#best indian stand up comedians

[deltin-royale]

Famous Casinos in Goa: A Guide to the Best Gambling Spots

Goa, India’s smallest state, is renowned for its stunning beaches, vibrant nightlife, and rich Portuguese heritage. Among its many attractions, the casinos in Goa stand out as some of the most popular entertainment options. These casinos offer an exciting blend of gaming, luxury, and entertainment, drawing visitors from all over the world. In this blog post, we will explore some of the most famous casinos in Goa, highlighting what makes each one unique.

1. Deltin Royale

Overview

Deltin Royale is arguably the most famous casino in Goa and is often referred to as the largest offshore casino in India. It is anchored on the Mandovi River and offers an unmatched luxury gaming experience.

Features

Gaming Options: With over 120 gaming tables and 850 gaming positions, Deltin Royale offers a wide variety of games, including Poker, Teen Patti, Baccarat, American Roulette, and Slot Machines.

VIP Gaming Suites: For those seeking exclusivity, Deltin Royale offers private gaming suites with personal butlers and dedicated gaming staff.

Entertainment: The casino hosts live performances, including international dancers, musicians, and stand-up comedians.

Dining: Multiple dining options, including a lavish buffet and an exclusive Whisky Lounge, ensure a gourmet experience.

2. Casino Pride

Overview

Casino Pride is another prominent name in Goa’s casino scene, known for its vibrant atmosphere and extensive gaming options. Located on the Mandovi River, it promises a thrilling experience for both novice and experienced gamblers.

Features

Gaming Options: Casino Pride offers a variety of games such as Indian Flush, Mini Flush, Roulette, Blackjack, and Poker.

Affordable Packages: Known for its value-for-money packages, Casino Pride offers affordable entry fees that include unlimited food and drinks.

Family-Friendly: Unlike many other casinos, Casino Pride is known for being family-friendly, with designated areas for children and non-gamblers.

Live Entertainment: The casino features live entertainment, including DJ performances, dance shows, and other acts.

3. Deltin Jaqk

Overview

Part of the Deltin group, Deltin Jaqk is another popular offshore casino in Goa, offering a balanced mix of gaming, dining, and entertainment. It is situated on the Mandovi River and provides a luxurious yet accessible gaming experience.

Features

Gaming Options: Deltin Jaqk has a variety of gaming tables, including Baccarat, Roulette, Andar Bahar, and Slot Machines.

VIP Rooms: For high-rollers, Deltin Jaqk offers VIP rooms with exclusive gaming tables and personalized service.

Buffet Dining: The casino is known for its extensive buffet, offering a wide range of cuisines to suit every palate.

Live Shows: Regular live performances and themed events add to the casino’s lively atmosphere.

4. Casino Carnival

Overview

Located at the Marriott Hotel in Panjim, Casino Carnival offers a unique onshore gaming experience. It is known for its sophisticated ambiance and diverse entertainment options.

Features

Gaming Options: Casino Carnival offers games such as American Roulette, Blackjack, Baccarat, and Slot Machines.

Family Entertainment: The casino provides family entertainment options, including arcade games and a dedicated children’s play area.

Live Music and Performances: Live music, magic shows, and cultural performances are regular features at Casino Carnival.

Dining and Bars: Multiple dining options and well-stocked bars ensure a complete entertainment experience.

5. Big Daddy Casino

Overview

Big Daddy Casino is one of the newest additions to Goa’s casino scene, quickly gaining a reputation for its luxurious setting and comprehensive gaming options. Docked on the Mandovi River, it promises an exhilarating gaming experience.

Features

Gaming Options: Big Daddy Casino offers a wide range of games, including Poker, Roulette, Baccarat, and Slot Machines.

Opulent Interiors: The casino is known for its opulent interiors, creating a grand and inviting atmosphere.

Exclusive Events: Big Daddy Casino frequently hosts exclusive events, parties, and tournaments, attracting a vibrant crowd.

Dining and Nightlife: With multiple restaurants and bars, the casino ensures a delightful culinary and nightlife experience.

Conclusion

Goa’s casinos offer more than just gambling; they provide a full-fledged entertainment experience with gaming, live performances, gourmet dining, and luxurious settings. Whether you are a seasoned gambler or a curious traveler looking to try your luck, the famous casinos in Goa, such as Deltin Royale, Casino Pride, Deltin Jaqk, Casino Carnival, and Big Daddy Casino, promise an unforgettable experience. So, the next time you visit Goa, make sure to explore these renowned casinos and indulge in the thrill and excitement they have to offer.

[blogerbro01]

Liven Up Your Next Event: Hire Comedians for Corporate Events in India  

Corporate events often aim to balance professionalism with enjoyment, seeking ways to foster team spirit, motivate employees, and create memorable experiences. One effective way to achieve this balance is by incorporating comedy into your events. Hiring comedians for corporate events in India can transform your gathering into a lively, engaging, and unforgettable experience. Let’s explore why you should consider hiring comedians for your next corporate event and how to ensure you choose the right talent for the occasion.

The Power of Laughter in Corporate Settings

Laughter is a universal language that breaks down barriers and brings people together. In corporate settings, comedy can play a significant role in enhancing the overall atmosphere and achieving various objectives:

Boosting Morale and Productivity: Laughter has a positive impact on employee morale, reducing stress and increasing overall job satisfaction. When employees feel happy and valued, their productivity and creativity tend to improve.

Enhancing Team Cohesion: Comedy fosters a sense of camaraderie among team members. Shared laughter helps build stronger relationships and encourages collaboration, resulting in a more cohesive and effective team.

Creating Memorable Experiences: A corporate event featuring a comedian is likely to be memorable. Such experiences leave a lasting impression on attendees, making your event stand out and reinforcing positive associations with your company.

Encouraging Open Communication: Comedy can break down hierarchical barriers and promote open communication within the organization. It creates a relaxed environment where employees feel comfortable expressing their ideas and opinions.

Why Hire Comedians for Corporate Events in India?

The Indian comedy scene has seen tremendous growth, with a plethora of talented comedians catering to diverse audiences. Here’s why hiring comedians for corporate events in India is a great idea:

Tailored Content: Professional comedians understand the nuances of corporate events and can tailor their content to suit the audience. They know how to keep the humor appropriate and relevant, ensuring it aligns with the company’s culture and values.

Relatable Humor: Indian comedians often incorporate local culture, workplace scenarios, and everyday challenges into their routines. This relatability resonates with the audience, making the experience more enjoyable and impactful.

Versatility: Comedians in India are versatile and can adapt their performances to different formats, whether it’s a large corporate gala, a team-building retreat, or a virtual event. Their flexibility ensures they can meet the specific needs of your event.

Engagement and Interaction: Comedians are skilled at engaging the audience and creating interactive experiences. They can involve the audience in their acts, fostering a sense of participation and enhancing the overall enjoyment.

Selecting the Right Comedian for Your Event

Choosing the right comedian for your corporate event is crucial to ensuring its success. Here are some tips to help you make the best choice:

Understand Your Audience: Consider the demographics and preferences of your audience. This will help you select a comedian whose style and content will resonate with them.

Check Their Experience: Look for comedians with experience performing at corporate events. They are more likely to understand the corporate environment and deliver a performance that aligns with professional standards.

Review Their Portfolio: Watch videos of their past performances and read reviews from previous clients. This will give you an idea of their comedic style and how well they have been received by other corporate audiences.

Discuss Customization: Speak with the comedian about your event’s objectives and any specific topics or themes you’d like them to cover. A good comedian will be willing to customize their act to suit your event’s needs.

Consider the Budget: While it’s important to stay within your budget, remember that hiring a high-quality comedian is an investment in the success of your event. Ensure you balance cost with the value they bring to the event.

Conclusion

Incorporating comedy into your corporate events can significantly enhance the experience, boosting morale, fostering team spirit, and creating lasting memories. By hiring comedians for corporate events in India, you bring the power of laughter to your workplace, enriching the event and leaving a positive impact on all attendees.

Explore the diverse range of comedians available and choose one that aligns with your event’s objectives and audience preferences. Whether you’re planning a large-scale gala or an intimate team-building session, the right comedian can make all the difference, ensuring your event is a resounding success. Visit comedians for corporate events in India to find the perfect talent for your next corporate gathering and watch as your event comes to life with humor, laughter, and joy.

[sotruecomedyapp]

Exploring the Vibrant World of Stand-Up Comedy in India

Exploring the Vibrant World of Stand-Up Comedy in India

What Makes Good Stand-Up Comedy?

Good stand-up comedy is a blend of sharp wit, relatable content, and impeccable timing. A comedian's ability to connect with the audience, share unique perspectives, and deliver punchlines effectively is what sets a great performance apart. Here are some key elements that contribute to good stand-up comedy:

Relatability: Comedians often draw from their personal experiences, cultural observations, and everyday life. The more relatable the content, the more it resonates with the audience.

Originality: Unique and fresh perspectives keep the audience engaged. Original content distinguishes a comedian from others and showcases their creativity.

Timing: Perfect comedic timing is crucial. Knowing when to pause, emphasize, or speed up can make a significant difference in how jokes are received.

Stage Presence: Confidence and a strong stage presence help comedians command attention and engage their audience effectively.

Audience Interaction: Good comedians can read their audience and adapt their performance accordingly, making the experience more interactive and enjoyable.

Best Stand-Up Comedy in India

India's stand-up comedy scene is diverse and vibrant, with many comedians offering unique styles and perspectives. Here are some of the best stand-up comedy acts in India:

Vir Das: Known for his sharp wit and global appeal, Vir Das has become a household name in the comedy circuit. His Netflix specials, including "Abroad Understanding" and "Losing It," have garnered international acclaim.

Kanan Gill: With his relatable humor and charming personality, Kanan Gill has won over audiences both online and offline. His show "Keep It Real" and YouTube series "Pretentious Movie Reviews" are fan favorites.

Zakir Khan: Zakir Khan's storytelling style and use of Hindi make his performances immensely relatable to Indian audiences. His specials, such as "Haq Se Single" and "Kaksha Gyarvi," are highly popular.

Aditi Mittal: One of India's prominent female comedians, Aditi Mittal tackles social issues with humor and wit. Her Netflix special "Things They Wouldn't Let Me Say" is a must-watch.

Atul Khatri: Known for his observational humor and corporate background, Atul Khatri brings a unique perspective to the stage. His performances are a blend of satire and personal anecdotes.

Famous Stand-Up Comedy Acts

Several famous stand-up comedy acts have made a significant impact on the Indian comedy scene, bringing laughter to millions. Here are some noteworthy acts:

"Biswa Mast Aadmi" by Biswa Kalyan Rath: Biswa's quirky humor and distinct delivery style make this special a standout. His observations on everyday life and society are both hilarious and insightful.

"Abhishek Upmanyu: Thoda Saaf Bol": Abhishek Upmanyu's witty observations and deadpan delivery have made him a favorite among comedy lovers. His take on relationships, family, and urban life is both relatable and entertaining.

"Kenny Sebastian: Don't Be That Guy": Kenny Sebastian's charm and clean humor appeal to a wide audience. His special "Don't Be That Guy" explores a range of topics, from childhood memories to modern-day dilemmas.

"Sumukhi Suresh: Don't Tell Amma": Sumukhi Suresh's candid and unapologetic humor shines in this special. Her take on gender issues, societal expectations, and personal experiences is both bold and funny.

"Anubhav Singh Bassi: Bas Kar Bassi": Anubhav Singh Bassi's storytelling prowess and relatable anecdotes make "Bas Kar Bassi" a must-watch. His tales of youth, friendships, and misadventures are sure to leave you in splits.

Conclusion

Stand-up comedy in India is a dynamic and evolving art form that continues to captivate audiences with its humor and originality. The blend of good stand-up comedy elements, diverse comedic styles, and the rise of talented comedians have contributed to the popularity of this genre. Whether you're a fan of observational humor, storytelling, or satire, India's stand-up comedy scene has something for everyone. So, the next time you're looking for a good laugh, check out some of the best stand-up comedy acts and famous stand-up comedians in India. You're guaranteed to find something that tickles your funny bone!

[sotrue99]

 Discover the Joy of Laughter: The Rise of Comedy Apps in India                       

In today’s fast-paced world, where stress and anxiety have become part of daily life, humor acts as a much-needed antidote. With the rise of digital platforms, accessing quality comedic content has never been easier. Enter the comedy app – a platform dedicated to bringing smiles and laughter to millions of users. In India, where humor transcends language and cultural barriers, the demand for such platforms has skyrocketed. Let's delve into the world of comedy apps and explore how they are revolutionizing the landscape of stand-up comedy, particularly highlighting the best stand-up comedy Indian performers.

 The Comedy App Revolution

A comedy app is designed to curate and deliver humorous content directly to your smartphone or tablet. These apps offer a wide variety of comedic genres, including stand-up routines, sketches, memes, and funny videos, catering to a broad spectrum of tastes. For Indian users, comedy apps have become a gateway to discover both emerging and established comedians.

One of the primary reasons for the popularity of comedy apps is their convenience. Users can watch their favorite comedians anytime, anywhere. The apps also offer features like personalized recommendations, offline viewing, and social sharing, enhancing the user experience.

 Best Stand-Up Comedy in India

The stand-up comedy scene in India has grown phenomenally over the last decade. With platforms like YouTube, Amazon Prime Video, and Netflix, Indian comedians have found new avenues to showcase their talent. However, comedy apps specifically dedicated to humor provide a more focused experience. Here are some of the best stand-up comedy Indian acts you can find on these platforms:

1. Vir Das: Known for his sharp wit and insightful commentary on societal issues, Vir Das is a household name. His performances are a blend of humor and thought-provoking content, making him a favorite on comedy apps.

2. Biswa Kalyan Rath: Biswa’s observational comedy and unique delivery style have earned him a massive following. His relatable content about everyday life in India strikes a chord with audiences across the country.

3. Kenny Sebastian: With his charming demeanor and versatile content ranging from music to hilarious anecdotes, Kenny Sebastian is another standout performer. His shows are a perfect mix of laughter and light-hearted fun.

4. Zakir Khan: Famous for his catchphrase "Sakht Launda," Zakir Khan’s rustic humor and storytelling prowess have made him immensely popular. His shows often reflect the trials and tribulations of the common man, presented in a humorous light.

5. Aditi Mittal: Breaking barriers in a male-dominated field, Aditi Mittal’s comedy addresses gender issues, societal norms, and more, with a humorous twist. She is one of India’s prominent female comedians, and her shows are a hit on comedy apps.

 The Benefits of Comedy Apps

Comedy apps offer several advantages that contribute to their growing popularity:

- Accessibility: Users can easily access a plethora of comedic content at their fingertips.

- Variety: From stand-up specials to short funny clips, there’s something for everyone.

- Engagement: Many apps feature interactive elements like live shows, Q&A sessions with comedians, and user-generated content.

 Conclusion

In a country as diverse and culturally rich as India, comedy apps have become an essential source of entertainment, bringing laughter and joy to millions. They not only offer a platform for established comedians to reach a wider audience but also provide a space for new talent to emerge. By offering the best stand-up comedy Indian acts and a vast array of funny videos, these apps are transforming the way we consume humor. So, the next time you need a break from the mundane, simply open your comedy app and dive into a world of endless laughter.

[fancallindia]

A Deep Dive into India’s YouTube Craze in 2023

Did you know in October 2023, India had the largest YouTube audience size with a size of 550 million users? According to YouTube, the content that has hooked the audience came from different parts of India and in various languages. Recently, Google has released its list of top YouTube videos for 2023. YouTube in India isn’t just a platform; it’s a vibrant community where people connect, share, and celebrate. From regional voices breaking national barriers to independent artists finding their audience, it’s a platform that democratizes creativity and empowers diverse voices. As a platform that connects niche YouTuber experts with its audience via personalized video call, we thought to highlight how 2023 went on YouTube.

Chandrayaan-3:

A Giant Leap on Views: Remember that childhood dream of touching the stars? Well, India’s space agency, ISRO, took us a giant leap closer with the Chandrayaan-3 mission. Its live telecast on YouTube topped the charts, garnering over 150 million views. This wasn’t just a scientific spectacle; it was a collective gasp of awe, a shared dream soaring on the wings of technology.

Here is the glimpse of top trending videos of 2023

Gaming Goes Nuclear:

Buckle up, virtual troopers! Gaming content in India went supernova in 2023, with views skyrocketing by a staggering 400%. The GTA 5 Trailer 1 pulverized records, clocking over 100 million views within 24 hours! This wasn’t just about pixels and polygons; it was a testament to the rising power of Indian gamers and the creativity of content creators crafting immersive worlds for millions to explore.

Get a quick glimpse of gaming world through YouTube lense

Music Maestroes Paint The Web:

Move over, Bollywood! Regional tunes like Bhojpuri and Punjabi set the dance floors on fire, with views for non-Hindi music soaring by a spicy 200%. From Pawan Singh’s chart-topping beats to Shilpi Raj’s soulful melodies, regional voices found their national stage, proving that India’s musical map is a vibrant mosaic of diverse flavors.

Laughter, The Best Masala:

But amidst the spacefaring and sonic adventures, what truly tickled India’s funny bone? Stand-up comedy, of course! Views for comedic content grew by a whopping 300%, with witty stand-up routines and hilarious sketches becoming the go-to stress busters. From Anubhav Singh Bassi’s insightful observations to Ashish Chanchlani’s parodies, these comedians had us rolling on the floor, proving that laughter is the universal language of YouTube.

Beyond The Big Hits:

But India’s YouTube story isn’t just about the big numbers and chart-toppers. It’s about the hidden gems, the niche communities, and the creators who are quietly shaping the digital landscape. Educational channels like “Physics Wallah” and “Unacademy” are making complex topics accessible and engaging, empowering millions to learn and grow. Cooking channels like “Hebbar’s Kitchen” and “Maa ka Dabba” are heroes of the budget-conscious kitchen, dishing out delicious yet affordable meals, one video at a time.

The Power Of Connection:

The gaming community was also a major driver of YouTube watch time in India in 2023. The GTA VI Trailer 1 set a new record for views in 24 hours for a non-music video, with over 100 million views. This is a testament to the growing popularity of gaming in India, and the increasing sophistication of gaming content creators.

Of course, music is always a popular category on YouTube, and India was no exception in 2023. The top music video on the list was “Pasoori” by Sri Lankan singer Yohani, which had over 1 billion views. This song was a huge hit across India, and its catchy tune and relatable lyrics resonated with people of all ages.

Conclusion

If you crave a personalized connection with YouTubers, fancall app might be your answer. Download the app, find YouTuber, check their availability, book a video call, and voila! You’ll soon be videocalling with your idol. Download fancall today and create lasting memories!

Article Source : https://www.fancall.in/a-deep-dive-into-indias-youtube-craze-in-2023/

[tellthemeerkatsitsfine]

Round-up of new stand-up I’ve seen/heard in the last week:

Hari Kondabolu – Waiting for 2042 (2013), New Material Night Volume 1 (2013), Mainstream American Comic (2016), New Material Night Volume 2 (2012-2018)

This completed my Hari Kondabolu collection, which I should have done ages ago. I really liked him from The Bugle, so a while ago I watched the things by him that I could find for free (his Problem with Apu documentary, his 2017 Netflix special, his 2023 special that he put on YouTube). He also had all this other stuff on Bandcamp, which is great and I absolutely believe in buying things on Bandcamp if they’re available there because it’s the best way for the biggest proportion of your money to go to the artist. However, I’ve had lots of stuff in my Bandcamp cart this year and I’ve been spreading out my purchases, and hadn’t gotten to Hari Kondabolu. I’d love to say I finally decided to pay for his stuff there, but actually, my mother found an iTunes gift card in her basement and gave it to me because I’m the only person she knows who still uses iTunes to organize my music. So I bought it there, which is less good for the artist than Bandcamp and it supports Apple and everything, but it also benefits him way more than it would if I streamed it on Spotify, so it’s not that bad.

Anyway. This was overall really good, and made me think it should have come higher on the list. The is a weird thing for me to have started noticing, but I think Hari Kondabolu is one of the comedians who’s closest to making the type of jokes I’d like to make, in my own illustrious comedy career (a career that so far consists of four six-minute open spots, three of which have gone relatively well and one that was a disaster, and I’m booked for my fifth spot this Monday, so obviously I’m ready to compare myself to Hari Kondabolu). That’s a thing I’ve started noticing, as I’ve started trying to write stuff myself at the same time as listening to this stuff.

Weirdly, I think the only other person who’s made me think “this is the approach to comedy that I’d like to take” as much as Hari Kondabolu does is Pierre Novellie, and those two comedians are quite different from each other, so I’m not quite sure what makes me think that about both of them. They have no similarities in topic or even style, but there might be something in common in the mechanics of the jokes, if you take them apart to see how they were made. I love how well they all fit together. It’s fortunate that Hari Kondabolu’s topics are about what it’s like to be an Indian-American man living in New York City, so even if I want to do what he does, I couldn’t steal his actual jokes, even subconsciously. Pierre Novellie, meanwhile, talks about what it’s like to be a pedant with what was once called Asperger’s Syndrome who used to be really into reading fantasy novels, so… I’ll just have to use willpower to avoid repeating those ones.

Anyway. The point is that I love the way Hari Kondabolu writes. He’s not writing Edinburgh-style themed comedy hours or anything, but he’s still got a lot of structure for an American, I think. I love that he released the two new material albums; they feel genuinely, to use to term that I feel slightly cliché for using, raw. There’s one bit where he makes a joke about his girlfriend and then gets upset when he realizes she’s in the audience because he’d thought she’d be somewhere else that night, which of course gets bigger laughs than his actual jokes, and I might assume that was staged, except that it did significantly derail the conclusion to which he’d been methodically building for some time. You’d think if he'd planned it, he’d have planned it better than that. So I’m pretty sure he really was just recording a night no matter how chaotic it turned.

The first new material album is all from one night in 2013. A bit of that material ended up on his 2016 album – little enough so it doesn’t feel like you’re paying for the same stuff twice by buying both, but enough so it’s interesting to hear how it developed within a few years. His second new material album is his favourite jokes of all the stuff he recorded at this comedy club in Seattle where he worked stuff out between 2012 and 2018. Obviously that one’s less coherent, as it wasn’t all part of the same night. But there was some quite good jokes in there.

I love how carefully planned a lot of his jokes seem. Also, when listening to them in chronological order, you can see how he gets more confident in it. He tries for more ambitious structure, lets himself go longer in between punchlines for the sake of a bigger payoff. On his episode of the Comedian’s Comedian podcast, which I think is one of the best I’ve heard, he talks about how he learned that you can do this from Stewart Lee, and got better at slowing down and planning out his sets after getting into Stewart Lee’s stuff. A statement that sounds trite if made in a British accent, as British comedians trying to imitate Stewart Lee are a dime a dozen. But Americans could maybe use a few more people trying to imitate Stewart Lee, and it works really well for Hari Kondabolu.

He does not actually sound like Stewart Lee in any way, I wouldn’t recognize the influence if I hadn’t heard him talk about it in an interview, but now that I have, I can see how he drew his jokes out more and more as the years went on. Also, the breadth of subjects of his references are almost Lee-esque, though Hari Kondabolu has a fair bit more pop culture in there alongside the more obscure stuff.

Anyway, I’ve gotten unnecessarily technical about this, so I think I should also mention that the shows made me laugh. Content-wise, it’s about what I’d expect from Hari Kondabolu. Mainly political stuff, about race in America and racism in America and gentrification in New York. The occasionally story about his life. A breadth of references from highbrow to lowbrow, humour often coming from the oddness of combining the two. Occasionally making the structure of a joke part of what’s funny, which I always enjoy.

More references than I’d have liked to Tumblr, not because I find them offensive or anything (they were all jokes about how he doesn’t want to get shamed on Tumblr for the way you could take something he’s said out of context and wildly misinterpret it to be politically incorrect, which is fair enough because Tumblr has absolutely been known to do that, though I’d say these days you’re less likely to see that sort of thing here than on Twitter or elsewhere), I just don’t like famous comedians knowing Tumblr exists. It’s okay though, because all his mentions of Tumblr are from pre-2015. Everyone knows Tumblr used to exist, they all just think it died in 2015, and I would like them all to continue to believe that. And by “them”, I mean all celebrities, and also everyone else besides the small number of fucking nerds who hang out here. Like I’ve said before, I don’t know how people do Twitter. Make posts about James Acaster or whatever while knowing James Acaster might actually see it (terrible example because he famously quit Twitter, but imagine I’d said anyone else instead).

Dan Rath – Cockroach Party (2022)

I listened to this one because this Taskmaster season has kicked my level of Sam Campbell fandom up a couple of notches, to the point where I’m willing to check someone out based on having read that they may be vaguely similar to Sam Campbell. I read that about this guy, also saw he was recommended by Daniel Kitson this year, and that was enough for me to find his special that’s on the ABC Comedy Podcasts thing (which people should check out if they’re interested in Australian comedy, there are a few good ones in there, my favourite by far being the Alice Fraser one).

I see where the comparison comes from. He’s a bit Campbell-esque in that he throws joke after joke at you in fairly quick succession, they seem unconnected and largely are but then there will be underlying connections and sometimes he’ll stay on a subject for a while, and despite this he’s not a one-liner comic. Not a long storyteller, not a Milton Jones-like one-liner guy, just a whole bunch of observations in a row, some grounded and some more surreal. Sam Campbell and Dan Rath both do that, though based on this one special, I’d say Dan Rath goes quite a bit darker. Seems less big on props and things, but bigger on jokes about death.

I’d also compare him to Sam Campbell in that it’s kind of a fun game to try to work out where he is at a given moment, in the space between reality and a character. A few times he went on a rant for a quite a while, and I assumed we’d left reality behind ages ago, but then he’d connect a few things and say something that sounded sincere and I’d think I could maybe see the little bit of his “real” personality on which he based this. It seems like keeping you guessing is part of the fun.

He had some really good jokes, and at times they change direction so fast that it’s hard to get complacent about expecting them, which means he can make me laugh on an impressive number of new instances in a fairly short time. I enjoyed it. I recommend it to anyone who likes… whatever that sort of thing is.

Greg Larsen – We All Have Bloody Thoughts (2023)

I went into this one thinking it would be similar to the above, as I had once seen someone mention that Greg Larsen is another Australian comedian who’s a bit like Sam Campbell and Dan Rath. And he made a couple of mentions in this show of how he has done stuff like that before, so maybe this one was a departure for him. Because it was different from what I expected – more storytelling-based stand-up, more of the conventional themed hour. But fortunately, I very much like a good storytelling-based themed stand-up hour, and this was a good one of those.

It was really well put together, I thought. A bunch of funny stories in a row, getting increasingly serious in their topic (but not in the way he told them) as they went along. I said recently that all the comedians are scrambling for a USP that hasn’t been used before, and I think he’s got one. I haven’t heard a hundred other comedians tell stories about their days as a goth metalhead teenager. I haven’t heard a hundred other comedians before tell stories about – I don’t want to spoil too much about a show that’s touring now, but he’s got a sexual orientation that you don’t hear about much.

And the topic that he picked to tie it all together was one I was surprised to realize I don’t think I’ve heard done much, as it’s such a common part of life. Maybe I have heard it done, but not from this perspective. I’ve heard comedians tell stories about how it sucks to work in customer service. Haven’t heard many tell those stories while pointing out something deeper behind them, how capitalism interacts with mental health and physical health and fucks everything up, how a shit low-paying job makes people quite justified if they want to engage in a bit of class warfare. He brought in all that stuff, adding layers to what could otherwise be really run-of-the-mill “working a service job sucks” stories, and the result is something with depth and everything, but it’s also really funny.

Then he builds on that, in ways I guess I won’t detail because I’m trying to have a vague policy of not getting to spoiler-y about still-touring shows, but it gets deeper and better as it goes along, it gets personal and also gets political and also ties the personal and political together, and I’ve said before that any show that does all three of those things and does them well will become a favourite of mine. I liked this one a lot.

Natalie Palamides – Nate: A One Man Show (2020)

Fucking hell. I went into this one with no expectations – I’d just heard she was a very good American comedian, so I thought I’d try it without looking her up. I… I should maybe have looked her up. It was very good, certainly. But I should maybe have gone in prepared for what I was going to get. I’d expected conventional stand-up, and then she rode in on a motorcycle in drag, so I thought, okay, it’s character comedy and there are props. That’s fine. I’ve gotten into Zoe Coombs Marr recently, I can enjoy a female comedian doing stand-up while dressed as a male caricature with a physical injury and a lot going on on stage.

It turned out to be quite a bit more intense than a Zoe Coombs Marr show. And quite a bit more theatrical. I looked it up afterward and learned that it’s won a bunch of awards for theatre and stuff, I think it’s a lot closer to physical theatre than to regular stand-up. Is this what people mean when they say “clowning”? I’m never sure what people mean, this might be some of it. It also got fairly x-rated, and pointing that out makes me feel about 100 years old, because obviously cool people who actually go see theatre like this are used to that and would barely notice. But I am not one of those people. I wasn’t offended by it or anything, I was just surprised and distracted by the novelty of it, because I am cultural philistine and/or 100-year-old who is not used to seeing people remove their clothing and wave around facsimiles of genitals on stage.

It also got intense in terms of tackling some stuff about the intricacies of sexual assault in a pretty full-on way, which I think was good as a bit of art, but did make me sort of wish I’d done enough research to read the trigger warning. That wouldn’t have made me avoid it, would just have made me expect it a bit.

Having said all of that, I think this was really good. The character was very funny, The acting was very funny. The themes were good. The points were made, probably, somewhere in all the waving around of things on stage. At one point she brought out a mat and wrestled on audience member, so that’s fun. The interactive elements looked like lots of fun. The costumes were good.

I definitely recommend this one to people who like whatever this is. Which I believe is feminist physical theatre/drag/interactive performance art. But also comedy. Comedy can be anything. Comedy can be melting ice cubes, or so I've heard. Comedy can definitely be wrestling an audience member while wearing fake chest hair and a moustache, if someone wants it to be.

[project1939]

(Douglas Edwards from CBS News and Eleanor Powell, tap-dancing musical star)

Day 31- TV and Radio: 

TV: 

All Star Revue, “Danny Thomas,” May 10th, 1952. 

CBS News with Douglas Edwards, May 15th, 1952. 

I Love Lucy, season 1, episode 31, “The Publicity Agent,” May 12th, 1952. 

Radio: 

Gene Autry’s Melody Ranch, “Indians Framed,” May 10th, 1952. 

Suspense, “Frankie and Johnny,” May 5th, 1952. 

All Star Revue was hosted by Danny Thomas; he’s someone I’ve definitely heard of, but I’ve also never really seen. He’s kind of a stand-up comedian who sings. The best part was when he announced that a legendary performer was making a surprise visit out of retirement to be on TV for the first time. It was Eleanor Powell! She was a big musical star for MGM in the 1930s and early 40s. Some of her dancing with Fred Astaire is sublime! It was fun to see her back, probably around 40, dancing like she’d never been gone!  

There was, however a very “interesting” skit later on when Danny Thomas imagined a world run by women. There were jokes about women being bad drivers and wearing ridiculous hats. The year was supposed to be 1973, and the U.S. had a women president and vice-president! The White House was now the Chartreuse House. Men stayed at home reading The Men’s Home Journal, and Danny Thomas sang a song called, “Behind Every Great Woman There’s a Man.” It was kind of funny and kind of sexist at the same time. More on the sexist side, though! There was a silly 50s joke, though. The lady president referred to Martha Washington as the Mother of our Country, and Danny Thomas quipped, “Yeah, she’s really George!” (“George” being slang for really good!) 

The CBS News segment was fascinating. There were stories about a controversy in an American prison in Korea during the war, the prospect of down-payments for mortgages being lowered (they were at 50%!), news about striking Steel Workers, a HI mayor asking the U.S. to make it the 49th state, and Primary results (Taft was winning in WV) and baseball scores. The most fun segment was about a guy who made campaign buttons, and he was working at a furious pace this year. There were great slogans like: “I Like Ike” “I Crave Aive” (That was a Democratic hopeful named Averell Harriman), “Estes is Bestes,” “Out to Hussle for Russell” (another Democrat), “Vote Right with Dwight,” and “Make the White House the Dwight House!” The announcer said the biggest problem was coming up for a rhyme with Adlai, for Adlai Stevenson! 

...and now a word from today’s best sponsor: Oldsmobile! Don’t you wish your car could make you feel like you and your spouse are singing while straddling a flying rocket? Do you want a holiday? No, not that kind! How about an Oldsmobile Holiday! A Holiday Coupe! (Pronounced Holiday Coo-pay so it rhymes!). It has a 160 hp rocket engine! Hydraulic Steering! And something called “the Autronic Eye!” It’s simply the most glamourous automobile in America! So start straddling the rocket with your honey today! 

[wikiuntamed]

On this day in Wikipedia: Wednesday, 16th August

Welcome, Willkommen, Bienvenida, नमस्ते 🤗 What does @Wikipedia say about 16th August through the years 🏛️📜🗓️?

16th August 2021 🗓️ : Death - Sean Lock Sean Lock, English comedian and actor (b. 1963) "Sean Lock (22 April 1963 – 16 August 2021) was an English comedian and actor. He began his comedy career as a stand-up comedian and in 2000 he won the British Comedy Award, in the category of Best Live Comic, and was nominated for the Perrier Comedy Award. He was a team captain on the Channel 4..."

Image licensed under CC BY-SA 3.0? by Ghiacand

16th August 2018 🗓️ : Death - Atal Bihari Vajpayee Atal Bihari Vajpayee, Indian prime minister (b. 1924) "Atal Bihari Vajpayee (Hindustani pronunciation: [əʈəl bɪɦaːɾiː ʋaːdʒpai]; 25 December 1924 – 16 August 2018) was an Indian politician and poet who served three terms as the 10th Prime Minister of India, first for a term of 13 days in 1996, then for a period of 13 months from 1998 to 1999, followed..."

Image licensed under CC BY-SA 4.0? by Government of India

16th August 2013 🗓️ : Event - MV St. Thomas Aquinas The ferry St. Thomas Aquinas collides with a cargo ship and sinks at Cebu, Philippines, killing 61 people with 59 others missing. "MV St. Thomas Aquinas was a Philippine-registered passenger ferry operated by 2GO Travel. On 16 August 2013, the vessel collided with a cargo ship named MV Sulpicio Express Siete of Philippine Span Asia Carrier Corporation (formerly Sulpicio Lines) causing it to sink. As of 3 September 2013, there..."

16th August 1973 🗓️ : Death - Selman Waksman Selman Waksman, Ukrainian-American biochemist and microbiologist, Nobel Prize laureate (b. 1888) "Selman Abraham Waksman (July 22, 1888 – August 16, 1973) was a Jewish Russian-born American inventor, Nobel Prize laureate, biochemist and microbiologist whose research into the decomposition of organisms that live in soil enabled the discovery of streptomycin and several other antibiotics. A..."

Image by New York World-Telegram and the Sun staff photographer: Higgins, Roger, photographer.

16th August 1923 🗓️ : Event - Ross Dependency The United Kingdom gives the name "Ross Dependency" to part of its claimed Antarctic territory and makes the Governor-General of the Dominion of New Zealand its administrator. "The Ross Dependency is a region of Antarctica defined by a sector originating at the South Pole, passing along longitudes 160° east to 150° west, and terminating at latitude 60° south. It is claimed by New Zealand, a claim accepted only by the other six countries with territorial claims in..."

Image by

Original:

Albert Hastings Markham

 

Vector:

Zscout370, Hugh Jass, s. File history

16th August 1821 🗓️ : Birth - Arthur Cayley Arthur Cayley, English mathematician and academic (d. 1895) "Arthur Cayley (; 16 August 1821 – 26 January 1895) was a prolific British mathematician who worked mostly on algebra. He helped found the modern British school of pure mathematics. As a child, Cayley enjoyed solving complex maths problems for amusement. He entered Trinity College, Cambridge, where..."

Image by Herbert Beraud (1845–1896)

16th August 🗓️ : Holiday - Christian feast day: August 16 (Eastern Orthodox liturgics) "August 15 - Eastern Orthodox liturgical calendar - August 17 All fixed commemorations below are observed on August 29 by Orthodox Churches on the Old Calendar.For August 16, Orthodox Churches on the Old Calendar commemorate the Saints listed on August 3...."

Image by njk92

[welidot]

Gursimran Khamba

This Biography is about one of the best Professional Comedian of the world Gursimran Khamba including his Height, weight, Age & Other Detail… Express info Real Name Gursimran Khamba Nickname Khamba Profession Comedian and Writer Age (as in 2023) 36 years old Physical Stats & More Info Height in centimeters- 180 cm in meters- 1.80 m in Feet Inches- 5’ 11” Weight in Kilograms- 77 kg in Pounds- 170 lbs Body Measurements - Chest: 40 Inches - Waist: 34 Inches - Biceps: 13 Inches Eye Colour Black Hair Colour Black Personal Life Of Gursimran Khamba Date of Birth Not Known Birth Place Delhi, India Zodiac sign/Sun sign Not Known Nationality Indian Hometown Mumbai, Maharashtra, India School Master of Arts in Media & Cultural Studies College Tata Institute of Social Sciences, Mumbai Delhi College of Arts & Commerce, Delhi Educational Qualifications Not Known Debut Debut TV : AIB Family N/A Religion Hindu Address Mumbai Hobbies Stand up comedy Controversies An FIR was logged against people related to AIB Knockout for hurting public sentiments. Favourite Things Of Gursimran Khamba Favourite Food N/A Favourite Color Black,White Girls, Affairs and More Of Gursimran Khamba Marital Status Unmarried Affairs/Girlfriends Not Known Wife N/A Children Daughter- N/A Son- N/A Money Factor Of Gursimran Khamba Salary N/A Net Worth N/A This Biography written by www.welidot.com Read the full article

[thailandeventguide]

From Mumbai to Bangkok, the King of 'Daddy Kool' - TV Comedian Superstar - 'ATUL KHATRI - performs comedy this Sunday, 9 April 2023, in Bangkok' at The Rembrandt Hotel & Suites! Can Indian CEOs be funny? Yes. Meet Khatri, aka Daddy Kool, a middle-aged ex-CEO turned - stand-up comedian superstar who makes people laugh harder than they ever have, having performed over 1500 shows worldwide, including the USA, UK, and Europe and Asia and, of course, India. Atul is the 2nd Indian comedian to have a comedy special, Atul Khatri NETFLIX, along with multiple AMAZON PRIME appearances and specials, and is revered as the “Best Stand-up Act in India” by India Nightlife Convention and Awards and others. Atul Khatri in Bangkok Must Laugh There are three ticketing zones with open seating in each zone. All the tickets include 20% off all restaurants at The Rembrandt Hotel, showing your online ticket sale. This will be a fantastic night of comedy as we welcome back our first Indian headliner in 2015, ATUL KHATRI, as Daddy Kool. With special guests! https://thailandeventguide.com/event-pro/atul-khatri-is-daddy-kool-in-bangkok/?feed_id=1837&_unique_id=642f1e4967ea8

[naveentejavath]

Rahul Kohli Popular Actor And Comedian Full Life History

Rahul Kohli Popular Actor And Comedian Full Life History

Rahul Kohli is a British actor, writer, and comedian, best known for his roles in popular television series such as “iZombie” and “Supergirl.” He was born on November 13, 1985, in London, England, to Indian parents. Kohli grew up in London and attended the Brunel University London, where he earned a degree in English Literature and Theatre Studies. After graduating, he began performing stand-up…

[thecavavoice]

The Biggest Moments, Wins, and Comebacks of the 2023 Oscars Ceremony

by Peyton C.

Image of Michelle Yeoh after her historic Oscar win on Sunday (Mike Coppola/Getty Images)

The Academy Awards ceremony is a pivotal moment in both cinema and popular culture. Not only does it showcase the hard work and dedication that goes into filmmaking, but it honors those who are considered the best at what they do. From awards ranging from Best Animated Feature Film to Best Picture, the Oscars honor all who achieve greatness in their work. This year’s ceremony was no different, with many talented people nominated for their devotion to the arts. The 2023 Oscars ceremony featured many iconic moments, historic wins, and massive comebacks. 

To start the ceremony, the Academy of Motion Pictures played a montage full of nominated films like “Everything Everywhere All At Once,” “Avatar: The Way of Water,” & “Black Panther: Wakanda Forever,” to name a few. After that, the host, comedian Jimmy Kimmel, entered the stage via parachute to parody the nominated movie “Top Gun: Maverick.” During Kimmel’s introduction monologue, he poked fun at some of the ceremony’s attendees. He joked about the vast number of Irish nominees by saying, “It was some year for diversity and inclusion. We have nominees from every corner of Dublin.” But he also referenced the incident between Will Smith and Chris Rock that occurred on-stage at last year’s show. He said, “We have strict policies in place. If anyone in this theater commits an act of violence at any point in the show, you will be awarded the Oscar for Best Actor and permitted to give a 19-minute-long speech.”

But besides Kimmel’s hilarious jokes, there were other iconic moments throughout the show, such as the incredible performances from singers nominated for the Best Original Song category. For her performance of “Hold My Hand” from “Top Gun: Maverick,” Lady Gaga changed out of her stunning black Versace dress into regular clothes and took off all of her makeup to create a vulnerable performance. Gaga spoke of what the song means to her, “It’s deeply personal for me, and I think that we all need each other. We need a lot of love to walk through this life. And we all need a hero sometimes.” Other performers included Rihanna for “Lift Me Up” (“Black Panther: Wakanda Forever”), David Byrne and Stephanie Hsu for “This Is A Life” (“Everything Everywhere All At Once”), Rahul Sipligunj and Kaala Bhairava for “Naatu Naatu” (“RRR”), and Sofia Carson and Diane Warren for “Applause” (“Tell It Like a Woman”).

This year’s awards ceremony was also full of historic wins for some nominees. Michelle Yeoh became the first Asian woman to win the Best Actress category for her role in the hit movie, “Everything Everywhere All At Once.” During her acceptance speech, Yeoh said, “For all the little boys and girls who look like me watching tonight, this is a beacon of hope and possibilities.” The film “RRR” also received a historic win for the first song in an Indian movie to earn the Best Original Song award for “Naatu Naatu” by M.M. Keeravani and Chandrabose. Marvel’s “Black Panther: Wakanda Forever” also earned a historic win for its costume department. Ruth E. Carter, the costume designer for the film, became the first Black woman to ever win two Oscars. Carter previously won for her amazing work in the first “Black Panther” movie back in 2018. Carter thanked the Academy in her speech by saying, “Thank you to the Academy for recognizing the superhero that is a Black woman.”

But many have called the 2023 Oscars a year for comebacks, especially for two beloved actors. Brendan Fraser and Ke Huy Quan have resurfaced in Hollywood after staying away from the mainstream media for years. Fraser recently starred in “The Whale,” which earned him a nomination for Best Actor. During the ceremony, Fraser won the award for his respective category and received a standing ovation from the audience. Meanwhile, Quan starred alongside Michelle Yeoh in the critically acclaimed movie, “Everything Everywhere All At Once.” Quan’s performance earned him the nomination for Best Supporting Actor. Quan also won the award in his respective category, giving an emotional acceptance speech on stage. Quan said, “My journey started on a boat. I spent a year in a refugee camp, and somehow, I ended up here on Hollywood’s biggest stage.” Later in the night, Quan was able to reconnect with his former “Indiana Jones” co-star Harrison Ford, in an emotional reunion as he presented the award for Best Picture to Quan’s movie. After both of their wins, many look forward to the continued appearance of Fraser and Quan in other big projects.

As one of the longest traditions in Hollywood, the Oscars are a time when the movie industry and its contributors can come together and celebrate cinema. Whether you win or not, the Oscars acknowledge those who are some of the most creative and talented people. They are also a time when we as an audience can laugh, cry, and rejoice for our favorite actors and creative visionaries. The Oscars are also a time diversity in cinema can be celebrated. Films like “Everything Everywhere All At Once,” “RRR,” and “Black Panther: Wakanda Forever,” are just some of the diverse and extraordinary films from 2022. After the 95th Oscars ceremony, many look forward to seeing what films will gain recognition and become a part of this prestigious institution next year.

[sotrue99]

Title: Exploring the World of Comedy: A Dive into Funny Videos and Stand-Up Comedy                          

Introduction:

In today's fast-paced world, where stress seems to be an unwelcome companion for many, the need for a good laugh has never been more apparent. With the rise of digital platforms and video sharing apps, comedy has found a new and accessible medium to spread joy and laughter across the globe. Among the plethora of content available, stand-up comedy has emerged as a favorite, offering a unique blend of humor, wit, and social commentary. In this blog, we'll delve into the realm of comedy, exploring the impact of funny videos and discovering some of the best stand-up comedians India has to offer.

1. The Rise of Video Sharing Apps:

   - Video sharing apps like YouTube, TikTok, and Instagram have revolutionized the way we consume entertainment.

   - These platforms provide a stage for budding comedians to showcase their talent and reach a global audience.

   - Short-form comedy sketches, hilarious anecdotes, and relatable memes dominate these platforms, providing instant doses of laughter to users worldwide.

2. The Allure of Funny Videos:

   - Funny videos have an innate ability to uplift moods and bring people together through shared laughter.

   - From slapstick humor to clever wordplay, the diversity of comedic content caters to a wide range of preferences.

   - Memes and viral videos often serve as a cultural commentary, reflecting societal trends and phenomena in a humorous light.

3. Exploring Stand-Up Comedy:

   - Stand-up comedy, with its live performances and raw authenticity, holds a special place in the hearts of comedy enthusiasts.

   - Indian stand-up comedians have gained significant recognition on both domestic and international platforms for their unique style and sharp wit.

   - Artists like Zakir Khan, Kenny Sebastian, and Biswa Kalyan Rath have garnered widespread acclaim for their hilarious yet insightful takes on life, relationships, and society.

4. Unveiling the Best Stand-Up Comedians in India:

   - Zakir Khan: Known for his relatable anecdotes and charming demeanor, Zakir's performances strike a chord with audiences of all ages.

   - Kenny Sebastian: With his endearing stage presence and observational humor, Kenny brings a fresh perspective to everyday situations.

   - Biswa Kalyan Rath: Renowned for his intellectual humor and razor-sharp wit, Biswa's comedic prowess leaves audiences in splits.

Conclusion:

In a world inundated with stress and negativity, comedy serves as a beacon of light, offering solace and laughter in equal measure. Video sharing apps have democratized the comedy scene, allowing aspiring comedians to showcase their talent and connect with audiences on a global scale. Stand-up comedy, in particular, continues to thrive, thanks to the remarkable talents of individuals like Zakir Khan, Kenny Sebastian, and Biswa Kalyan Rath, who redefine the boundaries of humor with their unparalleled wit and charisma. As we navigate the complexities of life, let us not forget the power of laughter to heal, unite, and uplift spirits in times of need. So, the next time you're feeling down, why not indulge in some funny videos or catch a stand-up comedy show? After all, laughter truly is the best medicine.

[bollywoodpetals-blog]

Vir Das Landing Review | Watch Netflix Official Site 

Indian standup comic Hero and musician Vir Das is set to showcase his new comedy special “Landing” to the world’s viewers. Netflix will premiere his comedy special on December 26, 2022. “Landing” is produced by Rotten Science and Executive Producers Reg Tigerman and Matthew Vaughan.

“Vir Das Landing” Story

Being a global citizen, and philosophies of home, Vir Das dives deep into his childhood in India, the perils of crime, and finding his feet in the world. Vir Das’s “Landing” is a one-hour-long special television program concerning liberty, stupidity, and comedy. It is a  story of travelling the world and carrying your country with you. The show is about freedom, foolishness, and the west, the east, and what it means to be a citizen of one nation in a global world.

Vir Das’s Work And Accolades

Indian comedian, musician, and actor Vir Das is a popular name in the comic cine world. He began his career in stand-up comedy, and later he acted in Bollywood movies like Namastey London, Love Aaj Kal, Delhi Belly, etc. He has also done Stand-up specials and comedy series for different OTT streaming platforms. He starred in the ABC spy drama-comedy Whiskey Cavalier playing the role of Jai Datta.

After a standup show at The Kennedy Center in Washington DC in 2021, in a seven-minute speech he narrated the duality of India which went viral internationally. His last comedy special For India got an International Emmy Nomination in 2021 for Best Comedy.

[sumukhcomedy]

Our Emotionless Indian Comedian

Hallmark movies are by no means the way to get an understanding on progress. However, I’ll admit it’s a guilty pleasure for me and putting on some of their mindless mystery shows is a comfort. In the episode of Hailey Dean Mysteries called “A Prescription for Murder,” there’s a character named Dr. Chang. He’s described as a robot. He’s a doctor totally focused on his own personal success at a sacrifice of his patient’s welfare. He shows no emotion to the situation. He’s a suspect until he’s not then frankly disappears from the entire movie. It’s quintessential Hallmark which will still rely on stereotypes of another era.

Dr. Chang is an exaggeration of Western perceptions of Asian cultures. Such a simplistic presentation does not look at the deeper aspects of the emotional restrictions culturally and the challenges to overcome in a Western world that is becoming more and more emotional. This is the challenge of the first-generation in America. This is the challenge I still deal with both culturally but also in personality naturally.

It should be no surprise that so many cultures follow an idea that feelings are left to be buried. Among Indians, this is no different. Of course, it is ridiculous to not believe that feelings exist as we are human and we have progressed to a growing discussion both within India and in the West on the topic. It doesn’t mean that our natural inclinations or our cultural upbringing simply disappear.

Unlike most within my generation (which sparks plenty of easy jokes on not having become a doctor), I had an inclination towards creative paths. However, as time has progressed, the notion of understanding creativity with personality have gone away. I recall doing a comedy show early on where we were “barking” at nearby venues (marketing the comedy show but really just bothering people who had no intention of going to a comedy show that evening). This was not why I became a stand-up comedian. Had I wanted to do this, I would have just gone into sales. I was fine as a performer onstage but quite shy with strangers off of it when I began doing comedy. However, it was the first indication that so much in life, including comedy, is more sales than it is the creative path you entered.

I of course progressed and honed those skills in the best way possible for me and that was comfortable and have managed two separate successful careers as a result. That’s not particularly the point here. The point here is my incapability and perhaps disgust in the need of our society to express every single emotion to the public when that is not in the fiber of my being.

I will provide an honest example. I express most emotions, but I don’t know how to be angry. I certainly have anger. But I don’t know how to express it. In fact, it feels inappropriate and wrong to express it. Frankly, the emotions I was raised on were so intermixed that it doesn’t even make sense. My father’s (and most Indian fathers) tone is just naturally loud. It doesn’t mean it’s anger necessarily, though sometimes it is and grew to be such a common tone within my household that it was almost laughable. There are a lot of cultures and nationalities that can likely relate.

If you combine this then with the notions of expectations culturally and in dealing with the American approach to perception, it is only natural that one can become stilted with their emotions. I was raised on basic dignity, equality, and treating others as you would wish to be treated. I was raised that my problems were not to be yours. So, for someone who is naturally introverted, it can be understood how easily emotions can become so internalized and also the more comfortable approach.

It is “better” that we all do express our emotions and that we share our feelings. However, it appears that we do so with little understanding to the other side, those that deal with their emotions privately and actually find society and social media’s flaunting of every single emotion off-putting if not entirely uncomfortable to one’s own psyche.

I have no choice but to accept the fact that when I made a decision to be a stand-up comedian or to pursue a creative path, I chose a lifestyle that would be public. I had become a public figure in Columbus when I was 21. For the past 17 years, I have been attempting to come to grips on how to navigate my own personality and emotions with a public sphere that has so dramatically changed and that is so counter to my own preferences.

In order to understand that all, I must go back to my own upbringing. I was naturally quiet to begin with. In general, it was not encouraged that we convey our feelings in a public setting (let alone really all that much even in a private setting). It was important to be hard-working, good to others, and not to push our own negativity onto others. In fact, it was better suited to cover up any negativity or possible ways that didn’t follow a high standard of success among the Asian Indian community. If anything, the pros and cons of this upbringing built me into the standards and work that I do today where ethics, honesty, and fairness are important attributes to me.

For whatever reason, this creative part of me molded itself into doing stand-up comedy. Given my personality, this was a surprise to most of my family and friends. But I loved stand-up comedy. In the same way that those attributes of my upbringing benefited me in the classroom, they did so on the stage. I was devoted to it and worked hard to improve myself both in my skills onstage and with the business components away from the stage.

My progress in stand-up comedy came at a fascinating time for entertainment, though. With MySpace and YouTube, the Internet and social media sites were becoming an outlet for experiencing comedy as well as being a marketing tool for live shows. This has only progressed on steroids over the past 17 years. With those steroids though, I’ve watched incredibly bizarre behavior progress, some of which is so counter to who I even am. So, I have modified to fit what is best for me (at the sacrifice, perhaps, of personal success) and yet at the same time I feel entirely disconnected from the reasons I became a comedian to begin with.

The most common way to experience live stand-up comedy now is not live at all. The art is still appreciated but more so via specials on streaming services or YouTube, Tiktok, and Instagram Reels. It is not to say that live performance is dead at all as many people are still enjoying live shows but the fact is it’s essential to have one’s stand-up comedy releasing consistently through the Internet to ensure people attend your live shows. The industry has flipped upside down. Gone are the days of Brian Regan honing his act and his fanbase from years on the road. Gone are the days of Jerry Seinfeld, Roseanne, or Ray Romano simply just being handed TV shows based off their stand-up comedy. Gone are the days even of recluses like Harper Lee or Thomas Pynchon possibly being notable writers. Success comes far more via a viral presence than it does via pure stand-up comedy or creative talent. Some may have an issue with that but I personally don’t. Things progress just as it did with Vaudeville to radio, radio to TV, and TV to streaming. Where I’m not comfortable with it is how it’s seemingly affecting daily life.

In the past year, I have seen comedians promoting live shows or themselves in whatever ways with near nudity, emotional pleas, crying, or literally just tossing a Venmo handle at the public for no meaningful reason. I’ve also watched this not be exclusive to comedians but also to people who simply are on social media casually and for no underlying business or livelihood purpose. These behaviors are so fundamentally against how I operate, my personality, and why I’m even a comedian. It makes me question if my friends and fellow comedians are doing this because this is who they are or because they’ve allowed an algorithm to dictate who they are. It’s also hard to not question my own personality and sanity if these are the prevalent behaviors we see on a daily basis.

This is not meant to be a political comment but more so an observation of our society. The day that the American voting public decided to elect Donald Trump as President was a day that we dictated for ourselves the future of our behavior. We allowed the standard to become that anything could be said, any emotion could be expressed, and the level to its accountability would never be clear. It was a clear indication that these kinds of behaviors would lead to earning the highest position in the world. So, how else can that not pulsate throughout every part of life? Creative people begin to share way more than they likely should via social media. So, too, does just your everyday suburban family. This all comes under the guise of personal expression or of marketing but then we have to ask ourselves a question: how much of who we are now are ourselves and how much is it the “brand” either an industry or social media is now thrusting on us to be? And, let’s be clear, a post-9/11 world only intensified that there is only so much emotion a man that looks like me can express without there being potential ramifications.

I do not write this for any sense of sympathy or empathy from readers. That is the major difference between my feelings and approach and how social media operates on a day-to-day basis. I see plenty of emotional posts with comments of encouragement from others. It feels more an addiction to your emotional problems than it does a resolution or improvement. I only write and share when I feel I’ve reached a comfort level to express it or that I’ve earned the ability to share it because I’ve reached a benchmark with it. I also write it because I imagine there are others who feel the same way, and in a world of loudmouths towards their emotions, there are few like us expressing things in this manner.

To the public (and perhaps even privately to those I’m closest to), I am lacking the same level of emotion as so many others. I simply don’t have that. I am working to understand that but also I can never be the level to the emotion that’s being expressed daily by what feels like the majority of my colleagues and society. I will admit that, having spent almost half of my adult life being a professional at it, it is difficult to be creative and a comedian in this current time when the efforts involved in being it via social media feel so absolutely absurd. Nevertheless, I will continue to do it in the way that I want to do it because I do love it and I stick to the standards and reasons behind why I chose to do it to begin with. That may not attain me fame, but you can likely tell from this entire essay, fame is not exactly something my personality would be yearning for. I also have to focus on ensuring my interpersonal relationships accept my personality and are understanding of who I am, something that proves to be far more difficult for the very reasons I indicated throughout this essay.

People will always use the New Year as a way to mark new personal beginnings. Resolutions are made related to diets, behavioral changes, and other ways to improve that will make the self-help market excited. For me, the New Year is not particularly different because it continues a challenge that has always existed in every year of my life: the challenge of navigating myself in a society my personality and upbringing has never felt fit to be a part of.