#including bo for the record

[fatherramiro]

"oh the cast and crew of 1.899 were disappointed when the show was canceled but not surprised"

[slasherhaven]

Slashers with a significant other who is a cam girl and wants them to be in one of their videos? 💃

2 posts in 2 days who do I think I am? See ya'll in a year! /j

CW: NSFW

You do Cam Work and Ask the Slashers to be in your Videos:

Thomas Hewitt

Thomas is pretty conservative when it come to sex and such, but he's come around to your cam work, especially since you let him help with the details.

You like when he picks what you were or what scene you might do. You made Thomas feel like a part of it and that made him comfortable with it.

Still, he's very surprised when you ask if he wants to do a video with you. He refuses immediately and you respect that.

You ask again a while later but with more details. Like nobody would know who he was, you would keep his face out of the shot, and the two of you will do whatever he is comfortable with.

Your first video with him is of you riding him. His head isn't in the shot but the rest of his frame is. The size difference goes hard and your audience agrees.

Thomas is a flustered mess when you sit to read with comments with him. Everyone is talking about the new man in your video, gushing about how big he is and how attentive he is. Even with his size it seems your audience could sense his gentle soul, commenting on the chemistry you both have and how they would love to see him again!

Thanks to all the lovely comments, Thomas agrees to do another video even if he doesn't see himself putting his face on camera any time soon.

Michael Myers

Michael honestly does not care that you do cam work.

When you first ask him to be in a video, he pretty much ignores it.

But when you ask again some time later he doesn't see why not.

As long as his face isn't in the video or anything, you can film it, he doesn't really care.

The videos you make with him afterwards are pretty similar to your first video with him.

Usually you bent over while Michael fucks you to tears.

Michael is barely in the shot most of the time. Sometimes it just a close up on you, other times it includes Michael but only ever getting at high as his chest.

Everyone is obsessed with your mystery man. Where did he come from? What was that scar from? Can we see more of him please!!!

Jason Voorhees

We all know that Jason's comfort levels with sex is extremely low and it takes a while for him to become comfortable with physical intimacy. So cam work is certainly going to take some time for him to come around to.

And once he's become more comfortable with that, it's going to take a whole lot longer before he feels comfortable being in a video.

When he does decide to give it a go, he is a real hit!

He refuses to show his face on camera and you do whatever it takes to make sure he is as comfortable as possible.

Before Jason says you can use his name in videos and descriptions, your audience referred to him as 'the gentle giant', which is completely accurate!

No matter your usual content, Jason is nothing but gentle with you when he's in a video.

Brahms Heelshire

Watches your videos over and over again, he loves them. He'll watch you record them and watch them later once you've posted them. He can't get enough.

He's already got his pants off when you ask if he wants to be in one of your videos. You end up fucking even though you're not filming it.

He actually doesn't have much of a problem with having his face on camera. He's still a little insecure about his facial burns but you have alleviated most of that by this point.

And after the first video and he reads all those positive comments. Some are as horny for him as they are for you.

Fully embraces his new pornstar identity. He's insufferable.

He'll be in any video you want and your audience love watching you take care of your needy brat.

Bo Sinclair

Bo is in fully support of your work, it brings some money in and he gets to watch your videos. Even if his possessiveness still often gets the better of him. Whenever he reads comments of people praising you, Bo has an insatiable need to bend you over something just to prove a point.

Gets all cocky and arrogant when you ask if he wants to be in a video.

Needless to say, he agrees to do it.

And he takes to it pretty easily. He knows how to get all of his favourite reactions from you, how to get you pleading and begging for him, and he wants everyone watching to know.

Bo is arrogant and always smirking when the camera is on but it performs well.

He likes to how the camera and film himself entering you. He really does have a terrible ego.

Vincent Sinclair

It gets Vincent flustered, he could admit that, but he appreciates the artistic side of it all. It takes more effort and consideration than one might think!

He likes helping you get ready for a video and taking care of you afterwards.

He's hesitant when you first ask if he wants to be in a video. A part of him wants to do it with you but he's not confident enough in himself.

But he loves making you feel good and at this point he knows he's good at it, so he gives it a try. You can film them without posting them after all, like practise runs.

He may never show his face but he doesn't mind having his body on camera. Sometimes he even just hides his face with his hair instead of keeping his head out of the shot completely.

On Vincent's more self-conscious days, he'll film close ups of him fingering you instead.

He's very good with his hands and your audience agrees. They are very jealous of you.

Lester Sinclair

Lester is pretty neutral on your work, but of course he absolutely loves your videos.

He's mostly just surprised and flustered when you first ask if he wants to be in one of your videos. He thinks you're perfect so he understands why people would want to watch you, but he doesn't really see why people would want to watch him.

But he still agrees to it because he's your biggest supporter!!!

Your audience love the chemistry and intimacy between you both, leaving comments about how real your videos feel.

The videos that perform best are usually the ones where the two of you forgot you were even filming, just giggling together and enjoying each other. Lester gets all nervous and shy when the camera turns on, which is adorable, but forgetting that the camera is there really does help him perform better, the sweetheart.

Your audience love your more thought out and planned videos but appreciate the occasional more relaxed video with your sweet boyfriend.

Bubba Sawyer

Super flustered by your work but he's supportive.

Is super surprised and nervous when you ask if he wants to be in a video.

He agrees to give it a try once you explain that you can always delete it and nobody has to see it if he changes his mind or doesn't like it.

Bubba is just a big sweetie really, and you know just how to turn him into a squirming, blubbering mess.

And your audience love to watch you do it!

In later video's you do, you use the viewers' comments to fluster him even further. Using all the kindest and sweetest comments that say how lovely he is .

Come on, Bubs, they love you, they're being so nice. Why don't you say thank you?

Billy Lenz

Billy loves watching your videos and when you ask if he wants to be in a video with you, he is so excited!

He's completely down to make some home videos but he's a little unsure about putting it online for other people to see.

So you make it so his face isn't visible and let him watch the final edit before uploading it. He thinks it's so hot, he can't say no.

Honestly, you could do really well with just audios alone though. People will go wild for it. Billy unable to keep his mouth shut, all those desperate moans and whines and noises, the sticky wet slapping of skin. Honestly, a video element is just a bonus at this point.

And who gets off to the video the most? Billy obviously!

Asa Emory (The Collector)

Asa monitors your accounts anyway, even if you don't know it. He wants to know what you're posting and how people are responding. Don't want any bullies or trolls, right?

He's probably tried to manipulate you into suggesting it anyway.

He doesn't have much of a problem with your cam work, he's just a possessive bastard and would love to claim you in front of your entire audience.

The mask stays on!

Okay, he designs a new mask to avoid any chance of self criminalisation but whatever.

You two can make it big in BDSM communities.

Ties you up, blindfolds you, gags you. Whatever he feels like, but often seems to focus the camera on your reactions rather than on what he is doing to you. Studying his favourite little specimen.

Your audience already adored you of course, but they also love this new Dom you brought it.

There is no doubt as to who you belong to now.

Jesse Cromeans (Chromeskull)

Obviously Jesse has no problem with being on camera and he already has a pretty big ego, so he'll probably even wear the Chromeskull mask. It's his signature whether it's for his snuff films or your cam work.

Like Asa, you do absolute numbers in the BDSM community. Everyone is very pleased with his fully suited up, masked Dom that you brought in.

He already has his Chromeskull persona all fleshed out so he just brings that energy to your videos.

He's a sadistic Dom and you might have to upload an Aftercare video at some point just to reassure your more loyal audience that you're alright and always well taken care of afterwards.

Otis Driftwood

Is obviously a fan of your videos and isn't going to stop you from making them. You aren't actually fucking anyone else, so he's cool with it. And if he feels particularly jealous or possessive at some point, he knows he's the only one who can actually pin you down and have his way with you.

Oh yeah, he's down to make a few videos with you. He's probably got some old tapes of his own somewhere, long forgotten. He's not shy.

Says the filthiest shit, it kinda becomes his think on your platform.

Otis can be absolutely disgusting but, fortunately, there is an audience for that and they flood to your videos.

Calls you all sorts of names, asks you if you get off on knowing everyone is going to watch him fuck you. That everyone is going to see all the things you let him do to you.

Baby Firefly

Baby loves that you do cam work, she loves performing. She happily does your hair and makeup, she helps you pick out costumes and which toys you'll use in that video.

Hell, she's even filmed a video or two for you!

She's your number one supporter so of course she jumps on camera as soon as you ask if she wants to be in a video.

The two of you are all dolled up and she's magnetic, the audience love her as much as they love you.

The two of you are absolute menaces if you decide to do a livestream, pulling in huge donations because Baby is going to pout and taunt. Why should the two of you put on a show if they're not showing their appreciation properly?

Baby is the type to respond to very low donations with "it's alright, you can just say you're poor". She never promised to play nice and she just thinks you're worth more than that!!!

You end up apologising for her.

People are into it though.

Yautja (Predator)

Your mate doesn't quite get it but he's cool with it.

Is hard as soon as you ask if he wants to be in a video. Yautja's aren't very conservative or prudish when it comes to sex and nudity, so you weren't too surprised.

He loves the thought of taking you, of claiming you, and everyone knowing that you're his mate. That he's a worthy mate for you.

Even when he's a regular feature in your videos, he doesn't completely understand it, he just knows he's into it.

Everyone loves to watch you try to take him fully, the struggle, the determination, the satisfaction when you manage it.

You have cornered the Monster Fucker market. They don't know if it's real, if it's a very elaborate costume, or very realistic animation, either way they are eating it up.

All the other performers who use alien dildos and such are super jealous, obviously.

[reasonsforhope]

"As solar panels heat up beyond 25°C, their efficiency decreases markedly. Green roofs moderate rooftop temperatures. So we wanted to find out: could green roofs help with the problem of heat reducing the output of solar panels?

Our research compared a “biosolar” green roof — one that combines a solar system with a green roof — and a comparable conventional roof with an equivalent solar system. We measured the impacts on biodiversity and solar output, as well as how the plants coped with having panels installed above them.

The green roof supported much more biodiversity, as one might expect. By reducing average maximum temperatures by about 8°C, it increased solar generation by as much as 107% during peak periods. And while some plant species outperformed others, the vegetation flourished.

These results show we don’t have to choose between a green roof or a solar roof: we can combine the two and reap double the rewards...

How did the panels affect the plants?

In the open areas, we observed minimal changes in the vegetation cover over the study period compared to the initial planted community.

Plant growth was fastest and healthiest in the areas immediately around the solar panels. Several species doubled in coverage. We selected fast-growing vegetation for this section to achieve full coverage of the green roof beds as soon as possible.

The vegetation changed the most in the areas directly below and surrounding the solar panels. The Baby Sun Rose, Aptenia cordifolia, emerged as the dominant plant. It occupied most of the space beneath and surrounding the solar panels, despite having been planted in relatively low densities.

This was surprising: it was not expected the plants would prefer the shaded areas under the panels to the open areas. This shows that shading by solar panels will not prevent the growth of full and healthy roof gardens.

What were the biodiversity impacts?

We used environmental DNA (eDNA) surveys to compare biodiversity on the green roof and conventional roof. Water run-off samples were collected from both roofs and processed on site using portable citizen scientist eDNA sampling equipment to detect traces of DNA shed by the species on the roof.

The eDNA surveys detected a diverse range of species. These included some species (such as algae and fungi) that are not easily detected using other survey methods. The results confirmed the presence of bird species recorded by the cameras but also showed other visiting bird species went undetected by the cameras.

Overall, the green roof supported four times as many species of birds, over seven times as many arthropods such as insects, spiders and millipedes, and twice as many snail and slug species as the conventional roof. There was many times the diversity of microorganisms such as algae and fungi.

Encouragingly, the green roof attracted species unexpected in the city. They included blue-banded bees (Amegilla cingulata) and metallic shield bugs (Scutiphora pedicellata).

How did the green roof alter temperatures?

The green roof reduced surface temperatures by up to 9.63°C for the solar panels and 6.93°C for the roof surfaces. An 8°C reduction in average peak temperature on the green roof would result in substantial heating and cooling energy savings inside the building.

This lowering of temperatures increased the maximum output of the solar panels by 21-107%, depending on the month. Performance modelling indicates an extensive green roof in central Sydney can, on average, produce 4.5% more electricity at any given light level.

These results show we don’t have to choose between a green roof or a solar roof. We can combine them to take advantage of the many benefits of biosolar green roofs.

Biosolar roofs can help get cities to net zero

The next step is to design green roofs and their plantings specifically to enhance biodiversity. Green roofs and other green infrastructure may alter urban wildlife’s activities and could eventually attract non-urban species.

Our green roof also decreased stormwater runoff, removed a range of run-off pollutants and insulated the building from extremes of temperature. A relatively inexpensive system provides all of these services with moderate maintenance and, best of all, zero energy inputs.

Clearly, biosolar green roofs could make major contributions to net-zero cities. And all that’s needed is space that currently has no other use."

-via GoodGoodGood, May 12, 2024

[gandalfspinkwig]

HOW SLASHERS WOULD REACT TO WALKING IN ON YOU CHANGING (IF Y'ALL WERE FRIENDLY. SOMEHOW.)

━━━━━━♡♤♡━━━━━━

SUMMARY: Reactions from certain slashers if they walked in you whilst you were changing. If you're friendly. Somehow.

PAIRINGS: Various!Slashers x AFAB!Reader

AUTHOR'S NOTES: Includes OG!Michael Myers, Jason Voorhees, Brahms Heelshire, Billy Loomis, Stu Macher, Bo Sinclair, Vincent Sinclair, Otis B. Driftwood, Norman Bates, Bubba Sawyer, Thomas Brown Hewitt, Billy Lenz, Carrie White, Tiffany Valentine, Chucky, Freddy Krueger, Nubbins Sawyer, Chop Top Sawyer, Lester Sinclair and RZ!Michael Myers.

WARNINGS: Nudity, Mummy and Daddy Kink, Some of the slashers being pervs (*cough cough* Freddy *cough cough*), Fembodied!Reader, Reader is a teenager in Carrie's part otherwise they are an adult in the others etc.

OG!MICHAEL MYERS

Stands there.

Looks you up and down.

Nods and then leaves.

JASON VOORHEES

This precious, sweet little baby

Stands there. Flustered under his mask.

Turns and leaves. Bless his heart.

BRAHMS HEELSHIRE

Stares. He's typically obsessed with his S/O.

Tiddies.

Probably would call you "mummy".

I mean, he's seen you in the walls.

Wall gremlin.

Would hug you and bury his face in your tits.

House train him y'all.

BILLY LOOMIS + STU MACHER

Billy looks you up and down and smirks teasingly.

Stu, on the other hand, walks in and then walks out.

If it's both of the boys, they both grin.

BO SINCLAIR

Stares. Smirks teasingly.

Leans against the doorframe and watches you.

"Don't mind me, darlin'" is all he says.

VINCENT SINCLAIR

Stares.

Stands neutrally and just stares.

He's baby.

OTIS B. DRIFTWOOD

It's definitely no accident that Otis walks in on you.

If it is an accident, he just walks past you and does whatever he's doing in your shared room.

He looks you up and down and says "Nice tits,".

NORMAN BATES

Confused. He's so precious and innocent about it.

His 'Mother' personality is screaming at him to get out.

Leaves and apologises profusely.

BUBBA SAWYER

Makes confused Bubba noises.

Drayton didn't teach him about a situation like this.

Throws you his apron to cover you up with, whilst covering his eyes.

THOMAS BROWN HEWITT

This beautiful gentleman.

Would stare for a few moments before averting his eyes.

He closes the door so Hoyt doesn't see you.

BILLY LENZ

This attic goblin.

Has probably seen you naked when he's watched you.

Would probably lick his lips.

Stares. 100000% stares.

CARRIE WHITE

It's a complete accident. This sweet girl.

You're probably her only friend ngl

Covers her eyes and runs out, closing the door behind her.

TIFFANY VALENTINE + CHUCKY

Tiffany is probably super polite about it. She just stands and talks to you as you change. She gives input on your outfit.

Chucky, on the other hand, looks you up and down, smirking. Probably makes some lewd comment.

Tiffany hits Chucky on the back of the head for that.

FREDDY KRUEGER

Somehow, he manages to get out of your dreams into the real world.

He looks you up and down, making some lewd comment, and flirts with you.

Leaves after you throw your slipper at him.

NUBBINS SAWYER

HE'S ALIVE IN THIS Y'ALL.

Grabs his camera and takes a picture of you.

Keeps it in his little fur pouch thing he has in the gif.

CHOP TOP SAWYER

He just wanted to show you a new album that he definitely didn't steal.

Stares, waving the record in his hand. Looks you up and down.

He just walks in and continues talking about the album.

LESTER SINCLAIR

Accidentally walks in and profusely apologises and runs out.

He accidentally runs into the door, knocking his hat off his head.

Apologises a million times, closing the door behind him.

RZ!MICHAEL MYERS

Unlike OG!Michael, RZ!Michael takes time to look at you up and down, examining your body.

Hugs you. For some reason.

Pokes your breasts. Tilts his head.

Leaves.

[jokingmisfit]

A Donatello Who... (NSFW)

A Donatello who fucks you reverse cowgirl style while he works.

Who loves having you warm his cock while he works.

A Donatello who says nothing but hisses and growls.

Who burros his face into your chest when he starts getting overwhelmed with emotion during sex.

A Donatello who has such good self control he can fuck you over and over without cumming.

Who brags about how good he makes you feel.

A Donatello who will hold a conversation through the door on the phone while he fucks you.

Who when it's safe will push papers away and fuck you on his desk.

A Donatello who uses his inventions to fuck you on the side while he works/watches.

Who loves having our bury your head in his neck and feel you cry and pant on his skin.

A Donatello who sometimes is so overwhelmed after that he has to leave you alone in his bed to decompress.

Who other times can't let you go and gets aggressive when someone tries to take you away because they don't need you like he does right now.

A Donnie who fucks you in several positions in front of a camera so he can record your reactions.

Who "researches" your body and takes notes on your reactions.

A Donnie who has to touch you all over.

Whose hands move all over you, but loves to squeeze your chest and ass.

A Donnie who leaves so many marks on your body from his rough grabbing.

Who leaves hickeys on every inch of you and gets upset if you cover them.

A Donnie who can't hold any of his moans back as he fucks you.

Who sometimes holds a camera to your face or hole to "research" later.

Who barely closes his eyes so he can see everything.

A Donnie who has to make you cum again because he "missed" it the first time.

Who cums as much as you do but loves the over stimulation.

A Donnie who just has to hold you afterwards because he is so overwhelmed with love for you.

Who gives you snacks and cleans you with a warm washcloth.

A Donatello who fucks you with his tongue more than his cock.

Who holds you so flush against your face you fear he'll suffocate.

A Donatello who will only fuck you with his dick if you beg him repeatedly.

Who grabs at any belly or hair you have. (If you have them).

A Donnie whose fucking is so contrast from his personality you sometimes get whiplash from the attitude change,

Who sometimes lists scientific facts on why you react to certain stimuli.

A Donnie will fuck you with other objects including his bo-staff.

Who will blindfold you with his own mask.

A Donnie who can and will fuck you anywhere.

Who will laugh at how cute the faces you make are.

A Donnie that will bathe you after so you're not too sore.

Who will stay and read to you or work on a small machine.

[trans-axolotl]

Bo Laurent created the Intersex Society of North America in 1993, starting the intersex rights movement in the United States. Describing the founding of ISNA, they wrote:

"Over the course of a year, simply by speaking openly within my own social circles, I learned of six other intersexuals--including two who had been fortunate enough to escape medical attention. I realized that intersexuality, rather than being extremely rare, must be relatively common. I decided to create a support network. In the summer of 993, I produced some pamphlets, obtained a post office box, and began to publicize the Intersex Society of North America (ISNA) through small notices in the media. Before long, I was receiving several letters per week from intersexuals throughout the United States and Canada and occasionally some from Europe. While the details varied, the letters gave a remarkably coherent picture of the emotional consequences of medical intervention. Morgan Holmes: "All the things my body might have grown to do, all the possibilities, went down the hall with my amputated clitoris to the pathology department. The rest of me went to the recovery room--I'm still recovering." Angela Moreno: "I am horrified by what has been done to me and by the conspiracy of silence and lies. I am filled with grief and rage, but also relief finally to believe that maybe I am not the only one." Thomas: "I pray that I will have the means to repay, in some measure, the American Urological Association for all that it has done for my benefit. I am having some trouble, though, in connecting the timing mechanism to the fuse."

ISNA's most immediate goal has been to create a community of intersex people who could provide peer support to deal with shame, stigma, grief, and rage, as well as with practical issues such as how to obtain old medical records or locate a sympathetic psychotherapist or endocrinologist. To that end, I cooperated with journalizes whom I judged capable of reporting widely and responsibly on our efforts, listed ISNA with self-help and referral clearinghouses, and established a presence on the internet. ISNA now connects hundreds of intersexuals across North America, Europe, Australia, and New Zealand. It has also begun sponsoring an annual intersex retreat, the first of which took place in 1996 and which moved participants every bit as profoundly as the New Woman conference had moved me in 1993.

ISNA's longer-term and more fundamental goal, however, is to change the way intersex infants are treated. We advocated that surgery not be performed on ambiguous genitals unless there is a medical reason (such as blocked or painful urination), and that parents be given the conceptual tools and emotional support to accept their children's physical differences...To provide a counterpoint to the mountains of medical literature that neglect intersex experience and to begin compiling an ethnographic account of that experience, ISNA's Hermaphrodites with Attitude newsletter has developed into a forum for intersexuals to tell their own stories.

...When I established ISNA in 1993, no such politicized groups existed. I was less willing to think of intersexuality as a pathology or disability, more interested in challenging its medicalization entirely, and more interested still in politicizing a pan-intersexual identity across the divisions of particular etiologies in order to destabilize more effectively the heteronormative assumptions underlying the violence directed at our bodies."

-Cheryl Chase, Mapping the Emergence of Intersex Political Activism, Journal of Lesbian and Gay Studies, 1998, 189-211.

[the-cannibal]

Slashers with a s/o who has weird cravings for inedible things

Have you ever looked at tide pods, erasers, basically anything with a big DO NOT EAT CONTACT POISON CONTROL IF INGESTED sticker on them? Me too! So here’s a funny little thing for that!

Ps: please don’t actually eat any of the things in this- there are alternative things that you can actually eat that are similar to these things!

Gender neutral reader - they/them and you is used

Slashers included: Bo Sinclair, Vincent Sinclair, Jason Vorehees, Michael Myers, Brahms Heelshire, Billy Loomis and Stu Macher

Vincent Sinclair:

“Vinny Vinny Vinny!”

“???”

“Can I eat some of that wax?” You pointed off to the scraps on the table by the art piece he was currently working on.

“?!?!?!” Cue frantic signing - ‘Y/n no- you can’t eat that, it will make you sick! Why would you even want to in the first place?’

You shrugged. “I dunno. It just looks warm and tasty!”

Vincent will now make sure to keep an eye on you anytime you are around wax.

But one day your curiosity won, and he caught you mid lick on one of his sculptures.

Yeah he was all mother hen on you for a while.

Bo Sinclair:

Bo was in his garage (surprise surprise) working on a car. You decided to tag along.

“Hey Bo, can I drink some of that?”

“Sure darlin.” Bo had said without looking up. He has just assumed you were talking about the glass of ice tea he has sitting next to him.

It wasn’t until her heard you spitting up something into the dirt that he actually looked up and saw the bottle of oil in your hand…

“Y/n what the fuck?!” He shouted at you. He was angry sure but he was mostly concerned and didn’t want you to fucking poison yourself, so he stuck two fingers down your throat and forced you to puke.

“Why would you do that?!”

“It looked like root beer!” You shouted between coughs.

“God you’re almost as bad as Lester…”

Jason Vorhees:

Oh if you think this man will even let you get anything inedible anywhere near your mouth you are wrong.

Jason has had to swat out jelly erasers out of your hand while you were working on a drawing because the fake pink strawberry inside it was just too tempting for you. You now only get to use boring white erasers… which you were banned from for a while when you thought they looked like marshmallows.

“Hey Jason, what do you think tidepods taste like?” You are no longer aloud to do laundry by yourself.

But he would help make snacks for you that have said texture of whatever thing you want. Wanna eat sand? Here’s some granola he’s made and crushed up to look and feel like it!

Michael Myers:

You’ve probably eaten a lot of stuff you shouldn’t have- dude isn’t the most observant at first.

But the second he does catch you, he’s watching you like a hawk.

He about yelled at you when he saw you munching on one of his (thankfully clean) jump suits. But he didn’t and instead took it away from you, lightly tapping you on your nose, scolding you like you were a teething puppy.

Actually that is what he saw you as when you’d do this-

He isn’t a cooker or a baker but if he finds anything edible that he thinks would satisfy your cravings then he will take it.

Brahms Heelshire

“New rule! Y/n is not aloud to eat anything without Brahms’ permission!”

“Brahms I don’t think that’s gonna work-“

“THEN STOP TRYING TO EAT THE PIANO KEYS!”

What? The Heelshire’s have a lot of old stuff! A lot of old tasty looking stuff… like the piano and Brahms’ records.

Brahms sometimes feels like a nanny for you when it comes to food. He now sits on the counter and watches you like a bird hunting it’s prey to make sure you aren’t sneaking anything in your mouth you shouldn’t. Don’t worry Brahms! They’d never do that!… would you..?

Billy and Stu:

Stu does the same thing as you.

Billy feels like he needs to keep you both on those little backpacks with those leashes that keep kids from running into traffic.

He has put you two in them before… he calls it ‘dumb snacking jail’

You make a comment about how Billy would know all about being in a jail.

That earned you more time in dumb snacking jail-

“They aren’t hurting anyone!” Stu shouted

“Stu they are trying to eat rocks…”

“It’s not hurting anyone!”

“ITS HURTING THEM-?!”

[lilianasgrimoire]

Book of Shadows vs Grimoire; What's the difference?

A Book of Shadows (which will be referred to as BOS)

Book of Shadows

A BoS is a witches magick diary, so to speak. It's incredibly personal and may contain pages that consist of shadow work entries, entries on their dreams, sigils, tracking and records, tarot readings & spreads, even spells and their outcomes/progressions if they are making their own. This book is full of mistakes, progression and finalising of creations. You can decided to put anything in your BoS, which is what makes it yours. Many witches usually keep this book hidden or locked to anyone other than the owner of the book. It's quite literally a diary into their craft, so there may be pages in there that are full of vulnerabilities and struggles a witch may face throughout their journey.

Vs. Grimoire

A grimoire is something a little less personal, and more academic and used to find information. A grimoire is used more as a book of information; a guide to meanings, definitions or common information in one place. A grimoire is great when creating/making new spells, rituals, learning of gems and crystals. A grimoire can come in many forms, like a BoS, it can be done online, in a book, or on your phone. It can include key words and sayings, pre-made spells, sigils, prayers, etc. Both the BoS and grimoire can be placed on an altar

[noahsmuse]

CRUSH ♡

✮ PAIRING: noah sebastian x popstar!reader

✮ REQUEST: “Maybe something along the lines of, Y/N did a cover of a bad omens song and has stated in a couple interviews that BO is her favorite band. And Noah finds the cover and from there you can decide what happens ❤❤” - 💌 anon!

✮ A/N: my first full fic for noah!! 🥳🥳 hope you all enjoy! keep the thoughts & requests coming with anything you’d like to see me write about :) italics represent flashbacks!!!!!

WHILST you wait for your dates’ arrival, sitting in your best attire keeps making you think about how everything between the two of you have transpired…..

..it all started when you were sat with an interviewer behind many cameras recording your answers to be put in videos and magazines that were sure to sell out as soon as they hit the shelf, one of the most asked and speculated questions caught the attention of everyone, especially by one of the people you listed.

“when it comes to creating music, who are some artists that you look to for a source of inspiration?” the interviewer asked you, your response consisted with artists that many thought you would say like britney spears and madonna but then you said a band that shocked numerous people specifically the members within the group that’s known as Bad Omens.

but…this wasn’t the last time that you would mention the band or their music, often times when asked about who are your favorite artists at the moment, they’d find themselves in that list along with some of your other friends in the industry. yours and their fans noticed how you would post their songs onto your instagram stories and even wear merch!!!!!!

everything changed when you were invited into the BBC live lounge and they presented you with the option to choose a song to cover, so of course, you decided to sing your version of ‘The Death Of Peace Of Mind.’ the internet went crazy over your version of the song and ended up being posted EVERYWHERE.

since your cover of the song seemed inescapable to literally anyone on the internet that week, of course this was how noah was introduced to your music and captivating voice. sure, he’s heard of you talking about how bad omens was one of your favorite bands and thought it was cool that you known who they were but didn’t really think much about it until he’d seen the cover you done.

after hearing the cover that you’ve done for ‘The Death Of Peace Of Mind’ and all the kind words you’ve said about the band, noah decided it was time to reach out to you. but seeing as he deleted all his personal social media accounts and you’re literally famous, it was almost impossible to get your attention so eventually, he kinda just let it go.

until….it was announced that you switched record labels and coincidentally you signed to the same company as Bad Omens. as this was a huge deal, not only for you but also the label, they decided to have a party to celebrate your signing !!!! everyone within the label was invited which also included noah sebastian from Bad Omens, so when he seen the invite, he made sure that his schedule was cleared just so he could make it to the party that day.

finally, the day of your signing celebration arrives ! you were so overwhelmed with all the love, attention, and support that came from your new co-workers which is the main reason why you’re now sitting outside, just for a break from all the madness. right as you’re about to turn around and go back inside, the sound of loud music escaping from behind the closed doors along with a feeling of eyes staring down at you is enough to make your head turn around to see the lead singer of Bad Omens making his way over to talk to you.

the whole moment feels unreal for the both of you. you’re finally talking to one of the main masterminds behind the band that you admire and kind of grew a crush on, meanwhile, noah was amazed that he was even able to talk to you.

many hours go by just sitting and talking with noah, you two clicked immediately and learned that you both were basically the same person !! as the night comes to an end, noah walks you back to your car, making sure you can make it back home safely but before you leave, he asks for your number to stay in contact!

and ever since, you haven’t gone a day without speaking with noah whether it was by text messages, phone calls, or the almost daily facetimes. it was clear to literally anyone that you both were in love with each other so while talking on the phone one day, so he decides to make the first move and ask you out to a nice little restaurant…

this now leaves you nervously toying with the hem of your dress while also pacing back and forth in front of your door waiting for —

the sound of knocking interrupts your thoughts as you open your front door to see a 6’3 man with big brown bambi eyes staring down at you holding a beautiful custom made bouquet that he had ordered days before hand, after one of your conversations turned into you talking about flowers and what your favorite kinds were. him remembering this random little detail about you made your heart swell, you could tell just from this small action alone, that he was definitely your soulmate ♡

[mariacallous]

Today, Aug. 31, Estonians and Latvians celebrate 30 years since the departure of Russian troops from their territories, which ended half a century of occupation. The ongoing war in Ukraine is a daily reminder for Russia’s neighbors that their freedom must not be taken for granted. History suggests that Russians only withdraw from occupied territories for one of two reasons: Either they are driven out by force or their own cost-benefit calculus compels them to leave. In the latter case, the only major territorial withdrawals in Russian history have happened when regime collapse has radically changed this cost-benefit calculus. If Washington fails to recognize this long-established pattern and continues to severely constrain Kyiv’s defense in hopes for some future reset in relations with Moscow, the next wave of Russian aggression is all but ensured.

The Russian empire—whether the tsarist or Soviet variant—collapsed twice in the 20th century: in 1917, when a communist coup dethroned the tsar, and in 1991, when another, unsuccessful coup was the final death knell for the Soviet Union. Both events created a window of opportunity for many smaller nations to break free. Moscow withdrew from many of its non-Russian territories not because it no longer wanted to have an empire, but because it no longer had the means to keep these territories under its control.

Russia is currently occupying more than 42,000 square miles—about the size of South Korea—or approximately 18 percent of Ukraine’s territory. Ukrainians aim at regaining all of it and see full restoration of their territorial integrity as an essential component of a just peace. Yet their hopes to reconquer much of their land have withered, not least due to strict limitations imposed, mainly by the United States, on the Ukrainians’ use of Western weapons. Ukraine’s surprise incursion into Russia’s Kursk region and quick capture of about 500 square miles of Russian soil has changed the outlook: Now, an exchange of territories may become an element of eventual negotiations. Russian leader Vladimir Putin’s calculus is still in favor of continuing the war, but the Ukrainians are finding new ways to increase the cost to Moscow and upend the narrative that Russia is marching towards an inevitable victory.

The historical experience of Russia’s neighbors provides some clues to Ukraine’s chances to regain occupied territories or achieve peace through territorial concessions.

The last Soviet leader, Mikhail Gorbachev, decided to let the Soviet satellite states in Central and Southeast Europe go and allowed an unprecedented degree of openness within the Soviet Union. But even the great reformer Gorbachev was unwilling to give up any of the Soviet republics, including the three Baltic states. A leader of the Estonian national movement at the time, Marju Lauristin, recalled a personal conversation with Gorbachev, in which she explained Estonia’s aspirations for independence and received a straight reply. He could not give away what the Russian nation had gained, she recalled him saying.

The Baltic states grasped the chaos and aftermath of the 1991 Soviet coup to restore their independence, but that was followed by a tense three-year struggle to achieve the withdrawal of Russian troops. Diplomatic efforts took place in parallel with the departure of Moscow’s forces from the former satellite states, including more than 330,000 soldiers leaving East Germany by 1994. As we know, Russia’s withdrawal from Germany was a most humiliating experience for the young Putin, who was traumatized by the East Germans’ peaceful uprising against their communist regime while he was stationed there as a KGB agent.

Estonia was the last European country to secure the departure of Russian troops through a July 1994 agreement between the two countries’ presidents at the time, Boris Yeltsin and Lennart Meri. Both leaders took considerable risks by agreeing to a deal that was unpopular in their respective countries. Many in the Russian opposition, diplomatic establishment, and security services were highly critical of Yeltsin’s decision. On the Estonian side, the deal involved painful concessions, notably allowing retired Soviet military personnel and their families, altogether more than 10,000 people, to stay in Estonia and enjoy social benefits. Similar unpopular conditions were also accepted by Latvia. Although the departure of occupying troops was a dream come true for Estonians, Meri faced criticism at home for the concessions. It took great diplomatic skills and political courage to achieve the final stage of de-occupation, which paved the way for Estonia’s accession to NATO and the European Union.

The motive for Yeltsin was most probably his wish to maintain good relations with the West—especially the economic and financial support on which Russia depended at the time—while the United States and Germany put friendly pressure on him to withdraw his forces from the Baltic states. Any such motive is utterly irrelevant for the current Russian leadership; there is no chance that Western countries could persuade the Putin regime to deliberately leave Ukraine in hopes of improved relations or economic benefits such as sanctions relief.

For some of Russia’s neighbors, giving up territory was the price to pay for independence. However, territorial concessions without being prepared to resist further Russian demands has not been a recipe for stability. In 1939, then-independent Estonia gave in to Soviet demands to establish military bases on its territory in the vain hope of avoiding war. The concessions did not help, and the Baltics were soon occupied and annexed. Finland refused similar demands for the stationing of Soviet troops and was attacked by the Red Army. Yet eventually, Finland sustained its independence after fiercely fighting for it. The Baltics learned a bitter lesson. Today they are prepared to fight back from the first moment of aggression.

Finland gave up one-tenth of its territory as a result of its two wars with the Soviet Union, but it would be wrong to present this as an example of trading land for peace. The Soviet Union did not stop fighting because it was content with the concessions; it stopped because it was unable to defeat the Finns and conquer more land. The Red Army became too exhausted to carry on, not least because it was also fighting on other fronts of World War II.

As part of the armistice agreement that ended the Soviet-Finnish fighting in September 1944, Finland leased to the Soviet Union the strategically valuable Porkkala peninsula, located just 20 miles from Helsinki. Although the lease was set for 50 years, the Soviets returned Porkkala in 1956, which looks like a rare example of a voluntary Russian withdrawal. The decision was part of the thaw under Soviet leader Nikita Khrushchev, who succeeded Joseph Stalin in 1953. The case shows that a new leader who is critical of his predecessor may sometimes be favorable to new openings.

However, in subsequent years the Kremlin continued attempts to subsume Finland under tighter Soviet control, successfully interfering in its domestic politics and forcing it to align much of its foreign policy with Russia’s but failing to push the country closer to defense cooperation. Finland achieved Soviet recognition of its neutral status only as part of the Conference on Security and Cooperation in Europe held in Helsinki in 1975.

Another Russian neighbor, Japan, has also learned that Moscow does not give up territories under its control as a gesture of goodwill. Under former Prime Minister Shinzo Abe, Japan made extensive efforts in the 2000s and 2010s to foster friendly and mutually beneficial relations with Putin’s regime. Abe aimed to finally settle the two countries’ territorial dispute over the four southernmost Kuril Islands, annexed by the Soviet Union at the end of World War II. In the hope of splitting the difference and regaining two of the islands, Japan went to great lengths in courting Putin and avoiding any criticism of Russia, including after Russia’s illegal annexation of Crimea and the start of the war in eastern Ukraine. In March 2022, Russia announced that it did not intend to continue the talks and practically ruled out giving up any of its territories, with Russian Security Council Deputy Chairman Dmitry Medvedev stating that “negotiations about the Kurils always had a ritualistic character”.

So far, the West has been surprised by Russia’s ability to bear the heavy cost for its invasion of Ukraine. In Western societies, human life is priceless; in Russia, it is cheap. The Russian regime has been able to rely on seemingly endless waves of expendable soldiers and a harsh redirection of its economy to defense production in ways that would be far too costly for any democratic leader. What can be fatal for a Russian leader, however, is any perceived weakness and the failure to uphold Russia’s greatness. Most Russians want to live in a great country that dominates others, and they are ready to accept sacrifices for this cause, as documented in detail in books by Svetlana Alexievich, Jade McGlynn, and others.

Western leaders have talked a lot about the need to raise the cost of Russian aggression. But they have failed to effectively implement economic sanctions and have still not allowed Ukraine to use Western long-range weapons to attack military targets on Russian territory. By bringing the war to Russia nonetheless, Ukraine has proven that there is space to be bolder and more innovative in making the Russians pay a painful price for their desired greatness—a greatness that is built on invading and occupying other nations.

Russia is not going to withdraw from Ukraine unless it is forced to go—or to pay an unbearable price to stay. There is absolutely nothing in Russian history or recent behavior that suggests Moscow could be expected to negotiate in good faith to reach a compromise. Some territorial concessions from Ukraine may eventually be the price worth paying for peace and freedom—but this remains moot until Russia first gets to the point where it believes that further aggression can bring no gains.

Full restoration of Ukraine’s territorial integrity will likely require another collapse of the Russian empire. It may be years ahead, but Russia’s historical trajectory suggests that it will happen at some point, as the country has shown itself to be incapable of correcting course through evolution rather than revolution. A Western “reset” with the current regime will not be possible without sacrificing Ukraine’s independence and the core principles of the European security order, including the principles of sovereignty and territorial integrity.

Whether losing Ukraine will be the final death toll for the Russian empire, only time will tell. And even then, Russia’s neighbors will always have to be prepared for its violent imperialism to rebound.

[mostlysignssomeportents]

Pluralistic is four

I'm on tour with my new novel The Bezzle! Catch me TOMORROW in SALT LAKE CITY (Feb 21, Weller Book Works) and then SAN DIEGO (Feb 22, Mysterious Galaxy). After that, it's LA, Seattle, Portland, Phoenix and more!

Four years ago, I started pluralistic.net, my post-Boing Boing, solo blog project: an ad-free, tracker-free site that anyone can republish, commercially or noncommercially. It's been a wild four years, featuring over 1,150 editions, many consisting of multiple articles:

https://pluralistic.net/2020/02/19/pluralist-19-feb-2020/

As a project, Pluralistic has been a roaring success. I've published multiple, significant "breakout" articles that popularized obscure, important, highly technical ideas, most notably "adversarial interoperability":

http://pluralistic.net/tag/adversarial-interoperability

"End-to-end" as a remedy for multiple internet ripoffs, including as a superior alternative to link-taxes as a means of saving the news industry from Big Tech predation:

https://pluralistic.net/tag/e2e/

and, of course, "enshittification":

https://pluralistic.net/tag/enshittification/

These are emblematic of the sorts of ideas that I've spent the past 20+ years trying to popularize in tech-policy debates dominated by technologically illiterate policy ideas ("abolish Section 230!") and politically illiterate technical ideas (so many to choose from, but let's just say "cryptocurrency"). They require that the reader come along for a lot of cross-disciplinary analysis that often gets deep into the weeds. These are some of the hardest ideas to convey, but nuanced proposals and critiques that work on both political and technical axes are the best hope we have of successfully weathering the polycrisis.

Blogging has always been a part of this project. For nearly 20 years, I posted nearly every day on Boing Boing – 53,906 posts in all! – taking note of everything that seemed important. Keeping a "writer's notebook" in public imposes an unbeatable rigor, since you can't slack off and leave notes so brief and cryptic that they neither lodge in your subconscious nor form a record clear enough to refer to in future. By contrast, keeping public notes produces both a subconscious, supersaturated solution of fragmentary ideas that rattle around, periodically cohering into nucleii that crystallize into full-blown ideas for stories, novels, essays, speeches and nonfiction books. What's more, those ripened ideas are supported by a searchable database of everything I've thought about the subject, often annotated by readers and other writers who've commented on the posts. I call this "The Memex Method":

https://pluralistic.net/2021/05/09/the-memex-method/

Pluralistic marks a new phase in my deployment of the Memex Method. With 50K+ notes in a database, I've gradually turned Pluralistic into a forum for far more synthetic, longer-form work that pulls on threads from decades of research into nothing in particular and everything that seemed important.

Pluralistic is also an experiment in retaining control over my destiny – but not my work. Rather than hitching my ability to reach an audience through a platform that can be enshittified at the whim of a mercurial, infantile billionaire or their venal, callous shareholders, Pluralistic is published web-first, on a site I control, and then syndicated to every platform that matters to me. It's a process called POSSE (Post Own Site, Syndicate Everywhere):

https://pluralistic.net/2021/01/13/two-decades/#hfbd

I want to spread the ideas I fight for, so I post them everywhere, and license them Creative Commons Attribution-Only, encouraging others to repost them. Lots of small sites do this, but so do large ones. Notably, Wired picked up my first breakout piece on enshittification and republished it under the CC terms:

https://www.wired.com/story/tiktok-platforms-cory-doctorow/

This was a really interesting process. On the one hand, I didn't get paid for this feature, which did really well for Wired. On the other hand, nearly 30 years of writing for Wired makes me doubtful that I could have gotten this piece out in the form it emerged, without substantially toning down (or, if you prefer, neutering) the rhetoric that made that piece more persuasive. A commissioning editor from one of the largest newspapers in the world got in touch with me after it came out and said they wished they'd published it – but also that they knew they couldn't possibly have done so. By publishing the story first on my blog, proving its audience, and establishing its canonical form, I was able to get it amplified by a service with a much bigger platform than me, without having to compromise on the form.

That republication gave me the much-maligned "exposure" – but it also carried the message to places it wouldn't have reached on its own. I don't write – have never written – solely as an income source. As both an artist and an activist, connecting with audiences has always been co-equal in my mind with earning my living. That's why I don't do a lot of film-writing: it pays well, but most of it never sees the light of day. It's also why I stopped writing for ad agencies: it paid well, but it didn't matter to me or my audience. To mangle Dr Johnson: "No man but a blockhead ever wrote solely for money."

The open nature of this blog, with its many open syndication channels, creates multidirectional pathways for evaluating and refining my attempts at making my ideas understood and my art land. My posts often circle back to points I made earlier, incorporating useful feedback from readers and colleagues, sure, but also anticipating and rebutting those areas where critics have convinced others in various forums. Vanity searching is unjustly maligned: I learn a ton about how to make by work better by lurking in Reddit comments, Hacker News, Twitter, Slashdot, Metafilter and other forums. I also take a sneaky pleasure in knowing that the persistent trolls who reliably pop up to grind their weird axes about me (sometimes referencing blog posts I made decades ago) have taught me how to neutralize them in advance, and it's delightful to see them try their same old lines, only to have other commentators point out that my latest piece makes it absolutely undeniable how wrong they are. Living well is the best revenge, indeed.

Four years. I've been writing Pluralistic for four years. During that time, I've published eight books – and beyond any doubt, Pluralistic helped me get those books into readers' hands. But far more importantly, during that time, I've written nine books – and contracted for a tenth – as the Memex Method paid off again and again.

I don't know how long I'll do Pluralistic for, but I don't foresee stopping any time soon. What's more, no matter what happens to Pluralistic, I can't ever see giving up on the Memex Method, keeping notes in public and making them work for me.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/20/fore/#synthesis

[kemetic-dreams]

Minnie Julia Riperton Rudolph (November 8, 1947 – July 12, 1979) was an American singer-songwriter best known for her 1975 single "Lovin' You" and her four octave D3 to F♯7 coloratura soprano range. She is also widely known for her use of the whistle register and has been referred to by the media as the "Queen of the Whistle Register."

Minnie Riperton grew up in Chicago's Bronzeville neighborhood on the South Side. As a child, she studied music, drama and dance at Chicago's Lincoln Center. The youngest of eight children in a musical family, she embraced the arts early. Although she began with ballet and modern dance, her parents recognized her vocal and musical abilities and encouraged her to pursue music and voice. At Chicago's Abraham Lincoln Center, she received operatic vocal training from Marion Jeffery. She practiced breathing and phrasing, with particular emphasis on diction. Jeffery also trained Riperton to use her full range. While studying under Jeffery, she sang operettas and show tunes, in preparation for a career in opera. Jeffery was so convinced of her pupil's abilities that she strongly pushed her to further study the classics at Chicago's Junior Lyric Opera.

The young Riperton was, however, becoming interested in soul, rhythm and blues, and rock. In her teen years, she sang lead vocals for the Chicago-based girl group the Gems. Eventually the group became a session group known as Studio Three and it was during this period that they provided the backing vocals on the classic 1965 Fontella Bass hit "Rescue Me".

After graduating from Hyde Park High School (now Hyde Park Academy High School), she enrolled at Loop College and became a member of Zeta Phi Beta sorority. She dropped out of college to pursue her music career.

Her early affiliation with the legendary Chicago-based Chess Records afforded her the opportunity to sing backup for various established artists such as Etta James, Fontella Bass, Ramsey Lewis, Bo Diddley, Chuck Berry and Muddy Waters. While at Chess, Riperton also sang lead for the experimental rock/soul group Rotary Connection, from 1967 to 1971.

On April 5, 1975, Riperton reached the apex of her career with her No. 1 single "Lovin' You". The single was the last release from her 1974 gold album titled Perfect Angel. Riperton's third album, Adventures in Paradise was released in 1975. Despite the R&B hit "Inside My Love", some radio stations refused to play "Inside My Love" due to the lyrics.

Her fourth album for Epic Records, titled Stay in Love (1977), featured another collaboration with Stevie Wonder in the funky disco tune "Stick Together".

In 1978, Richard Rudolph and Riperton's attorney Mike Rosenfeld orchestrated a move to Capitol Records for Riperton and her CBS Records catalog. In April 1979, Riperton released her fifth and final album, Minnie. "Memory Lane" was a hit from the album.

Riperton provided backing vocals on Stevie Wonder's songs "Creepin'" from 1974's Fulfillingness' First Finale and "Ordinary Pain" from 1976's Songs in the Key of Life. In 1977, she lent her vocal abilities to a track named "Yesterday and Karma", on Osamu Kitajima's album, Osamu.

In January 1976, Riperton was diagnosed with breast cancer and, in April, she underwent a radical mastectomy. By the time of diagnosis, the cancer had metastasized and she was given about six months to live. Despite the grim prognosis, she continued recording and touring. She was one of the first celebrities to go public with her breast cancer diagnosis but did not disclose she was terminally ill.

In 1977, she became a spokesperson for the American Cancer Society. In 1978, she received the American Cancer Society's Courage Award, which was presented to her at the White House by President Jimmy Carter.

Riperton died of cancer on July 12, 1979 at the age 31.

During the 1990s, Riperton's music was sampled by many rap and hip-hop artists, including Tupac Shakur, Dr. Dre, A Tribe Called Quest, Blumentopf, The Orb

[person4924]

hi !! i’m sam !! and uhhh that’s all u need to know but there’s more under the cut !!

(also im trying to make this aesthetic and cute but idrk how so if u have any tips pls pls pls !!)

yes i’m sad (secretly a dinosaur)

basic info

i’m sapphic of some sort and ace!!

i go pretty much by any pronouns atp but she and they are usually the best!! proud genderfuck ✊

i’m a minor. so please don’t be fucking weird.

i’m american (even worse, the midwest 😨) unfortunately but literally as soon as i fucking can im booting it and moving to norway

i’m neurodivergent of some some sort

i play soccer (defense usually but i like offense more) and lacrosse (i just started so idek) currently but i also usually play volleyball but i missed the season sooo

i have a sideblog that is currently a confessions blog but it might change cus no one actually does it!! but if u would like to do a (general) confession then it is @just-a-little-lad4924

i have another sideblog that is for analysis’ !! i mostly do characters and songs but i’ll do pretty much anything (send me a request please please please please please) it’s @person-speaks

just general facts about me !

my personality type is INFP-T

i have 3 cats!! one at my dads, her name is graci (after gracie abrams ofc) and she’s about a year and a half, and 2 at my moms: regulus (guess who named him!! 😱) and libby and their siblings and are currently abt 3 months !! i could yap abt them forever i love them sm

my favorite color is dark green, fav season is fall, fav holiday is christmas or halloween, fav animal is cats or sharks or moths or jellyfish

i appreciate tone tags and try to use them as much as possible

im always bored so asks and everything are super duper cool !

i love love love making ananlysis' of basically anythng sooo if theres like a song or ship or something i could totallly write an essay abt it or smth !

uhhh idrk what else !!

fandoms AKA past hyperfixations that i’m still attached to but im not necessarily still in the fandom: harry potter (fuck jkr !!), MCU, KOTLC, marauders, boy meets world, it, osemanverse, paper girls, teen wolf, owl house, shameless, glee, stranger things, andi mack, tlou, riordanverse, brooklyn nine nine, new girl, hamilton, grishaverse, community, dawsons creek, bojack horseman, criminal minds, ted lasso, scooby doo, everything sucks!, the sun bearer trials, atypical, octonauts, dead boy detectives, will and grace, how i met your mother, the maze runner, descendants, arcane

uhhh can u tell i don’t have many friends.

fav movies (not counting fandoms): tick tick boom, my girl, eternal sunshine of the spotless mind, little rascals, empire records, bottoms, nimona, little women, 500 days of summer, benny & joon, beautiful boy, call me by your name, lady bird, stand by me, RWRB, addams family values, the breakfast club, spiderman ITSV/ATSV, the outsiders, luca, the perks of being a wallflower, dead poets society, big daddy, the edge of seventeen

once again. i have very little friends. and very many issues.

fav music people (not always up to date i like new artists every day): gracie abrams, taylor swift, noah kahan, mitski, boygenuis, julien baker, phoebe bridgers, lucy dacus, hozier, the head and the heart, conan gray, RKS, queen. harry styles, the fray, olivia rodrigo, coldplay, billie eilish, maya hawke, bo burnham, chappell roan, the smiths, the revivalists, addriane lenker, lorde, fiona apple, alex g, ani defranca, radiohead, montell fish, lizzy mcalpine

just general interests: poetry, art, writing, sitcoms, stand up comedy, greek mythology, the sky (like the stars, moon, sun, etc. astronomy metaphors are my everything), moths, jelly fish, ocean animals in general (first special interest 💪💪), pretty much just animals in general, 90's movies, cinematography, bo burnham (i didnt know where eles to put him), annotating, musicals, actors, spider man

fav books (also not including fandoms): the perks of being a wallflower, the outsiders, i fell in love with hope, ill give you the sun, and more but i dont remember the names atm !

my fav ships (buckle in! i apologize.): wolfstar, jegulus, jily sometimes, pandalily, dorlene, rosekiller, drarry, jeric (bmw), reddie, charlie/nick, tara/darcy, tao/elle, lister/jimmy, pip/rooney, kajemac, sterek, isaac/stiles, malia/stiles, lumity, gallavich, ronance, solangelo, valdangelo, kinda percico, dianetti, wesper, kanej, trobed, joey/pacey, ralvez, spencer/ethan, kindaaa moreid, painland, newtmas, jaylos, harry/carlos (idk the ship name), robin/barney, caitvi

i might have missed a few but these are My Guys. /gn

links!

spotify!! - my character playlists are my pride and joy and reason for living, i could write essays about how each song could specifically fit the character and situation. anyways!!

discord

airbuds - idk if anyone uses this but if u do add me!!

ao3 - i have 1 fic that is my fav thing ever (a camp halfblood group chat) and the other two... are there

pinterest

tiktok - this is my alt that i blocked all my friends on and i have like my fandom shit but i don’t post that much and im barely on tt to begin with but yeah !!

pronouns page

spotify stats - idk if anyone uses this but also yeah !!

i have a super duper cool discord server that u should totally join too… link

i have a tagging system

sam shut the fuck up - og posts

asks!!! - asks

crazy? i was crazy once - big lists and essay things

sam sings :O - lyric/music posts

it’s so hard to be a lizard… - any jokes i make because im literally bo burnham

art i need in my veins - self explanatory mostly for myself but everyone else should also see this

and i think thats it!! if anyone has any ideas of things to add then yeah !! or how to make it look prettier cusss uhhhh yeah.

oh yeah and this is an official @i-luv-multiple-ppl fan account so !!

and creds to @cafekitsune for the dividers!!

[hwalilac]

Ateez Kinks

⇴ a/n: I do not know Atz personally, nor am I trying to say that any of this is truthful. I am only guessing based off their personality, and my experiences with them and their content.

Hongjoong

Exhib: Although he’s possessive of his lover, he also loves the idea of one of his members walking in on you two having intimacy. Mostly because he loves showing off that you’re only his to touch, the boys can look but not touch. However, part of him just likes being watched, knowing how powerful he is, loving intimidating those who watch.

Sp*nking: He adores disciplining you. Loves when you act like a privileged little brat so he can get it out of you. He’ll drag you over his lap, make sure your ass is bare so you’ll feel every slap, and make your ass tomato red. He especially loves pairing it with dirty talk, so once he’s done, he’ll find you soaking wet and leaking all over his thigh.

Seonghwa

DD /LG: Nothing to do with age, but more so taking care of his lover, sexually and romantically. He also gets off on being called “daddy”, though I think he would be okay with “mommy” as well. He’s also very good with his lovers that fall into sub space, treating them well and appropriately.

Impreg: Something about thinking of your tits filled with milk, stomach round and big, it makes him harder than he’s ever been before. Part of him wants to be a dad so badly, so there’s definitely a romantic part of the kink. However, he also just likes how hot you’d like being pregnant. Especially when he thinks about how you wouldn’t be very active when close to labor, so you’d just lay there and be ready for intimacy most of the time.

Yunho

Bo//ndage: He loves having complete and total power over you. The way you struggle getting out… it makes him hard instantly. Sometimes he’ll just leave you there, often with a vibrator attached to your clit, and have a camera recording you. He’ll also sit in a chair in the corner of the room, where the light doesn’t reach, watching to beg for him to touch you.

Sensory Deprivation: He loves putting a blindfold over your eyes. He loves the trust you put in him, to be able to control your body and senses. He’s often gentle when doing this kink, as to not overwhelm you too quickly. He mostly just lightly touches you, or uses a toy, but nothing serious. Sometimes he includes earbuds with music, but it’s not often.

Predator/Prey: Yunho feeds off of the power and dominance you give him. He loves playing hide and seek, especially at night. He always knows where you hide, but it’s fun to play regardless. Especially when you try running from him. He loves to catch you more than anything, pinning you down and taking you right where he finds you. You can resist all you want, but when he finds you, you’ll take what he gives you (unless you say your safe word, which Yunho would probably take a safe word the most seriously out of anyone)

Yeosang

Manhandling: I truly think he likes showing off his strength. Something about the way you check out his muscles, touching and squeezing his body. He loves impressing his lover. Then again, he also loves you being helpless, flailing around in his arms as he carry’s you into your bedroom only to ruin you. He loves the dominance he feels when you’re helpless like that, but he always checks in on you to see if you’re okay.

Voyeur: He often likes to watch or listen to other members fucking their lovers. He really doesn’t want to be creepy, but something about watching the dynamic of two lovers, especially when it’s dom/sub stuff, he just gets so turned on. He’ll be standing outside of Seonghwa or Hongjoong’s doors, quietly groaning with his hand on his hard on.

San

Shibari: Not only does he loves creating art, but he just loves watching you struggle in the ropes once you’re too turned on. Loves pressing a vibrating wand against you and watch you squirm. But the art… there’s nothing like finishing a difficult, yet beautiful piece on you. And then he’ll take a picture to get off to later on.

Edging: He LOVES edging his lover. It’s like a game to him, something he needs to win. This man will edge you for hours upon hours. However, he’s very careful not to push you too far. He’s not too rough on you. But once you cum, you practically black out, your orgasm being so powerful. He knows how to get you there in seconds, but also in hours.

Mingi

Oral: Not exactly a kink, but he gets off on it like a kink. He loves burying his face in your cunt, sloppily licking and sucking. He practically gets drunk on cunt. It makes him so painfully hard, he ends up rutting on the bed while trying to get you to your orgasm. He doesn’t tease though, knowing you would whine or just shove his face back in your core.

Overstim: He loves having your hand wrapped around his cock, pumping him until he can’t cum anymore. He loves putting his trust in someone else, and being taken care of. He can often go for a long time, but needs breaks. He usually gets so sleepy that he needs a lot of aftercare.

Wooyoung

Overstim: Same with Mingi, he loves having the sensation overwhelm him to the point where he’s begging and almost crying. Sometimes he’ll even do it to himself, legs shaking violently at the pleasure and pain. He’ll usually do it until he ends up with over three orgasms.

Edging: Wooyoung also loves teasing his lover. Sometimes he takes you to the very edge, loving the way you cry and beg for his mercy. Unlike San, he’s not as careful. He’s quite mean in bed, not only edging you physically, but patronizing you verbally. His dirty talk certainly helps get you there, but he’s genius at knowing when you’re about to cum.

Roleplay: He just loves thinking of the most fun, yet weird scenarios to try out. His favorite is always being a CEO, who fucks their secretary. He’s always wanting to try something new, up to most scenarios. Not very into pet play, although he will play the owner if his lover wants to be his little slutty kitten or puppy.

Jongho

Manhandling: Jongho can’t help but dig his hands into a pair of thick thighs, lift his lover up and through them onto the bed. Couch, even. He always makes sure you’re safe, though. But there’s nothing like showing off his amazing strength, and watching your tits bounce after you land. He loves exuding power over you, and his strength is one of the ways to remain on top and be dominant.

Breath Play/Choking: Again, something about the power you give him, the dominance he uses to not only pleasure you, but to love and protect you. If you want to be choked, he’d do it in a heartbeat, staying up all night finding the safest yet most pleasurable way to do it. His hand on your neck, he loves fucking you while doing it. Loves bringing you to the edge, so your orgasm is even more powerful and overwhelming.

I do not give permission for anyone to repost my work

[justforbooks]

Kris Kristofferson

Songwriter, singer and actor known for such classic hits as For the Good Times and Me and Bobby McGee

‘Songwriter” might be the first term that springs to mind to describe Kris Kristofferson, who has died aged 88, but he could also lay claim to being a singer, film star, soldier and academic. Highly cerebral yet also a rugged man of action, Kristofferson was from the same fine tradition of robust American individualists as his friends Johnny Cash and Sam Peckinpah.

Kristofferson’s greatest successes as a singer-songwriter came during the 1970s, especially with the albums The Silver Tongued Devil and I (1971), Border Lord (1972) and Jesus Was a Capricorn (1972), all big country hits that also crossed over to the pop album charts. However, before he achieved recognition as a performer, Kristofferson was already renowned as a supplier of hit songs to other artists.

His first to chart was Vietnam Blues, recorded by Dave Dudley in 1966, but the ball really started rolling when Roger Miller recorded three Kristofferson songs for his album Roger Miller (1969). One of them was Me and Bobby McGee, the bittersweet story of a pair of lovers and their life on the road, and Miller took it into the country music Top 20. Partly inspired by the Federico Fellini film La Strada (1954), it would become one of Kristofferson’s most covered songs.

Then Ray Stevens charted with Sunday Mornin’ Comin’ Down, the desolate alcoholic’s lament that would be a hit for Cash the following year, Faron Young took Your Time’s Comin’ into the country Top 5, and Jerry Lee Lewis followed suit with Once More With Feeling.

The Kristofferson magic also worked for Ray Price, who took For the Good Times to a country No 1 and the pop Top 20 in 1970, while Sammi Smith scored a pop Top 10 hit with Help Me Make It Through the Night. By the time Janis Joplin’s cover of Me and Bobby McGee topped the pop charts in March 1971, several months after Joplin’s death, Kristofferson (who had had a brief affair with the troubled singer) had become one of the hottest songwriting names in Nashville.

His debut album, Kristofferson, had gone nowhere following its April 1970 release, even though it contained songs being made into hits by other singers, and despite Kristofferson’s appearance at the vast Isle of Wight festival that year. But after he turned the corner commercially with Silver Tongued Devil, the first album was reissued as Me and Bobby McGee – and earned him a gold record. In 1972, several of his songs were nominated for Grammys, and he won Best Country Song for Help Me Make It Through the Night.

By the time Jesus Was a Capricorn had topped the country charts in 1973, boosted by the crossover hit single Why Me, Kristofferson’s attention had turned towards acting. He had already appeared in Dennis Hopper’s chaotic The Last Movie (1971) and played a down-and-out musician in Cisco Pike (1972), and now it was his connection with Peckinpah that pushed his movie career into high gear.

Peckinpah cast him as Billy the Kid in Pat Garrett and Billy the Kid (1973), in which Bob Dylan had an acting role and supplied songs for the soundtrack, and he worked with Peckinpah again on Bring Me the Head of Alfredo Garcia (1974) and Convoy (1978).

In 1973 Kristofferson married the singer Rita Coolidge (his second wife) and the couple scored a big pop and country hit with their first duet album, Full Moon, which delivered a batch of hit singles including the Grammy-winning From the Bottle to the Bottom. They enjoyed further success with the albums Breakaway (1974) and Natural Act (1978).

Meanwhile, Kristofferson had starred in Martin Scorsese’s first Hollywood studio production, the romantic comedy Alice Doesn’t Live Here Anymore (1974), with Ellen Burstyn. Two years later he soared into blockbuster heaven when paired with Barbra Streisand in the remake of A Star Is Born (their on-screen relationship continued off-screen). It was bludgeoned by critics but earned $150m at the box office, and brought Kristofferson a Golden Globe for best actor.

Coolidge and Kristofferson divorced in 1980. Coolidge commented acidly: “I can’t say enough about what a great man he was. It’s just that he was a shitty husband ... He was a very toxic human being with all his drinking and his womanising.”

Kristofferson, discussing how he had idolised the country singer Hank Williams, commented that “most of the heroes in that vein have been pretty self-destructive, and I was myself for a while. I used to drink a lot just to get up on the stage. I did not have a lot of confidence at the beginning.” He stopped drinking alcohol in 1980, after his doctor warned him that he was killing himself.

His leading role as Jim Averill in Heaven’s Gate (1980) ought to have been a crowning triumph for Kristofferson, but Michael Cimino’s portentous western became a byword for wastefulness and excess, and bankrupted United Artists studios. He enjoyed only modest success with Flashpoint (1984) and co-starred the same year with Willie Nelson in Songwriter, for which he wrote several songs, winning an Academy Award nomination for original music score. He and Nelson released the successful duo album Music from Songwriter.

During the 90s he experienced a revival after appearing as a corrupt sheriff in John Sayles’s Lone Star (1996). This led to parts in a string of successful big-budget films including Payback (1999), Planet of the Apes (2001) and the Blade trilogy (1998, 2002 and 2004).

Kristofferson was born in the city of Brownsville, Texas. He was the eldest of three children of Mary Ann Ashbrook and Lars Kristofferson, an air force pilot who rose to the rank of major general. The military life took the family to California, where Kris graduated from San Mateo high school in 1954, then studied creative writing at Pomona College.

He won first prize in a short story competition sponsored by the literary magazine the Atlantic Monthly, and was also recognised by Sports Illustrated for his many achievements in football and athletics during his time as a student.

Later, he was awarded a Rhodes scholarship to Merton College, Oxford University, and it was in the UK that he began performing his own songs. He fell into the orbit of the “beat svengali” Larry Parnes, who secured him some recording sessions (under the name Kris Carson) with Top Rank records and the producer Tony Hatch.

Fortunately, perhaps, Parnes failed to turn him into the next Tommy Steele, and after receiving his master’s degree in English literature in 1960 – he also won a boxing blue while at Oxford – Kristofferson returned to the US.

It was not long before he was back in Europe. Having married Fran Beer in 1960, he joined the US army, became a helicopter pilot and was assigned to West Germany. He continued to write and perform music, forming a band with some fellow servicemen. One of his comrades was a cousin of the Nashville songwriter Marijohn Wilkin, who gave Kristofferson’s work a favourable report when he sent her some of his songs. After completing his tour of duty in 1965 with the rank of captain, he was offered a post at West Point military academy as an English instructor.

However, he took a trip to the city of Nashville to visit Wilkin, which persuaded him to quit the army and devote his efforts to becoming a country music songwriter. He earned a small stipend from a deal with Wilkin’s music publishing company, Buckhorn Music, and worked at various jobs, including flying helicopters to oil rigs in the Gulf of Mexico and taking on a job as a studio janitor.

He was working at Columbia Records’ Nashville studios when Dylan came to town to record his album Blonde on Blonde (1966), and it was here that Kristofferson first met Cash, who would become a staunch friend and supporter.

“John would tell everybody in town that Mickey Newbury and I were the best songwriters around,” Kristofferson remembered. “For me, to be endorsed by someone like Cash was really something, like being endorsed by Dylan.”

Kristofferson’s increasingly left-leaning political sympathies were expressed in his album Repossessed (1987), which gave him a hit single with They Killed Him (a tribute to Gandhi, Christ and Martin Luther King), and he appeared in the television miniseries Amerika (1987), which portrayed a US under communist domination. Another politically slanted album, Third World Warrior (1990), failed to chart.

In 1985, Kristofferson and Nelson banded together with Cash and Waylon Jennings to record Highwayman, and both the album and title song were popular country chart-toppers. This gathering of charismatic and much loved country greats became known as the Highwaymen, and enjoyed further success both as a touring act and with the albums Highwaymen 2 (1990) and The Road Goes on Forever (1995).

Kristofferson completed a hat-trick of albums with the producer Don Was, This Old Road (2006), Closer to the Bone (2009) and Feeling Mortal (2013). His final studio album was The Cedar Creek Sessions (2016), which was nominated for a Grammy award for best Americana album.

After several years of suffering from memory loss that doctors believed was caused by Alzheimer’s disease, in February 2016 Kristofferson at last received a diagnosis of Lyme disease. Following appropriate treatment, his condition improved markedly. “It’s like Lazarus coming out of the grave and being born again,” commented his friend the Nashville singer-songwriter Chris Gantry.

In November 2018, he performed Joni Mitchell’s A Case of You at Both Sides Now – Joni 75: A Birthday Celebration, which marked Mitchell’s 75th birthday. He gave his final full-scale live performance at the Sunrise theatre in the city of Fort Pierce, Florida, in 2020.

Having previously been inducted into the Nashville Songwriters Hall of Fame (1977) and the Songwriters Hall of Fame (1985), he was embraced by the Country Music Hall of Fame in 2004, and in 2006 won the Johnny Mercer award from the Songwriters Hall of Fame.

He once said that he wanted the first three lines of Leonard Cohen’s Bird on the Wire on his tombstone:

Like a bird on the wire Like a drunk in a midnight choir I have tried in my way to be free

He is survived by his third wife, Lisa Meyers, whom he married in 1983, and their daughter, Kelly Marie, and sons, Jesse, Jody, Johnny and Blake; by a daughter, Casey, from his second marriage; and by a daughter, Tracy, and a son, Kris, from his first marriage, which ended in divorce.

🔔 Kristoffer Kristofferson, songwriter, singer and actor, born 22 June 1936; died 28 September 2024

Daily inspiration. Discover more photos at Just for Books…?

[sleepingasimdead]

This post covers two topics. First, the common types of "magic books" and second my personal advice for when making your own. The "read more" includes a link to a tutorial and the amino post I am quoting myself from.

Books of Shadows, Grimoires, & Books of Mirrors

Modernly these terms are often used interchangeably for personal spellbooks/witchcraft based journals; however, originally they had three distinct meanings.

I originally read about the differences in my moms older books circa late 80s - late 90s.

Books of Shadows:

First, the term you are likely to encounter most often. A Book of Shadows (BoS) was originally specifically a Wiccan term in reference to a shared book containing spells, rituals, basic theory, and associations. It was meant to be used as a reference and teaching tool between a Coven as well as a place to record Coven specific practices. Usually, the High Priest(ess) would look after, control what is added to, and control who has access to this book. It was not shared with people outside of the Coven and was considered a sacred object. With the rise of solitary practice valued over Coven based practice, the term has lost its Coven, and often Wiccan, associations.

Grimoires:

Next, Grimoire was originally in reference to a personal book of spells, theory, and associations that had a textbook or cookbook tone of writing. This term is older and doesn’t have religious connotations and is usually used as a reference or teaching tool. This was basically a Witches recipe book. However, it was still usually in a more neutral to formal format.

Books of Mirrors:

Lastly, a Book of Mirrors. This term is not as popular as the other two despite, modernly, being what many people have and are actually referencing when they say BoS. The term is in reference to a journal outlining or recording a person’s experiences and path in relation to witchcraft. This book was highly personal but was not required to be kept secret. 

As mentioned before, these terms are modernly used interchangeably due to people just having one book that is more of a mix of all three. They range from a fancy homemade leatherbound book to a cheap planner, there are no specific rules on their construction or what a Practitioner puts in them and not everyone calls their Witchcraft book by any of these terms.

It is usually a very personal item, and so each person has their own rules for it. There are many theories behind the item ranging from it being sacred and having magic of its own to its significance being rooted more in a personal nature.

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Dead's Advice for When You are Making Your Grimoire, Book of Shadows, Book of Mirrors, and/or Magical Tome(s)

The Materials

As tempting as buying a really pretty stylized notebook is, they simply rarely work well if what you want is equally stylized pages. They are too easy to mess up, misplace, run out of space, and tend to be expensive.

Instead try binders + laminate pockets. Binders allow you to remove and reorganize pages. This eliminates the pressure of making the page perfect the first time and lets you remove out of date info with ease. Stylizing is made so much easier when you can safely remove pages.

Not to mention the pockets allow for you to include things like pressed plants with 0 risk of destroying your whole book thanks to rot, protect your pages from water damage, and make making "secret pages" much easier, allows you to make pages digitally first. You can personalize binders with fabric, paper machete, cardboard, hot glue, wood, clay, etc.

Personally, I made 3 "book sleeve bags" out of scrap leather and fabric that allow me to switch up the style and determine how many pockets are necessary that day. On top of just making an embroidered cover and gluing it to the cover of the binder.

The Writing

• Always write full notes before you even open your book and then condense the info like you would if you were rewriting notes for test/exam purposes to act as your Rough Draft.

• Don't use hard to read/made up script unless you are fluent in it. Elsewise the book becomes 20× harder to actually use.

• Make a laminate sheet for base "step by step" sheets for things like sigils or spellmaking and pair with dry erase to make it easier on the environment when you make new ones. Then if they work give them their own page.

• Try to keep one topic / subtopic to a couple of pages and succinct.

The Art

• Do any motifs or small artwork first and then use a tracing method to add to your book so that it can be consistent.

• Section out space on the page for large artwork/diagrams before writing, but don't do them until after you have written your text.

• Try using tracing paper / see-through sticky notes for any 3d diagrams. Diagrams as watermarks are also a good idea. Or if you don't intend to make a Symbarium section you can make them into watermarks as well.

• Don't be afraid to "hide" diagrams behind things like stickinotes + flaps to mixinmize possible text.

OG Amino Post:

http://aminoapps.com/p/dltsku

Below is a quick tutorial video on making fabric covers with handles that I actually used myself (although I adjusted my measurements to fit a large binder). However, tbh you can find quite a few on youtube, as well as tutorials on making your own binder.