#industrial imagery
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saisons-en-enfer · 1 year ago
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Voiski & Hadone - On The Edge Of Adhesion
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nyaa · 20 days ago
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北へ。/ Kita e. White Illumination (1999) Sega Dreamcast
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plein-air-on-gorkhon · 4 months ago
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poppytuft · 5 months ago
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the bear s3 spoilers
below the cut! thinking about claire and stuff we saw this season re: carmy/syd/the restaurant/donna, just finished the season so itll be a mess and also im comin in way too hot on this so my bad
sometimes...... sometimes i believe you guys are all watching different tv. im not sure how this season didnt feel like a direct through line from s2?? and im not sure WHY everyone is SO MAD about claire LITERALLY "haunting" this season. girl. come on. we need to have a sit down talk about how the berzatto generational trauma is the real meat of this show (this will make sense, just trust me). thats the MAIN EMOTIONAL POINT. syd's relationship with her dad, marcus and his mom, richie and evie, even tina and louie are all examples of parental relationships that are tender, sweet, supportive, etc. these are INTENTIONAL!! by creating these relationships we see PLAINLY how fucked donna is and how much she fucked up all of these kids. thats why "ice chips" was such a FANTASTIC episode. there was SO MUCH unpacked, so much revealed, so much worked through with sugar and her but at the end of the day she's still learning how to unlearn all of this horrific narcissistic bullshit. SHES STILL UNLEARNING THOUGH. thats where fucking DONNA of all people sits right now——somehow, she's learning how to heal. EVERYONE IS LEARNING. that's also what is so important about that episode.
now lets look at carmy. in "ice chips" we are LITERALLY told about how each berzatto is born: mikey fighting against the idea of being alive at all, nat into a quiet, soothing room, and CARMY is fucking born into EVERYONE SCREAMING and ARGUING and FIGHTING. we are BLATANTLY told that all carmy has ever known is HELL and all he's ever known how to communicate is through exploding. this is so violently against what we also know about his personality from childhood in "fishes" (anxious growing up, arts-oriented, had a hard time making friends). now, he works a violently stressful job, processing the trauma from both his mother (and chef fields [joel mchale], realistically) through the high-stress environment.
NOW. ENTER CLAIRE.
HOW is she not fascinating to you all. we don't see her whole story (because the bear, duh) but we are given just enough pieces here to put together that her story runs parallel to carmy's. how are you not getting this. walk with me.
claire. glasses, nerdy, quiet, sweet, girl next door. family friend! cute, but considered mid for a long time by everyone at school, but suddenly the berzatto men all badger carm, "oh she got a glow up, oh shes looking for you, she wants to see you," etc etc etc. what happened in between?
she finds herself. she finds the stressful thing she LOVES, which is the hospital. her job is objectively more stressful than carmy's (illustrated by that scene earlier in the season but i forgot the episode, where claire talks about the girl who got her shit wrecked by the glass table), and while we don't have an exact understanding of what her home life was like, we understand that her and carmy both have a level of internal anxiety that thrives on the stress of their careers. HOWEVER, claire does it because she loves it. carmy just doesn't know how to stop.
this is what makes claire feel like "peace" to carmy——because her high-stress job is a choice, an active choice she is making because it fulfills her. it's not to prove her dead brother wrong, or to honor his own legacy, or to prove that dickbag boss wrong, or to leave a mark on the world, or to make her own life worthwhile, or to prove that she doesn't need anyone else. she genuinely enjoys helping people even when the days are stressful, or scary. he's obsessed with this. he wants to know how she does this. every day she leaves that stress at home——and he wants to learn how to do that too.
claire is VITAL to this season and to understanding carmy's stress——and how far back he is in his healing process. it should only become more and more apparent, as we see characters like tina (the beef/the bear became vital to her success/development as a chef AND person, both for the people AND her love of food), marcus (not hiding his grief, but using it to help rationalize how much his mother loved him and wanted to be surrounded by people that love him), and richie (finding a purpose through service/expo and understanding he can start over again) push through their own traumas and struggles to become better people. if donna can be not only present at sugar's bedside during labor, but WELCOMED at this point in the show, it makes carmy's inability to heal all the more present. claire is an important part of this puzzle: she helps us see a window into a world where carmy is balanced emotionally, but unbalanced professionally, because he has no idea how to make the two coexist.
however, the idea that he can be balanced emotionally at all is so fucking enticing——with the help of someone who experiences stress in the same way as him (and who is familiar with his familial trauma), he has the opportunity to grow up and move on from his family trauma and wounds perpetuated by the industry he works in.
on the flip side of this....... his inability to process any of this is starting to impact syd. and frankly, that's some bullshit. his lack of communication, inability to community build/trust ANYONE, and his violent stubbornness is pushing her into the same space that he was in under chef fields, in a much slower, more subtle manner, and for slightly different reasons. her panic attack at the end of the season could read in two directions to me: her stress over the responsibility of changing so many people's lives has boiled over once she remembered that the beef once was truly great (hey five star review on the fridge!), OR, she realizes how much she isn't in it for the food. fuck a Michelin star: she wants to cook with her family. chef terry says at the end of "forever", in the garage with carmy, that she's so grateful she got to do whatever she wanted, whenever she wanted, where she wanted, with the people she wanted to do it with. sydney is so close to having those things at the bear——but carmy's dysfunction is keeping it just out of arms reach. the two of them are now on opposite sides of the approach from last season: syd dying for a star, and carmy dying to cook for the woman he loved. now, carmy is hungy for recognition again, desperate to prove something, and sydney is remembering (thanks to the conversation with other chefs during the ever funeral service) why she loved cooking in the first place. so this leaves us to wonder: should she stick it out? for the people? or make something of herself? is she carmy, or is she terry? i guess we will just have to see.
all this to say: every character is connected. the bear is a show about family, found and blood, and the choices we make for, with, and because of the people we love, for better or for worse. food is only the center of it, because it's the center of all of our lives. you can't hate claire without understanding where she sits in the web of the berzatto family. and really, you can't hate her if you understand what her presence means for carmy, for syd, and the restaurant as a whole.
#the bear#the bear season 3#the bear fx#the bear hulu#the bear meta#carmy berzatto#sydney adamu#claire the bear#the bear s3#the bear spoilers#the bear s3 spoilers#the bear season 3 spoilers#the bear season 3 meta#the bear analysis#eenposting#sorry.... feeling very passionately about this show#im not sure why this season felt like a stretch from the past two seasons#i didnt feel that way at all.... felt like a natural progression of the thing weve been given. some of them are healing and some of them ar#NOT. some of them very much are not. but all we can do is watch#thats always been the beauty of the bear. all we can fucking do is watch. and theyre all just gonna duke it out cus the family is CRAZY#i need some other friends to finish this shit so i can do real textual analysis because i ahve a lot of feelings about the metaphors and#imagery and symbolism and stuff from this season. this seaon was really really good to me and it felt like one huge movie#SO cinematic and SO good and visually so gorgeous and it sucks that theyre moving in a more cinematic direction and ppl hate it#LAME! LAME BITCH#THIS IS SOOO THE EXACT SAME SHOW AS ITS ALWAYS BEEN. THEY FINALLY JUST HAVE MONEY#i do wish we got more kitchen stuff but i understand we are growing out of the kitchen stuff as carmy gets more and more uncomfortable#in the industry#AND LIKE I SAID#THE KITCHEN AND FOOD WAS ALWAYS JUST THE FUCKING STAGE FOR THIS ABSOLUTELY BATSHIT FAMILY MELODRAMA#LIKE WHAT????? YOU ALL KNEW THAT RIGHT....... THIS SHOW ISNT REALLY ABOUT A KITCHEN OR FOOD OR CULINARY ARTS AT ALL
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yantao-enthusiast · 1 year ago
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what is a successful cunty music career without pissing off The Church at least once
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fox-guardian · 1 year ago
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im sad i wanna do a poll on which fear people like the most aesthetically speaking but there aren't enough poll options :(
so i guess rb this and write in the tags which one/s are your fav aesthetically out of the rest, based on canon imagery and whatnot
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visualreverence · 4 months ago
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Contact (1997) Wormhole Machine Pod.
Production Design: Ed Verreaux
Concept Art: Steve Burg
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edge-oftheworld · 3 months ago
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garden life is such a vortex of a song. because it’s all cute and moody and then you look deeper and apply some basic logic to the lyrics. like. you feel less alive than when staring out of a window when doing anything else? you’re resigned to shaping yourself around the feeling your loved one creates? life in full bloom can be captured in ones and zeroes, what is this, a simulation? you’re chilling and dreaming together. on and on. and then. what comes after me? after the weeping willow metabolises the alcohol running through its system? I’m on the edge? can’t watch you cry?
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cherry-nosebleed · 2 months ago
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waco, texas ⭑ 9/13/24
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cyb3r-g0thic · 2 years ago
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ik this post wont do super well but everytime I compare my music taste to my other interests I have a fucking identity crisis
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Tracklist:
GOD'S LIGHT BURNS UPON MY FLESH • MURDER RIDE • CHAINSAW PARTY • IM A SINNER • SKIN MASK 2 • NECROMANSER • FOREST FIRE FT. BUCKSHOT • CREEPIN THRU DA WOODS • TOOTHTAKER • COME WITH ME TO HELL • GOIN' MORDUM FT. GHOST MOUNTAIN • WITCHING HOUR • SKINCARVER • MEET BY THE RIVER • TRUEY JEANS • CRUCIFIXION
Spotify ♪ Bandcamp ♪ Youtube
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icewindandboringhorror · 17 days ago
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It's always interesting to hear about people's weird/unexpected "alternate life paths". Like, something that you could have done with your life, a job you almost took, a school you almost went to, etc - that was still actually realistic enough that it could have happened, but NOW it seems to not suit your current personality.
Like for example, I currently hate advertising (how manipulative it is, brands trying to be 'relatable', social media amplifying it to an obnoxious extreme, etc.) so much that even seeing a little ad before a youtube video is grating to even witness, but there was a point in time where I was genuinely seriously considering going into marketing/making commercials as a career lol. Or like, I have a relative who was very inclined to be a pastor when they were younger, even though today they're a super strong atheist, etc. etc.
#BECAUSE I knew I really liked filming and editing things and doing set design and costume design (from having done little bits of that#here and there in media classes and my own stuff - i used to be a lot more into making videos than I am now). BUT I was always thinking#that a movie is WAAY to big and long. even a short film. So I was trying to think of ways I could still like#have the fun of scouting locations to film and dressing up actors and etc. etc. without it having to be a Huge Million Dollar Production#on tv show or movie level. SO then I was thinking about like... just doing commercials. Or music videos. Like shorter things where I still#get the fun of the filming and everything but it's less of an intensive long term project.#So there is an alternate version of me (I suppose if i somehow did not end up having physical and mental health issues#as badly somehow.. or like.. randomly came into wealth and was able to pay my way through a nice college despite missing#days constantly being out because I'm sick or something lol) that works in some corporate advertising office coming up with commercials#and directing or filming them or doing the sets for them or something in that general vicinity.#I also was considering being a corporate psychologist. or whatever its called.. oh from google:#''Industrial and organizational (I/O) psychologists study and assess individual group and organization dynamics in the workplace''#I don't think I even knew what the job entailed. I was at the time just thinking like.. the type of person that comes into a business offic#and gives everyone personality assessments or does MBTI or big-5 testing crap for whatever reason that some businesses get that#done for people. Really i just wanted to be in a Corporate Big Office setting yet still do psychology. Because I used to be really fixated#on living in a big city. Like the ideas of everything being walkable. picking up a coffee in the morning. walking to my job in a Big#Skyscraper Building. people watching in a huge hotel lobby for lunch. flying frequently (I love airplanes and airports aesthetically).#living in an apartment with a giant window overlooking the city. etc. etc. BUT that was before i had really BEEN to a city. Then I actually#hung around a city a few times and went places and I was like... AUGh... The Sensory Overwhelm.. cars people lights loudness noise scary#everything happening all at once. etc. etc. (though even when I wanted to live in a city i NEVER strove for the Night Life. when i say I#enjoy city imagery I mean like... in the day time. Many people who like cities talk about The Night Life and post pictures of cities all#lit up at night and clubs and dancing and restaurants. none of that EVER appealed to me. perhaps a sign I am not a real city person. Like#I am NOT standing in a crowded bar full of loud people in the middle of the night lol.. get AWAY from me!!) but I do adore the#architecture of like bright white clean sterile modern spaces like huge airport lobbies or malls or etc. I think thats what reminded me of#city and what I liked about the idea of that life. Like I always LOVED the layout of schools and hospitals and trainstations and public#transport in general. Though even then I knew enough that I would not be a good architect/city planner. so I guess my adoration for those#spaces was merely to be channeled into LIVING there. but then I realized I didn't even really want to do that that much. I mean I still#definitely aim to live NEAR a city. like the little areas outside of it. I would never live in a rural place 4 hours from anything. I liter#ally just COULDNT since I need close access to hospitals sometimes lol. But I used to want to live in the CENTER of citites like high rise#condo. and now I'm like.... eh....... perhaps a smaller quieter walkable space nearby lol.. ANYWAY.. alternate me in my Business Suit eheh
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Jurassic Park (1993, Steven Spielberg)
11/03/2024
Jurassic Park is a 1993 film directed by Steven Spielberg, based on the novel of the same name written by Michael Crichton.
Spielberg purchased the rights to the book before it was published in 1990, and Crichton was hired to create a film adaptation. David Koepp wrote the final screenplay, in which many of the violent features of the book and much of the narrative part were lost, also making numerous changes to the characters. Spielberg hired Stan Winston Studios to create the animatronic subjects that would bring the dinosaurs to the screen to interact with Industrial Light & Magic's nascent computer-generated imagery technique. If Tron was the first Disney film to use the then newborn computer graphics, Jurassic Park is considered the first big budget film to make use of CGI.
Paleontologist Jack Horner helped the authors and the team responsible for the special effects to make what they were working with as truthful as possible (although the whole appearance of the dinosaurs turns out to be partly wrong due to subsequent changes in evolutionary theories, in particular way in Velociraptor and Dilophosaurus). Filming lasted from August 24 to November 30, 1992 on the Hawaiian islands of Kauai and Oahu, California, Costa Rica and the Dominican Republic.
Jurassic Park premiered on June 9, 1993 in Washington, and was released on June 11 in the United States. The film was a huge success with audiences: against a budget of $63 million, it grossed over $914 million worldwide in its first theatrical release, surpassing E. T. the Extra-Terrestrial and becoming the highest-grossing film of all time until the release of Titanic in 1997.
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detectivenyx · 1 year ago
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indie horror tier list but i designed it specifically to reflect my actual opinions piss off everyone
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nutzo0001 · 1 year ago
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you can help spreading the gallery...
#dorfic#An off-shoot of Cyberpunk#cousin to Stecoffice. DORFic is an acronym of Daylight Orange[Red] Futurism plus the suffix in graphic. Could also be called Sunshine Polyp#Predecessors include Retro-Futurism's Atompunk of the 60's#Ascetic Futurism#and the rise of mobile technology plus certain street-art designs in the late 90's#up until the height of DORFic in the mid-2010's. The style is predominantly used in video games and corporate design.#Industrial and highly minimalist#this aesthetic features stark white cityscapes and imagery accented with bright oranges (or otherwise reds). It borders on monochromatic#with techwear and office-wear being sharp#clean#and casual streetwear simplistic. Black and blues are both sometimes present but kept to a minimum for the most striking effect. There exis#While parallel and symmetric geometry plays a large role#bits of explosive visuals and low polygonal composition is often central#especially in the communication of motion. It is best exemplified in video 3D designs.#Often fitting as a sub-aesthetic to cyberpunk#DORFic is significantly more sanitized and less dependent on neon gear and holographics (minus in military and industrial use). It is brigh#almost cheerful at times - even as it concerns underdog renegade forces versus corrupt corporate powers. It often involves scenes of urgenc#with emphasis on fleeing and rebellion. The business aspect is aspirational but morally grey#with great#often hubristic or destructive innovations.
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burningchapel · 1 year ago
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HELLO you reblogged my art (thank you) and your username intrigued me. I read "fuck me father for i have sinned" we are the same. Agnostic ex christian with religious trauma 🤝 practicer of transgressive atheistic catholicism. You understand me. Just wanted to say that have a wonderful day brother
HEY thanks, your art is sick, love anything religious-alternative/interrogative. It's all about deconstruction and reconstruction of the prescribed faith and cultural religious narratives that dictated the development of the self concept and worldview at the end of the day amiright
Thanks for stopping by, and if you ever wanna chat religious imagery, personal or cultural theology, catholic art history and how it's been reappropriated etc I'm here with my head buried in books and pdfs
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