#instead of writing down how I feel

[bluerosefox]

In Luminous Green Glow.

Another TaliaxDanny idea

So we knows those AU where Danny pops out the Lazarus Pits and meets like Damian or Jason.

What if, due to time travel shenanigans or even dimensional reasons Danny pops out of the Lazarus Pits when he was investigating it (maybe he's CW apprentice and helping keeping the Zone in check) and while looking he suddenly gets a sword put to his neck and a voice, a very very spine tingling smooth voice, saying

"Who are you. And how did you find this place."

Out the corner of his eye Danny could see a woman (or if time travel, teen! Talia) around his age and ooooh boy the Fenton 'I love a woman that just might kill me' genes are totally kicking into high gear.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[sforzesco]

miscellaneous roman nonsense lmao I very briefly thought about un curling octavian's hair, but cleopatra 1963's influence remains as strong as ever

[lyxchen]

Okay so I've heard this said a bunch of times and I'm gonna admit I thought like that too for a while but no, Gi-hun did not win the games because he was lucky. A lot of people think that's how he won because he never killed anybody but that's really not the point. Gi-hun won the games because a) he's smart and is able to look at things from a different angle, b) because he is a good and kind person who also believes in others and c) because of the goodness and care get got back from other people.

In the first game he survived because Ali saved him and that wasn't luck, that was Ali being a good person and helping somebody not get killed. Ali could've not caught him, let him die, he didn't even know Gi-hun at all at that point and he put himself in more danger too by having to hold on to a person while standing completely still but he still saved Gi-hun because Ali is a good person.

In the Dalgona game he quite literally Was Not Lucky. He decided to go with the umbrella which is the worst shape to pick and he probably would have died if he hadn't looked at the game in a different way and decided to change his strategy. Gi-hun is smart. He is also optimistic and so he tried something new and found a different way to beat that game.

In the third game he survived because he was smart and kind enough to listen to Il-nam. The other people in their group dismissed him as just an old man speaking but Gi-hun didn't and that way they had a good strategy to beat the other team. The same goes for him listening to Sang-woo's idea of running three steps and then stopping, which ultimately was what saved them. His group also chose him as their leader (who, as Il-nam said, needs to not seem weak or loose hope because then the whole team is doomed). His team trusted in him and his optimism and they were right to do so.

In the marbles game he won because he was once again kind and decided to team up with Il-nam and also because in the end Il-nam decided to "sacrifice himself" for Gi-hun because he showed him kindness before. Yes Il-nam didn't actually die but he also knew that Gi-hun had cheated and still let him continue on to the next game, probably because Gi-hun had been good and kind and caring towards him before, even though he really didn't have to be. Gi-hun also didn't know this but by teaming up with Il-nam he inadvertently ensured that Il-nam had a lot more fun in the games than he would have had, had everybody just ignored to "old, fragile man". Gi-hun was good to Il-nam throughout all the games and it ended up saving him in the marbles game.

In the fifth game it's only some small moments as Gi-hun isn't really involved in the game because he's the last number but still it wasn't just luck. First of all he was kind enough to give the number 1 to the player that asked him for it. Yes, that number was bad but he didn't know that and had he been selfish enough to say no to that other player he wouldn't have survived. Being the last to play in any game can end up being bad for you, still he decided to give up the number he picked because the other player asked him to. Secondly he also survived that game because Sae-byeok was kind enough to remind him of which glass tile to step on after he had forgotten which one it was. It's only small but she didn't have to tell him and still she did. Sae-byeok btw is also good to him because before that he was good to her and protected her (even though he was angry at her at first) and that way he was able to gain her trust.

Lastly he won the Squid Game because Gi-hun was kind to Sang-woo and because Sang-woo deep down was still a good person. There were probably many reasons as to why Sang-woo decided to kill himself in the end but part of it, I'm sure, was also because Gi-hun was a good friend to him. I mean Gi-hun was even willing to give up all the money and go back home with nothing gained if it meant that Sang-woo didn't have to die and would be able to come home with him. Gi-hun deserved that win and that money and in the end Sang-woo knew that. He also knew that Gi-hun would make sure to take care of Sang-woo's mother and that he wouldn't just take all the money for himself because Sang-woo knew that Gi-hun is a good person. (Gi-hun technically also won the Squid Game because he was good at it which is also him being smart)

So in conclusion and I hope y'all haven't stopped reading yet: Gi-hun didn't win the games because he was lucky. He didn't just sit around doing nothing and won anyways. He won because he was smart but even more importantly he won because of the kindness and goodness that exists in humans and that is especially present in him. He won because he had empathy, because people trusted him, because he got back from them what he gave to them first. He never killed anyone and we can clearly see that he Could Never kill anyone in those games but that's not his weakness. Just because he didn't let himself get corrupted and turned into what the games wanted him to turn into doesn't mean he won because of luck. Him not playing by those subtle, hidden rules that are made to force him to be bad, to not care about others and to give up his kindness actually means he was better than the games. He won because he didn't let them turn him into a monster. They tried really hard and they failed and that's how he won!! But also on top of that he also won because he isn't the only good person in this show. He also won because other people helped him, were kind to him and gave a shit about him. Each and every person that helped Gi-hun didn't have to do that. They all could have not helped him, Ali could have not caught him, Sae-byeok could have not told him which one was the correct glass tile, hell, she could have Lied to him about it and the only difference it would have made for the other players would have been them being one more dead person closer to winning all that money. But that's really not how humans are and act which is why all these people helped Gi-hun, helped each other in small or big ways and in the end his own kindness and the kindness that exists in other people is what lead to Gi-hun winning. That's not luck. That humans being good

[coolnonsenseworld]

A little promo with my little obsession on the side...........

Reminder all items are shipped from Poland - for details on shipping times check out FAQ or send me a private message!

 mmezzy.bigcartel.com

[kaisollisto]

“Are you here?" Ava barely breathes it, there's a tension in the air that she can't recognize, an energy that squashes her. Her throat feels scratchy and she can feel the Halo slotted between her shoulders. Ava's flat on her back head turned to look over at Beatrice. She feels wimpy like a stomped flower, her left arm dangles dangerously close to Beatrice-territory. She wants to reach out, to touch Beatrice to confirm that she's here but something stops her. She feels so silly, she could easily shift over to touch Beatrice, shake her gently and - 

Beatrice slides over, a firm sleepy sister warrior knife wielding badass with frumpy hair poofing from what remains of her low bun. She moves towards Ava, inches away from her but moves to answer her. It’s rare for Ava to see her like this. Beatrice is clearly fighting sleep, rubbing her eyes and doing her best to move in hopes that it’ll shake the sleepy spell. 

She’s dressed in one of Ava’s ugly loose white shirts, a huge bass clashing with faded big blocky lettering that just reads “FISH”. Beatrice had looked at her weirdly when Ava had dug it out of the bins at a thrift store disheveled and ecstatic. 

Ava had spent hours coaxing her into it doing her damn best to hide Beatrice’s laundry when she wasn’t looking. It fills a warm feeling in her chest and Ava wants to burrow further into it. It was a fool proof plan. 

Ava found her shortness made it exhausting to reach up towards the Beatrice-level-cabinets. The halo pulls at her pinching and knotting up the muscles in her back after a long day of training. She feels it alive within her, an uncomfortable reminder sealed inside her back. 

At the end of the day Ava settled on hinging at the waist. She had slowly started integrating Beatrice’s sleep shirts in cabinets that Beatrice had to bend down to reach. Ava always tried to situate herself at the scene of the crime doing her best to seem inconspicuous while she leaned over hungry for Beatrice’s reaction. Ava thumbed her findings down in the recess of her mind, her finger tracing over it in a hurried desperation. The time would pass and she did not want to forget. 

(It helped, the imagery of Bea’s furrow when she would find her sleepwear underneath the sink when Ava would have to tuck her spine into the halo as she placed the shirt somewhere clean.) 

Thanks to her genius planning Beatrice had finally caved and worn Ava’s huge “FISH” t-shirt after weeks of her persistence. She looked adorable, she was drowning in it and constantly tugging at it. She had found Beatrice loved to tuck it into the band of her sleep shorts creating puffy funny creases distorting the text even further to say “FSH”. It looked so ugly and old and endearing. 

She looked out of her depth and it made Ava’s heart thump funny. Beatrice with her weird posh mannerisms combined with the peaceful unguarded look when she slumbered made her feel hot all over. 

It was the prospect of the future, a glimpse into her life with Beatrice, of when they would grow old together. It shakes her, the idea that Beatrice will get wrinkles with her. She takes it seriously, a study that she isn’t well versed in but preparing for. It is a long hard internal debate flipping between what wrinkles will show first. Ava selfishly hopes it’s smile lines, that Beatrice will smile at her as much as she does in secret. She’s happy to be wrong, Beatrice’s forehead crinkles have always been cute. She hopes that Beatrice never stops looking at her, thinking of her. She wants to spend a long time being the source of her wrinkles. And just for right now she can handle the role of being just her friend. 

Beatrice blinks one eye open, the other pressed against the pillow as she stifles a yawn. Her hand blocks her mouth in a delicate way and Ava can see her nails are short and uneven in places. Ava wishes she could touch them, study them in a way no one has done before. She wants to press against Beatrice hard enough to watch her skin fold around hers. Some sort of truth that she was here, that she is here. 

Beatrice scoots over slowly, her elbow tucked under the pillow. She stops inches away from Ava, a frown set in her jaw. Ava mirrors her position albeit more awkwardly and more wiggling than Beatrice’s but she finds a place where the Halo won’t bite her back. 

“I’m here,” Beatrice murmurs it, a quiet thing between them. 

Ava closes her eyes hoping Beatrice won’t notice her shakiness. She blinks a few times before she presses closer, the arm she’s laying on moving to support her head underneath the pillow. 

There’s so much to tell her, anything and nothing at all and Ava doesn’t know where to start. It constricts her throat, the constant stream of consciousness from inside of her heart. It’s horrible and she can’t stop it as the feeling balloons inside of her lungs. Ava wants help, she so desperately wants to feel okay again, to feel anything other than the stupid fucking halo. It grates on her nerves and muscles, a burning hot metal ring poking and prodding at the entirety of her upper torso. It leaves her reeling, a sort of anger that beckons for her to hurt (hurt something, hurt someone, hurt), disregarding the aftermath of tears and shame. 

Ava is sure she’s shaking, a layer of sweat gathers between the space of her shoulder blades as the Halo lights up with her inner turmoil. It’s a faint pitiful thing that Ava would be ashamed of if not for the bone aching tiredness. 

She wants to say she’s sorry the words clawing their way up her throat and it feels wrong to feel anything but that. There’s a sort of unspoken shame that haunts her with the Halo. It’s a thing she’s known long before any of this. 

Beatrice drags her out of her turmoil with her hand hovering near Ava’s pinky. She has a gracefulness to it, like she has practiced it a hundred times over. It’s weird, to be in a bed, a soft and lumpy bed looking at Beatrice. Beatrice with such plain features and subtle cheekbones that Ava can’t stop looking. It pays off, watching Beatrice, Ava knows it when Bea smiles a grin too wide for polite acknowledgement and Ava can see her dimples pronounced. 

“Can I?” Beatrice’s finger lingers near her hand, a hovering itch that Ava needs scratched. It’s so wholeheartedly Beatrice that Ava can do nothing but nod. Something inside of Ava aches harder than the rest of the organs inside of her. It’s the unwavering crushing thumping feeling that squeezes around her heart. The sincerity of Beatrice. 

She places her hand over Ava’s and squeezes her gently. Beatrice’s hands are firm and soft. She can feel the callouses on her palms prodding at the back of her hand and wonders if Beatrice has ever had them fade away. If she’s had the pleasure of unscathed palms. Her hands are warm but not sweaty, not like Ava’s.

Ava can’t feel Beatrice’s pulse but she tries her best to match it. She imagines it would be a slow melody playing a duet with a classical track. Some sort of tune that spurs comfort or a feeling of nostalgia. She briefly wonders if Beatrice listens to music, if she seeks out music that has spoken to her. If there was a song that shook her to her core so deeply she had to sit down and digest it. There’s so much she still needs to know and so little time. 

“I admit I’m not sure what you need from me.” Beatrice whispers it quietly, she’s hunched awkwardly, hovering close in Ava’s space but too far away for her own comfort. 

Ava clamps her mouth shut, sure that “come closer” will betray her. That she will reach too far into Beatrice and take far too much. 

Beatrice pays no mind to Ava’s silence and slowly caresses her hand, it’s a small little gesture that seems to have no set course. Ava briefly wonders if it’s the start of a massage or if Beatrice is looking for her joints underneath her skin and touching her tendons in apology. 

It should be awkward, Beatrice and Ava orbiting each other in a lopsided manner. A rotational tilt that is unfamiliar to both of them and yet feels intimate. An unknown dance with their eyes closed and their breaths mingling. (It’s easy to follow Beatrice’s lead, Ava knows love.) 

There’s nothing Ava can say to her, she chokes up at the prospect and they both blink at each other. She’s not sure what she needs, only that it’s nice having someone here. 

Beatrice drowsily blinks rapidly and slowly at the same time as Ava watches swallowing the bits of her smile. Her hand has slowed its pathing, opting to curl on the inside of Ava’s fingers. It’s endearing watching one of her favorite bad ass sister warriors lose against sleep. It softens the edges of Beatrice who is always carrying some unseen obligation. (Here it is only the two of them free of their past and future burdens, just two girls sprawled thinly on hopes and dreams). 

She can feel Beatrice’s grip loosen, she’s going to fall back asleep any minute now but Ava doesn’t have the heart to keep her up. Beatrice is no doubt tired, powered by her own sleeping and eating habits unlike Ava who has the artifact to juice her up. 

She isn’t quite unwound but she feels manageable now. It’s weird to be within reach of Beatrice, someone who cares about her. To be in proximity of someone who will look for her, be in step with her, maybe it’s duty but Ava holds it close to her heart regardless. (It’s all the same to her, devotion, loyalty, love). 

She clings to Beatrice afraid to let the moment go, she had called and someone had answered, Bea had answered. Ava can feel her eyes watering, it almost feels like a distant dream. She tucks her chin closer to chest and thinks, how awful to be loved. 

She can feel her throat closing up and she squeezes Bea’s hand just a tiny bit harder. (She answers in the twitch of her hand, clearly on the cusp of sleep). The Halo still thunders in her back throbbing some fatal fate but here in the hush of night grounded by the touch of Beatrice she has some reprieve.  (Part 1)

[nightvortaex]

A modern Davron au that attacked my brain:

Aeron finds a note in a library book saying:

“If you like this book, let’s talk” Davos

There’s a phone number written next to it. Aeron hesitates whether he should reach out to the unknown person, but he ends up liking the book so much that he really wishes to share his thoughts about it with someone, so he writes a message:

“Hello Davos, I’ve found your note in the book. Let’s talk.”

First they only talk about the book, but soon they start to have conversations about other things, and it gets to the point that they stay up all night talking on the phone and text each other daily, always asking about the other’s day, and basically just discuss everything with each other. They decide they should meet (both of them are dying to meet the other). They agree to meet at a library cafe (bookworms who love a good coffee). Aeron is the first to arrive (don’t know why in my brain he would be on time or even a little bit too early) and he’s so nervous he’s fidgeting with his bracelet. He gets a message from Davos saying; he’s sorry that he’s late, a few minutes and he’ll be there (because I think Davos would be late a little bit but only a few minutes, he’s very eager to meet Aeron as well and feels bad for being late). Aeron tried to imagine so many times how Davos would look, and when he sees him at the entrance of the library cafe Aeron realises he looks nothing like how he used to imagine him. He thought he would have the look of a 'very typical bookworm’ instead, he looks like the complete opposite: dark, messy hair, silver rings on almost every finger, clothes all shades of grey and black, black boots, and a headphone around his neck.

“He looked like the darkest night sky, only the rings and those loving eyes shone like stars.” (my brain said that’s how Aeron would describe him later in his diary when he writes about him).

Davos looks more like a typical troublemaker than a bookworm, and Aeron would have assumed he’s probably a bully if he hadn’t already known from their conversations that he has a soft side and he’s a cutie inside actually). So Aeron kind of starts to panic internally: “Omg, he’s so handsome. I wasn’t prepared for this.” He already liked him as a person a lot, and now seeing how damn good-looking he is, he is becoming concerned that, oh no, he can totally fall for him (he has already been falling for him but he's not willing to acknowledge it because falling someone you never met and only talked to through messages and phone calls is dumb according to him).

Meanwhile, Davos is absolutely mesmerised by Aeron from the first second he looks at him. He has been kind of falling for him through their text messages and phone calls (because Aeron has such a sweet, tender voice and the way he can talk so passionately about everything he loves)

“His voice, a beautiful siren song which I would follow to the depths of any ocean.” (Davos would write something like this in his diary, poor boy was already getting addicted to him).

Now he knows Aeron not only has the sweetest voice ever (+ the sweetest person ever based on their conversations) but also insanely gorgeous. He stops in front of Aeron and he’s totally unable to take his eyes off him. He loves how Aeron’s hair is shimmering in the sunlight, how his cheeks seem slightly pink and how he is fidgeting with his bracelet nervously. Poor Davos is completely doomed from this moment, that’s the love of his life. They greet each other and sit down at one of the tables. Both of them order a coffee (Davos would drink an ice coffee, but Aeron would choose something more fancy). They start to talk, and Aeron’s nervousness quickly disappears because talking to Davos is just so natural and easy like breathing as always. Without noticing, they spend several hours in the library cafe talking about whatever comes to their mind. Davos is looking at him like nothing else in the world exists other than Aeron, like he’s the Sun (a radiating beauty) and the planet of his being only orbits around him. While Aeron, from time to time, locks eyes with Davos, and he feels like he’s being pulled by a strong gravitational force making him fall deeper and deeper, in his dark clothing Davos is like a supermassive black hole that is about to devour the whole existence of Aeron.

[skitskatdacat63]

Fernando Alonso & His Relationship With Cards

I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?

I. Magic Tricks

You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)

But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."

In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.

II. Card Symbolism in His Helmets

This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?

From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.

Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)

2008.

Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible

2009.

Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?

2010.

This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!

2011.

Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards

2012.

This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??

2013.

Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form

2013 Monaco(Honorable Mention):

For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one

2023 Las Vegas(The Return of The King):

The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"

III. Why Does This Matter?

*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs

This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!

There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.

But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(

[lovesodeepandwideandwell]

Oh gosh the roommates are unloading the dishwasher ... this is an answer to prayer

[alistair-blackwood]

kabru's relationship with his eyes makes for suuuuuch a fantastic trans allegory (an aspect of your body alienating you from your community, being compelled to understand the perspective of someone who also has a complicated relationship with their body in the hopes that you'll better understand your own, people straight up misunderstanding biology) it makes me kind of insane because now I feel like I can't dig into any complicated feelings he might have about his body in relation to his gender without feeling like im just ... double dipping?? like fifjpejgh ryoko kui straight up already told that story in a way that exquisitely fucks??

[tennessoui]

brain will not let me sleep until I say

same age padawans au where they’ve been in a weird wired frenemies thing for ages but now that they’re both mature adults (all of 24/25 years old) they’re more friends than enemies….

And it’s Obi-Wan that Anakin tells when he’s decided he’s going to leave the Order, not anyone else. He has a wife. There was a pregnancy scare a few weeks ago and it made her want their relationship to stop being a secret so they could really have kids. He has to leave the Order. Doesn’t Obi-Wan understand?

Obi-Wan, who has been a little in love with Anakin since they were younglings, does not understand. Not one bit. Instead of wishing him well and helping him pack, he goes to the Council and requests a mission in the Outer Rim….perhaps a month long or more…perhaps undercover? No contact with anyone on Coruscant. And maybe they could assign Anakin Skywalker as his back up? He can help with the undercover aspect.

And at first, Anakin is pissed because he was planning to resign from the Order in the next few days, but Obi-Wan convinces him to go on this mission with him….one last mission as a Jedi. To say goodbye to the Jedi life.

Obviously, Obi-Wan sort of wants to go on one last mission with Anakin because in his dreams, he wants the mission to go so perfectly that Anakin stays with him the Order. But realistically, he mostly wants to go on this mission to say goodbye to Anakin and then let him go, soaking up all his warmth and light, memorizing every casual touch bestowed on him because he knows they’re ticking down to the last handful of seconds together.

But then obviously the mission works TOO well and Anakin falls in love with Obi-Wan but doesn’t admit to it even to himself before they’re on the ship about to head back to Coruscant and Anakin realizes he doesn’t want to leave this planet because he doesn’t want to leave Obi-Wan if it could always be like this so he crashes the ship during take off so they can stay longer because he’s 24 and doesn’t know how to handle the immensity of his love except through destruction

[lale-txt]

heartbreaking! one of your favorite artists makes fun of y/n fics!

[forbiddentaako]

fuck it radioapple week day 1:late night/early morning

[deoidesign]

something that makes me sad is when people tell me the healthy communication in my writing is "unrealistic."

like guys this is how me and my partner talk with eachother... I'm writing from personal experience...

[detergent3000]

these frames from the Beastars final season opening are literally never leaving my mind, they just keep replaying my brain over and over again. The whole opening feels so whimsical in its portrayal of how Legoshi is an adult now so the story takes place in the city rather than it being a school drama. The characters are at different points of their lives despite being around the same age; Haru is going to university, Louis is preparing to take over the company, Legoshi has a job and is living on his own, a few characters are still attending high school. All those characters are still inching towards a future that they have a rough plan for, expect Legoshi. Like Haru and Louis still live with their parents and do not yet having to deal with things like paying rent and what bills they need to pay and how, they still have the security of their childhood home. But Legoshi has been thrust into adult life, abandoning the comfort and guidance of living with his parental guardian, he doesn’t really know how to do anything that adults do yet and he’s figuring it out as he goes. Best example is when his neighbor comes over and, though initially intimidated by him, after he asks what to do when the electricity goes out she realizes that he’s actually just a kid in over his head. Legoshi doesn’t really know what he’s doing but he’s plunging into this new vague stage of his life without instruction and with a cheerfulness that contrasts starkly with the unconfident quiet loner he was in season 1. In the first frame he looks like he’s just waking up and immediately after that he looks shocked and confused about something that caught his eye off screen. He is waking up from his quaint little high school life that only occasionally has disrupted by the adult world and forming realizations of what being an adult is like in the society he lives in and why it’s like that and wether he agrees with the structure and ideas of this society and what he ought to do about what he views as unfair. There’s such a strong youthful feeling of optimism, determination and belief in living with and loving others that courses through Legoshi this season — at times he evens seems naive in his love of and belief in others. That feeling is so clear in the brightness of the opening but the bouncy, almost childish feeling of these frames in particular just stick with me really strongly for some reason. He just looks so bright cute and promising here. He looks as young as he is, like a little kid just becoming acquainted with the world and being couriousily captivated by it’s depth. He looks like his life is just getting started. He looks like he’s gonna come out of this just like all the times before — with a new found understanding of the world and of the people he loves. He looks like he’s gonna live.

[aggressiveguitarnoises]

i dont like the damn mind-goes-blank-when-u-finally-have-motivation-and-need-to-create-smth feature, they really gotta update it