#frailty

[goryhorroor]

horror sub-genres: southern gothic

[classichorrorblog]

10 Overlooked 2000s Horror Movies To Consider For October/Halloween

[lemonadeslice]

siblings in horror: damned edition

jug face | the others | the lodge | frailty

codependent | blood-soaked | haunted | ride-or-die | dumb-ass

[hydropump]

[luxi-lilith]

I just realized how much of a slūt I am for early 2000's horror movies 😩🤌

[baddingtonbitch]

Frailty (2001) dir. Bill Paxton

[musenemesis]

ph Stine Loe

humancanvas232 (ig)

petite fleur

[fitsofgloom]

[sonic4501]

search party

[valleyfthdolls]

@penny-fitzgeraldz underrated Faz Frights yuri ships

[finemaleactors]

Bill Paxton in Frailty

[blackswallowtailbutterfly]

You know what trope I hate in media? Where you have an abused child or a member of an oppressed class being treated unfairly. And the story seems at first to be about rescuing the kid or vindicating the woman/lower class person/racial minority person, etc.. But then there's a twist! The abused person was possessed/is a literal demon/is just plain evil/something else that ends up justifying their treatment, and I just hate it. Because these are things abusers/misogynists/racists/etc. already believe about their victims. And I don't like seeing that validated in media. Like, if you're going to have a twist like that, you also need to make the opposition to the abuser clear. Like, I don't know, make it so that the child became a demon in self-defense. Make it so that a member of the racist's family turns out to be just as evil. Something.

[nicky-2731]

[bubster3020]

ALBUM REVIEW #2 - Frailty - Jane Remover

This album was really cool, and I'm really happy I got to listen to it the way it was intended. I went into this album completely blind, not even knowing what genre it would be. While hyperpop was the last thing on my list of expectations, the record did not disappoint. It boasts awesomely creative instrumentals, quality vocals, and some really neat writing that at some points hit closer to home than I ever anticipated. The project dives into themes of being lost in the world, particularly after graduating high school, unsure about your life's trajectory and your identity. All of this culminates into an album that feels like you're partaking in the most fun and inspired downward spiral you've even encountered.

The opening track, "Goldfish," is one of the record's most relaxed songs, which both prepares you for it's lyrical contents and lulls you into thinking the rest of the album will keep the same pace. This was consciously done by Jane to cause uncertainty on what the rest of the project would sound like. It perfectly puts you in the headspace the album was written with, that being one of confusion. To contrast this, "Your Clothes" explodes with energy right from the get go, which truly sets the tone, being fast, loud, and distorted. As much as I love the idea of the first song being a bait and switch for this one, it doesn't quite stick the landing. The energy is great, but there were some odd mixing and writing choices that made me question how I would feel about the rest of the songs. The opening's guitars were too drowned out and felt quiet in comparison to the rest of the sound. This was coupled with some lyrics that felt out of place like "you're picking your berries, revenge is so sweet," which feels strangely childish compared to the rest of the record. Luckily, its only a small blemish.

Frailty is one of the most creative and innovative albums I've heard in a long time. The risks it takes are things I wouldn't even dream of doing, owing to Jane Remover's resourcefulness as an artist. This is no better demonstrated by the fact that no matter how distorted, loud, and aggressive the guitars sound, its all acoustic. Just because she didn't own an electric guitar while recording the album, Jane comes up with some of the coolest guitar tones I've ever heard on this. Songs like "Pretender" sound exactly like a heavily pitched down telecaster, yet it's just a humble acoustic and a boatload of talent. Another strong musical aspect is its usage of digital sound effects and 16-bit chiptune. Computer bleep bloops are all over the record, which aside from blending really well with the hyperactive synths and drums, creates a sense of feeling like a kid again. It feels like you're being brought back to a simpler time that you never wanted to leave, which does wonders in communicating its themes of growing up and discovering oneself.

This album keeps its themes very tight, with a clear focus on discovering your own identity and how turbulent the last few years of school can be, especially during a pandemic. Feeling like you're developmentally stunted, especially compared to your peers is a common topic, and one I personally relate to. Songs like "Champ" explore how the chaos of growth can often lead to depression because of hard it is to cope with change. The second half of the record especially feels like Jane is spiraling out of control, letting herself rot in bed as a means to cling on to whatever childhood she has left before realizing that it's not healthy to be stuck in the past. Halfway through "Eyes Off The Wheel, I'm A Star," there's an epiphany that while change is inevitable, it's not something that is inherently bad and it only hurts worse if you deny it. The album is very well balanced between both overbearing and fun songs, with the lighter and cleaner songs such as "Kodak Moment" feeling like a beacon of hope in the ocean of sadness. Despite how hopeless this project may come off as, it's ultimately a work of euphoria.

On top of everything else, this album is very well sampled and inspired, its soundscape reminding me of some Beach House records and at times even UNDERTALE's soundtrack. Even though it wears a lot of its inspiration on its sleeve, literally sampling songs from Pokémon and 3DS menu screens, it transforms them in so many unconventional ways that I am consistently blown away. There were multiple moments where I would recognize a style of music or sample and just sit there stunned because of what was going on around it. While sampling is pretty common practice in the world of EDM and hyperpop, I think Frailty not only pushes its boundaries, but smashes right through them. This record has an overabundance of creative decisions with only the odd misstep when it comes to mixing, and I think the record will only grow on me as time goes on. It beautifully explores topics of how hard life can be on the cusp of adulthood and the struggle is only worsened by both other people and yourself. The album ends with the idea that despite everything going on around you, life will work out and it will get better. No matter what, at the end of the day you're still you, and you're still living.

Favourite song: Pretender

Least favourite: Your Clothes

Score: 8/10

[hydropump]

[rachatakaewboy]

(Source Location: 1461 Locus St., Wakita, Oklahoma, USA)

[credit find source by @boopergirl tysm!]