Sweeping away his competition with a constant lead and a final victory by 22%, Shen (Yuan) Qingqiu has officially beaten Qi Rong and been crowned the MXTX character that was/would be most insufferable if given access to the internet!
In the end, it turns out that this whole elaborate tournament was for naught. Even Qi Rong, the man voted more annoying that 63 other characters, cannot hold a candle to the sheer degree of insufferable that we know our dear Peerless Cucumber was and would be. Absolutely nobody can compare to Shen Yuan's canon keyboard warrior antics.
Thank you all for joining me on this journey! I hope everyone had fun voting in this tournament, as I know I had a lot of fun running things and watching everyone's hot takes. Shen Yuan may have rendered all but the very final round of voting moot with his sheer loveable obnoxiousness, but maybe the real most insufferable people online are the friends we made along the way :).
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No.
No, no, no, no, NO!
He's shaking. His heart is burning in his chest, pounding like a jackhammer against his ribs, and there's a trembling, aching rage building beneath his tongue and pressing against his teeth.
In his hands, his fingers tense and wrists locked, the article reads in big, black font: JOKER LOCKED IN ARKHAM ASYLUM AGAIN!
Danny shouldn't feel so angry about this, this is a good thing. Gotham doesn't have to deal with him for another few months at the least. He should feel relieved, a little more at peace.
He is not.
He cannot swallow the fury thudding behind his eyes, the burning white heat searing a deeper hole in his chest. A searing green filling static in his ears in the way only the rage of the restless dead can have.
How is he going to kill him now?
Arkham may be the only asylum in America made entirely of tissue paper, but it's still an asylum. There are cameras, guards, other patients resting inside. Danny can think of a million different ways to sneak in and kill Joker, but someone will hear his screaming.
It'd have to be rushed.
He doesn't want it to be rushed.
It's a cruel thought. Cruel and cold and merciless, but Danny doesn't feel an ounce of shame, not an ounce of guilt, for it. He wants to be alone with the Joker when he kills him, that's all he wants. In Arkham, you are never alone.
He forces his anger to bubble back down into his chest, stuffing it between his heartstrings and his ribs like a blanket you're trying to bunch up into a corner. It sizzles and burbles. The static begins to fade out into a high-pitched ringing; it sounds like distant screaming.
Danny is still trembling, but he can think a little clearer now.
He can wait.
He can wait. He can wait. He can wait. He canwait. Hecanwait. Hecanwait.
He can wait.
He's waited five years for this. He can wait one more week. One more month. One more year. However long it takes for the Joker to break back out, Danny can wait.
And when the Joker does, inevitably, break out.
Danny uncrinkles his fingers around the edges of the newspaper, loosens his limbs just enough so he can pay for it.
He'll be waiting.
The dead, after all, have all the time in the world.
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“I can’t believe Tom Cruise of all people would stand up for his agent, a Muslim Libyan-American woman, who was being publicly blacklisted for her support of Palestine and calling out the ongoing genocide, including making a rare in-person appearance to CAA headquarters in LA to express his support for her. What a strange person who can ever guess what opinions he will have.”
Look. I’ve studied Tom Cruise a lot. One could even call me a Cruisologist. (Not to be confused with. Well.) And, it’s actually really easy to predict Tom Cruise’s opinion on something. The tricky part is whether it will be made public in a timely manner or not and, if it’s made public at all, will it be a lede buried in favor of pushing a narrative sold on background by a studio exec he pissed off because he didn’t roll over and take their bullshit.
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Ok, I think I have a pretty good idea of why a lot of Akechi's dialogue is... like that.
So, even before his confidant truly started, I noticed that he has a real knack for directing the flow of a conversation. This is very fitting for someone who is both a detective and skilled at interviews - when there is a topic and a goal, Akechi is in his element.
All this to say, he's actually kind of controlling when it comes to conversational flow. He probes for information, or turns the conversation around to a particular topic, usually the Phantom Thieves. He manages to take a few of Joker's dialogue options and spin them so they sound mildly incriminating in the context he's placed them in - the only way to truly get around this is to pick answers that feign indifference, and even then, that's more than a bit telling. He's clearly very good at this kind of thing.
But then, we get conversations where either Joker does something he didn't expect, or else he doesn't have a particular goal in mind - and the conversation stutters. In the first instance, Joker does something (a particularly egregious example is putting his glasses on him and fluffing his hair in rank 3) which both leaves him wrong-footed and no longer in perfect control of the situation. He just kind of... freezes, for awhile. It's hilarious. He has no idea how to respond.
He picks up control again in the phone call afterwards, having chosen to play into it, turning this "fooling the crowds" into a kind of game or secret between them. Nice save.
But in instances where there isn't an obvious topic and the goal is somewhat nebulous, for instance, that one Leblanc scene, it becomes pretty apparent that Akechi doesn't have the right "script" to go off of. Again, it's particularly notable in that scene, because I'm fairly sure he didn't have any specific reason to be at Leblanc, other than him looking for a quiet spot now that public opinion has turned on him. And because there isn't anything specific he's digging for, he kind of just ends up throwing things at the wall to see what will stick. Probing for any kind of recognizable reaction that he can jump on and work with, and that just doesn't really happen in this scene.
He references Sae, a woman in a respectable position, to Sojiro, but instead of that netting a welcome, it earns his ire, given Sae's recent actions against him. He then tries to greet Joker, his... rival? friend? enemy? person who at least seems to somewhat enjoy spending time with him? But Joker's responses are somewhat short, and Akechi practically wilts. He tries to commiserate by oversharing. He tries to involve Futaba and reaches out for the only topic of interest he can think of around "young people". He compliments the coffee. He compliments Joker. He tries to invoke that connection between them. None of it is really sticking, nor does it serve as a jumping off point for him to steer the conversation, or even really start one.
So, he basically just ends up having a one-sided chat with himself and then leaves. Hilarious. Also a little sad, if I'm being honest. It's really giving "guy with no friends who only knows how to speak to adults" energy. If there's no specific purpose to the exchange, or he is not in control of its direction, he seems to be kind of out of his depth. He succeeds only in being a little awkward and confusing, more than anything.
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I think one of the most surprising parts of transition, specifically going on testosterone, is just how... normal it felt to me. When I was watching other people go on testosterone and describe how they felt, I anticipated that I'd feel the huge emotions, the spark, I guess. But I didn't. If anything, I went from being a neurotic mess to being... normal. Almost painfully normal. It's like I've gotten a cloth and dusted off this thing I call my body.
I honestly think it's interesting how natural I feel on testosterone. I never really thought I could feel this normal, but I do. It's like I can stand in a crowd and not feel like eyes are watching me, like ants crawling on a log.
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I am wondering a lot about what happens in the 'ideal' scenario. You know, where Predathos only eats the Primes and the Betrayers and then leaves. Matt made the point about how divine magic was around before then and would be around after, but the source would change. So. What fills that power vacuum? How is there any guarantee that it is going to be better than what they have now? There isn't and Ludnius kind of admitted that, but what drives someone to that point? To the point where they care about the action, completing that action, but they don't care about the result?
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What are these short and compact games that you have been playing?
Well, off the top of my head, shorter games (10 hours or less) that I've been really enamored by include Journey, Night In The Woods, Abzû, Sable, Limbo, Gris, Year Walk, Never Alone, The Mooseman, Samorost 3, Katamari Damacy and Firewatch. I'm not saying all of them are objectively great and everyone's cup of tea, but I personally vibed with them.
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