here to have fun,” she corrects. “Plus, you need it— them. When was the last time you had a spontaneous hook-up, much less a threesome?”

She was right. You rarely spend your leisure time actually doing any leisure, always finding something to keep you busy or something that came around the corner last minute that you completely forgot about. Your social life went down the drain outside of her, Geto and Gojo. But even the time you spend with them is too short. However, you don’t want to be a bad friend.

“But,” you pout. “Who’s going to drop you home if you get too wasted?”

“That’s for me to worry about,” Shoko says. “I’ll probably have one of the waitresses do it if it comes to that.”

“I don’t feel—” 

“I don’t care how you feel,” Shoko frowns, nudging you from your chair. “Go to them right now, or I’ll disown you as a friend.”

You’re not sure if you’re thankful for Shoko, or if you want to curse her. You feel like a mouse trapped inside of a lion’s den. Outside of the conversation with Shoko, you can’t recall how you even ended up in this situation, just knowing that you walked up to the bar, signaling for a bartender in their close vicinity. You let them watch you, slowly creeping closer towards them. 

Other than their impressive physique that had other men gawking at them in jealousy, they were different. One had dark hair that went over his forehead, black strands that nearly prickled his hazel green eyes. He had a scar on the left corner of his lip that had you curious how it ended up there in the first place. The other man has messy pink hair and piercing red eyes as he scrutinizes you, tattoos travel down his neck that you’re not sure where they travel to because of the hoodie he has on. 

You only remember through short conversation that they were firefighters, but other than that, they were very straightforward with what they wanted from you. And from the many men that have tried approaching you before, you could respect it. You respected it so much that you let them bring you to their shared apartment, their hands roaming your body the moment you were inside. 

Your dress hiked up over your waist as the pink-headed man— Sukuna— has found comfort in your breasts, massaging and kneading the fat as the brunette in front of you plays with the hem of your panties, finding fun in teasing you as your head falls to the chest of the tattooed man behind you. Wedged between them, there’s no room for escape as they pull out soft moans from you. Your braids tickle Sukuna’s skin as he watches you fall apart so easily. “We’ve got you this worked up and we’ve barely done a thing to you. It’s kinda pathetic… and cute.”

Just as he says this, Toji’s fingers dip inside of your panties, running to run two fingers down your clit and in between your folds. It has your chest rising and falling in the anticipation of it all, so needy and desperate to be filled by these two large men. “You should feel how wet she is. It’s like she hasn’t been fucked in forever.”

It’s an epiphany upon both men, a deep hum reverberating off of Sukuna’s chest as one hand leaves from under your dress. Black painted fingernails that reach to grab your face harshly and forcing you to turn, your eyes meeting his daunting red ones. “You poor thing,” he breathes. “Your pussy needs to be well taken care of then, huh?”

“Yeah.” You can’t help but nod. “Yeah, it does.”

“It’s a good thing you got us, huh?” To which you nod again, whispering out a “yes.”

They lead you to the confined space of one of their bedrooms. You still have your back to Sukuna, sitting on his lap as he pulls the dress over your head. Breasts spilling out and leaving you nearly bare in front of them, the only thing left on you are your flimsy pair of panties with a hearty stain right in the center from your arousal. You can feel the hard erection of Sukuna right against your ass. Oh, how he feels so big and thick underneath you that it has your pussy clenching in a desire for something— someone— to be inside of you. 

Sukuna’s hand snakes in between your legs, the gloss of the black shining underneath the dim lighting as he shifts your panties to the side. Your folds glisten and shine, resembling the gloss of a porcelain doll. He spreads your lust over your clit as Toji begins to undo his pants, a sliver of his dark happy trail peaking out as his shirt rises. He’s in a haste, dragging down his pants and underwear, revealing his lengthy cock. Dark and heavy shaft that weighs him down surely as it hits his inner thigh instead of standing up prominently. He surely rivals the few partners you’ve had down the road. It’s intimidating, but your cunt is a curious thing, not caring if it’s the same thing that killed the cat. From its nine lives, you’re sure you can be brought back to life over and over.

Tiny little fires ignited in the pit of your stomach, you’re sure that these men are the only ones able to extinguish them. Toji holds the hose, his length in hand as the tip drips in his precum, sauntering over to you with it in hand. Your head moves involuntarily, moving yourself to the edge of Sukuna’s lap. 

“Look at her,” Sukuna moves a stray braid, pulling it back behind your air. “So eager…”

Toji adores it, reaching to cup your face as you lean closer to him. His cock so dangerously close to your begging mouth that's lolled open and ready. His tip kisses your bottom lip, smearing his pre against it and making your lips shine in the coat of lust-born gloss. Sukuna’s fingers still dance around your clit, teasing at your entrance as he plays with your folds. You moan and mewl, keeping eye contact with Toji while you squirm in the other man’s lap in need. 

“Please…” It comes out in a soft breath, whiny as your voice jumps up a few pitches. With two fingers against your chin, Toji makes you meet his eyes. 

“Don’t worry, I’ll give ya what you need,” he says before making the head of his cock enter your mouth. It takes your breath away, making you literally speechless as you’re only left to moan and mewl. Your muffled voice goes ignored as a dragged out groan leaves the brunette's lips as he curses. “Yeah, that’s so much better.”

Shallow thrusts in your mouth, it’s a filthy sight to envision as you’re held tightly by Sukuna. Finally does he end his torture against your pussy, the two fingers that swirled around your fat clit now pushing inside of your needy hole. Subconsciously do you clench, making it hard for him to enter before he’s slapping at the sensitive nub, making a squeal spark from your lips as the vibrations run straight through Toji’s cock. 

“Fuck,” he curses, pushing more of his length inside of your poor little mouth, forcing you to open wider to further accommodate him. Sukuna bites at the shell of your ear simultaneously, stretching out your cunt with two of his thick fingers. Your whines of pain are muffled by the cock in your mouth, your legs tensing around the hand in between them as your cheeks hollow around Toji. A deep inhale you take before you momentarily stop breathing altogether, the head of his cock hitting the back of your throat and causing you to gag.

The choked out cough is only music to their ears as Sukuna bucks his hips upwards in you, fucking your hole with his fingers and Toji stilling inside of you as you struggle to breathe. Tears prickle the corner of your eyes, face pushed into his happy trail. Tangled in this web that you willingly trapped yourself in, it’s starting to frighten you as you feel yourself drowning in the water of their hoses. You cry from the overwhelming sensation, how it feels so good to be used like this, the wet sounds of your pussy being fucked and abused by Sukuna’s fingers and the mess that Toji makes of your face, your makeup being smeared as tears run down and your lip gloss dissipating with each and every thrust of his cock inside you. 

It’s painful how Toji’s hand pulls at your hair, holding it as leverage as he drills his length inside of your mouth. Your mouth being used as a fleshlight for him to obliterate, he’s a selfish man as he can only think of his release. And it’s the sheer amusement of you that spurs on Sukuna, how your pussy salivates around his fingers as they stretch out your tight hole. Your honeyed slick painting the two digits as you clench around him. You continue to rock your hips against him, having him hold restraint as it goes straight to his cock. His free hand wrapped around the expanse of your waist as he batters your cunt until you’re feeling that call deep within. Your eyes squinting shut as you mewl out pathetically before the two men as Sukuna alerts Toji, “She’s gonna cum.”

“Well, she better hold it,” he says, speaking to you as if you weren’t there. As if you’re not the girl with his cock in your mouth. However, you obey, trying to keep it together as Sukuna’s unrelenting, his drilling inside of your pussy only getting worse in an effort to make you fall apart all too soon. Your legs spasm as you can’t hold it any longer, capturing Sukuna’s hand as you cream around his fingers. Fortunately, he doesn’t pry your legs open, only chuckling deviously to himself when your lower body finally relaxes. 

Toji chases his high inside of your mouth, leaving you to gag and choke around his length as he fucks it until he feels himself twitching. “Make sure to swallow all of me. Don’t waste a single drop,” he says before grunting. He spills himself inside of you, forcing you to swallow as he cums deep. You squint your eyes shut as he pushes his hips deeper before finally retracting and his cock falling to his thigh. Your throat’s dry, the absence leaving you gasping for air as you whine out, head hitting Sukuna’s chest. 

You’re made a pretty mess on his lap, your orgasm staining his pants as his fingers finally exit your cunt. He brings the coated digits to his lips, sucking them clean as a deep hum vibrates off his chest. “This starved pussy tastes so good. I think we might want to keep you after this.”

Sukuna pulls you both further on the bed, shedding his pants along the journey as you feel his length in between the crevice of your ass. Toji has your legs pressed against your chest, both holes out and vulnerable for their taking. You can feel Sukuna’s fingers inside your asshole, stretching you with the same two digits that were previously in your pussy while Toji’s got his cock aligned at your entrance. Your heart pangs heavily against your chest, trying to make a get away, but you swallow the anticipation away as you peet at Toji above you. However, it’s Sukuna that you feel first, his girthy length piercing through you as if it was creating a new hole inside of you as you cry out in pain.

“Breathe,” Toji has to remind you, feeling how tense you’ve become as Sukuna has stretched out your poor asshole. With all the prep he’s done, nothing could have prepared you for the real thing. Finally does your body relax when you feel Toji’s length glide against your folds before his tip kisses at your entrance. Both sheathing themselves completely in you, this moment feels like the most gentle they’ve ever been in you, waiting for you to calm down before you’ve given them the okay. 

You’re the sweetest and most salacious thing they’ve ever devoured, cocks plunging inside of your holes greedily as they both thrust inside of you. The heat of their bodies leave you so dizzy as you can’t focus on a thing around you, and certainly not on a word either of them have said. 

“Taking our cocks so greedily,” Toji pants into your ear. “You’re a selfish little thing.”

“But the best one we’ve had yet,” Sukuna rebuttals, thinking of the countless times someone’s had to back down in the past. They thought you were close to it, how in your eyes there were moments of second guessing and terror written all over you. But you pretty little thing, you’ve braved it through, stuffed to the brink by two enormous men. 

Tiny little fires inside of you that they only make bloom even further, creating a wildfire in their paths as they beat and batter both of your holes. They stretch your out deliciously, having you ignore the ache that you feel course through your body as you gnaw on your bottom lip. No amount of water would extinguish the desire that’s now embedded deep within you, their seed spilling inside of you as you cream uncontrollably. 

Bed sheets stained as the pungent smell of sex infiltrates the air as the room grows hot and stuffy, caught within the flames of shared lust. When they’re done with you, cum drips from your cunt and gaping ass as you fall on your face. When you finally head back home, you find both of their numbers saved inside of your phone and a message from Toji:

Sukuna’s right. I wouldn’t mind keeping you. 

And you wouldn’t mind being kept.

( author's note. ) here's my hand at trying to write more plotless porn. :p

[aethon-recs]

This Week (x2) in Tomarrymort (25 October – 7 November 2024)

Hello again! We have two multi-chaptered fics finishing this week, highlighted below, as well as a bunch of delicious one-shots and chapter updates as always.

Completed Fic:

Sits the wind in that quarter by @mosiva (M, 61k, complete) “After something of a long absence, Lord Riddle, the Earl of Gaunt, had returned to London.” This is a really cool Regency and Omegaverse AU (how cool is that to see that combined??) that features a lot of courting, gossip and intrigue, social climbing, and Alpha Tom Riddle along with Beta Harry Potter.  Broken Tomarrymort Telephone: Collected Stories by @exquisite-tomarrymort-telephone (E, 109k, complete)  A Tomarrymort version of the Broken Telephone game — passing a whispered word or phrase around a circle, with it often evolving into something quite different as it goes from person to person. “In our version, the starting person received a secret prompt and wrote a fic based on it. They then created a prompt for the next person by summing up what they had written in a single sentence -- with the caveat that their prompt couldn't use the same words as the prompt they were given. This continued through twenty-six (26!) different authors and artists, each adding their own flair and creativity to the exercise. Which brings us to now! We're wrapping up the creation part, so it's time to start sharing it with the world. We hope you enjoy what we've created -- we certainly enjoyed making it.”

In addition, a recap of the author notes from last week. (Please feel free to add some extra context to your fic update in the reblog, such as a little bit about the chapter(s) updated, and I’ll throw it in the update for next week!)

every step i choose to take begins to set the world aflame by @boyneptunee (NR, 4k, WIP) “Tom Riddle wants to become immortal. He will do whatever it takes to achieve it. It gets him in the most interesting situations. (A Phoenix saves his life. The Phoenix is not a Phoenix.)” These Fragments We've Shored by @rowena-rain (M, 31k, WIP) “You call me here because you crave atonement, and only I can give you that. After all, I am the only other who knows what it means to tear one’s soul. Or, as one very astute commenter put it, "Enter Voldemort, the World's Worst Therapist!" (Sorry in advance - Voldemort basically wrote this chapter lol)” Touch of Death by @moontearpensfic (E, 6k, WIP) “An oviposition AU, where Eldritch Harry/Death gives Tom his eggs, which will protect Tom from, well, death. In chapter two, the eggs hatch.” Time Stumbler by @wintumnly (T, 96k, WIP) “One part of my slowburn Harry-raises-Tom series. It ends in Tomarry, but everything building up to that point is unhinged humor, not-good-at-feelings fluff, and angsty plot surrounding Harry and Tom's chaotic and ever growing affections for one another. Update 23 explores Unconditional Love, and there will be familial love, friendship love, flirtatious love, obsessive love and others in future parts.”

*

Tomarrymort One Shots and Completed Fic

Chapters 26 and 27 (Completed) of Sits the wind in that quarter by @mosiva

Chapters 1 through 27 (Completed) of Broken Tomarrymort Telephone: Collected Stories by @exquisite-tomarrymort-telephone

One Shot | Resonating Souls by @endlessburningdarkness

One Shot | Anabiosis by @lee-bella

One Shot | Bites and other Surprises by lemonchase

One Shot | Viticula by @crowcrowcrowthing @cindle-writes

One Shot | Speedrunning Danger by @i-dream-of-libraries

One Shot | Karma’s a bitch by @albondiguilla007

One Shot | It's Like This by @twopenguinsinabox

One Shot | Boulder On by @lumosatnight

One Shot | WTF, Potter?! by BvinYa_Raama

One Shot | a couple inches shorter by @2sidesofthesamesoul

One Shot | bloody money by @00queasy00

One Shot | Cerulean blue by @albondiguilla007

One Shot | It's Not Always What It Seems by dysproporsium 

One Shot | To be Entwined by @cyandenial

*

Tomarrymort Ongoing Fics

Chapter 6 of And the Living Will Envy the Dead by @k-s-morgan

Chapter 18 of A Simple Request by @shyinsunlight

Chapters 3 through 6 of in the silence by @satflesk22

Chapter 7 of Anytime, Anywhere, Always by @moontearpensfic

Chapters 15 and 16 of the stars, my destination by @milkandmoon-ao3

Chapter 11 of Ills of Murder by @shadow-of-the-eclipse

Chapter 2 of In My Lover's Room (i am free) by @hyalith

Chapters 1 through 5 of To the Hilt by @izharmilgram

Chapter 10 of Strings of Fate by dizzydreamer

Chapters 2 and 3 of If I were you by @onehitpleb

Chapter 25 of would that i'd loved (long ago) by @sprst1tion

Chapter 18 of with eyes like these (who sees anybody else) by @cealesti

Chapter 9 of 7 by @moontearpensfic

Chapters 3 and 4 of you speak of the devil (like he's not your friend) by @amuria

Chapter 24 of Time Stumbler by @wintumnly

Chapter 20 of Outrunning the Villain in You by @zenyteehee

Chapter 19 of Of Darkness and Luminescence by @mindchroniclesandbrainfluff

Chapters 6 and 7 of Memories of a Killer by @chemfreakwriting

Chapter 1 of ROOTED by @inhumanbby

Chapter 1 of baby, turn the bright lights on by @ictyn

Chapter 1 of Harry's No Good, Very Bad Day by @2sidesofthesamesoul

Chapter 15 of Double-Aspect Paradox by TimaeusKosmou

Chapter 15 of Saint Harry by @alenablack @chaos-bear

Chapter 7 of Fetters of the Damned by @sc0rpiflow3r

Chapters 131 and 132 of Liquida Tenebris (Remastered) by @dymis

Chapter 1 of Wish by @sri-verse

Chapter 10 of flour power by Kozzie

Chapter 5 of What quickens me is the violence in thee by @i-dream-of-libraries

Chapter 20 of Occultation by TimaeusKosmou

Chapters 21 and 22 of Learning to love by @l-archiduchesse

Chapters 1 and 2 of The Serpent and the Stag by @green-like-the-sky

Chapter 2 of Fake Boyfriend by J0305

Chapter 7 of i am anonymous, you are a concrete wall by Pensievable

Chapter 8  of we made universes out of bitten lips and broken hands by @boyneptunee

Chapter 8 of Lesmosyne by TimaeusKosmou

Chapter 2 of Your Wish, My Command by @moontearpensfic

Chapters 6 and 7 of Venom or Valor by @lightningant

*

[kiame-sama]

Would Papa Hades mind if I rant to him my frustration over how people always make him a ‘Bad Guy’ in our world?

Whenever Movies that have Greek Mythology in it, it always pissed me off when they make Hades the Villain (I feel like it’s just because Hades is the God of the Underworld that automatically makes him ‘Evil’)

Literally out of ALL the Greek Gods, Hades is actually the NICEST of the Gods (He was willing to let a mortal man take his wife out of the Underworld but he must not look at her because she’ll be sent back during the journey until they leave his realm) and was never unfaithful to his beloved Persephone

There was a myth that he had ONE lover, but that was BEFORE he met his Beloved

Would Papa Hades appreciate that I don’t see him as evil just because he rules over the Underworld? (Because since he’s one of the Great Seven so he’ll naturally be feared for his powers and authority)

Warnings: Papa Hades in his 50ft form, comforting ancient Shinigami, daily allotted sunshine/shade garden time,

For reference, this is approximately the current height difference:

~~~~~~~~

"-but I mean, why do they always have to make Hades out to be bad? I don't think my Hades is bad and I don't think you're bad either. You're probably the only one I've met in this world who didn't immediately try to make decisions for me. You haven't collared me, or taken me away from where I want to be, or tried to control me in any way. You're even letting me sit on your shoulder and talk your ear off in the garden because I wanted some time away from it all!"

The giant Shinigami was leaning his cheek on his hand, listening attentively to your every word. You both were seated upon a shadowy throne he had summoned in the stone and briar garden of Ramshackle. It was a good distance away from the building itself and no one was willing to tell the Shinigami he couldn't protect you.

Deep in the shadows, watchful eyes thought better of challenging a being of myth and power. Some were dissuaded from the prospect altogether, seeing such an ancient being so casually attending the soft Human prize. Not all who hunted sought harm, but even the insane knew better. Smaller predators will almost always give space to a bigger predator. No need to die this day.

The giant Shinigami was enjoying the history lessons from your world, curious that your own history had beings so similar to him that even shared his name. He also appreciated the fact you were so passionately defending his doppelganger in your world. Truthfully, the similarities between him and the Hades of your world was not lost on him. Perhaps the Humans of your world were originally from Twisted Wonderland and simply forgot over time after crossing to a different realm. If that were the case then he had much to consider.

Still, he appreciates how relaxed you are around him, now trusting in his willingness to act in your best interest. He had always afforded all of the Humans under his protection the ability to choose. The only difference now was he had to keep a closer eye on you than he did the Humans leaving his isle.

"I'm glad to be living up to your expectations, Little One. So long as it is your wish to stay here, I will aid you however I can. Young Idia has updated your phone to contact me directly should you ever have need. I must say, it is nice to hear of your home, you speak so little about it. I'm sure you have your reasons, so I won't pry. I'm thankful you trust me enough to share all of this with."

"Well, it's hard not to trust you. You've kind of been amazing."

It soothed the wounded depths of the old Shinigami's heart to hear such earnest words. You truly did trust him and he treasured that more than you would likely ever know. The mourning shawl had adorned him many long centuries. Those centuries were some of the most painful for him, yet that pain was lessened and balmed by your simple trust and affection. He treasured that.

[thunderingreign]

The solution is to build up power inside our local communities outside of capitalism by getting involved with (or starting) an organization seeking to do that. We have to look to Leftist organizers for guidance. We have to look to historical Leftist strikes, resistances, and rebellions and learn from them, critically sifting through the actions of the past in order to not make the same mistakes.

“Be A Revolution: How Everyday People are Changing the World and You Can Too” by Ijeoma Oluo is an AWESOME book to read if you are feeling hopeless, drained, or are looking for how to start. One thing Oluo helped me with was realizing how capitalist-fucked my imagination was— every solution I could think of was a half-measure and I always felt overwhelmingly unsatisfied at the progress that my imagined solution could affect. Once you realize how powerful imagination is, you realize how we need to weaponize it as a means of deradicalizing people out of the death cults of fascism and capitalism, and you realize just how possible that really is. The first thing you’ll need to do when organizing is convincing other people to have hope— which is to imagine a better future.

Oluo also relays a LOT of accounts of how specific people went about starting organizations in response to the terrible conditions they were experiencing. There are men who are working against the patriarchy in prison— teaching their fellow men about how they’ve been trapped in a cage of toxic masculinity before ever being imprisoned. There are people dedicated to teaching about hierarchy and the functions of oppression. I haven’t finished it yet but the accounts I’ve read so far have changed everything for me.

So, what can you do?

First off:

Take care of yourself. You matter in so many ways to the cause— more than what you can do to make change, you are a beacon for people around you. You are a lover, a friend, a comrade. We must care for ourselves because we are loved and valued and losing us will only add to the despair people are already contending with. We must remind ourselves and each other that people are relying on us and not better off if we’re gone.

Focus on the humanity of the people around you. Are you surrounded by republicans? Focus on your mutual interests and don’t assert your differences— people will work with you while still calling themselves conservatives, so take advantage of that. You don’t have to be friends with everyone in the movement, even if having friends already engaging in direct action makes it way easier to do so yourself. Remember our goal is not ideological purity— it’s affecting change and change is all about numbers.

Keep moving further Left and continue questioning authority. These problems have been going on for hundreds of years, and they were never going to be solved by a system that exists to arbitrarily prevent people from access to human needs. We must look to the people who have already been in the fight rather than continue deferring to politicians.

If you’re able:

Volunteer at any local organization that is providing food or shelter— even if they are conservative, volunteer. Having that volunteer experience can help you see how those organizations are structured and who in your community is being failed by them.

Start an org for needs that aren’t being met in your local community. Start as small as you can, even as simple as starting a community garden in your backyard. It will snowball if it is helping people.

Find a spot to set up a free store. We all have stuff we don’t need anymore, instead of selling it or giving it to a thrift store, give it away to someone.

Print posters and zines and hand them out outside of high schools. We need to be engaging in tactics that work to bring young people further left and a part of that is simply informing them.

And since this is not a comprehensive list, continue seeking out radical solutions from authors and activists who have dedicated their whole life to studying and explaining. Look to the people who have been doing grass-roots organizing for years.

If you’re disabled:

spread information about how oppression functions and how to organize an assembly— you can explain to people who don’t have the time to study or who have a learning disability that make it difficult to parse the thousands of words that are used in explanation. Synthesizing info so that it is accessible to all is CRITICAL

start an artist coalition with friends and make provocative art that makes people think twice about all this shit. People are not aware of what their options are. They are also just trying to survive under capitalism.

share your knowledge on essential skills with your friends (gardening, opsec/infosec, conflict resolution, etc.) There are people who are working in these orgs that could use the expertise that you have.

Books on my TBR that could be helpful:

They Will Beat the Memory Out of Us: Forcing Nonviolence on Forgetful Movements by Peter Gelderloos

The Solutions are Already Here: Strategies for Ecological Revolution from Below by Peter Gelderloos

Beyond Cop Cities: Dismantling State and Corporate-Funded Armies and Prisons edited by Joy James

Renters Unite: How Tenant Unions Are Fighting the Housing Crisis by Jacob Stringer

Against Technoableism: Rethinking Who Needs Improvement by Ashley Shew

Let This Radicalize You: Organizing and the Revolution of Reciprocal Care by Mariame Kaba, Kelly Hayes, Maya Schenwar

Surviving the Future: Abolitionist Queer Strategies by Shuli Branson, Raven Hudson, Bry Reed

We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice by Mariame Kaba, Tamara K Nopper, Naomi Murakawa

Becoming Abolitionists: Police, Protests, and the Pursuit of Freedom by Derecka Purnell

Unbuild Walls: Why Immigrant Justice Needs Abolition by Silky Shah, Amna A Akbar

A People's Guide to Abolition and Disability Justice by Katie Tastrom

is this fucking SATIRE??????????????????????

[ot8xbangchansgirlsblog]

𝕃𝕠𝕤𝕥 𝕤𝕠𝕦𝕝𝕞𝕒𝕥𝕖

Chapter one:

Summary: Y/N meets Nabi.

✩₊˚.⋆☾⋆⁺₊✧

“Good morning, welcome to Megaversé Café. I'm Y/n. How can I help you today?” Y/n asked politely, her tone warm as she greeted the man standing in front of her. Her gaze lingered on him for a moment longer than usual—he was undeniably handsome. His striking black hair was perfectly styled, and his outfit was sharp and carefully put together. His presence was commanding, like he carried a weight of authority wherever he went.

Y/n’s omega instincts tingled at the powerful aura he radiated, and when his scent hit her nose, it made her pulse quicken. It was the scent of an Alpha, one that could make any omega instinctively feel both drawn to him and slightly intimidated. She swallowed, trying to remain composed, but she couldn’t deny how her body subtly reacted to him, her instincts urging her to be cautious yet respectful.

“Umm… hello,” he spoke softly, his voice calm yet full of purpose. “I heard you run a daycare here? Is that true?” He flashed a polite smile, his eyes briefly roving over Y/n’s face. She was quite beautiful, he noticed, though something about her also felt… different. There was a vulnerability there, one that intrigued him.

“Oh right, yes, we do, sir,” Y/n answered, her smile widening as she relaxed a little. “Are you interested in the program?”

“Yeah,” he nodded. “My mates and I are looking to enroll our pups.” He paused, searching her face for any signs of judgment or surprise. “Is that possible?”

“Of course, sir,” Y/n said eagerly. “You’re in the right place. If you just follow me, I can introduce you to the person in charge of that area.” She gestured toward the door on the opposite side of the counter.

The man, who introduced himself as Chan, gave a small nod of approval and followed her closely. Y/n couldn’t help but notice how attentive he was to his surroundings, his eyes sharp and calculating, like he was weighing every detail.

They made their way down a hallway that led to a spacious daycare center, and as Chan entered, he was immediately impressed. The room was bright and inviting, filled with colorful toys, and it felt like the perfect environment for children. He nodded to himself, already picturing his pups playing in this space.

"So," she began, trying to make small talk to ease her nerves. "Do you have any specific requirements for the pups? Anything you'd like to know about our program?"

"No, just... a safe environment," he replied thoughtfully. His gaze swept the hallway as they passed, and Y/n couldn't help but feel his eyes on her, studying her closely. She glanced over her shoulder, catching the faintest hint of a smile on his lips as he continued. "We just want them to be well taken care of."

She pushed open the door to the office, where a young woman with short, spiky hair was typing away at her laptop.

“Right, okay, this is Yenji. She’ll be able to help you with everything,” Y/n introduced him to the woman sitting behind the reception desk.

“Okay, thank you,” Chan said, squinting a little, trying to recall Y/n’s name. “I’m sorry, could you remind me of your name again?”

“Y/n,” she replied quickly with a soft smile. “If you need anything, don’t hesitate to ask.”

Chan nodded, but as he turned to face Yenji, something about Y/n lingered in his thoughts. Her scent, her movements… his alpha side immediately picked up that she was an omega. It wasn’t just her scent; it was the way she carried herself, the soft yet polite mannerism. There was no mistaking it.

“Thank you once again, have a good day,” Chan said, offering a polite smile. He waved goodbye, and Y/n returned the gesture, heading back toward the counter.

As she walked away, Chan’s curiosity got the better of him. He turned to Yenji. “Is she an omega?” His voice was low, careful not to make it sound like an interrogation, but the question hung in the air.

Yenji chuckled softly, looking up from her laptop. “We normally can’t disclose that kind of information, sir…” she trailed off, her tone turning conspiratorial. “But yes, she is.”

“Ah, I see,” Chan murmured, nodding in understanding. He felt a small pang of something he couldn’t quite identify at the thought, but he quickly pushed it away.

“Oh, don’t worry,” Yenji said, waving him off. “You’re not the first to ask about her. She’s new around here, and she definitely has an effect on Alphas. But she’s a sweetheart, really.”

“Hmm…” Chan hummed thoughtfully. He was still trying to figure her out, but that would have to wait.

Yenji smiled, shifting gears back to business. “Now, shall we get started?” She gestured toward the chair across from her desk. “Please, have a seat.”

Yenji looked up from her laptop, her expression polite but curious. "How can I help you today?"

Chan smiled warmly at her. "I heard you run a daycare for pups. My mates and I were hoping to enroll them."

Yenji raised an eyebrow, clearly intrigued. "Of course, we can help you with that. What are their names and ages?"

Just then Nabi’s stroller had just rolled in, and it was Felix, Chan’s mate, who was rushing in with the child.

"I'm so sorry I'm late!" Felix's voice echoed as he hurried into the office, his face flushed with stress. "Nabi was having a meltdown, and the twins got into a fight. It’s been a whole morning!"

Chan's expression softened as he stepped forward to help Felix with the stroller. "It’s okay, don’t worry about it." He gently took the baby bag from Felix’s arms, giving him a smile. "You’re here now. That’s what matters."

Felix sighed in relief, looking over at Yenji. "I’m so sorry we’re late. I hope this doesn’t cause too much trouble."

Yenji waved off his concern, giving him a reassuring smile. "Not at all! We were just going over some details."

Chan and felix sat back down, and the conversation shifted to the practicalities of daycare for their pups. Chan, always a man of few words, laid out the details clearly but Felix was the one doing most of the talking.

“We have seven pups in total,” Felix began, his eyes lighting up at the mention of his little ones. “They haven’t presented yet, so for now they’re just regular pups. We were hoping you could take care of them during the day while we run the pack’s village.”

Felix looked at Yenji with a sheepish smile. “Did you tell her who we are?”

“No,” Chan said, leaning back in his chair. “We’ve been trying to keep it low-key, but it’s hard with how well-known our pack is.”

Felix sighed, shaking his head. “You’d be surprised. Some places don’t care who we are. We’ve had a hard time finding a daycare that’ll take this many pups.”

Yenji’s eyes widened in disbelief. “No way. People refuse you? I don’t get it.”

Felix ran his fingers through his hair, looking frustrated. “They don’t know who we are half the time, and even if they do, we’re still rejected. But we’re glad you can help us.”

Yenji blinked, looking up from her notes. “Wait, a village?”

“Yeah, our pack runs a whole village. We’re the SKZ pack.”

“Wait, the SKZ pack?” Yenji gasped, dropping her pen in surprise. Her eyes widened as she looked from Chan to Felix. “I didn’t realize—wow, it’s such an honor to meet you! I’ve heard so much about your pack.”

Chan chuckled softly, clearly accustomed to the reactions his pack’s name stirred. “Yes, that’s us,” he said with a smirk, though his tone remained humble. “But we’re just a regular family. No need for all the fanfare.”

Yenji couldn’t help but smile. “Right, right,” she said, trying to gather herself. “So, about the pups. How old are they?”

Chan ran through the details smoothly. “Eunji is the oldest, seven years old. Then there’s Joon, who’s also seven but a few months younger. The twins, Aera and Hwan, are six. Tae will turn six soon. Chul is four, and Nabi just turned one last month.”

Yenji scribbled down the information, noting every detail. “Okay, and do they have any dietary requirements?”

“Not really. Their other mum is very strict about their diets, but they’re mostly fine with whatever,” Felix said, though he smiled fondly at the thought of his mate’s fussing over their pups’ food. “They’re picky, but nothing unusual.”

“Alright,” Yenji nodded. “Any illnesses we should know about?”

“Not at all,” Felix replied, thinking for a moment. “Well, Joon did break his arm last week playing in the backyard, but it’s nothing serious.”

“A broken arm?” Yenji raised an eyebrow, noting it down. “Okay, does he need any ongoing medication?”

"Hmm…" Felix thought for a moment. "Just a few things. Some painkillers here and there, and… what’s it called, babe?" He turned to the man.

"Intranasal and dietary supplements," Chan answered, smiling a little sheepishly.

"Right," Felix nodded. "That’s about it. Other than that, they’re pretty healthy."

Yenji gave them an understanding look, eager to help in any way she could. "No problem. We can definitely accommodate that."

"Is there anything specific you’d like to ask about the kids? Diapers, snacks, or dietary restrictions?" Felix asked.

Yenji spoke up. "Actually, does Nabi wear diapers?"

"Yes, she does," Felix confirmed, Yenji started jotting something down. "But we always pack extra in her bag. No offense, but I’m a little bit of a control freak when it comes to what diapers she wears. I also prefer if the kids don’t borrow clothes from other children."

"That’s totally understandable," Yenji nodded, not in the least offended. "We’ll make sure to accommodate that. Actually, I’ll reserve some lockers for you to store extra clothes. Just in case they spill something or need a change."

Felix seemed to relax a little at that. "I appreciate it," he said, looking over at Chan who gave him a reassuring nod.

"I have a question," Chan spoke up, still eyeing the room. "What does their schedule look like? I’m also a little concerned about the cafe being so close by… Anyone can just walk in, right?"

Yenji shook her head immediately. "No need to worry about that at all, sir." She smiled warmly, clearly proud of their security measures. "This is just the front office. I’ll take you to the back where the daycare rooms are, and you’ll see—no one gets in without their parent cards."

"Parent cards?" Chan’s brow furrowed, clearly confused.

"Yes, every parent has to have one to get through the door," Yenji explained, gesturing toward a scanner by the back door. "You just swipe your card, and then the system uses facial recognition to verify your identity. You’ll also need to sign in whenever you pick up or drop off your pups."

Felix raised an eyebrow, clearly intrigued. "Okay, but let’s say I lose my card, and someone tries to use it. What happens then?"

Yenji chuckled lightly. "They wouldn’t get through because of the facial recognition system, and our security personnel would definitely stop anyone who wasn’t familiar with the kids. We take safety very seriously here."

Felix purred, clearly satisfied with that answer. "Hm, I like this place already."

"I’m glad to hear that," Yenji replied with a smile. She continued, "As for the kids' schedules, it really depends on the day. Most days, they’ll do arts and crafts, reading, and even digital games. The older ones have structured activities like sports, while the younger ones do more normal activities like sensory play or free time."

"Can we get a copy of their schedule?" Felix asked, clearly curious.

"Of course," Yenji said, scribbling down a few notes before handing Felix a sheet of paper. "Also, we need to know who will be picking up the kids. We’ll get cards made for those individuals as well."

Chan spoke up again, organizing the details. "It’ll mostly be the moms—Han and Felix—but some days, Lee Know and Hyunjin might need to pick them up. So, we’d need cards for all eight contacts."

"Eight?" Yenji blinked in surprise.

"Yes, our schedule is complicated. Trust me, it’s easier this way," Chan chuckled.

The conversation shifted to timing after. "Daycare officially runs from 6 a.m. to 12 p.m., but if that doesn’t work for you, we can shift it to 9 a.m. to 3 p.m."

Felix quickly jumped in. "Oh, hyung, can we do the 9 to 3 shift instead? It’ll make it easier for you guys to work in the afternoon, right?"

Chan nodded, thinking it over. "Yeah, I think we’ll go with that."

Yenji jotted down the change. "Got it! We’ll adjust that for you."

As the meeting continued, Felix turned to Yenji with a slight smile. "So, who exactly is in charge of the kids? We just want to make sure they’ll be in good hands."

Yenji smiled back. "Only omegas are in charge of the kids here. We don’t hire alphas, except for security."

Felix let out a relieved sigh. "Thank God. I don’t trust any alphas with my kids unless I’m around."

Yenji smiled, understanding the concern. "I’m a beta, by the way. We’ve got a few of us, but we’re all trained extensively. Your pups will be in great hands."

Felix’s shoulders relaxed at that. "I’m happy to hear that."

"And we have a nurse on staff at all times," Yenji added. "You’ll just need to fill out a medical form. The fee for each pup is 279,640 won."

"Wait, what?" Chan gasped dramatically, earning a playful slap from Felix.

"Hyung, stop it," Felix giggled, swatting him playfully.

Chan pouted. "You omegas are going to make me run broke."

Yenji laughed at their playful exchange. "It gets worse, I’m afraid," she teased.

"Oh God," Chan groaned. "How much more?"

"We can discuss the fees later," Yenji said with a chuckle. "First, let’s finish the campus tour."

Chan grinned. "We’re not buying a new car."

Felix faked a pout. "But baby…"

"Absolutely not unless you’re getting it out of Changbin or I.N's account," Chan teased, looking at Yenji, who couldn’t help but smile at the dynamics of the pack.

Finally, it was time to wrap up the meeting and head for the campus tour. "We can leave Nabi in the stroller while Y/n watches her," Yenji suggested, getting up from the desk. "Don’t worry, she’ll be safe."

Felix’s omega instincts immediately protested. "Uh... Alright, that’s fine," he said reluctantly, but Yenji noticed the concern in his eyes. He didn’t know her, but he didn’t want to leave Nabi with anyone else.

Yenji quickly excused herself to grab Y/n, who was just outside the office. "Do you need me to remove my scent patches?" Y/n asked politely when she entered the room.

"Can you?" Felix asked, his voice soft but firm. "I just don’t want her to get fussy. And please, don’t scent her. I don’t feel comfortable with that."

Y/n gave him an understanding nod. "Of course, I’ll make sure to be gentle with her."

As Chan slowly handed Nabi over to Y/n, he sighed. "God, she’s getting heavy."

"Well, you know how Changbin gets about skinny pups," Felix teased as he adjusted the baby bag.

Y/n carefully cradled Nabi, the little pup settling back to sleep with a small sigh.

Chan, who had been watching all this with a bemused expression, let out a loud huff. "Can we hurry this up? I’ve got a studio session in an hour."

Felix chuckled, shaking his head. "Alright, alright. Let’s go."

"Shall we?" Yenji asked, gesturing toward the hallway. "Follow me, I’ll show you where the daycare rooms are. This area is just for the front office, so it’s not where the kids will be spending their time."

Chan and Felix exchanged a look before following Yenji down the hall, their footsteps echoing in the quiet building. The daycare was spacious, with colorful walls and a number of rooms dedicated to various age groups. As they passed a playroom, Chan’s eyes flickered toward it, noticing the well-organized space and the ample toys.

"This place is bigger than I expected," Felix commented, clearly impressed by the setup. "It seems really well organized."

"We take pride in our facilities," Yenji said with a small smile, leading them into the main area. "We’ve got separate rooms for different age groups."

"Sounds like it’s well-thought-out," Chan said, nodding approvingly.

They made their way through the different sections of the daycare, which were full of age-appropriate toys and even small rest areas. There was a quiet, calming atmosphere to the place, and the alphas were reassured that their pups would be safe here. The walls were decorated with happy drawings from other pups, and each room had its own dedicated staff, all of whom were betas or omegas—never alphas. The care here was personal, and it was clear that the staff was well-trained and genuinely cared about the pups.

As they returned to the office, Y/n was sitting on one of the office sofas, rocking the baby gently with one hand while cooing softly at Nabi, who was still tucked under a light blanket.

"Oh, you sweet little thing," Y/n whispered, a soft smile on her face. The little pup stirred slightly but stayed asleep, her small hands curling into tiny fists as she nuzzled deeper into the warmth of her blanket. Y/n’s omega instincts kicked in as she carefully and gently rocked her, murmuring quiet words of comfort. It was almost like an instinct, this bond that formed between omegas and pups. She couldn’t help but feel a swell of affection for the baby in her arms.

Felix and Chan returned, clearly pleased with the daycare’s setup. Chan took one look at the sleeping Nabi in Y/n’s arms and smiled.

"Looks like she likes you," Felix commented softly, walking over to gently lift Nabi out of Y/n’s arms.

Nabi woke up with a small whimper but settled back when she saw Felix, her mother. "I think she really likes you, Y/n," Felix added, chuckling softly as he took his daughter into his arms. "She’s a little attached."

Y/n smiled warmly, her heart fluttering. "She’s just precious," she cooed, watching as Felix carefully adjusted her in his arms.

“She’s so cute, right?”

Y/n smiled at the baby in her arms. “She’s adorable.”

Felix’s voice softened as he chuckled. “She takes after I.N, I think.”

"It was an absolute pleasure working with you both," Yenji said, excited that such a well-known pack would be joining their daycare.

"I’ll be seeing you on Monday then," Y/n added, her smile warm but slightly bittersweet.

"Yes you will," Chan responded pulling out his phone to check a message.

After completing the final bits of paperwork, Chan, Felix, and Yenji exchanged a few more pleasantries, clearly satisfied with their decision to enroll their pups here.

As Chan, who had been watching all this with an amused smile, stood up, he gave them a friendly wave. "Have a good day, guys!" His voice carried a light tone, though his eyes flickered a deep red for just a second.

Y/n blinked in surprise at the brief flash of red in Chan's eyes. It wasn’t something she saw often, but the flicker was enough to make her heart skip a beat.

Chan was more focused on the fact that Y/n’s scent was undeniably strong now. His alpha instincts reacted involuntarily, stirring a sharp, deep craving within him. He quickly averted his gaze, trying to control the pull he felt.

Damn, he thought, swallowing hard. Her scent is so strong…

✩₊˚.⋆☾⋆⁺₊✧

A/N: This was kinda messy but i just wanted to get the series a start so bare with me.

Taglist: @ihrtlix@bowsnbang@katsukis1wife@thegingerthatwaited@thicccurls

@xxeiraxx @paleangelsweets @klaydohart @eastleighsblog @ivrespace

@galaxy4489 @purplepursepaint @catlove83 @sillystormsstuff @iwuberic

@cocofia143 @royal-shinigami @virluna148 @galaxycatdrawz @memersanonymous

@skz-stay13 @seungminsbest @hogwartslife64 @sinfulfic @hyunnesblog

@maisyyyyyy @cluelessred3 @leezanetheofficial @cocofia143 @lemonn015

@kkamismom12 @mei0packet @igetcarriedawaywithyou @hyuneyeon

taglist: closed :(

[allaboutnayeli]

BREAK DOWN YOUR WALLS, OPEN UP YOUR HEART / lia wälti x reader

ah, ah, oh let my love adorn you, baby don't you ever don't you let nobody tell you different, baby i'll always adore you you gotta know now you got to know, know, know

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀━ adorn, miguel

summary: you never felt like you belonged until lia came along.

contains: shy!reader, mentions of loneliness, low self-esteem, and isolation, oblivious lesbians, katie being a menace, time-line is slightly messy

author notes: wrote this for my girls who have felt like they are in the background their entire life and wish someone would notice them 🩷 it's okay, i see you because i am you.

you know those people that can light up a room just by walking into it? the ones who command attention just from their presence alone?

well, you aren't one of those people.

instead, you're the type that walks in and slowly blends into the wall. the one who awkwardly looks around, listening in on everyone's vibe. trying to see where you can squeeze in (it always ends up being nowhere, by the way).

that's just how you been since nearly forever. you remember family members and teachers commenting on how you were so quiet, they would forget you were in the room with them sometimes. was it a compliment or a foreshadowing of a trait that would turn into a flaw? who knows, you were six.

it's not that you don't want to put yourself out there. you do, but it's just so hard. it seems like everyone else has it figured out, and you're the only odd one out. everything about you has always been standoffish and anxious. a mind that's desperately trying to disguise itself as normal.

you just didn't fit in. that was obviously your place in life whether you liked it or not.

the only place you ever fitted in at was football. not amongst the likes of the locker room but out on the pitch. you knew exactly what to do with a ball between your feet like there was language between just you and the ball. that's why you made the sport your everything, putting your all into it even when others would question why you were so passionate. they wouldn't understand; they fit alongside the other puzzle pieces of society while you were an outside piece that was meant for a different puzzle. one that involves a ball, a net, and a pitch.

still the moment you stepped a foot off that pitch, your puzzle would fall apart.

that's just how it is.

that's why your expectations when you transferred to arsenal were pretty low. coming from tottenham, where all the other women were lovely but you weren't ever really apart of the circle outside of football, you expected things to go the same way at the red and white club.

and at first, it did. your first week went pretty well. got introduced to everyone, made small steps towards being apart of the team chemistry on the field, and even talked a bit in the locker room. however, overall, you stayed to yourself. the first to arrive at the locker room and the first to leave. keeping your cubby spot pretty much spotless because you didn't want to take up much space.

it's not the rest of the arsenal girls didn't try to include you, but everytime you saw a text in the groupchat about making plans or heard everyone talking about doing something outside of the practice grounds, you shyed away from it. feeling too out of place to join in. why even go if you were just going to sit there and be silent watching everyone else like some creep? more like some loser. you didn't think anyone noticed your absentness from every outing that wasn't mandated as a team bonding activity. nobody has that much interest in me anyways, so there is no point of going you thought to yourself when the loneliness really got to you.

expect someone did take interest. it just seems like you were so into your own head about your awkwardness and being outside of the group that you didn't notice the looks from one of your teammates.

"feels like i rarely see you even though we play on the same team," the sweet voice of lia rings in your ears as you sit out near the bonfire. this is your first time hanging out with the team outside of practice and matches, a mandated team bonding hangout at leah's. while everyone else was in the house enjoying the warmth of the heating, you were outside in your coat. sipping on your coffee with tons of sugar and cream in the england fall weather. why? you just needed some air was your excuse, and no, you didn't need anyone to come sit out there with you is what you said when kim asked. in reality, your mind couldn't take sitting on the couch beside everyone while they talk like they have known eachother since forever even though they basically have, and you're the only one out of the loop. your own fault for not coming out with everyone else more, you guess.

you shrug with a shy smile, "yeah.. i don't talk much, so that's probably why." it feels self insulting to say that, but it's true.

lia smiles before taking a seat next to you. she scoots over until your thighs touch. her eyes glance at you with a questioning look, is this okay? they say.

you respond with a smile back, not moving away from the contact. how could you feel uncomfortable when lia is looking at you with those eyes that feel carved out of a renaissance era painting and that smile that would even blind angels.

were you attracted to lia? maybe a little. she's pretty and from a far you have seen her personality shine so well when she's joking with everyone else in the locker room. you couldn't help yourself.

"nope, that's not it," lia takes a sip of her own coffee, "viv didn't talk a crazy amount, but she still was apart of us. you act like you don't want to be around us."

oh, okay. her words surprise you. it wasn't like you were ever rude or actually turned down an invitation to hang, you just didn't go. acting like you barely read the groupchat and didn't hear the girls talking about plans. you never thought anyone noticed you not being there anyways.

caught in your own thoughts, you stay silent for longer than you meant to. lia takes your silence for offense and immediately starts to apologize, "not that you aren't a great teammate or anything. you're amazing! just wish we could see you out of those kits more."

oh.

oh, shit. she wants to see you more outside of football. not just lia, but the whole team.. maybe? that's what implied, right?

"i want to see you guys outside of football, too. it's just.." you struggle to find the words to say. not that you didn't know why things were this way, you did, it's just.. you don't want to sound like a loser.

lia licks her lips, probably due to the cold, before saying, "i get it. i know how hard it is to fit into a new team. took me a while to get comfortable here, too, especially with all the big personalities." the brunette gives you a warm smile, one that you return. the two of you sip at your coffees at the same time. somehow, you're already synced. foreshadowing? perhaps.

she knows. lia knows how you feel in a way. these feelings you hold aren't just your own, and that's comforting.

"...yeah. i'm just a little scared, you know? it just feels weird to try to talk with everyone else. i never know what to say," you explain softly. it feels like a weight is lifted off your shoulders as you speak the words into the cool air.

lia makes this cute frown expression that makes you flush slightly; maybe it's the cold. she's really cute. why haven't you been paying more attention before?

"i was excited when i heard you were signing with us. you know, i been a fan of your play for a while now. we even played against eachother once at the international level.. i don't know if you remember that, though," lia looks slightly bashful. that makes your heart flutter because you have never seen lia shy before. just her comfortable presence amongst the others. she looks at you, fluttering her eyelashes all pretty when she notices that you're looking intently at her. she continues on, "and everyone else were excited too! still are. basically, what i'm saying is we want to get to know you. don't shy away from us. i swear we don't bite."

lia winks at you before standing up, giving you a nice pat on the shoulder.

"my coffee is nearly empty and it is way too cold to be out here. come inside when you're ready? no rush, of course. it's just i know beth probably pulled everyone into doing some games and i wouldn't want you to miss you. we all wouldn't want you to miss out" and with that she leaves, going back into leah's flat.

your heart is pounding as you take in everything that just happened. everyone on the team wants you around, lia wants you around. you didn't realize how badly you needed to hear that until now. your soul use to be fine with going throughout the world without a solid place to call home, but now maybe arsenal might be that spot to anchor down to.

lia left you feeling warmer than the bonfire a few meters away from you.

i might as well you think to yourself before getting up and going inside of the flat. your coffee is nearly gone anyways.

slowly, but surely you are pulled into the arsenal circle. it started out with lia inviting you out for brunch with leah, beth, and vic who brought along laura. arriving at the cute little shop, your heart was pounding in your chest. the sound blocking out everything else going on. why did your walk feel so awkward as you approached the table? god, you're so weird. why did you even come?

that's how you felt at first until lia smiles at you. she gestures for you to come sit next to her, and you happily do. everyone greets you as well. it feels so nice to be included.

"hey guys," you say softly. of course, you overthink those words. wondering if you should have said something more interesting. seems like no one else thinks the same as they immediately pull you into the conversation.

the rest of brunch goes really well. you don't talk a crazy amount, but you are definitely apart of the conversation. the best part was when during the middle of brunch when lia patted your thigh, making sure you were doing alright. for just a moment, you two just looked at eachother, exchanging words with just eyes alone.

is this okay?

better than okay.

apparently, time flies when you're having fun because brunch is over before you know it. saying goodbye to everyone doesn't feel like you're exiting a room that never wanted you there. you don't leave feeling empty and embarrassed. instead, you leave feeling fulfilled from a good time had.

you even get a few hugs before everyone drives away. everyone expect lia. she stays near your car, leaning against the metal. the brunette smiles at you warmly when you come closer, having just said goodbye to vic who's gone now.

"i carpooled with leah here and told her i would carpool with you on the way back. i wanted to check up on you without everyone else around. is that okay?" the care and slight nervousness in her voice makes you want to hug her. would that be weird?

you don't dwell on the thought. replying to her with, "more than okay. i'm so.. happy right now. that went better than i thought it would."

"told you. we want you around," lia chuckles, playfully giving your hand a soft pinch when you come close enough. the contact has your cheeks flushing, but you ignore that. grabbing her hand fully.

"yeah, yeah.. i know now. thanks for showing me." you pull her over to the passenger side of the car, opening the door for her. unfortunately, you have to let her hand go to allow her to get in the car, but it's all good when you see the smile lia flashes you. of course you flash her a smile back before shutting the door and going around the car.

as you reach the drivers seat, you think over what just happened. when did you get so comfortable with lia to just grab her hand? when did you two get so close she could pinch yours? and who are you to open the door for her? when did you get so bold?

lia is definitely bringing a different side out of you.

you reach lia's flat in twenty minutes that feel even shorter than that because you and lia were singing along to beyonce the entire way.

she unbuckles her seat belt but doesn't get out of the car. licking her lip before looking at you with a soft look.

"this was nice. i hope we can do this more often," lia's hands go to play with one of the pockets on her cargo pants.

thinking she's referring to the brunch, you nod with a smile, "totally. i didn't realize going out with others could feel so.. good."

lia's own smile widens. feeling happy and pretty satisfied with herself that she helped you reach this point even though it's just a small step.

one small step for you is the key to a great future where you're apart of something. a future that you deserve.

"yeah, that's great and i'm so glad you came out with us but that's not what i meant."

oh. you give her a look of confusion, your heart pounding slightly at her tone.

lia gives your a look of confusion a giggle in return. "what i meant was.. it was nice getting some alone time with you. screaming beyonce at the top of our lungs was fun! and i hope we can hang out more. just the two of us."

before you can respond, she gets out of the car. giving you a soft smile after she shuts the door.

"see you tomorrow," lia says.

still processing what she said two seconds ago, you spit out a simple, "see you!"

your mind is still hazy as you watch her walk up to her flat and enter it. only then, at the sound of her screen door shutting, do you snap out of your mind and drive off.

that day was the start of something special.

lia and you started getting closer. you started getting closer to everyone on the team, something you never thought would happen.

coffee with leah, dinner with caitlin, shopping trip with lotte. you were slipping into the puzzle that was arsenal instead of slipping through the cracks like you always do. having close friends was a change, but a nice one. when something exciting happened to you, there were actually people to tell. when you were bored out of your mind, there were people to ask to come over. when you had gotten sick with a cold, you could ask someone to come over, and there were people beside your parents, who actually cared to know if you were feeling any better. all this was attention was so new, but very much welcome.

especially attention from lia who hasn't stopped keeping you close since that bonfire hangout at leah's. after the brunch, you two have just gotten closer. way closer than you are to the others. tons of hangouts, getting eachother coffee before practice, carpooling to team hangouts, calling, and texting all the time. you even noticed her giving you some looks in the locker room sometimes. that never bothered you since.. you were taking a few looks at her, too.

lia was really becoming your person, and everyone else could see it from a mile away. the rest of the arsenal girls never said anything about it, not wanting to push you back into the shell you had just come out of.

everyone but katie mccabe.

the irish woman has been making subtle jokes about lia and you since she noticed the obvious tension between you two. you mostly ignored them, not even believing lia looked at you in that way. you may have gained alot of confidence by putting yourself out there more with lia's help, but some insecurity still hangs around for old times sakes.

you never saw any truth in those jokes until a match made all the pieces fall together in your mind.

the moment happens during a london derby. the score is currently a draw of 0 to 0. both teams are equally frustrated. the adrenaline in your system is on a high as the minutes pass by. the match is nearly over, and you refuse to allow arsenal to leave this pitch without at least one goal. you see your chance when frida passes you the ball, and you're off. sliding your way through chelsea's defense until there is just one obstacle left, zećira. there's a split second where her eyes move from the ball to you and that second is your chance to aim straight for the right side of the net.

more than half of the crowd erupts into cheers as the ball goes flying past zećira, hitting the back of the net. you can't even think about the cheers as someone jumps onto you with full force. immediately you know it is lia just from scent alone. her flowery perfume is a staple in your mind alongside a list of lil trinkets about the swiss woman. lia's face finds it's home right in your neck, her arms around your shoulders and legs around your waist. you would have a bigger reaction to the feeling of lia clinging to you like a koala, but there's no time as everyone else joins on the hug. shouting at the top of their lungs about the

the moment is soon over as you all have to get back to the game, but you carry that happiness from the goal with you even after the match ends. the minutes run out and the match ends in favor of arsenal; all thanks to you, by the way. that's what everyone keeps reminding you of as you change in the locker room. playfully you joke back (something you never thought you would do with your teammates) that it was just a lucky shot, nothing crazy. everyone pushes back against of course with lia being the loudest about her disagreement.

then of course, katie has to come in with a joke about how lia was a little too happy.

"is lia going to reap the benefits of this win when you two get to your place or what?" she says with a teasing smile on her lips.

the implication makes you turn away from everyone else and hide at your cubby, acting like your shirt was the most interesting piece of clothing you ever seen.

lia, fed up and slightly afraid katie's jokes are going too far, hits back with, "and if i was? what do you have to say about it?"

of course, her tone is light. it's a joke you want to remind yourself, but your mind and godforsaken feelings run with that sentence. it feels like there is something more underneath the playfulness. you should know, lia has pressed her way into every aspect of your life for three months now.

ever stubborn katie doesn't back down as she says, "i would say i'm not surprised. everyone knows you like each other."

lia and the rest of the locker room goes silent at that. it feels like all the blood in your body just rushed to your head as you take in what katie just said, no joking, all seriousness.

there is slightly awkward tension left in the room as everyone goes back to changing and joking around about other things not lia and you related. usually awkwardness would make you slightly anxious and overthink, but you can't overthink about the tension when you're already overthinking your relationship with lia right now.

have your feelings been that obvious? and how could you be so oblivious to lia's? in your mind there has always been this small hope that lia would return your feelings, but your insecurity pushed that hope away. lia was one of the first people to push you out of your comfort zone. one of the first to show that they care to have you around and don't care about any of your awkward tendencies. you refuse to lose that connection because of your dumb feelings. that's what you always told you to stop yourself from making any kind of move, but maybe those thoughts were incorrect.

maybe, just maybe, katie was just saying shit to push people's buttons and lia really liked you.

best time to find out is the present.

everyone soon clears out of the locker room, heading off to their ways home. of course, on this day of all days, lia and you carpooled. this night with either end great or horrible, depending on how this all goes.

leaving out of the building, you're holding both lia's and your bags. it's a habit you have fallen into ever since you two started carpooling so much. it's nice.

reaching lia's car, she unlocks the doors. opening one of the backseat doors to let you put the bags in the car before walking around to the passenger side and opening the door. that darling smile on her lips as she uses her hand to gesture you to come on.

"you act like i never done this for you before," she giggles when you make your way around the car. giving her a look before getting in the car. buckling your seatbelt while she shuts the door and goes around the car to get in on the driver's side.

"still surprises me when you do," you say when she gets in the car. she doesn't say anything back right away, but you can see the smile on her lips as she buckles her seatbelt and makes sure everything is set before pulling out of the parking spot.

"i don't know why. i like doing things for you.. i like being with you," lia says so calmly like those words don't send your heart rate through the roof. with the way your heart is now pounding, lia probably hears it from across the console.

you don't hesitate to say, "i like being with you too."

lia doesn't expect that from you, obviously as you notice her eyes slightly widen. she steals a quick glance at you before her eyes go back to looking at the road.

the brunette is slightly panicking in her head. she has had a crush on you since you started getting close and may have been attracted to you even before that. you returning her feelings wasn't the first thought in her mind when yall became basically besties. so yeah, she didn't really expect you to return her feelings or be bold like that.

when the car stops at a red light, lia looks at you.

"you know.." her eyes move from your eyes to your lips, then back to your eyes, "katie wasn't wrong. i like you."

she turns back to the road, continuing to drive. how can she just casually drive after throwing those words at you?

you don't stay silent like past you would. lia just confirmed she likes you. why would you miss that opportunity?

"i like you too and honestly i have for a while-" you don't get too far with your confession as lia cuts you off with a laugh.

"wait a minute, please. i might crash the car if you continue," she looks at you then back at the road. trying to focus on the fact you are confessing to her and the shitty drivers of london was a hard task, so yeah, unfortunately, she has to cut you off. for now.

you let out of a laugh of your own. nodding in understanding, your hands going to connect your phone to the car bluetooth.

beyonce blasts through the speakers seconds later.

lia parks in front of your apartment building. she turns off the car before turning to look at you. her hands reach across the console to grab yours, her thumbs rubbing soft circles on the skin there.

um, has it always been hot in here?

"so..." she maintains eye contact as she smiles at you, "what were you saying again?"

how does she expect you to confess when she's looking at you all pretty like that? the words feel like they are caught in your throat. you break eye contact to look around the car nervously, your tongue peeking out of the side of your mouth to lick at your lips.

lia can't stand for that, so she lets go one of your hands so she can use that free hand to cup your cheek. gently, but firmly, she guides your face to look at her.

"don't go shy on me now. what were you saying earlier? you like me and have for a while..?"

"i think i have liked you since the day at leah's. i was feeling so down, and you just came.. lighting up everything. after that day, i thought you would leave me alone. that it was a one-time thing, but no, you kept inviting me places and talking to me. it was all so new, but felt so right. i really like you, lia," you blurt out, blinking at lia, trying to see her reaction.

lia doesn't even give you a response. words wouldn't express how happy she is about this, so she doesn't use words. she comes close and kisses you. she catches you off guard, so your eyes are open, and you don't kiss back right away, but you eventually you do. your free hand going to grip on her wrist.

out of everything that has ever happened in your life, this feels the most right. just like how football was your savior in life, and there was a language between the ball and you. it's now a language between lia's lips and yours. she's been your savior for the past few months.

unfortunately, humans need air to breathe, so lia is the first to pull away. she doesn't go too far, one of her hands still holding onto yours and the other still cupping the side of your face. you don't let go of her wrist either. you shift your face slightly so you can kiss the palm of her hand before smiling at her.

a small silence falls between you two as you guys look at eachother.

lia speaks first, "can i take you tomorrow?"

there's only one answer to her question, "of course."

author notes: not grammar checked or anything but i wanted to post smt after disappearing for a while 😚❤️ this is lowkey bad quality.. i'll come out with better soon!

© ALLABOUTNAYELI

[jokeroutsubs]

📝ENG Translation: Elle Men Special: A Fashion Odyssey with Kris Guštin

Article written by Ajda Gregorc, published in the November/December 2024 ELLE Slovenia Magazine. Print and digital versions of the magazine are available for purchase.

Scans and English translation by @kurooscoffee, review by @weolucbasu and a member of JokerOutSubs, proofread by IG GBoleyn123.

Full article translation, scans, and Spotify link are under the cut 👇

🎧 Article available in audio form on Spotify.

Elle Men Special: A Fashion Odyssey with Kris Guštin

With Kris Guštin, the music author and guitarist of Joker Out, we escaped to another side of music, and with that, to his other passion. We talked about style and everything connected to it. There will also be no shortage of this in the band's third album, titled 'Souvenir Pop', which is released on the 15th of November—one week after the issue of Elle you’re holding now. How perfectly synchronised we are!

PHOTOS URŠA PREMIK, STYLING ALENKA BIRK

At Ljubljana’s Moderna Café, on a fresh but lovely autumn Tuesday, when everyone’s still at work or in school, he arrives in a dark green jacket with a checkered pattern, awesome trousers, and her necklace. This time, the menu is not serving music and life, but matcha and "all things fashion." I’m in a regular trench coat and a white T-shirt, but luckily he doesn’t judge people by their style—instead, the style might be what piques his interest to converse, if it's good, of course. Besides, he's the one being interviewed. So, let’s begin! AJDA GREGORC

Interviewer: When did you first discover your personal style or the field of fashion? Was it in childhood or a bit later?

Kris: I roughly divide my life into two periods: before I first held a guitar, and after. When I really got into playing and ventured into music, my world opened up in all areas. Discovering fashion definitely falls into this second period, so the post-high school era. To be completely honest, my style in high school wasn’t something I’m particularly proud of today. (laughs) My girlfriend and I still have a photo of me wearing cargo pants and a black sweater, which is a proof she truly loves me, since that look was far from the best choice. (laughs)

When did it evolve from just a aesthetic impression to self-expression?

My first contact with fashion as a form of art or expression was during our band's first music video or fashion shoot, when I realised that this is also something you need to consider as a musician. At first, it seemed to me like a fairly peripheral element, but as our career developed and we met new people who gave us more insight into this, I began to understand its significance, what I could personally gain from it, and what we as a band could gain. This quickly developed into standard practice. I was increasingly exposed to fashion; we had more and more costume rehearsals and stylings, and two years ago, we even got our first proper stylist. And then I really committed to it—at around nineteen or twenty. Before that, my philosophy was always to "just wear whatever I first find in the closet," but then I shifted to "I'll wear things that would make me stand out from others". But this process was a long one.

So, your style development with the band inspired your personal growth too? I’ve always wondered if a young person is compelled to mature in every area when so many 'big things' happen all at once, as they did for you.

Maybe you do "grow old" in terms of personality sooner. Yes, at first I wanted, and still want, to primarily express the difference or uniqueness that I feel inside myself through music, but then I discovered that this goes very much hand in hand with fashion, so I started looking for my expression there as well. Today, it's almost an equally important part of my day.

Which fashion ideas or directions attract you? You’ve probably encountered a lot of inspiration during your travels on tour, right?

Definitely, but speaking purely origin-wise, I think I’m just like any other rock musician—we draw from the rock aesthetic of the ’60s and ’70s, which was also very "in" when my fashion awareness was born. Back then, around 2016 to 2018, here were a lot of flamboyant shirts on the music scene, with a slight hippie influence, which was the starting point. Only later did I start getting interested in slightly more modern clothes. When I was younger, I found myself in street fashion, that sort of Eminem-esque, hip-hop vibe, so very baggy clothes, which I then began to reject when I made the shift toward the ’60s and a slightly psychedelic aesthetic. It makes perfect sense, as humans tend to jump between extremes. When I had worked through that style, I started discovering the aesthetics of the ’80s and late ’90s, which was also reflected in music at the time. The best example that comes to mind is Dua Lipa’s previous album, which was in the style of the “new ’80s,” and the fashion matched that as well. Today, the early 2000s style has come back, but I haven’t fully decided whether I like it or not. As a musician, I was, of course, initially inspired by other music groups. Arctic Monkeys were a big inspiration for us both musically and visually, as was the whole British rock scene, including bands like The Kooks and Oasis. That entire aesthetic has always been strongly present with us. I doubt there’s a single inspiration board at our shoots that doesn’t include a photo of one of those bands or, for instance, the Beatles. And that aesthetic has always been close to my heart, too.

Rockers have always been associated with more masculine fashion elements, while in recent years, many male musicians have been experimenting with more feminine style elements (for example, Harry Styles and Lenny Kravitz). David Bowie was already the one who back then started to blur these fashion boundaries. You, too, wear such pieces and dare to stand out with them.

It happened quite naturally, as the stylists we worked with always chose slightly more “unmanly” clothing for me. This doesn’t necessarily mean women’s clothing, but rather somewhat more androgynous pieces, which I quickly embraced. I found them interesting and appealing because there’s a lot of fresh expression in that style that I don’t find in traditional men’s clothing, though I don’t want to overdo it. I also started experimenting with them personally, choosing many more varied colours. For a while, I was very fond of pink, and lately, I’ve been playing around with orange. On the cover of the album 'Demoni', I wore an orange-pink sweater.

Are we, as an audience here, already mature enough for a musician to present his feminine side through fashion? Does that require courage?

It does, there will always be people who won’t understand you. But for me, when it comes to the stage or a shoot, I’ll wear anything, and if I feel good in it, I don’t worry about what someone thinks. When I walk around "in civilian clothes," however, especially in Ljubljana, I am still aware if I’m dressed somewhat "untraditionally." There’s a certain boundary that I still need to break within myself. On stage, it’s easier because it’s not necessarily a hundred percent my expression; I’m playing a certain character, but personally, sometimes I do need some courage to show up in a particular style. However, the awareness of being different is stronger in Ljubljana than in other parts of the Western world. For example, I never felt that way in London, but still, our capital isn’t the worst when it comes to this.

Speaking of influences, what about other artistic or cultural movements?

I love art deco, the aesthetics of the '20s and '30s, though it doesn’t influence my daily life. In terms of photography, Damon Baker’s black-and-white style is beautiful. The vintage camera aesthetic has recently won me over, which will also be reflected in our band. Musically, over the past year, I’ve been listening to old Italian chansons and older French music, chansons as well, so I’m clearly feeling very retro this year. (smile)

Will the third album visually stand out from the previous ones then?

Yes, it will be very different. In the last two, we used a lot of colours, but there won’t be as many in this one.

Style can be an excellent tool for expressing an artist's authenticity, but with increasing success, the artist can also become its slave; the line is thin. Do you ever feel the pressure of having to express your fashion style in your private life as well?

No, I’ve never felt like my style owns me; it’s always been the opposite. I’ve always felt like I want more, like I want to dress even better than the day before, especially when it comes to my music career. Perhaps style only hangs over my head a bit when I have no inspiration and would rather wear sweatpants on an ordinary, relaxed day. There’s nothing wrong with that, of course, but then I do think about what would happen if I ended up somewhere in the middle of the city dressed like that.

It seems that Joker Out has developed a distinct style despite outside influences.

Yes, today we are already very complete in our style. Others have definitely had an influence on us, and I think it’s great that each of them tried to express themselves through us – it was interesting to experience how Joker Out was seen by Ponorelli, and how Andraž Drobnič or Karlo Kirri did. Of course, there is a difference in this, but it also aligns with the development of our music and aesthetics, so all these influences are very welcome.

How much of your personal fashion identity is therefore reflected in Joker Out?

Maybe, as someone who is not an external observer, I can't answer that, but I can say that I was always one of the first to give feedback to the stylist when we were creating our outfits, approving moodboards, and so on. So, I have definitely shaped our style in a direction that suits me. On certain "blind stylings," when we just dressed up, I quickly threw something on myself and then helped look for pieces for the other band members.

What about this photoshoot, where Alenka Birk took over the styling? Did you let her take the lead with her tactics, or did you collaborate on fashion choices? How did the communication go?

I didn’t know Alenka, who, by the way, is an excellent stylist, before. She was recommended by Urša (the photographer, ed.). Later, she confided in me that she had also worked with my father. Alenka focuses on elegant men's fashion, which is a departure from this more fluid fashion; and this suited me because I had never really been photographed in a men's suit, jacket, and tie. I wanted to try something new. I hadn’t seen the outfits before the day of the photoshoot when we met in her small studio in the morning. There were nine of them in total, and we only swapped out a piece or two in at most three of the looks.

This is more of an exception than a rule in fashion photoshoots. Does that mean you felt good in them?

Yes. In some more so, obviously, but in others, you have to trust the people you're working with. When I first look in the mirror, I always keep in mind that if something isn't optimal, it doesn't mean it won’t work well on camera. Even if the pants are too short or creased, it's still worth photographing them, because the photo can be edited later, whereas on stage, it's a different story, and everything has to already be perfect in the mirror. Working with Alenka was very simple; we clicked really well, and I will definitely work with her again.

How linked are your confidence and the way you feel on stage with your styling?

Very connected. As a musician, you want to enjoy yourself as much as possible on stage, and the people who come to listen to you and pay for the ticket deserve to see you at your best, which means you have to feel good in every aspect.

You recently attended Ljubljana Fashion Week. Which of the local fashion designers do you like to follow?

As far as the Slovenian fashion scene is concerned, I’m still quite the beginner, so I only knew the designers we had worked with. This was my first time visiting the Fashion Week.

Which shows did you watch?

On the first day, all of them. I didn’t like everything, but what stuck in my mind was Sarivalenci¹ with their somewhat "country club", Lana Del Rey vibe, and golf moment. I also really enjoyed the Belgrade Fashion Week, as there was an obvious Balkan touch, which I would love to see more of in Slovenia.

¹Sarivalenci is a Slovene high fashion brand created by fashion designer Sari Valenci.

You are a fan of vintage clothes and second-hand shops. What do these pieces have for you that new ones don't?

Honestly, I don’t know if there’s an objective explanation why. I started getting into it because it was popular, and at the same time, it gives you the feeling of getting a more unique piece. At the same time, you're shopping sustainably and not contributing to the production of unnecessary new textiles on Earth, which is great, but I would be lying if I said that’s my main motivation. What I like the most is the experience of "flipping" through clothes, where each piece is different, like a treasure hunt, compared to regular stores where you "flip" through the same clothes in different sizes.

Did your mum, who comes from the Netherlands where people have been aware of this for many years, introduce you to this concept?

I wouldn’t say we talked much about it at home, but I literally lived it. This is probably true for Slovenians in general – almost all the clothes I had as a child were from older peers, or I would take something from my dad, too. When I was done with wearing the clothes, my brother would wear them too. Every piece of clothing that came into our house was passed around, which is a great practice, and it’s still like that today. My sister "stole" half of my sweaters, my mum sometimes takes something too, Maks borrows jackets from my dad, which I’ve also done myself. It's like we all share one big closet! (laughs)

So you have influenced each other’s style in your family, or rather, you still do so? Who has otherwise had the most influence on your style in the past, and who does today?

I don’t remember ever looking at my parents as role models in this regard, as I didn’t really think about it back then, but they definitely influenced me, at least subconsciously. When I see how my mom dresses today, I see parallels with my own style, so she probably did influence me, perhaps more than my dad. As for street style, which I mentioned at the beginning, it might have been inherited from my uncle, my aunt’s husband from the Netherlands, who wore loose sweaters and listened to hip hop. My mum also had an uncle from the Indonesian side of the family, whom I never met, but he was very eccentric. Some of his clothes made their way to us over the years, and when I looked at these pieces in the closet, I was fascinated by how they reflected his personality. Asian fashion became a bit closer to me because of this, and I might even explore it someday.

The heart necklace you wear all the time, even today, is from your girlfriend. Do you ever dress your girlfriend or does she dress you?

My girlfriend is very fashion-oriented and has played a big role in my fashion development. She has always encouraged me when I tried new clothes that, at the time, seemed more radical to me. In this way, she partially shaped me. We also really enjoy shopping together. She dresses me more often than I dress her, which means I ask her for opinion. There have also been times when we’ve dressed the same when it comes to basic pieces; we’ve never really styled each other, but there will probably be time for that in the future.

Where do you like to go for vintage pieces in Ljubljana? Did you find any gems while on tour across Europe?

Textile House Vintage Shop is, in my opinion, by far the best in Ljubljana. The next one is Humana on Stritarjeva street, where I find something every now and then. Abroad, we’ve visited many vintage shops in Dublin, Paris, and London. In the latter, I always go to Brick Lane, which is a street with vintage shops in the east side of central London, where the more hipster area starts. The downside is that it quickly becomes quite an expensive experience.

What kind of information can you deduce about a person based on what they’re wearing? Who, in your opinion, is truly well-dressed?

A person’s style is never a reason not to engage in conversation with them, but it is a very strong stimulator of my interest in that person. If I think someone is really well-dressed, I automatically assume they might think similarly to me and be interested in the same artistic, musical, or visual directions, so I’m more eager to talk to them. However, I’ve often met people who didn’t seem interestingly dressed, and later realised they were amazing people, even if they dressed completely casually.

Your audience expresses itself very differently in terms of fashion, as your parents also mentioned in a recent interview for Elle. How do you as a band perceive this?

Yes, what they meant was that it is no longer the case that you have to be "appropriately" dressed for a rock concert. When we observe the audience from the stage, I would say that the most typical thing for our time is that we are no longer genre-bound. Not just musically, but also in terms of fashion. 30 or 40 years ago, you would see people at a rock concert in leather jackets, black shoes, and jeans, and that was it. Today, you have flamboyant outfits with blue and green hair in one corner, gothic style in another, and of course, people in simple t-shirts and pants somewhere in the middle. And no one feels like they don’t belong; everyone sings our songs, and that’s really nice.

- ~ - ~ - ~ - ~ - ~ - ~ - ~ - ~ - ~ - ~

❗Please do not repost without credit, and if you quote, please link back to this post!

[pandapetals]

Watch It, Bub

Logan whips out his claws to scare off some creepy guy for you.

logan howlett x fem!shy reader - etablished bf/gf, shy reader, introvert reader, bookish reader, logan being protective, logan whipping his claws out, cute ending, some fluff, some angst, no y/n used, no reader description, sweetheart/darlin pet names used

a/n: inspired by @romanarose post about logan whipping out his claws at any tiny threat towards reader.

"Take your time, sweetheart. I’ll be just over there looking handsome," Logan murmured, brushing a quick, warm kiss against your cheek before stepping away.

You chuckled, rolling your eyes at his usual confidence, but you felt the familiar flutter in your chest as he headed to the other side of the store. You hadn’t expected him to come with you today—bookstores weren’t exactly his thing—but here he was, giving you the space to browse in peace, even offering to pay for whatever books you wanted. He knew how much this place meant to you.

With a small smile lingering on your face, you turned down the fiction aisle, your eyes drifting over the rows of books. The shelves were packed, full of spines in every color, each one a doorway into a new world. You felt at home here, surrounded by the comforting smell of paper and dust, your fingers grazing the covers as you searched for the title you came for.

But as you rounded a corner, your easy calm shifted. A man was standing a little way down the aisle, leaning against a shelf with a book open in his hands. His posture was casual, but there was something in the way he glanced up at you—quick, assessing—that made the back of your neck prickle. His gaze lingered a second too long, a faint smile playing at the corner of his mouth.

You considered turning around, ducking into another section, but a voice in your head stopped you. Would he think that was rude? Why should you care what he thought? But still, your heart beat a little faster, and you could feel the edges of your shyness creeping in, making your movements a bit more stiff.

Taking a quiet breath, you forced yourself to keep going. You focused on the titles, searching for that book you’d been wanting. Your fingers tightened around the spine of a novel as you found it, pulling it from the shelf with a small, victorious smile. But before you could fully turn away, you heard him clear his throat.

“Hey," he said, his tone almost too casual. "So…you into that author?”

The question caught you off guard. You glanced up, your brow furrowing slightly. “What?”

He tilted his head, closing the book in his hands. "Just wondering if you’re a fan. I’ve read a lot of their stuff. Thought maybe we could compare notes.”

His smile was meant to be friendly, but there was something too forward about it, too expectant. You felt your cheeks flush, the words caught somewhere in your throat. You hadn’t prepared yourself for small talk—especially not with a stranger who seemed to have taken a bit too much interest in you.

The man’s question hung in the air, and you felt a weight in his gaze, waiting, pressing as if he had a right to your attention. Your brain scrambled for something to say, but all you could manage was, “Yeah—I mean, I guess.”

Your cheeks felt warm, an awkward flush creeping up as you struggled to fill the silence. You wished, just for once, you could handle moments like this smoothly—could just have a regular conversation without your words tangling on the way out. But another part of you bristled, reminding you that you didn’t owe this stranger anything. You glanced down at the book in your hands, hoping he’d take the hint and move on.

Instead, he stepped closer, a too-friendly grin stretching across his face. “You know,” he said, his voice dropping as if to make the conversation more intimate, “I’m always happy to give recommendations if you’re looking for something… different.” He reached out and touched your arm, a casual gesture that lingered a beat too long, his fingers warm against your sleeve.

A chill shot up your spine. You stiffened, pulling your arm back instinctively, but the man didn’t seem to notice—or maybe he didn’t care. He leaned in, that smile of his edging from friendly to something more expectant, his gaze fixed on you as if he were waiting for permission to keep going.

Your heart sped up, the edges of your discomfort sharpening. You swallowed, feeling the prickling heat of anxiety clawing its way up your throat. You opened your mouth, trying to summon a polite excuse to leave, but the words died as a shadow fell over you both.

Logan had appeared beside you, silent as a storm gathering on the horizon. His hand came to rest on your waist, pulling you close to him. He didn’t look at you—his focus was locked entirely on the stranger, his eyes dark and unblinking.

“Watch it, bub?” Logan’s voice was low and even, each word laced with a quiet, unmistakable threat. “She’s not interested.”

The stranger’s grin faltered, his fingers twitching as he quickly withdrew his hand from where he’d touched your arm. He looked between you and Logan, his smile turning nervous as he took in the hard line of Logan’s jaw, the clenched fists. Logan’s stance seemed to expand, filling the aisle. A faint, metallic snikt cut through the silence as Logan’s claws slid out just far enough to make his intentions crystal clear.

“I—uh,” the guy stammered, his eyes wide. “Didn’t mean any harm, man. Just… being friendly.”

“Then back off.” Logan’s gaze didn’t waver, his voice steady as steel. “Find someone else to be friendly with.”

The stranger held up his hands in a quick, defensive gesture, the color draining from his face. “Yeah, yeah. No problem,” he muttered, taking a step back. He turned and practically tripped over his own feet as he made his way down the aisle, disappearing around the corner without looking back.

As soon as he was gone, Logan’s posture softened. His claws retracted with a soft click, and he turned to you, his expression shifting from deadly to concerned. He brushed a gentle thumb over your shoulder where the stranger had touched you, his eyes scanning your face.

“You alright?” he asked quietly, his voice a low rumble of reassurance.

You felt a small, shaky smile tug at your lips as the tension slowly ebbed from your shoulders. “Yeah,” you murmured, your voice barely more than a breath, but laced with quiet relief.

Logan’s eyes softened, his mouth curving into that rare, gentle smile he saved just for you. He kept his hand on your shoulder, his thumb brushing slow, reassuring circles over your skin. “Can’t have anyone bothering my girl,” he said.

A soft laugh escaped you, and a gentle warmth bloomed in your chest, melting away the last of your unease. “I guess it was my fault…” you started, feeling a bit sheepish. “Maybe I should have just walked away.”

Logan’s face darkened, and he shook his head firmly. “No, sweetheart. Don’t go blaming yourself.” His eyes flicked toward the empty aisle where the stranger had disappeared, his jaw tightening as if the man were still standing there. “He put his hands on you…” His voice dipped into a dangerous growl, his hand clenching briefly at his side. “I should’ve cut off his damn arm.”

The words were half-joking, but his eyes flashed with something deadly serious. You could feel his protective fury simmering just below the surface, a fierce heat held in check only by his respect for you. It was a reminder of exactly who he was—the dangerous edge he kept hidden, for your sake.

You let out a small, nervous laugh. “Well, good thing you didn’t… cut off his arm,” you said, glancing up at him with a soft smile. “I don’t know what I’d do without you.”

Logan’s gaze softened, his usual hardness melting into something warmer that seemed to wrap around you like a shield. Slowly, his hand traced down your arm, his fingers leaving a gentle warmth that lingered on your skin long after they passed.

“You’ll never have to find out, sweetheart,” he murmured, his voice a low, steady promise.

His words hung between you, carrying a weight that was both fierce and comforting as if he was making a vow he intended to keep with every fiber of his being. You felt a soft warmth bloom in your chest, and suddenly the world seemed a little smaller and safer, with him beside you.

You met his eyes, feeling your own shyness creeping in, but unable to look away. “Thank you, Logan,” you whispered, feeling the words fall short of what you really meant.

He just gave a small, knowing smile, as if he understood everything you couldn’t quite say. Then, with one last brush of his thumb along your arm, he pulled back, letting you return to your books, but not before giving you a final, reassuring nod that told you he’d be right there if you needed him.

[alexanderwales]

I finished rewatching Death Note. I always forget how short anime is, with episodes that aren't much more than 20 minutes when you skip the intro/outro.

I hadn't remembered how much of a sniveling wreck LIght was at the end of the show. There's something about the ending that makes it feel like it was written and directed by a different person, not that Light wasn't always a little weird and pathetic, and not that the show didn't consistently go out of its way to let us know what a piece of shit he was (particularly his absolute lack of loyalty or empathy to anyone, even aside from the megalomania). But he takes the loss like a loser, snot dripping from his nose, voice cracking, begging, and it's so pathetic that I almost felt a little sorry for him.

I've always found the Death Note to be a very interesting prompt, one of those hooks that's so good I'd want to watch it even if it was bad. But in writing something like Death Note, the author has to make decisions about what to show and what not to show, and also make decisions about how they're going to portray the public at large.

There are two big things that stand out for me.

One is that we never get someone arguing against Kira. We get people who are actively trying to hunt him down, but they're mostly not stopping to say "this is why what he's doing is wrong" except a few lines about how he has a childish sense of justice, which is never expounded upon. Kira, on the other hand, we hear a lot from, not just the megalomaniac stuff, but the notion that criminals must be punished, that this is what people desire in their hearts. I get the strong sense that L does not actually care and just views this as an interesting puzzle for him to solve, but for everyone else it's largely left as an exercise to the viewer, and even then, there are moments when some of our task force members come dangerously close to endorsement.

To the extent the show has an answer, it's that (to quote Kanye West) no one man should have all that power, or that Kira has crossed a lot of lines, but no one argues in favor of rehabilitation or clemency or just fundamental humanity. Kira seems to largely be killing prisoners, who have already been sentenced, and are wards of the state, and he says "this is what people want deep down, they will give you the politically correct answer but they actually want the criminal class to be obliterate", which ... there's no character who actually voices any opposition to through the whole series. And I find that weird, because yes, the show has its own answers in terms of how it plays out, but in a show filled with people possessed of immense conviction, most of the people in opposition to Kira are just intellectuals who don't actually give a shit about the ideological question.

(The one big moment when it comes to a head, IMO, is when Soichiro Yagami refuses to write Mello's name entirely because of his principled objection to killing someone. I thought this was great, and I wish the show had more of it.)

The other big thing is that we don't really get a viewpoint of the criminals, with a few exceptions. One is the is Yotsuba group, who are killing people with the Death Note, and the second is the (somehow still functional) mafia that Mello hangs out with. There's also one other scene somewhere after L's death where we see a criminal begging with the police not to have his name written down, and that's about it.

The naive view here is that the show really does believe in Criminals as being a part The Other, a different sort of human being who walk among us. The criminal class are described as rotten and evil, they're shown as grotesque and with exaggerated features or bestial characteristics, and they're generally leering and impulsive. There is no consideration of their humanity.

There's a more nuanced take here, which is that we have a criminal as one of our main cast, Light Yagami, along with everyone else who takes on the Kira mantle. So what is the show saying about criminality through how it portrays them? And here ... I don't know. I kind of don't think that it views them as criminals in the same way? When we look at the ways that Light kills, I genuinely do think that the show thinks that this is different from the way that a capital-C Criminals kill. It's reactionary rather than criminal in and of itself, a response to the injustices of the world rather than being in the same class as those injustices. Light is narratively exempted, and Misa is to. Which isn't to say that I think the show thinks highly of Light, it clearly doesn't, especially in its ending, but I almost think that in the end it Others him too (and also has Teru Mikami drawn in particularly 'evil' style, like a creepy deviant gremlin).

So I enjoyed the rewatch, but there are things that sit a little oddly with me as far as the central themes go. There's probably some discourse I should read that's come out since I first watched it in ... 2010 or whenever, but I think I'll give that a skip.

[read-marx-and-lenin]

im an ML interested in learning about the history of different socialist states. I hear all the time about how western propaganda makes these places look a lot worse than they actually were, but I never hear anyone tell me how they actually determine what’s fact and what’s fiction, in these regards.

(PS: I’m sorry if this sounded aggressive, lol)

I would say primarily, just look at the sources of the information in question. Who's saying what, and what reasoning and evidence do they give in favor of their assertions?

So for example, in the case of the DPRK, a lot of the more wild claims regarding life there end up coming from places like Radio Free Asia quoting anonymous ROK intelligence officials or paid defectors. The US and the ROK are not neutral sources in any way on the subject, and yet that's where most news outlets in the West get their information on North Korea from. Meanwhile, you have a documentary like "Loyal Subjects of Pyongyang in Seoul", which while definitely biased towards the DPRK, is an independent production interviewing figures in Seoul who were not paid to give testimony and whose testimony could get them in trouble with the South Korean authorities due to the National Security Act. These are people who are heavily incentivized by virtue of living in Seoul to toe the party line, and their divergence from the official narrative holds significance because of that.

It is important to remember there are no unbiased sources, and that goes especially so for sources regarding controversial political and historical claims. You should not be trying to find the most neutral source, you should instead be looking at the claims being made on either side and taking their biases into account while evaluating the arguments being made.

[owl-it-here]

AU idea - One Piece #1

So I was thinking about this fic I read about a year ago (or re-read it?) -> Luffy was raised as a marine and makes it everyone's problem [An amazing read - I recommend checking it out]

And I really like the idea behind it. Using skills that may have been learned before is always cool, especially if there's a chance that they may be canonical. More than that, I think we should go even further.

So far, we don't know enough about Brook and Jinbe's childhoods to make any assumptions (so I won't touch on them in any depth here - but they are both experienced in diffrent ways), but most of them, to put it mildly, had rather difficult childhoods. And that made them perfectly specialised in the areas they chose to remain safe and survive. Moslty had one mentor or were raised by themselves. All except Luffy and Sanji, if you think about it.

The education system in the OP sucks, just like the real one. But the difference in knowledge and experience should be used as an advantage to make comedy out of this tragedy.

Nami had Bellemere, who probably gave her a basic education. She later self-taught herself out of curiosity and a desire to survive. Her time in the Arlong crew gave her more problems than opportunities to learn (but she may have picked up a few tricks here and there).

Zoro studied in the dojo. He had one sensei, one slightly more experienced rival and one older one to talk to. (Definitely not enough but it sure gave him his rather unique perspective).

Usopp only had his mum. Later, maybe some villagers helped him a bit, or Kaya to thank for the stories - but he is also mostly self-taught.

Chopper studied only under two doctors, and neither of them was sane. Maybe some reindeer instincts from his herd passed on to him before he ate the devil's fruit (but he was young, and later under stress so).

Robin grew up on an island full of scholars, but is still mostly self-taught. And apart from her special interests, everything she learned was from survivalism (so a PhD in history (and related stuff) and random knowledge, if I had to guess - well she's clever enough to learn/teach herself more if need be).

Franky, as far as we know, studied technical fields. We don't know enough about him before he came under Tom's wing, but we can assume that most of his knowledge comes from those years. (He created his own little mafia family, but we don't really know if he learned from anyone how to manage it or not).

And then we have Luffy and Sanji.

Luffy had a grandfather who tried to teach him to be a marine and to fight. Makino taught him the basics (and attempted manners). Dadan and her gang showed him by their example how to be a good bandit. Shanks and his crew taught him the basics of being a good pirate. And of course his brothers, taught him how to be a real jungle kid and a few tricks. And all this probably gave him quite mixed signals - especially with his logic.

And finally Sanji. As a prince born to a scientist (an evil sperm donor, but still the person responsible for his education, who probably with his big ego believed that his children even without modification should be as brilliant as he was) Sanji certainly had some sort of super special royal education (which he tried to perfect because it was probably easier than a physical test and he wanted to fit in somehow). He learned manners, politeness and most of all kindness from his mum. How to cook, fight and be a pirate from Zeff. And probably a few other cooking and odd skills from the various chefs he met over the years on both the Orbit and the Bartie. Working in the kitchen is conducive to conversation.

So I've come to the conclusion that I want to read a fic where both Luffy's and Sanji's upbringing has a greater impact on the strawhats' journey. Yes, I want Luffy to occasionally use his random nautical knowledge to help them escape or get something. (Like the author used it to save Ace, but also to help Robin faster etc.). Someone should also note that the style in which he manages his crew is similar to the bandits. Or they should meet some on the way and only Luffy should know how to behave to be respected. I also want Sanji to talk more about things that pirates should know. Or even about political stuff. (Robin could add more too, but Sanji has a slightly different perspective on it than she does.) Even if he doesn't want to talk about his past, the excuse that he knows everything from Zeff works and is practically undeniable, because no one on the crew knows what he went through as a pirate.

It would have been fun to see Luffy explain to his crew why this marine is bad news, but the other one isn't so bad because his grandfather likes him or something. Or if Sanji, after fighting for Nami's freedom, had stopped and asked the crew if any of them knew a bit of hooks (and Luffy realised that Garp was trying to teach him that - but, as standard, he didn't explain just went on to practice-torture).

Bonus if the only person who can immediately use this random information is Zoro. Who on everything just says: it sounds just about right. Because it perfectly balances the Monster Trio in this way.

This could also be a good idea for a larger crew fic. After the whole situation with Nami, the crew starts talking about heading to the Grand Line and a dialogue like this ensues between them: Sanji: so where are we looking for the other members? The others: We are not looking? Sanji: And what about the watch? Grand Line is very unpredictable. Since you knew some pirates Luffy, I'm sure they talked about it…. Luffy: They told super cool stories! Sanji: Then how do you think we'll be able to have a night shift with just five of us? With such a small number of people, especially with no medic on board, it will affect my cooking….

And let's not kid ourselves but the food argument has a pretty good chance of working.

Luffy: Setting out I thought having 10 members would be ideal! Sanji: For influencing the Grand Line - sure - to just look for them there with the unpredictability and adventures waiting for us there - there aren't enough of us now. We need a few more hands and a pair of eyes.

And honestly this conversation probably doesn't affect Luffy that much, he continues to be as picky about selecting his nakamas as he was in canon, but maybe enough that they select perhaps 3 more people for the lineup. Which allows us to stay fairly ok with the storyline and right away adds diversity and some power. Which may have made some of the arks funnier because we have more room to play. (This Bites! makes it look like a good idea).

I call this idea: Luffy was brought up as he was, and that makes it everyone's problem, but it is Sanji's existence that makes everyone else question it - Zoro you should have a bigger problem with that!

In a nutshell: The gray cells are working!

If anyone ever uses it, PLEASE tag me - I want to devour it in every form. I probably could have outlined it better, but well it's just an idea.

[aheartofdawn]

As Democrats struggle to come to terms with the results of this week’s election, some young women are looking abroad for inspiration. Women across social media have been exploring an idea called 4B, a protest movement in South Korea that calls for women to boycott men.“Now I am, how you say this, a ho, but I really want to get behind this 4B movement,” begins one TikToker, who goes on to say she approves of women withholding sex from men. “After this election — where women were pretty much told to their faces that no one gives a shit about them — don’t forget, ladies, we do have power. And you know the kind of power I’m talking about. Giving up our bodies to men is a choice. We don’t have to do this.”

The TikTok tag #4bmovement currently has thousands of posts with millions of views, and Google search interest in the term spiked after the election. Some of the social media posters are clearly joking out of a combination of rage, stress, and sadness — but others are more serious.“Once you can get out of your mind that you will not be missing out by engaging in this behavior, you will be better off,” one earnest TikToker says. “I encourage you to reclaim your power and have really honest conversations with yourself about whether being in a romantic relationship with men at this point in time is worth it.”

The tenets of 4B are extremely different from the kinds of feminism that tend to flourish in the US, where popular culture places a premium on choice and empowerment. Mainstream feminist campaigns here usually celebrate women’s ability to make their own decisions and do whatever makes them feel best as individuals.The point of 4B and Escape the Corset, however, is not to make women feel more fulfilled or more at home in their bodies. It is also not to put pressure on men as individuals to reform their ways. The point of 4B is to send a message about the structure of society — to say it’s not acceptable that you are valued only for your fertility and sexual appeal — and to ensure your independence.In an academic paper about the movement, author Hyejung Park translates a 2019 video from the South Korean activist group SOLOdarity: “It is true that tal-corset [Escape the Corset] comes with some inconveniences,” the activists allow. “When your hair is short, you might have to get a haircut more frequently, and you might need to buy a whole new wardrobe for tal-corset. Nevertheless, we practice tal-corset because it is not about being more comfortable. It is about not being a doll, a second-class citizen.”

The idea of refusing to wear skirts for the sake of your politics, even if you like them, is an attitude that has been out of favor in American feminism since the end of the second wave in the 1970s. Still, there is a discipline and a radicalism to this form of activism that you can easily understand feeling attractive for America’s angry young women in this moment. It supposes a world that so emphatically decenters men and their desires for women that men themselves disappear from a woman’s life. After the US elected a symbol of masculine aggression and violence to our highest office for the second time, a person can see the appeal.The idea of such severe and uncompromising protest also makes sense considering the reams of smirking rape jokes that the mere discussion of 4B online has provoked. Many American 4B TikToks have comments from men under them crowing, “Your body, my choice,” a refrain that young fans of far-right influencer Nick Fuentes have reportedly taken to parroting in schools.“[W]omen threatening sex strikes like LMAO as if you have a say,” a post from one X account with 122,000 followers went.

It’s worth remembering, though, that the divide between left and right in this country does not neatly map across gender divides. While we won’t know until later how the numbers break down, early exit polls say 45 percent of all women and 53 percent of white women voted for Trump. Trump surrounds himself with enabling women, and the likes of Marjorie Tyler Greene gleefully shriek misogyny across the floors of Congress.A possible lesson of the Women’s March era — that feminist reaction to the first Trump term — is this: Uniting in a large group as a pure expression of rage is not always sustainable. The Women’s March collapsed because of vicious infighting, which is traditionally what happens to large leftist groups in the US.Perhaps it’s time for American feminism to get specific and disciplined about its action points. 4B is specific and it is disciplined, which is part of what makes it difficult to translate out of its cultural context and into America. It is clear on its goals, which are to take personal autonomy through the force of one’s own denial, rather than to ask for it at the polls or in interpersonal relationships.A line of inquiry American feminists might take from 4B is this: What are you going to work toward? And what are you going to do to get there?

[ranahan]

More palatalisations & how they could explain the problem of murmured sounds

Okay, so: Mando’a has these spellings ⟨dh⟩ (dha), ⟨gh⟩ (ghett), and ⟨mh⟩ (mhi) where the h seems to suggest aspiration. But the problem is that that is a very weird set of consonants to be aspirated: I know of no language that would only contrast between aspirated and unaspirated voiced stops and not make the same contrast for unvoiced stops as well. (Except for the reconstructed Proto-Indo-European, but there as well this exact issue is a problem that has bugged linguists forever.)

But then, while I was formulating my palatalisation theories, I found out that ⟨mh vh bh nh lh⟩ are spellings that actually have been used by natural languages to spell /mj vj bj nj lj/. And you know what? That spelling makes perfect sense: palatalised voiced stops don’t sound exactly like murmured (i.e. aspirated voiced) sounds… but they also don’t sound exactly unlike them. There’s a bit of a puff of air, more than with the unvoiced consonants. And this could explain why Mando’a has dh but not th, and ty but not dy.

So we have a bit of a mismatched set of spellings:

… but as you see, together they make a complimentary set.

(Okay, this set is a bit incomplete; I’ll have to leave the task of completing it to a later post because it got very long and very rambling.)

So how are dh, gh, mh pronounced then?

On the Republic Commando soundtrack, mhi is pronounced as /mi/ and dha as /da/. On Traviss’s recordings, neither word makes an appearance so we don’t know how she would pronounce them. Her pronunciation guide gives:

dha[dah]

mhi[mee]

It appears that the extra h does not affect pronunciation.

In Romance languages for example, /gj/ became /j/ or /dʒ/ (so that would be ⟨y⟩ or ⟨j⟩ in Mando’a orthography), and /dj/ became /dz/ or /j/. But maybe in Mando’a they did something else: instead of strengthening, they became weaker, first becoming aspirated, and then losing the aspiration too:

/dʲ/ > /dʰ/ > /d/

/ɡʲ/ > /ɡʰ > /g/

/mʲ/ > /mʰ/ > /m/

A range of these gradations might exist along the different dialects. Perhaps the spelling ⟨dh gh mh⟩ became standardised at a time when that was the prevailing pronunciation among whichever dialect was the most prestigious one at the time.

Conclusion

So there you have it: my best damn attempt to make the weirdness of Mando’a orthography make sense.

I can’t know whether this is what the original authors (Jesse Harlin and Karen Traviss) intended. But as always, my primary goal is to make sense of the corpus of Mando’a that exists in a way that is linguistically plausible. Authorial intent is secondary to me, although I do use that as guidance whenever there is an interview or some source to guide me and I can make it fit & make sense.

Out of Harlin’s inspirations, Russian, Hungarian and Romanian exhibit at least some palatalisation, so the words that were already present in the Repcomm soundtrack (e.g. dha, mhi, tracinya, dralshy’a) could have gotten their sounds from there. Neither of the additional inspirational languages (Romani and Nepali) Traviss has mentioned has palatalised consonants, but Nepali does have murmured ones. So the additional sounds (in e.g. entye, gedet’ye) that Traviss added are more likely inspired directly by Harlin’s Mando’a or the same inspirations he used. Ghett comes from The Bounty Hunter Code by different authors—so actually the problem of murmured sounds is not attributable to Traviss.

You’ll have to judge for yourself whether this solution is plausible and satisfactory to you (and if it’s not, I’m always interested in hearing contradictory opinions even if it takes me a year to think through a reply). It’s satisfactory to me in its broad strokes, although I will have to think further on which sound changes make most sense in the light of the etymologies of the existing lexicon, which set of phonemes/pronunciations/spellings works best, etc (but that part got so long and rambly that I axed it until I have wrangled it into neater shape). But generally I feel pretty good about my chances of making something sensible out of these ingredients.

C, cy, yc—why are they pronounced like that?

I think I’ve mentioned before that the rule is very nearly regular, so here it is. I’ve reproduced Traviss’s original pronunciation guides here (so you can see whether what I’m saying holds true).

c (without y) is pronounced as /s/ before high front vowels /e i/

cerar [sair-ARR]

ceratir [sair-AH-teer]

ceryc [sair-EESH]

cetar [set-ARR]

cetare [set-ARE-ay]

cin [seen]

cinargaanar [see-NAHR-gah-nahr]

cinarin [see-NAH-reen]

cin'ciri [seen-SEE-ree]

cinyc [SEE-neesh]

ciryc [seer-EESH]

mircin [meer-SEEN]

mircir [meer-SEER]

mirci't [meer-SEET]

racin [ray-SEEN]

tom'urcir [tohm-OOR-seer]

ver'mircit [VAIR-meer-seet]

otherwise as /k/

That is, after other vowels:

ca [kah]

cabuor [kah-BOO- or]

cabur [KAH-boor]

ca'nara [KAH-nah-RAH]

can'gal [CAHN-gahl]

carud [kah-ROOD]

ca'tra[KAH-tra]

cuir [COO-eer]

copaanir [KOH-pan-EER]

copad [KOH-pad]

copikla [koh-PEEK-lah]

copyc [KOH-peesh]

cu'bikad [COO-bee-kahd]

cunak [COO-nahk]

cuun [koon]

cuyan [koo-YAHN]

cuyanir [coo-YAH-neer]

cuyete [coo-YAY-tay]

cuyir [KOO-yeer]

cuyla [COO-ee-lah]

du'car [DOO-kar]

du'caryc [doo-KAR-eesh]

ge'catra [geh-CAT-rah]

jorcu [JOR-koo]

ori'copaad [OH-ree-KOH-pahd]

vencuyanir [ven-COO-yah-neer]

vencuyot [vain-COO-ee-ot]

vercopa [vair-KOH-pa]

vercopaanir [VAIR-koh-PAH-neer]

…and in a word-final position:

balac [bah-LAHK]

bic [beek]

ibac [ee-BAK]

ibic [ee-BIK]

norac [noh-RAK]

tebec [TEH-bek]

yc is always pronounced as /iʃ/

aikiyc [ai-KEESH]

aruetyc [AH-roo-eh-TEESH]

balyc [BAH-leesh]

beskaryc [BES-kar-EESH]

burk'yc [BOOR-keesh]

chakaaryc [chah- KAR-eesh]

copyc [KOH-peesh]

dalyc [DAH-leesh]

daryc [DAR-eesh]

diryc [DEER-eesh]

duumyc [DOO-meesh]

etyc [ETT-eesh]

gaht'yc [GAH-teesh]

gehatyc [geh-HAHT-eesh]

haamyc [HAH-meesh]

haatyc [HAH-teesh]

haryc [HAR-eesh]

hayc [haysh]

hetikleyc [hay-TEEK-laysh]

hettyc [heh-TEESH]

hodayc [HOH-daysh]

hokan'yc [hoh-KAH-neesh]

iviin'yc [ee-VEEN-esh]

jagyc [JAH-geesh]

jaon'yc [jai-OHN-ish]

jari'eyc [JAR-ee-aysh

jatisyc [jah-TEE-seesh]

johayc [JO-haysh]

kotyc [koh-TEESH]

kyr'adyc [keer-AH-deesh]

kyrayc [keer-AYSH]

kyr'yc [KEER-eesh]

laamyc [LAH-meesh]

lararyc [lah-rah-eesh]

majyc [MAH-jeesh]

morut'yc [moh-ROO-teesh]

narseryc [nar-SAIR-eesh]

nayc [naysh]

neduumyc [nay-DOO-meesh]

nehutyc [neh-HOOT-eesh]

nu'amyc [noo-AHM-eesh]

nuhaatyc [noo-HAH-teesh]

ori'beskaryc [OH-ree-bes-KAR-eesh]

ori'jagyc [OH-ree-JAHG-eesh (or OH-ree-YAHG-eesh)]

ori'suumyc [OHR-ee-SOOM-eesh]

oyayc [oy-AYSH]

piryc [PEER-eesh]

ramikadyc [RAH-mee-KAHD-eesh]

ret'yc [RET-eesh]

ruusaanyc [roo-SAHN-eesh]

sapanyc [sah-PAHN-eesh]

shaap'yc [sha-PEESH]

shi'yayc [shee-YAYSH]

shuk'yc [shook-EESH]

shupur'yc [shoo-POOR-esh]

sol'yc [sohl-EESH]

talyc [tahl-EESH]

tomyc [TOH-meesh]

tranyc [TRAH-neesh]

tratyc [TRAH-teesh]

tug'yc [too-GEESH]

ulyc [OO-leesh]

urcir [oor-SEER]

utyc [OO-teesh]

verburyc [vair-BOOR-eesh]

verd'yc [VAIR-deesh]

vutyc [VOOT-eesh]

yaiyai'yc [yai-YAI-eesh]

Note that this is still true when yc occurs in the middle of a word instead of the end:

barycir [bah-REE-shir]

besbe'trayce [BES-beh-TRAYSH-ay]

dirycir [DEER-ee-SHEER]

ke'gyce [keh-GHEE-shay]

majyce [mah-jEE-shay]

majycir [MAH-jeesh-eer]

mar'eyce [mah-RAY-shay]

mureyca [MOOR-aysh-ah]

cy is pronounced as /ʃ/

burc'ya [BOOR-sha]

burcyan [BOOR-shahn]

cyare [SHAH-ray]

cyare'se [shar-AY-say]

cyar'ika [shar-EE-kah]

cyar'tomade [SHAR-toe-MAH-day]

mirshmure'cya [meersh-moor-AY-shah]

murcyur [MOOR-shoor]

oyacyir [oy-YAH-sheer]

Ret'urcye mhi [ray-TOOR-shay-MEE]

sheb'urcyin [sheh-BOOR-shin]

sho'cye [SHOW-shay]

tracy'uur [trah-SHOOR]

Exceptions

The above holds true except for some exceptions:

The first is a group of words with a combination of u + yc:

buyca [BOO-shah]

buy'ce [BOO-shay]

buycika [BOO-she-kah]

This might be related to the status of /ui/ as a diphthong in Mando’a & could be a piece of evidence against it. What do I mean? Well, every instance of ⟨uy⟩ in the dictionary, Traviss breaks up in two syllables /u.i/. Could be there’s no diphthong /ui/ in Mando’a? However, I think it’s more likely this is because Traviss gives the pronunciations with an English orthography (i.e. how an English speaking reader would know to pronounce the words), and there’s no diphthong /ui/ in English, so in order to represent those sounds in English, they have to be broken up in separate syllables.

I also think the long /u:/ in buy’ce etc. is likely simply an elision: try going slowly from /u/ to /i/ to /ʃ/, and you’ll notice it’s easier to slip directly from /u/ to /ʃ/. I would generalise it as the diphthong /ʊɪ/ being realised as /uː/ before palatal consonants (at least; maybe others as well).

and:

buyacir [boo-ya-SHEER] /bʊ.ja.ˈʃiɾ/

Which has no excuse for being irregular except for influence on its spelling from buy’ce, so you could alternatively spell it as buyacyir or pronounce it as /bʊ.ja.ˈsiɾ/ (either would be regular).

The other exception to the rule is:

acyk [AH-seek]

The rule for this could be formulated as “y is the only vowel in a syllable, it’s pronounced as /i/ and the pronunciation of c follows that.” Except for…

tracyn [trah-SHEEN]

Which itself could be analysed as a combination of the above rules: y as an only vowel gets pronounced as /i/, but the consonant in cy is still pronounced as /ʃ/ (in which case it would be acyk that is irregular instead).

It’s the derivations that appear irregular:

tracinya [trah-SHEE-nah]

tracyaat [tra-SHEE-at]

tra'cyar [tra-SHEE-ar]

Tracinya is plainly a derivation of tracyn, just spelled with an i instead of y. Interestingly, in Harlin’s Mando’a tracyn is pronounced as /tra.ʃin/ and tracinya as /tra.sin.ja/. So perhaps it’s acyk which should be pronounced as /a.ʃik/?

I’ve chosen to adjust the pronunciation of the other two to conform to the rule of pronouncing cy as /ʃ/: /tɾa.ˈʃaːt/ & /tɾa.ˈʃaɾ/.

And then:

yacur [YAH-soor]

Idek? I have do idea where this one comes from.

And:

Coruscanta [KOH-roo-SAHN-ta]

which is a loanword and doesn’t count. Although I’d suspect that “Corusanta” might be a fairly common misspelling among native speakers.

Explanation

So why is it pronounced like that? The explanation is something called palatalisation, which is the same reason why c in Latinate words is sometimes pronounced as /k/ and sometimes as /s/.

In very simple terms, the high front vowels and the semivowel /j/ are pronounced such that the tongue is at or very nearly the palatal position. So they tend to pull the preceding consonants to the palatal place of articulation (instead of whichever place of articulation they used to be pronounced at).

So in Mando’a:

c → k

c + high front vowel /i e/ → /s/

c + semivowel /y/ → /ʃ/

Not sure if /k/ is the original value of ⟨c⟩ since this rule doesn’t seem to apply to ⟨k⟩. Maybe ⟨c⟩ had originally another value, which has later changed into /k/?

There will be a second part to this post later, but I’ll break this off here for now.

[justusjonas]

reading crime busters is really like Where Am I

[corsairspade]

every time i interact with the silmarillion i get weirdly excited about the fact that the authorial intent is that it's a translation of historical accounts. it's a tertiary source! none of it is first hand. it makes it so much more interesting. was the legendarium a mannish tradition? what parts of these were written by pengolodh? by rumil? what loremaster has recorded this? would there be bias in the accounting? can i trust what i'm reading, from this viewpoint, this many years after it would have been written?

what has been mythologised, what has been sanitised, what is third-hand written on rumour? it's such an interesting thing to consider.