#indigenous cinema
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Bedevil, stylised as beDevil, is a 1993 Australian horror film directed by Tracey Moffatt, the first feature directed by an Aboriginal Australian woman.
The film is a trilogy of surreal ghost stories. Inspired by ghost stories she heard as a child from both her extended Aboriginal and Irish Australian families, Moffatt created a trilogy in which characters are haunted by the past. All three stories are set in Moffatt's highly stylised, hyper-real, hyper-imaginary Australian landscape.
BEDEVIL (1993) dir. TRACEY MOFFATT
#a favorite movie of mine that doesn't get talked about enough for my likings#my gifs#horroredit#bedevil 1993#tracey moffatt#ausfilm#ausfilmedit#indigenous cinema#aboriginal film#australian cinema#horrorfilmgifs#classichorrorblog#junkfooddaily#userbabysitter#fyeahmovies#dailyflicks#filmgifs#cinemapix#userbraindamage
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beDevil (1993) dir. Tracey Moffatt
#beDevil#horroredit#horrorgifsedit#horrorgifs#userhorroredits#classichorrorblog#societyclub#fyeahmovies#junkfooddaily#userbrittany#usergiles#tuserdana#usercy#userriot#userscary#useremory#indigenous cinema#women directors#worldcinemaedit#crumbedit
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AMISK
Alanis Obomsawin, 1977
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Where are you from? The government calls it Turning Point Reserve. We call it home.
STELLAR (2022) directed and written by Darlene Naponse
#stellar (2022)#filmedit#moviedit#motionpicturesource#indigenous cinema#aboriginal film#canadian cinema#darlene naponse#elle-máijá tailfeathers#braeden clarke#billy merasty#tina keeper#mine*#i went to watch this movie and was one of three ppl... the other two were one of the musicians featured in this film 😂
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Kukuli | 1961 | Luis Figueroa Yábar | Peru
"Kukuli, a young Quechua-speaking llama herder, leaves her grandparents in the countryside of Cusco to attend the Feast of Mamacha Carmen in the town of Paucartambo."
#quechua#cinematography#movies#native american#indigenous#indigenous cinema#world cinema#indigenous films#native american films#peruvian cinema#peru#kukuli#poetic cinema#luis figueroa yábar#peruvian#latin america
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I never have much luck with promoting on here, but it’s worth a shot.
Míyaxwe, my name is Gabz Norte and I’m a Cahuilla and Cupeño filmmaker and av archivist. I’m making a film combining my family’s Super 8 home movies from the 1970s with footage I will also be shooting on Super 8 film. This is a hybrid project for me, creating a film and also preserving and caring for my family’s films while creating an archive. Many of these films are records of reservation life and Indigenous familial experience and I strongly believe they need to be seen.
As you may imagine, this is a costly endeavor and I’m trying to raise money to make this goal happen. I talk a little more about the details in the video in the link.
Shares are greatly appreciated. Á•čama!
#filmmaking#home movies#super 8#super 8 film#amateur film#short film#archives#archival work#av archivist#archivist#filmmaker#experimental film#indigenous#indigenous cinema
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阿莉芙 | ALIFU, THE PRINCE/SS (2017) dir. Yu-Lin Wang Alifu, a 25 year-old trans woman, works as a hair-dresser in Taipei. Alifu struggles between her dream of getting a sex reafirming operation and her duty to return home and inherit the position of chief of the Paiwan tribe. Alifu's friend Sherry, another trans woman, is the owner of a drag queen bar. For years, she's been in love with the plumber, Wu; even though Sherry has been selflessly treating Wu with kindness, Wu only sees her as his buddy. Meanwhile, Chris, a government worker, lives a dull life. A one-time gig as a drag queen in the bar unexpectedly became his only way to relief stress. He has been performing there ever since. Chris is keeping this gig a secret from his girlfriend, Angie, who works as a piano instructor. (requested by @mynameiseosson, link in title)
#lgbt cinema#trans cinema#alifu the prince/ss#taiwanese cinema#indigenous cinema#lgbt#trans#transgender#taiwan#lgbt movie#trans movies#taiwanese movie#lgbt film#trans film#taiwanese film#lgbt media#trans media#queer cinema#asian cinema#east asian cinema#utjung tjakivalid#yu-lin wang#Yi-lan Chao#bamboo chu-sheng chen#2010s#2017#2010s movies#2010s films#2010s cinema
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25 Films We're Excited To Watch at the 76th Cannes Film Festival
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#3d#Anthony Chen#Anurag Kashyap#Benoît Magimel#Betrand Mandico#Cannes#Cannes 2023#Cannes Film Festival#Cate Blanchett#CJ Entertainment#Director&039;s Fortnight#Director&039;s Fortnight 2023#Indigenous Cinema#iran#Juliette Binoche#Kaouther Ben Hania#Kleber Mendonça Filho#Lisandro Alonso#Mongolia#Monia Chokri#Pakistan#Sean Price Williams#Semaine de la Critique#Semaine de la Critique 2023#Senegal#Trần Anh Hùng#Vietnam#Wang Bing#Warwick Thornton#Wei Shujun
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just started season 2 of reservation dogs and it already has me in tears! can’t get through not one episode without tearing up. my heart hurts.
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Nuestra voz de tierra, memoria y futuro | Our voice of earth, memory and future (1982) dir. Marta Rodríguez, Jorge Silva
#nuestra voz de tierra memoria y futuro#our voice of earth memory and future#dailyworldcinema#colombian cinema#indigenous cinema#cine colombiano#film stills#marta rodríguez#jorge silva#film#nico posts#1980s#1982
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Homelands (TJ Cuthand | 2010)
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STELLAR (2022) directed and written by Darlene Naponse
#stellar (2022)#filmedit#moviedit#motionpicturesource#akajustmerry#indigenous cinema#aboriginal film#canadian cinema#darlene naponse#elle-máijá tailfeathers#braeden clarke#mine*#hi merry! tagging you bc I thought you might relate to what her character is saying about not visiting her community...#i believe you made a similar post about your family#as for this scene... the fact that the movie implies that they were meant to meet... that's why they haven't gone home? CRAZY!
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Embrace of the Serpent (El Abrazo de la Serpiente) | Ciro Guerra | 2015 | Colombia
#embrace of the serpent#indigenous films#ticuna#el abrazo de la serpiente#tikuna#ciro guerra#black and white cinema#films#movies#indigenous cinema#cinema#ocaina#2015#2010's#colombia#amazon#colombian cinema
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#killers of the flower moon#lily gladstone#the osage#white savior narrative#indigenous cinema#indigenous people#shes so right about it being a double-edged sword with people who care enough to tell this story on film#and on the other not all of consideration of the native perspective before they talked to the osage and the native actors in the film
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