#indian comedy show

[xothemedia]

Never Have I Ever 2x9 | “…Stalked My Own Mother”

[missmamibee]

been having crazy fever dreams cause i’m sick

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Veteran Actor Atul Parchure Passes Away At 57 After Battling Cancer | People News

Renowned actor Atul Parchure, best known for his comedic roles on ‘The Kapil Sharma Show,’ sadly passed away on October 14 at the age of 57 after a courageous battle with cancer.  Parchure’s impressive talent and exceptional comedic timing have made a significant impact on the entertainment industry, and he will be fondly remembered for his contributions. Over his career, he showcased his…

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FIR writer Amit Aaryan SLAMS Kapil Sharma's program for filthy remarks and demeaning women, calling it the "worst show in the history of Indian comedy".

Popular comedian Kapil Sharma has received harsh criticism from acclaimed writer Amit Aaryan, well known for his work on the television show FIR. In a recent interview with Digital Commentary, Aaryan described The Kapil Sharma Show as "the worst show in the history of Indian comedy." He complained about the show's focus on filthy jokes, particularly those directed at women.

Criticism of Disrespectful Representation of Women In his statements, Aaryan singled out some characters on The Kapil Sharma Show as being derogatory to women. He notably questioned Krushna Abhishek's portrayal of "Sapna," the show's recurring character. "Women are supposed to be respected," Aaryan observed, noting that Sapna's character frequently uses improper, below-the-belt comedy. He also discussed the need for more respectful treatment of women in comedy, saying, "The jokes made at the expense of women's dignity are unacceptable."

Not Sharma, but the supporting characters drive the show. Aaryan further remarked that The Kapil Sharma Show's success is due to the supporting characters rather than Kapil Sharma himself. He pointed out: "If you watch The Kapil Sharma Show carefully, it's not him who is running the show, but the other characters." Aaryan even mentioned Sharma's Netflix special Kapil Sharma: I Am Not Done Yet, alleging that the show didn't receive much attention because fans are less interested in Sharma's individual performances.

A critique of current comedy trends beyond the Kapil Sharma Show.

Amit Aaryan has critiqued current comedy in general. He argues that modern audiences have been exposed to low-quality humor. "The problem is today's generation hasn't been exposed to good comedy, so they laugh when someone fat-shames and body-shames others," according to him.

The Kapil Sharma show continues on OTT. Despite the criticism, The Kapil Sharma Show has remained popular. After transitioning from television to an OTT platform, the show is now in its second season. It continues to attract high-profile celebrities like as Alia Bhatt, Ranbir Kapoor, Jr NTR, and Saif Ali Khan. However, Aaryan's comments have rekindled discussions over the quality of comedy and its influence on viewers. Meanwhile, Kapil has not responded to Aaryan's criticism as of now. Amit Aaryan has a successful writing career, having contributed to popular shows and films such as FIR, Lapataganj, ABCD, Do Knot Disturb, and Yeh Un Dinon Ki Baat Hai.

[maysshortmoviereviews]

Panchayat (2020 - )

Season 3: As the Panchayat elections approach, both Pradhan and Bhushan gangs engage in a fierce battle to uplift their public image. Navigating the murky waters of Phulera politics, Abhishek does his best to maintain his objectivity.

Another excellent season that is perfect for binge-watching. I love the humour and simplicity of this series, which looks very lighthearted on the surface but also covers some interesting topics about rural life in India. The writing and cast are brilliant. The only downside of this series is that it seems to take almost two years for them to make eight episodes! I truly hope they make season 4 as soon as possible. A must-watch if you like good humour, original writing, and top-notch acting.

[epadosi1]

Best Indian Events in Bay Area | ePadosi

The Bay Area is home to a vibrant Indian community, and one of the best ways to experience the rich culture and traditions of India is through the various events and festivals that take place throughout the year. Among these, ePadosi.com stands out as one of the top destinations for Indian events in the Bay Area. With a wide range of events ranging from traditional celebrations like Diwali and Holi to modern cultural events and musical performances, ePadosi offers something for everyone.

[hindishowscrolls]

"Udan Chu" "Gather 'round for heartwarming laughs! Our family comedy series is a delightful adventure for all ages. Join the fun and share the joy! 😄👨‍👩‍👧‍👦 #FamilyComedyMagic"

[travel-living]

Saadiya Ali: The Evolution of a Feminist Dad | Queens of Comedy | Stand up Comedy Videos | TLC India

#Standupcomedy is gradually becoming popular. There are very few #femalestandupcomedians who have made a name for themselves. #SaadiyaAli is one of those #ladycomedians. Watch her narrating the story of her father becoming a #feminist in a hilarious way while raising the serious issue of molestation that you will be rolling with laughter and feeling the pinch at the same time. Don't forget to tune into #QueensOfComedy On #TLCIndia at 10 pm on Saturday and Sunday. Subscribe to #TLCIndiaChannel to stay updated on the latest TLC TV shows and content related to #Comedy, travel, food and more - http://bit.ly/RISEbyTLC Do Not forget to LIKE, Share and Comment on our videos. Also follow us on: Facebook: https://www.facebook.com/TLCIndiaOffi... Twitter: https://twitter.com/TLCINOfficial Instagram: https://www.instagram.com/tlc_india/ #tlc #comedyvideos #standupcomedy #comedyshows #bestindianstandupcomedians

[hotvintagepoll]

Propaganda

Madhubala (Mughal-e-Azam, Barsaat Ki Raat, Mr. & Mrs. '55)—The Venus of India; heart-throb of all who saw her; responsible for the sexual awakening of every single desi lesbian I know (including me!) And my god, she is breathtakingly beautiful. Look at the subtle grace with which she moves, and that smile - the kind of radiant smile that can make you laugh with sheer delight, or cry because of its hidden pain. Those wild curls! That Cupid's bow! The way she tilts back her head and smiles at you with mischief dancing in her eyes! She has a way of looking at the camera that makes you feel she's sharing a private joke just with you; it's something about that quizzical twist of the lips and eyebrows. As an actress, she is inimitable; she seems to effortlessly inhabit roles ranging from a heart-broken courtesan to a laughter-loving socialite. Fun fact : she's had quite the fan following in Greece! Stelios Kazantidis even wrote a song as a tribute to her.

Ingrid Bergman (Gaslight, Casablanca, Notorious)—Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Madhubala:

An icon of Bollywood, who was well known for her beauty and has continued to inspire performances and songs into the 21st century. She was at times described as "the number one beauty of the Indian screen" and "the biggest star in the world".

SHE IS EVERYTHING AHHH. JUST LOOK AT HER SMILE-

She's been nicknamed the Marilyn Monroe of India and was one of the highest paid actresses in the Hindi film industry (the term Bollywood did not exist yet) during the 1950s. Also an extremely talented dancer and singer

SHE'S JUST SO STUNNING, like seeing her eyes IMMEDIATELY CAPTIVATES YOU, THE DANCING, THE BEAUTY!!!!!!!!! She worked in Bollywood for over 20 years and passed away at a sad early age of 36, BUT THE IMPACT SHE HAD WAS UNMATCHED!!!!!

That sassy sideways glance she does always has me WEAK AT THE KNEES. And when she's making silly faces at the camera to mimic someone ahhhh my gay little heart <3

Ingrid Bergman:

God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is.

I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.

I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.

Just try and watch her movies without sighing wistfully, then get back to me!

Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.

ion words so I'll stop at that.

One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.

SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy

She has a very natural beauty to her, and she's from Sweden!

She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!

She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!

Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget

With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each.

She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group

A lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.

[nightcolorz]

btw, I’ve noticed it’s a bit of a fandom joke to imply that Armand is unappealing, gross, weird, not good in bed, not sexually attractive , etc, especially in comparison to lestat when it comes to Louis’s potential partners, or in regards to whether lestat would actually sleep with him, and I think this joke is mostly harmless, but it sometimes icks me out a little bit. It’s a major negative stereotype towards Indian ppl in film that they r ugly or awkward in a way that makes them undesirable, and it’s a character trope for Indian men where there’s often that “weird nerdy Indian man who is creepy and desperate to get a partner but he’s so gross and odd he never will” stock character in comedies. And like, just a psa, I think ppl should be more conscious about how they talk about Armand with these stereotypes in mind. The truth is, regardless of how u personally think of him, within the context of the show Armand is considered by all the leads to be attractive and desirable and charming, and I think it can come off as a little racist when u try to attribute these unappealing characteristics to him that he doesn’t have. Try to reflect, if u make jokes like this, on why u might think it’s funny or applicable to Armand to joke about how he’s a creep who desperately wants a partner but no one wants to sleep with him, even when that’s not reflective of his dynamics

[burst-of-iridescent]

South Asian and Hindu Influences in ATLA (Part 2)

disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.

please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.

Part 1

In the previous post, I discussed some of the things ATLA got right in its depictions of desi and hindu cultures. unfortunately, they also got plenty of things wrong - often in ways that leaned towards racist caricatures - so let's break them down, starting with...

Guru Pathik

both the word "guru" and name "pathik" come from sanskrit. pathik means "traveler" or "he who knows the way" while guru is a term for a guide or mentor, similar to a teacher.

gurus were responsible for the very first education systems in ancient india, setting up institutions called gurukuls. students, referred to as disciples, would often spend years living with and learning from their gurus in these gurukuls, studying vedic and buddhist texts, philosophy, music and even martial arts.

however, their learning was not limited merely to academic study, as gurus were also responsible for guiding the spiritual evolution of their disciples. it was common for disciples to meditate, practice yoga, fast for days or weeks, and complete mundane household chores every day in order to instill them with self-discipline and help them achieve enlightenment and spiritual awareness. the relationship between a guru and his disciple was considered a sacred, holy bond, far exceeding that of a mere teacher and student.

aang's training with guru pathik mirrors some of these elements. similar to real gurus, pathik takes on the role of aang's spiritual mentor. he guides aang in unblocking his chakras and mastering the avatar state through meditation, fasting, and self-reflection - all of which are practices that would have likely been encouraged in disciples by their gurus.

pathik's design also takes inspiration from sadhus, holy men who renounced their worldly ties to follow a path of spiritual discipline. the guru's simple, nondescript clothing and hair are reflective of the ascetic lifestyle sadhus are expected to lead, giving up material belongings and desires in order to achieve spiritual enlightenment and, ultimately, liberation from the reincarnation cycle.

unfortunately, this is where the respectful references end because everything else about guru pathik was insensitive at best and stereotypical at worst.

it is extremely distasteful that the guru speaks with an overexaggerated indian accent, even though the iranian-indian actor who plays him has a naturally british accent. why not just hire an actual indian voice actor if the intention was to make pathik sound authentic? besides, i doubt authenticity was the sole intention, given that the purposeful distortion of indian accents was a common racist trope played for comedy in early 2000s children's media (see: phineas and ferb, diary of a wimpy kid, jessie... the list goes on).

furthermore, while pathik is presented a wise and respected figure within this episode, his next (and last) appearance in the show is entirely the opposite.

in the episode nightmares and daydreams, pathik appears in aang's nightmare with six hands, holding what appears to be a veena (a classical indian music instrument). this references the iconography of the hindu deity Saraswati, the goddess of wisdom and knowledge. the embodiment of divine enlightenment, learning, insight and truth, Saraswati is a member of the Tridevi (the female version of the Trimurti), one of the most respected and revered goddesses in the Hindu pantheon... and her likeness is used for a cheap laugh on a character who's already treated as a caricature.

that's bad enough on its own, but when you consider that guru pathik is the only explicitly south asian coded character in the entire show, it's downright insulting. for a show that took so many of its foundational concepts from south asia and hinduism and yet provided almost no desi representation in return, this is just rubbing salt in the wound.

Chakras

"chakra", meaning "circle" or "wheel of life" in sanskrit, refers to sources of energy found in the human body. chakra points are aligned along the spine, with energy flowing from the lowest to the highest point. the energy pooled at the lowest chakra is called kundalini, and the aim is to release this energy to the highest chakra in order to achieve spiritual enlightenment and consciousness.

the number of chakras varies in different religions, with buddhism referencing five chakras while hinduism has seven. atla draws from the latter influence, so let's take a look at the seven chakras:

Muladhara (the Root Chakra). located at the base of the spine, this chakra deals with our basest instincts and is linked to the element of earth.

Swadhisthana (the Sacral Chakra). located just below the navel, this chakra deals with emotional intensity and pleasure and is linked to the element of water.

Manipura (the Solar Plexus Chakra). located in the stomach, this chakra deals with willpower and self-acceptance and is linked to the element of fire.

Anahata (the Heart Chakra). located in the heart, this chakra deals with love, compassion and forgiveness and is linked to the element of air. in the show, this chakra is blocked by aang's grief over the loss of the air nomads, which is a nice elemental allusion.

Vishudda (the Throat Chakra). located at the base of the throat, this chakra deals with communication and honesty and is linked to the fifth classical element of space. the show calls this the Sound Chakra, though i'm unsure where they got that from.

Ajna (the Third Eye Chakra). located in the centre of the forehead, this chakra deals with spirituality and insight and is also linked to the element of space. the show calls it the Light Chakra, which is fairly close.

Sahasrara (the Crown Chakra). located at the very top of the head, this chakra deals with pure cosmic consciousness and is also linked to the element of space. it makes perfect sense that this would be the final chakra aang has to unblock in order to connect with the avatar spirit, since the crown chakra is meant to be the point of communion with one's deepest, truest self.

the show follows these associations and descriptions almost verbatim, and does a good job linking the individual chakras to their associated struggles in aang's arc.

Cosmic Energy

the idea of chakras is associated with the concept of shakti, which refers to the life-giving energy that flows throughout the universe and within every individual.

the idea of shakti is a fundamentally unifying one, stating that all living beings are connected to one another and the universe through the cosmic energy that flows through us all. this philosophy is referenced both in the swamp episode and in guru pathik telling aang that the greatest illusion in the world is that of separation - after all, how can there be any real separation when every life is sustained by the same force?

this is also why aang needing to let go of katara did not, as he mistakenly assumed, mean he had to stop loving her. rather, the point of shedding earthly attachment is to allow one to become more attuned to shakti, both within oneself and others. ironically, in letting go of katara and allowing himself to commune with the divine energy of the universe instead, aang would have been more connected to her - not less.

The Avatar State

according to hinduism, there are five classical elements known as pancha bhuta that form the foundations of all creation: air, water, earth, fire, and space/atmosphere.

obviously, atla borrows this concept in making a world entirely based on the four classical elements. but looking at how the avatar spirit is portrayed as a giant version of aang suspended in mid-air, far above the earth, it's possible that this could reference the fifth liminal element of space as well.

admittedly this might be a bit of a reach, but personally i find it a neat piece of worldbuilding that could further explain the power of the avatar. compared to anyone else who might be able to master only one element, mastering all five means having control of every building block of the world. this would allow the avatar to be far more attuned to the spiritual energy within the universe - and themselves - as a result, setting in motion the endless cycle of death and rebirth that would connect their soul even across lifetimes.

[afeelgoodblog]

I want to share a thing that brought me great joy today:

Today I had to do a "night show" where we were divided into groups. Each group got a prompt and were told to make a dance choreography and then dance it for the rest of the groups. My group got "Bollywood" as our prompt. The problem was, none of us knew how to dance, so we came up with a solution: the guys get the easiest routine possible (all they had to do was to move their hands to the rythm and shake their hips) while me and team leader were going to do a mock fight to the rythm. We chose an indian sounding song, and started to come up with moves to "fight" with. The idea behind them was that we both had a bunch of moves that we telegraph to each other to which we had prepared reactions to so we could improvise the order. I was prepared to have this be a comedy with the cheesy fight, overdramatic moves and dumb looking guys shaking their hips in the background. It turned out great. I played a pompous and arrogant master warrior that taunts his enemy after each hit and hides a blade in his robes, while team leader was playing the no nosense, focused on the fight, no room for distractions challenger. The audience said that while there was some comedy in the performance, the dramatic moves and the "serious" story evened it out. The whole thing was done with no word spoken. I loved it the whole way through and want to do it again.

lovely :)

thank you for sharing

[neuroticbookworm]

Engagement of QL Fandom in Indian Queer Media

I was tagged by @lurkingshan and invited to respond to an ask she received from @impala124 that noted the absence of India in the Asian queer media spaces and discussions, and questioned the reasons behind it. @starryalpacasstuff has also responded to it in a great post (check out the reblog additions for a treasure trove of Indian queer media recs), discussing, among many things, Korea’s culture export aiding their queer media ventures, access to Indian queer media, and the quality of Indian queer media. @twig-tea’s addition discussed the ease of access of Thai BLs via YouTube and how it prompted Korea and Japan to re-enter the genre.

My thoughts on Indian queer media are complicated and involve several detours to understand Indian media culture, its economic power, and how it navigates international viewership. For context, I am an Indian cinephile who grew up watching a wide variety of Indian media in terms of both language and genre. I naturally transitioned into watching Western content as globalization of the 2010s brought HBO and Comedy Central to Indian screens, and later sought out queer media, Asian media and Asian queer media on the internet.

Indian Media Industry - A Primer

I know there are a lot of countries right now that produce QL media, so I am gonna mainly consider Thailand, Japan, and Korea, the three countries most prolific with ql, for the purpose of this discussion. All of these countries, while regionally diverse, have managed to considerably homogenize in language and culture over the course of history and colonization. India, on the other hand, is still significantly and distinctly diverse in language, culture, religion, food, media styles, social norms, and on and on. India has 22 official languages and thousands of regional ones that are used in various capacities everyday. This diversity is then reflected in the media produced by India, with multiple powerhouse film industries dominating box offices simultaneously. Bollywood is the biggest one and obviously well known internationally, but Tamil, Telugu, Malayalam, Kannada, Punjabi, Bengali-language film industries are successful in their own right and consistently produce box office hits and self-sustain in the larger Indian media landscape. This makes domestic media highly regional in India. Even today, in the age of social media, it takes a box office success to the tune of hundreds of millions of rupees for a film to break out of its domestic audience and cross over into other Indian states.

This diversity has also led to the different industries developing media styles unique to them. I watched this video a while ago of a creator documenting his experience of dipping toes into Indian Cinema for the first time, and he ends up covering three movies from three different industries, because the pathos of each of them is so fundamentally different yet effective in their own ways. This diversity also applies to the television industry, both traditional cable TV soaps, and the modern shows made for streaming sites. And all of this, *waves hands*, presents a set of challenges like no other country faces for both Indian queer creators and Indian queer media audiences.

The Challenges for Creators

Since the Indian media industry is not a big monolith and is made up of multiple film industries, queer creators who are trying to get their foot in the door will face a unique uphill battle in whichever regional industry they’re trying to break into. And trying to research, learn, and understand each and every single one of them will take me and my non-existent research team years, so the simpler thing to do would be listing the factors that have worked for other countries to foster their media industries to produce QL content, and discuss if India could replicate them. The list goes like this:

Japan’s rich history in yaoi

Thailand’s use of BL as a soft power to promote tourism

Korea’s culture export via kpop and other media

While India does have religious mythology that discusses sex, gender and queerness, it is often subtext with a lot of intersectionality. Does Ardhanarishvara represent fluid gender, or a symbol of harmony, or both? The debates are endless. Japan’s yaoi roots are as deep as they are explicit. And this rich history could be why the Japanese domestic audience is open to queer media even when the country is still conservative.

Thailand’s rise as a major player in the QL industry is remarkable, but there is a case to be made that the country’s media industry was directly and indirectly boosted by the government’s interest in establishing revenue from tourism, and exporting culture to international audiences via food and media. While the revenue from tourism in India is substantial, the Indian economy is not built on it. And the Indian media industry is thriving and regularly makes bank with their already established content models, so the producers have a pretty low incentive to deviate and fund queer media.

I bet every coin I own that not a single one of us on this hellsite have successfully eluded the allure of Korean media in our lives. The Korean media industry is a well-calibrated machine that shall and will target every single human into funneling their time, attention and money into the Korean culture and economy. And I think queer creators looking to make queer content in Korea would’ve had good incubation in an industry that was looking to make as much content as possible. And once again, while Indian movies have significant international box office collections, that is not where the Indian media industry, and just India in general, makes its money. The priorities are just not the same. And to be perfectly honest, India is nowhere near the level of Korea at producing and exporting television shows to international audiences.

All of this is a long winded way of saying that the conditions required to foster a QL industry in India are not the same as what we have seen work so far from the other major players. And sadly no one has really figured out the winning formula yet.

These are just a few reasons, and I haven’t even discussed nepotism and how painful class mobility is in India, making it even harder for new queer creators to break into the industry. There’s a reason why movies with queer representation like Badhaai Do, Shubh Mangal Zyada Saavdhan, Ek Ladki Ko Dekha Toh Aisa Laga, and Kapoor & Sons all feature characters in the upper middle class or above. Hell, they’re even played by actors whose portfolio is already filled with daring and experimental roles, or by first- or second-gen nepo babies who would literally have nothing to lose from the potential backlash for playing a queer character. Poor, queer characters in Indian media have never been a part of a fluffy romance as far as I know. They are reserved for the gritty dramas where intersectionality of queerness, poverty, class and caste could be examined.

The Challenges for the Audience

And once again, all of this, *aggressively waves hands*, makes things harder for even the domestic audience to engage with Indian queer media, let alone international audiences. Kathaal - The Core, a 2023 Malayalam movie about a queer man in his fifties coming out of the closet and contesting in his village body elections, was a box office success in Kerala, and I can tell y’all with complete certainty that not many people outside of Kerala would’ve even heard of it. And this was not some small indie venture – in fact, the lead characters were played by Mammootty and Jyothika, who are both absolute legends in their own right in the South Indian film industry.

Super Deluxe was a 2019 Tamil-language black comedy film that tells four interwoven stories that run in parallel, and one of the stories is about a trans woman who, pre-transition, was married and had a son. She returns to her family as her post-transition self after years of disappearance, and the film engages in conversation around sex and gender, through the innocent questions of her young son. The movie is gorgeously made, and outrageously sharp and witty in its commentary on society’s views on sex, morality, religion and family. And once again, I don’t think it is well-known outside of the domestic and international award-circuit audiences it was promoted to (last I checked, it was available to domestic audiences on Netflix).

Sometimes, even the domestic audience might miss the queer representation in their regional media when it is indie enough to not get aggressively promoted. The Hindi-language anthology movie from Netflix, Ajeeb Daastaans (2021), featured a story where two women from different caste and social class meet at the workplace (the sapphic story, Geeli Pucchi, starts at 1:17:05, if anyone wants to check it out). It served biting commentary on the intersectionality of queerness, misogyny, caste and class. And once again, I’ve never found a person with whom I could discuss it with (other than my mom, with whom I watched it).

And sometimes, even when a massive show with queer representation is well promoted and well received by critics, it still manages to fly under the radar in Indian queer fandom spaces. Amazon Prime India spent a lot of coin on the show Made in Heaven (2019) – and it was worth it. The show follows the lives of two wedding planners, Tara and Karan. Karan is closeted (except to his close friends) for most of the show, but after he makes some powerful enemies in his line of work, he gets publicly outed, which puts him on the path of dealing with his family’s shades of acceptance, queer rights activism, and reconciling with an old friend. The car scene in episode 9 made me cry, and yet I’ve never read a word about this show from Indian QL fan blogs here on Tumblr.

Following every film and TV show that releases in one language, across all modes and platforms, and keeping an eye out for queer representation is hard enough. Doing it in multiple languages is downright impossible. And then personal preferences come into play. Personally, I enjoy nearly all genres of media, but I am primarily an angst monster, so I seek out and watch sad shit on the regular. All four examples I’ve listed in this section are good queer representations, but they are deeply sad, rage-inducing, heartbreaking and realistic. If one wanted to watch an Indian queer romance that’s inside the bubble, I’m not sure if they can even find one – I have certainly not come across any. Even the queer Bollywood movies designed for a box office run, paying homage to iconic Bollywood romance sequences, were still outside the bubble. When a niche audience like the QL fandom collides with a complex media-churning machine like the Indian media industry that is fundamentally not designed to cater to them, all we get is a lot of puzzled looks and question marks.

A Thought Experiment On The Future Of Indian QLs

Now that I have established the challenges, I want to engage in a little thought experiment – if we were to receive a steady stream of Indian QL content, what would it look like, and how can the fandom engage with it?

If we are looking for content from a stable production entity for Indian queer media, like Thailand’s GMMTV, Japan’s MBS Drama Shower, and Korea’s Strongberry, we would be waiting for a long time, at the very least a decade or two. What we could get are small indie queer shows like Romil and Jugal, squirreled away in a streaming platform exclusive to India and only accessible internationally via VPN. Another example is the list of sapphic shows @twig-tea shared with us a while ago, here. These are gonna be low budget, probably-not-great-quality shows reminiscent of early GMMTV.

Another variety of QL content we could get are the Bollywood queer romance films and TV shows. They will be cheesy and tropey and romantic, and might interact with the bubble, but probably mostly from the safety of an upper middle class setting. This means they would eventually run out of fresh perspectives they could tune into in their limited scope and the stories might turn stale and repetitive (I’m deriving this from the general state of things in the Indian media landscape over the last couple years). International access might be a little easier than the previous case, but not as easy as going to YouTube and hitting play.

The third and final variety are the gritty dramas with heavy social, cultural, religious, gender and class commentary that Indian cinema industry has always made, and has upgraded in the recent years to include queerness. Once again, the access will be hard, but if we are looking for queer stories that also show the audience what it is like being queer in India, beyond the glitz, the glam and the colors of pre-packaged Indian experience often sold to the West, this is where we will find it. Most of it will be sad, but we are a sad bunch who constantly make sad shit, so it will be on brand for us.

And all of these different varieties of content are gonna need to be picked up and promoted by the Indian folks in the QL fandom who are tuned into these regional industries. India not being a cultural monolith that is easy to package and ship is precisely why we have all these beautiful and crazy and sometimes even contradictory styles of media that are offered for us to explore. And therefore, the fandom engagement on Indian QL content would also vastly differ from the fandom engagement for Japan, Thailand and Korea. A dedicated fandom captain might not emerge, but rather, a collective group of folks tuning into and promoting finds from their regional industries would be the way to go. In addition, if this content is not available in English, we would need fan subbers to provide translation expertise to even make it accessible, something we see often for Japanese media on Tumblr.

I know from observation that watching media in a different regional language could sometimes be as foreign to Indian audiences as watching media from other countries. The language, traditions, mannerisms, social mores and food would all be different from region to region, but I guess it would be a good litmus test to observe how well the fandom acclimates to a culture that is so eye-wateringly diverse and not as constantly promoted to them.

When I was texting @waitmyturtles discussing how we can approach answering this question (remember when this all started with a question, some two thousand-ish words ago? Yes, that question), at a point in our conversation I exclaimed "Ugh, everything in India is too complicated!" This long-ass post of mine is in no way the complete account of why things are the way they are in the Indian queer media landscape. But all I know for sure is that it’s not simple. And I really do not want anything related to India to be simple, because being unbearably frustrating and complicated is not a bug, but a feature of India. The road to Indian QLs is unique, but I will do my best to check the paths and share and recommend them to my friends whenever possible. And I invite my fellow Indian QL fans to do the same.

[cheoliehansolie]

Green Mangoes

Summary: When Chan catches you eating green mangoes, he can't help but spiral.

Word Count: ~ 2.3k

Pairing: Lee Chan x fem reader

Warnings: mentions of pregnancy

an: This was something that I mainly wrote for myself because I found it funny in my head so if it's not funny or entertaining, that's why. As always, if you liked reading this, please reblog or leave a comment. If you have any suggestions or you just want to talk, send me an ask and we can be friends 💕

To read more, check out my masterlist.

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You had been up for a few hours enjoying the little alone time you get since you moved in with your boyfriend. You and Chan recently moved in together and while you love spending time with him, sometimes you miss living on your own which is why you find comfort in the silent mornings.

Chan got home pretty late last night from practice which is why he was in bed at 10:30 in the morning. It was a win-win situation, you got your morning alone and Chan got to make up for the sleep he missed out on.

You had spent your morning making breakfast and reading once you finished eating, and now you were sitting on your couch nursing a cup of tea and watching an Indian comedy show. Normally when you and Chan watch TV together, you steer clear of those types of shows since Chan won’t be able to understand them. 

But now with Chan sound asleep in your bedroom, you’re giggling quietly to yourself as you watch the different skits unfold on screen. To your surprise, less than five minutes later, you hear the door of your shared bedroom open and out walks your sleepy boyfriend, hair adorably messy.

“Good morning, babe.” you say from your seat on the couch.

“Morning.” he says tiredly as he makes his way to the couch to join you.

“I didn’t wake you, right?” you ask, concern lacing your voice as you card your fingers through his disheveled hair. 

Chan melts into your touch and responds, “No, I didn’t feel like staying in bed any longer. I also wanted to cuddle with you but you weren’t there any more.” he whines.

“Aww, well I’m here now so we can cuddle. Let me just get situated” you say.

You put your empty tea mug on the coffee table in front of you and lift the blanket on your lap gesturing for him to join you. Chan wastes no time getting comfy under the blanket and wrapping his arms around your waist.

“Do you want me to change the channel?” you ask, drawing attention to the comedy show playing on the TV.

“No, it’s fine. I’m not really paying attention to it anyways.” he says and you feel him drawing small shapes on your body.

“Suit yourself.” you say as you bring your attention back to the show.

A few minutes later, you’re still snuggled into Chan’s arms and you find yourself letting out a soft scandalized gasp at the conversation unfolding on screen.

“What happened?” Chan asks, instantly curious as he peers up at your face through his lashes.

“Basically, those two people on stage are husband and wife and they’re talking about an argument they had. See that guy standing to the side?” you ask, pointing to the screen.

“Yeah, what about him?”

“He said something along the lines of ‘stop giving her reasons to argue with you and instead give her a reason to eat green mangoes’ to the husband.”

“What does that mean?” Chan asks, enjoying listening to you explain things to him.

“Apparently women crave sour foods when they’re pregnant so the other guy is basically telling the husband to get his wife pregnant.”

Your boyfriend chuckles slightly and he doesn’t think much of the conversation as he continues snuggling into your side. But a few days later, he’s instantly reminded of that moment as he stands in the entryway of your shared living room.

Chan had spent the entire day in the studio working with Sonnyoung and the other Performance Team members to think of choreography for their upcoming comeback, but they had hit a wall. Soonyoung decided to let the guys go sooner than expected because everyone was getting frustrated.

Chan was excited that he’s able to leave earlier so he can spend more time with you. He didn’t tell you he was coming home sooner so he could surprise you but when he comes in, he sees you scrolling on your phone, mid snack.

Normally he would be happy that you were remembering to take breaks to rest and eat, but standing there in the door frame of your living room, he feels like he can’t breathe. There you are sitting peacefully on the couch with a small glass bowl next to you, phone in one hand, fork in the other. Skewered on the fork is none other than a piece of green mango.

As you bring the fork to your mouth, you realize that your boyfriend is silently standing a few feet away from you.

“Oh my god, babe! Why are you just standing there? You scared me!” you complain.

Shocked by your sudden outburst, Chan’s broken out of his spiraling thoughts and brought back to the present moment.

“Sorry, I was zoning out.” Chan feebly explains as he makes his way to the couch.

“Why’re you home so early? I thought practice wasn’t supposed to end until later?”

“It was supposed to end later, but we hit a wall and nothing was getting done so Hoshi hyung let us leave early.” 

“Ahh, I see. I still have a little work left to do, so I’m gonna go finish that. I should be done soon and we can spend time together after.”

“Okay, I’ll be here. Don’t overwork yourself, it’s not good for you.” Chan says with a small smile on his face as you get up and make your way to your desk.

Once you leave, Chan can’t help but wonder why you didn’t say anything about being pregnant. Were you not planning on telling him yet? He did come home earlier than anticipated today. Maybe you were eating the mango because you thought he wouldn’t be here to see you.

Chan spends the next two hours obsessively googling about how to support your partner through pregnancy. After reading a bunch of different articles, Chan decides that he won’t bring up the pregnancy unless you do. You have the right to tell him whenever you feel comfortable, and he figures that maybe you’re still trying to come to terms with it yourself and he doesn’t want to add more pressure to that. 

A few minutes later, you return to the living room ready to spend time with your boyfriend after a long day.

“Hey babe.” Chan says when he sees you. “Do you need anything?”

“No, I’m fine. I just finished work so now we can make dinner together.”

“You want to make dinner? Are you sure that’s a good idea?” Chan asks, immediately worried that you could be overworking yourself.

“Okay I know I’m not as good at cooking as Mingyu, but my food isn’t that bad!” you whine, softly hitting Chan’s shoulder.

“Babe, that’s not what I meant.” Chan whines. “I just thought you’ve been working a lot lately and you should take a break. I’ll make dinner for us tonight, you should rest.”

“Ooookay.” you say, feeling suspicious as to what Chan’s doing.

“What do you want for dinner? Are you craving anything?” Chan asks.

“Hmm, not really. Why don’t you surprise me?”

“Okay, one surprise coming right up!” Chan exclaims dramatically as he saunters off into the kitchen, enticing a few giggles from you.

You couldn’t help but feel a little weird that Chan was being a bit too nice, but you decide to overlook it and enjoy your time alone on the couch. A little less than an hour later, your boyfriend returns to the living room announcing that dinner is ready.

Before you can get up to go to the kitchen to grab your plate, Chan places a plate of hot food in front of you.

“You made my favorite!” you exclaim as you toss your phone to the side to take the plate from Chan’s hands.

“I tried my best, but I don’t know if it tastes as good as when you make it.” he says sheepishly as he rubs the back of his neck.

“Well, it smells great and even if it does taste bad – which I doubt it does – I’ll still eat it since you made it for me.” you say with a reassuring smile on your face.

Taking a bite of the food in front of you, you can’t help it when your eyes widen at the taste.

“What? Does it not taste good?” Chan asks.

“Babe, it tastes really good. I love it.” you say with a bright smile as you continue eating.

“I’m glad.” Chan says softly. He couldn’t help but feel proud of himself.

The rest of the meal is filled with the two of you laughing at each other’s jokes and talking about your respective days. Before you know it, the plates in front of you are empty.

When you’re about to get up to do the dishes and clean the kitchen, Chan stops you.

“What’re you doing?” Chan asks you.

“I’m going to wash the dishes and clean the kitchen?” you say, confused as to why he finds this strange.

Normally when one of you cooks, the other person cleans. Since Chan cooked for the both of you today, it seemed obvious to you that you would be on clean up duty today.

“Let me clean, you sit and rest.” Chan says as he tries to take the plate from your hand.

“Rest from what, Chan? I’ve been sitting on this couch for the past 2 hours doing nothing but resting. What’s gotten into you today?” you ask as you firmly hold the plate in your hand, refusing to let him take it from you.

“I just thought you could use the extra rest, given your condition and all.” Chan says.

“‘Given my condition’? What’s that supposed to mean? I’m totally fine.” you say, slightly agitated.

Chan mentally facepalms himself. He told himself that he wouldn’t bring up the pregnancy unless you did and now here he was, bringing up the pregnancy.

“You know what, never mind.” Chan says, trying to brush it off.

You weren’t gonna let him off that easily.

“What do you mean never mind? You just insinuated that there’s something wrong with me and I need to rest, but now when I ask you about it you won’t say anything? What’s up with that?” you ask him.

“Well, I just didn’t want to pressure you into talking about it if you weren’t ready. I didn’t know if you wanted to share it with me or not.” Chan says.

“Pressure me into talking about what? Chan, you’re going to have to explain yourself a little more clearly because I’m completely lost.” you say, becoming less angry and more confused.

“The pregnancy!” Chan exclaims. “I know that you’re pregnant but I didn’t want to bring it up in case you didn’t want to talk about it yet. A bunch of articles online said not to bring it up unless you brought up the topic yourself and I didn’t want to pressure you into telling me you’re pregnant.”

There’s a few beats of silence as you try to process the words that just came out of your boyfriend’s mouth.

“Pregnant? Babe, I’m not pregnant. Who told you I’m pregnant?”

“Wait, you’re not pregnant?” Chan asks. Now it was his turn to be confused.

“No, and if I was pregnant, you would be the first person I would tell. I wouldn’t keep that from you. But why’d you think I’m pregnant?”

“I don’t wanna tell you, you’re gonna laugh at me.” Chan whines, hiding his face in his hands.

“Babe, I promise I won’t laugh at you. Can you please, please, please tell me why you thought I was pregnant? If you don't, I'm just gonna assume that you think I’ve gained weight.”

“No, it’s not that. It’s just,” Chan pauses and takes a deep breath, “you were eating a green mango when I got home earlier and I remember you telling me a few days ago that women crave sour foods when they’re pregnant so I just kinda assumed. Ugh, it sounds so stupid when I say it out loud.”

You can’t help the laugh that bubbles out of your chest. You were trying so hard not to laugh at your boyfriend, but you couldn’t help it. You just found it so funny that he would jump to conclusions like that.

“Hey, you said you wouldn’t laugh at me.” Chan whines as he lifts his face from his hands.

“I’m sorry, I just can’t help it. It’s a little funny, you have to admit.” you say as you lean closer to give him a comforting hug.

“Okay, maybe it is a little funny.” Chan says as he lets out a small giggle.

“See! You can’t blame me!” you say as you burst into another fit of giggles.

Once the two of you have finally calmed down, you’re both reminded of the small mess in front of you and the bigger mess in the kitchen.

“So, since I know you’re not pregnant, do you wanna clean the kitchen for me?” Chan asks.

“What happened to ‘I’ll clean, you should rest on the couch’?” you ask, teasing him.

“Fine, I guess since I offered, I’ll follow through. I am a man of my word.” Chan says, determination heavy in his voice.

“I’m just kidding, of course I’ll clean up.” you say.

“Fine, but at least let me help.” Chan says.

“If you want to help, I’m not gonna stop you.” you say as the two of you make your way into the kitchen.

When you get to the entryway of the kitchen, you can’t help but just stand there with your eyes wide.

“Lee Jung Chan! Look at the mess you made! I can’t believe you! You dirtied every dish in this house!” you exclaim as you scold him.

Chan silently wishes that he didn’t take up the offer to help you clean. The entire time the two of you spent cleaning the kitchen was filled with you nagging him about the mess he made. But he knows he wouldn’t have it any other way.