#inhaler packs

[turninlovedits]

★ CLAIRE COTTRILL & ROBERT KEATING LAYOUTS.

no olvides dar créditos si usas : @ turninlove ( twitter/x ).

don't forget to give credits if you use : @ turninlove ( twitter/x ).

[shotmrmiller]

i need simon to be the one neighbor with a generator when the light's been out for days and when you shakily ask him if he can let you at least charge your phone he just drags you into his home and tells you that you can stay if you pull your weight ie. feed him and wash his ripe work clothes.

sure. you don't know how to cook but he eats it like gordon ramsey made it, doesn't even leave crumbs on the table.

you mix colors with whites, dark with light, but luckily for you, all he wears is black. (not like it matters. if you stained a wife beater pink, he'd blame it on his girl mixing her red thready knickers in with his own clothes)

it works, you suppose, but then he tells you that yall are about to have company so make plenty of food. it's 3 others but they all eat like a family of four.

and this is where things take a turn. where he always left you alone before, his hands are on your shoulders. waist. hips. curling around your ankle, thumb digging into your foot beneath the table. the scottish one notices and tells you both to keep it PG. ye're in decent company, he grumbles.

he helps pick up the dishes once everyone's happy and full of whatever you threw in the oven. stands so close he's pining you against the sink, counter digging painfully into your skin.

"they like ya," he says. well yes, you rather noticed when they kept complimenting the science experiment you called dinner. you also noticed that they called you missus. or maybe you misheard. their accents are pretty thick.

after a nightcap, he sends them on their merry way. "the missus is tired. off with ya." so you hadn't misheard.

you aren't sure how one thing led to another. how you'd been aimlessly drying dishes with a rag to having his head between your thighs, tongue dragging between your folds, fingers pressed into you up to the knuckle.

what do you know is that where he bit your neck as you came still aches. he'd been talking filth that would have even a sailor apple cheeked as he used his spit slick thumb to rub your stiff pearl in tight little circles, feeling you felt your peak approaching at a speed that almost frightened you when he sunk his crooked teeth into the junction of your neck. hard.

enough to feel a bit of a stinging tearing of skin.

ouch. you'd ask if this is also a part of pulling your weight but he's doing it for you as he drags you toward his bedroom.

[kittykatninja321]

When people say “Jason wouldn’t smoke because he died of smoke inhalation” I respectfully have to disagree, because if there’s one thing Jason is going to do he’s going to take aspects of his trauma and use them for himself and push on them like a bruise (he takes the name red hood, he uses explosives and guns, the crowbars were lame but they weren’t out of character), so I don’t think that would stop him from smoking. The way I see it I think Jason would be one of those people who occasionally smokes a cigarette when things are Particularly Bad, even though they swear they stopped smoking, like a maladaptive coping mechanism basically

[columboscreens]

[fumifooms]

Jinx’s eyes and lost innocence

This sequence.

A bomb like she made in her youth. Except that unlike then, this one works, this one explodes… With paint and glitter and powder, instead of intending to kill or hurt.

The man who shielded himself from it sure that it would be his end, surprised, checking himself for wounds with disbelief, covered in paint, as if it was just some harmless prank. Relief. But the second surprise comes with the sound of the gun behind him. We see their eyes shift, both of them, her steeling and readying her shot without urgency and him understanding with urgency that yes, he is going to die, at her hand, and the bomb was just a fluke, a cruel prank, a distraction at best.

And this. These are the seconds that interest me, what ties it all together. The way we linger. The way she lingers. To, during a fight scene, slow down the pace to watch her face as she pulls the trigger and feels the recoil of her gun, watch her take in how she just took another life, watch her mouth part and her eyelids flutter when she notices the kid.

There are not enough emotions on her face for someone who just killed, but also there are more than there should be for a cold-blooded killer showing as much practice ease as she is. Does she always have this moment when killing someone? Did seeing her paint bomb go off, shooting someone covered in her paint and glitter of it, make her feel anything? Did she see the change in her that empowered her that she both loathes and clings onto in that split moment, too? Why did she even remake that first bomb? Why make it work and make it work to shoot off harmless fun showy things? Why indulge in this remnant of her past, why with that innocent intent intact stills if it didn’t get warped with the use of distracting an enemy to better sneak attack? Why taint that memory? Is the reaction only when she sees the kid?

Why does the camera linger, why does she linger? We’re not sure, and I’m sure she herself doesn’t know, but what we know is that she’s changed, and yeah, we’re low.

The kid, watching the fresh corpse fall, with curiosity more than anything.

Jinx with the gun gesture, reflecting their earlier conversation, referencing it. A shared secret, shared smirks, a relationship forming. Complicity. Jinx is knowingly or not taking her under her wing, shaping her by example like mentorship. A little girl that she resembled once getting desensitized to violence at her hand, encouraged to see killing positively. Empowering.

Episode 2 explores her past and upbringing in many ways, talking about Silco, her many mistakes, seeking out Sevika the last remnant of a person of her life with him and sticking with her, doing something for her despite knowing she should be betraying her any minute now. But fast forward to episode 3, the next time she has to confront it and herself.

Jinx praises Vi for finally using the right name for her, Jinx, and Vi talks about how she’ll kill her so she stops sullying the memory of Powder, blahblahblah. They exchange some punches and rows of bullets, we see Jinx’s eyes take in and calculate and shift here too, react and then react. Vi using the same mirror Caitlyn shot into intending to kill Jinx to shield herself from Jinx’s shot.

But this is it. When Vi uses her huge metal hextech fists to rip her invention, her gun, apart. Jinx is not the only one sullying memories, Vi is here, as an enforcer for Piltover, using Vander’s choice of weapon, and she uses it to hurt her, destroy her things, her inventions whose worth was such a source of insecurity and identity growing up.

This is when Jinx sees so very closely, at the other end of it, her sister’s rage and murderous intent as she rips metal apart.

We see her expression shift again and again during these few shots and the ones before and after. Her face as she watches Vi’s through the wires of her gun. As Vi roars. She grows less confident, less sure, more nervous, dare I say more fearful.

The music kicking up. Jinx’s face right then cutting to Jayce’s with a very similar expression, staring at something he doesn’t understand. "What have we done" he says.

Vi has always always been stronger than Jinx, inventions were how she made herself strong, and Vi can destroy them, Vi can rip metal apart.

And oh. Oh. This is truly really for real now. A fight to the death. No punches pulled.

She crawls away from Vi and it’s only the hextech malfunction that saves her.

Sevika smiles at Caitlyn biting her hand, with newfound respect as she draws blood. At her will, her bloodthirst, how far she’ll lower herself to hurt and fight. This is a scene about corruption arcs.

Jinx stands before Vi whose symbol of corruption just failed her, chained her to the ground vulnerable, and Jinx pulls the trigger just like Caitlyn, just like Vi was ready to do. No punches pulled.

Except they are. Jinx has steeled herself but Vi is softening. Vi is strong but she is vulnerable too and she can be made weak with Jinx’s guns and bombs.

And despite this when Jinx falls from her own weapon misfiring at a shot meant to kill her Vi is reaching out to catch, not hurt. Hold, not claw. Deflect, not counter.

Push, not punch.

Jinx’s eye shines pink like shimmer and this is when Vi shifts on the offensive, just before Jinx fires the shot that barelly misses her as she throws Jinx roughly at a wall.

And now they’ve fully switched places. The longer Vi has to fight Jinx the more she’s conflicted, the more Jinx loses herself to the fight the more she rages.

The chorus swells. "Just when you’ve done it all / you will turn it all / to ashes and blood" No words left to say, nothing left to mend.

She’s ready to die when she lunges at Vi with only her fists, she expects to die, hopes so. Knows from experience their respective results in that punching arcade game full well, even if she were to try with all her might, having tried all her might. She’s felt cursed by fate for a long time and she accepts it, just wants to go out with the most fireworks, to have been seen, to have mattered one way or another.

Vi punches the altar next to Jinx even as she’s got her pinned down defenseless and she readies her fist. And she has all the time to do it, she could have done it, except she couldn’t. And it costs them the chance to killl her.

The scene as a whole has a split focus on Jayce, Jinx and Vi centrally, and the song lyrics match that quite well. The full ones lyrics are worth looking at but to keep it quick: "How does it feel to reach the line that no one ever got to cross? Does it make you a god now?" A rethoric question of course, the song spells it out like it’s a damning wake-up call. The scene is all about regret. Our choices have led us here, it says. Jayce is dreading and afraid of what he’s done, Jinx is empty and as self-loathing as ever, Vi wants to stop blaming herself and is still conflicted on what side she should be on. "Catch the fire burning out your soul / Just make it die or you will turn it all / To ashes and blood" Jinx, accepting this is where she dies. She’s said in episode two she wants to kill the last of her family, but we all know it’s a lie, she’s never wanted to destroy and break things, never wanted to cause ashes and blood. She wants to fix things. She wants things to fix. She just wanted glitter bombs and arcade games. She wants there to be something left she can fix, but it’s all just dust now.

Jinx has never been in that place before, she took the time to draw all those Powders and Vis on pillars while waiting for her to show up so they can kill each other. She’s lingering on the past again, bringing it into the now to use it as a stage for battle.

Jayce is reckoning with the consequences of what he’s created and done, that he might cause a lot of ashes and blood. Vi being corrupted too, by Piltover, by rage, by Jinx, by Powder. Vi is being turned to ashes and blood, this is what jinx has made of her, what she’s made of herself. Vi is being corrupted too, by Piltover, by rage, by Jinx, by Powder. Vi has changed, too. Their whole society, their whole lives, their world figuratively and literally, it’s all crumbling.

"Every sin will be forgiven / If you lay down your weapons to the ground" But that’s not really how this works, is it. Jayce or Jinx can’t fix what they’ve done. Vi can’t say this, can’t fix her. No, they’ve dug their graves and the ground is where they’ll all be. Powder is dead.

Just when you think you’ve lost everything. Everything can get ruined and marred a little more, always. The past is not only in the past, it’s here and it’s haunting. Jinx will keep sullying the memory of Powder for Vi and Vi will keep tainting Jinx’s memories of her sister and their childhood.

[leaawrites]

Packing it up

Josh Jenkinson x fem!reader

Summary: in which, he changed her perception of what love can be.

Warnings: toxic relationship (not cute Josh), slight ooc Josh (too talkative and extroverted but anyway)

Wordcount: 1.4k

I'd like to dedicate this to my fellow Josh girlies, @petalprincessxoxo and @lemosch

Masterlist

Walking down the streets of Manhattan, the streaks of tears were still clearly visible on her face. This would be the last time, she told herself. It should’ve been the last time three times prior to now.

She knew it’d always end in the same position. Inside her new favourite cafe after he already ruined the last one for her. A cup of steaming coffee sitting in front of her face as she waited for the same words to drop from his lies, her reaction was already automatic at this point.

“I’m sorry,” he’d say over and over again. “It was a mistake.” It never was. It stops being a mistake after the third time. “Please forgive me.” And although every atom of her body told her not to, she accepted the warm embrace of his arms every morning after. And she forgave him, over and over and over again.

In a few months she’d need to move to a new city after every coffee shop in New York City was haunted by his shadow lurking for her in the dark spots of her brain.

“Oh, look where you’re going,” a voice said shortly after she collided with a chest right in the middle of the street. Two hands holding her firmly to steady her body and not make her fall to the ground.

Looking up she saw the man she ran into, his eyes filled with concern as he saw her red eyes.

“Are you alright?” He asked, his voice much quieter now.

“Yeah, I’m fine,” she brushed him off. “I’m sorry.”

“No need to worry.” He smiled down at her, trying to get the same reaction out of her.

“Do you wanna sit somewhere? You don’t really look well.”

“I already told you, I’m fine,” she tried to protest, but before she could bring arguments into the debate, the guy already pulled her aside into a cafe (out of all places) and sat her down at a table by the window. Still standing he made sure she was steady.

“You can sit down, alright? I won’t fall from my chair like a little child,” Y/n bit back, a bit irritated by his gentle and happy demeanour. Most people in New York would tell her to fuck off if she ran into them and walk off, not making sure if she was alright. It was part of it’s charm in some way.

“Alright, feisty,” he commented back, laughing at her glare towards him. “I’m Josh, by the way. Thought it’d be appropriate to introduce myself since we now sit here together.” He had his hands clasped together in front of his body.

“Y/n,” the girl answered, still not trusting him completely, but he seemed nice enough to not kidnap and kill her. At least, he hoped so.

“Where are you from?” Was her first question, the accent wasn’t from anywhere near and his smile looked kinder than any other in the US.

“Ireland,” he simply answered, looking at the bartender to get her attention.

“Are you all so jolly over there?”

“Are you all so dismissive over here?”

A small smile grazed her lips as he bit back quickly. The tone of his voice beginning to match more of her own.

“Pretty much, yes.”

“What can I get for you today?” The waitress asked bored with a pen and notebook in her hand, waiting for them to answer almost impatiently.

“Just a normal coffee,” the guy - Josh - answered, looking at Y/n to order her own beverage.

“I’ll have the-” New coffee shop, new person, new order, she thought. “I’ll have the Cappuccino.”

The waitress nodded, jotting their order down before turning on her heel and leaving them alone again, turning to her own life again.

“You don’t seem to already be here for long if you still have to ask if we’re all this dismissive. Mostly you can already see it in their faces when walking down the street.”

“Is one of those dismissive people the reason why you’re so upset?”

“I’m not upset,” she defended herself quickly, though the way he looked at her - with dismissive eyes and a clocked eyebrow - meant that he knew that she was lying. Lying never got her anywhere in the past. “I’m not entirely upset because of a such certain person. I’m more upset with myself.”

“Why?”

“Because I let it happen again, and I will crawl back to that person by tonight because I have no one else.”

Josh looked around the room for a second, watching the cars pass by and seemingly thinking about a solution for her problem, although she knew, there would be none. At least not one argumentative enough for her to stop.

“I have a proposition for you,” he stared talking, leaning forward in his chair and looking at her. Intrigued by his offer, she nodded her head as a sign for him to continue. “I’m in a band and if you want to, you can come to our show tonight and forget about that person for a bit, only if you’d want to of course.”

She thought about it for a second, scrunching up her nose and sucking on her upper lip. “Where are you guys playing?”

“Nothing crazy, just the Pier 17 Rooftop.” He shrugged like it was nothing.

“That’s not nothing,” she corrected him. “And probably sold out.”

“I can get you in,” he said.

“Why do you want me there?”

“I think you’re pretty,” he answered, making her blush and look at the wooden table for the first time that day. “And I think whoever treated you like that, to make you so upset, doesn’t deserve you to go back to them. So come with me. Watch us play and if you think we’re worse than whoever you knew before, I’ll leave you to go back to them with another second wasted.”

“I think that’s a deal.”

“Amazing.” Josh smiled at her, his confidence fading now that he had her promise, a shy look creeping up on his face as he looked down at the table and his clasped hands. A comfortable silence settled over them, their table being one of the only one’s which was quiet now. They didn’t pick the conversation up once more when they made eye-contact, neither when their coffee was served.

“How long does the concert of yours go?” she asked, remembering what she did after meeting him once more. What she promised her friends to do.

“Well, it starts at 8, then comes the opening act and we start around 9 normally. So it shouldn’t go longer than 11. Is that a problem for you?” he asked, looking concerned that she would now leave him hanging.

Would she be able to make it? Y/n knew that she would be alright with going to bed at 12 and still wake up early to go to work and she could cancel the usual dinner she had with her friends to calm her down from what he’d done once more. But every time she had done that, she crawled back to him anyway. So would it be a bad thing for her to try a new method? Would it be a bad thing if she tried moving on for once.

“No, it shouldn’t be alright. I still have work tomorrow, but I wouldn’t go to sleep before 12 anyway, so it’s fine.” Looking at the way his eyes lit up when she told him that she would be there made her feel like this could make a new tradition happen. What if she would be able to wake up next to him every morning? Seeing his eyes and soft smile as she cuddled closer to him in the early hours. Hearing the rasp in his voice after he’d just woken up, freeing herself from everything she’d known just to find a version of herself she’d never believed to actually find someday.

“Good,” Josh audibly let out a breath he was holding for the time she was thinking. Smiling at her once more, he let out a chuckle as she smiled at him too, feeling foolish for wanting her there watching him even though he’d just met her. Faith was a ridiculous thing to her ever since she knew what it meant, something wasn’t just meant to be because some invisible string was pulling certain treads.

Still there she was, so close to packing it all up. The simple topic of love being too unbearable for her to even hear from her friends about it. Until he happened.

[homehauntsyou]

nono dw I'm so normal about post-trials chronic illness sam ! sooo normal like. I have a regular amount of thoughts about sam's body post-trials

[emmaswanned]

The character writing in this game is just so good I love well-drawn characters with contradictory traits you know, like within the first hour of gameplay we know Casey is a grizzled, misanthropic, veteran FBI agent who is slow to trust other people, but will honestly admit his young female partner is a better detective than he is, and he readily defers to her leadership. And he looks for all the world like a guy who should be a skeptic, grounded in reality, but he is the first person in the story to suggest something supernatural is going on.

[hewscns]

+27 gifs of elijah hewson (1999) have been added to the gif pack. clicking the source will lead you to my server, where you can find the link to this specific pack.

[sunmoontruth-stiles]

I need a completely rewritten teen wolf series with Derek Hale as the main character. I think it would heal me.

[kittyarctic]

❋ ࣪ ࣭ ⬞ യ 🦇🥐 𝗿𝖺𝗻𝖽𝗼𝗆 𝗯𝗈𝘆𝗌. 𓈒 ˙ 🤘🏻🔌 ּ 𖠗n

💭 𝗅𝗂𝗄ᴥᩚ 𝗼𝗿 ꢯ𝗲𝖻𝗅𖦹ᦋᩨ 🍣 [ 𝘇𝗭𝘇 . . .☆斘 𝗇ᦕᩚ𝚆 𝕡𝗼𝘀𝘁 %✷ ¡ ¥375 ✿ 🐇💬 ›!! 𝕙3𝗹𝗹o? (>_<) 💢🌐៳ ᥋𝗋ᦸᩚ𝖽𝗂𝕥𝗌 m𝗲.

[turninlovedits]

★ ELIJAH HEWSON LAYOUTS.

no olvides dar créditos si usas : @ turninlove ( twitter/x ).

don't forget to give credits if you use : @ turninlove ( twitter/x ).

[tower-of-hana]

Wait sorry my bad

[ssturday]

★☆★☆★☆★☆★☆★☆★☆★☆★☆★☆★☆★☆

[maidfrin]

it's that time of the year where i step outside and all of my problems are activated

[intobrave]

so why are we trying to kill something that's been so good ?