#influential directors
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RIP David Lynch
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gender-changing shakespeare, especially when the production originally cast your role (which was written as a man) with a man, is fun because it unlocks ✨new dynamics✨
#it’s gonna be [wait for it] lepidary#director and i had a nice little chat about this tonight. about how lepidus isn’t respected or valued by antony or octavius#because she’s of a lower social class AND she’s a woman. unlike them.#(in our production lepidus is an influential citizen and boots-on-the-ground-get-things-done type of worker)#julius caesar#shakespeare#william shakespeare#i asked because the director is keeping in all the originally gendered language when antony and octavius are talking about lepidus#and she was like ‘yeah they don’t even respect her enough to talk about her as a woman. they can’t truly picture sharing their power#WITH a woman so they twist it a bit in their minds.’#and MAN it’s so fun to play with
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Ayo Edebiri Included on Elle Magazine’s The Women in Film and Television Power List

#ayo edebiri#elle magazine#women in entertainment#women in film#women in tv#power list#actress#writer#director#influential#the bear#the bear tv#opus movie#inside out 2#inside out envy#after the hunt#snl 50#the bear sydney#syd adamu#sydcarmy
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Happy 51st to the insanely talented Seth Green. Creator of Robot Chicken, voice of Chris Griffin, and holder of a key the New Orleans since 17










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#robot chicken#Seth green#family guy#familyguy#sethgreen#actor#multitalented#cinema#writer#creator#adult swim#adultswim#curatethewav#archive page#fypシ゚viral#awge#pennywise#chrisgriffin#American dad#austinpowers#director#actor/director#sethmacfarlane#seth macfarlane#tvshow#comedian#influential#krampus#Stewie#Chris griffin
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is the director of rogue one not able to make movies that don't look like rogue one: a star wars story anymore
#why does the creator look like rogue one again... 😭#i know stars wars is highly influential and so much sci fi takes after it but the creator looks so generic#like a star wars spin off.... and its just interesting because the director has directed a star wars film so i drew this comparison
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Cinematic Chronicles: Influential Black Directors
Spike LeeTyler PerryAva DuvernayJordan PeeleRyan CooglerJohn SingletonBarry JenkinsDee ReesF. Gary – GaryGina Maria Prince-BythewoodKasi LemmonsJulie DashChinonye Chukwu Introduction The landscape of cinema has been profoundly enriched by the contributions of Black directors, whose visionary storytelling and unique perspectives have brought new dimensions to the art of filmmaking. These…
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The Greatest Fantasy Movies of All Time
Welcome to my sweeping cinematic journey, where I traverse the enchanting and ever-evolving world of fantasy films. From the pioneering days of silent movies to the dazzling digital masterpieces of the 2020s, the fantasy genre has continuously captivated audiences with its unique blend of magic, myth, and imagination. In this comprehensive exploration, I’ll delve into the landmark films and…

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#classic fantasy movies#digital era fantasy films#evolution of fantasy cinema#fantasy cinema evolution#fantasy cinema history#fantasy directors#fantasy film technology#fantasy filmmaking#fantasy genre analysis#fantasy in cinema#fantasy movie effects#fantasy movie timeline#fantasy visual effects#history of fantasy films#iconic fantasy films#influential fantasy movies#modern fantasy movies#silent era fantasy films#top fantasy movies
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My favourite alternative news resources for staying informed:
Garbage Day — As an internet user, you are affected by the state of the internet — I’ve long read this newsletter for its analysis of culture through the lens of internet ephemera, but in recent weeks Garbage Day has also become one of the very best sources of breaking news and analysis about the ongoing coup. Even if you subscribe to nothing else in this e-mail, you are certain to discover a variety of journalists and news publishers via this publication (many of the independent journalists linked below I originally found via a link in Garbage Day.)
404 Media — As a reader of my work, you are affected by US anti-pornography laws, which limit freedom of sexual expression online — Sam Cole (ex-senior editor for Motherboard) at the independent news publication 404 Media does the best reporting on news related to these topics of any individual journalist I'm aware of. 404 Media is an internet and technology news platform that was co-founded by four journalists: a writer, two senior editors, and the editor-in-chief of Motherboard.
What the Fuck Just Happened Today? — As a person who lives in the world right now, you are, unfortunately, affected to some extent by US politics — WTFJHT delivers an extremely lucid, concise, once-per-day summary of US political news.
Law Dork — As a person affected to some extent by US politics, it is in your interest to understand US law. Chris Geidner (US Supreme Court expert and ex-BuzzFeed legal editor) is the best source I can recommend for informative, detailed reporting + analysis of, in particular, LGBTQ+ political and legal issues in US news.
Erin in the Morning — Erin Reed (trans rights activist and ex-digital director for TheAmerican Independent) is one of the best sources for all news regarding the fight for trans rights in the US; in-depth coverage of the wave of anti-trans legislation and how people are fighting back. Very difficult and vitally important work.
Notes on the Crises — Nathan Tankus (economist and self-taught monetary policy expert.) This is a finance-focused publication that has pivoted to full-time coverage of Elon Musk's activities within the treasury. It has been one of the first places to break news of Musk's activities and has been cited in the lawsuits against him.
Popular Information — Judd Legum (founder of the now-defunct ThinkProgress.) Highly influential investigative reporting; also publishes the newly-minted Musk Watch, focused on Elon Musk’s activities.
Public Notice — Aaron Rupar (ex-Vox journalist.) Notable reporting on the activities of the US right wing for a progressive audience.
WIRED — Believe it or not, the tech-focused magazine WIRED has been consistently publishing what is universally considered to be some of the best reporting on all breaking news WRT Elon Musk’s ongoing bureaucratic coup.
#original post#long post#update post#garbage day#ryan broderick#404 media#sam cole#what the fuck just happened today#law dork#erin in the morning#notes on the crises#popular information#public notice#wired#Chris Geidner#erin reed#nathan tankus#judd legum#aaron rupar
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on the fence about the powerful/godly thing... he's influential for sure, just not in a particularly overt way
☙ 𝑨𝒓���� 𝒚𝒐𝒖 𝑯𝒂𝒓𝒂'𝒔 𝒕𝒚𝒑𝒆? ❧
Fill the sheet out with all the items that apply to your muse and send it to my inbox! We don’t have to have a ship, plot, or thread. ((Take the blank and do it for your muse, too!))
"See, I knew you were sweet."
𝒇𝒕. @fawnworked

#influential is def power... half point and another half point for tall see read more#he hits a surprisingly large number of spots#he could get it prob#fawnworked#* filed under — ( ooc ) ( the director the writer the sap )
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Can you guys believe that some of the most influential early screenwriters and directors had to sneak queer subtext into popular media for so long that it seeped into straight screenwriters’ subconscious baseline for writing compelling characters and plot, thus, accidentally creating the the gayest non-gay television show to ever exist and that show is called BBC Merlin
#welcome to my 15 hour video essay make sure to smash that like button#merlin#bbc merlin#the adventures of merlin#merthur#mergwen#mercelot#merwaine#can you tell i wrote my high school senior project on the hays code#i couldve made this post far more universal but i only talk about merlin so. sorry
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Am I right to feel self conscious of my age when everyone who was famous when I was born keeps dying, or are those just as shocking to younger people anyway. Like has it just been this same set of famoys figures most of my life? It doesn't feel like they've been steadily replaced by anyone as big or influential. Like we really aren't making as many "legendary directors" or huge music innovators as we were a decade or so before I existed.
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Ayo Edebiri is named one of the 150 most influential Bostonians of 2024 by Boston Magazine.
#ayo edebiri#boston massachusetts#influential#honor#hometown#actress#female writers#director#the bear tv#the bear#the bear fx#the bear hulu#the bear sydney#syd adamu#everyone loves ayo#love#admired#Boston magazine#magazine
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would putting a fictional character through real life awful events (something on the news, an article, famous tragedy etc) "allowed" or would that be too far?
No disrespect at all, genuine question. Was curious to how these things work
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Allowed? By whom? The fiction police?
This is a stupid way to frame this. Big names write distasteful Two White People Fall In Love Against A Backdrop of Brown Tragedy all the fucking time. Plenty of these things are critically acclaimed and/or financially successful.
Whether you personally should make art about a real life tragedy is a personal judgment call. It's about whether it's in good taste and whether it's kind, not whether it's allowed.
A common rule of thumb is to look at how recent something is. The more recent, the more tasteless. Another is to think about how much you "own" the real life events in question. If it's lockdown, lots of us experienced that. If you personally lost someone in tragedy X, you have something of a claim on it. Another way people look at this is to ask whether the art needs to be about that tragedy and whether it's doing something productive culturally and politically for the people most related to that tragedy.
It's fine to make art about horrible things from real life.
It's usually considered pretty rude to use horrible things from real life as a disposable backdrop for relationship angst between your blorbos.
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To pick a real example, Memories of Murder launched Bong Joon Ho to international fame. It's directly about that famous unsolved (at the time) serial killer case that like 90% of Korean crime dramas are riffing off of. The film is all about police brutality and incompetence and the emotional devastation of everyone around the case, from the survivors to the police themselves. The sexual violence isn't shown on screen.
The director commented that he was partly addressing the film to the unknown murderer, and that's why it ends with that character looking into the screen.
This film is massively influential. I'm pretty sure half of the cinematography choices in Beyond Evil are lifted directly from it. People are generally cool with it because it was grappling with something significant to Korean culture, not just doing disaster tourism elsewhere, and because it wasn't luridly obsessed with filming the actual crimes.
Other Korean dramas and films tend to fictionalize the case. Having a similar but fictional set of crimes gives them more artistic latitude and less of a responsibility to the victims.
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The Battle of Algiers was made by an Italian guy, but nobody cares. It's an unflinching look at French brutality and is pretty clearly on the side of the Algerians even if it also humanizes the French characters and some of the bystanders getting blown up in the quest for freedom. (The director claimed it was neutral, which it is, comparatively, but...)
It's shot in a highly realistic style and does not sensationalize. Many of the actors are non professionals who lived through the real events.
The upshot is that it is considered important political art with a right to tell that story.
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On the other hand, The Last Face faced massive criticism for being about the feeeeelings of two foreign aid workers against a backdrop of African suffering that the film didn't really engage with or seem to care about. I've only seen part of one cut of the film, but what I saw was pretty dire in a noble savage way. Some white guy was talking about how ~inspirational~ this woman was for still dancing after gruesome sexual violence. She's barely a character. She's just there so he can be inspired. It's the kind of art that gets made by outsiders with their heads up their asses.
There have been several cases of contentious fanfics with a similar premise: The OTP falls in love while helping with the disaster in [Haiti/Africa/wherever].
The key ingredients for failing and getting yelled at vs. succeeding are:
How good are your art skills? The better the art, the easier it is to get a pass.
Was the art actually about the tragedy, or is the tragedy set dressing for a story that could have happened anywhere?
Is this story that could have happened anywhere also something frivolous and fun like a romance, albeit an angsty one? The lighter the subject matter and aim of the art, the harder it is to get away with a real world tragedy setting.
Is this your tragedy? Are you processing something that happened in your community or to you personally? (For example, if you lost someone in the Pulse shooting, I'd count that as your tragedy, but if you were one of the endless whiny US queer kids flailing about it for a year while ignoring a million other tragedies that happened to older, less hot people despite living across the country and knowing none of the victims, I would not.)
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How these things work depends heavily on the cultural forces in play. Are you from a rich country and writing insensitively about a tragedy in a poor one? x1000 if you're from a country that formerly colonized the site of the tragedy. Do you actually understand the tragedy you're writing about? Are you a good enough writer that your writing feels nuanced when you mean it to?
I really cannot emphasize this enough: the better you are at your craft, the more likely that a terrible, never-do-this idea will work just fine. I fucking love The Ice House and ship the leads despite it starting with a douchebag male cop harassing a "lesbian". The book is 1. good and 2. by a woman. The TV version stars Daniel Craig at his most subtle. On paper, this cop character should not be able to come back from such an inauspicious start, but it works. Every friend I've recced it to is like "There is no way!" and then ends up shipping it too.
The "rules" work differently if you're just that good.
No one is "allowed" or "not allowed". It's more about whether you'll upset people with a closer tie to the bad real world thing you're using...
But even then, some people will always be over-sensitive princesses who think only they have a claim on some topic when you actually have every right to it too. There will always be an outlier who finds some art offensive that everyone else from their same demographic thinks is great.
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As a general rule of thumb, I would not use a real and recent tragedy/natural disaster/etc. as the backdrop for a fanfic about the OTP getting together. Just make up a fake earthquake or plane crash.
This is not something you must do: it's just something that tends to be in better taste.
If you're writing historical fiction about events at least 300 years old, people generally do not care what you do as long as it isn't glaringly offensive about colonialism or something.
If you're making political art about the real world, you probably need the real event in there with all its connotations and nuance.
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Everything is allowed, anon. But can you take the heat?
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ʜᴏᴡ ʏᴏᴜ ᴀɴᴅ ʏᴏᴜʀ ʟᴏᴠᴇʀ ᴍɪʀʀᴏʀ ᴇᴀᴄʜ ᴏᴛʜᴇʀ🪞



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Masterpost
Picture 1
- Both of you are intellectually driven. Good at observing and reading people. Assertive and often cut throat when circumstances call for it. Will prefer independence and being single over empty or surface level connections.
- May have dealt with a strict mother figure or sibling.
- Seeks wisdom and travel above all. Academics and knowledge is also extremely important to both of you. You and them may also be overqualified or haven't liked sticking to one particular degree or field for long.
- Both of you might like trekking or feel connected to the mountains and outdoors.
- Often display obsessive and perfectionist behaviour in terms of work. Might have specific hyper fixations.
- Might have struggled and overcame addictions or addictive behaviour or have faced controlling partners or people in their lives.
- One of you prefer leisure time and being left alone to pamper yourself when stressed or overwhelmed, other might resort to channeling that into sports, working out or getting work done.
- Animals feel safe around both of you.
- Prone to sleep paralysis or vivid dreams. One of you can't tolerate alcohol or recreational drugs at all.
- May have mercury and 9th house synastry. May have Sagittarius, Libra or Leo in chart.
Picture 2
- Both of you carry grief that has made you feel stuck, may have made you feel ashamed or guilty. But y'all have channeled that into perseverance. Might have been victims of bullying or have witnessed it. This has given both of you a strong sense of justice and the desire to help those in need, the underdogs and the oppressed.
- Neither of you back down from something you're dedicated towards even if it takes time.
- Both of you might come across intimidating to most.
- One of you posseses good language, understanding and networking skills. Are rather mutable. The other is a natural born leader. These two qualities overlap or interachange in each other's presence with time.
- Fiercely protective of loved ones and just as nurturing. Often too sympathetic and need to establish stronger boundaries.
- Life has knocked both of you down a notch several times but it has given you two the ability to rebuild stronger foundations every single time.
- Don't necessarily do well under pressure but will come up with the most radical idea or breakthroughs when least expected.
- May have dealt with intimacy issues.
- Need to be very mindful of the people both of you trust and are vulnerable with.
- Can be an extremely influential duo together. May lead a rather non traditional life.
- Might have 8th and 12th house synastry or moon synastry. Might have cancer and aquarius placements.
Picture 3
- Both of you believe in fate, destiny and luck. Right place and right time but are also rather controlling by nature. Some days you'll go with the flow and let things happen other times you will take charge.
- Both of you cannot and will not back down. Life has thrown daggers at you, yet you have overcome them. Unmatched determination.
- One or both of you may have suffered from anger issues and now transmute that elsewhere.
- Excellent wordsmiths and magnetic personalities. Might be good writers, poets, directors, planners etc
- Both of you have distinct, attractive and memorable voices.
- May struggle with anxiety or insomnia. Might stay up late at night cuz that's when your brain feels most active.
- Both possess emotional intelligence but tend to carry burdens, emotional labour and resentment for long periods.
- Love luxury that is earned after hard work.
- Fond of fragrances.
- Passionate and intense lovers by nature but just as picky.
- Old souls, have a personal relationship with time and it's fleeting nature. Might prefer preserving memories.
- Work better independently, make excellent entrepreneurs.
- Both love to travel or travelling is extremely important to both of you.
- Might have Saturn, mercury, Sun and 10th house synastry. May also have nodal synastry. Might have Mars or Jupiter influence in chart.
#free readings#tarot community#divination community#pick a card#pac#pick a picture#valentine's day pick a card#love pick a card#love pac
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Whoever sent me that ask saying the devs contributed nothing but 'abysmal dogshit':
As someone who didn't enjoy her time with DAV for the most part I'm just gonna drop all these here and leave you to ask yourself who was responsible for Veilguard being a major departure from past games and where Bioware would be without people who genuinely care:
It helped that the Dragon Age team was full of veterans, and that over the years they’d developed a fair amount of chemistry as a team. “Muscle memory is incredibly influential at this point,” said Cameron Lee. “Through the hellfire which is game development, [we’re] forged into a unit, in that we know what [everyone’s] thinking and we understand everyone’s expectations and we know what needs to get done and just do it.”
From around the time of Trespasser’s release in 2015 to late 2017, the fourth Dragon Age was developed within an atmosphere that was apparently one of the most positive that some at BioWare had experienced.
“(...) some of the big changes included: 1) laying down a clear vision as early as possible, 2) maintaining regular on-boarding documents and procedures so new team members could get up to speed fast; and 3) a decision-making mentality where “we acknowledged that making the second-best choice was far, far better than not deciding and letting ambiguity stick around while people waited for a decision.
While BioWare’s publisher and parent company, Electronic Arts, tends to give its studios a fair amount of autonomy, there are still mandates to follow. By 2017, EA had not been secret about its desire to make all of its major products into “games as a service,” best defined as games that can be played—and monetized—for months and years after their release. Traditional Dragon Age games did not fit into that category.
By the latter half of 2017, Anthem was in real trouble, and there was concern that it might never be finished unless the studio did something drastic. In October of 2017, not long after veteran Mass Effect director Casey Hudson returned to the studio to take over as general manager, EA and BioWare took that drastic action, canceling Joplin and moving the bulk of its staff, including executive producer Mark Darrah, onto Anthem.
“I actually cannot count the amount of ‘stress casualties’ we had on Mass Effect: Andromeda or Anthem."
How did they manage to ship it in 15 months? The dev mentions working about 90 hours a week for 15 months. Many other devs on the team were also doing so and they think that others were doing 90 hours a week prior to the 15 month mark.
#I hit send on the reply and got error messaged brother youll have to take this instead#replies#long post#they made these games possible period I said what I said#constant leadership changes and hiring a tiny team to cook without veteran oversight yeah i wonder what happened like cmon man#put the blame where its deserved and credit where credit is due
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have you heard about bearnelli? who tops and who bottoms


Neither of these twinks be topping lmao they're both bouncing on dilfs mischievous style
I don't see those two omegas as a couple but I do see them as being dilf-hunters-in-arms so just absolute menaces to the alphas around them and getting on the other omegas' nerves... they pretend that they're all pure and innocent but you best believe they got their agenda on track to get themselves the best positions by seducing the most influential alphas. They're competitive in it too, acting all cute but seeing each other as rivals first and foremost but they do team up against other rookie omegas to kick them out of their way like Franco or Liam.
Kimi has Toto in his pocket and shoving his actual wife George to the sidelines while Ollie is trying to secure Carlos; first for his Ferrari seat, then as an investment for being a GPDA director. Kimi realises that that is very useful indeed since George already wants to squash him, he needs an additional directorial support.
Eveeeeeeery omega be scheming like crazy in my au even if they have the face of an angel, watch out. They're hiding little devil horns in their sweet cherub curls..
#my art#digital fanart#f1#formula 1#bearnelli#kimi antonelli#ollie bearman#mercedes#haas f1 team#ferrari#scuderia ferrari#charles leclerc#charlos#carlos sainz#williams racing#atlassian williams racing#carlos x charles#1655#cl16#cs55#ka12#ob87
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