#industry history
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totto70 · 8 months ago
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A sunny Good Friday walk around the pond in the old mill town/company town/bruksort of Hälleforsnäs. Founded 1659 and closed down in 1997. 338 years of industry history.
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thingsorganizedneatly · 8 months ago
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Did you know that there is a Toaster Museum????
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internetiquette · 9 months ago
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Mill ruins from 1786
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allegoryofthebeast · 18 days ago
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I am so tickled by the thought of Daniel’s family seeing him at almost 80 branch out into a new social circle comprised of beautiful men in their 20s and 30s that are also the most intense and bizarre people anyone’s ever met and worse now Dad is acting Exactly Like Them
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thoughtportal · 2 years ago
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He didn’t invent anything
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ghostwarriorrrr · 4 months ago
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bixels · 3 months ago
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I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.
#personal#delete later#no patrick. “black washing” is not as harmful as white washing.#come on guys get it together#seeing people in my reblogs talk about “reverse racism” and double standards is genuinely hypocrisy#say it with me: white washing is intrinsically tied to a historical and systematic erasure of poc figures literature and history.#it is an inherently destructive act that deplatforms underrepresented faces and voices#in favor of a light-skinned aesthetic hegemony#redesigning characters as poc is an act of dismantling symbols of whiteness in fiction in favor of diversification and reclamation#(note that i am talking about individual acts by individual artists as was the topic of this discourse. not on an industry-scale)#redesigning characters as poc is not tied to hundreds of years of systemic racism and abuse and power dynamics. that is a fact.#you are not replacing an underrepresented person with an oft-represented person. it is the opposite#if you feel threatened or upset or uncomfortable about this then sorry but you are not aware of how much more worse it is for poc#if representation is unequal then these acts cannot be equivalent. you can't point to an imbalanced scale and say they weigh the same#if you recognize that bipoc people are minorities then you should recognize that these two things are not the same#while i agree that “black washing” can lead to color-blind casting and writing the behavior here is on an individual level#a black artist drawing their favorite anime character as black because they feel a shared solidarity is not a threat to you#i mean. most anime characters are east asian and i as an east asian person certainly don't feel threatened or erased. neither should you.#there's much to be said about the politics of blackwashing (i don't even know if that's the right word for it)#but point standing. whitewashing is an inherently more destructive act. both through its history of maintaining power dynamics#and the simple fact that it's taking away from groups of people who have less to begin with#if you feel upset or uncomfortable about a fictional white character being redesigned as poc by an artist on twitter#i sincerely hope you're able to explore these feelings and find avenues to empathizing with poc who have had their figures#(both real and fictional) erased; buried; and replaced by white figures for hundreds of years#i sincerely hope you can understand the difference in motivations and connotations behind whitewashing and blackwashing#classic bixels “i'm not talking about this chat. i'm not” (puts my media studies major to use in the tags and talks the fuck outta it)
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communistkenobi · 2 years ago
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something I don’t see people bring up a lot when talking about worldbuilding, especially when you’re creating cities, is wind. prevailing winds in many places in the northern hemisphere blow from west -> east, and because industrial production tended to take place in the centre of cities, workers would live downwind of factories while the wealthier classes would live on the other side, away from air pollutants, which is why a lot of cities have a poor east-end and a rich west-end, a spatial configuration that persists in many places that are now post-industrial
and in general the built environment has a durability to it that persists far past the historical moments that produce those configurations. this means that the stated aims of a city via a vis city planning are frequently at odds with the physical layout of the city itself. so if you want to create a city that feels like it has a long history to it, working through its earlier stages of production can help with decisions you make about its layout, and also allow for weird spatial contradictions in a city that has to constantly fight against its own physical history
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frankidacre · 7 months ago
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Me explaining, once more, that being interested in a particular historical figure or era does NOT necessarily equate to supporting it ‼️ Creators shouldn’t have to make a piece of work “clean” just because some readers may get uncomfortable. If anything, we should be promoting the exploration of uncomfortable topics- proper research and portrayal should be praised. Bring back historical and media literacy.
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scarefox · 12 days ago
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Perth Nakhun about fanservice, from his actor perspective, and how it changed over the years
the mental struggles of being a BL actor
(watch the full video, he also talks about: pros & cons of being bound to an acting partner, the importance of social media in the industry, parting ways / changing paths)
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the-blueprint · 30 days ago
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sonyaheaneyauthor · 1 month ago
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The Palace of Industry in Kharkiv, Ukraine in 1929. X
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germanpostwarmodern · 5 months ago
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A Jadinière designed by Josef Hoffmann in 1905 and produced by Wiener Werkstätte. Courtesy of the Dr. Ploil Collection.
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ghostwarriorrrr · 4 months ago
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onceuponatown · 1 year ago
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Harvesting and loading ice. The horse is wearing skates.
Colorado, ca. 1900-1906.
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hussyknee · 1 year ago
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History isn't a disparate collection of stories from long ago. It's the necessary context for the present moment and the forecast for the future. All histories are intertwined, and the narratives of power and privilege, oppression and resistance, adversity and triumph are as constant in their patterns as the laws of physics.
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