#inherent divinity

[compassionmattersmost]

The Divine Within: Jesus’ Teachings on Our True Nature

In many Christian teachings, the concept of sin often overshadows the more empowering messages found within the Scriptures. Yet, Jesus’ words offer profound insights into the divine nature inherent in each of us. By revisiting his teachings, we can uncover a more uplifting understanding of our spiritual identity. John 14:20: “On that day you will realize that I am in my Father, and you are in…

[bungledown-chim]

i cannot explain how much kristen needs to change her marketing tactic

she keeps going around and saying that cassandra is the goddess of mystery and doubt and the night, but thats not quite true. cassandra is the goddess of finding safety in the unknown. of not being afraid of doubt.

she is the belief that even if you don't know where you are or what to do, if you are lost and alone in a dark forest, there will be something on the other side, and all you have to do is get there. Cassandra is the goddess of staring into the cold, uncaring void and feeling a warm hand clasp your own, of a whisper in your ear saying youre going to be okay. you aren't alone. it is going to be scary and hard and uncertain, but you will never be on your own because i am here with you. you will never be lost because i know where you are

[necrophiliak]

[goatyuuji]

Honestly, itafushi is just that “I have two wolves inside me” meme but both these wolves fucked up….Also Yuuji being a white wolf and Megumi being a black wolf 🐺

[cottoncandysprite]

Happy to say that I am back in my "every time I remember the ineffable husbands exist I have to sit down for a second" mindset

[zukosdualdao]

the moon will sing a song for me (i loved you like the sun)

zutara month, day seven: divine intervention, @zutaramonth.

summary: when zuko takes the lightning aimed for katara, it takes a little more than her usual healing to get him back from the brink. feat. yue's words of encouragement and empowering influence on katara, medically necessary bloodbending, and a zuko who is too out of it to understand much of what is going on, but that's okay. katara has him.

content warnings: general references to violence and wounds, nothing more explicit than the show.

notes: title is from "the moon will sing" by the crane wives. yes i do too many lyric titles. no i will not stop <3. idk when sozin's comet officially ended but for fic purposes we are imagining the timing makes sense for the moon to be out after the agni kai. two pieces of dialogue were taken from the show.

Zuko groans as he's being turned over. His bones feel like liquid, his skin set alight, his heart like a crater in his chest.

Katara, he thinks, he tries to say, he doesn't know.

Katara looks at him with a worried expression, her lips turned in a frown, her eyes wide with fear and sadness as she presses a watery hand to his crumpled, prone form.

She is worried but alive. She is alive, and if she is here, then she must have defeated Azula.

Katara is alive. That is what counts. This was his destiny, then. To save her.

It wasn't a bad note to end on.

Zuko closes his eyes. There's a hammering thud in his chest. He is so tired. Normally, he'd associate the feel of it with exertion, or else desperation, and he would feel frantic. But he is so tired. He has been so tired.

"No," he thinks he hears Katara say. It sounds like she's underwater, or perhaps he is. "No, Zuko, don't you dare."

He struggles to open his eyes again because he doesn't want her to sound so angry with him and doesn't want her to be sad. It only feels like a moment has passed, or maybe it has been hours.

She is looking up. Pale, yellow light shadows her.

Katara is speaking with the moon.

The moon is also a girl.

Someone told him a story like that once.

A spirit, he thinks a little redundantly, with white tresses of hair and a glowy form and a gentle smile. The moon spirit?

Zuko jerks, a spasm of his body as he lights up again with the pain, and Katara looks back to him, alarmed.

"—but you know another way," the moon-girl insists softly to Katara, whom Zuko looks at as her mouth sets in a thin, determined line. Unless he's imagining it all, which is possible. "And I am here with you now."

After a moment's hesitation, Katara nods and sets her left, water-encased hand against his chest again and raises her other in a motion he faintly recognizes.

"This is going to hurt," she says warningly, sadly. "But it will help. I think. It has to." She shakes her head, torn.

Zuko doesn't know what's going on, but if Katara says it will help, that's all that really matters.

"I trust you," he slurs. Is that him? Does he sound like that?

Katara blinks. Zuko watches tears slip from her cheeks.

And then, it starts. She did not lie about it hurting. Despite himself, Zuko feels his body rising from the ground in pain and panic, and Katara has to keep him pressed down. His blood is boiling, his chest swelling. This must be what dying feels like. But then, he's pretty sure he was dying before. He supposes it's a process.

"—sorry, sorry, I'm so sorry—" Zuko makes out the words, faint in his ears, though Katara sobs them out.

Eventually, though, the beat of his heart evens. His blood begins to simmer down. The pain melts.

He watches as Katara pulls back, resting on her knees. The moon-girl smiles down on them before fading back into being just the moon, high in their war-torn sky again.

Nothing that just happened makes any sense, Zuko decides dazedly. But it was Katara who saved him, and that made all the sense in the world.

"Thank you, Katara," he rasps, looking up at her through heavy eyes. Looking at her made everything in the world seem alright again.

She looks down at him with a soft expression and a watery smile.

"I think I'm the one who should be thanking you."

[the-priestess-of-dawn]

Thinking about how when Chrom talks to Robin at the beginning of chapter 6, just after war has broken out, he specifically says "Not everything Gangrel said was a lie." And then his next line is talking about how his father waged war on Plegia, which makes it sound like, oh, okay, Gangrel was telling the truth when he said the former exalt led a crusade against them. But I'm wondering if the line that was truly eating at Chrom was actually "Yours is now a haven of hypocrisy." Because this is when Chrom goes into detail about how Emmeyn suffered ending the war and bringing peace to Ylisse, and he's, y'know, way more bitter about how the Ylissean people acted than anything Plegia did. He talks about how Plegians "rightfully remember" what his father put them through and he does mention that their desire for vengeance was part of the legacy their father left her to deal with, but what he goes into detail about, what he complains about, what he's really upset about is the Ylissean response. They hurt her and she hid the fact that she was suffering from everyone while continuing to work to heal them. And then they "forgave" her—Chrom literally uses scare quotes. Now, he doesn't say "those damn hypocrites" aloud, but the implication is pretty much "how could those damn hypocrites 'forgive' her when she did nothing wrong and they did nothing but attack her? They should have been the ones begging for forgiveness."

And like, this all started when he was 4 years old, you know? He brings up how Emmeryn wasn't even 10 yet when she became exalt, and that means he was only 4! It's been 15 years. He's had these feelings about the situation for most of his life! And then you've got Gangrel over here, mouthing off because he wants to start a war but he needs to be able to paint Ylisse as the aggressor, and he throws out "yours is a haven of hypocrisy"— How horrific and sickening must it feel to hear the enemy who openly claims to want all of your people dead make a statement about them that you agree with.

And perhaps Chrom is thinking about himself, too. This conversation is where he gives his "perhaps I must be death's agent" line. Emmeryn would never order Gangrel killed, and he wouldn't WANT her to do so, but he is fully ready to take the matter into his own hands. He believes in his sister's ideals. But. They're not as important as HER. Virtue isn't his priority and he knows it.

Honestly, the whole Plegia arc is such a dark time for him.

[uncanny-tranny]

You lose the plot when discussing and fighting for minorities when you buy into the specific brand of (specifically christianity) "suffering is Divine, and the more you Suffer, the More Divine you are."

Suffering is suffering is suffering - when you choose to ignore a marginalized group's suffering because they are not suffering enough or are not "good victims," you have lost the plot.

[sweetlytempests]

i appreciate that the starbreaker fandom (and the jace stans specifically) all looked at the finale and said "well if brennan is gonna let this perfectly good twink go to waste, we'll take him." now he's ours and i think that's beautiful.

[tritoch]

i've seen posts before drawing parallels between FFXIV paladins and 5e oath of the ancients paladins since the name and principles of the subclass are fitting for the warrior of light

what i've never seen anyone point out before, however, is that this is not the only thing that makes it relevant, because it also has access to FFXIV's most impactful ability: the power to summon the Cutscene Chains

at long last...the power of the ancients, in your hands...

[sicklyseraphnsuch]

contracts, clauses, and causes for action

It seems to me that the ball is entirely in the gods court. Like the only way for Ludinus to become compelling is if the gods leapfrog over the divine gate, rendering their word null and void.

Then there's a cause for action because the mortals will realize "hey, we have no way of keeping you honest, there's no consequence that we can enact when you fail to fulfill your oath". Like a contract is only binding if there's way to enforce it - when you pinky promise to take your kid to disneyland, is that a valid contract or just performative? because if you break a pinky promise, the only consequence is your kid loses faith in you - is that penalty enough?

and the thing is: the divine gate is proof that yeah, the gods do believe that's penalty enough. the one thing that downfall managed to reinforce (which granted we already knew but deeper context only further supports) is that the gods are capable of acknowledging their harm (however unintentional) done to mortals. And not only are they able to acknowledge it, they are able to correct themselves.

and so far, thats holding true. they are demonstrating their discipline and willingness to follow through even if the mortals remain powerless and hold no leverage against them, they can keep themselves beholden to their word because they are in fact Good.

so literally, the only way Ludinus can be proven somewhat compelling is if the gods decide to hop the divine gate. then we'll have some proof that their word is not that ironclad but even then its not to the level of "all gods must die". Thats more on the level of "all gods need to come to the table and renegotiate this contract so theres clauses to allow you exceptions". because absolute contracts tend to force people's hands anyways.

and the only implication that a god hopping the divine gate gives is to reintroduce the idea that the gods are not beholden to mortals in any way and there is no way to keep a god honest - that mortals will have to rely on a god's inherent Goodness to keep themselves honest. but again - what the fuck have the Prime Deities done in this world that has ever pointed in that direction truly? (and no, dont attest the workings of their mortal followers when the gods have banned themselves from interference).

the gods would have to break the contract twice - once to stop predathos, and a second time for less dire purposes - in order to really showcase that they arent trustworthy. thats a Fucking Lot to mess up. and again they dont seem willing to even break the divine gate for Ludinus so what is even the problem here?

the problem, narratively speaking, is that the current world is built by fairly Good gods who really havent done anything of significance to showcase tyranny. none of them is on the level of Marika, from Elden Ring, whose personal history has led to death and discrimination of innocent children - which she actively campaigned for and did to her own children. (No slander on Marika btw)

Matt has not made any of the Prime Deities bad and sure, the Betrayers are bad and sure, maybe the mortals would prefer to have them entirely eliminated. but like mortals live under so many threats with less protections against than they currently do against the Betrayers. That deprioritizes them from the level of "eliminate at all costs". There's nothing dire or urgent that hasnt been manufactured by the Big Bad himself.

the gods are traumatized yes. theyre stuck in a toxic family situation yes. but none of that toxicity has affected their desire to protect mortals. and the only time a mortal became worthy of destruction by divine hand was when those mortals nearly unleashed oblivion? like come on man.

the gods are in their lane and the mortals are thriving and ludinus needs fucking therapy plus a better hobby.

[polysyndetonaddictsupportgroup]

hii 📓

Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.

They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.

The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.

Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.

It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.

They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.

Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.

The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.

And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.

Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.

They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.

And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.

She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.

Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.

One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.

It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.

The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.

It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.

The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.

Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.

The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.

This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.

Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.

She is bad at it.

So fucking bad at it.

But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.

In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.

And oh. They could recognize each other after all.

She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.

Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.

But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—

Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.

Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.

They never make it out the back.

Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.

Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.

She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.

See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.

She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.

The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.

At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.

The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.

Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.

For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.

And as it turns out, her brothers monsters were real all along.

There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.

It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.

They run.

Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.

Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?

The fight goes bad.

Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.

She chucks her shoe at him. The finger goes flying.

Then the monster eats it instead.

Tsumiki: :o

Yuuji: :o

Megumi: fuck

Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.

Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.

Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.

Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant

Gojo: :o go on

Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away

Gojo: *gasp* what no

Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—

Megumi, really trying to have a moment here: we can both hear you

And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”

Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.

Itadori: she hit me in the face with her shoe like five minutes ago

Tsumiki: see???

Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.

And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”

He really didn’t know that Megumi had a sister he wanted to stay with.

And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?

Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.

Gojo:

Megumi:

Tsumiki, softly: dude

There’s more after they make it to jujutsu high but this is already really long so we leave it here

[bonefall]

SKYSTAR DOES WHAT TO ARC

Man send this guy to cat hell let his dark forest edition be one eye eating him

HE MAULS HIM

Arc goes into his territory and Skystar RIPS! THAT! BOY! UP!!!

And then later Skystar uses the will of StarClan to justify his invasion of RiverClan, which BTW is 10000% consistent with A Forest Divided (a post redemption arc book) where he completely misinterprets Fluttering Bird in a way that would get him more power.

So if you just ignore the fact they tried to write him as being so scared :( he doesn't know what he's doing :( for the 400th time, it totally tracks. That's Skystar. That's who he is.

[rainsweptflower136]

My second Worship prompt, for Gortash Week because I'm obsessed with fictional religion

"Services included rhythmic chanting, the rolling beating of drums and the sacrifice of an intelligent creature's life. To prepare for this life to be given to Bane, the oblatory life was to be demeaned and tortured until they showed him due fear" - from the Forgotten Realms Wiki on the church of Bane

[divine-construct]

honestly i dislike the words ‘transmasc’ ‘transfem’ ‘transneutral’ ‘transneumasc’ ‘transneufem’ ‘transfemmasc’ ‘transneumascfem’ and, if there’s more, those too. they imply that you transition to a binary masculinity/feminity/neutrality/mix of those, and many trans people i know don’t.

the male body i want is not inherently masculine. even if i want a male body, i don’t actively want to dress masculine. transmasc and transfem are just new words to reinforce the same male = masculine, female = feminine binary again. my little brother (amab) has long hair and a sidecut, wears ‘masculine’ clothes, and still keeps getting read as a girl because he’s short and has a rather high-pitched voice (because he’s a kid!). not even a masculine presenting amab person is inherently masculine.

in the end, my transness means that i want a male-looking body, but not neccessarily a masculine one. and, apart from that, i as a whole am not and do not wish to be masculine. i am neither only masculine or only feminine—i am both—but if i had to choose just one? then i’d be transfeminine. i enjoy dressing mostly fem, appearing mostly fem, looking mostly fem. in a male-looking body. but i cannot call myself transmasculine for the wish of a male body, if there is no masculinity i am transitioning to.

[lord-squiggletits]

After I write that new IDW Optimus meta, the next one is gonna be a post of "why I really hate that theory about Rodimus being a better Prime than Optimus and how it doesn't even match the themes of IDW OR canon fact about how the Matrix functions."

But the TLDR that I feel like encapsulates where a lot of this fanwank comes from, is that I feel like ppl don't properly appreciate that the context of Optimus and Rodimus' leaderships are extremely different.

Like, Rodimus only led a ship of about 200+ people. This means that the scale of his leadership responsibilities and the risks/consequences/stakes of his actions as leader were much smaller in scale. However, it also means that just because he only led one ship of people doesn't mean that his choices weren't important/weren't indicative of his personal character (that is to say, just bc it was only one ship doesn't mean that it had no meaning or significance at all).

On the other hand, Optimus led an entire freaking army over a 4 million year war that arose from political tensions that began even before he/most of the people in the war were born. That means that the consequences of his leadership had extremely far reaching consequences no matter what he did, which grants him a large degree of culpability/blame for his actions. HOWEVER, it must also be said that under the pressure of fighting an impossible war, just because OP wasn't able to "stop it sooner" doesn't mean that he was a morally bad/incompetent leader, because a whole galactic war is such a huge burden that one person can't possibly stop it or influence/control everything to make the most morally correct and peace-causing decisions.

TLDR can we please stop pitting Optimus and Rodimus against each other when the contexts of them being leaders was so vastly different (and they had such different leadership styles in general) that you can't really say "who's the better leader" without minimizing either of their accomplishments/magnifying their respective flaws.

Also, canonically speaking the Matrix can be wielded by anyone who's confident/at peace/self-righteous enough to believe they're worthy of it, which was shown not only by the ending of LL where a bunch of regular ass crewmates were able to use copies of the Matrix, but by the fact that the first Prime/ruler of Cybertron Nova Prime was a massive piece of shit who colonized people, yet was still a Matrix bearer who wielded the true/original Matrix.

And also Primus is literally Just Some Guy and not some omnipotent god who's an objective arbiter of morality that can point at a guy and go "YOU are the Specialest Boy Ever and are Divinely Mandated To Be A Good person"

So the entire premise of why ppl even make theories and debate about this is beyond me lol. In IDW1 the Matrix is more of a social/cultural symbol than it is an actual measurer of morality, which is in line with IDW1's consistent themes of challenging the inherent rightness of authority