#industrial apt.

[zytes]

got lost in the aphex twin factory

[hometoursandotherstuff]

If only they’d have designed my loft apt. like this. It’s just bland white.

My kitchen is bigger than this under the loft, but I wouldn’t mind if it looked like this.

This is so cool 

Just a little creativity- I’m sure that’s not real brick. Love the floors too- they look like tile which would be better than wood, especially in an apt. that takes dogs.

architecture & design

[highspeedinterconnect]

this week has been fucking awful I just wanna lay down somewhere quiet w my gf and cats. holy shit

[direwombat]

the novice, the scholar, and the stray dog

or, the sole remaining members of the brotherhood's (defunct) detroit bureau in ASSASSIN'S CREED: MOTOR CITY

template made by @unholymilf (tumblr wouldn't let me tag directly, so linking to the blog instead)

[athousandmorningss]

deep lover of a self-effacing personality; a particular kind of oddness/weirdness notable in another human being in which it's clear that they are both self-actualized and at once deeply goofy; charmed by a person that engages in self-reflection and alteration of their own behavior; moved by intellect as foreplay; drawn to people who are drawn to the natural world as a perpetual orientation; love to look at another and think my god: what a unique and singular human being, who are you, i'm so happy i met you.

[tiphares]

i want a beaded curtain 4 my kitchen so bad ... link me to some cool ones plz!

[particlepocket]

Land of brimstone and memory

A fiery world with everything ablaze save for antiquated movie set structures.

Brimstone in connection to hell, blaze (4/20 & glory) & the fire at the end of tmod. Memory symbolized by film in both the object and form of entertainment as ways of documenting life or viewing history. Film is highly flammable, concurrently, some films can be reused by erasing the images with sulfuric acid.

Time players lands hold significance as the planet that holds the scratch construct, which in this case would be a cassette tape. Due to the circumstances in the nature of this session, the constructs purpose does not function as a reset button but a undo, activated by rewinding the cassette by using the quills like how you would typically with a pencil.

[werindialive]

Radhika Apte explains how scripts are changed in Bollywood, accepts it is challenging for actors

Radhika Apte is known for her acting skills and choice of films. The actress can be seen in now showing Zee5 film Mrs. Undercover wherein she plays the role of an uncover officer who settles as a housewife for her cover. In a recent interview, Radhika opened up about the complications that come with the choice of film. She explains how actors struggle when they say yes to a project first but then find the script unimpressive. She also explained that contracts can save the actor a lot of time but not everything is covered and actors can not always walk away from projects.

Radhika has a rich experience under her belt and she has worked in several films of Bengali, Marathi, Tamil, and Telugu cinema. She is managing her life well as she devotes time to her London as well as Indian home. Additionally, Radhika does manage to write while acting as she has a knack for it. She co-wrote a segment in the Netflix anthology Lust Stories in 2018 in which she also acted as the lead.

Talking to a leading media house, Radhika explains how actors feel helpless when they find a project going in a completely unexpected direction. "I find it difficult when they don't give you the script and it comes much later and there are lots of things you would have had a problem with... but now you're shooting. I've had films where scripts were changed so last minute. And you're like I don't agree with this, but you have no option because the whole unit is standing and waiting. Even though things are in your contract, things don't go as per the contract."

"It's very hard. Sometimes people don't like what they watch and they come to you and say, how could you do a film like that? You think it's easy? It's not in my control. Some many actors don't have the control, the authority, and ability to just walk away and say I'm not going to do it," she explained.

For Mrs. Undercover, Radhika can be seen sharing the screen with Sumeet Vyas and Rajesh Sharma. The comedy-drama film is directed by Anushree Mehta.

[orbitbrain]

US Government Details Tools Used by APTs in Defense Organization Attack

US Government Details Tools Used by APTs in Defense Organization Attack

Home › Cyberwarfare US Government Details Tools Used by APTs in Defense Organization Attack By Eduard Kovacs on October 05, 2022 Tweet The NSA, FBI and CISA have issued an alert describing the tools and techniques used by advanced persistent threat (APT) actors in an attack aimed at an unnamed defense industrial base organization in the United States. The information was collected when CISA…

[astralnymphh]

car wrapper ellie tbh.. ౨ৎ

the vision is fresh in my mind, and nonetheless, i'm still THROBBING at the mere thought-up imagery of ellie thumbing and smoothing your car with such tender and trained pressure in her fingertips— you wish you were in its place. established as a side gig in joel’s auto body shop, she wraps cars day-to-day, hour by hour, arranged inside a well-lit, decently compact garage swarmed with the whole hardcore shebang of grunge rock and various metal genres (with a biased cling to nirvana tbh). notorious outfitting; bare, freckled, and sun-showered arms, cut delectably at the shoulders by an off-white ribbed tank worn and sweat through. those hips fitted in some low-waisted, slouchy denim, accompanied by a small metallic carabiner clip that holds all of her jangly keys. and— most markedly, stud-pierced lobes with an industrial bar bridging one ear; absolute hottie alert. now, besides appearance and attitude, i think she has some sort of inherent apt for making girls swoon. doesn't even necessarily intend to— actually, whenever she opens her mouth, a total nerd comes out! though what seems to shoot right over her head is the fact that all her oral mannerisms and idle chit-chats of, “you sure you don't want me to take a quick peek under the hood? could save you a couple of bucks..” which, with a tone so tempting and drawled in such a convincing ‘advertisey’ way, ends up easily persuading girls and brings the heat to their cheeks. so, when she sways you, you decide to slump somewhere and watch. witness; consume her expertise with your eager pupils. ellie assures she'll only be a couple hours— but to rephrase it, those handful of hours spent chatting, eye-flirting, and chuckling silently to yourselves, always routes the afternoon into her tiny office where she eats the fuck out of your pussy.

masterlist . daily click . read this . palestine mp

no i did not see those car wrapping videos on tt and no i definitely did not get this idea from them DENY DENY DENY

[hometoursandotherstuff]

Ingek73 found this apt. for sale in a former Victorian warehouse in London. Enter through a shared entrance lobby or directly through its own warehouse door. It has 1bd, 1ba. £1.975M / $2.515M.

The direct entrance doors, as opposed to using the lobby.

The minimalist space has been rented as one of those photo shoot venues, but now it's for sale as a residence.

This room faces and opens to the courtyard and it also has a sliding wall to close it off.

The wall is here at the stairs to a 2nd level.

Pretty slick kitchen.

Spiral stairs lead down to the lower level.

There's a spacious bedroom down here.

The bathroom matches the kitchen, doesn't it?

Isn't the courtyard beautiful?

[meredithgran]

About Newspaper Comics

An ask cross-posted from Cohost, which is not long for this world.

Anonymous User asked: I would like to know your opinions about newspaper comics

This is a very choose your own adventure kind of question. Am I meant to speak about the art or the business of newspaper strips? The current state of newspaper comics or their century-spanning history? Stream of consciousness it is.

Newspaper comics were the original dream for me before all other dreams. I fell in love with Garfield and the story of its success, and wanted to make a syndicated strip at an early age. Later, I fell in love with Calvin and Hobbes - itself a lesson in craft, history and business - and abandoned the syndication dream for “art by any means necessary”, and dove into webcomics. (There were a few more steps along the way, but that’s the basic trajectory and not uncommon for my age.)

In the 80s and 90s when I was dreaming Garfield dreams, syndicated newspaper strips were already dying. They’d been jam packed so tightly into rectangles in the comics section that no room for great cartooning remained. The schedules were brutal, the audience was broad and apt to complain, and the aging comics legends were phoning in or delegating their work, so even the full-page Sunday strips were gridded and lifeless. Even fresh new artists (rare as they were) were hammered creatively into the shape of the paper. The death of most major newspapers from the late 00s onward spelled the end of Garfield Meredith's dream.

The thing is, Garfield Meredith would be very pleased with the present day. Comics are bountiful, they're free to read online, and they're all accessible from a single app. Even better, the creators interact with their audiences day and night. In comics we have safely returned to the late-stage newspaper syndication model, after a brief "art by any means" era, with 24/7 access to the creators as a bonus. It goes without saying that most of the money these comics generate goes to the platform. As more people discover online comics, the memory of any other model has faded. Comics is a pushover industry, easily steamrolled by detached parties with money.

So what do we do? I'm afraid that's not what this post is about. Mom's tired. My heads is not really in the comics game anymore, and big tech & our rotting internet is a problem everywhere. But I think discussions about our history as cartoonists and comics appreciators - and an acknowledgment of what is disappearing - is important. It's no surprise that Bill Watterson's stubborn refusal to license, adapt, or needlessly continue his creation past its prime shocked me and many others onto a different path. I think it is useful to be a high-functioning crank in your own age: to fully accept the now without forgetting past possibilities or drawing a border around the future.

And of course, we mustn't let current trends tame our wild imaginations or our command of the craft. We have been given the tools to create beauty and make sense of life, and these creations - not the platforms that indiscriminately corral them - are worth sharing.

[hyuny-bunny]

camgirl!reader x skz (OT8)

moodboard, character inspo, settting ideas, just a post for the imagery that comes to mind when i'm writing.

NSFW

MDNI (18+) this is nsfw work in progress, this post has suggestive ideas AND with works of (18+) content below the cut.

authors note/ update: read the prologue here !

camgirl!reader has always been interested in sex work! her roomate, sana, is the one who really brings into the sex work industry. she invites reader to join her and her girlfriend on a live stream one night. concealing her identity with a masquerade mask at first

camgirl!reader works at a restaurant as a waitress, barely scrapping by on the tips she makes. when sana introduces her to the camgirl world, reader really sees the true advantage and beauty of the industry. the sex is fun and the money is even better.

camgirl!reader has only ever confided in sana with her double life style. she can't help but feel anxious at the idea of her work friends, or even worse, her crush on head chief, Minho, finding out. it didn't matter to her that almost everyone knew that sana had a stream, she was terrified of how people would look at her.

little did she know, two of the younger servers already knew her secret. seungmin + jeongin always had their own little crush on her but would never think to expose her that way if she didn't want to share her hobby/2nd job ! of course it didn't stop them from telling their tightly knit friend group that included, minho. of course the other half of their group didn't even know who reader was since they worked in cafe down the street from the restaurant but they definitely knew her camgirl channel well.

it's not that minho didn't care though, he just didn't believe it. he thought the camgirl just looked insanely good and had a very similar look to you but not you exactly. maybe a part of him felt guilty at the thought of how many times he'd had jerked himself off watching this camgirl while thinking of you. only to then turn around the next morning and make flirty passes at you every time you came by the kitchen.

camgirl!readers streaming room

moodboard for readers cam room

reader likes the coquette hyper fem persona for her cam girl alter ego. it's not something she normally would wear for everyday life but there's something thrilling about saving this kind of look for sex work activities. it gives reader the confidence boost she needs to wear such cute and frilly lingerie. she'll often switch up her looks for darker more sultry colors depending on what type of mood she's in, after all she's a switch!! she can't stay conformed to only one look but the room will mainly keep this energy.

readers wardrobe outside of the stream!

this style is not indicative of any physical attributions that reader has. these are just wardrobe inspired clothes! reader has more relaxed "cool girl" inspired sense of fashion opting for baggier or looser fitting jeans with grey knit sweaters paired with docs or loafers. occasionally switching out jeans for skirts and or even a cute black babydoll dress.

her style is often most noted by jeongin, he loves the look almost idealizing in his head what his dream girl dresses like

readers neighborhood + apt visuals

you apartment is on the 2nd floor of this building. sharing a floor with jeongin + seungmin, on the floor above you is chan + changbin + jisung, and on the first floor just below you is felix + hyunjin + minho.

let's just say you put a lot of effort into how you sound proof your camera with layers of carpet and sound proof foam lining the wall with foam pieces to mute as much as you can after receiving a note about being a little too loud.

[astroboots]

EVERY YOU EVERY ME #10

COLLABORATED WITH @THIRSTWORLDPROBLEMSS

Pairing: Miguel O'Hara x female reader

Summary: Miguel tries to rob a superhero and you try to stop him.

Word count: 5,750

Series Masterlist | Spiderverse Masterlist | Astroboot’s Masterlist | thirstworldproblemss’ Masterlist

[Previous] [Next]

It’s another mundane morning in your office. You’re hiding away in your cubicle with your breakfast croissant and coffee, scrolling the news on your phone. 

Ever since the cosmic murder attempts have started, reading news hasn't been the same for you. It’s no longer a case of innocently keeping up to date with current events. Because now you can’t read the sensationalist headlines without a small pang of guilt that you may have been the unwilling root cause for so many of them. 

‘Apocalyptic blizzard in August.’ 

‘Stampede escape from Brooklyn zoo.’ 

‘Freak electric storm causes wide city blackout’. 

It’s all just too macabre for you this early, it’s not even 10am. Your eyes flicker down, only skimming to make sure that there has been no casualties involved with each incident before scrolling away again. Then you opt for the technology section instead. Hoping it is a little bit less catastrophic and kinder on your nerves. 

‘Tony Stark’s Arc Reactor Returns Home to Stark Tower.’

Your fingers pause at the headline. Stark always makes for a good read and good gossip, you think to yourself as you take another sip from your morning coffee and start to read:

‘Tony Stark, the notorious billionaire philanthropist and avid Star Wars memorabilia collector, has announced his decision to move his iconic arc reactor back to his home in New York City. The self-sustaining fusion power source kept Stark alive during the infamous hostage incident where he was captured and detained in Afghanistan by the Ten Rings terrorist organization’.

‘Self-sustaining fusion power source…’ you repeat the phrase in your head, parsing over the words. Why does that sound so familiar to you? 

You read it again, and this time instead of your own voice, the memory of Miguel’s sleep husked voice fills your ears: 

“Your world is not technically advanced enough for me to build an upgraded self-sustaining fusion power source that would be needed.” 

Adrenaline buzzes bright in your brain, and you stand up from your desk so fast you nearly knock over your chair.

Finally! It’s the Eureka moment you have been waiting for all this time. 

You peer over the cubicle wall, scanning the room for Miguel. It doesn’t take you long at all to spot him; his oversized frame is hard to miss. Besides, even if you couldn’t see him, you’d be able to sense the anger vibrating off of him a mile away. 

In the corner at the far end of the open-plan office, Miguel is abusing the poor printer again. He’s cramming a fistful of papers into the feeding slot like it’s a duck he’s trying to force feed to make foie gras, and judging from the vein straining on his forehead, the man is about two seconds from lifting the 50 pound machine and launching it out through one of the building’s windows.

You shake your head at the scene. You don't understand how someone so smart, so intelligent, so apt with technology—he built an A.I. so advanced it would make the most high tech of Stark Industry's prototypes look like a kindergartener's chicken scrawl—can be so inept when it comes to dealing with a basic printer. 

“Miguel,” you whisper loudly, and despite the fact that he’s on the other side of a bustling office, he immediately turns to look at you. 

You beckon him over, practically bouncing with excitement as you wait for him to cross the room, and as soon as he’s within reach, you stand on the tip of your toes and cup a hand around his ear so you can covertly whisper the news of your discovery. 

“Stark has an arc reactor.”

You’re beaming with pride that you’ve found a solution to your dilemma, and look up at Miguel expectantly for him to celebrate with you and maybe even praise you. 

Instead, he looks down at you without reaction. “What’s Stark?” 

"Wait, are you serious?" 

You almost think he’s doing one of his sarcastic comedic bits with you, but the angle of his right eyebrow, raised in cluelessness tells you otherwise.

"How do you know so much about Dr. Strange, but not know who Tony Stark is? He’s like the main Avenger."

Miguel merely shrugs at you. "Avengers aren't really a thing where I'm from."

You shove your phone into his hand and watch as his eyes flicker over the screen, reading through the article in a matter of a few seconds. When he’s done, he places the phone back on your desk, then grabs your left hand, leaning down as he lifts it up towards him. For a second you think he’s about to kiss your hand.

"Lyla," Miguel announces, and the watch buzzes warmly against your wrist as Lyla's hologram reforms in the small space above.

"Give me the layout of the Stark Tower, identify vulnerabilities in the security system and outline the most optimal entrance points for a break-in."

Did he just say break-in?

"Wait, wait,” you interrupt quickly, trying to defuse the situation, before he gets too far ahead of himself. “Miguel, we are NOT breaking into the Stark Tower."

"How else would we do it?"

“We could just talk to him.  Lyla can hack into his schedule and book us a meeting with him, right?”

“And then what?”

“We’d ask him to help us?” you suggest, not understanding why he skipped straight over the most obvious answer and went right to breaking and entering. Though from the way Miguel is staring at you in blank confusion you may as well have spontaneously grown horns on your head. 

“...Nicely,” you add, in case that wasn’t already clear.

“Because that would require us to talk to him. He would just say no, Cielito. I’d prefer to break in. Cleaner that way. More efficient. Easier.”

You can’t believe this man just admitted to being so socially awkward he thinks committing a felony is easier than having to hold a conversation with a stranger. 

"Asking is pointless. No scientist is just going to hand over something like an arc reactor to a couple of strangers because they asked nicely. Besides, even if we arrange a meeting with him by hacking into his calendar, he’ll know something is up the moment he sees us. You’ll just wind up getting thrown out by security.”

Ok maybe he has a point there. 

"What if we tricked him? Made him think we have something he wants?”

"Like what?"

"Stark collects rare Star Wars collectibles. We can lie and say we're collectors with a rare piece to sell like the Kenner Star Wars Boba Fett prototype?"

His right brow raises at a skeptical angle and he’s staring at you like you’re speaking a foreign language. 

"Cielo, that's insane."

You bristle at that. 

"How is your idea any better?" you demand.

"A break-in wouldn't require much effort or rely on the goodwill or stupidity of someone else. It’s much easier–"

“You’re talking about breaking into the personal home of an Avenger!” you interrupt because you’re not listening to any more of his madness, “He’s arguably the smartest member of a team made up of the mightiest heroes on Earth, and you want to try to steal from him, Miguel!? That is not easier!”

The office has gone alarmingly quiet around you. You look around to see that your heated discussion is gaining unwarranted attention from the rest of the office. All of a sudden, the endless click and clack of the keyboards stop. 

You give your curious coworkers a strained smile, then lean up close to Miguel again, muttering under your breath. “We’ll discuss this when we get home.”

Miguel doesn’t say anything else, but you can feel his eyes pinned to your back as you walk to your chair and sit back down at your desk to finish your croissant in two mouthfuls, chugging down the remainder of your coffee. 

An hour before noon, Miguel comes to your cubicle. He sets down a lunchbox and from the logo on the plastic grocery bag you can tell that it’s from your favorite Bodega round the corner. 

“I have a quick errand to run for work at lunch. I’ll be back within the hour,” Miguel tells you, “Lyla will guard you, and if something happens she’ll alert me immediately. Don’t go anywhere.”

You look up from your screen to see him stand over your desk with that passive expression etched onto his stoic face, as if there is nothing out of the ordinary. 

In the last month, Miguel hasn’t let you out of his sight for longer than a handful of minutes (primarily to get more snacks when they run out).

Miguel thinks he’s being so slick. It’s insulting to your intelligence that he thinks you don’t know what he is up to: he’s obviously going to spend his lunch hour trying to rob Tony Stark. 

But that’s fine, you’re not going to openly question Miguel on his suspicious behavior. If he’s not here that means you are free to get up to whatever you want. 

… Including approaching a certain multibillionaire that has the one item in his possession that could save both your life and the universe as you know it from collapsing.  

It’s why you wave at him as he makes his way to the exit and pay close attention to him leaving through the front glass door and take the elevator down to the ground floor. Then for good measure you wait another five minutes to make sure that he will fully be out of hearing range with his super-senses before you raise your wrist to your face. 

“Lyla,” you whisper. 

“Hello, boss girl! Wasssuuuup,” she greets, elongating the word sassily for comedic effect, and you can’t help but smile. 

Lyla, as entertaining as she is, is an enigma to you. You don’t understand how Miguel with his short patience-span and entirely lacking sense of humor would have programmed this A.I. to have this kind of personality. Not to mention a deep archive of a millenial’s pop-culture media reference from this dimension.  

“What can I do you for?” Lyla asks, shooting you gun-fingers with a cheeky flare. 

You part your mouth, but hesitate to make the request. 

This is illegal isn’t it? Hacking into someone’s calendar to arrange a meeting with them under false pretenses. God, what if you get taken away in handcuffs within the first 30 seconds of entering the building, featured on Deuxmoi as a crazy stalker fan. 

So far the only “illegal” thing you’ve used Lyla for is to generate Netflix passwords and hack into HBO Max to watch Succession. This is a significant next level step. 

Maybe you should run downstairs and catch Miguel before he leaves the building? You could plead your case again. Try to reason with him that breaking and entering isn’t the way to go about it and the two of you should approach Tony Stark by having a mature and adult conversation. 

Yeah. Right. You snort even as you think it. Miguel is never going to be persuaded on this point and you are quickly running out of time. There’s only one thing to do: 

“Lyla, can you please arrange a lunchtime meeting for me with Tony Stark today.”

The lobby of Stark Tower is much like any other commercial buildings you’d find in the Financial District. Heck, it's not that much different from the one you navigate every morning at the Chrysler building. If anything, the only surprise is how ordinary the Stark Tower is.

When you enter the main lobby, you have to sign in with a stern but clearly bored security guard, then use the guest security pass you’re given in order to access the elevators.

Once you reach the 90th floor, there is a distinct lack of staff up there. Only a single, sweet-looking old man, with a well trimmed mustache above his upper lip. He's swathed in a soft-knitted cardigan and wearing gigantic vintage-styled sunglasses indoors that make him appear bug-eyed as he peers up at you and walks with you to another set of elevators using a retinal scan for security and sends you on your way. 

The door closes around you in the metal box, with a swift jump to the 91st floor.

When the door finally slides open it feels like you’ve entered another world. Minimalistic opulence is the keyword for it. There are windows along the entire space. A 360 view of the New York landscape and you almost feel like you are at an Aquarium with the amount of glass surrounding you. There’s pieces of half-built tech and prototypes everywhere. Imagine having so much money that you can allocate a whole floor of a manhattan skyscraper to essentially be your garage workshop. 

“So you’re my 1pm that magically appeared today,” a happy-go-lucky voice sings out. 

You jump in your skin, breaking your concentration from the view, as you turn around to see the infamous man of the hour standing behind you. 

“Gotta say, when I was envisioning the sort of person who might be selling me a Kenner Star Boba Fett figure, I did not imagine a gorgeous knock-out,” he says, with an outstretched hand as he greets you.  

Tony Stark is shorter in real life. Less formal than in the gettymarked photos you’ve seen of him at red carpet events and fancy galas, dressed up in the most tailored fit suits that money can possibly buy. He’s also a lot more charming than in photos. All big brown eyes, and pouty lips. He might be half the size of Miguel, but Tony Stark has more than enough charm and confidence to make up for it

“Let’s go somewhere we can talk.” 

He is quick witted banter and dazzling diamond smiles as he shows you the residential suite of the Stark Tower. His hand rests on the side of your waist as he guides you through the long hall, making strong eye contact all the while down the hall. 91 floors up and you cannot hear a hint of the chaotic traffic noise downstairs, it’s oddly quiet save for the faint scratching noises you hear from the ceiling. (Guess even Stark towers cannot escape the city’s rodent issues). 

“Anyone ever told you, your eyes really sparkle?” Stark says, as his hand slips from your shoulder to rest at the small of your back. “You’ve got this whole Disney princess thing going on. I dig it.” 

Wait, is he flirting with you?

Tony Stark, Chief Executive Officer of Stark Industries. One of the top 20 richest men in America (according to Forbes). A man who can afford to buy the whole of planet Mars is flirting with you. 

God, you are already seeing dollar signs. Lobster. Caviar. All the rare exotic and poisonous puffer fish sushi you've only dreamed of eating. You've always wanted to be a gold digger, you've just never been close enough to a gold mine.

Maybe this will be easier than you thought. If he likes you, maybe you can just flirt your way into getting the arc reactor. Ask him to lend it to you. 

The two of you make your way past the glass doors and into another imposing large room, bare and minimalistic. Oddly, it feels dimly lit, given the size of the windows in the room. 

It’s the size of the front lobby of your office building, and you realize halfway through that this room serves no other purpose except to store more of his junk. There are half built machines piled up in every corner. Boxes and boxes of tools haphazardly strewn across the room. It’s an outrageous waste of prime New York real estate that speaks to the man’s wealth. 

In the middle of the room, there’s a silver medal that glows an eerie blue in the middle, encased in a display case. With the way it sparkles, you could almost mistake it for a precious aquamarine gemstone the size of your fist. 

“Wow, is that the arc reactor?” you ask. 

Stark doesn’t answer. Suddenly his chattiness is nowhere to be found, and as you turn to look at him you notice he’s not paying any attention to you. His eyes are fixed on the ceiling behind you. 

You whip your head around and follow his gaze to see the familiar blue super-suit trailing behind you. The unmissable angry red spider embellished across his wide chest, as he hangs upside down like a cat burglar. 

Has he been trailing behind you since you got here? Was that what the noises were?  

Air whizzes through the space and the force of it reverberates across your cheek. A piece of red armor flies through the air and attaches itself to Stark’s arm. 

You’ve seen enough highlight reels of Iron Man on the news channel to know what it means. 

“Wait wait wait,” you shout out as you step in front of Stark in mid-transformation. 

You fling your hands up high in a gesture of a white flag to de-escalate the situation. “This isn’t what it looks like!”

Stark’s eyebrow quirks up, tipping his head sardonically. "So your costumed sidekick hasn't been stalking us this entire time? Breaking and entering, not just into my tower–which is private property, by the way–but also bypassing security to access my private office? Yeah, I'm sure your intentions are entirely on the level."

Despite the sarcastic hostility in his tone Stark hasn’t summoned the rest of the armor. The rest of his iron suit is suspended in the air on standby two feet away. He’s only got the arm piece strapped to his arm as insurance and is clearly willing to give you at least a few seconds of a benefit of a doubt. Long enough to hopefully explain yourself and not start a Superhero brawl.  

“He’s not dangerous,” you say, and the moment you say it, you want to kick yourself because of how suspicious that makes you sound. 

You turn your head around to Miguel who’s done an aerial somersault with the grace of a ballerina despite his build and soundlessly landed back onto his feet on the ground. 

“I can’t believe you went behind my back! We agreed to put a pin in this and wait to deal with Stark until we agreed on a plan. You said you weren’t going to break in!”

His masked eyes narrow into accusing slits, “Yeah? And what are you doing here then?” 

“Stopping you before you do something stupid!” you hiss. 

Before Miguel has a chance to retort, there is a loud clap from behind you that redirects both your attentions to Stark. 

“Jarvis, how did our lovely Disney princess make it onto my calendar and how did Hulk Spiderman over here manage to slip past every layer of your security net?”

The voice of a posh British man sounds out across the room but there’s no person attached to it. 

“I can find no record of these events in my logs. Performing internal diagnostics now, Sir.”

“Huh, interesting…” Tony hums to himself in consideration before he turns his attention back to you both. 

“I have to say I'm quite impressed, but I’m hoping for an explanation. Is this a Bonny and Clyde situation? You two lovebirds here to rob me?”

“No!” you both shout in unison. 

“Not lovebirds, got it.”

“That’s not–” Miguel starts, whipping down his head in your direction. 

At the sight of your face, he seems too flustered to continue his train of thought and he quickly looks away from you. “None of your business,” he snaps at Stark. 

You don’t know why, but that dismissive glance from him hurts. Like the very idea that you two would be in a romantic relationship is off-putting to him. It’s kind of insulting. You turn from him, trying to ignore the sharp stabbing ache somewhere in your chest that makes it hard to breathe. 

From across, Stark observes the two of you, whatever he sees makes him tip his head in curiosity. The intense pinch between his brow relaxes and the subtle shift in his expression is like witnessing the moment a shark senses blood in the water, then he grins and turns his attention towards you.

Stark grins, turning his attention towards you. "So you're single then?" 

You peer up at Miguel and hesitate because that’s a damned good question. You of this dimension is certainly single, but there’s another version of you (a dead one) that’s married to the man next to you. 

But that’s not you. 

You turn to Stark, "Yes," you answer.

Miguel whips his head to you, eyes wide. "No!" he bellows. 

"The lady says she is, big blue."

"And I say she's not!" Miguel growls, the last word ends on such loud volume it could break the sound barrier.

Miguel isn’t the best at reading cues. You’ve known Tony Stark for all of five minutes, and even you can tell that the man enjoys riling up people, Miguel is feeding right into that. 

Stark acts like Miguel is speaking at a decibel that he is unable to register. He saunters up to you, with the most carefree gait you’ve seen anyone carry around Miguel. 

"So are you free tonight?" Stark asks.

You spot Miguel’s bristling expression and hesitate for a second time. 

It’s mean, you shouldn’t rile Miguel up like this. His entire back is curved up like a hissing cat. The man looks like he’s about to blow a casket, acting like a jealous spouse. And somehow under Tony Stark’s attention you feel like you are the adulterous wife. 

Except once again, you’re not. Because you are not Miguel’s wife. 

… Why exactly are you pining after a man still grieving his dead ex-wife who happens to look like you? 

You're currently homeless. Your take-home salary as an insurance adjuster can’t afford you a new apartment in New York, not with the rising inflation and the current state of this economy. This is your highway express ticket to the charmed life of being a billionaire ex-wife. 

Bye bye to 9 to 5’s and having to manually enter data into thousands of excel sheets everyday. Jeff Bezos' former wife, Mackenzie Bezos was awarded 25% of their Amazon shares valued at over 38 billion dollars. Stark is twice as rich as that.

You slide closer to Stark. "Maybe? Where are you gonna take me? Somewhere fancy?"

"Yeah, no! Absolutely not!" Miguel interjects. 

He steps forward to drag you behind him, until his mountainous body blocks you from the man. 

“We need the arc reactor.” Miguel announces brusquely, with no fanfare and even less by way of explanation. “If you won’t give it to us, I’ll just have to take it.”

“What do you need it for?” Stark asks curiously. 

“That’s none of your business,” is the blunt reply. 

Stark tilts up his head, gaze pinned to Miguel’s mask. “You know, I’m not really minded to give away proprietary technology to a man wearing a wrestling mask in broad daylight.” 

There’s a stalemate between the two men as they stare each other down (or up in Stark’s case). The showdown is silent, you can practically feel the tumbleweeds rolling by, waiting to see who’s going to draw first. 

“He can take his mask off,” you interject. 

At your offer, Miguel’s eyes narrow, nose turning up in the air in a put off gesture, refusing to do as he’s told. 

“Mig,” you warn, and despite the clear scowl etched onto the features of his mask, this time, he complies. 

The blue and red fabric recedes into nothingness, until the fierce cut of his bare jawline is revealed. Eyes glowing an angry crimson. 

The scowl on Miguel's face is so ferocious, you can see his fangs in clear view. But instead of scary. Instead of intimidating. He looks... almost cute. All you see in front of you is a teething puppy with no real bite. He's harmless.

Stark makes a low whistling sound at the dramatic reveal of Miguel’s face. “Didn’t expect the fifth member of One Direction under there.” 

Miguel glares at the man, even though you know fully well that he doesn’t understand the pop-culture reference that’s being made. 

“So let’s take this from the top,” Stark says, and he starts to pace the length of the room until he reaches the arc reactor and gives the display case a light smack like he’s tapping the rear of a mare. 

“You need my arc reactor, but you won’t tell me why, and you’re not offering me anything in return, except for El Tigre over here not trying to kill me, is that about right?”

“What’s your price?” Miguel asks, voice in that low growling tone that always precedes a threat. 

“I’m a multi-billionaire, cash doesn’t really interest me, and I can’t exactly have this fall into the wrong hands.”

“We’re not bad people, and we’re not going to use it for anything nefarious. I know this sounds absolutely nuts, but we need your arc reactor to save the world,” you say. 

Stark chuckles at you, the way an adult would at a naive child. “That’s not really much to go on hon, you’re gonna have to give me more than that.” 

“Wong, the Sorcerer Supreme, he can vouch for us.”  

Stark considers you for a moment then tilts his head to take an appraising look of Miguel, eyes dragging from the sole of his suit-clad heels and up to his neck where the suit ends. 

“The unstable molecule fabric you have for the suit is interesting. I’ve been meaning to give my suit an upgrade, and having it disappear into thin air would be convenient. Wouldn’t have to constantly lug around 2,000 pounds of metal everywhere I go with me. Hand me a sample of the tech along with full intellectual property rights and we’ll talk.”

“No.” Miguel says. 

He straightens up his posture and crosses his arms over his chest with a haughty expression on his face. “My suit is technologically superior to all the technology you’ve got in this building combined. It’s a bum deal. Your arc reactor has palladium in it and would be poisonous for long term use. It’s practically defunct and I only need it for a one time use.”

God, this man really doesn’t know how to endear himself to anyone does he. 

“He doesn’t mean that,” you step in. 

“Well if it’s practically defunct, I wouldn’t want to pawn this junk off on you,” Stark responds, throwing up his hands in feigned defeat. “Besides, it has sentimental value to me. Not sure I’m willing to just give this away to some random guy who broke into my house.”

Miguel’s lip twitches in irritation until you see another flash of those fangs like they’re itching to sink into Stark’s throat. 

That only seems to entertain Stark further. “Look, you clearly need this reactor for something big, and for some reason you’re not able to build it yourself even with your advanced tech on display here. You’re obviously in a hurry, and in a desperate situation. Desperate enough to break in, and you know the saying: beggar’s can’t be choosers. I wouldn’t be much of a businessman if I didn’t take advantage of that.”

Miguel narrows his eyes, glancing around at the electronic equipment stored in the corner of the room. “I need you to throw in the laser scalpel along with the 3d printer and genetic sequencer,” he says, cocking his head in its direction. 

“Wow, toots, your boyfriend has real expensive taste,” Stark teases. 

Your cheek warms at the term boyfriend, but you don’t correct him. 

Neither does Miguel. Instead Miguel looks him squarely in the eyes and juts up his chin. “I want the Sonic disruptor too.”

“Fine,” Stark announces, holding up his hand in the gesture of a time-out to stop Miguel from listing out more expensive items. “You drive a hard bargain, Blue, but what the hell. It’s a deal. I’ll even give you a newer palladium-free model of the reactor so I can keep old sparky here for myself.” 

The sun is setting against the skyline of the city, washing it in strokes of warm amber-orange hues. Miguel is still grumbling next to you as the two of you stroll along the Brooklyn bridge. 

“Supergenius, Ha! Si los zombies comen cerebros, él sería invisible para ellos. What do you see in that guy anyway?! He’s not even good looking. He’s like what? 5 feet tall? He was wearing built in heels, you know! Es más corto que las mangas de un chaleco–”

"Can you pipe down?” you say, cutting off his tirade, “Just let it go, please. It's been hours! I didn’t see anything in him. I have no desire to be the next notch on Tony Stark's bedpost.” 

That finally seems to end his rant, or at the very least slow it down. Miguel shuts his mouth, staring out over the river. “Then why did you tell him you were free?”

“Because I wanted the arc reactor! I figured letting the guy flirt with me might help. Catching flies with honey and all that.”

He folds his arms over his chest, with a skeptical furrow in his brows. “You wanted him to take you somewhere fancy; that’s what you said,” he points out. 

Damn him and his super-genius memory. 

“Well, maybe I also wanted to eat at a Michelin star restaurant one time in my life. Manila Social Club is supposed to have a golden donut made with champagne jelly and actual gold on their dessert menu. 

“That doesn’t even sound tasty,” Miguel mutters, shoving his hands into his pockets. His mouth settles into an unhappy frown. 

“It would have been if I didn’t have to pay for it!”

“I could’ve gotten it for you,” he says, and it’s not until you take a better look at his face that you realize it’s not so much as a frown he’s sporting. It’s a pout.  

Oh, is he… ? He is, isn’t he!

“You have nothing to be jealous of, you know. I’m not interested in Tony Stark,” you reassure him. 

In front of you, the rigidness in his shoulder seems to melt at your words.

That surprises you. You’d have expected him to deny the accusation that he’s jealous. Adamantly object that he wasn’t, and why would he be, you’re nobody to him. Just a random stranger that happens to look like his wife that he cannot leave well enough alone. 

He doesn’t do that though. Instead, his only response is a quiet, “Okay.” 

His docileness takes you by surprise. 

Is he admitting that he was jealous? 

You'd be lying to yourself if you said that you didn't take even a morsel of enjoyment in the comical way that Miguel is getting himself riled up over you. To have him flustered and openly jealous of Tony Stark flirting with you. 

As if Miguel had anything to worry about. 

As if Tony Stark, a man who has ‘philandering philanthropist’ as a description for himself on his twitter bio, isn't known to be so indiscriminately flirtatious he’d eagerly court a voluptuously shaped tree. 

As if that man of 5 foot 6 (with platform shoes) would ever hope to occupy every one of your thoughts the way Miguel does.

Immature and childish and inane as your behavior back at Stark Tower was—and you feel mildly ashamed of it now—you’d be lying if you said you didn’t enjoy it in the moment. Not because Tony Stark, multi-billionaire, GQ's Most Eligible Bachelor five years running, was flirting with you. 

No. Because for a moment you got to experience what it was like to have your rude protective Spiderman treat you as his girlfriend. Someone he was possessive of. Someone he treasures. Someone that is his. Instead of your current reality, where you know he belongs to someone else entirely.

“If anyone has anything to be jealous of, don’t you think it should be me?” you say, the words slipping out of your mouth before you can reign them back in. 

Miguel tilts his head, regarding you like a cute, confused pup, so you continue. 

"Because I could never compete with her, right?" 

"Her?" he asks, seeming genuinely puzzled.

"Your version of me," you say, "your Nena." You try to smile, try to keep it light-hearted, like the funny joke you had meant it to be, but it hurts even just to hear yourself say it. Because you know it's not a joke. 

It's true. You’re in love with a man whose affections aren't yours to win.

Miguel stops in his tracks, and that makes you stop as well. 

"It's not a competition," he says seriously. "You're two different people. You can't compare like that.” 

You feel like you’re being scolded and probably rightly so. You’re being childish and unreasonably trying to compare yourself to his dead wife. But that doesn’t mean that it makes it hurt any less to hear you don’t compare at all. Your heart fissures and cracks, and  the first sting of tears starts to well up behind your eyes. 

"You're important to me too," he continues. 

The words stop your heart, your eyes dart up to his face. The look on his face is gentle and soft, and it soothes the pain in your chest away, a gentle warmth rising to take its place. 

“Oh,” you say. You can’t help but smile up at him, squinting against the bright sun behind his back. 

“You’re important to me too,” you tell him.  

His lips quirk up into a small but genuine smile at your response. “Yeah?”

“Yeah.” 

You nod, and then you have to turn away, feeling bashful under his attentive gaze. Embarrassed heat prickles your cheeks, and you need a second to catch your breath and let the evening breeze cool you down. 

There are cyclists and pedestrians going past you as the two of you continue to walk in silence. You sneak a look at him to see that, like you, he’s turned away. He’s gazing out over the bridge as he walks and against the amber sun, you see a faint flush riding high on his cheeks. 

Your fingers lightly brush against the side of his hand, and he turns back to you and smiles, sliding his pinkie to hook around yours. 

You walk all the way home this way, heart feeling full, and you think to yourself that maybe, this time, things really are going to be okay after all. 

~ Next issue

Author's note: So for fellow marvelheads checking, wouldn't Tony be dead after Endgame when Wong was made Supreme Sorcerer? This is another version of earth -- Thanos and the snap never happened. My baby Tony isn't dead how dare you!

The Spanish in this chapter has been left untranslated on purpose, so that it’s left ambiguous whether reader speak/understand Spanish. The idea is that if you as a reader understand it, then so does the reader, and vice versa 🥰

Dedication & Credits: To @guruan for her incredibly kind help and donating her time to check the Spanish used in this chapter.

And to the kind @forwantofwill and her generosity for doing this beautiful fanart of Miguel Folding Origami that has stolen my heart!!

And finally to @thirstworldproblemss I love you and hope you're eating all the yummy sukiyaki that you deserve. Thank you for coming with me on this wild ride.

[toadlessgirl]

Okay, time to get pretentious and REALLY talk about this shot.

So put on your over-analysis goggles, and let’s talk about the Imperial Cog, Renaissance-era military forts, 18th century prison architecture, the military-industrial complex, the surveillance state, and why this single shot of Mon Mothma standing in a doorway in “Nobody’s Listening!” (the 9th episode of Andor season one) is making me so feral I want to kiss Luke Hull and his entire production design team right on the mouth.

For those of you not in the know - the shape on the screen behind Major Partagaz is the crest of the Galactic Empire - often called the Imperial Cog. It appears throughout Star Wars media on flags, tie fighter helmets, uniforms and as a glowing hologram outside ISB HQ.

In canon it was adapted from the crest of the Galactic Republic. 

irl it was created by original trilogy costume designer John Mollo. Mollo has stated that the symbol was inspired by the shape of historical fortifications.

Bastion forts (aka star forts) first appear during the Renaissance with the advent of the cannon. Their shape eliminated blind spots, allowing for a 360 degree field of fire.

An apt metaphor for the Empire. Powerful, imposing and leaving you with nowhere to hide.

The Imperial crest also strongly resembles a gear or cog - hence the common “Imperial Cog” nickname.

Given how inextricably linked military and industry are, it’s also an apt metaphor. Both alluding to the Empire’s massive industrial power, and how it treats all of its citizens with a startling lack of humanity, valuing them only for what they are able to produce for the Empire.

The idea of the cog is repeated in the shape of whatever it is that they’re producing in the prison. They’re literally cogs in the Imperial machine making more cogs for the machine... while inside a larger cog.

This shape, in relation to a prison, also references something else which was almost certainly intentional on the production team’s part.

In the 1791 British philosopher and social theorist Jeremy Bentham proposed a design for a prison he referred to as the “panopticon” - the name derived from the Greek word for “all seeing”.

The basic design for the panopticon was a large circular rotunda of cells with a single watchtower in the center. The plan would allow a single guard to theoretically observe every cell in the prison, but more importantly cause the prisoners to believe they are under surevillance at all times, while never being certain.

Later philosophers (notably Michel Foucault) used the panopticon as a metaphor for social control under totalitarian regimes or surveillance states. The perceived constant surveillance of a panopticon causes prisoners to self-police due to the belief they are always being watched, even if they don’t know for certain that is true. They live in constant fear even if nobody is actually watching them, even if “Nobody’s Listening!” 

The idea of the metaphorical panopticon has in more recent years been adapted to many other examples of social control: CCTV, social media and business management...

Like the concept of cubicles in an open floor plan office.

So that all being established - let’s finally talk about Mon Mothma’s apartment.

The cog shape is everywhere. There’s hardly a shot where at least one cog isn’t visible. Every room is connected by cog-shaped doorways.

The shape serves as a backdrop to most scenes, often centered and featured prominently.

(Side Note: The cog also appears as a repeated pattern on room dividers with the interesting added detail of intersecting lines that make them resemble spider webs.

The fact that Mon is often filmed directly through these web-like screens (particularly when conducting rebellion business) leads me to believe that this was a very intentional choice.

Even in the very heart of the Empire the nascent Rebellion is starting to build a web of networks and intelligence.)

I had originally presumed that the repeated appearance of the cog was just Luke Hull and his production team adding some brilliant visual storytelling to their already amazing sets. But the following line from episode ten leads me to believe they intended for these details to have an in-story explanation as well.

When speaking to Tay and Davo Skuldon about the apartment Mon states that “It’s state property. The rules are strict on decor. Our choices for change are limited.”

While it’s unclear whether the “state” in this instance is Mon’s home planet of Chandrila or the Empire itself - that second option makes the decor even more insidious.

If Mon’s apartment is Empire property that means the shape of the doors is intentional in-world, not just for the sake of visual storytelling. It means that this was a conscious decision by the Empire. A reminder to even the richest and most powerful of its citizens that they are always watching - whether you can see them or not.

Which brings us back to our original shot.

My favorite thing about this shot isn’t just that is shows how very alone Mon Mothma is. 

It isn’t just that she’s in the heart of the Empire, surrounded and dwarfed - just another cog in their machine.

It isn’t just that’s she trapped in her own metaphorical prison, worrying her self sick about who may be watching, not safe even in her own home.

What makes this shot truly extraordinary to me, is that right in the midst of the Empire you can see a new symbol forming.

Forming with Mon Mothma right at the center.

It’s a bit blocky, still constrained by the the harsh lines of the Empire, but giving how intentional every design decision on this show has been I find it pretty hard to believe it’s there by accident.

A symbol that will one day adorn the helmet of a boy from Tatooine.

One that will come to represent what all rebellions are built on...

[jbaileyfansite]

Interview with Backstage (2024)

Jonathan Bailey is still marinating in his thoughts, andthey taste pretty sweet. Top notes of red wine, he says. 

These are busy times for the witty British heartthrob. He’s speaking over Zoom from Malta, where he’s filming the next “Jurassic World” installment. And two days prior, he received his first Emmy nomination for his supporting turn on Showtime’s “Fellow Travelers.” 

What’s lingering in Bailey’s mind after reaching such a huge milestone? “The nature of the story, and how that story’s come to be told,” he says of Ron Nyswaner’s limited series, a decades-spanning gay drama that’s chock-full of steamy sex scenes. For him, the Emmy nod is “an acknowledgment of [the show] meaning something much bigger.” 

The 36-year-old actor radiates humility and surges with pride for his collaborators; “Fellow Travelers” also picked up nominations for lead actor Matt Bomer and for Nyswaner’s writing. Bailey believes the fact that executive producer Robbie Rogers was able to get the project on television at all is a “brilliant signifier” of changing times. He feels lucky to have been the right person for the job. And after a couple of decades in the industry, the actor’s star is about to go supernova. 

Childhood stage work and gigs on 2000s teen TV shows led to roles on acclaimed series like ITV’s “Broadchurch” and Channel 4’s “Crashing.” He nabbed an Olivier in 2019 for his performance in Marianne Elliott’s West End revival of “Company.” Households on the other side of the Atlantic learned his name in 2020 when he courted lockdown audiences as Anthony, the strident head of the titular family on Netflix’s period-romance smash “Bridgerton.” 

Then came the game-changing “Fellow Travelers.” Bailey plays the idealistic Tim Laughlin, a closeted congressional staffer who pursues a clandestine relationship with another man amid the witch hunts of McCarthy-era Washington. The actor is keeping up that momentum in the coming months with part one of Jon M. Chu’s highly anticipated film adaptation of the Broadway musical “Wicked” (out Nov. 22), followed by the fourth “Jurassic World” in 2025. 

“Fellow Travelers” is a fitting inflection point for Bailey, considering it reflects aspects of his own gay identity. Tim’s story also illuminates a thread connecting the actor’s work, both in and out of character: always embracing the truth, shame be damned. 

Born in Wallingford, England, Bailey made a beeline for the arts as a kid when he began studying music and ballet. After getting a taste of performing at a young age, he secured an agent when he was a teenager. Even now, he feels the sense of joy and wonder he discovered in those early days. 

He chose not to attend drama school, instead throwing himself into professional theater, where he encountered the performance process in its most essential form. “You start with your own instincts, and then you share with others in the room in real time,” Bailey says. “You academically approach text, then you emotionally explore it. Then, you physically put it on its feet.”

Theater taught him to be observant. In rehearsals, he witnessed actors being brilliant and bold, but also making crucial mistakes. Weeks of rehearsing helped him learn how to spend time with a character as he watched his castmates play against type and expand themselves through performance. Those lessons both tested and encouraged him, and they’ve carried him throughout his career. 

Since then, Bailey has gotten the chance to see plenty of giants at work. He reverently discusses performing Stephen Sondheim’s music alongside Patti LuPone in “Company” and reciting Shakespeare opposite Ian McKellen in the Chichester Festival Theatre’s 2017 production of “King Lear.” 

His contemporaries also made for great teachers. He worked with Phoebe Waller-Bridge on “Crashing” and Michaela Coel on “Chewing Gum”—two certified television geniuses whose creative successes Bailey likens to the magnesium flame of a meteor. It’s an apt comparison—Waller-Bridge called him “a meteorite of fun” in a 2022 interview with GQ. (“I think I’ve always been quite naughty,” he says playfully.)

“There’s so much you take on via natural osmosis,” Bailey explains. “It’s what you watch and how you interpret things.”

For example, he thinks that every actor should see Sandy Dennis’ Oscar-winning turn as Honey in Mike Nichols’ 1966 film “Who’s Afraid of Virginia Woolf?” Her performance whet his curiosity about the craft: “She is so fluid. I mean, that might be the most exposing answer I’ve given about what my inner world is like.”

Bailey’s technique is rooted in music. He plays piano and clarinet, and he approaches acting like an instrument, too. When reading a script for the first time, he experiences his character’s arc as the phrases in a song. “The way my brain works is that I see the images of what they’re doing,” he says. “When I say ‘phrasing,’ it’s like, how you get from that image to this image.”

When he was playing the bottled-up Anthony on “Bridgerton,” Bailey found inspiration in songs by Echo and the Bunnymen and Nirvana. While filming “Fellow Travelers” in Toronto, he went on long walks while listening to expansive pop music to help him explore Tim, a character whose energy radiates outward.

Considering Bailey’s process plays like a song, connoisseurs of his work might notice a motif. Sam from “Crashing,” a party boy Bailey calls “a wild, untamed animal in a tiny little cage,” aggressively maintains a facade of heterosexuality while pining for his male housemate Fred (Amit Shah). On Season 2 of “Bridgerton,” Anthony locked himself into a prison of duty and a loveless engagement to avoid acknowledging his desire for the fiery Kate Sharma (Simone Ashley).

Tim of “Fellow Travelers” is the latest in a series of sharply drawn characters confronting the tension between their assigned roles and their personal truths. Viewers first meet a straitlaced rule-follower whose Catholic piety is only matched by his loyalty to the infamous Senator Joseph McCarthy. All that changes when he crosses paths with Hawkins “Hawk” Fuller (Bomer), a crystal-eyed, debonair State Department official. Their respective closets combust on contact, and they enter into a forbidden love affair just as McCarthy’s Lavender Scare has begun purging queer people from the halls of government.

Bailey’s interior work tends to be more emotional than cerebral, but he’s a generous conversation partner who’s always game to riff on the deep stuff. Whether it’s yearning, going against expectations, or facing high stakes, the phrasing is what draws him in. 

He finds a lot of gorgeous notes to play across the eight episodes of “Fellow Travelers” as the action moves from the 1950s to the ’80s, making pit stops along the way. While Hawk settles for a life of straight domesticity, Tim hurtles through a sexual and political awakening: The Beltway boy becomes an activist priest who refuses to diminish himself, especially when the AIDS crisis begins to rip his community apart.

Bailey loved being inside Tim’s head; in fact, the actor thinks of him as a hero. After experiencing the isolation of his secret relationship with Hawk, he opens himself up to the world: He comes out, moves to San Francisco, cobbles together a found family, and builds a life as his true self. 

“Ron Nyswaner has spoiled Matt and me for the operatic detail that existed between [our characters],” Bailey says, “and also with Tim’s political fervor: the truth and the honesty that he demands of himself and the world around him, and the grappling with anything that is an obstacle to his own and other’s happiness.”

You can’t talk about “Fellow Travelers” without discussing its rapturous sex scenes—and not only for titillation’s sake, though the kinky encounters between Tim and Hawk certainly call for smelling salts. These sequences gave Bailey the opportunity to commit authentic queer intimacy to the screen, which members of the LGBTQ+ community rarely come across as they search for ways to understand their identities. 

The trust between Bailey and Bomer informed everything they did onscreen. Before filming those scenes, the two actors talked through their approach at a café (Goldstruck Coffee on Cumberland Street in Toronto—a ribald little detail that still makes Bailey laugh). The filming itself was incredibly technical, and the actors worked with an intimacy coordinator on set. “We sort of hit the ground running, knowing exactly what was going to be required but also how to communicate throughout it,” Bailey says. “It felt immediately quite safe.”

He sensed an exciting opportunity to tell a story about transformative love amid the “wild, oppressive moment” of the Lavender Scare, dismissing any reservations about the explicit nature of the material. “Honestly, this is exactly why this show is going to be brilliant,” he remembers thinking.

The series’ milestone dramatic moments, with buttons still done up and no skin showing, carried that same sense of significance. No matter how much Tim grew over the course of his arc, Bailey says that his bond with Hawk remained an “extraordinary, material thing.”

This summer, the actor made a very Tim move when he founded the Shameless Fund, a charity that supports LGBTQ+ causes under the tagline: “Raising cash. Erasing shame.” The initiative grew directly out of his acting work—first inspired by the platform afforded to him by “Bridgerton” and further influenced by his experience on “Fellow Travelers.” 

Playing Tim—or, as Bailey puts it, spending “five months doing a dissertation on queer oppression and liberation”—catalyzed his thoughts about the people who created a world where such a show could even exist. “I think in ‘Fellow Travelers,’ it’s so clear what Tim wants,” he says. “But as the world around him develops, you realize there’s so much that he can’t have, but that he can help change.”

Bailey sees that progress playing out in the next generation. He has a small role on the upcoming third season of Netflix’s queer YA hit “Heartstopper” as a dreamy academic who’s the celebrity crush of the series’ protagonist, Charlie (Joe Locke). Based on creator Alice Oseman’s graphic novel series, the show has found a passionate following of young LGBTQ+ fans. 

When he watched “Heartstopper” for the first time, Bailey remembers wondering what it would have been like to see such representation on television when he was growing up. “I was so celebratory of it,” he says. “But it was obviously kind of a melancholic watch for people above a certain age, because it allowed them to grieve what they didn’t have.”

Having conquered the Regency and Cold War periods on the small screen, Bailey’s blockbuster era is imminent. He’s playing dashing love interest Fiyero in the “Wicked” films (based on Gregory Maguire’s 1995 novel), singing and dancing alongside Cynthia Erivo and Ariana Grande. It’s a perfect fit for the actor’s particular lens: “Musically and theatrically, I understand it massively.”

Since “Wicked” came with its own well-known songs to study, Bailey spent a lot of time with composer-lyricist Stephen Schwartz’s music in his ears rather than Kurt Cobain’s. He explored Fiyero’s interiority through the musical theater form itself: What does the act of singing express for him?

And for a character whose signature number is called “Dancing Through Life,” what metaphorical direction are his steps leading him in? 

Bailey sees Fiyero as part of the same club as Tim, Anthony, and Sam, as the heightened world of Oz sends him on a journey of radical transformation. “I think about where he starts and where he ends up; he’s literally a changed person,” the actor says. “I savored the arc over two films.” 

Next year, Bailey will become an action star in Gareth Edwards’ next installment of “Jurassic World” opposite Scarlett Johansson. Though details have yet to be announced, including the movie’s title, production is well underway; Bailey just finished filming in Thailand before shooting moved to Malta. A few days before we spoke, he was interacting with a fake blue-screen dinosaur (which is only a spoiler if you thought Hollywood has actually been cloning big reptiles this whole time).

But Bailey is still keeping his theater muscles toned. Next year, he’s starring as the titular monarch in Nicholas Hytner’s production of Shakespeare’s “Richard II” at London’s Bridge Theatre. “I have to go and sharpen up,” he says of returning to the stage. “You feel so sharp and dexterous at the end of a theater run—but also, you know, without a soul. Carcass levels of absolute exhaustion.”

Bailey lights up at the prospect of getting back onstage and experiencing the kinetic energy between the actors, crew, and director. He believes that the emotional and intellectual rigor of theater leads to a tight, specific piece of work. It’s an art form that requires continuous creation night after night.

This stamina comes in handy in front of a camera, too. “When you’re exhausted, you have to rely on technique,” he explains. “Technique does get you over the finish line, and you can deliver a performance that is honest and tell the story effectively and truthfully.” 

Until then—and until he’s back on set with those fake dinosaurs—he’s going to soak up that Emmy-nomination afterglow for a little while longer. 

“I’m actually going to go and have another glass of wine to celebrate,” he says.

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