#inspiration has never hit so fast i didn't know what to do at first
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coolprettyleo · 9 months ago
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begin again au ☆ - Frankies Lore!
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wc: 1.8k
tw: drinking, mean coach, quitting, embarrassing? fluff bit of angst?
ryan leonard x hughes sister au!
☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆
frankie couldn't believe what she had just done. something that had been a long time coming finally crashed down and for the first time in her life frankie felt bittersweet.
her whole life has revolved around the sport of hockey; having three brothers playing in the NHL and a mother and father who both played collegiete and now coach is a nightmare in disguise; for someone who is so tired of trying.
dont get her wrong she loved the sport. growing up, she started to confuse what the love was actually for. she thought she held the same passion to play that her brothers did, she was wrong. she now knows the love was to watch it never play it. she loved too watch her family come together and love something so much. she loved too watch other people play. she loved it from a distance. it took a while to come to terms with that.
when she explains the situation to anyone she always uses the same analogy. she loves to hear country music but that doesn't mean she wants to become the next taylor swift. even if she was a fan.
frankie had finally had enough and quit. not before going off on her coach though. something that she had been wanting to say every time she had been forced to stay after practice, run extra drills, every time she has been yelled at for tipping a shot in, every time she had been compared to her brothers, she finally did it.
*flashback to earlier*
"I want to see you guys here tomorrow morning seven am sharp!" coach lindsey said fiercely.
frankie respected the woman. her story was something she found inspiring. but right now she wanted the strangle the woman. her bones felt as if she was just hit by a bus and she hadn't had a good night sleep in about a month. so frankie being frankie, loudly groaned.
"hughes! just for that, you can stay back and do some laps!"
dont cry. dont cry. dont cry. you caused this.
her teammates filed out torwards the locker rooms desperately trying to get away before their coach decided to ultimately punish all of them while she began to skate. in her head frankie was about to lose it as her coach began to yell insult after insult.
"cmon hughes! you're never going to be good as your brothers with that speed"
"you call that faster?"
"I didn't tell you you can stop!"
coach lindsey yelled. she looked and sounded like abby lee miller. frankie smiled to herself at the thought as she began to slow down after skating as fast as she could for about fifteen minutes straight. not feeling well frankie skated off the rink towards the closest trashcan and threw up.
as she heard her coach coming up to her she began to plead.
"please, I cant take it anymore" she cried.
"your done for tonight. and fix that attitude by tomorrow morning will ya. you think your brothers are pulling this crap with their coaches?"
"I said I cant do it anymore!" frankie yelled finally having enough. shocking both herself and her coach.
"how is any of this okay! after everything you just yelled at me, pushing me through utter exhaustion, you come over here and try to act like its okay!?! i'm done."
"grow up and stop being a brat hughes. i'll see you tomorrow."
"you won't. I promise you that" Frankie threw back as she got her bag and began to walk out.
"you walk out that door and your future on this team is done!"
"its been done" frankie said walking out with tears streaming down her eyes.
*flashback ended*
she didn't know what to do. if she were to call her family they would worry and fly in thinking she was going through a manic episode, maybe she was but this felt real and it felt good.
its like her brain and heart had been at war since she was thirteen and her heart had finally won the war five years later. she didn't know whether to laugh or cry though.
she was happy because she was finally free. but she felt a dark cloud gloom over her when she realized she had to tell her family what she just did. she honestly didn't know how they were going to react.
the guilt began to rain on her as she remembered hoe happy they had been for her because they realized she can actually go on and play professionally since the PWHL had its debut and she was already a top prospect for the 2024 year draft but she just went and ruined it.
they're going to disown me.
that thought alone caused frankie to be where she was right now. in a bar with her fake ID drinking her feelings away on a wednesday night. alone. this had to be borderline alcoholic.
"I mean I wanted this right? so why do I feel like throwing myself off the bridge! why am I like this! am I being annoying? you can tell me greg" frankie rambled on to the bartender whose name was actually john.
"im going to call you and uber" he said dismissing her not wanting to deal with a drunk college girl.
"no! let me call someone!" she said taking the bar phone away from him. seeing as her phone had died about forty five minutes ago. quickly dialing the only number she remembered due to the fact she never saved his contact in her phone.
"hello?"
"drew! please, please come pick me up! you know I hate taking ubers alone. I swear i'll give you a little something after..." she said suggestively.
"frankie? hold on drews in the shower. its will, are you drunk? really on a wednesday? where are you?" will began to scold her over the phone, sounding very motherly.
"don't you judge me, I needed this. and im at the mecca" frankie slurred.
"ryan and I will be there in fifteen" he said hanging up.
__
"lady get off the counter!"
is what will and ryan heard when they walked into the bar.
"oh god" ryan said as he saw frankie start to crawl onto the counter. quickly rushing over to pull her off.
"m'not interested." she mumbled when she felt big hands around her waist.
ryan felt his heart crack. he knew he shouldn't because, one she probably thinks its some random guy and two frankie doesn't know he likes her.
since he first met frankie he realized he's had a thing for her but being the good friend he is, he kept his feelings to himself not wanting to start problems with drew.
it gives him so much anger to think about the fact that drew basically just uses her for sex. but at the same time she's probably just using drew too. so who is he to to get mad.
someone who would give her the world
"what are you doing frankie" will says giving her a disappointed look as ryan pulls her over his shoulder.
"I was just trying to dance!" frankie says upside down.
"on a wednesday at seven thirty pm? at least wait till ten" ryan says approaching the car and strapping her in.
"i quit the team"
"WHAT"
"ur lying"
will and ryan said at the same time with their eyes wide. they knew frankie hated playing hockey, they just never thought she was going to quit. someone with as much talent as frankie needs to be out there.
"m'not. im done and im scared to tell my family. I think they're going to be mad" she slurred as her eyes began to water.
ryan, who cant handle to see her cry quickly got into the back seat with her, and started to comfort her. wrapping her up in his arms and wiping her tears that began to fall from her big blue eyes. he could stare into them forever.
he told will to start driving back to her apartment as he comforted her.
"frankie, your family loves you and you know that. they're never going to hate you because you quit, if anything I think they've been expecting it-"
"geez thanks ryan" frankie says crying drunkly. ryan cant help but smile a bit because even though he hates to see her like this she looks really cute.
"not like that, its just anyone who knows and loves you can see your not happy out there. I see it, will sees it, so I know for a fact they see it too. and if they didnt and they do get mad thats on them. its your life not theirs" ryan says with his arm wrapped around her as she sniffles into his shirt.
"I guess so" she finally says seeing as their pulling up to her dorm.
"can you walk me up? its okay if you dont want too! I get it, im just scared that the RA is going to see me like this and call campus security on me and-"
"frankie! of course ill walk you up, are you kidding" ryan cuts off her rambling pulling her out of the car.
"i'll walk home smitty, you dont have to wait" ryan says knowing he was doing homework earlier that was due tonight before frankie had called.
"you sure?" will says kinda feeling bad for not staying and helping him take care of her. but then realizing ryan probably wants to take care of her.
him and gabe loved to tease ryan on the fact he was hopelessly in love with frankie. of course they would never tell drew even though they know if ryan were to just tell drew how he feels drew would back off. ryan just likes to be complicated.
"yeah, we'll be fine. right frankie?" he says keeping her upright. she was fully awake but the thing about frankie hughes is she loves to lay on the floor when she was drunk.
"yup!!" she chirps while ryan smiles down at her.
they wave goodbye to will while ryan picks her up and walks to towards her door. he smiles as he gets too her door and sees her doormat.
'cool bitches only'
he opens the door using her keys that he found in her purse and hauls her inside down the hall to her room. her room was so her. he loved it.
god I sound like a creep.
he shakes the thought from his head as he settles her down, takes off her shoes, and wipes all the remaining makeup off her face. thinking of how perfect she was.
"ryan" she says dreamingly as she feels him pull the cover over her body.
"yes baby?"
frankie felt her stomach do a cartwheel and she couldn't understand why.
"thank you. for everything."
"anytime frankie hughes"
he says before giving her a kiss on her forehead and walking home.
send in ideas for this au!! im really excited for it!
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ranticore · 2 months ago
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inspired by a post by @/serpentface of a concept that captivated me, i'm going to present the much anticipated, much requested, "what cars my characters would drive, bearing in mind their economic status and assuming the year is 2024" post
we can start reallyyyy easy because for Bowman there's no other option:
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An ep3 Honda Civic. Is it a type-R? nope but it's got vtec bro!!!! it's surprisingly practical and the wheels are kerbed to shit. there's fluffy dice. there's an aftermarket spoiler on the back and a halfords special front splitter. He's of the opinion that girls don't know the difference between a hot hatch and a grandma's car so this works as well as the expensive one. i think his driving style is best described as 'life changing'. for better or worse.
Senca:
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unflinchingly practical. the car that can do it all. a 2010 1.6 TDI Skoda Octavia with roof rails. it's not about speed or looks and it's not even about transport, really, it's about looking superior because nobody else's car can fit the contents of an entire house inside. and then looking less smug when someone pulls up in a Volvo V50. the type of driver who can't fucking stand it when other people break the rules of the road but when she does it, it's fine. because she's a "good" driver.
Léa:
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2004 Hyundai Coupe 2L. Yes bitch it looks fast!!!! IS it fast? No, but the better coupes from the same era did not depreciate so much in value and aren't affordable. in Léa's hands it's like a rocket ship. The indicators must be broken though because nobody has ever seen them in use. She spray-painted the wheels herself.
Islin:
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a step-through road bike WITH panniers. cars damage the environment and the thought of contributing to that is unconscionable. doesn't wear a helmet anyway. dichotomy of ocd
Helena:
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Porche Cayenne. Mostly someone else would drive her around but every so often she wants to get behind the wheel and start tailgating aggressively, just for the thrill of it. She replaced the stock lights with retina blaster 9000s and is always about 1 inch behind your back bumper, full beam on. Red lights are for other people. She ran over a child once because she wasn't looking and blamed the parents.
Jean-Baptiste:
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Caterham 7. The one made up to look much older than it is, and he ordered it in kit car form and built it in his garage. I've always insisted that Jean would be massively into motor sport if he happened to have been born when that was a thing. He didn't follow the manufacturer's instructions because he felt that he knew best so his car is very unsafe but makes far more power than stock. It's not road legal but you will find it on the road nonetheless.
Erica:
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Oh? You've never heard of it? You've never seen a man look so smug in your life. He shuts the silent-close door and explains that he traded in his Tesla model 3 for a BYD Seal because Tesla was becoming "too mainstream" and there were too many of them on the road.
Félix:
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1998 Mercedes Benz E Class. Yeah it cost him £700 on Autotrader, but what's important is that it cost £60,000 when new. This is a good car. This is a luxurious car. It has heated seats - they don't work, but if he wanted to fix them he could. It has an overflowing ashtray from the previous owner and there's not a single thing that goes right on it but it makes him look adjacently wealthy, and isn't that the point? The poppy helps him look more sympathetic to elderly people (scam victims). Number One Most Likely To Attempt Murder-Suicide By Automobile. You've never seen a man look so divorced.
Carmen:
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For her i just sorted price low -> high and picked the cheapest running car. And it's a Fiat Bravo! Notorious for earning a zero star euro ncap safety score and exploding into scrap if it hits a kerb. Carmen can't rely on her parents buying her a first car or paying insurance so she has no choice but to scrape the bottom of the barrel. She thinks it looks nice though.
Pascal:
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was there any doubt.
Nico:
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Beat up 1999 Discovery permanently attached to a horsebox. It is always filthy and somehow filled with straw and dog hair even though he doesn't own a dog, that's just what seems to happen to these cars. The heating doesn't work anymore but other than that it's fine, does the job. Drives with what can only be described as malicious compliance to all rules of the road.
Cain:
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a Lada Niva. Why the hell would you ever need more than this. Electronics? No thanks. You're lucky it has gears. Cars peaked in the 1970s and anything built after that is just a piece of ridiculous frivolity, a toy for children. Here is a real workhorse. It costs 20 grand. Probably the only truly good driver here.
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Sir Heaven:
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Please for the love of god stop making him drive the Revuelto he doesn't want to do it anymore it's too scary
Sir Victory:
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2003 Seat Leon Cupra R, with decals that make it seem very impressive and like it might actually be a racecar, but it isn't. It's made of rust and the engine sounds sick. It's battered and broken and the subframe is bent from a side-on collision. One day it might crumble away entirely but until then Sir Victory will drive it like he's at Goodwood. A very aggressive driver, mostly due to impatience, and he always wins the red light drag race.
Mercury:
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It's a normal Ford Crown Victoria with a tank engine strapped to it. What? His holy calling is building and designing engines, of course this is safe and sane. Kind of a lackadaisical driver, obeys the rules when the mood strikes.
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And just for fun, random other characters:
Qedivar:
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1999 Audi A4. I just tried to imagine the most boring history professor tier car I could think of. It's in good condition for its age but it's never brought anyone a single scrap of joy in its entire life. Nobody smiles seeing this car and to this day Qedivar often fails to pick it out in a car park.
Huarvaa:
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The legendary Renault Scenic RX4. It's big, it's 4-wheel drive, and it's a practical MPV. and it looks like it's constantly dipped in some kind of algae or perhaps sludge. Modified with a snorkel so it can drive through deep water. Still really rusty despite the plastic cladding.
Holly:
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Rover Metro. It's incredibly spacious!!! Wow! He can't see over the wheel.
Finbarr Ó Casaide:
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A Lupo. Literally the perfect car for his needs and he knows he must be conservative in how he goes about things. Yellow colour for the Ó Casaide clan, to show that he really does belong there, promise. A devastatingly precise driver; guns for the tiniest gaps and somehow makes it every single time, without putting others at risk or being particularly reckless. He will get you to your destination 20% faster than anyone else.
Olivier Tanet:
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Ford F150, specifically an imported one from the US, specifically driven in a normal-sized place that is not built for stupid american cars (as in the photo). It is gigantic and it's in your rear view mirror 24/7. Helena might be a maliciously careless driver, but Olivier is just malicious. He wants you dead. His truck is part of an elaborate dick measuring contest that he intends to win. Plus side is that it's not a pavement princess, it goes offroad (it does doughnuts in your front garden)
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thebullensshitposting · 6 months ago
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I wanted an imagine Jasper x reader x Alice where the reader was Victoria's sister and when they meet at the baseball game Alice and Jasper feel the connection with her so when James tries to attack Bella and everyone gets defensive the reader apologizes for them Before going, let's say that the reader recently moved to Forks to "finish high school" and the three of them would have gone to visit there before that happened, but as they didn't get along, the reader decides to leave there, but Alice and Jasper Don't they leave it because they are destined? please
So I (S) wrote this because K is a horrible human and has been procrastinating like a champ.
Either way, I am not entirely sure if I fully understood what you wanted to happen, so I just kind of pulled a bunch of ideas out of my ass in hopes it would come somewhat close.
Tldr: procrastionation makes for author changes, promt was kind of confusing
~S Word count: 1049
Y/n has never really been able to make decisions on her own. When she was little her parents would rule over her. And when she was older and worked she had her employer that would tell her what to do, be it with words or abuse. When she and her sisters fled she had them tell her what to do.
And that never really changed. Now, so many years later, she still had one of her sisters, Victoria, tell her what to do. And to a degree she was glad. Making decisions on her own scared her a little, or a lot if she was honest.
Life changed since Victoria turned her when she was just a mere 17 years old. They weren’t alone anymore. Victoria found love in James, a vampire that y/n could only describe as somewhat nice on a good day and downright psychopathic on a not so good day. They also found company in Laurent. She liked Laurent more than James, although she wouldn’t admit it out loud to anyone.
They constantly were on the move, sometimes more nomadic, sometimes a little more settled. Right now it was the latter and they resided in a shabby little hut on the outskirts of a little town called Forks. And with settling down they had to come up with stories that would fit their looks and would grant them some time to stay. Victoria and James were a married couple and both were freelance artists looking for inspiration. Y/n was the little sister in her final year of high school that had to tag along because their parents weren’t really that great. And Laurent? He was some kind of uncle that stayed with them.
They didn’t meet other vampires all that often. Most were hiding from everything and everyone. Some were truly hiding. Some were only hiding in plain sight and would share glances telling them to hurry out of their territory. So it was a surprise when she went to school for the first time and immediately came face to face with several other vampires.
She had told Victoria about the encounter later in the day.
“If they try hurting you, show them hell,” Victoria had told her. “You are a force of nature, remember? You are fast, faster than any of them, I promise you. You have teeth that could tear them apart and you are strong.” Sometimes it was jarring how brutal Victoria could be when she was so caring and soft as a human.
Victoria caressed y/ns cheek softly and smiled gently. “I know you are gentle and hate hurting people. But please promise me that you won’t let them hurt you. I can’t lose another sister. I can’t lose you,” she whispered.
So she went to school and kept her distance. Sure, she could feel their stares and could almost feel how judging they were and how much they wanted her gone, but they left her alone. The uneasiness made her almost go whining to Victoria, begging her to move somewhere else, or become nomadic again.
But it wasn’t until they all went out to scour the area for prey that everything would hit a high in terms of tension. They found the vampires that were also in town on a field as they were playing baseball. And they had a human with them. Y/n found it a little funny how their situations were so different but to someone from the outside it would look like they were mirroring each other. The human being hid behind the vampires, y/n being shielded from the other vampires by Victoria, James and Laurent.
James and Victoria tried to lure information out of the others, make them let them play with them to find their weaknesses. But then they smelled the human. Victoria and Laurent hid it better than James. He decided on that spot that he wanted no one but that human. And y/n couldn’t blame him. The human smelled incredible and it also  almost made her leap at her to devour her.
Y/n tried to silently slip away and just as she thought it worked she heard two of the vampires follow her. She ran. She ran like she had never before as fear began to fill her.
“Leave me alone!” She screamed. They just began running faster and y/n picked up more in pace. “I said leave me alone! I have done nothing!” She screamed again.
She then did the worst mistake of her life. She turned her head to see how close they were. The movement slowed her down enough for the tiny vampire to slam into her and knock her to the ground. Her, what y/n presumed to be, mate quickly caught up to them as well and watched the both of them.
“Get off of me! I will rip you to shreds! I will kill you!” Y/n screeched and flailed around. 
“You wouldn’t do that,” said the small one with a big smile on her face.
“I’m sorry. I’m sorry about my sister and our companions. I don’t know why they did that, please let me go,” Y/n begged, “I can’t die yet. I have to be there for my sister, please, she needs me.”
“We could never kill you.” The older one grabbed the smaller ones shoulder to make her ease off a little.
“I am Alice and this is Jasper,” the smaller one said, “we could never hurt you, y/n. And you could never hurt us.”
“How do you know my name?” Y/n was certain that this is what dying felt like, this uncertainty and confusion.
“I can tell the future. And Jasper is exceptionally empathetic. We figured something out that you haven’t yet, sweetie. We are meant to be. You being here, us being here, this whole mess with your clan, it’s destiny. All of it needed to happen for us to meet. We needed this to find the last puzzle piece. You are our key to eternal happiness, and we are yours, if you let us be.” Alice looked deeply into y/ns eyes and y/n could just tell that she was telling nothing but the truth. And it scared her.
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aphroditesmoon · 1 year ago
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fall with me
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jacaerys velaryon x fem!reader
summary: when an earthquake hits the city of King's Landing, causing a giant flood, you end up trapped with your ex in a mountain cabin.
warnings: modern!au, post-apocalyptic fic, inspired by the show 'Class of 07', NSFW, smut. (minors dni!!), makeouts, mentions of ED & sex & suicide, death.
A/N: had this idea for a while now lol.
♠︎♤♠︎
"You know what I call situations like these?" For someone who had almost died, pressing over 170 on his car to reach here, he sure sounded positive. "Do not say fate-"
"Fate." He had that stupid shit eating grin you can't tell if you wanted to punch or kiss off of his face. "I wished I'd never opened the door." You concluded.
Jacaerys lets out a tired sigh as he finally stops trying too see through the fog outside the window. He moves to sit crossed legged opposite of you, back againts the wall. "Someone's gonna find us. I can feel it."
You scrunched your face and looked at him with pity. "You thought you felt me orgasm the first time we-" he cuts you off with a groan and starts shushing you immediately. "This is like the worst time to remind me, I almost died out there." You snorted as he buries hus face on his knees. A minute passes and you finally decided to speak again. "Did you get an amber alert, or something? Before shit started cracking?" He shook his head, lifting it up to finally meet your eyes. "Me neither."
You wondered if he saw anything other than fog out there. The last thing you saw when you let him in was the grounds behind him cracking into pieces, bursting as water starts filling in. You don't want to look again. It has been 5 hours since then. The two of you had checked out every single item you could find in this cramped cabin and decided to do intermittent fasting so the food stock would last longer.
The way he looked at you as it was discussed made it obvious that the both of you had the same question. Does this count as encouragement for eating disorders if the world is ending?
But you pushed through for the idea, so he agrees.
"Do you think our families are okay?" He asks, barely a whisper in the quiet space. You stared down at your hands and let out an awkward laugh. "Is it bad that I haven't thought of them at all since this shit started?" He shakes his head with a small smile. "I just remembered them too actually." You hummed. "Times like these, selfishness prevails." He nods in agreement.
You notice how he opens his mouth sightly before closing it back and turning his head around, pretending to inspect it. "What?" He acts confused. "You were gonna say something just now, what was it?"
He stutters as he's confronted, trying to convince you it's nothing. "Just spit it out Jace, we're like, a thunder away into dying."
"No, I- its a stupid, stupid curiosity, I mean, when you said before, that you didn't orgasm when-" "Yes, Jace, you have made me orgasm before. That one time didn't count." "Oh." He lets out an awkward laugh, nodding in understanding as he moves to change the subject.
"Thats good-um, you know I heard a few weeks back that your cat just died?"
You stared at him in disbelief, not knowing if you wanted to laugh or cry. He was never good at hiding his embarrassment. "Yeah, he did." The strangeness stretches. "Sorry about that, I liked him."
"Yeah, he liked you too."
"I remember..." he begins. "The first time I came over, he was so scared that his tail spiked up." You laughed out weakly at the memory. Although, your smile was genuine. You missed your cat. And you missed those times where your biggest fear wasn't dying.
"Do you think any of them made it out there?" His eyes filled with so much hope and light, and you wondered how long you could hold on to them until eventually, he'd break too. "I don't know." He answers finally. Of course he didn't. "I wouldn't mind dying if they are." Neither of you teared off your gazes from eachother. "I'll stay alive if you do." You laugh at the way he says it. "Is that a threat?" He smiles. "It's a promise."
You felt your smile fade away slowly. The world is ending, you don't need to fake a smile to make other people less uncomfortable anymore.
"If you die on me, do you think I'll have any spark of hope left in me to go on?" He wasn't smiling either now. "I won't die." You assure him. He remains tense, the new fear of you dying begins to haunt him. "Maybe we could just sleep for a very long time, and it'll all be well when we wake up." You dreamt aloud, earning a raised brow from him. "Oh I wish so too."
"Do you want to hold my handas?" He asks suddenly.
If it was during anytime else, you'd tease him of it, you'd tell him; if you wanted to touch me, just say that. And you'd hold it before he could say anything else. If the world is ending you'd know the right things to say to him, the right response to his assurance and comfort.
But the world is ending, so you said what you wanted to, all the things you wished you've said before and never did. "If you wanted to touch me, just say so." He chuckles sincerely, showcasing his perfect teeth. "If I say yes, will you finally come sit closer to me." You tilt your head towards the ceiling, pretending to think. "So stubborn, up until the end." He mutters.in an annoyed tone.
"You come here, I'm not moving." You decided, making him roll his eyes but complied to your demands anyways
You give a good look at his face once he's next to you. "Better?" He whispers. "Better." You nod. Turning your head back to your front, you let your eyes shut close as your head leans into his shoulder. Seconds after, you feel him leaning into you too. It took less than an hour for the both of you to fall deep into a tiring dreamless sleep.
♤♠︎♤
"What if we just started having sex until we both get cardiac arrest and die." Jace looks bewildered by your suicide ideas but laughs as easily as he usually does, a part of him always remaining unfazed by your mind. "Creative. I'll keep it in consideration."
He had woken from your 6 hour nap first and took the initiative to carry you towards the stiff queen bed further right from the kitchen. When you finally woke up, your head was againts his chest as his arms were wrapped around you like it was always meant to be there. You decided you were comfortable, and he had no complains. So the two of you defied the rules of exes and continued to stay like that.
He allows you to come up with as much suicide plans for emergencies as you wanted to. Not too realistic though, he warned. Im sensitive. You laughed when he sniffled. I know you are, baby. You were comfortable wasting the hours like this, but Jacaerys insisted on some food. You watched as he boiled up sone water and prepared the two of you some instant noodles and boiled eggs. "I can't believe there's still water." You think out loud. He pulls out a bowl for your noodles. "Me neither, this could be the last of it though, so we'll need to save it."
"No showers then?" He finishes up the noodles and carries yours to eat in bed. You thank hin as he places the warm bowl in your hands. "We take turns every 2 days, unless you want to showee together." You almost spit out your noodles, coughing slightly, you lightly shove him, ignoring his free and joyfilled laugh towards your reaction. "Athhowl." You mutter incoherently while slurping your noodles, ignoring him when he leaned in to kiss your cheek.
Insufferable. And yet you were grateful, that out of everyone, it was him that you were stuck with.
Evening came again, faster than you thought. Has it really been two days?
Jace is cutting up the last singular apple for the two of you to share. You're laying on your side, back towards him. The whole situation was finally making you feel disgusting and terrified. It's been two days and there was no one coming. You knew that because you opened the door that morningz and you slammed it close againbwhen you saw how the water has reached the last step of staircase leading onto the cabin. And how fron there, the rest of the world turned into an ocean. Not a singular city let alone person, seen. Just water.
You were singing quietly when he calls out your name. "And I will pretend..."
You heard him, but said nothing in return. "...That I don't know, of your sins." He calls out again, gentle but louder as he sits by the bedside. "Come on, let's eat." His voice was pleading. You make yourself turn towards him, for his own sake. And you let him feed slices of apples in your mouth whole your eyes remain closed.
And then you felt him press a cold kiss on iour forehead when he's finished. "Jacaerys." You call him out when you feel him walk away to put away the dishes.
He came back soon enough, squeezing himself into the bed. "Jacaerys." You repeated. He looks down at you, a trying smile accompanying him. "Yes?"
"I'm glad its you. I'm glad you're here." His forehead leaned againts yours and you feel his body relaxes. "I'm glad it's you too." When he kisses you. It wasn't shocking, or unexpected. It was waited for, It felt like completion.
His soft lips has begun to push harder againts yours, Jacaerys now sitting on top of your laying self. Letting him enter his tongue inside your mouth, your hands wrap themselves around his neck, gasping quietly as he sucks on your bottom lip. Jace. You whined as he moves his attack down your neck. Who is he marking you for? You wonder, as he bites the flesh tenderly and stroking over it with his tongue. His fingers were quick to unbotton your top, like he's had your body and accessories memorised.
The sight of your bare breasts instead of bra sent shoots of arousal straight to his cock. He groaned at your perk nipples before wrapping his lips around them. Your leg rises to wrap around his waist, groaning at the sensation of his touch.
You could've cried when you felt him grind againts your soaking cunt, pushing your hips back againts him, the barrier of his jeans and your panties in the way. "Take of your pants." You gasped out as he starts giving your other breast the same attention whole groping and squeezing the other.
His hands were quick at your permission, the sounds of his jeans falling to the floor, giving you relief and sanity as you rid yourself of your own underwear.
You groaned loudly once he pushed himself inside of you, feeling the fullness as he pulls out slightly to push back in, making you whine out his name again. Your hands are clenching the sheets beside your head as you let him fuck you deep. He rests his head in the crook of your neck, grunting in your ear when you tighten around him, your tight cunt suffocating his hardness, feeling yourself getting closer.
He came right after you, your cum mixing with eachother's and leaking down your thighs.
He slumps by your side, pulling you againts his chest as the two of you got off your high. Wiping on your sightly sweaty hair, he combs his fingees through them as the both of you relish eachother's company for as long as you could. He wishes that night as he watches you fall back asleep, that if the world would to kill one of you, let it take the other one too.
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electrikworm · 7 months ago
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Human Shield: Part 1
Since Wrecker can remember, he's put himself in harms way to protect his brothers. He always knew he'd be the one to execute plan 99.
When things start going wrong on a mission, Wrecker comes to understand that the day for that sacrifice has come
Or how Wrecker got his scar.
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Content warning: Self-sacrifice, thoughts about dying
Decided to post this in multiple parts, mainly because I wanted to share this bit already :)
Inspired by this post by @squad-724
Enjoy :)
Read on Ao3
The last few droids present panic at the alarm, leading to them being easier targets than usual. Even through his armor, Wrecker can tell the air is getting dangerously hot around them. They haven't got long. Thankfully, it isn't far to the exit.
When they were growing up, it didn't take long for Wrecker to be much bigger than his brothers. So, he started shielding them. It became one of his unspoken duties.
Wrecker tanks hits and draws fire whilst his brothers complete their objectives. It feels right, quickly becoming second nature. Wrecker knows that's why the Kaminoans made him this way.
As useful as his knowledge in weaponry and explosives is, that usefulness pales in comparison to his brothers abilities. He can arm and disarm bombs as fast as he likes, Tech's mind, Crosshair's sharpshooting and Hunter's senses are what get missions done.
But Wrecker can keep them alive. That's what his enhanced abilities are really about.
At some point during their cadet years, Tech started a digitalized and numerically ordered list of their plans. It grew along side them, some plans so obscure they'd never get to use them, some just added as a joke.
They all have favourites, plans they've been waiting to call for years. Wrecker has favourites too, mostly ones that allow him to show off his expertise in demolitions. But the one plan Wrecker considers his plan, the one he'll have to execute one day, is the one he likes least.
Plan 99, the plan to lay your own life down for your brothers, for the mission.
Wrecker always knew the day would come, and when it does, he'll be ready to do what he needs to do. For his brothers.
He has a bad feeling about the mission from the start. Something feels off. Hunter feels it too. He seems on edge.
Everything goes normally, well even, for most of the mission. But Wrecker stays alert. And it's a good thing he does.
The room where everything goes wrong houses a generator of some kind. Huge and powerful, large pressurized tanks fuelling it. They cross half the room fine, taking out droids as they go. But then a siren starts blaring, and the large machine makes unnerving noises.
It's overheating, going to explode. Wrecker's the first to understand what's happening, yelling for his brothers to run, get out of there as fast as possible. It's unclear weather the reason for the danger is a trap set for them, or a genuine malfunction. They don't have the time to consider that.
If those doors don't close, they're all dead. As fast as Wrecker and his vode can run, they'll never get far enough away from the explosion. With the door shut, there'd be a buffer between them. Wrecker internally curses the separatists for their bad safety measures, even if there's a high chance this was done on purpose. Wrecker tries the door once more, to the same result.
They clear the room, Wrecker slowing down to make sure his brothers get out. But when he goes to shut the heavy blast doors on the generator, something's wrong. It won't stay closed. It shuts, but then it hisses back open sluggishly.
The rest of his squad don't seem to have noticed, still running on.
It suddenly hits him that there's no way they're all leaving here alive, that this is the day Wrecker's been aware would come. This time when the two sides of the door slide closed, Wrecker grabs hold of them, pressing them together. His arms burn with the strain, but Wrecker pays the feeling no minds. It's not like he'll live to experience the consequences.
A strange calm washes over Wrecker. He's spent so long thinking about this day, about dying for his brothers, that the feeling's almost familiar. It's strange, thinking that he woke up that morning, not knowing he wouldn't live to see another.
He had plans, things he thought he'd do. They'd picked up some interesting fruit the day before and Wrecker was looking forward to trying them. He'd also promised Tech he'd help do maintenance on the Marauder. He'll have to manage without Wrecker, though he's sure Tech will do fine on his own.
Wrecker rests his helmet against the door. He can't tell if he's imagining it, or if he really can feel the heat from the other side through the metal. He briefly wonders what will kill him first, the explosion, or the ceiling's imminent collapse. Either way, he's going out with a bang. How in line with his personality and interests that is almost makes Wrecker laugh.
It's a stupid thought, but for a moment, Wrecker considers what will happen with the stuffed toys he's collected over the years. They take up a decent amount of storage space on the Marauder, so it would make sense for his vode to get rid of them. Wrecker hopes they keep Lula. His brothers made her, so she's special. She also doesn't take a lot of space.
“Where are you Wrecker?” Hunter's voice over the comm channel startles Wrecker. He sounds almost irritated. It dawns on Wrecker that he completely forgot to announce what he's doing.
“Plan 99. Finish the mission without me.” There's a slight tremor to Wrecker's voice thanks to the strain of forcing the door shut. He's entirely composed otherwise.
“What?” Crosshair hisses.
“What do you mean 'plan 99'?” Hunter asks, throwing Wrecker somewhat. He didn't think Hunter would forget a plan, he never has before.
“Self-sacrifice, remember?” Wrecker says, trying to remind his ori'vod.
“We know that Wrecker.” Tech says.
“You're not dying today, vod.” Hunter says. “Get your shebs over here, and that's an order.”
Wrecker laughs. “Can't do that, sarge. Door won't close, and if it doesn't, the fire'll just funnel though the corridor and kill us all.”
“Wrecker.” Hunter's tone is warning.
“I can hold them closed.” Wrecker says, sighing softly to himself. A metallic creak resonates behind the door. He's not got much longer, but his brothers will be safe. “It's what I'm made for.”
For a moment, Wrecker hears the commotion of his brothers talking over each other, then, it's all drowned out as the generator finally gives out. The explosion is deafening, unbearable heat enveloping Wrecker as the door warps and breaks under the pressure. Pain grips Wrecker's body like a vice, the world around him still impossibly loud as the building caves in.
Then, everything goes black and Wrecker is plunged into nothingness, thoughts of his brothers safety quieting any fear that threatened to rise in his chest in that final moment.
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bubski-mcboo · 1 year ago
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Why "No Nightingales?" It's a safe word!
@destructokitty34 this is for you - thank you for the inspiration.
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So I was reading an article which I'll link here when it becomes relevant. This post is semi-related to the "Crowley put something in Aziraphale's mouth" theory, which I didn't subscribe to until a new, related theory hit me like a sodding truck.
Strap in my ineffable nutters, this is going to be a pretty long and wild ride.
It's their song, duh.
Well, yes.
It is heavily implied, though not outright stated, that the song A Nightingale Sang in Berkeley Square by Vera Lynn is Aziraphale and Crowley's "song" - i.e. a song that couples sometimes choose to represent their relationship.
At the end of season one, it was playing at the Ritz, and attention was drawn to it by God. It was not acknowledged by anyone in character unless you count the pianist actually playing it.
The end of season two is the only time we hear it referenced again.
We are led to believe that this was Crowley's way of ending it with Aziraphale, albeit with one last final attempt to get him to change his mind.
HOWEVER
Crowley has known Aziraphale for a long time. He knows Azzie's idiosyncracies, he knows when he's "going too fast" for Azzie, and has learned over the years how to gently and carefully nudge Azzie out of his comfort zone, such as introducing him to food for the first time, "the arrangement," and the holy water, to name a few off the top of my head.
Do we really believe that Crowley would make such a colossal mistake?
I concede it's possible that Crowley wasn't thinking clearly at that moment.
But here is what I think...
"No Nightingales" Is A Safe Word!
So, hear me out. Some of you may have already clunked the pieces of the puzzle together and already agree with me, and some of you might think I need to sit the f down. Both are valid, but let me say my piece anyway.
Here's how I came up with this theory.
The Clues
The theme of a couple having a song is smacked squarely in our faces with the Gabriel-Beelzebub reveal.
Sometimes a couple's song marks a particularly strong and important memory.
Sometimes a couple's song is one they happen to love, and it maybe reminds them of each other, but they never say it out loud, because they don't need to. They just know, because they never say what they're thinking, that this is "their song"
But also, sometimes a song... "Contains information in a tuneful way."
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Okay, I know Crowley didn't sing it. It's the "contains information" part that I'm latching on to. I didn't think much of that line, other than it being a "mhm, yeah that's true" kind of moment.
Until now, obviously.
Aziraphale's Reaction
Look, look, look!
Aziraphale senses something is wrong, in a different way from before. He is on full Alert.
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Look at Aziraphale's reaction. Sure, you could interpret that as,
"Oh shit, he's serious,"
but nah, see...
Here is the dialogue along with what I think the subtext is, based on Azzie's reaction: Crowley: "Exactly. No Nightingales." Crowley: "You/we are in danger." Aziraphale glares at Crowley. (taken from the audio description) Aziraphale senses something is wrong, in a different way from before. He is on full Alert. Crowley: "You idiot. We could have been... Us." Crowley: "Everything I do and say now isn't really me. It's going to hurt us both. I'm sorry. Aziraphale turns away and starts to cry. (AD) Aziraphale: "Pointing out and blaming our imminent and permanent separation solely on me is the worst thing you could do. Crowley kisses Aziraphale. Aziraphale: "I stand corrected."
Note that the emotional stakes of this kiss had it been as a means to transfer something, are not undermined due to this theory, which is crucial for a theory to stand in my opinion.
Aziraphale looks at Crowley with disappointment (also taken from the audio description) Aziraphale: "I HATE that you have corrupted our first kiss like this. I'm about to say something significant, perhaps, 'I can't believe you did that, or maybe even 'I love you,' but you've just told me we're in danger, so I have to be tactful. How do I say something loving and scathing at the same time? Oh, I know..." Aziraphale: "I forgive you." Crowley: "Don't bother." (no subtext here. He meant what he said).
It fits well with other meta
See here for @actual-changeling's post about how the kiss may have been with tongue, which in turn supports the "Crowley put something in Aziraphale's mouth," theory.
I am still sort of on the fence about this one, but it does seem far more likely in my mind now that I have this "safe word theory" living rent-free in my head.
To Conclude
My theory is that "No Nightingales" was a safe word, and this might support the "Crowley put something in Aziraphale's mouth" theory.
I will update this post later as this was sort of a messy, raw brain dump. I know I have more to say about this, especially relating to the beats leading up to this nightingale moment and what came after. There's also other meta swimming in my head which might be compatible, but I may have to think about separating those posts out.
But right now, it's 4.46am as of writing this and I need to go to bed.
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ultfreakme · 8 months ago
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Cn I ask your top favorite fics that you've written (feel free how much that you want to list)? Why they're special to you? Is there a specific inspiration when you wrote them? Thanks....
Hey anon!!! Thanks for the ask!! Favorite fics...I've written. You've given me too much freedom by asking my why I like them I am so sorry for the wall of text about to hit.
To Veer The Tides
It's a fic for Kuroko no Basuke which is basically just me slapping the character names onto a WILDLY different fantasy setting. It's for Akashi x Furihata. An arranged marriage AU where Akashi is the son of an emperor who went too power hungry and wanted to consolidate 7 mostly independent states(provinces??) into one, but he was defeated by the remaining states and to control Akashi, he is arranged to marry far below his station to Furihata, son of a destroyed noble house which is under the rule of Kagami's state. So it's about Akashi climbing back to power with Furihata initially thinking Akashi is pure evil but he soon realizes that maybe Akashi and his family aren't as evil as the people believe.
I ended up doing so much research, world-building and character expansion. It's more political intrigue than romance, lol. I still love that fic to death, I think I honestly peaked there for world-building, at least. I wrote it immediately after reading and watching Mo Dao Zu Shi and being first introduced to the concept of cultivation as a magic system and really wanted to put all my faves in flowy robes and long hair.
I want to get back to it, but I've discontinued it because I am simply not qualified to right about Dissociative Identity Disorder, systems and alters. Akashi has a terribly stereotypical portrayal of it in canon and I thought maybe I could research enough to write that, but I just, I don't know any systems and I felt like if I can't respect it, I didn't want to do it.
But it's still my favorite in terms of the world and aesthetics I had going on for it.
2. Tell Me Your Story (I'll Tell You Mine)
My current baby. The one I incessantly post about and draw for. Single-handedly over saturating the kyoshi warrior sokka x blue spirit zuko market. It's set in the canon world but I had to do so much research for this one too. I learned a lot, I think, while writing this. Big lesson being never ever write in present tense but if you're 200K+ words into it there is simply no going back RIP.
It started as just a silly romance because I thought it'd be funny to have Sokka and Zuko be completely oblivious to who they like. But as I began plotting and writing, it transformed into me projecting all my issues with colonialism and using the ATLA setting as base to dip a little bit deeper into the themes the show itself brings up, and some issues that it doesn't. Like, how colonialism uses your own culture against you, how it makes you fear who you are, makes you do things you don't want.
I deliberately chose that title because lots of indigenous communities in the world have lost their stories because of colonialism. Oral traditions and tales that are forgotten because people were killed and forced to never repeat them, forced to forget their languages. And that, really got to me. How colonialism slowly strips you of what makes human beings what they are; stories, art, music, dance, etc.
So this fic ended up being about how colonialism steals from you, uses what is yours AGAINST you and how it is important to embrace who you are and fight back.
3. Tell The Neighbours I'm Not Sorry
It's for Jon and Jay from DC Comics and Superfam. I wrote it when I was seeing a lot of biphobia against Jon and racism against Jay. As a bi asian, even if it was towards fictional characters, it was getting to me. People kept talking about how there's a specific way to be bi. Why did Jon never have a crisis about being queer? Why did Jon and Jay move so fast? Is Jay manipulating Jon just to get what he wants? It was all filled with a lot of stereotypes and biases.
Superman comics especially often taken up real world issues and puts it into the story. So I took all my anger and frustration from the biphobia and racism and wrote it into a fic.
It's about how there's no one way to being queer, and about how immigrants and non-white people are immediately classified as some kind of 'other' and 'bad' with zero grounding. It's also a little bit about colonialism on Jay's end. It's so charged with me going "FUCK IT!" and still somehow came out okay as a fic and I think I like that I managed to turn my anger into something productive.
Bonus
4. An Itajun fic I have not published and am still writing
It's my first JJK fic! It's an absolute mess in my drafts right now but I really like it, it's very fun for me. Junpei starts seeing and sensing curses far earlier because of built resentment from his bullies going too far and severely injuring him, his mom finds out and they move to Yuuji's area of Tokyo to get away from the school since they won't do anything about the bullying. Yuuji and Junpei run into each other and meet early at school. So the dynamics are kinda reversed, where Junpei is the one who is into the world of curses first while Yuuji has no clue, but they slowly interact and come together, forming a tight bond.
Junpei trusts no one and is dealing with all this curse nonsense trying to understand what it means. Yuuji is seemingly happy and chipper but he's going through tough times because his grandpa got hospitalized. It's both of them supporting each other and making sure the other isn't alone.
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bubster3020 · 2 months ago
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ALBUM REVIEW #2 - Frailty - Jane Remover
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This album was really cool, and I'm really happy I got to listen to it the way it was intended. I went into this album completely blind, not even knowing what genre it would be. While hyperpop was the last thing on my list of expectations, the record did not disappoint. It boasts awesomely creative instrumentals, quality vocals, and some really neat writing that at some points hit closer to home than I ever anticipated. The project dives into themes of being lost in the world, particularly after graduating high school, unsure about your life's trajectory and your identity. All of this culminates into an album that feels like you're partaking in the most fun and inspired downward spiral you've even encountered.
The opening track, "Goldfish," is one of the record's most relaxed songs, which both prepares you for it's lyrical contents and lulls you into thinking the rest of the album will keep the same pace. This was consciously done by Jane to cause uncertainty on what the rest of the project would sound like. It perfectly puts you in the headspace the album was written with, that being one of confusion. To contrast this, "Your Clothes" explodes with energy right from the get go, which truly sets the tone, being fast, loud, and distorted. As much as I love the idea of the first song being a bait and switch for this one, it doesn't quite stick the landing. The energy is great, but there were some odd mixing and writing choices that made me question how I would feel about the rest of the songs. The opening's guitars were too drowned out and felt quiet in comparison to the rest of the sound. This was coupled with some lyrics that felt out of place like "you're picking your berries, revenge is so sweet," which feels strangely childish compared to the rest of the record. Luckily, its only a small blemish.
Frailty is one of the most creative and innovative albums I've heard in a long time. The risks it takes are things I wouldn't even dream of doing, owing to Jane Remover's resourcefulness as an artist. This is no better demonstrated by the fact that no matter how distorted, loud, and aggressive the guitars sound, its all acoustic. Just because she didn't own an electric guitar while recording the album, Jane comes up with some of the coolest guitar tones I've ever heard on this. Songs like "Pretender" sound exactly like a heavily pitched down telecaster, yet it's just a humble acoustic and a boatload of talent. Another strong musical aspect is its usage of digital sound effects and 16-bit chiptune. Computer bleep bloops are all over the record, which aside from blending really well with the hyperactive synths and drums, creates a sense of feeling like a kid again. It feels like you're being brought back to a simpler time that you never wanted to leave, which does wonders in communicating its themes of growing up and discovering oneself.
This album keeps its themes very tight, with a clear focus on discovering your own identity and how turbulent the last few years of school can be, especially during a pandemic. Feeling like you're developmentally stunted, especially compared to your peers is a common topic, and one I personally relate to. Songs like "Champ" explore how the chaos of growth can often lead to depression because of hard it is to cope with change. The second half of the record especially feels like Jane is spiraling out of control, letting herself rot in bed as a means to cling on to whatever childhood she has left before realizing that it's not healthy to be stuck in the past. Halfway through "Eyes Off The Wheel, I'm A Star," there's an epiphany that while change is inevitable, it's not something that is inherently bad and it only hurts worse if you deny it. The album is very well balanced between both overbearing and fun songs, with the lighter and cleaner songs such as "Kodak Moment" feeling like a beacon of hope in the ocean of sadness. Despite how hopeless this project may come off as, it's ultimately a work of euphoria.
On top of everything else, this album is very well sampled and inspired, its soundscape reminding me of some Beach House records and at times even UNDERTALE's soundtrack. Even though it wears a lot of its inspiration on its sleeve, literally sampling songs from Pokémon and 3DS menu screens, it transforms them in so many unconventional ways that I am consistently blown away. There were multiple moments where I would recognize a style of music or sample and just sit there stunned because of what was going on around it. While sampling is pretty common practice in the world of EDM and hyperpop, I think Frailty not only pushes its boundaries, but smashes right through them. This record has an overabundance of creative decisions with only the odd misstep when it comes to mixing, and I think the record will only grow on me as time goes on. It beautifully explores topics of how hard life can be on the cusp of adulthood and the struggle is only worsened by both other people and yourself. The album ends with the idea that despite everything going on around you, life will work out and it will get better. No matter what, at the end of the day you're still you, and you're still living.
Favourite song: Pretender
Least favourite: Your Clothes
Score: 8/10
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bryce-bucher · 2 years ago
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Midwest Lost Post #2
Stanced Up Sidestepping:
The main thing I've been working on this week is implementing a new stance / sidestepping mechanic. I've been playing through the No More Heroes series lately, and the sidestepping in those games feels so good. It inspired me to want to implement sidestepping alongside rolling as a secondary form of dodging attacks. I really like how Bloodborne implements both methods, but my biggest issue with how it works in that game is that it's tied to whether or not you are locked on to an enemy. Because of this, I decided to replace the button I had planned for heavy attacks (R2 / Right Click) with a stance button. Holding this button down causes the player to strafe slowly, replaces the roll with the sidestep, replaces the light attack with a heavy attack, and causes the lock-on camera to focus onto the target more quickly (the default lock-on is fairly loose). You can also switch stances instantly, so you can sidestep away from an attack and then immediately follow up with a dodge roll. I had to make 8 different strafing animations and 4 different sidestep animations, so deciding whether or not to implement this idea was a fairly big commitment. I really wasn't sure how it would come together, so I was a little scared to put in all the effort to implement it because I didn't know if I'd have to scrap it. Thankfully though I think it came together really well, and it adds a lot of variety to how you might choose to dodge certain attacks and navigate around the bosses.
Hitboxes and Hurtboxes:
This is the first melee-combat oriented game I've ever made, so it was also my introduction to many mechanics that are commonly seen in fighting games, 3D actions games, etc. It took a lot of complex-ish programming to setup systems for knockback fall-off curves and things like that, but I will just cover the basics here. Every character has a series of hurtboxes placed on their limbs that, when colliding with an enemy's hitbox, will take an amount of damage determined by the damage value stored in the hitbox and the multiplier stored in the hurtbox. If a hitbox is set to do 100 damage and the hurtbox has a 2x multiplier, then if the hitbox hits that hurtbox, it will do 200 damage. Pretty basic stuff, most of you probably already know how all of that works. I thought once I had that implemented I'd basically be done, but collision detection showed its stupid face like it always does. Basically, when you have animations that move this fast, you are going to run into a lot of inconsistent collision detection. This is because if a hitbox is on one side of a hurtbox one frame and then on the other side of the hurtbox the next frame, it will have never been overlapping with the hurtbox as far as the physics engine is concerned. To fix this, I do a recursive series of boxcasts between the hitbox's current position and its previous position to make sure that it didn't pass through anything. A boxcast is basically just a laser in the shape of a box that you shoot from one point to another to check if anything was hit. You can see them in action in the images above (they are made up of those pink lines). I'm not sure how interesting this is to read about, but I had an absolute blast programming all this. Combat and movement related programming is always the most fun for me to solve issues for, and it's just really satisfying seeing all those hitboxes move around.
Conclusion:
Again, sorry if this post isn't the most interesting, but a lot of gamedev is just nailing down the basic technical stuff. It's very fun to do, but it's the kind of work that is probably somewhat hard to appreciate/recognize unless it's something you've also done yourself. I also find it a bit hard to convey how the game feels to play through text, so hopefully the above gifs show off what I mean well enough. Anyway, next week I'm switching back over to my immersive sim J(a)SON, so I'll see ya then.
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ruinedbylanadelrey · 1 year ago
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King of Your Heart
Frankie Morales x F!Reader
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Chapter 5 "More than friends but less than lovers"
summary: All that Frankie has ever wanted to be was your everything. After years of being best friends one phone call changes everything between the two of you.
inspired by The King by Sarah Kinsley
warnings: 18+, MINORS DNI, age gap (reader is 28-29, Frankie 38-39), friends with benefits -> situationship, Frankie isn't a dad, jealously, best friends with benefits, reader is lowkey toxic, drugs, smoking weed, alcohol consumption, reader wears makeup, reader has long hair, self-hate (both characters), yearning, secrets, no y/n, possessiveness, triple frontier boys, Tom is dead, reader is a flirt,
inside the world of king of your heart
playlist
series mainlist | main masterlist
taglist: @hiroikegawa
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The humid air hit your cold skin from the AC when you slipped out to the patio of Frankie's backyard. It was just about to be sunrise, you were wearing Frankie's shirt and had a joint rolled the night before if you needed to get a little high on the blind date. The sky was fading to a blue and orange ombre. You kept replaying what you said to Frankie. 
'...we are more than just friends,'
Frankie never said it back. God this is so childish! You were angry that he didn't say 'we are more than just friends,' no confirmation, just let you blow him and smear across your face. Did you break the rules first? Or was it when Frankie drove to Ben's place? You raised the lighter to the joint in your mouth. Taking in the first hit in weeks.Savoring the taste of weed and the feeling of the smoke filling up your lungs to the very top. You expel the weed and feel the warmth of the upcoming high approach. 
Your heart was beating fast as the internal monologue in your head became the forefront of your mind. This isn't how it's supposed to be, Frankie can't be in love with you!
Why would he?
Especially since he knows how you treat men. He could never love you. You think of yourself as a bad person because you become in a relationship, cold and distant but such a tease. But you are in his house, not kicked out as soon as your escapades were over, and you're wearing his shirt walking around his home like you've always been living there. 
It's easy, comforting, not labels, just being with each other, caring for each other, not single but not taken. You loved everything about it, Frankie was your connection and you would be his too. 
"Kind like more than friends but less than lovers," You explained to Frankie, sitting on his lap when he joined you outside, just watching you smoke. "The less than lovers is kinda harsh." Frankie isn't going to beat around the bush anymore. "I don't mean it as we don't romantically care for each other but it's not at the level either." You spoke like you had all the answers, it seems that way due to the weed opening your mind just a bit bigger than Frankie's. 
"I love you, Frankie I do but being friends knocks my romantic love for you down a bit too much," Your words felt like small snake bites to Frankie. Here you were getting cold and distant, instead of how usually warm and open you are to him. 
Always putting out the fire just when it begins to spark. 
Frankie sighs, not knowing what to say but just to let you dangle the idea of being together in front of his heart. Maybe things are actually better left unsaid. Just to keep you in his life for a while longer. 
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You pulled into the community center's parking lot, for the MMA fight. Ben and Frankie waiting on the bed of Frankie's truck. You quickly threw the car in park and got out to greet them.
"Told you I would be here, Benny," You quickly kissed his cheek and patted his back. "I need you here every fight, you're my good luck charm," Benny chuckles, You turn to Frankie who has his hands in his pockets, and you give him a weak smile. "Well I'm going head inside and grab our seats, Good luck pretty boy," You said as you readjusted your purse before heading inside.
Ben turns to look at Frankie watching you walk away, he whistles at you making you turn around a roll your eyes seeing that it was Benny whistling at you. Frankie throws him a glare over his shoulder.
"Hey, you weren't gonna do it," Ben smirks, he thinks he's the only one in the know about the two of you.
"What's going on with you guys anyway?" Ben takes the lead inside to locker room. Frankie sighs, takes off his cap, and runs his fingers through his curls.
"the fuck if I know," Frankie really didn't know where the line is anymore. You both keep picking it up and moving it so far away from 'just friends'.
One night you and him would go on a date and not even have sex. Then the next day Frankie is fucking you for hours until you both pass out. Another day you'll freak out and bring the line to purely platonic. You openly flirt with him in front of everyone but still make eyes at strangers at the bar.
"She goes back and forth with the idea of 'us'. She said 'more than friends but less than lovers.' I think whatever we are doing now is working, at least for me..." Frankie's drained voice carries through the empty hallway,
"She's a bit harsh to you, Fish," Benny said patting Frankie on the back, Frankie laughs dryly and quiets down when Ben pushes open the door to the locker room, he hears Pope and Will laughing. Ben doesn't miss a beat when he knocks his fist on the metal lockers grabbing the attention of the group. Everyone is shaking hands and giving aggressive hugs before heading out to ring. You were waiting with beers in your hands, and cheering as they announced Ben's name.
Your smile was big and beaming, and your voice carried throughout the loud crowd. Ben winks as you pass by.
"There she is!" Santiago pokes your waist, causing you to almost drop everyone's beer.
"Watch it!" You giggled at Pope who took the drinks from you and passed them out.
"Let me guess you paid for this with everyone's poker money," Will jokes kissing you on the top of your head.
"It makes great pocket money," You rest your head briefly on Will's chest to talk back. Frankie sits down, watching you look up at Will with such love and tenderness.
Does she look at me like that? Is that how she looks at everyone?
"She looks at you entirely differently," Pope takes a seat next to Frankie, it was like he was in Frankie's head.
"How do you know that?" Frankie wipes away the foam of the beer off his mustache. Pope laughs and shakes his head, taking a glance at you and Will now chatting about his fiancee and her wedding planning.
"Her eyes get wide and she bites her lips and then grows into a smile that just says it all." He said, Frankie scrunches his brows together, trying to recall every time he's seen you look at him.
To him it was so normal, that is just how you look at him. It was not the same look you gave Will, the look Frankie gets has love and lust in it.
"I'm done talking about this," Frankie snaps, looking down the row to watch you type on your phone, Your brightness was down and you had it angled for no one to see.
'You're being kind of a dick for ignoring me'
Your text buzzes Frankie's phone in his pocket. You were a little bit hurt by Frankie being distant since you were out with the guys. Frankie pulls out his phone and reads the message, he becomes annoyed by it.
He doesn't know how to act anymore, can he be touchy with you? Can he sit next to you? Can he breathe near you without anyone smirking? You watched him roll his eyes and shove the phone back into the pocket.
If looks could kill Frankie would be a dead man. You glared at him, the bell rang and the fight started. You rest your chin in your hands watching Ben throwing the first punch, Will and Pope stand up cheering him on. You glanced at Frankie who decided to stand up and join them. 
A rash of embarrassment flushes your neck traveling all over your face. Why is he being like this? Do you not exist out of sex? You could feel your heart tear, tendrils of muscles being pulled apart. Why do you fight yourself about being happy for once? Frankie is everything you want. He will outshine anyone even if someone cloned him. You want him for his faults and all. 
You're being selfish and reaching out for more when you set the limit. Frankie isn't going to cross the line until you do. 
Fuck it!
You walk down the row and stand next to him, Frankie turns to you and looks down at you. What is she doing? You wrap your arms around his waist and rest your head on his chest watching Benny continuing to be the winner of the fight. You angle your head to see Frankie watching you, every move you make, his arms wrapped around your shoulders and his hand petting your hair. 
Line crossed. No one is pulling away. You both live to see the look on each other's faces. 
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bellafragolina · 2 years ago
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How about some challengers for Milo, Nessa, and Gordie? They are a type specialist to Pokemon weak against the Gym Trainers. (Ground, Fire, Ice)
you didn't specify whether they win or lose or such, so i'll make it a bit of both, okay?
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Milo:
Milo is impressed to find you approaching with a belt of Dive Balls. He knows you know of the typing advantage, so he's curious what you've got to show. How are you going to make up for the difference between you?
Gyarados, Cloyster, Araquanid, Qwilfish. All of your Pokémon, while primarily water types, have secondary typing that are effective against his grass types. It's not all a shoe in, not for either of you. You have skill, strategy, and a curious bundle of items to help you against him.
Milo loves it. The battle is thrilling, and you look like your having a ball. Your wide smile as you conduct your Pokémon, confident in the face of type weakness, it's inspiring! Milo wants to give it all, and honestly, wants to see you succeed. Wants you to win against him at his best, just so you keep that pretty smile of yours.
And you do win, and Milo nearly plows you over in his excitement. He’s got endless praise for you, and with how cute his smile is, you’re making plans to visit again and again, with new teams and strategies at hand
Nessa:
Rock types, of all types. Nessa cocks a brow at you when you approach, a claimed rock type wielder that rivals the champion himself, only with one typing. You’ve come here to battle Nessa, to show how strong your team is even against a type advantage such as Nessa’s water types
An Alolan Golem, an Omastar, a Kabutops, a Cradily, a Barbaracle, and a Corsola make up your team. Nessa calls cheating on you, with how many of your Pokémon have water typing. They’re still rock types first, you counter, playfully mocking her for nitpicking your team. The following battle is ruthless.
And sadly, despite your typing strategy and fierce fight, you lose. But it’s not an easy win, and Nessa shakes your hand all the same. You shake back, and chatter about some new strategy ideas, now that you’ve seen her power in action. Nessa cocks her head at you, but you just wave goodbye, giddily leaving to start a new training regimen with your team
Nessa thinks about you a lot between your first and second battle. You’re something else, something new. She enjoys the way you stirred up her life, crashing through un-apologetically with your unconventional but still super strong team. She hopes you keeping coming back, even if you manage to win in the end
Gordie:
The last thing Gordie expects is for you to inform him your team is entirely bug types. He asks if you're aware that rock is super effective against bug (didn't his people say you were in line to, like, rule the world with how good you were?), and you nod. You toss our your first member, and Gordie thinks, okay. This is happening
Your team against him includes a Parasect, a Scizor, a Heracross, an Armaldo, a Durant, and a Araquanid, all with typings to either buffet his super effective moves, or to throw the super effective moves back at him. Gordie's confusion wanes with the realization that you're doing this on purpose, showing the world that sometimes, main typing doesn't matter, if you're a good trainer.
And you're a good trainer. Your team hits hard and hits fast, using moves and strategy Gordie's never considered before. He learns from you as he attacks back, learns new ways of defending and attacking that get him excited. He almost doesn't want your battle to end, but end it does. In a tie.
You shake Gordie's hand, blazing like the sun in your giddiness over the outcome. Gordie grins back, and wants to talk to you about your team and your training, but he has other challengers. But you'll be back, you announce it loud and proud before you leave, so Gordie resigns himself to daydreams and training, wanting to impress you how you impressed him
🍓🍓🍓
this was hard to write, i'll admit. i didn't want them to all sound the same and i also had to figure out how they'd put up a fight with the typing disadvantage. hopefully this is close to what you were wanting!!
have a great day!
~Renee
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haunting-jane · 10 months ago
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why do directors have to ruin good things? isle of dogs would've been infinitely better if it weren't for wes anderson's orientalism. I just finished watching it and god I was hoping it would become an all time favorite since I'm obsessed with fantastic mr fox, but I was sadly let down. I obviously cried my eyes out as a dog owner and chief's character hit just the spot HOWEVER I also wanted to connect with atari's character so much (he's the sweetest ever) but I couldn't since I didn't understand a word he said due to anderson's refusal to give us subtitles.
like sure there's a lot you get from context and gestures and the amazing work of the voice actors but still? I understand the effect he was trying to give, as in the dogs are the main characters and we're supposed to only connect with them which would've been fine IF 10 minutes into the movie they hadn't introduced a white english speaking character who literally talks over the japanese characters💀
if we're not meant to understand ANY of the humans then let it be applied to EVERY human????again I get what he was trying to do but omg he just took a series of bad decisions that made this really come out the worst way possible. it literally turned into a white savior movie so fast and it was so disappointing.
also the way we never actually got to understand atari's haiku had me LIVID I was expecting her to also translate it but then it never happened????? if it was so moving and touching and as we saw, since because of her translation it was the first time we were actually understanding him, he had such beautiful and inspiring words to say, why keep it from us?
idk I would probably rewatch it but I'm gonna look into a version that also has subtitles for the dialogues in Japanese, because I'm 100% sure that anyone who speaks it enjoyed the movie so much more than me. anyway it's a shame to me cause it has an amazing and creative script and obviously gorgeous visuals but all this messy stuff involving the language just leaves a bad taste in my mouth. I give it a 7.5/10 and fantastic mr fox remains undefeated as my favorite animated movie ever which is ironic considering it was made by the same director.
anyway do better wes anderson we know you're capable of it, drop the orientalism routine and the whole mistic east thing, it's ruining your movies.
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octahedral-chaos · 6 months ago
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Another drabble inspired by my Blinded Edda AU, this time the actual event itself... plus some Fluff.
It happened so fast.
One moment, Edda was shielding herself from the Phoenix's fire blasts, the other moment, Aven was running away with an unconscious Edda, his scarf wrapped around her face. The bird has just blasted her, directly in the face, with fire magic, leaving a massive scar, and an unconscious starfolk.
Luckily, the bird decided it wasn't worth the effort to chase them down, so Aven had a rather easy time going back to the Void.
Gris greeted them, admittedly very worried, "Dear stars! What has happened to you two?"
"Tried to fight a phoenix, but Edda..." he trailed off, "She... she got hit right in the face with its fire magic."
"Oh... oh dear," the Neutral whined, before casually walking off, getting some supplies from a nearby box, "I'm not too sure how well this would work, but it's worth a shot."
Aven laid his companion on the floor, before Gris crouched down, a rag, bandages and a strange liquid in her hands. "First of all, loosen up the scarf from her face." He did exactly that, and finally getting a chance to see just how bad the damage was.
A crack ran right in the middle of her face, diagonally, with several other cracks branching off of it. It was also stained a darker blue than usual, possibly because of the magic. Even her mask was glowing a lot dimmer than usual, which is concerning.
Gris gently wiped the starfolk's face, before taking the bandages and wrapping her head, careful to not make it suffocating. "I'm not too sure if she'll fully recover from this," she sighed, "There will be some form of lasting damage, most likely lost of sight."
"So you're implying that she'll be blind?" Aven drawled, "So... she won't be able to fight again?"
"No silly," Gris laughed, "She could learn how to use her other senses instead, so she won't be out of it."
For stars alone knows how long, Aven wandered around, completely alone. He managed to absorb some smaller starbeasts, practice in the Arena and... helped Gris get some longer grasses to make some mats for Edda, specifically to help her identify which portal is which. It was surprising, considering that he never saw Gris outside of the Void, but apparently she decided to somehow sneak around the fighting starfolks and get the materials herself... except she didn't have enough. So Aven fetched some more for her.
Then the time finally came, where Edda finally wakes up.
It was awkward, he was just about to go to the Sanctuary when he heard a soft, weak chirp. He turned around, and Edda seemed to be weakly calling out to him.
The poor light starfolk seemed... tired, her movements sluggish and weak. He felt incredibly bad for her. Gris popped in and crouched right besides her, clearly waiting on Aven to come closer.
"Hey... Edda," Aven spoke, "It's me, Aven."
"... Aven?" Edda chirped, hoarse and soft, "What... happened? Why does it feel like there's something on my face?"
Oh right. The bandages.
"Oh yeah... you... got hit by the phoenix we were fighting, right in the face," Aven sighed, "You... your injuries were really bad. Hence the bandages."
"Oh," Edda chirped, still weak, Gris helping her sit upright, "But, why it's on my face, and only my face."
"It hit you right in the face, remember?"
"Oh. Oh right, I think I remember what you're talking about... wait... since it hit me directly in the face. Does that mean... I'm blinded?"
"Not too sure, but it's likely."
"No, no no no no NO!" the light starfolk suddenly screeched, "I... I can't do anything that I like... including exploring and fighting."
"Hey, hey, listen. Just because you can't see anymore, does not mean that you're useless. Gris is already trying to help you with adjusting to it by making a bunch of mats near the portals so you can know which one is which. Plus, I'll be your guide, I'm not leaving you just because you can't see anymore."
"But, for now, please rest. You're still hurt and healing from that."
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suspectjpg · 5 months ago
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ONE MORE HIT,  ♫  AND THEN I'M OUT!
[     timothee chalamet ,  cis  man,  he/him   ]     ⸻     have you seen MAX GOODLOE? yes, the TWENTY - TWO year old SENIOR that’s usually wandering around campus? they’re currently focused on PUBLIC AFFAIRS, so we’re sure they’ve been super busy with studying. according to rumors, they were michael’s FAMILY FRIEND and he knew they PAWN HIS PARENT'S VALUABLES TO FUEL HIS GAMBLING ADDICTION. does it make sense considering they’re known for being THEATRICAL as well as MACHIAVELLIAN? either way, the phantom is threatening to bring scary things to light, but let’s hope whatever they’re hiding stays in the dark.  [  maria,  21,  she/her,  mst,  body horror ]
rly quick stats
introducing maxwell vernon goodloe
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known as. max
dob. 9 december 2002
zodiac big three. sagittarius sun, libra moon, gemini rising
sexuality. bisexual
extracurriculars. not me forgetting what i put him down as ... i think editor for the phoenix news and the debate team
inspirations. mainly just saul goodman (i'm sorry) but consider any other antihero with charm and a whimsical but sinsiter nature to be an inspiration too
biography
raised in nevada near the las vegas strip! by his mama. she moved there in her 20s in search of fame n' fortune but she eventually just got stuck at the stripping job she initially took to help jumpstart her career. when she had max, she had to take other measures so she had the $$$ to raise him. even if it meant pulling him into scams she'd pull on tourists and forcing him to tag along on her rounds as an avon rep because 'it sells better when you flash 'em your big puppy dog eyes, maxie'. things like that stick with max as he grows older, starts perusing the strip with his friends for victims of his own. all to make a quick buck.
one day, she just so happened to pick the wrong tourist to try n' scam and nearly ended up in something resembling a fistfight (resembling because the guy was a head taller than her and she wouldn't have lasted a second) when a good samaritan butts in and defends her!!! scares the big lug away. the moment his mama learns that said good samaritan was a politician from los angeles (ie. $$$$$$$), she's laying the charm on thick. he's older (ie. balding), mild-mannered, in need of a good ego stroke so it's not long before they're getting hitched and max is on a one-way flight to los angeles! he's just 14 then.
max doesn't like it at first. doesn't like how stuffy and snobby everyone seems. hates his moms weird new husband too. but he wins max over in time, and they grow to have a genuinely wholesome relationship! so much so that max decides he'd like to be a politician, just like him. he's surely got the charisma for it, says his now father. but he never did grow out of his knack for causing trouble and pullin' a fast one on just about anybody, courtesy of his mom, so there's a real moral struggle there. but all politicians are a little slimy, right? what does it matter if he cut corners if it meant the greater good coming to fruition? ends justify the means, always always always.
golden state is a no brainer. his father went there and his father before him. and now max was one of them! so he'd go too. he didn't even think he'd go to college, so it's all a little foreign to him and he does just about anything to pass. and i do mean anything. he evens joins a few clubs! look at him go!
of course, it's not without a few problems. a couple months after his 21st, him n' his buddies went to a casino just to say they have. max ended up pocketing 8k and has been chasing that high ever since. it's escalated in the past couple of months, what with law school coming up for him shortly. he's started stealing his parent's valuables to have money to gamble with. turns out he's still just that kid on the strip lookin' to make a quick buck.
personality
very theatrical! the son of a politician and a retired scammer, so he is ever the showman and the smooth talker. he knows it too, so he can be up his own ass but his devil-may-care attitude and general amiableness means he is a guaranteed good time.
if chaotic neutral was a person. strikingly dishonest and flaky. but again!!! the ends justify the means for max. and the ends is always the best outcome for his loved ones.
SO tacky, especially as it relates to his appearance!! mismatched prints and loud colors and the whole nine yards. the rate at which he buys new clothes, it's like you can just tell having so much money is a very new prospect to him. not that he wears hella name brands but it's just very lee in bones and all coded. the little brown western shirt, the floral shirt and the grandma cardigan!! yeah!! he doesn't let it go to waste either, if it doesn't fit he's just take scissors to it and wear it anyways. takes great care to look the way he does (ie. just slightly disheveled at all times). in a permanent state of looking for the next reflective surface to check how his hair's sitting.
catchphrase is "i hardly know her"
runs on one redbull and a cigarette and that's it
also, don't think i mentioned it so i thought i'd tack it here at the end, but i figured michael kepler's parents and max's would run in the same social circles and whatnot
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guzsdaily · 1 year ago
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Killing Demons
Day 34 - Dec 9th, 12.023
With a title like that, you're probably thinking that today's topic is something like: "killing your inner demons". But nop, I just don't have any good subject that I want to write today, so I will just talk about one of my favorite games that I played today.
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GO FUCKING PLAY THIS GAME. I don't care if you like boomer shooters or first-person shooters, go play this fucking piece of art. This is simply one of the best, if not the best game I played in a long time. I not even good at it and a love it.
This game is still unfinished, but I think I never had so much fun with a game, the sound design, the graphics, the hidden lore, the soundtrack, oh my fucking god the soundtrack. I will try to be straight to the point and explain without giving spoilers, but just let me say, talking about this game in text, is not an easy task. However, let's just say that if this was a video essay, I would be screaming.
The Gameplay
I will just say this out of the gate: I'm not good at shooters, and even worse at fast-paced ones. I died a lot in this game, every single boss needed me at least 7 to 10 tries in this game, and the more difficult ones (I'm looking at you V2 and Gabriel) I lost count of how many tries I needed. But I think I never had so much satisfaction with a difficult game in my life.
This game is a boomer shooter, but not like your typical Doom, no no, this is Doom on fucking steroids. While games like Doom I would say it's just a walk and shot, I can't really say much because I never play it, but from what I seem it is somewhat to the ground. Well, let's just say that in this game, good luck being on the ground for more than 10 minutes without dying. Want to be in one place waiting for the enemies and being a tank? You will probably die instantly. I never played a game that makes me have to move and go around this much, while still needing to aim and kill enemies. I really wanted to have screenshots and videos for this entry, but unfortunately I didn't record any of my runs, but just fucking search it on YouTube or something, and you will know what I'm talking about.
And this isn't the best part. Again, I'm not good at this game, so unfortunately I can't really say that much. But the sheer amount of guns and attack combos you can do in this game is something which makes even my humble programmer mind blow up trying to figure out how much there's it. I think that the best way I can really tell about the combos is: you can toss a coin from your revolver, change to a laser canon, and shot that coin in the middle of the air to make the laser ricochet to the back of an enemy, killing it instantly most of the time. I almost am never able to shoot the coin, but when I do, the dopamine hits hard.
Also, the Enemies
I will not turn this entry into an entire essay, I already plan to do it on the future, but I just wanted to highlight the design of some of the enemies here, because as someone who likes design characters, they are an inspiration I would say.
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This first fella has a flamethrower, and if you toss a coin behind him and hit it, the bullet will ricochet to its gas tank, blowing him up.
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These two made my life be miserable... but also a lot happier.
Images taken from the ULTRAKILL's community wiki.
The Lore
I will pass this paragraph because I've to admit that I didn't yet dig deeper into the lore and didn't finish the game yet. However, just the fact that that angel is called "Gabriel, Judge of Hell" and "The Apostate of Hate", is already a win for me. Just want to say that this game seems to have a lot of secrets, because it has a lot of actual hidden levels and sections, but also a lot of secrets and history telling in his characters and world in general.
The Soundtrack [and Voice acting]
This is something which I need to talk about, because it was what made me actually dragged to play this game in the first place. The soundtrack of this game makes my blood flow faster, even more when you mix the voice acting, I wanted to be lying here, but I actually feel hotter and something when listening to it.
The best way to describe is showing, so just listen to it:
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I can feel the hatred of Gabriel, and when the music kicks in, it just makes me scream in a sense. I'm not a violent person, I'm not someone who feels hate or any similar feeling. However, this song, makes me understand what hate means in a way. Also, I cannot stop thinking about fight scenes and characters in an epic battle fighting for their deaths when I listen to it. It's the last breath, it's this or nothing, I can't die now, I will not die now.
The album arts
Never in my life I would think that a cover art for an album/song would inspire me so much.
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I would like to again be lying here, but these cover arts actually made me create an entire section of the fictional universe that I'm writing/creating for my art and characters. This duotone style and even more the blend between holy and tech/industrial is something which I personally never seen, and simply love.
An inspiration in the form of game
This is probably stretching too much, however ULTRAKILL is somewhat of an inspiration to me. One, this game is made by mostly one guy as its seem, and he was able to make such a game design that I have never seen in other games. Two, every media that I consume of
it makes me be somewhat inspired to create my world and characters, from music to art. Three, it made me remember what I love in games, which is see your progress and skills improving over time, challenge yourself, actually give focus to the game instead of having it together with a video in the background or something like it.
Yes, it can be "just another boomer shooter", but it actually made me enjoy games again as a hobby and made me feel a lot more inspired, even more now when I'm focusing on work and job, and almost forgot for my love in video games, art and even video making. I have to admit that I almost forget to play it sometimes unfortunately, because it is comforting just sit and watch videos all day, but playing this game again really made me remember to also focus and have fun doing things that I love and can improve upon. Even when what you're improving is how fast and stylish you can kill a demon in a virtual game.
So go fucking play this game! And remember:
Mankind is dead. Blood is fuel. Hell is full.
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Today's Artists & Creative Things
Game:ULTRAKILL - by Arsi "Hakita" Patala (published by New Blood Interactive) - Go play this game.
Album:Ultrakill: Imperfect Hatred (Original Game Soundtrack) - by Heaven Pierce Her (Hakita) - Go listen to this album (I personally prefer this act/soundtrack/album).
Song:The Death of God's Will - by Heaven Pierce Her (Hakita) - Go listen to this song (Personally prefer when it has the voice acting together, but even then it stills superb. Just the name of the song is already a piece on its own).
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Copyright (c) 2023-present Gustavo "Guz" L. de Mello [email protected]
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) License
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leahseclipse · 2 years ago
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Saved From The Rain (S.R)
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Pairing: Spencer Reid / 10th Doctor
Warnings: None
Summary: Spencer has an encounter with a… strange man in a trench coat who saves him from the rain.
Word Count: 0.6k
A/N: Honestly I know it's random but I just wanted to make a fun fic with the 10th doctor, it's really just a short and fun fic, I wrote it in a platonic way but you're free to ship them together if you'd like! (The fic hasn't been beta'd btw)
This fic is inspired by a prompt from @imagining-in-the-margins 's current challenge :-)
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As his eyes drifted to the window where pouring rain could be seen, Spencer sighed, quite annoyed by the fact that he hadn't thought of checking the weather beforehand. That was going to be a hassle, going home. He'd most surely have to take off his jacket and drape it over his head to not catch a cold at the very least.
He hesitated about leaving the library, for a moment. He could wait for the rain to stop, probably, but it looked like it wasn't going to stop very soon.
Besides, it wasn't very long before the library would close. Spencer wasn't about to bother them over rain, that'd be ridiculous.
Flashing a polite smile at an employee near the door as he walked to the exit, he opened the door and braced himself as looked at the menacing dark sky. His jacket wasn't going to help him out a lot. Just a little. He could feel a few droplets on his face from the wind as he looked up.
After a moment, Spencer grabbed the collar of his jacket and started to slide it off his shoulder, when suddenly he saw a person appear from the corner of his eye, on his left side. He would be certainly lying if he said that this didn't startle him, because it did. And that man noticed. He had short brown hair, rectangular glasses, and was wearing what appeared to be a long brown trench coat, with another brown clothing, which was a suit, beneath it. And he also had an umbrella. And he was smiling at him.
Now, that was strange.
"Haven't got an umbrella?" The man said. Spencer noticed he had an accent. He wasn't from here.
"Uh... No, I don't." He answered, still quite confused about the man's presence.
"Well then, you're lucky I've got one!" The man smiled, taking a few steps to be closer to Spencer before switching the umbrella to his right hand so that it would cover the both of them. It was a strangely large umbrella, he thought, as he looked up at it. At least it was certainly guaranteed that no water would hit you with an umbrella of that size. "You there?"
Spencer jumped out of his thoughts, looking at the man, whose eyes were carefully analyzing his face. "Yeah, I am. Sorry, I was just… thinking."
"About what?"
"You?"
The man looked oddly surprised. "Me?"
"I guess so, yeah." Spencer didn't really know what to say. He barely knew the man. He was just a stranger who just lent him a part of his umbrella. "You're intriguing. I don't know."
"I do hear that a lot. That's the first thing people seem to notice." He stopped for a second, as if he was thinking about something. "Is that a... good thing?"
"I don't know?"
"Well… am I the nice kind of intriguing or the scary kind?" He asked.
"I would say… nice, at first glance, but… I don't really know you. I mean, you just appeared out of nowhere. With an umbrella."
"I like to help. You're not… exactly the kind of person I usually help, it's usually women, damsels in distress, in dangerous situations. I've never rescued a dude, with an umbrella, at least. I guess you needed help too, though. You're a dude, in distress. That's funny." The man laughed as he finished rambling about stuff that did make Spencer confused, then scared, then confused again.
"A dude… in distress?" Spencer repeated hesitantly.
"Yeah. You were in distress, you didn't have your umbrella, and there was this rain, and I happened to have an umbrella, so I rescued you with mine, you know. So, you're a dude in distress. I'm kind of your... Savior." He rambled on, a bit too fast.
"...thank you? I guess?"
"You're welcome." The man smiled, apparently satisfied by Spencer's words. He didn't much to be happy, it seemed. "I'm the Doctor, by the way. What about you?" The 'Doctor' asked with a grin, reaching his hand out.
Now, that was even more strange.
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