#india china media

[sharemarketinsider]

Apple’s Shift from China: What iPhone Exports from India Mean for the Tech Sector and Emerging Markets

[aeolianblues]

I'm trying not to block people. But there's only so many times I can go 'give people the benefit of the doubt' and then click their blog and what's literally the third or fourth post on their blogs? They talk about middle eastern people like savages who can't control their violent urges. And of course, more than half of them are Americans. After posing for 20 years, the masks that temporarily went up when anti-war activists criticised the American war in the Middle East are slipping, some of you never really believed brown people to be your equals did you? Get the fuck off my blog.

[an-absolute-nightmare]

i appreciate it when people from anglican countries say that they shouldn't assume that people from non-anglican countries who live in their countries will have a stereotypical accent from their native countries. but sometimes i will encounter people acting like accents simply do not exist and that is very funny to me. ''why does this character who has newly arrived to america from korea have a stereotypical korean accent that's kinda racist :/'' bestie idk how to tell you this but somebody who has lived in korea their entire life has a stereotypical korean accent T_T

[forkaround]

Americans and Europeans: this is right. this is wrong.

China and India:

[uniqueeval]

The Hindu Morning Digest: August 30, 2024

People Liberation Army (PLA) soldiers and tanks during military disengagement along the Line of Actual Control (LAC) at the India-China border in Ladakh. | Photo Credit: AFP India, China hold 31st border affairs meeting to resolve standoff at LAC India and China had a “frank, constructive and forward-looking exchange of views” on the situation along the Line of Actual Control (LAC) to “narrow…

[mehmetyildizmelbourne-blog]

Global Digital Divide: How App Bans on Facebook, WhatsApp, & TikTok Shape the Future of Online Connectivity

Written by Dr Michael Broadly, Retired Health Scientist and Public Health Consultant: Health Science Research Exploring the Impact of Social Media Restrictions on Billions for Balancing Security, Culture, and Access to Information in a Digitally Connected World We live on an exciting yet problematic planet where billions of people are connected, sharing stories, ideas, and moments in real-time,…

[timaeuslover001]

please stop celebrating other cultures and contries that had a slave system while condemning America.

don't be a hypocrite.

its either ALL or none

[999-roses]

can we stop spreading the complete misunderstanding of how machine learning works? if you give the function an image INPUT, that's not how you train the neural network. honestly they didn't need to tell you they don't save your image because, if you actually know the data and privacy laws of china, they're not allowed to without permission (bc it's user upload), and ALSO, function inputs do not get thrown into the neural network (saved) because those inputs aren't the target style of the set, unless it's explicitly stating that you will be adding the image you upload into the pool of images they're trying to generate an image based off of.

Hey, do y’all remember how Tencent said they were developing faceID AI to identify people in riots, and then they suddenly created an AI art generator to turn your selfies into anime?

Do y’all remember that time that someone discovered facial recognition cameras couldn’t see through Juggalo makeup, then Facebook had a fun “see what you’d look like with Juggalo makeup” thing, and then facial recognition cameras could suddenly see through Juggalo makeup?

Do y’all remember how, on Twitter, Elon started a tirade against artists who ask for credit when their art is reposted, and he suddenly he created one of the first big art AI programs?

Do y’all remember how AI destroyed the field of translation, despite the inferiority of the machine translations, because people didn’t care about the quality of the translations? They just wanted it done for free?

Do you know how companies will see a lot of money going into a New Tech Thing (like, say, AI art apps) and will jump to try and implement that New Tech Thing into their tech? For example, how it felt like every big company and celebrity had an NFT to sell?

Just wondering.

[gadgetshowtech]

TikTok Faces Uncertain Future as US Government Demands Sale or Ban as Content Creators Brace for Impact

The US government is pressuring TikTok’s Chinese owners to sell the social media platform, or else face a potential ban due to concerns about the Chinese government accessing user data. While TikTok collects data similar to other apps, US officials worry that it could be used for spying or propaganda by China. India has already banned the app entirely, while the US, UK, Canada, and EU have…

[starryalpacasstuff]

The Absence of India in Discussions on Queer Asian Media

So, yesterday @lurkingshan tagged me in an ask she got from @impala124 about the absence of India when we're talking about queer Asian media. I was intially just going to reblog it with my thought, but as it kept growing I figured it'd be best to just make my own post. Please read the ask linked above first so this makes sense.

*cracks knuckles* this is going to be the most fun I've had writing a post in ages. (For a little background, I'm a queer Indian, born and raised)

So, this is a very interesting question on a subject I've been rotating in my head for the past several months. There's a lot of different variables that contribute to the noticeable lack of discussion on Indian and South Asian queer media in general, so I'm just going to talk through the ones I've noticed a little randomly.

Talking about Asian media in general, it's well known that the mass popularity of kpop and anime has contributed massively to the increase in popularity of Asian media. If you've been in the Asian media fandom for any amount of time at all, you'll have noticed that media from Korea, Japan, and China gets by far the most attention from international audiences; all East Asian countries. There may be several reasons for this, but in particular, it's no secret that the fetishization of East Asians is a massive proponent in the popularity of media from these countries, while there's no such interest in South Asians. If we shift our focus to queer media specifically, media from these three countries is still extremely popular, with the addition of Thailand and the Philippines to some extent; both South East Asian countries. From what I've seen, there's very little international interest in media from South Asian countries (although, if we're talking about India specifically, I can't exactly say anything. Bollywood has not been good lately). If we talk about queer South Asian media, the scope of interest falls even further. If you'll notice, MyDramaList, one of the most commonly used websites for finding and tracking Asian shows only allows for East and South-East Asian shows. So, that's one reason—there's just not much international interest in Indian media in general. As Shan said in the initial post, it's partially because of a difference in priorities. Korea is notorious for using media to gain global standing, the role of the 'soft power' of Thai bls in the recent bills for equal marriage in Thailand has been widely discussed, the list goes on. Could racism also play a part in the massive gulf of interest in media from East Asian versus South Asian countries? Probably. But I'm not going to get into that too much.

Moving on, there's obviously a massive lack of queer media in India. I think this is greatly exacerbated by the fact that it's very hard to support the people making queer media beyond buying and/or streaming their work. The majority of people engaging with Indian queer media are queer Indians, and a lot of us have to do so in secret because of the society we live in. This means that creators that have to push through several obstacles to publish their work often receive little incentive to continue doing so because of the lack of engagement. Because of the lack of media, international fans are less likely to become interested in queer Indian media, and the cycle continues.

I will say though, contrary to what Shan said, I think Indian media, particularly anything that came out post 2019 might actually be on the easier end of the spectrum when it comes to access. This may simply be bias, so forgive me if I'm wrong here, but from what I've seen, a lot of queer Indian shows are in fact available on streaming sites, and at most you'd need a vpn to access them. I think the two main things that actually hold back queer Indian media from becoming more popular are a lack of noise and it's relatively lower quality.

The main way we find out about new shows in this space is through either word of mouth (well actually, post) or because we follow production houses known for producing media. Because of the sparse nature of both the media and the consumers, there's very few people who learn enough about the media to want to give it a shot. For example, there's a film on netflix called Badhaai Do (hindi for Congratulate Us) that I've been meaning to watch for a while. It centers around a lavender marriage and I've heard a lot of good things about it, so I was slightly surprised to see that most of the people on tumblr I interact with who have been engaging with queer media for far longer than me had never heard of it. There's also a, Indian BL from 2017 called Romil and Jugal that I've written about before here, and I would've never learned of it's existence if not for a friend hearing about it from another friend of hers.

Because there's so little queer indian media, it's natural that the quality leaves much to be desired. The main issue is, because the queer asian media market has become so saturated lately people are becoming a lot more selective with what they watch, and for good reason. This means that queer media from india is simply unable to grow and improve over time, leaving it stagnant. Back in 2016-2018, the overall dearth of queer media from Asia meant that a lot of people were willing to watch shows that were average or even worse. Thailand particularly seems to have benefitted from this, being able to grow and evolve its queer media due to the successes of shows like SOTUS, 2gehter, TharnType and more even recently, KinnPorsche. Queer Indian media will have a much, much harder time with this because of all of the factors I've talked about and more, meaning that it is much harder for queer media to evolve. Honestly, though I haven't been able to watch/read much queer media from India, the stuff I have seen is really quite decent, it's just that it tends to fail in comparison to some of the brilliant stuff we're seeing from other countries. A while a ago, I bought four queer books by Indian authors, and of the three I've read so far, I'd genuinely recommend two, albeit one with quite a few reservations (I'll be writing about them sometime in the future, just haven't found the time yet). While talking about this with @neuroticbookworm, she brought up the excellent point of how Indian media in general has just been of fairly poor quality lately. It seems to me that a lot of it is catered to more conservative audiences, which results in people like me becoming disillusioned with Indian media and simply moving onto things from other countries. It has been a long time since I've watched anything worthwhile come out of Bollywood. So, it becomes even harder for queer Indian shows to be found at all; a majority of their target audience has already forsaken Indian media as a lost cause.

So, those are a bunch of reasons because of which there's not a lot of discussion about queer Indian media in fandom spaces like Tumblr. Something else I'd like to point out is, it's very hard for queer shows in India to gain much traction whatsoever. Live television slots are ruled by the infamous Indian serials, the majority of the audience being people in their late thirties and older, particularly women. And while homophobia is just as prevalent amongst the youth of India as it is amongst older generations, younger people are far more likely to be engaging with queer media, in India at least. This means that it would be near impossible for queer shows to air on live television the way they do in countries like Thailand and Japan. The majority of Indian youth use global streaming services to watch shows, hence the greater concentration of queer shows on service platforms. (Romil and Jugal is something of a dark horse here—I don't believe it was ever aired, but it was produced by a producer who has a few decently popular serials under her belt and is available on an Indian steaming service—another reason I'm determined to research how tf this show ever came into existence) If we talk of movies, the industry is limited by the iron fist of Bollywood, another reason it's very hard for queer movies to be produced and why they're generally found on streaming sites.

There's just not a lot of people who have the balls it would take to make a queer Indian show/movie and push it to the Indian public beyond a streaming service. I mean, we're all seeing what's happening with the Love in The Big City drama right now, and believe me, public backlash in India would be the same, if not much worse. And if no one in India is watching these shows, why would anyone in any other part of the world? There's barely any public figures that would be willing to participate in such a project, so queer media stays underground. Currently, Karan Johar is the most popular—and one of the only—out celebrities in Bollywood, and, well, he's treated as something of a laughing stock by the public. He has one or two queer adjacent shows under his belt as a producer, but once again, they're barely known and available only on Netflix. There was a movie called Dostana in which he played a straight guy pretending to be gay but, well, that speaks for itself. And well, I can't exactly blame him for it, knowing how the Indian entertainment industry is.

To talk a little more about the specific comparison between India and Korea, I think you're fairly accurate in saying that the two countries seem to be roughly on par in terms of homophobia, although that's an extremely vague statement that's rather hard to either prove or disprove. While the difference in international attention towards Korean and Indian media is certainly a major component of the difference in discussion about the queer media from these countries, there's obviously other things that go into it as well. There's this video I watched some time ago on the progression of queer representation in K-dramas that's quite well researched. It's an hour and a half long, so in case you don't have the time to watch it (though I do recommend it), it basically talks about some of the dramas with queer rep that have aired on Korean television and their impact. While it's hard to gauge the level of impact of these shows on the availability of bls and gls in Korea, they certainly had an effect, if only telling the queer population of Korea that they are seen and heard. To my knowledge (although I may be mistaken), no such queer rep has ever aired on Indian television, meaning that there's nothing to push creators to put queer media out there. There have been old movies and shows that depict queerness, but none of them ever reached the sort of the scale where they may have some sort of impact on the industry. As I mentioned earlier, the widespread popularity of K-dramas (and k-pop) does make it easier for creators to make queer media since there's a much higher chance of the shows being successful thanks to the international audience. Bringing back Love In The Big City, the success of the book abroad and the high probability of the show being well received internationally is probably one of the reasons it was able to be produced amongst domestic backlash.

Now, I've been talking a lot about how it's difficult for queer Indian media to gain any sort of international recognition with domestic attention. However, it's not necessarily the case. Here's where I start rambling (I say, as if this post isn't verging on 2k words). It's been proven that the presence of the international market allows for greater creative freedom in spaces beyond television. The best example comes from Korea's very own 'soft power'; K-pop. There's a K-pop group called Dreamcatcher that debuted in 2017 with a rock sound and horror concept that was extremely rare in kpop at the time. They succeeded mainly by focusing most of their promotions to the foreign market, knowing that their concept would not be well liked in Korea. And they succeeded. Today, Dreamcatcher has a sizeable fandom and has even been growing in popularity in Korea, with the Korean public warming up to their genre and having influenced other girl groups to try out similar sounds. We've already talked about the lack of international attention for Indian media, but there's also the issue that the producers of queer Indian media aren't marketing to foreign audiences, which remain ignorant.

That's all I have, this is so long good lord. All in all, there's a bunch of factors that feed into each other creating a cycle which means that, unless there's a break somewhere, queer Indian media will remain unrecognized. I'm excited to see what other people have to say, because this is a topic close to my heart and I'd definitely enjoy seeing more discussions around it.

[just-a-ghost00]

Your next significant relationship - Who? When? Where?

Group 1 - Controler

Letters : N U Z E D M L K I O S Significant words/names/signs : SKZ, nudes, suki, soul, miso, sun, zen, Leo, kids, Nike, Mike, lion, Leon, noise, sound, Link, links, Dion, Zeus, Odin, Oden, onze (french for 11), douze (french for 12), uno, dos/due, dom, Muse, likes, silk, sold, DMs, solid, kudos, doki, slime, smile, Milo, miko

WHO ? - The Empress / STRENGTH / Herkimer diamond : power wash your energy This person is not what they seem. They may look harsh on the surface but deep down they are as fragile as Quartz. People may only judge them based on their looks and not who they are at there core. They are beautiful without a doubt. Extremely sensual and feminine. Their beauty feels ethereal. They are highly sensitive and spiritual. They could be a healer. The Herkimer diamond card mentions New York's Mohawk Valley where it can be found. So maybe this person is a New Yorker or they would like to travel to New York. With the strength card being related to fire, this person could have important fire placements in their chart (Leo, Sagittarius, Aries). They are powerful and determined. They know what they want and they won't back down no matter what you put them through. Though this person is affected by what people think of them, they would rather die than show it. They could have red hair. Their hair is rather long and straight. They like to wear bracelets. They are connected to the stars. They are grounded and protected by the universe. The Empress is also assiocated with Taurus. They present themselves as a woman. They feel close to their ancestors. It might be that there were warriors in their bloodline. Especially women. Their women ancestors were fierce in battle and they like to take after them and ask for their guidance. I'm feeling a strong connection to witches and shamans.

WHERE ? - 9 of swords / UNDERWORLD / Barite : get answers to your biggest questions. Places this person could be from or have been to at some point are : USA -> Nevada, Misouri, Georgia, Texas / China / India / Morocco / Mexico / Iran / Kazakhstan / Canada / Australia / Thailand / Nigeria / Peru / UK -> Scotland The 9 of swords card shows imagery of a woman lying down in the snow, with mountains in the background. So this person could live in a cold climate country/region. I'm thinking of the Alps, Himalaya, Caucasus, Alaska range. I'm thinking about Sweden, Denmark, Netherlands, Russia, Groenland, Iceland. Any city starting with a U or a B. Furthermore the character on the card has a dress with an important amount of stars on it, which reminded me of the European Union flag. In terms of the meeting, it could be through social media. The underworld card gives me a sense of mystery, of something being hidden. So it could be the dark web for some. Or on a website that keeps things hidden from people (i.e. content available only for subscribers or a private account). Also you could meet them in your dreams before you meet in 3D. Also, the underworld could be a metaphor for rave parties, clubs and so on. They could live or you could meet near an important building or monument.

WHEN ? - XXI The World / NATURE / Labradorite : protect your magic. The labradorite card mentions Aurora Borealis and the sign of Pisces. So Winter could be relevant, as well as the period from mid February to mid March. The number 21 could be relevent. So if we think in terms of dates it could be 02.21 or 03.21. The World speaks of cycles as well as the long term. So it could represent several years in terms of timing. When it comes to zodiac signs, The World is related to fixed signs. So Taurus, Leo, Scorpio and Aquarius season could be relevant as well. Which means that you could meet them between mid April to mid May, mid July to mid August, mid October to mid November or mid January to mid February. The World could also represent a time of your life when you are traveling abroad. Again, the character depicted on the card has a lot of stars in their hair. So I'm thinking of the USA as well as the EU. As she is dressed in red, holds red roses and has horns on her head, I'm also being reminded of Spain. The nature card could talk about a time of your life when you are in the wild, connecting with nature, taking a break from the drama of big city life.

Group 2 - Phone

Letters : T E N N U L N O R I S Significant words/names/signs : tennis, Noris, Noe, Noel, runs, Euro, sun, tenor, soul, norns, nine, tunes, Sonne (Rammstein song), Uriel, notes, nuns, trio, route, routines, Riolu (pokémon name), Loire (region in France), Lorie, LOTR, rise, sonnet, soir (french word for evening), nuit (french for night), riots, Lise, lotus

WHO? - IV The Emporor / Sacred Sexuality / Sapphire : find your tranquil place. This person is very masculine and grounded. They could be a father and/or a leader, a mentor, an entrepreneur. The sign of Aries could be significant. They are incredibly determined and strong. Their sexual drive is high. They pay a lot of attention to their health and appearance. They have a lot of sex appeal. This person could be in the fashion industry or could even be that they get money from people watching their body (selling pictures of them, having access to private erotic content). They could have a bit of a bad temper. Piercings also seem significant. On the sacred sexuality card, there’s a full moon and roses. This tell me this person is a romantic and is more of a night owl. They have an important status. We’re talking about company owners, freelance artists, lawyers, head officers, doctors, headmasters of big schools, politicians and so on.

WHERE? - 6 of swords / MOVEMENT / Garnet : get into your depth. -> places they could be from or have gone to : Czekoslovakia, Kenya, Madagascar, India. The 6 of swords depicts a beautiful woman rowing a boat on a lake. Behind her is a white mountain. In her boat are two herons. So Africa seems significant, particularly Tanzania where Kilimandjaro can be found. I’m also thinking of the Mt Fuji in Japan, in Yamanashi. This person lives near an important body of water. Or you might meet them there. Another thing that is significant is movement. So you could meet them where you’re going on a trip, as you travel or relocate. You could meet them on a boat. Anyplace you want to create something (art, music, writing and so on). When looking at « get into your depth » this gives me the feeling you could meet this person in the 5D before meeting them in person, like through dreams or meditation.

WHEN? Queen of wands and VI The Lovers - DARE TO DREAM - Citrine : manifest your masterpiece. First of all I have to say, when I was shuffling the cards for the WHEN? the bells of the nearby Church started ringing. So this tells me when you're going to Church either for communion or for a wedding. Summer is significant, especially from mid June to mid July. I would even say the month of June is the most significant of the two. When you go after your dreams, you will meet this person. On the DARE TO DREAM card, you can see a diamond trapped in an eagle's claw. For some reasons it reminded me of metal and rock bands, of concerts and big events like the Superbowl. So maybe one of your dreams is to go watch your favorite band/artist live or to go to Hellfest or any big convention that is happening in Summer. If there are any French people here, I'm thinking of the Olympics happening this Summer in Paris. And also the Japan Expo convention. In terms of timing, I’d say in a few months.

Group 3 - Mirror

First of all I want to say my coffee spilled as I did your reading. So either you or this person is super clumsy and/or coffee is significant in your relationship. Letters : E L I C O O E U J I A Y

Words/names/signs : Jay, Jey, Joy, Jolie, Julia, Julie, Jule, July, Lucy, cool, jail, Luc, Loïc, Alice, ciel (French for Sky), clue, juice, école (French for school), eco , CEO, Lucie, Lucia, Cloe

WHO? - XVII The Star / Ancestors / Obsidian : protect your soul. Aquarius comes in strongly for this reading. This person is an introvert. They are often seen as a daydreamer, someone that doesn’t care about earthly life. They look like their head is in the stars. Which, in some way is true. This person connects strongly with the Ethers. Social media seems to be important. They could be an influencer or have a certain amount of followers that they help. Think of tarot readings, raising awareness about certain subjects (mental health, disabilities, menstrual cycle, sexuality and so on). This person could be famous in some type of way or they are going to be at some point in their life. Overall they have a good reputation among their peers. They are valued for their work ethic and their deep insights. They are divinely protected. Family business comes to mind. They care about family a lot, especially the deceased ones. This person would be the type to seek out advice from their ancestors or try to honor them as much as they can. Scorpio is also a sign that seems relevant. I don’t know why but I thought of a surgeon. So maybe they have undergone an important surgery. Or they are very sharp. Because I definitely don’t feel this person is a surgeon. Well it could be, but honestly I feel more the energy of influencers and public speakers, like ambassadors of NGOs and stuff like that. Soft and caring, they feel and look rather feminine. Giving more than receiving. They love animals. They draw a lot of attention just from their presence. I think their aura is pretty strong and vibrant. Connected to nature, especially trees and plants.

WHERE? - 7 of pentacles / movement / Herkimer diamond You could meet at work, as you’re changing jobs or they are. During a break at work while you’re printing/scanning papers. In sacred spaces. New York. Somewhere in a lot of greenery like a park or a farm. As for places they could come from or have been to, we have : Norway, Ukraine, Arizona, China, Afghanistan, Herkimer county. If not these places, there could be farms where this person lives. Also they live in a place where there is a lot of activity, especially work wise. So this makes me think of hot spots like La Défense in Paris where a lot of businesses and political administrations can be found. Other places like that would be : Midtown New York, La City London, Marunouchi Tokyo, The Loop Chicago, Bankenviertel Frankfurt, Zuidas Amsterdam, Gangnam Seoul and so on.

WHEN? - 4 of swords / Death / Aquamarine : Keep your cool. You could meet on the fourth of a month, in April. At a time when you’ve lost your voice or when you are going Hermit mode, when you are sick or when you are mourning a loss. During a period of depression. During Scorpio season. In several weeks. Also it could be when someone or something pushes your buttons but you can’t express your frustration somehow. That could be anything really. Like queueing for registration in a building and someone is trying to take your spot. Or shopping at the mall and a customer is being super rude but since there are children around you can’t fully tell this person what you think of their attitude. Stuff like that.

[chaos0pikachu]

Is BL Being Overly Influenced by Modern Western Romance Tropes?

Short answer: No. anyways, in the following essay I will explain that James Cameron is a weeb...

(okay fine~~ lets actually do this)

TLDR: discussing what media globalization is, how fandom can distill it down to only American/European cinema, showcasing how a lot of current BL is influenced by countries within it's own proximity and NOT "the west" but each other, also James Cameron is still a weeb

I had seen a post that basically proposited that BL was being influenced by modern western romance tropes and had used things like omegaverse and mafia settings as an example. I found this, in a word, fucking annoying (oh, two words I guess) because it's micro-xenophobic to me.

It positions western - and really what we mean by this is American/European countries, we're not talking about South American countries are we? - cinema as the central breadbasket of all cinema in and of itself. Inherently, all following cinema must be in some way, shape, or form, influenced by American/European standards, and as such America/European countries are directly responsible for cinema everywhere else, and these places - namely non-white countries - do not influence each other, nor have their own histories in regards to storytelling or cinema and do not, in turn, also influence American/European film making either.

Now like, do I think all of that~~ is intentionally malicious thinking on behalf of folks in fandom? No, so chill out.

I do, however, think a lot of it is birthed from simple ignorance and growing up in an environment where ~The West~ is propagated to be central, individual, and exceptional as opposed to the monolith of "Asia" - by which we mean China, Korea, Japan don't we? How often in discussions of Asian countries is Iran, India, or Saudi Arabia brought up even tho they are all Asian countries? - or the monolith that is South America - in which some folks might believe regions like the Caribbean and/or Central America belong to, but nope there both North America.

Anyway, what we're talking about here is the concept of "media globalization":

"The production, distribution, and consumption of media products on a global scale, facilitating the exchange and diffusion of ideas cross-culturally." (source)

"The media industry is, in many ways, perfect for globalization, or the spread of global trade without regard for traditional political borders. [...] the low marginal costs of media mean that reaching a wider market creates much larger profit margins for media companies. [...] Media is largely a cultural product, and the transfer of such a product is likely to have an influence on the recipient’s culture." (source)

Typically when I see fandom discussing what falls under MG the topic is usually focused on how "the west" is influencing Thai/Korean/Chinese/Japanese media.

Enter, Pit Babe.

Surely Pit Babe was influenced by Supernatural right? Omegaverse is huge in the west - love it, hate it, meh it - it originated in the west - specifically via Supernatural after all.

Nah.

Omegaverse has been popular in Japan and China for almost a decade, if not longer. The earliest omegaverse manga I can think of is Pendulum: Juujin Omegaverse by Hana Hasumi which was released in 2015, almost a decade ago.

(what if you added furries into omegaverse? WHAT IF?? - Japan)

There's countless popular omegaverse manga too, and the dynamics only moderately resemble the ones we're familiar with in the west. Juujin is part omegaverse and part furry/beastmen - the alphas are all beastmen the omegas are humans - while something like Ookami-kun Is Not Scary only slightly resembles omegaverse dynamics as a hybrid series - beastmen are really popular in Japan in part b/c of historical mythology (you see the combination of romantic Beastmen and Japanese culture & folklore in Mamoru Hosoda's work The Boy and the Beast and Wolf Children).

Megumi & Tsugumi (2018) is so popular they're an official English edition published by VIZ's imprint SuBlime and that's a straight up omegaverse story.

(look at the omega symbol on the cover loud and proud baby)

So if Pit Babe was influenced by anything, it certainly wasn't "the west" it was Japan, Korea and China. Because those countries have a thriving omegaverse sub-genre going and have had such for 10 plus years now. Supernatural is popular in Japan, yes, and that may be where Japan and Japanese fans originally found omegaverse as a fictional sub-genre.

HOWEVER

Japanese fans took the sub-genre, bent it, played with it, and evolved it into their own thing. As such, other countries in their proximity, like Thailand, China, and Korea who read BL and GL manga, found it and were like "hey, we wanna play too!"

(is that an omegaverse yuri novel I spy?? yes, yes it is)

When I watched the Red Peafowl trailer, it had more in common with Kinnporsche, History: Trapped, along with films and shows like: Jet Li's The Enforcer, and Fist of Legend, Donnie Yen's Flash Point, Raging Fire, and Kung Fu Jungle, Han Dong-wook's The Worst of Evil, Kim Jin-Min's My Name, Lee Chung-hyeon's The Ballerina, Baik's Believer & Believer 2, Yoshie Kaoruhara's KeixYaku, popular Don Lee films The Gangster, the Cop and the Devil and Unstoppable alongside BL manga like Honto Yajuu and Bi No Isu (probably one of the most well known yazuka manga to date).

Like, we're seeing a rise in mafia based BLs and people think that's because of "western influence" and not the absolute insane success of kinnporsche??? Especially in countries like China, Korea, Taiwan, Philippines and other Asian countries???

Mafia films and gang shows aren't even that popular here in America/Europe; don't get me wrong, they still get made and exist, but the last full length film was The Irishman which did not make it's budget back, and while Power is still on-going it's not a smash hit either. The heyday of Breaking Bad, The Sopranos, The Wire, Goodfellas, and Scarface are long gone. And if you've watched any those shows or films they have very little in common with Kei x Yaku, Kinnporsche, or Red Peafowl in tone, or style.

(who knew martin just wanted to make his al pacino/robert de niro fanfic come to life all these years?)

Another example, The Sign, which is clearly taking inspiration from Chinese costume dramas: Ashes of Love, Fairy and Devil, White Snake (and it's many adaptions), Guardian, & Ying Yang Master Dream of Eternity. Alongside Hong Kong and Korean cop and romance shows like Tale of the Nine-Tailed, Hotel Del Luna, Director Who Buys Me Dinner, First Love, Again, and previously mentioned cop dramas.

Like, I know y'all don't think Twins is influenced by, what, American sports classic Angels in the Outfield?? Gridiron Gang?? Rocky?? Nah that shit is inspired by the popularity of sports manga like Haikyuu!!, Slam Dunk, Prince of Tennis (which even has a Chinese drama adaption), and the like. And also probably History 2, & Not Me but I'm like 87% sure Twins is just Haikyuu fanfic.

So like, does this mean that there's NO history in which American and European cinema influenced these countries? What, no, obviously that's not true, American/European totally have had media influence on countries like Korea, Japan, etc.

Astro Boy by Osamu Tezuka considered "the father of manga" was inspired by Walt Disney's work on Bambi. Another more recent and prominent example is director Yeon Sang-ho and his film Train to Busan.

"And it was Snyder’s movie [Dawn of the Dead, 2004], not the 1978 original, that filmmaker Yeon Sang-ho recalled as his first encounter with the undead. “That was when I started my interest in zombies,” Yeon said, in an email interview through a translator from South Korea. Even today, he added, “it’s the most memorable and intense zombie movie I’ve ever seen.”" (source)

HOWEVER, the global influence doesn't stop there. It's not a one-way street. Yeon Sang-Ho was inspired by Zack Synder's Dawn of the Dead, a remake of George Romero's own work, but Yeon Sang-Ho's work has inspired countless Korean film makers to make their own zombie media; following Train to Busan there's been: Kingdom (2019 - current), All of Us Are Dead (2022), Zombie Detective (2020), Zombieverse (2023), Alive (2020), Rampant (2018).

And hey, wouldn't you know it now we're starting to see more zombie media coming out of places like Japan (Zom 100 the manga, movie, and anime) and High School of the Dead.

Do you know what Domundi's series Zombivor (2023, pilot trailer only) reminds me of? It's NOT The Walking Dead (which is the only relevant zombie media America has created in the last decade) it's Korea's All of Us Are Dead (2022). Comparing the trailers, the settings, the tone, it's clear where Zombivor is pulling inspiration from: Korean zombie cinema. NOT American zombie cinema.

In fact a lot of Domundi's shows - Cutie Pie, Middleman's Love, Naughty Babe, Bed Friend - are all very clearly inspired by Korean filmmaking, specifically that of romantic kdramas from the 2016 - 2020 era. Not always in story, but rather in technique.

This is media globalization. It's not simply ~The West~ influencing non-American/European countries but countries who are often more close in terms of: proximity, culture, and trade are going to have more influence on each other.

It is far more likely that Aoftion (Naughty Babe, Cutie Pie, Zombivor) was influenced by watching Train to Busan, All of Us Are Dead, and other Korean zombie shows and films than a single episode of Walking Dead.

My point isn't that this goes one way only, but rather it is very literally a global thing. This includes American and European film makers being influenced by non-American and European cinema.

Martin Scorsese, Steven Spielberg, Darren Aronofsky, Christopher Nolan, the Wachowski sisters, George Lucas and James Cameron have all been influenced by Japanese film making, especially the works of Akira Kurosawa, Satoshi Kon, and Mamoru Oshii.

John Wick's entire gun-fu sub-genre is heavily influenced by classic Hong Kong action films, specifically John Woo films. Legend of Korra, The Boondocks, Voltron, Young Justice, My Adventures with Superman are all obviously inspired by Japanese anime but animated by a Korean animation studio (Studio Mir). Beyond that, the rise in adult animated dramas like Castlevania, Critical Role Vox Machina, and Invincible to name a few are very clearly taking inspiration from anime in terms of style. The weebs that were watching Adult Swim's Inuyasha, Bleach, and Dragon Ball Z have grown up and are now working in Hollywood.

Okay so like, what's the point of all this? What's the issue? Since American/European cinema does influence et all cinema does any of this really matter?

YES.

I take contention with this line of thinking because it centers "the west" and our supposed individual importance way to much. Declaring definitively that "BL is being influenced by western tropes" and then including tropes, narratives, and film making styles that aren't inherently western and actually have major roots in the cinema of various Asian countries, removes the existence of individual history these countries have which are rich, varied, and nuanced. It removes the "global" part of globalization by declaring "the globe" is really just America and Europe.

It distills these countries down to static places that only exist when American/European audiences discover them.

BL doesn't exist in a vacuum you can trace the development of Korean BL to the development of Korean het dramas almost to a T. You can also trace their development to the queer history of each country and how Thailand interacts culturally with China, Japan, Korea, etc and vice versa. It also ignores the history of these countries influencing American cinema as well. Don't mistake "the globe" for only your sphere of experience.

Anyway James Cameron is a damn weeb y'all have a good night.

Check out other posts in the series:

Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes?

[like these posts? drop me a couple pennies on ko-fi]

[thepromptfoundry]

Calling all history nerds, period piece connoisseurs, and fans of time-travel plots! Decades December is coming up here at The Prompt Foundry!

This list is being posted a little earlier than usual because historical work can take some time. The list has some reference points for you to jump off from. Show off your special interest in a particular era or event, or start a wiki walk from the the Wikipedia page for each decade to learn something new!

Have fun exploring resources like @thetimelinesofslang, the Fashion History Timelines from NYSU's Fashion Institute of Technology, or the fashion plates and historical photos from blogs like @omgthatdress or @historical-fashion-polls!

If you use this list, please tag me here @thepromptfoundry, I’d love to see your writing and art!

Feel free to combine different days' prompts with each other, or combine them with other events! Use your OCs, your favorite characters from media, your own experiences, whatever tickles your fancy.

Respond to as many prompts as you want or as interest you, don’t worry about missing or skipping any. Remember, this is supposed to be fun!

If you have any questions or musings, check our FAQ, and if you don't find your answer, shoot me an ask.

Plain text list below the cut:

1) 0010s Xin dynasty in China, Caesar Augustus in Rome

2) 1900s Edwardian era, Russo-Japanese War, release of the first feature film The Great Train Robbery

3) 300s Teotihuacan flourishing in present-day Mexico, writing of the Kama Sutra

4) 1910s World War 1, the Russian Revolution

5) 1440s Late Middle Ages/Early Renaissance in Europe, the hangul writing system is introduced in Korea

6) 1920s Prohibition in the US, rise of fascism in Europe, earliest sync-sound movies

7) 0070s Roman Epire, destruction of the Second Temple in Jerusalem, eruption of Mt. Vesuvius and destruction of Pompeii

8) 1930s The Great Depression, the Declaration of the Independence of India, art deco, color film

9) 1090s The First Crusade, the Liao, Xia, and Song dynasties in various parts of China

10) 1810s The Napoleonic Wars, the Regency era in England

11) 1940s World War 2, post-war rebuilding

12) 1000s BC The Iron Age, King David of the Israelites, development of the Phoenician alphabet

13) 1950s Baby Boom, Red Scare, the Korean War, rock'n'roll, zippers and television both become commonplace

14) 1340s The Black Death in Europe, decline of the Mongol Empire

15) 1590s Late Elizabethan Era in Europe, William Shakespeare, Imjin War between Japan and Korea

16) 1960s Moon landing, hippies, mod fashion, Chinese Cultural Revolution, Stonewall, Star Trek, the Civil Rights movement

17) 1770s The American Revolution, founding of the real Illuminati

18) 1860s American Civil War era, late Edo period in Japan

19) 1970s The Sexual Revolution, disco, the first video games, end of the Vietnam War

20) 2200s Whatever the future holds!

21) 1980s End of the Cold War and fall of the Berlin Wall, beginnings of the World Wide Web, the First Intifada in Gaza

22) 1660s Part of the Golden Age of Piracy, the English Restoration

23) 1990s Internet access becomes widespread, grunge, the Gulf War, the Troubles in Ireland, height of the AIDS crisis, Princess Dianna, first Pokemon games

24) 1230s University of Cambridge founded in England, beginnings of the Mali Empire in Africa, rein of Emperor Shijo in Japan

25) 2000s The “War On Terror”, rise of Big Tech, Y2K fashion, emo culture, cell phones become commonplace

26) 1880s Gilded Age, the first skyscrapers, electrification of cities, first household electrical appliances like fans and irons

27) 1640s Qing dynasty begins in China, the First English Civil War

28) 2010s Hipster culture, height of video streaming, YA lit boom

29) 500s Liang and Northern Wei dynasties in China, Heptarchy period in England, height of prosperity of the Mayan Empire

30) 2020s Present day!

31) 3130s Whatever the future holds!

[damnfandomproblems]

Fandom Problem #5463:

When most of the complaints people have about media in general are their own fault. The shows they want to see already exist, but they're not in English so they won't watch them. Want LGBT East Asian representation: check out Chinese danmei & Japanese and Thai BL series. Want Asian representation in general: I know China, South Korea, Japan, Thailand, Vietnam, Pakistan, India and Turkey produce their own media, and other Asian countries probably do too. Want African representation: check out Egyptian, Nigerian, Kenyan, Ethiopian and other African media. Your refusal to consume media from outside the Anglosphere is a you problem.

[zvaigzdelasas]

[Reuters is Canada-Based Private Media]

Bangladesh will raise the minimum wage for garment workers by 56.25%, the first hike since 2019, the junior labour minister said on Tuesday after a week of protests calling for higher salaries. The minimum wage for workers will be increased from 8,000 taka to 12,500 taka ($114) per month from Dec. 1, State Minister for Labour and Employment Monnujan Sufian said. There will also be a 5% annual increment. The protests, which led to clashes with police that killed two workers and wounded dozens more, pushed the government to form a panel of factory owners, union leaders and officials to consider the demand for higher pay.[...]

"(Government welfare) cards will be provided to the workers, later the ration cards will be given to them so they can buy essential commodities at cheaper rates," Rahman, also a former president of the Bangladesh Garment Manufacturers and Exporters Association, told Reuters. Workers, however, are not happy with the rise at a time when inflation is running at 9.5%.

7 Nov 23

[TheDailyStar is Bengali Private Media]

The wage board for garment workers has set the minimum salary at Tk 12,500, a little over half of what workers demand. Union leaders have rejected the new minimum wage put forth by the wage board, which accepted the proposal of factory owners’ representative Siddiqur Rahman. The current starting wage is Tk 8,000. Union leaders yesterday threatened to go for tough demonstrations. Workers had demonstrated for 12 straight days.[...]

Before the announcement, members of the Minimum Wage Board, formed on April 9, held a meeting at its office. While the meeting was going on, union leaders outside chanted slogans demanding a minimum wage of at least Tk 23,000. Demanding a starting salary of Tk 25,000, Montu Ghosh, president of Garment Sramik Trade Union Kendra, said the measly amount set was not enough to lead a good life. Inflation and high prices of essentials have made things worse for garment workers. Ghosh along with other union leaders of the Mojuri Briddhite Garment Sramik Andolon, a platform of workers’ unions, in a statement rejected the new minimum wage and called for a rally on Friday where they would announce tougher programmes[...]

If the workers’ unrest continues, the responsibility will lie with the wage board, Nazma said.[...]

[The] president of the Bangladesh Apparel Workers’ Federation, said the prime minister’s intervention is needed in setting the new minimum wage. He demanded ration cards, not the family cards of the TCB, for the garment workers.[...]

The new minimum wage is much less than those offered in India, Cambodia, Vietnam, China and Indonesia. Only Pakistan has a lower minimum wage. Early last month, the Centre for Policy Dialogue, after a survey, interviews and research, estimated that the minimum wage for an RMG worker should be Tk 17,568. The new minimum wage falls short of that. The think-tank had delved into food and non-food expenditure patterns of 228 workers from 76 factories and even considered how many earning members an average RMG worker’s family had. The CPD had stated that the food cost for an RMG worker family was at least Tk 9,198 a month but notes that the standard food expenditure for a family of four would be Tk 16,529 and that the garment workers have to cut corners to make ends meet.

It said 12 percent of the workers’ families do not buy milk at all, 5 percent do not buy sugar, and 5 percent do not consume fruits.

8 Nov 23