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fireflies: aishwarya b and kritika varshney for amisha kothari, ph. imdad barbhuyan 🌸
#imdad barbhuyan#amisha kothari#aishwarya b#kritka varshney#spring collection#indian wear#fashion#style#🌟#upl#AAAH SO PRETTY
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“Young Native American”, 2021 by Norman Engel
#contemporary art#contemporary painting#Norman Engel#Texas artist#southwest art#western art#contemporary western art#native american#american indian#folk art#folk art painting#naive art#primitivism#outsider art#modern art#painting#acrylic on canvas#sold#private collection
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Written in the Stars
Star Tales: North American Indian Stories is retold and illustrated by Gretchen Will Mayo (b. 1936) and published in 1987 by Walker & Co. in New York. After getting a journalism degree and a teaching certificate, Mayo attended the Milwaukee Institute of Art and Design from 1982 to 1984 and earned her MFA from Vermont College. She is a member of the Society of Children’s Book Writers and Illustrators, and in 1987, she received several awards and honors, including the Original Children’s Book Art Award and Cooperative Children’s Book Center (CCBC) Choice for Star Tales. Mayo has lived and worked in the Milwaukee area for many years.
For this book, Mayo, known for her children’s books, retells Native American stories related to the stars. Her work beautifully bridges cultural heritage and imagination, making her a cherished voice in children’s literature. Her illustrations enhance the enchantment of these celestial narratives, allowing one to imagine constellations coming alive with myth and magic.
-View other posts from our Native American Literature Collection
-Melissa (Stockbridge-Munsee), Special Collections Graduate Intern
#star tales#North American Indian stories#Gretchen Will Mayo#Gretchen Mayo#walker & co.#childrens books#folklore#stars#oral traditions#storytelling#culturalheritage#Native American#constellations#Native American stories#Indigenous American stories#Native American Literature Collection#Indigenous American Literature Collection
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For #InternationalTigerDay + #MetalMonday:
Tiger-Headed Mace of Office
Deccan, India, late 18th century
Silver, gold, garnets, stone
L 77.3 cm, 2.7 kg
The Wallace Collection OA1760
“This beautifully-wrought silver-gilt tiger-headed mace, one of a pair, was intended not as a weapon but was employed purely for processional use, being carried by harbingers to herald the imminent approach of a prince, nobleman or important official. The tiger’s eyes are made of garnets and a green stone is mounted in the centre of the forehead. Although appearing to be of massive and deadly weight, such maces were usually hollow, made out of thin sheet-silver, embossed, chased, engraved and parcel-gilt. The hollow shell was filled with pitch, or a similar substance, to confer a degree of strength and rigidity. Similar examples bearing different animal’s heads (horses, bulls or elephants, for example) are also known.”
#animals in art#animal holiday#Indian art#South Asian art#Asian art#arms and armor#mace#tiger#metalwork#silver#gold#precious stones#Metal Monday#International Tiger Day#Wallace Collection#colonial art
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Snake collection post, all taken at Dierenpark De Oliemeulen in September 2024:
Corn snake (Pantherophis guttatus guttatus)
same as #1 (corn snake)
Beautiful pit viper / Brown-spotted pit viper (Trimeresurus venustus)
Indian python (Python molurus) (albino)
Egyptian cobra (Naja haje)
#animals#zoo#zoo photography#nature#dierenpark de oliemeulen#corn snake#beautiful pit viper#Indian python#Egyptian cobra#Pantherophis guttatus guttatus#Trimeresurus venustus#Python molurus#Naja haje#collection post#snake#snakes#please know I am going exclusively off of their signs so if any of these are misidentified. sorry.#also experimenting with alt text. have little experience with it so please let me know if I should change something about it#with my normal format I have no idea where to start but I figured with these I could try describing these specific species
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Daniel on what his 3 ins currently are, the sexiest coolest driver in F1 and his favourite Mario Kart character
#why is the guy who usually do Indian aunties skit interviewing Daniel????#I don’t know how anything about PR or communications or influencer culture actually work#but why choose a content creator that obviously know nothing about f1 or whose usual audience also doesn’t really care about f1????#anyway WHAT IS HE COLLECTING?????? I NEED TO WHAT HE IS COLLECTING#AND WHY HE WOULD EVEN MENTION THAT IF HE DIDNT WANT TO SAY WHAT!!!!#also good to know Daniel’s no homo extends beyond Max when he has previously declared josh Allen ‘beautiful’#daniel ricciardo#aus gp 2024
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Mississippi Masala (1991)
Two of the Hottest People You’ve Ever Seen fall in love — despite the protestations of their families and the cultural differences that divide them —against the backdrop of the dreary Deep South in Mira Nari’s sexy, undeniable romantic dramedy.
Director: Mira Nair
Cinematographer: Edward Lachman
Production Designer: Mitch Epstein
Costume Designers: Ellen Lutter and Susan Lyall
Starring: Sarita Choudhury, Denzel Washington, Roshan Seth, Sharmila Tagore, Charles S. Dutton, Joe Seneca, Ranjit Chowdhry, Mohan Gokhale, Natalie Oliver-Atherton, Sahira Nair, and Konga Mbadu.
#mississippi masala#1991#mira nair#sarita choudhury#denzel washington#sharmila tagore#natalie oliver atherton#romantic comedy#costume design#feminist film#female directed films#90s movies#independent film#mississippi#cult classic#criterion collection#indian american#black history month#steamy#female directors#woman director#directed by women#1990s#90s fashion#production design#cult film#90s cinema#feminist cinema#romantic movies#90s aesthetic
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Spider-Man India, but... where from India?
A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.
I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.
If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.
So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.
The outcome was not what I expected. As you can see, out of 83 votes:
THE RESULTS
South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?
Then I thought about the layout of the poll: Title, Options, Context.
Title: "Tell us who you want to see…"
Options: North, Northeast, Central, East, West, South
Context: I want to make art of the boy again
At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.
Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.
But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:
Where did Spider-Man India come from?
FROM A CULTURALLY DIVERSE INDIA
As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.
But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.
We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!
I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.
So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.
BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?
Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.
It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.
Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.
This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.
So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.
BUT THAT'S THE THING — HE'S FICTIONAL
I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.
I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.
I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it.
You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.
It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.
AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA
He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!
“But his surname originates from ______” okay but does that matter?
“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?
“But his skin colour is darker so he must be ______” okay but does that matter?
“But he lives in Mumbai so he must be ______” okay but does that matter?
I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.
Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:
Are you trying to convince me on who Pavitr Prabhakar should be?
... but why shouldn't i?
I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.
It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.
SPIDER-MAN (INDIA) IS JUST A MASK
“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”
Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?
Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.
But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.
There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).
And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.
Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.
What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.
Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:
It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?
Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!
I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.
It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.
It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!
Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!
And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer.
So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.
We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.
THE POLL: REINTERPRETED
This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.
Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this.
So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”
(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)
*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting
#long post + more tags that kinda spiral away BUT expand on the points above AND kinda puts everything together concisely#BROS THIS IS AN HONEST TO GOD ESSAY#THAT HAS BEEN COOKING IN MY HEART FOR A WHILE NOW. SIMMERING FOR MONTHS BEFORE FINALLY BOILING OVER IN THE LAST WEEK#genuinely hope you read MOST of it because yes it has Quite A Lot Of Exposition but it all matters nonetheless#put in a lot of thought into this so i expect you to do your part and challenge your thoughts as well#you see how i'm not asking for you to listen to me. but to actually Think. i want you to cook your thoughts and add some spice and flavour#and give it a good mix so you can come out of this a little more wiser than before#because!!! yeah!!!! spider man india is just that!! he's indian!!!!! we don't need to collectively agree on where he comes from#bc it gets rid of that relatability factor of spider man. at the most basic level#think of it as a schrodinger's. he is every single culture and none of them at the same time. therefore none of us are wrong!! sick!!!!#pavitr's first priority is making sure HIS PEOPLE are safe. that's probably as far as we can go that relates him back to peter parker spide#he loves his people and working in the name of justice to FIGHT for HIS PEOPLE is just the duty/responsibility he takes up#it makes sense that he loves everyone and every culture he engages with bc that's the nature of spider man i suppose#if peter parker spidey acts as the guardian for the regular folk.. then in my mind pavitr spidey stands as the bridge uniting the people#because society as its core is very fragmented. and having pavitr act as a connection to other folks.... mmmmm beautiful#that's what i'm talking abouttttt !!!#anyways guys this is literally 3001 words on my document EXCLUDING THE TITLE. THAT'S 7 PAGES AT 11pt FONT. i'm literally cryingggg wtf#pavitr prabhakar#spider man#spider man india#desi#desiblr#atsv#across the spiderverse#atsv pavitr#indian culture#india#desi tumblr#what the fuck do i tag this as#agnirambles
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“I meant your collective conscience. You know, the status quo.”
#“I meant your collective conscience. You know#the status quo.”#voting is useless#voting is a scam#voting is not harm reduction#voting is pointless#collective consciousness#collective unconscious#collective punishment#status quo#ausgov#politas#auspol#tasgov#taspol#australia#fuck neoliberals#neoliberal capitalism#anthony albanese#albanese government#usa news#usa is a terrorist state#usa politics#usa#amerika#colonial america#american indian#american#america#united states of whatever
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Myths and Legend series. (Gresham. 1912-1924)
EGYPTIAN MYTH AND LEGEND by Donald A. Mackenzie
TEUTONIC MYTH AND LEGEND by Donald A. Mackenzie
CELTIC MYTH AND LEGEND: POETRY & ROMANCE by Charles Squire
INDIAN MYTH AND LEGEND by Donald A. Mackenzie
CLASSIC MYTH AND LEGEND by A.R. Hope Moncrieff
ROMANCE AND LEGEND OF CHIVALRY by A.R. Hope Moncrief
#beautiful books#book blog#books books books#book cover#books#vintage books#illustrated book#edwardian books#children’s book#book design#mythology and folklore#classical mythology#celtic mythology#egyptian mythology#indian mythology#chivalry#book collecting
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Pather Panchali (Satyajit Ray, 1955)
one of the most beautiful and humanistic films ever made
#subir banerjee#uma das gupta#pather panchali#satyajit ray#indian cinema#hindi#favorite movies#criterion collection#india#the apu trilogy#bengali
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The Munshi Abdul Karim (1863-1909)
Artist: Rudolf Swoboda (Austrian, 1859-1914)
Date: 1888
Medium: Oil on canvas
Collection: The Royal Collection, United Kingdom
Description
The Munshi Abdul Karim entered Queen Victoria’s service in 1887 as her personal Indian servant. Munshi means writer or secretary and was the title used in British India for native language teachers or secretaries. In 1888 he became the Queen’s official Indian Secretary. He taught her Hindi and she considered him ‘a perfect gentleman’. On his accession to the throne, however, Edward VII sent the Munshi back to India. He was given a Royal Household pension in 1901 and died in Agra.
#portrait#man#indian#abdul karim#the munshi abdul karim#indian costume#turban#book#standing#indian secretary#indian servant#british history#queen victoria#artwork#oil on canvas#rudolph swoboda#austrian painter#the royal collection
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“American Woman”, 2013 by Norman Engel
#contemporary art#contemporary painting#Norman Engel#Texas artist#southwest art#western art#contemporary western art#native american#american indian#folk art#folk art painting#naive art#primitivism#outsider art#modern art#painting#acrylic on canvas#sold#private collection
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Native Wisconsin
Native People of Wisconsin by Ojibwe scholar and journalist Patty Loew (b.1952), published in 2003 by the Wisconsin Historical Society Press in Madison, Wisconsin, is a book for young readers about the twelve Indian Nations that live in Wisconsin, including my tribe, the Stockbridge-Munsee Band of Mohicans. The book also includes the history of the First People in Wisconsin and the impact of European arrivals on Native culture.
Patty Loew, a Wisconsinite and member of the Bad River Band of the Lake Superior Ojibwe tribe, is a journalist, professor, author, community historian, broadcaster, documentary filmmaker, academic, and advocate. This children's book is a testament to her work, showcasing tribal narratives that encompass different methods through which Indigenous communities preserve their history. With a particular emphasis on oral tradition, this work is a valuable resource for educators and individuals interested in Native American history and will surely captivate young readers.
View other posts from our Native American Literature Collection.
View more from our Historical Curriculum Collection.
-Melissa (Stockbridge-Munsee), Special Collections Graduate Intern
#native people of wisconsin#patty loew#children's books#wisconsin indians#native americans#wisconsin historical society press#indigenous#oral traditions#native american history#native history#native american literature#indigenous peoples#indigenous america literature collection#historical curriculum collection
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#FishFriday 🐟:
Kaligat painting of a fish and a crustacean (cataloged as “A Lobster and a Fish”) by an unknown Indian artist, 19th c.? gouache on paper, H 28 x W 45 cm Wellcome Collection 583056i, via Art UK
“Kalighat painting is a school of painting in Kalighat, a small district in Calcutta. It is named after the celebrated Hindu goddess Kali. Kalighat painting originated from the folk art tradition of rural Bengal. The Patuas or picture makers had migrated from Bengal in the early nineteenth century. There are a range of subjects, from religious imagery of Hindu gods, goddesses and stories to natural history, social types and proverbs. The range of materials used in drawings are pencil, watercolour, Indian ink and silver paint.”
#animals in art#painting#Kaligat painting#Indian art#South Asian art#Asian art#fish#crustacean#Wellcome Collection#19th century art#watercolor#pair#Fish Friday#Art UK
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Native American Heritage Month at UWM Archives
In honor of Native American Heritage Month, we offer this selection of materials from our collections that begin to illustrate Native American presence and power at UWM.
📸: Sandra Harris Tran tables for the Native American Student Movement (NASM) at UWM, circa 1980. The NASM has been a key vehicle for Native student organizing, support, and expression since the late 1960s. NASM is now known as the American Indian Student Association. Call Number: UWM Photographs Collection, UWM AC 6, Box 18.
📸: A Milwaukee Sentinel clipping pictures American Indian students organizing for a dedicated academic program outside Chapman Hall in 1971. Call Number: UWM University Communications & Media Relations Records, UWM AC 134, Box 2.
📸: The cover to a 1974 catalog shows the fruits of Native student organizing in the form of the UWM Native American Studies Program (now American Indian Studies). Call Number: UWM Office of the Chancellor Records, UWM AC 46, Box 54.
📸: The UWM Native American Studies Program announces the pilot of the Wisconsin Native American Languages Project (WNALP) in 1974. This announcement is from "Anishinaabe News: UW-Milwaukee American Indian News," a newsletter of the Native American Studies Program and NASM. Call Number: UWM Office of the Chancellor Records, UWM AC 46, Box 54.
📸: Margaret Richmond offers language instruction to a class of Native "youngsters" as a Menominee Language Resource Consultant for the WNALP in 1976. Call Number: UWM Photographs Collection, UWM AC 6, Box 18. The earlier Native American Studies Program WNALP announcement anticipates an appropriate caption: "We've a lot to learn from our elders!"
In cooperation with the Great Lakes Intertribal Council, UWM Archives stewards the Wisconsin Native American Languages Project Records, 1973-1976 (UWM Mss 20). With extensive instructional materials from the WNALP, the collection continues to serve as an important resource for the study and revitalization of Wisconsin's Native languages for citizens of Wisconsin's Ojibwe, Menominee, Oneida, Potawatomi, and Ho-Chunk nations.
- Eli
#uwm archives#Native American Heritage Month#Native American Studies#Ojibwe#Menominee#Oneida#Potawatomi#Ho-Chunk#teaching#learning#language revitalization#archives#special collections#uwmdistcoll#history#photography#newspapers#Wisconsin history#Milwaukee history#uwm#American Indian Studies
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