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Philosophy - Dmitry Kochanovich, 2019 (1st) Oil on canvas, 100x120cm

Ideal - Dmitry Kochanovich, 2019 (2nd) Oil on canvas

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Grand Etteilla Tarot Deck. circa 1900.

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having a cat is great. there's a small little animal wandering around. effervescent

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just started reading the haunting of hill house, eleanor is such a freak I love her

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The Moon Thief, Norman Lindsay, 1925

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Here comes fall!

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🚨|| Emereld Fennell has been ARRESTED by The Tumblr Incestina Association (TIA) for casting mediocre white actors Margot Robbie and Jacob Elordi as Cathy and Heathcliff, says execution date will be determined shortly

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lina gordievsky

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You always went home with the feeling of having experienced a sort of empty nightmare, of having spent a few hours as the guest of strangers with other guests who were strangers too, of having lived through a space of time without any consequences and without any cause, human or other. It was like having crossed a third frontier, having been on a train, having waited in doctors’ waiting rooms, hotels, airports.

Marguerite Duras, tr. Barbara Bray | The Lover

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🍂🍁Happy Autumn Equinox 🍁🍂

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Just as a flower does not choose its color, we are not responsible for what we have come to be.   

―  STOKER   (2013)       DIR. PARK CHAN-WOOK

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shot by @dronenotes

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The Woman in White (1871). Frederick Walker (British, 1840-1875). Gouache on paper. Poster. Tate.

This life-sized poster is one of the first examples of a fine artist undertaking an advertisement. It was made for Wilkie Collins’s ‘sensation’ play The Woman in White, which opened at the Olympic Theatre, London in October 1871. It combines a Pre-Raphaelite-style beauty with black and white graphic design. Sweeping lines pull the viewer’s eye to the woman’s mysterious and inviting expression.

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nervous breakthrough

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