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#in which I continue to find new and exciting things I've never posted about but love and confuse my followers
alt0stratuscloud · 2 years
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Most of the ncis team having fun banter with their temporary hallucinations of their recently deceased teammate, versus their boss, survivor's guilt georg:
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I listened to cpr misery while drawing this because. yeah
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phillydilly · 9 months
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Contours of comfort
⊹♡— In which y/n and Charles’ relationship is still new, and he finds out that her hair is naturally curly
Charles Leclerc x fem!reader
Authors note: I realised that I hadn’t posted on here in nearly a month and had to change that, even if I don’t love this story as much as I loved the idea of it lol. But as always, I hope you like it!
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The soft glow of your apartment provides a comforting backdrop as you prepare for the evening with Charles. The air is filled with the scent of your favorite candle, casting a warm ambiance that matches the flutter of excitement within you. Tonight feels different, a departure from routine that you welcome with open arms.
As you work with your hair, applying a minimal amount of product to enhance its natural texture, a sense of liberation washes over you. You smile at the reflection staring back. While you usually straighten your hair when going out, tonight you decide that you simply can't be bothered, so the curls will do their thing.
The anticipation of Charles's reaction adds an extra layer of excitement when you realize he's never seen your curly hair. Would he appreciate the change? The uncertainty fuels your enthusiasm as you slip into an outfit that complements the newfound confidence.
You lock your apartment door behind you, the click echoing a departure from the familiar. Each step towards Charles's place carries a sense of anticipation.
Arriving at his door, you take a moment before knocking. As he opens the door, his surprise mirrors your own excitement.
"Hey," you greet, your curls framing your face with newfound vibrancy. Charles's eyes widen, and a smile plays on his lips. "Thought I'd switch things up tonight."
Charles's expression transforms from surprise to sheer admiration. "Well, it's a pleasant change. You look incredible." He steps forward, enveloping you in a hug that feels like a warm embrace of acceptance.
"Thank you," you reply, returning the hug. His reaction makes you feel surprisingly carefree about your decision to go natural with your hair. You head inside, the air buzzing with newfound energy.
As Charles leads you to the living room, you can't help but feel a delightful flutter in your stomach. The atmosphere is charged with anticipation, and you're ready to let the evening unfold. Charles motions towards the couch, and you settle in for your movie night ritual.
"So, how come I've never seen your natural hair before?" Charles asks, genuinely intrigued.
You shrug, a playful smile on your face. "Guess it just never came up. Besides, I like switching things up."
"Well, I'm a fan," he declares, his eyes lingering on your curls. "You look so beautiful."
As the movie plays in the background, your conversation flows effortlessly. Charles expresses his admiration for your curls, but it's more than that. It's the way he looks at you—with genuine affection and acceptance—that makes you realize how lucky you are to have stumbled upon someone so caring.
He continues to play with your curls, and you can feel the love radiating between you. It's not about the hair; it's about the connection, the comfort, and the joy of being yourselves in each other's presence. In that moment, surrounded by the soft glow of the TV and the warmth of Charles's embrace, you know that this is something special, something worth savoring and cherishing.
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alotofpockets · 1 year
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Happy when you're around | Florence Pugh
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Paring: Florence Pugh x Reader
Summary: You're helping your girlfriend film her newest Cooking with Flo video, and help her with a Q&A on Instagram live.
Masterlist | Marvel masterlist | Words: 707
Florence was dancing around the kitchen, between the chopping of vegetables and stirring in pots. She was in the process of filming a Cooking with Flo episode. You were behind the camera making sure to get all the right angles to give her fans the best experience.
You loved how at ease Florence was in front of the camera, she had to be with her job of course but this was different. She connected with her fans, talked to them, even when her episodes weren't live and she couldn't see their responses or have a two way conversation with them. She never failed to find a new topic to talk about. 
As a bonus Florence posted an extra story on her Instagram for her followers to send in questions, after she posted all the parts to the Cooking with Flo. She was nervous because she had never done this before, but she was excited when she saw all the questions come pouring in.
Florence wanted to answer the questions on an Instagram live. So, you suggested putting up a tripod to film her and to read the questions aloud from your phone, that way it was more like an interview. Flo thought it was a good idea, it eased her nerves a bit.
"Hi, everyone! I hope you enjoyed that little Cooking with Flo." She started. She knew how much they love the series, as they're always requesting more. "Thank you so much for all the questions you've sent in. My lovely girlfriend, behind the camera, will read as many of them out for me before we have to leave. I hope to answer as many as I can!" 
You looked at Florence to give you the sign to ask the first question. Once she did you read one out for her. "Let's start off with a food related question, what is your favorite dish to make?" - "Hm that's a good one, I love so many. Honestly, I think my favorite thing to do is to create a dish from the leftovers we have. I get to be more creative and challenge myself." 
You continue with the next question, "Are you working on any new projects at the moment?" Florence looks at you and smiles. "We just finished the press tour for A Good Person. If you haven't seen it yet, it's out in theaters now!" She plugs while making finger guns towards the camera. "But to answer your question, no not at the moment. I've had a busy couple of years work wise and while I'm very happy with that, I want some time with my girlfriend. So, I'm taking a couple of months off, and we're going to travel together. I've got some auditions planned before we go, so who knows after our trip I might have some new projects coming up."
You continue asking more questions, when you stumble upon one with your name. "Haha I like this one, I'd like to know your point of view on this. What is y/n like when she's filming your Cooking with Flo videos?" Florence moves her hands in a come here motion. "If you all don't mind, I'm gonna bring her in front of the camera for this one." 
Once you sit down next to her, she starts answering the question. "Y/n is amazingly supportive behind the camera, and in general. She's very detail oriented and knows exactly what I want to show and when I want to give you all a closer look at something. Besides that I also have the cheesy answer, which is that she's beautiful behind the camera, and she always looks at me with the most admiring smile." You blush at all her compliments. 
"That's because I'm always happy when you're around." You say while leaning into her more. She puts her arm around you. You see the screen filled with lovely messages from the audience and feel the smile on Florence's face. "We have to get going now, but I promise I'll answer more questions soon! Thank you for joining us and I hope you'll all have a wonderful day." With that you end the live and cuddle up to your girlfriend, before you have to get ready.
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weaselandfriends · 3 months
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Are ARGs the new avant garde?
There's this unfiction ARG on YouTube about a fake video game called Valle Verde. Here's episode 1, there are three episodes:
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Watch this and the other two episodes. This is the most technically impressive thing I've seen on YouTube that was made by a single person, and if you watch this video for 54 seconds you'll start to see why.
Once you've watched Valle Verde, you can read this post.
ARGs, or alternate reality games, were a natural outgrowth of creepypasta (as the great Jenny Nicholson once put it, "campfire stories on a global scale"). With creepypasta, people, usually young people, would hop onto the internet and tell a spooky story about a haunted Sonic cartridge with realistic blood or a super evil serial killer who was never caught or Slenderman or something.
Due to the memetic nature of these stories, though, there became an arms race to make them on increasingly elaborate scales. Soon, people were ROMhacking their favorite old games to actually show the spooky haunted realistic blood. A famous example, Ben Drowned, showed modded/corrupted Majora's Mask footage that was generally effective because Majora's Mask is already sort of a creepy game.
Ben Drowned was also notable for being a story that was continually updated. Originally, most creepypasta would be a single story, usually short, posted once. This is an effective medium for horror, which loses effectiveness the more things get explained, but at the same time, when people like something, they want more.
Okay, so how do you make an ongoing horror series that doesn't outright explain everything, and thus retains its horror aspect? The answer, seemingly independently reached by a wide variety of indie horror creators at the same time (Ben Drowned, Marble Hornets, and the godfather Five Nights at Freddy's) was arcane hidden lore.
That's basically what separates an ARG from creepypasta: the "game" in "alternate reality game" is that sprinkled throughout a series of videos are scraps of hints toward a broader narrative, and the viewer is expected to locate those hints, piece them together, and figure out what's actually happening.
The logic is similar to the appeal of a mystery novel, so it's no wonder this took off. Channels like Game Theory posting lore breakdowns of FNAF or other popular series raked in beaucoup views. Indie horror devs would start putting dumbass lore hints in their goofball games to piggyback off FNAF's memetic success. Pathetic things like this happened:
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But ARGs are fundamentally different from a mystery novel. In a mystery novel, the terms of the mystery are overtly made known. Someone has been murdered and a world famous detective has arrived to find out who did it/how they did it. By contrast, ARGs are often abstracted to the point that it is difficult to know whether there actually is a mystery. And besides, the mystery in an ARG isn't "who is the killer," it's "what is even the plot?"
Heavily abstracted, often fragmented storylines, with no clear plot, disjointed organization, and only scattered ambiguously meaningful moments that could be arranged in any number of ways to attempt coherence. What does this remind me of?
They reinvented postmodernism!
This realization came home when Skinamarink received a theatrical release in 2022. Skinamarink was an analog horror (another offshoot branch of creepypasta/ARGs) video blown up to cinema length, created by an analog horror YouTuber based on an original 20 minute video they made. Mainstream critics who saw this film, being completely unaware of what analog horror was, extolled the film for its Lynchian, Kubrickian influences. They were unaware its actual greatest influence was Mandela Catalogue. They were unaware that a thrillingly unique, abstract form of storytelling had organically been created by a group of outsider artists on the internet.
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Kubrick would be proud.
I find this especially exciting in a mainstream pop cultural milieu that is trending toward, at least in my appraisal, increasing obviousness and simplicity in how it communicates ideas, which is not only boring but also annihilates the capacity for nuance, interpretation, and even meaning itself.
This also comes alongside ARG creators often pushing themselves to new technical extremes, extremes that are absurdly impressive for individuals. Kane Pixels has created amazing found footage videos using Blender-made labyrinths. The Mandela Catalogue guy was doing some crazy shit with puppets(?) last I checked. And, of course, the act of modding old games has evolved into the act of creating whole video games entirely as a vehicle for an ARG. The first example of this I know of is Petscop, and there have been others like Catastrophe Crow (which splices in an extremely accurate pastiche of a retro gaming video essayist, plus period-accurate game magazine articles), but Valle Verde takes it to a new level.
Since you've all seen Valle Verde by now, I won't waste time explaining the seriously impressive stuff it pulls off.
Instead, I'll let the other shoe drop.
I have a fundamental problem with all these ARGs, one that pains me all the more because I am so thrilled by so many aspects of them. The problem is that once you dig into them, once you piece together the underlying narrative from all the tiny clues, interpret the ambiguities, and see the broader picture -
The picture sort of sucks.
Ben Drowned, FNAF, Petscop, Catastrophe Crow boil down to the same residual dew: Children died. (Either murdered or just tragically.) Their spirits haunt the game cartridge/animatronics. All the scant hints point to the cause. (Ben Drowned spoils it in the title.) It's not only sort of banal but also the story that you could probably guess at without reading into the deep lore, just from the story's general vibe.
It's a fundamentally boring answer to a fascinating puzzle, and worse, it reveals that there was no true value in the puzzle being presented as it was. The abstraction and postmodern technique of the narrative contribute nothing to its overall meaning. They exist with the sole aim to obfuscate, because horror only works when unexplained. Rather than leave the horror unexplained, though, the way Kubrick would in The Shining (which deliberately strips out overt explanations that exist in the book it adapts), or Lynch would in anything, these works are attempting to have their cake and eat it: there's stupid lore that explains everything, but it's just a little hard to find. In that sense, rather than being a rejection of the current cultural milieu toward works that make simple sense, this trend seems more like an attempt to reinject that milieu into one of the few genres of storytelling that had effectively rejected it. (It reads similarly to all the Babadook-inspired indie horror films of the past decade where the monster is some transparent allegory for grief or trauma or something.)
So what's the story of Valle Verde?
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I won't go into a Game Theory breakdown of every symbol and detail. As far as I can tell, this is what's going on:
Valle Verde, the fiction within the fiction, is a Japanese video game developed with experimental technology called THBrain that gives it a sophisticated and advanced artificial intelligence capable of making on-the-fly alterations to the game's script. Valle Verde, the series of videos, depicts an investigation into certain malfunctioning elements of the game prior to its release. The player character, self-identified as TEST05, is actually played by two "agents" (of what agency is unclear) named Pablo and Robert testing the game and chronicling anomalous behavior.
The series of glitches and other bizarre things they record seems to depict a theological battle between Valle Verde's freemasonic villagers, led by Foxxo (remember that the next elections), and the Catholic Church, led by Pietro (possibly an avatar for St. Peter, the first pope and guardian of the gates of heaven).
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Joseph of Cupertino is the patron saint of aviation. It's a "time flies" pun.
It's unclear how much autonomy either of these factions have, even knowing that there is apparently a super-sophisticated AI capable of injecting novel information. Pietro at times breaks the fourth wall and addresses Pablo directly by name; the villagers don't break the fourth wall, but do all sorts of stuff that is described by the tapes as anomalous. The AI seems like the obvious culprit, but in Valle Verde 2, Pablo actually meets the AI, who claims to have sequestered themselves from the rest of the game because they didn't want to partake in the villagers' rituals, and who has even disabled all their language libraries except Spanish to avoid comprehending the screams of the children trapped inside the game.
Oh yeah. Children are dying.
The THBrain seems to not only enable incredible AI, but is a way to upload humans into the video game (maybe this is unrelated to THBrain? I'm fuzzy on that point). Several children have already been uploaded and are presumed dead; currently, an Argentinian child named Matias is trapped in the game. Matias is the only other character besides Pietro capable of breaking the fourth wall, due to being a real person; he is aware of Pablo as an "agent" and suggests at some sort of conspiracy outside the game, which has not been explicated in much detail in the available videos.
The reason the children are dying is eventually revealed: the freemasonic villagers are sacrificing them to their false god, Moloch.
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I'm not kidding about the freemasonry. Note the Argentinian flag.
There are other plot elements that are a bit murkier; Valle Verde seems to be a nexus of several unrelated video games, which can be accessed through an in-game library, and it is within this nexus that Moloch lives, and perhaps where the underlying purpose behind the villagers' actions lurk. There is also a recurring motif of a coming Christian apocalypse, likened to Noah's flood. After the freemasonic sacrifice, a doomsday clock ticks closer to midnight. Are the masons unwittingly provoking God's wrath? The series is framed as footage from 1997 that was unearthed in the modern day, so was this apocalypse averted, or did the apocalypse simply exist within the game, with no bearing on reality? The series remains ongoing; future installments may clarify.
But the underlying issue remains that, for me at least, the basic conflict in its simplicity and lack of ambiguity seems inadequately matched to the unique, impressive, and open-ended presentation. It retroactively makes me wonder what the point is of telling the story the way Valle Verde is told, if its story is in essence the Church versus Satan-worshippers, with clear moral and ideological lines drawn. Doesn't a more conventional narrative make sense for this sort of story?
There's a scene early on when the player character traverses a series of rooms corresponding to the Seven Deadly Sins. The sin of greed is depicted, not simply with stacks of gold, but with works of modern art:
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As the player proceeds through the room, they discover a dumpster where Renaissance artwork by Titian and Michelangelo is trashed:
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The message here is almost fatuous. It's also deeply ironic. Valle Verde is a work that has far more in common, in terms of its formalistic technique, with Picasso than Titian. Is it a lack of self-awareness that puts this here? Or perhaps something else?
The novel Infinite Jest ends abruptly, with none of its plot points resolved. In this way it's similar to the titan of American postmodern literature, Gravity's Rainbow, which peters out without explaining the conspiracy that has driven its narrative. Infinite Jest plays a trick, though, as devious as it is facile. The final 200 pages of the book have been cut off and moved to the front. The story's beginning is a flash forward that, in its lack of context and confusing abstractions, is difficult to make sense of on first read. Upon rereading after finishing the book, though, it clearly contains the answers to all the unresolved plot threads.
If postmodernism could be described as an artistic period of uncertainty and obscured truth that was a response to the similarly uncertain Cold War era, where the inner machinations of governments may at any time cause the annihilation of the entire world, then what Infinite Jest did, published just a few years after the Cold War's end, could be seen as a reclamation of truth.
Truth itself is a concept deeply interwoven with Christianity. In Valle Verde, Pietro even calls it out with a green highlight to indicate its importance:
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La Verdad sounds suspiciously similar to Valle Verde. Coincidence?
The context of this quote comes after the villagers destroy the church; Pietro reassures the player that La Verdad remains unchanging, and that this tribulation shall pass.
Might Valle Verde itself then be an Infinite Jest style reclamation, using the formalistic techniques of postmodernism that are so useful for obscuring truth to obscure what is, at its core, a simple and morally black-and-white tale of Christianity versus wicked idolatry?
There is a real-world allegorical undercurrent to Valle Verde that makes this reading even more appealing. Valle Verde's creator, Alluvium, is Argentinian, and the game is steeped in references to Argentinian history and politics.
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That's a map of the Falkland Islands and a picture of former Argentine dictator Juan Peron.
At one point, when the villagers destroy the church (with the unwitting? help of the player character, who seems to have no moral interest in anything happening, and who only does whatever anyone asks him, whether it's Pietro or Foxxo), a highly overt reference is made to the death of Pope John Paul I, who reigned for only 33 days in the late 1970s before he died, officially, of a heart attack. The abruptness of his death, and the failure of the corrupt, Mafia- and freemason-connected Vatican Bank in the years that followed, have led to conspiracy theories that John Paul was actually murdered by freemasons within the Vatican so that they may continue to corrupt the Catholic Church.
Specifically, the conspiracy posits the assassination was done by the freemasonic branch P2, or Propaganda Due, an illegal fascistic secret society that contained many high-ranking members of Italian politics (including Silvio Berlusconi), whose goal was to act as a shadow government that could prevent the rise of communism within Italy. (P2 definitely existed; how much it actually influenced Italian politics is a matter of debate.)
Though primarily an Italian organization, P2 had several influential members from other countries, notably Argentina, where several politicians and military leaders at the highest levels were involved. As a nation, Argentina is something of a tragedy; at one point considered a rising economic powerhouse, its excellent geographic and demographic advantages were squandered by a long succession of corrupt leaders, including those involved in P2. It makes sense, then, why an Argentinian creator like Alluvium might be so interested in critiquing the evils of freemasonic corruption.
Valle Verde satirizes Argentina's leadership via Foxxo, not only through his freemasonic devil rituals, but also in more down-to-earth ways. In his introduction, Foxxo provides the player character 100 coins, telling him to "remember that the next elections" (Foxxo's catchphrase, despite him clearly stating he has been given absolute authority over the area by The Smiling One); moments later, when the player turns to leave, Foxxo mugs him from behind and puts him 99,999 coins in debt.
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Through the use of masonic slogans like liberté, égalité, fraternité (which is written over what appears to be a portal to Hell) and masonic symbols such as the Statue of Liberty and Washington Monument, there's an undercurrent that expands this freemasonic secular/Satanic conspiracy beyond Argentinian politics and into the post-Enlightenment secular governments that have come to rule the so-called free world. "Progress is God," the freemasons state during their child sacrifice ritual. (Foxxo is joined in this scene by the village's museum curator, representing knowledge, and its scientist, representing progress.)
It's this kind of framing that makes me wonder about the previous scene depicting Picasso paintings as emblematic of the sin of Greed, compared to Renaissance paintings in the dumpster; is there a general theme here raging against modernity in all its forms, compared to a fundamentally good and absolute Christian religious truth? If so, it makes sense why Valle Verde is presented as it is, so abstractly; it shows a world rendered incomprehensible by modernity, but one that can be sifted and parsed to find incontrovertible religious salvation still shining underneath.
It is a rejection of "progress," using the formal techniques of "progress." In a milieu where the promises of the Enlightenment seem to have hit a dead end, where the freedom secularism once promised has given rise to corruption and abuses akin to those the Catholic Church of the Renaissance once inflicted, perhaps the sense of going back appeals.
The English literary world post-Infinite Jest itself also seems to have returned to the past; the works published today are realistic in style and scope, eschewing most formal techniques pioneered across the preceding century. Though I doubt that was David Foster Wallace's goal, it's what he created. Valle Verde, which is so explicit in its fundamental belief in Christianity, is probably far more deliberate in its rejection of the world as it currently exists.
Though there have always been voices calling for a return to the past, perhaps this is a mindset particularly enticing in the information age, when meaning seems so fragmented as to be ungraspable. Though Valle Verde is conscious of what it is doing formally in a way that, say, Ben Drowned is not, the inner simplicity of these ARG narratives obfuscated by abstraction strikes me as a collective yearning for clearly explicated, graspable truths in a world where such a thing seems increasingly impossible. Almost a fantasy: If only this incomprehensible eldritch horror could be explained by a 10-minute Game Theory video!
(The eldritch itself is a horror rooted in incomprehensibility. Making it explicable banishes it entirely, the way the protagonist of Valle Verde banishes a demon by holding aloft a crucifix. La Verdad triumphs. Couldn't our lives be so simple?)
Not every ARG is like this. Kane Pixels, another creator I would highlight for their exceptional technical talent and avant garde storytelling, has created far more nuanced and ambiguous narratives with works like The Oldest View, which deals with themes of nostalgia and memory without being resolvable into a simple pat sentence synopsis. Overall, I consider this entire collection of web original horror creators to be blessed with both the talent and mindset to create truly innovative works of fiction, even if many of them are outsider artists fumbling around just trying to scare someone; as outsiders, these confused anti-confusions of theme and meaning might be par for the course.
Valle Verde is an impressive work of art, even if it is an avant garde work that paradoxically rejects itself. Perhaps in that paradox more could be said than had it remained fully self-consistent. Either way, I eagerly await what comes next.
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doctorofmagic · 3 months
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No one asked but here's some thoughts about Stephen's current and future life.
First of all (and to be completely honest), before Blood Hunt, I do think Stephen was starting to find joy in being the Sorcerer Supreme now that things were seemingly going well in his life.
Just to name a few, he befriended his general self, his marriage was rekindled, Mordo was finally locked down, Clea and Umar were starting to find a common ground (at least, they were not enemies anymore) and Donna II happened, blessing their lives. Stephen was finally thriving. He was executing his duties just fine despite the challenges of being Earth's magical defender. Conflict was obviously expected but it was far from the struggles he faced in v4, for instance. There was optimism.
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The fact that he seems sad in that Pasqual's post could be about anything but if I was to predict why, I'd say it's because 1) he didn't want to pass the mantle down at this point in his life and 2) he didn't want to pass the mantle down to Victor specifically because well, it's Doom. And let's be real, Jed's interpretation of their relationship is not similar to T&T or Infamous Iron Man or even Secret Wars. Even if Victor is rarely portrayed as a villain these days (more like an antagonist), there's still a certain dread whenever he shows up in stories. So it's only natural for Stephen to be worried about what's coming next.
Personally, I think Victor will not be a bad Sorcerer Supreme. He's competent and incredibly complex. There's altruism in him, especially when it comes to protect Latverians and people in general (Doom 2099 my beloved). And let's not forget about his dramatic ego and petty personality. If anything, I'd go for a gray representation. He will not be the king of altruism (aka Stephen), but he will not be a shallow villain by desecrating the mantle (something I'm pretty sure Mordo would do. Hate that guy). That said... Oh, he's also in for a big surprise, not expecting the burden that comes with such a huge responsibility. But that's just my two cents. Could always be wrong. However, I still remember when he tried to go after Jericho and gave up as soon as the light of the Eye of Agamotto hit him, so... This idea does have canon support.
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(panel merely illustrative; from an alt future/reality)
As for Stephen and Clea, what comes next for them? I know the fandom is desperate for domestic vibes and a peaceful era for them. But let's be real, it's Marvel. Also it's Stephen and Clea. For starters, Clea is still the Warlord of Manhattan, which means that area will remain under her protection, tying her to our dimension. As for Stephen... We know him, right? We know he will never stop doing what he does, Sorcerer Supreme or not. We have tons of magic characters doing their jobs. Even when magic was practically dead, he found a way to keep doing good because it's intrinsic of his personality. And let's not forget Wong and W.A.N.D. They still need someone reliable, and I hardly think they'll go for Victor when consulting all things mystical. Oh, and Strange Academy, of course.
Last but not least, every change in status quo hardly lasts more than a year or two in comic books. It happened so many times before: Salomé, Jericho, Loki, even Clea. It was only natural for Victor's turn, given how T&T is such an important book to their mythos.
As for me? I think it's not really fair for me to share my feelings assuming how much I love both Victor and Stephen. I've seen some unhappy fans (and I can't relate, sorry 🥲) and some excited ones.
The reason I'm still kinda blue is merely due to the lack of new announcements, whether it's a new Doctor Strange book or a mini featuring Victor. Also it's almost certain that Jed is done with his work, which hit me like a train. I really don't want to say goodbye to Jed just yet, and seeing his work continue with Moon Knight while going for the X-books makes me a bit bitter. There's still the possibility that he's staying, but it's all conjecture at this point. I mean, I dread that some bad writer comes next, and boi do I have a no-no list. Hopefully, SDCC will shed some light on these dark times of uncertainty.
Well, that's it. Do I ramble a lot? Was not expecting to write such a long post, sorry about that (old testament me comeback?). Just wanted to write down my thoughts since they were making a mess in my head. If anything, I'll still be around for whatever comes next. After all, my love for Stephen knows no shame 🔥
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netherfeildren · 9 months
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End of Year Thoughts :
A different sort of post from me this evening.
I've been trying to write up my feelings about this year all day and struggling hard. Partly because I always try my hardest to keep this space as positive a place as possible and this here is not entirely that. Mainly because I've found myself for the past few days, and in spite of all I've been writing, very sort of bad and sad and strange about my writing, finding it a little meaningless, a little mediocre. Difficult because one, obviously, but two, now that I want to say something good and positive about what I've produced this year, words are falling flat and failing me. Frustrating because now that a year in which I've done so much new is coming to an end, I find myself lacking any sort of inner excitement for all this said newness. Typical and normal feelings within the creative process, I think, but still frustrating to navigate nevertheless.
What I'm clinging to through this, though, and fiercely, is you all who have been so astoundingly kind and supportive and generous to me all year long. You lovely people who read my work and talk to me about it and have befriended me in all the most special of ways. I appreciate you all so much, and sometimes I feel I say it so much it becomes redundant, but at a certain point words fail to express the magnitude of gratitude and so the only way I can continue to show my thanks of you all is to say it a million more times, and then keep writing for those of you who have been by my side all year long.
The point I'm trying to make, I think, is that sometimes, despite feeling successful or fulfilled or happy, or what have you, in some ways, sometimes there's still that naggy, prickly feeling that something is lacking or not right or not enough. I think this is so normal, not just in a creative process, but in all aspects of what it is to grow up and build a life and become a person and and and... Ennui or self perceived inadequacy or the highs and lows will ebb and flow, but what you all have taught me, and so thoroughly, is that the most important things are the little ones, the funny ones and the sentimental ones and the honest ones. These are all things you all have given me this year and for which I'll literally never be able to stop saying thank you for to you all, my dear, dear pocket friends who live in my phone.
I found myself in a very wrong direction last year, then entirely directionless this year. Next year, I think and I hope I'll get it all kind of sort of right, course correct and end up in a good spot. I hope if any of you are at all feeling a little blue like I am, please know you're not alone, and I'm right there with you. I think of you all always and I wish you all nothing but happiness and success and love in the new year 🤍🤍
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she-posts-nerdy-stuff · 2 months
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Fruzsi and the Importance of Her Character in Season 2 of Shadow and Bone
Okay I feel like I have been continuously teasing this post for a ridiculously long time and I have finally gotten around to writing it, I also feel like the fact that I talked about it so much might have built it up to sound bigger than it is but honestly I think that Fruzsi is a FASCINATING character study; I'm very excited to talk about her and have finally found the time (yay!) so hopefully you guys will find this at least a little bit interesting too
Tagging people who registered their interest here but please don’t feel pressured to read <3 @merlinxmagic @girasoljpg @atmosphericwrites @naushtheaspiringauthor @lunarthecorvus
SHOW AND BOOK SPOILERS AHEAD + TALKING ABOUT GRISHAVERSE SETUP & THE CHARACTERS' BACKSTORIES/EXPERIENCES (Mostly Zoya, Genya, Alina, Fruzsi, and Inej)
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Super quick recap since of her story so we're on the same page as we begin: Fruzsi first appeared in Season 2 Episode 2 of Shadow and Bone and is a Grisha Tidemaker loyal to the Darkling. Her parents sold her to the Darkling when she was a child, its unclear how old she was, and we should take into consideration in this matter that there is no indication whatsoever that she was ever at the Little Palace since none of the other Grisha seem to recognise or know her and vice versa. She is instrumental in the Darkling's army and receives one of the amplifiers made from Baghra's bones, subsequently learning to manipulate water molecules into ice shafts that she can use as a weapon. She is responsible for Dominik's death towards the end of the season and is subsequently killed by Nikolai.
So right off the bat whenever anyone talks about Fruzsi I tend to see two things: "wannabe Zoya" and “the power of her amplifier was a problem because it will be too difficult to differentiate between amplifiers and parem". I've taked before about my thoughts on amplifiers and parem and why I didn't think it was going to be a problem for the Six of Crows spinoff show (*sobs*) but the general consensus seems to be that not only was Fruzsi an unlikeable character because of her actions, but because she was seen as a only being there to provide an enemy and a hand of the Darkling, and I think that's a real shame because she is a fascinating character and she tells us SO MUCH about the Darkling and other major characters. My personal favourite details about Fruzsi are her parallels with Zoya and the point from which they run opposing, the parallels she has to Genya and Inej and the subsequent parallels that her introduction creates between the Darkling and Heleen Van Houden, and the setup of Fruzsi, Vatra, and the Darkling's other Grisha to create genuine empathy for villainous characters for the reflections of the protagonists we can see in them.
Fruzsi's introduction in episode two begins with the Darkling arriving to see her and saying that she made it in good time - now we don't know where she travelled from, so yeah it could be the Little Palace (he was travelling from the base he set up in episode 1) but personally I don't think that there's much implication she ever lived there considering she doesn't know any of the other Grisha and she doesn't wear a kefta until the Darkling has new ones created for his new army. She's wearing pretty typical clothes that we see of the Ravkan population when we first meet her; a blouse and ankle-length skirt with a long coat, and from the very start is in dark shades that visually connect her to the Darkling in the audience's eye. Although she isn't hesitant to speak to him she shows consistent discomfort around the Darkling, making small steps away from him when he raises his hand and acknowledging non-verbal orders from him with immediate effect, as well as confirming that she never broke her promise to not open the Journal of Morozova without prompting and somewhat hurriedly. The Darkling is actually pretty quiet throughout most of this scene, cutting of Fruzsi's sentences and instructing her but not following any attempts she makes to initiate real conversation. When he tells her to reveal Baghra from behind the waterfall she asks him if he's sure, one of few instances in which she questions him, and after barely a second of maintained eye contact between them she turns away, physically bunching her shoulders and seeming to shrink in on herself, before turning to the waterfall and completing the task in silence. Everything we see of Fruzsi in this scene seems to contradict Baghra's later description of her as "deranged" and I think that this is really very noteworthy, because we start to develop this idea that Fruzsi's actions are different in front of the Darkling than when he isn't present - particularly since we know in this scene that Baghra has not seen the Darkling in weeks and has been alone with Fruzsi during that time. We actually don't see Fruzsi without the Darkling until very late in the show (episode 7), when her anger at the world and her easy ability to command the other Grisha are revealed ("First Army did this [...] If they wear the uniform they are all the same. Kill them all!"). We get this brilliantly foreboding image of her marching so confidently through the carnage with soldiers of both sides running and shouting and fighting and dying all around her while she barely shows any kind of response but to calmly begin her own method of very direct attack against Nikolai after walking through the battle completely untouched. If anything, Fruzsi seems quite unbothered by the entire thing until she fails to kill Nikolai, killing Dominik and several others instead, and screams her frustration before being forced to run for cover from approaching soldiers. After this her attacks are arguably much more emotional because she feels challenged and as though she has failed (relevant as I'll cover later because of the way the Darkling manipulates her), but all of this seemingly culminates only when Vatra dies, and in that moment we get this wonderfully clever shot of them holding each other's hands so that we can see the tattoos (I'm going to rant about the tattoos in this post) and then we see Vatra smiling in her final moments (that's gonna come up again as well). This moment is the most emotional we ever get to see Fruzsi; she looks down at Vatra, sheds a silent tear, and begins to exhibit more power than we have ever seen in her before. It is bare moments after this that she loses her fingers in an attack from Jesper and mere minutes afterwards that Nikolai shoots her in the throat and she dies.
It's confirmed in s2e7 that Fruzsi's parents attempted to sell her to the Darkling and arguably this is where her parallels with Zoya begin - "You remember when your family first brought you to me? The price they demanded when they discovered you were Grisha?" "Perhaps now I can repay the debt" "I would have paid it 100 times over". Ugh this angers me so much. He bought her and she believes, she genuinely believes, that she owes him for that. I'm going to talk about the structure of this relationship really strongly echoing Heleen Van Houden later on but particularly in this moment we understand that there is something here very similar to the Kerch indenture system that I'm actually really glad to see included as part of the worldbuilding and development in the show since we didn't get the opportunity to explore it as much in Kerch (*screams frustrations into the wind*)
Although we sadly didn't get the chance to explore Zoya's story in the show (*cries in cancellation*) it's explained in the final duology of the book series that her mother attempted to sell nine-year-old Zoya as a bride to 63-year-old, very rich, and twice-widowed Valentin Grankin. When Zoya's aunt, Lilyana, attempted to stop the wedding Grankin attacked and nearly killed her; in fear for herself and her aunt Zoya experienced a massive, terrified outburst of power, which was how she discovered she was Grisha, and Lilyana was able to rescue her and take her to Os Alta. My absolute favourite take on Fruzsi is that she is Zoya's Shadow, which is an idea that my friend voiced whilst we were watching the show and we discussed together at length at the time, but that I have never seen anyone talking about online.
The idea of having a Shadow comes from Suli culture and is explained to us in Crooked Kingdom by Inej; whenever a person does wrong it gives life to their shadow, with every action making the Shadow stronger until they are stronger than the original person and the person is defeated by the wrongs they've done - or learns to overcome them and defeat the Shadow. Inej's believes that her Shadow is Dunyasha and she fights her in Crooked Kingdom. I FREAKING LOVE the theory that Fruzsi is Zoya's Shadow because their stories parallel each other very well; both are abused and sold by their families only to be taken in by the Darkling and manipulated into believing that he is their saviour. The Darkling very much works by making others feel that they owe him something for any action he completes, just as we see in his manipulation and abuse of Alina, and Fruzsi and Zoya are prime examples of this. We even have two very similar scene setups between season 1 and season 2 that show us just how similar the Darkling and Zoya are in terms of the pent up rage that they keep private - in season 1 where the Darkling leaves Zoya alone in his room whilst she is trying to initiate intimacy because he is manipulating her and Alina against each other and wants to make Zoya feel like she has been abandoned in favour of a newer, shinier toy and once he's left Zoya screams her frustration and releases a gust of Squaller power that disrupts his chamber, and in season 2 when Fruzsi, in her second appearance (now wearing the new dark kefta design) hesitantly informs the Darkling that David stole Morozova's Journal and is immediately dismissed before the Darkling screams his frustrations and uses the tether to find and haunt Alina. Although this comparison between the Darkling and Zoya is of course more obvious it also gives us an idea of similarities between Zoya and Fruzsi because it extends this implication we have that Fruzsi acts very differently out of the Darkling's presence than in - and considering that at this point we have never seen her without him we have this gathering sense of intrigue about her backstory and her character. In a similar-ish manner we also have the scene in s2e5 when we get another example of the few times Fruzsi attempts to stand up to the Darkling, in this case openly telling him that they would do better to redirect their efforts North because it would be "the more strategic move"; the Darkling's response is to threaten her with his Nichevo'ya and manipulate her in a similar way that he does Zoya by replying "Alina Starkov is worth more than any army. So at the risk of sounding repetitive... find her", actively diminishing Fruzsi when he's been purposefully making her feel important and like she matters to him so that she feels she must redouble her efforts for him to notice and appreciate her and therefore desperately hopes to do a better job of bending to his will, especially since he's basically turned her entire purpose and usefulness to him into brining Alina back to him. Ugh this man i swear. I'm going to go on to talk about parallels between Fruzsi and Genya pretty soon so in this respect as well I want to add emphasis to the fact that when she disagrees with him on a point - and mind you not that she makes any suggestion of betraying his cause but only that she thinks they should take a different tactic to be more successful in it - he uses the presence of the Nichevo'ya to scare her into submission. The next time he gives her an order (to take down the First Army encampments) she agrees immediately and barely speaks to him except to ask "And what of the Sun Summoner?" - And note this is after she has taken Genya to the other Grisha because she was told to show her off as an example.
I have to say that at this point in time I was not expecting her to be the gold mine she became, and it's looking back on it knowing more about her backstory that I notice a lot of smaller details in the way she acts around him that consistently suggest she is afraid of him and I think that is shown really well in Reford's performance, I don't see her getting enough of the praise that she deserves - she was great!
Am I even making sense? Anyway
Fruzsi and Zoya are consistently presented with these similarities and I really love the idea that she represents what Zoya would have become without the influence of our other main characters, particular Alina and Genya. I really like the idea that she's Zoya's Shaodw and a literal, living embodiment of the wrng that Zoya did under the Darkling's command, but the only place that I think this theory falls short is in Fruzsi's death. If Fruzsi was truly Zoya's Shadow then they would have to face each other for one of them to die, but Fruzsi was killed by Nikolai in the aftermath of Dominik's death. However, I also think that there was standing there to start developing something truly, truly poetic in Nikolai killing Zoya's Shadow and Zoya later killing Nikolai's (or maybe even metaphorically doing so in trying to help rid him of the demon??) BUT I GUESS NOW WE'LL NEVER KNOW (*screams*) (*cries*) (*curses Netflix’s name*)
Now moving on to her parallels with Genya and Inej. I think that the loss of Heleen from season 2 (which I’ve shared my thoughts about a bit in the past so won’t go on about now) left a hole that was, in a way I didn’t quite expect, filled more by the Darkling than it was Pekka Rollins. There are multiple quotes from the Darkling this season, mostly directed towards Fruzsi and Genya, that I find to have very specific reminiscence of some of Heleen’s quotes from the the Six of Crows duology and this was the most obvious one for me, and the one that originally made me think of this particular comparison:
"I have always known your worth. Now show me," - the Darkling, s2e7, in the conversation where he specifically states that he bought Fruzsi and she specifically states that she owes him a debt for that
"I know your worth, little Lynx, right down to the cent" - Heleen, Six of Crows, to Inej when torturing Inej with the implication that she intends to find a way to bring her back to the Menagerie ("You'll wear my silks again, I promise")
(Also as a quick addition I think that so much can be said about Rachel Redford's acting in this specific moment of season 2 episode 7 after the Darkling delivers that line. She looks up at him, and the proxemics + their actual heights I must admit have a brilliant added effect to this, with what starts as such genuine sorrow but so quickly turns to such fierce determination before she shows him what she's capable of now that she has the amplifier. After her demonstration she is almost in shock at the revelation of what she was able to do but the pure exultation, the relief, the triumph in her expression does not even come close to existing until the moment that the Darkling says "extraordinary". He's not even looking at her - in fact, I don't doubt it possibly that he wasn't complimenting her herself but simply the creation of the amplifiers and their strength - but the expression on her face then is absolutely unmatched and it speaks VOLUMES) (I genuinely recommend rewatching that moment with this in mind because I cannot stop thinking about it)
And then layered on top of this, we have the tattoos. THE TATTOOS.
I made a specific post about the costuming in season 2, which you can read here if you’d like to, and that covers my thoughts on the new keftas but I didn’t go into detail on the tattoos at the time and I have a lot of thoughts about them. The Grishaverse, mostly the Six of Crows duology, uses tattoos incredibly symbolically and places particular emphasis on choosing to take the mark, creating a massively important bond to something that you deeply care about and will never want to break (gangs, Kaz’s ‘R’ for Rietveld), and being forced to take one on (the pleasure houses, of course most primarily Inej’s Menagerie tattoo). Although we don’t get as much emphasis on this since the show didn’t get the opportunity to explore the gang tattoos yet thus far (and I guess now it won’t *shakes fist at Netflix*) we did have focus surrounding Inej’s Menagerie tattoo and it’s removal in this season and, as much as I wish we’d been able to see her book canon tattoo removal (cut off by a butcher), this side by side comparison of the Grisha being given no option but to take on the amplifying tattoos and Nina using her Grisha power to remove Inej’s tattoo is absolutely fascinating and really well done.
So this for me creates an ongoing comparison between Fruzsi, Genya, and Inej - and taking on what I said about Fruzsi’s apparent absence from the Little Palace despite clearly having an established relationship with the Darkling and having been with him for some time, we can consider the earliest pieces of information we have about Genya’s life. Now it’s a long time since I read the S&B trilogy so I can’t remember if this specific detail is true to book canon but in the show Genya states that the Grisha testers found her when she was seven but that she was gifted to the Queen when she was eleven. We have no information about what happened to her during these four years, and yeah maybe she was at the Little Palace training but we don’t have confirmation of that and I wouldn’t trust the Darkling as far as I could throw him (which probably wouldn’t even crack a metre let’s be real). This also adds a really interesting layer to things with Fruzsi being the one instructed to show Genya off to the other Grisha as an example of what will happen if they try to betray the Darkling because we get this moment when she kneels down to take hold of Genya's chains and they are both sitting in the cage together that I think is really powerful in everything it says about how easily either of them could be in the other's position in that moment but we're also still very aware that Fruzsi has the far more power - or at least an illusion of it. In this same scene Baghra, about Genya, states "she served you loyally since she was a child, endured years of abuse on your orders, and you reduce her to an example? Oh Aleksander, where does this stop?" and honestly that is so brilliantly written (and so brilliantly delivered in the scene) that I don't think I need to say anything on top of it but when we consider this side by side with Fruzsi's position I think that this really is a very powerful parallel and a constant reminder that no-one who places their trust in the Darkling is ever safe, and that pretty much everyone on his side is there because of manipulation and because of abuse - be that abuse from the Darkling or abuse from others that the Darkling has so well learned how to manipulate in ways that are very, very similar to the way Jarl Brum manipulated and abused Matthias (I have written a lot about that too. I have strong feelings.)
I have so much fascination and I feel so much sympathy for Fruzsi and I think that this is one of the things that the show did so fantastically well in her and in the other Grisha on the Darkling’s side who are all manipulated and controlled by him in just the same way our protagonists were, who were ultimately still all very young people who had been attacked and threatened and made unsafe in their home for who they were and who were offered what they believed was the only solution. I think one of the greatest examples of this, other than Fruzsi, is seen in Vatra, the amplified Inferni who is so proud of herself when she brings the Hummingbird down - "Yes! I did it" and btw she says this with such an expression on her face I don't even have the words I would just genuinely recommend you rewatch the scene to get what I'm saying it's s2e7 around 24:30-50 she actually looks so proud of herself she's like a little kid and it's so soul-crushingly clever and incredibly well done and it breaks my heart she's been so successfully manipulated - because she so genuinely believes that she is doing the right thing and she is making a difference for her people, and even when she dies with her hand clutched in Fruzsi's she dies smiling. That girl breaks my heart every time I rewatch, and honestly even though she is presented in a more unlikeable way Fruzsi breaks my heart as well because I can see so much of our beloved characters in her and effectively what could have happened to them and what could have become of them if they hadn’t managed their escape. This duality and constant cause to question the morality of the characters is so brilliantly done and one of the biggest successes of the adaptation considering how well it was done in the books as well but could have been something difficult to translate between medias where exposition is concerned, and I think that Fruzsi was an incredible example of this and that we really should talk about her more
Thanks for reading my nonsense ramblings if you got this far, I hope that it made sense and was at least somewhat interesting <33
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1ovede1uxe · 4 months
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not sure about requesting for multiple characters (plus I've seen your blog before and interacted with your posts, but for some reason I never requested lol) but I was wondering if you could write some hcs for Bucci Gang (each member individually) with a s/o who loves rock music. idk, on a date maybe, she starts playing queen or gnr songs at full volume? And when they both leave the place, she continues humming the songs? idk if this makes sense because… well… English is not my first language but anyway, have a nice day :))
hi! yes! thank you so so much for the request! I'm so sorry it took me an eternity to get to this, things got really busy really quickly. your request makes perfect sense, but it was super fun writing this! I don't write for characters under sixteen, specifically in a romantic setting, so I excluded Giorno from this, hope its okay!
bucci gang with an s/o who loves rock music :)
Bruno Bucciarati:
Bruno has a sophisticated taste in music, but he's completely open-minded and enjoys experiencing new things with his s/o. He appreciates the spirit of rock music and how it speaks to his s/o's nature. More than anything, the smile it puts on s/o's face.
Bruno finds it charming when his s/o blasts classic rock tunes, and he's not afraid to sing along or even tap along a little. It took some adjusting to, but he's found himself researching and listening more, initially for you, but now for the both of you!
He loves seeing his S/O so passionate about something, and he often surprises them with tickets to concerts as a way to bond.
in reference to both queen and gnr, I'd say Queen is definitely a bit more up his alley.
Leone Abbacchio:
Abbacchio, our emo king, absolutely loves rock. He may not want to admit it openly, wanting to appear sophisticated, but the heart wants what it wants.
He finds solace in the lyrics of rock songs, relating to the themes of rebellion and defiance.
Abbacchio appreciates his s/o's love for rock music, finding it refreshing and invigorating, and honestly grateful he has someone he can share this part of himself with.
He's not one to express his emotions openly, but when his s/o plays their favorite rock songs, he can't help but let loose a little and enjoy the moment with them, joining them in the silly moment.
Guido Mista:
Mista is a big fan of classic rock, especially when it's played loud and proud. He loves jamming out to Guns N' Roses with his s/o, belting out the lyrics and air-guitaring along with the music. Especially in the car, blasting loudly and singing on the way to a concert, or even on a super fun trip to just the grocery store.
Mista finds it so exciting to share his passion for rock music with his s/o and he's always up for an impromptu jam session.
He loves how his s/o's love for rock music brings out their playful side, and every moment they spend rocking out together is just as memorable as the last.
Narancia Ghirga:
Narancia is the epitome of energy and enthusiasm, so it's no surprise that he's a huge fan of rock music.
He may not know the bands or lyrics by heart, but he just loves to have fun with his s/o, singing along at the top of his lungs and headbanging like there's no tomorrow.
"hey can you put on that one song?" and it could literally be about any song.
Narancia finds it s/o, and he's always on the lookout for new bands and songs to enjoy together, even if he doesn't fully remember them, but he'll immediately know "hey s/o would love this song!"
He's constantly humming his favorite rock tunes which is a playlist made by s/o, and he loves it when his s/o joins in!
★ masterlist
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happilyfeatherafter · 8 months
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Happilyfeatherafter’s ficrec Fridays
It's February!! Welcome back to another week of ficrecs. A mix of post-confession therapy, poetry, and glorious AU this week. (I thought I'd not read much because this week has been, quite frankly, a bastard, but apparently this was a lie!)
If you missed last week’s you can find my previous rec lists here for more!
2 February 2024
maybe i like pleasure pain by tothewillofthepeople (@kvothes). After the perfect darkness of the Empty, Cas finds the world a little…overwhelming. Dean tries to help. Post 15x18, Cas is both touch starved and touch sensitive, and the sensory overload of the world can be a bit too much. He craves Dean's touch, but resists asking for it. A really beautifully written, metaphor laden examination of chronic pain, disability, trauma and the physicality of the body and nebulous presence of mind. All wrapped up in an abundance of love and devotion. Absolutely gorgeous.
Prayer to a False God by K_A_Mindin (@katerinaalianovamindin, art by @gaytedlasso for @spnbangbang) It’s been two years stuck in the Empty, where the Shadow showed him his worst mistakes over and over again. Then he's brought back, to Jack and to Dean, and silence continues to rein, the unspoken acknowledgement of the confession lingering in the air...until Cas decides he needs to stop letting silence rule. Alongside the emotional pull of this thread, the D/S dynamics which grant Dean the permission to speak his truths, through prayer, and through physical release, are a joy to behold.
i like your shoelaces (thanks! i stole them from the president) by @you-cant-spell-subtext-without is a brilliantly funny take on Misha's "Dean is a custodian in a fast food restaurant. Castiel is the President of the United States" fic prompt from a convention, told through the narrative hook of a Cinderella story. Delightfully tongue in cheek, and laugh out loud, this is currently a wip but a must read to bring joy to your inbox each update.
FROTUS by kathscradle takes the very same prompt but approaches it in a very well executed slowburn that says ok but seriously what if? My favourite thing about this fic is the importance of family, Cas being the widowed single parent of Jack and Claire, and Dean stepping up in his new role as step-Dad. Add in the slowburn relationship unfolding through long distance hyper-monitored correspondence, and all the national security matters at hand, this longfic gave my The West Wing/Scandal/Destiel brain a great big hug.
birthday candles by rhinestoneangels (almondrose/@pinknatural) is a super cute, ever so charming Dean's birthday ficlet in which Castiel's sister Anna drags him to a birthday party for a friend of hers who he has never met. He googles what to bring to a birthday party and settles on baking cookies...one fire later and fortunately, the firefighter who shows up to save Castiel from himself is very dreamy, and what a coincidence! It's his birthday, too….
I've also fallen down a rabbit warren of destiel and spn poetry, and I really really love this one by @whatladybird and this one by @eyelinerdean, @donestiel's incredible poetry gif edit series and I'm very excited to keep reading more on the @spnpoetryrenaissance blog. Has anyone seen a 2024 prompt list? Asking for reasons.
PS if you'd like to be added to a tag list for my ficrecs going forward please let me know!
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lola-andheruniverse · 2 months
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Anon who asked me about "sides" in the caryl fandom and which one I place myself on because you believe I "switched sides"/changed my opinions:
I'm not posting your ask because you named people and that's not something I do on my blog or generally agree with. The only instance you'll find me naming or tagging people is in fic recs posts, so that caryl authors who are on Tumblr can read them and be found by readers who'd like to reach out.
If you have a problem with the opinions, feelings and/or behaviors of a particular individual/blog, I ask you to 1) please reach out to them directly so you can express your disagreement or 2) use your block button, so you no longer see content you don't like. I believe that our fandom is big enough to hold every single caryler out there who wants to join in, regardless of their opinions, posts or feelings. People should feel free and safe to post whatever they want, either 'positive' or 'negative'. I have no problem with anyone in the fandom and I respect everyone's opinions, even when I disagree with some stuff I read.
Please, I ask you to not use my ask box to indirectly badmouth, bully or attack any caryler.
That said, the answer to your question is after the cut.
I'm not on either "side" and never have been. I'm just another enthusiastic fan that loves Carol and Daryl. Since joining the Tumblr fandom just before the pandemic (I was a lurker for many years), I've been using my own critical thinking skills and knowledge of AMC's shenanigans to form my own opinions.
I'm confident in TBOC because I believe there are concrete reasons that support how I'm feeling, from Melissa's return, to filming spoilers and rumors, to Tribeca and SDCC. You're free to agree or disagree with my interpretation of these facts, and to feel positive or negative about it.
I also continue to believe that AMC/Gimple hijacked the original caryl spinoff to highlight the richonne spinoff because it follows similar decisions made before to give Rick more screen time at the expense of all the other TWD characters. I believe Melissa had no choice but to opt out of the original spin-off and negotiate new terms to ensure that Carol's (and therefore Caryl's) story was respected and told with integrity. To me, that's why there were things to be sorted out, as she said, and why she lengthily discussed Carol with Zabel and co. even before scripts for the France spinoff were written. She was involved since the beginning, yes, but she only signed on when she got what she wanted. There is no greater supporter of Carol than Melissa and we have known this for years. I'm glad she's back in her own terms. I believe it was a pretty difficult time for her, as she expressed it by basically refusing to promote 11C or the series finale, and by not saying anything about the whole mess on SM, while other cast members/friends such as Laurie Holden and Khary Payton spoke out in her behalf.
I believe AMC tried to make money off just Daryl because he's their original character and it backfired in their faces. They also made a mistake using Norman to save face as he should have been protected from the SM backlash. Norman has never been a reliable narrator and I always take every thing he says with a grain of salt, but I don't think he's intentionally malicious. I appreciate how much he loves Daryl and is considerate of his fans, even when I don't approve of his behavior. I just wish he would keep his frustrating mouth shut. I believe Norman had lots of input in S1 and that he initially thought he could pull it off without Melissa. But there's no Daryl without Carol and no Carol without Daryl. It's crystal clear how much Norman's happy for having Melissa by his side, and how much they love each other and are excited for S2. I'm glad they are reunited, both for them and for us, but I believe everything worked out in the end because Melissa didn't give up on getting what she wanted. I believe she had lots of inputs in S2 and is satisfied and happy with the final result.
So, that's how I believe things have gone these last two years. Again, feel free to agree or disagree with my interpretation of facts. None of us will ever know exactly what happened, but each of us can decide what to believe based on our own judgment of the facts. That's what I do and will continue to do.
In the end, for me, the important thing is that Melissa and Norman are happy and that Carol and Daryl get their hard-earned happy ending. It's everything I ever wanted and I'm going to enjoy it. I hope you enjoy it too.
That's it. Caryl on!
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cha-melodius · 1 year
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Oh my goodness, I've just seen your fic festival request post and am excited to sneak in to participate before it closes. I love your writing and your stories so very much!
My prompt suggestion is... firstprince in Edinburgh, Scotland... in particular, the Edinburgh pride parade (if I may be so oddly specific). AU welcome, canon welcome, makeouts welcome, ahem.
Thank you and good luck wrangling everyone's prompts!
(Firstly, I have to say I love your url and your profile pic! Secondly, this is heavier on the Pride and lighter on the Edinburgh as far as the details go, but I hope it delights. Inspired in part by a tweet shared on tumblr; rated M for dick jokes. Happy Bisexual Awareness Week!)
Something To Be Proud Of
(firstprince, 3.3k, M; read it below or on AO3) read all the fandom fest fics
Henry stares at the carbon copy of the email in his inbox and wills time to go backwards. Just a few minutes, that’s all he needs. Enough time to go back and keep autocorrect from transforming whatever he’d typed after ‘he’ in his pronouns after his name into… that.
Thank you so much for all your help. Together we can make this a truly exceptional Edinburgh Pride. Regards, Henry Fox (he/hung Sent from Outlook for iOS.
How had he not seen it before he hit send on an email going out to every volunteer on their mailing list? How had he not noticed?
Maybe no one else would notice either. No one looks at email signatures that closely, right?
~~~~~
Ok, he’s not delusional enough to think that no one noticed. He had, however, naively believed that everyone would recognise it for what it was and politely ignore his gaff. He gets away scot free for a few days, and then, at the end of an email sent by a volunteer that is mostly as expected, he sees:
Best, Alex (he/him) PS: not sure I did the pronouns right. Does ‘Pride’ over here include being proud of your big dick?
It’s a damned good thing that he wasn’t taking a sip of his tea at the time, or he might be wearing it instead. Once he’s finished choking on nothing and perhaps isn’t quite the colour of a tomato (oh, who is he kidding, of course he still is), Henry professionally answers Alex’s questions about the schedule for the day of the march. He pauses before the sign off, wondering if he should acknowledge the flub or pretend it never happened. In the end, he writes:
Regards, Henry (he/him) PS: Your pronouns look correct to me, but they are, of course, your choice.
He only checks the email about ten times before he sends it. Hopefully, that should be the end of it.
~~~~~
It’s not.
Apparently, Alex has more questions. Apparently the law firm he works for is one of this year’s sponsors and is interested in potentially running a free legal clinic associated with the festival. A noble endeavour, which Henry is only too happy to assist with. He makes a mental note to look into logistics with Kate, the event’s chair, and continues reading. Finding out that Alex is apparently mature enough to be a lawyer lulls him into a false sense of security, though. At the tail of the email, he finds:
PS: regardless of the size of your dick, I’m impressed by the balls it takes to not acknowledge the typo. Then again, maybe it wasn’t? PPS: I’m trying out new pronouns. How do you think (daddy/sir) would go over?
Henry does spit his tea all over his phone this time.
He doesn’t email Alex back right away, but that’s because he has to wait to hear back from Kate. It has nothing to do with the fact that the prospect of dragging this interaction out longer is both horrifying and vaguely thrilling. Henry has noticed that he uses Americanised spellings in his text, which seems to fit with his general demeanour. It piques Henry’s curiosity, even though the thought of actually having to face Alex in person still makes him flush automatically. Eventually he gets an email from Kate that includes additional questions for the firm, as well as telling him that he can pass it off to someone in sponsor coordination. He is, after all, just the volunteer coordinator for the march. This need not involve him.
He still emails Alex back with the questions. And:
PS: Although I support your creativity, I am concerned those pronouns may not be appreciated in a professional setting such as, for instance, a court of law. Just a thought. However, I do suspect they might be rather popular at Pride.
~~~~~
They keep on exchanging emails, even though Henry should have sent Alex’s contact info to sponsor coordination ages ago, even though it becomes clear that Alex is not the one who will be ultimately responsible for the clinic either. On every one, there is a postscript in which Alex makes some kind of joke about the size of Henry’s dick.
do you have to get all your pants specially made with extra room in the crotch
do you have to check your dick as luggage when you fly
have you ever used it as a tripod
is your dick in another time zone
do you call your dick Sir Richard because it’s that prominent
In turn, Henry responds as dryly as possible, which only seems to encourage him. Oddly for someone who is volunteering at the event, Alex seems to have a lot of questions about Pride itself, as though this is the first one he’s attending on any continent. They exchange emails almost right up to the day of the march itself, but if they do taper off, Henry is too busy to notice. Coordinating volunteers for something as big as Edinburgh Pride is intense, and the days tick by before he even knows it.
He’s standing off to the side at the volunteer check-in tent on the morning of the march, going over some last minute logistics with one of his staff, when a voice carries over the hubbub, deep and rich with an out-of-place American accent.
“Sorry, but I was hoping… is Henry here?”
Henry straightens up and turns toward the voice only to find perhaps the most stunning man he’s ever seen standing at the front table. Dark, curly hair, a sharp jaw, big brown eyes with the longest eyelashes Henry has ever seen— he’s actually impossibly beautiful. Unbelievable, really. As is the fact that he’s asking for Henry.
“Hello,” Henry says as he walks over to the front. “How can I help you?”
The man’s eyes snap over to him, and he very clearly looks Henry up and down and swears, “Jesus fuck,” under his breath. Then his eyes come back up to Henry’s face, and he swallows. “You’re not Scottish.”
Henry cocks an eyebrow at him. “Neither are you.”
“Yeah, sorry. I just— need to adjust what you sound like in my head,” he says nonsensically. “I’m Alex?”
Oh.
Oh, Christ.
Henry should have known, because how many other Americans could there be volunteering at Edinburgh Pride? That reality does nothing to help him cope with the situation presented before him, though, in which this is the man who’s been teasing him about the size of his dick for the last month.
“I, uh,” he says eloquently as he tries to pull himself together. There are far too many people standing around watching this exchange. “Hello. It’s a pleasure to finally meet you. Did your firm get everything sorted with the clinic?”
“Oh,” Alex says, blinking. “Yeah, thanks. Look, I’m sure you’re busy, but I have something for you?”
It kind of comes out as a question, and he’s scratching the back of his head uncertainly, so even though Henry has no idea what’s coming, he nods. Then Alex reaches into his pocket, fishes out something small and round, and places it on the table between them.
It’s a button. A pronoun button, not unlike the one Henry’s already wearing, but instead it reads: he/hung.
Henry’s eyes snap up to find Alex grinning at him with the kind of mischief that Henry honestly should have expected from him sparkling in his eye. “Wanted to make sure you were prepared,” he says with a little one-shouldered shrug. “I’ll see you around, I guess.”
Then he takes his volunteer t-shirt and saunters off—and Christ those jeans are ridiculously tight and doing everything for his arse—leaving Henry gawping after him. A moment later, one of his regular volunteers, Robin, bustles by, catches sight of the button, and lets out a sound that can only be described as a cackle.
“My god, it’s perfect,” they say. “Did he really make this for you?”
Henry can only sigh, dragging a hand over his face. “It appears so. Robin, can you do me a favour?”
“Make sure you’re working the same stations all day?” they surmise. Henry doesn’t need to look to imagine the knowing grin on their face.
Henry wants to say no. Just because Henry’s already managed to combine the affection engendered by their previous email conversations with Alex’s stunning good looks into a powerfully intoxicating cocktail of a crush—well, that’s on Henry and his poor decision-making.
Instead, he says: “Yes, exactly that.”
~~~~~ ~~~~~
Alex had only signed up to volunteer at Pride on a whim. He’s always complaining that he doesn’t know anyone in Edinburgh outside of his coworkers, and one such coworker—someone that he could safely call a friend—suggested that getting involved in the festival would be a good way to meet people. Alex had tried to explain that he wasn’t actually queer, but she’d just given him an odd look and told him that allies were welcome at Pride too. It had felt a little weird signing up despite her assurances, but also kind of good. He was finally going get out there and have a life beyond his job.
He certainly hadn’t expected to strike up a prolonged email exchange with the volunteer coordinator, Henry. He also doesn’t really know why he kept finding excuses to send him new messages, except for Henry’s responses to Alex’s stupid jokes made Alex imagine him rolling his eyes and trying not to laugh, which only egged Alex on further. It was fun. That’s all.
Nothing about any of this made him prepared to show up to the volunteer check-in tent  today and be plunged directly into a sexuality crisis. But that seems to be exactly what’s currently happening now that he’s been confronted by quite possibly the hottest man he’s ever seen. Alex doesn’t even get it because it’s not like he hasn’t been able to objectively appreciate attractive men before, and blond hair and blue eyes have historically never really done it for him. Even if they are combined with swooping cheekbones, and broad shoulders, and obscenely full, pink lips.
All he knows is that as much as this doesn’t make sense, it also suddenly does. Why he’d felt drawn to sign up in the first place. Why he spent the last month reading about the history of Pride in Edinburgh and around the world. Why he’d gone on a deep dive doing research about different sexualities, brushing it off as wanting to be informed before meeting new people.
Why he was so obsessed with Henry’s dick.
Jesus fuck.
He thinks he manages to hold a short conversation. Somehow he even gives Henry the custom button he brought as a joke, smiling the whole time like he’s not moment’s away from dropping to his knees. He flees the table safe in the knowledge that Henry will likely be too busy coordinating stuff all day and Alex probably won’t see him again. That confidence is shattered when, not even an hour later, Henry shows up at the station Alex is supposed to be working. He’s even wearing the joke button, under his regular pronoun button and next to a little rainbow flag pin. Alex is going to die.
“Oh hey,” Alex says in a reasonable facsimile of nonchalance. “Did you need me for something?”
“Not exactly,” Henry replies. “I’ll be working this station too.”
Yeah, Alex is definitely not going to make it through the day.
~~~~~
It actually turns out to be not as bad as he feared, despite how Henry’s volunteer t-shirt is probably a size too small (never mind that in the context of everyone else at Pride he looks downright conservative) and Alex keeps getting caught staring at his shoulders or his back or his waist. Henry keeps on giving him weird looks at the beginning, probably because he’s expecting Alex to be cracking crude jokes. Too bad Alex is way too wound up in his own head to think of anything at all.
They’re pretty busy all day, but they do get a chance to chat occasionally, mostly small talk stuff about jobs and how they both ended up in Edinburgh. Henry is there for grad school, apparently, and has been volunteering for Pride since he moved out from under his grandmother’s restrictive shadow. In turn, Alex tells him about applying for the law job on a whim, desperate to set himself apart from his parents, and how much he likes Edinburgh (despite the weather). As the day stretches on and the streets fill up, Alex feels himself relaxing into his skin again, undeniably enjoying the festivities as well as Henry’s company.
See, the other thing he never, ever expected is how good it feels to be here. All the people around him loudly comfortable in themselves, and the color and glitter and celebration— it’s amazing, but it’s not just that he’s watching other people be happy. There’s a kind of ecstatic joy that bubbles up inside him at the fact that he’s part of it, one that he feels down to his bones. A sense of belonging that he’s never really experienced before, and that, more than anything else, makes him more certain of his newfound revelation.
Straight people probably don’t feel like this at Pride.
At the end of the day, he’s helping pack up the main volunteer tent when he comes across a table full of pins depicting different pride flags. He dimly remembers seeing them when he’d checked in and thinking that none of them applied to him. Now, he stares down at them and bites his lower lip uncertainly.
“There’s a box for those under the table,” Henry tells him from across the tent, misinterpreting his hesitation.
“Oh, yeah, thanks,” Alex says, and Henry’s already turning back to whatever he’s doing when he manages to continue, “Hey, can I— um, can I take one of these?”
Henry stops, his brow creasing as he tips his head slightly. “Of course. That’s what they’re there for.”
“Right, thanks,” Alex says with a tight smile.
He puts his hand out, hesitates, then picks up one with pink, purple, and blue stripes. Stares down at it for another moment before he realizes he’s probably being weird and he’s pretty sure Henry is still watching him. He swallows hard, then pins it to his shirt next to his pronoun button.
No one jumps out to call him out for being an impostor. Henry offers him a careful smile, then turns back to his work like he knows Alex needs a moment to himself. He lets his fingers rub over the surface of the pin, feeling the little enamel ridges, and something settles under his skin, like an itch he hadn’t even been aware of until it was gone.
He feels almost normal by the time Henry walks up to him once they’re finished and everything is packed away in someone’s car.
“Thanks so much for your help today,” Henry says. 
“It was my pleasure,” Alex replies, and means it more than he can say. “I’m really glad I decided to sign up.”
“I realize you may very well be tired of my face at this point, but if you don’t already have plans, I was wondering if you’d like to go get a drink?”
Alex would like to make a joke about how it might be literally impossible to get tired of Henry’s face, but at this point he’d probably fuck up and confess his undying love for a guy he just met. “Sounds great,” he says instead, looking around at where a few of the other volunteers are lingering nearby. “Do y’all usually all go out together afterward?”
Henry coughs slightly and glances down at the ground for a few seconds as his cheeks turn faintly pink. “Well yes, a group of them usually do. But I was actually asking if you wanted to go out with me,” he says. “Just the two of us.”
“Oh,” Alex breathes as his stomach decides to do a backflip. “Yeah, I’d like that.”
Spending all day volunteering with Henry was fun. Going on a date with Henry, being the sole focus of his attention, is intoxicating. Alex feels like he could sit here all night listening to Henry talk about his research on queer history, although that’s far from the only thing they talk about. As the night wears on and the pub slowly empties, Alex is buzzing with a few drinks and the euphoria of really clicking with someone, already wondering when would be too soon to ask Henry out again.
Henry shifts slightly so his legs press against Alex’s where they’re tangled together under the table—have been for several hours, actually. He’s playing with the stirrer in his empty glass, and a little teasing smirk sneaks onto his lips as he looks up at Alex.
“So you made me a custom pronoun button but forgot your own?”
“Ah, you know,” Alex replies with a shit-eating grin and a one-shouldered shrug, “thought it would be too distracting, what with how everyone would be hitting on me all day.”
Henry hums thoughtfully, biting back a wider smile. “If you wanted to avoid that, you probably should have chosen some looser trousers.”
“That’s fair. I suppose you had to go for the room in yours.” Alex pauses a beat. “You know, on account of the size of your dick.”
That makes Henry actually laugh and shake his head fondly. “I was waiting all day for that.”
“Sorry to disappoint,” Alex says, chuckling along with him. It does feel like he owes Henry something of an explanation of why he was so weird all day. He looks down and licks his lips. “Can I confess something?”
“Of course,” Henry answers with a small, encouraging smile.
“A friend of mine suggested I volunteer for this because I wanted to meet people. Make new friends. But until today I actually thought I was… mostly straight?” Alex admits, trying not to wince as he stares fixedly into his empty glass. “Being part of this made me realize why I always felt a little like I wasn’t my whole self. So I was… kind of going through it a bit today.” He pauses, then adds, “Also you’re so ridiculously fucking hot that you kind of melted my brain.”
Henry laughs again, but it’s softer this time. Gentle. Alex kind of wants to sink into the sound. Henry’s cheeks are slightly pink as he extends a hand across the table, and Alex doesn’t hesitate before he slides his hand into Henry’s and links their fingers together.
“I’m glad to hear that, Alex,” Henry says. “I mean, the feeling like your whole self part. Not the brain melting part,” he adds, and Alex can’t help but laugh with him.
Henry doesn’t let go of his hand as they walk outside, and once they’re alone on the sidewalk he uses it to pull Alex close. He puts a hand on Alex’s hip and Alex has to tip his head up to look at him, and it’s a lot but he’s also pretty sure he’s never wanted anything more than to feel Henry’s lips pressed against his.
“I have a confession too,” Henry murmurs as he stares down into Alex’s eyes.
“Yeah?”
“I’ve been dreaming of kissing you since the very first moment I saw you.”
Alex lets one corner of his mouth tug upwards. “What’s stopping you, baby?”
“Christ, Alex,” Henry breathes, looking momentarily overwhelmed, but then he’s pressing his lips to Alex’s, and Alex feels his blood sing. It’s brief and chaste and leaves him aching for more, but then Henry looks down at him with heavy lidded eyes and asks, “Given your recent personal revelations, would it be terribly forward of me to ask you back to my place?”
“Ask away, sweetheart,” Alex replies, then he reaches up to touch the side of the ridiculous he/hung button that Henry is still wearing for some reason. “I wanna find out how accurate this button is.”
(It doesn’t take long for him to find out that the answer is: extremely.)
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millepara · 8 months
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about waccha primagi.
it's ending.... (mega long who cares-type post)
once again, I've seen this coming for a while so I don't have a particularly big emotional reaction to it now. the anime not continuing immediately -> at all, the huge spotlight on idol land at the same time (and--bearing in mind that I don't know anything about anything--possible lack of people/time/money to support primagi as a result), the decrease in original coords and content in the game.... this alone was enough for me to start mourning primagi's loss way before it ended.
I haven't played for over a year, but I hope I can play again before it's over. I'd like to record a vid for each of the new songs I like at least... but I'm busy with yet another cross-country move to god knows where and possibly changing jobs so sadly this is very much on the back burner. maybe after work...? I'm so tired though (i _ i)
I've seen people wondering if the machine will be updated for the new series' game. but: recall that in the past, the new series was teased in pvs and stuff as the next step of pretty series, and that was it. yesterday's sort of stoic text discontinuation of service message is not a normal part of the change to a new series. and it's bad business practice to make us all depressed about the series ending without giving us something new to get excited about first. I think the cabinets will be removed from arcades eventually. I also think that will be the end of idol games in arcades period.
BUT--there is a new series coming. and I cannot imagine any possible reason for them to make an idol anime without an idol game for it to advertise. so that means... surely there must be a new game coming as well!! that leaves 3 possibilities as I see it:
1) actually the cabinet is just changing over normally and they're announcing it in the most disadvantageous way possible. why would they do this
2) another new cabinet?? what a waste of money that would be!! why not set it on fire instead??
3) a game on another platform?? likely smartphone, right? but then look what happened with idol land--how can they manage two apps at once? how can they expect anyone to trust them to do so?
I also would not trust them to do two separate idol apps at once without tanking both, but 3 is still my first choice here because it means people outside of japan can play too, and I don't have to dig out space for yet another card collection. but who knows what will happen. and we'll find out more about the new series soon enough--feb 2 is when the next Ciao with more info is out.
even though a new series is guaranteed, I still don't feel great about it. there's no guarantee yet that it will even be a full anime and not some piddly little webseries that's predestined for death. even if it is, there's still some stuff I feel primagi seriously whiffed on that could have helped its longevity, and some other circumstantial stuff that they had no control over, but which also hasn't been resolved. in the whiff category, the main thing I can recall atm is--why did they never make toys for this kids' anime? kids still want toys, right?? overall, the game felt a little less accessible for kids... or like they weren't pandered to enough? (not nearly to a degree as bad as Planet, though.) I mean, as with everything else I talk about ever, I don't know enough about the topic and am just saying things, but this always stuck out to me a bit. I remember commenting on it a couple times.
the circumstantial stuff is more significant, though. the big one is covid. of course Japan is business as usual by now, like everywhere else I know of, but I just have not seen as many people playing in arcades since 2020. that is especially true for aikatsu and pretty series. the other one: I wonder if idols in general are losing their appeal? I know of a few idol game apps that have ended in the past couple years, and then of course there's aikatsu... recently even Idolm@ster Cinderella Girls Starlight Stage, a game I have played religiously for years, has been making suspicious movements that have really put me on edge. is no one interested in idol series anymore? more broadly speaking, does it seem like there is less anime oriented at young girls overall today as compared to several years ago, or is it just me...?
with that as the backdrop in my mind, though, primagi ending feels more tragic. I may not be drowning in tears, but I am really, truly going to miss it. I honestly think that it had the best story of all of pretty series. I know Rainbow Live is everyone's fav--I like it too!--but it did have this soap opera level of drama that felt facetious and silly if you thought about it too hard. I think there is a certain type of person that will say "but that's why it was the best!! primagi would never!!", and don't get me wrong!! I just said I like it and I think it's fun too!! but I am not talking about opinion, or which was more tongue-in-cheek so-ridiculous-it's-good, which I think is another way to like something ironically. I am only interested in liking things genuinely (bc of the mental illness), and I think primagi was a more genuine example of storytelling with less drama for drama's sake. it also had interesting and unexpected and heart-warming character interaction in the same way RL did. it wasn't perfect, but it was very good. I wish it was longer.
and god, the game looks SO GOOD. I still can't believe how good it looks. I miss notes in the game all the time bc I'm too busy staring with heart eyes at how cute and cool and pretty my idols are in it. the music is SO GOOD, and I know that's very much a matter of opinion, but even by a vaguely more objective metric: I don't find myself thinking "discount kpop" like in Aikatsu Friends sometimes or feeling absolutely, totally unimpressed like in Planet always. the songs were unique for idol anime and kids' anime, and different from the popular stuff my students listen to as well. even if you didn't like the music, it was certainly interesting.
and the coords are AMAZING... they really took advantage of the game's graphics to do fun things with textures and shapes, and even the most fantastical outfits are designed realistically, by which I mean, I know exactly how I can recreate them irl to look exactly like they do in the anime AND ALSO look pretty... given access to enough money. (this was true for pripara as well. but it was something that bothered me a lot in prichan, bc there were a lot of coords that looked like bad papercraft or just plain bad, and would be impossible to recreate irl, and might look awful even if you could.) even though the game is ending and I have to save for the move, I want to buy up all of the cards for coords I like just to have them! and don't get me started on how cute the cards themselves are!!
...but primagi is still ending. I'll live. I don't expect much from the new series in terms of longevity or how much I like it, but I do still hope to be proved wrong.
and in the end, you know what? I never got a decent hairstyle for Biscuit. I'm stuck with the starter twintails to this day. they never released a DARKER SKIN COLOR. maybe primagi had to die all along.
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aurcls · 6 months
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HSHQTASK059: FAREWELL !
i know i already yapped in the admin post but let me continue <3
1: when did you join ? what made you join ? what do you remember from the plotlines that were current at the time ? where were you in life when you joined and where are you now ?
i joined in 2015 as a high school freshman, jfc ! i don't think there was anything major going on, the rp was very much a rich kids rp so the drama was chill and petty; entertaining but not that deep. one thing that made me join ( aside from my obsession with royals ) was the fact that phoebe tonkin - THE most popular fc at the time - was up for grabs. i thought it was meant to be !
2: which characters have you written over the years ?
errrmmm... merjem/kalla, olivier, livia, florencio, alexander, anneli, lixun, nicole, maryam, blazej, definitely some other characters whose names and existence i cannot remember
3: what is your favourite plotline that you've been part of ?
i think this is just nostalgia but i think olivier-viggo-armani-lykke-anton-etc era was my fave. artistically it's very hollow but i think the lightness of it all makes it my favourite. i also sort of view it as a testament of my own naivety and youth. i'm not saying i'm old now but i'm not 17 without a single worry. back then ( because i wasn't busy and i could sat in front of my computer for hours ) the plots moved quickly and the threads were really fun to follow. there weren't that many characters so everyone was, in a way, forced to write with each other so the plotlines were very interactive. i appreciate the organic way things evolved. ( i do have a soft spot for annexei but i think it's mainly bc i admire alexei's characterization so much and elisa's ability to depict depression )
4: what about other people's plotlines ?
i was insanely invested in the zulu conflict of 2020. it had so many moving parts and i think if it had only gotten a chance to evolve even further, it would have been on a whole new level <3
5: who is your favourite character from the ones you've played ? why ? what made you love them ? what made them so fun to write ?
i think nicole or olivier. nicole's plotline was so well defined that it was fun to write her. i loved her relationships and it was interesting to write someone older. i think she's a character i could write a book about but she wasn't the best for an rp setting ? getting a chance to be involved in the english drama was wonderful ! olivier on the other hand... i think he's just a fave because he lets me connect to the old days ? when rp was a top priority and everything was exciting and fun. i don't want this to sound like it isn't that anymore but times were different back then and i don't think it ever felt the same after maybe high school graduation ?
6: if you could relive a plotline, which would it be ?
i think the finale of the english plotline maybe ? or the insanity of the lawn chair thing. possibly the rise of olykke too <3 but honestly i would like to experience all of it again, as cliche as it sounds. i will very think of the nights i stayed up until 4 or 5 am just to write/read the dash. waiting for a reply was such an addictive feeling and idk where i'll find my replacement for it. it really breaks my heart and makes me feel very old to realize that i don't know if i'll experience the excitement again. those sleep-deprived nights were some of my best. i've said "it's just rp" a million times but honestly, rping itself is such an experience and i'm glad i've gotten to get the best version of it.
7: is there a plotline that you'd edit now if you could ?
i think i'd improve the kalla era's germany. i didn't do much with it.
8: what's a plotline you wish you would have been able to finish before closing or just write more of ?
i would have loved to finish aurel x araya story, i mean i can probably still accomplish that but nbskdgbjs there were big plans for the slovakians and it's a shame we never got to write it out on the dash. i think i would have enjoyed writing the inner struggle of blazej. he had a lot of potential but alas, it could not be !
9: what is your favourite ooc memory ?
i have two that stick out but my trip with serre ? we were on my sister's couch writing the stupid lawn chair saga and i think it was the first time in a long time that i had that much fun writing ! the second one would be me visiting evy because it was a surreal experience and i have to admit i was so socially awkward that evy's family probably thinks i'm weird nfgbkdsgbj i just think it's amazing that those two meetings could happen ? prior to hshq, i hadn't really believed in online friendships, everyone felt just too remote ! a special mention goes to this crackthread thing we wrote: link just a random memory though: i remember when we did those feedback surveys. we sorta forgot them but they were so important at that one point. other funny thing is our old adminooc blog. snapchat replaced it and then some years later discord replaced snapchat. we should bring the admin snapchat back btw @armanicatherina & @barbiebraganca
10: where can others find you if they want to get in touch ?
i'll be on discord !!! you can find me on the hshq server ( which we aren't deleting if i can have a say ;) )
11: what else would you like to say ?
i said a lot in the admin post but i actually had to "keep it short" so here i will say so many things that you wish i had edited this. for me rping has been an amazing way to connect with other people, learn about people through writing and to experience emotions that i wouldn't otherwise. some of the words i've read here have managed to capture thoughts that i hadn't been able to put into words and it's been amazing to see how differently people think but also how alike some feelings among different people are. i often try to wrap my head around the fact that this group's been going for eight amazing years. i've gone through a lot in those eight years and the existence of this group has brought me a lot of joy. i am sad to let go of it and i guess i'm in a bit of denial because i keep thinking that 1x1 rping exists and y'know... even if a group doesn't exist, threads can still happen. when i think about hshq and the plotlines i've read and written, one thing really sticks out to me and it's the way we shifted from a p basic rich kids rp into something intricate and sophisticated ( yes, we had a drug related nye event and we've had a fair share of petty fights ). the range of emotions people have been able to write and the psychological work they've done to write a convincing and very realistic humans is something everyone can be proud of. i don't know if i look like a sadist but i was most impressed by the depictions of sadness, guilt and self-loathing. in my opinion it's not easy to write a piece of sad prose without it being a bit melodramatic. aside from hshq's longevity, the most amazing thing has to be everyone's willingness to get involved. the plot drops that i wrote wouldn't have happened without your input and when it got too tough for me to write them myself, y'all stepped up and continued the plotdrops with your newsposts. as an admin, it's been so so so so so awesome that we've been able to put some responsibilities on the members and have you guys perform better than well. i think we did something unique here and i'm so proud of us as a group!!!! i wish i could flex about this irl because hshq's history and way of working is something extraordinary. i really wish i could properly put my love for hshq into words. i don't know how to express its meaning and influence in my life. i feel like it has helped me to improve my writing but more importantly it has taught me a thing of two about empathy <3 i really hope we'll stay in touch and if anyone comes to europe, or more spesifically finland, don't be afraid to message me bc i'd love to meet up !
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ursachaotic · 2 months
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Ok this might be a little weird and I want to tell this to you anonymously because I don't want to make you feel pressured into answering ^^' (let it be known I am a mutual of yours & I know we don't talk but I think you're really cool <:) Your genuine love for Gravity Falls and you excitement about The Book of Bill is kind of. Helping me rekindle old love for the franchise. I stopped interacting with it more or less involuntarily (bad experience with bad people) and felt bad that I can't get into it but honestly your interest did help me rediscover it, or at least start to do so. Like I've picked up my old Journal 3 a couple times this week, I thought about re-watching the show, I bookmarked the cheapest "to be released" listings for TBOB in the online shops in my country, I have the thisisnotawebsitedotcom bookmarked too. I've been picking up my hand-made-from-a-towel Bill plush and just looking at him. Thinking about trying to find his hat and make him a new bow because I took them off when it was just too awful to perceive.
I hope this isn't weird. I genuinely don't mean to be weird or trigger your anxiety or anything, I mean it. Your love for this show and everything around it is helping me a bit to rediscover my own, which is great, because as someone with interest in folklore, the paranormal and cryptids, GF was an amazing thing to discover. I myself made a grown up version of Dipper, who's a full-on cryptid hunter and wrote a lot of stories about him, later turning that concept into my own thing because it was too painful to keep but I loved all of the creatures I made and the lore and stuff. So I just took my ideas and moved it into my own thing, which is currently my most developed universe with my most beloved ocs.
This is lengthy. Sorry. Again, I genuinely don't want to creep you out, just, I'm glad I found you and your art and your comic and that you're so excited about your interests. Please know that you are never bad or annoying for loving what you love, please continue being so passionate about things, because it's really cool. You're cool. I hope you know that ^^ and, well, if not, I'm telling you. You're cool and your work is amazing.
(If you would prefer me to pm you feel free to post about it here or your personal? blog, whichever you're cool with, I'll probably see it and can just pm you with like "haha yeah I'm the long rekindled-interest anon" or you can answer this or just read & delete, I really don't mind if you don't want to answer ^^. Just, wanted to say this. Again I hope this isn't weird ;w; I swear I'm just a little adhd guy who used to love GF a lot, and possibly might be okay enough to start interacting with it on his own. And your love for the franchise helped.)
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Hi this made me tear up (iN A GOOD WAY I PROMISE AHSDOFISADH I CRY WHEN I'M HAPPY LOL), this is seriously so, so sweet. Thank you so much for sending me this!! 🥹 I'm really glad that all of my silly Gravity Falls stuff has helped you get back into the show, and I hope you enjoy it and enjoy the Book of Bill if you get it!
Also, this seriously means a lot to me, especially because I'm actually really self-conscious about my interests and passions haha. I'm terrified of being seen as annoying, and there's been a lot of times recently where I've shut down out of the fear of being annoying about my interests. But I'm starting to not give a shit about whether or not people find me annoying online?? I want to be super vocal about something I adore so damn much cause it makes me happy! I've also been burnt out on drawing for a WHILE, but reading this book has given me so much inspiration, and drawing feels really fun and exciting again for the first time in a while! I struggle with depression a lot too, but my love for Bill and excitement about what's to come for the series has helped me feel really happy and kept me going for the first time in a bit. So, while I'm still scared of being perceived as annoying, I'm really happy right now and I want to keep doing stuff that makes me happy, even if that's just drawing Bill antagonizing me / my sona lmao. Seriously, thank you so much for sending me this! It's incredibly sweet and I'm really grateful that you did ;w;
Also you can absolutely reach out over DMs!! I would love to talk, but I hope you're having a wonderful day!! 🥹❤️
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kalena-henden · 5 months
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Lee Je Hoon's Chief Detective 1958 starts today. Can't wait to watch! I enjoyed him in Taxi Driver and really want to watch through his filmography eventually.
Lovely Runner is knocking my socks off! Byeon Wook Seok and Kim Hye Yoon are killing both the comedy and the drama. Wook Seok is the cutest loser in love! The mystery and unexpected twists are fun and interesting. I hope this quality storytelling continues. I'm on the edge of my seat.
I only have 3 episodes left of Love Me Love My Voice which has been wonderful and heartwarming. I love the main romance but the friendships and secondary romances have been given ample time to shine as well. I'm always here a good found family. I really like how the dramatic readings and song perfomances have been carefully woven into the story to further the character development. Definitely recommend.
Now we come to our debrief on The Smile Has Left Your Eyes. Whoa, what a rollercoaster. The first half was interesting with many characters' selfish and dark intentions mixed with a little mystery were set up in contrast to our optimistic, self-sacrificing female lead. However, the second half drowned in major events happening and then being dismissed as if they never happened, multiple secret keepers refusing to tell the secret multiple times an episodes even when asked point blank when the answers could stop so many bad things from happening, and the existential dread I felt about what the big reveal was going to be only for it to completely dismissed. (FYI I found out what I thought was going to be the big reveal IS the actual reveal in the darker Japanese version it's based on.) After episode 14, I wasn't sure I could continue watching the show. But after a night of uneasy sleep, I decided to finish it the next morning on double speed to get through it. I did watch the last 10 minutes at regular speed. While there were some well done things about their relationship in the second half, it couldn't save the show for me even though I went in knowing this was not an HEA. Overall, I was just left feeling angry and exhausted. As a Seo In Guk fan, this was a show I had long wanted to see, just to find out what my opinion on it would be. I'm sad that the SIG fanmeet has been post-poned, hopefully I will be able to make the next date. But this means I feel okay to stop my SIG show binging so I will not be watching Hello Monster anytime soon. I'm actually impressed with how much of SIG's filmography I've already seen (7 shows as a ML, 4 shows as a cameo, and 1 movie). I'm pretty sure it's more than I've seen any other kdrama actor or actress.
After a bad experience at the new dentist yesterday, where the hygienist manhandled my teeth and they tried to upsell me on services, I was in need of a comfort rewatch. I've been thinking alot about Lee Jun Young lately and decided to break out the first thing I ever saw him in, Imitation. I was only going to watch a few favorite parts from an episode or two and ended up binging my favorite parts of most of the series. lol I really hope his upcoming Cinderella romcom with Pyo Ye Jin is going to be good.
I slowly picked Vigilante back up again this week and was excited to see Lee Joon Hyuk's character finally emerge to add a boost of energy and chaos to the story.
Now that I've got some time and the second half of the series has finally dropped, I will continue watching Chae Jong Hyeop's Eye Love You.
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inlovewithpandora · 1 year
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Hi again! Hru? ☆
Just wondering, when you have the time ofc, can you write a story where Y/n gets hurt and it's a lil severe (u can make up how!) So when Roxto finds her, he scolds her a little but ends up treating her and gives her some affection? , So, small lil fluff ! ☆
Hope you see this and if you do I hope you have a great morning! I love ur stories and the way you write.
Bye! ☆
Hey! Thank you sending this request I hope it meets your expectations💗! (Sorry it took me so long to get to it😭)
- Requests are open (please read rules prior to requesting)
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- Infuriated-
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Pairing: Agedup! Rotxo x Fem! Metkayina Mate! Reader
Details: ⬇️
- Reader is a warrior and does have some problems controlling her anger (especially when it comes to Amika)
- The character you will be reading about (Amika) will be the antagonist (Reader’s enemy) in this story
- Reader doesn’t like when people talk about Rotxo (or herself) and when they do it triggers her anger
- (Reader is a little crazy but we still love her🤭!)
- Words written like this indicates a flashback
Warnings: Angst, hurt & comfort, fighting/injury, mention of blood, drama and mild swearing
Authors Note: I put a spin on the request so I hope you all like it💗! (I was lowkey nervous about posting this😭)
- if you see any mistakes please excuse them
Word count: 3.8k
Glossary: Yawne - beloved II Iknimaya - rite of passage || Skxawng - idiot, moron || Olo'eyktan - clan leader || Mauri - pods built in the giant mangrove-like trees alongside the shores
I hope you all enjoy💗!
Likes, Comments, and Reblogs are highly appreciated💗!
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As you and Rotxo were eating lunch he began telling you his plans for the day, "Aonung and I are going hunting in the jungle today" he said as he ate his grilled fish. He's been anticipating on going hunting in the jungle for a while now. "You seem excited!" you say as you look at the wide smile on his face "I am! I've been trying to convince Aonung to come with me for a while and he finally agreed" As both of you continue to talk he begins to ask you about your plans.
"I'm going to the training hall today. Tonowari asked me to come help train some of the young warriors" You tell him before you take a sip of your drink. "Is Amika going to be there?" He asked you with a raised eyebrow "Yeah she is. Why do you ask?" Rotxo just shakes his head while he speaks "Because you know how you two are always at each others throats"
You and Amika have had a combative relationship ever since the two of you became teenagers. You and her always got into arguments about various things and sometimes it got physical. Both of you always knew exactly what to say to make the other tick, you both loved pushing each other's buttons.
Neither of you knew what was the origin of your long-time feud, but both of you knew that you didn't like each other for a reason.
"I know but we haven't argued recently so I think we'll be fine" you say shrugging your shoulders not thinking to much of it. You and her have passed by each other multiple times throughout the village but you never spoke, you just give each other angry glares.
"No I know how you are. If she pushes your buttons you will black out and things will get physical" Rotxo said as he thought about the last altercation you and Amika had.
When you were sitting on the shore, creating a new fish net you heard your name fall from Amika's lips, "I don't know what Rotxo sees in her. When he could have all this" she begins to gesture to her body "He decides to mate with Y/N " she says in a ick tone. You can hear Amika continuously talking about you to her friends which annoys you.
As you try to take the high road and ignore her you can't. You put down your incomplete fish net and walked over to her, "Amika do you have something to say to me because I can hear my name rolling off your tongue every five seconds" you tell her in a snappy tone. Amika begins to laugh right in your face, "Me talk about you? please! I don't even want to hear your name" she tells you and you know she's obviously lying
"Oh so you didn't say how Rotxo could've mated with you and but he instead chose me" you say while mocking her voice and doing the same gestures she did earlier. As Amika's friends watch the two of you argue they began to laugh at how you were making fun of Amika.
"It's true! I don't understand what he sees in a pathetic person like you" she boldly yells which makes you walk closer to her and get in her face "Me Pathetic?! Girl please you really are a skxawng aren't you?!" You say as you begin to laugh "you want to call me pathetic but your the one who came to MY mate's pod crying asking why he didn't chose you AFTER he has declined you many many times" a sly smirk spreads across your face knowing you opened an old wound.
You looked at her friends face expression and see the shocked looks on there faces which told you that they didn't know that happened. "Oh Amika you didn't want to tell your little friends that? Oops my bad" you say sarcastically
Amika balled up her fist and threw a punch toward for face. The punch connected and created a red bruise on your cheek. Once that happened your whole demeanor changed. You swung back and both you began fighting in the sand.
Once people seen both of you fighting they ran over to watch. Warriors came running toward you and pulled you off of her. As they pulled you away from Amika you could see blood dripping down her lips, a red bruise on both of her eyes, and multiple scratches along her body and face. As she sat there crying all you could do was chuckle, you hoped that taught her a lesson to watch her mouth and to not pick a fight with you but knowing Amika you knew that even the worst beating wouldn't get it through her thick skull.
"Rotxo the last fight we had wasn't even that big of a deal" you say waving him off
Rotxo's mouth flew open as he heard you say that, "Not that big a deal?! Amika face was messed up for weeks and she could barely see from how swollen her eyes were!"
"Well she shouldn't have been talking about me, she knows I can get a little crazy" you say with a small smile thinking about how her face contorted every time you threw a punch. ‘Little is a understatement’ Rotxo thought while shaking his head at you before speaking again "Maybe I should come with you and make sure nothing happens" he began contemplating if you could handle being in the same proximity as Amika.
"Rotxo I do not need a babysitter. I know how to control myself" you tell him as you stand up and began grabbing his and your shell plate. "Do you though? Last time the two of you got into an argument it ended in a fight" he began following you throughout the mauri. "Because she started it! She hit me first Rotxo what was I suppose to do let her just hit me?!" You began to raise your voice as your tail starts to swing behind you
"No I'm not saying that. I'm just saying that once she gets under your skin you tend to just act without thinking" Rotxo said in calm voice, trying to not get upset. He knew that if raised his voice like you just did it would only amp you up more so he decided to stay calm.
"I know sometimes I do but it's not my fault! She just, she just... she just makes me so upset!" You say as you begin to rant. "She is always saying something about me or our relationship and it just makes me so mad! She so bitter that she chooses to aggravate me. We've always went back and forth but when she found out we mated it made her more aggressive towards me but it's okay though because she knows I will always be more aggressive" you begin to crack your knuckles thinking about how it would go if you and Amika got into a fight this time around.
You knew that if you ever got into with her again it would get messy and you were prepared for whatever.
Rotxo just sighed hearing your response. "Y/N can you please not fight with her today. I don't want you to get hurt" He walks up to you and you can see his big blue eyes pleading with you
"Okay Rotxo I promise... I won't fight her today..." You mumble out which makes him smile "Good thank you yawne" he gives you a kiss before continuing to help you clean up.
You were going to try your best to control yourself and not let Amika get under your skin. You wanted to keep your word with Rotxo and not disappoint him so you were going to restrain yourself as much as possible.
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As your walking to the training hall you can see numerous young warriors sparring with each other. As you watched them it made you think about when you were their age, trying to become the best warrior Awa'atlu had to offer. Once you stepped inside the hall you can see Tonowari walking up to you, "Thank you for coming to help train the young warriors Y/N" he said with a grateful expression
"Oh it's no problem Tonowari I always love coming to help. What do you want me to do first?"
"Can you help them learn how to use a spear. They already know the basics they just need help learning how to use in combat" Tonowari pointed to a group of girls that looked around the ages of fourteen to sixteen. "Of course" you walked over to the group and began to observe them so you could learn their strengths and weaknesses.
As you continued to watch them one of the girls spoke up, "Are you going to be our teaching us?"
"Yes I will be teaching and helping all of you today" you say as a smile spreads across your face. You always loved to come help the young warriors because they were always determined to soak up knowledge and new techniques.
"Wow! We get one of the best warriors to teach us!" One of the girls said which made all the others agree. As you heard them tell each other different stories about your days as a warrior you began to chuckle.
"Okay girls who's ready to start the lesson?!" You ask with enthusiasm laced in your voice
"We are!" They say as they raise their spears in the air
"Good let's get started!" You grab your spear and begin teaching them different techniques
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One hour later
The girls have been picking up on techniques very well. You were proud of them for learning so quickly. As you continued practicing with them you could see Amika out the corner of your eye giving you dirty looks, you almost said something to her but instead you just continued helping your group because you didn't want to start anything. Rotxo words asking you to not get into it with Amika rang in your ears so you restrained yourself.
Amika watched you train your group and she was growing upset because your girls were learning faster and better than her group.
As you returned her a dirty look Tonowari walked in the middle of the training hall and began to speak, "I've been watching all of you and you all are doing very well. When it's time to do your iknimaya all of you will officially become warriors!"
All the young warriors raised their spears in the air and began to let out yelps of excitement. Once they began to quite down Tonowari started speaking again.
"I know all of you have been locking in your skills with using a spear but I want all of you to get use to hand to hand combat as well just in case you lose your weapon or something happens. I want you all to see a real fight so are there any experienced warriors who want to set an example?"
"I will but only if Y/N joins me..." Your ears perk up as you hear your name being called. As you looked around to see who it was you instantly rolled your eyes
Amika pointed her spear at you and everyone began to stare at you waiting for your response. You didn't really want to fight her but you couldn't decline her challenge in front of everyone, "I accept" Na'vi began to erupt in quiet whispers as they watch the two of you walk in to the middle of the floor. They knew both of you have a troubled history so everyone was interested in seeing you two fight.
Tonowari raised an eyebrow, as he heard Amika challenge you. He was one of the people who had to pull you off of Amika when you got into your last altercation so he knew what you were capable of.
"Why did you challenge me?" You asked her since you were honestly curious. "Did you really think I would let you get away with what happened before? That I wouldn't come get my revenge? That I would let it slide that you told my friends something personal?" She snarled at you
"If it was so 'personal' you shouldn't have been talking about me" you said while shrugging your shoulders trying to remain as calm as possible "I was just on the same timing as you" you don't feel a ounce of remorse for what you did at all, you felt like she deserved it after talking about you.
As both of you continued talking it was become more and more heated. As Tonowari watched both of you he could see the anger bubbling up inside both of you. "I don't think this is a good idea, I will pick different warriors to show an example" he said not wanting this to go the wrong way
"No no Olo'eyktan it's okay, I'll fight her. She wants to pick a fight with me like she always does so I'll give it to her" you say with a smirk on your face
Tonowari steps back hesitantly and let's both of you fight. What you didn't know is that he sent one of the warriors to the jungle to get Rotxo and bring him the training hall. He knew this probably wasn't going to end well so he wanted your mate to come as soon as possible.
You and Amika began circling each other while hissing angrily. Amika is the first to throw a punch and both of you begin to fight. You two have tried to throw shots at each other but both of you block each other's attempts. As the fight continues you make one blow and hit Amika in the shoulder. She groans out in pain but she continues to fight, you make sure to make a small hit but nothing to much to injure her to much.
Amika realizes how concentrated you are so she decides to try and throw you off your game, "Tell Rotxo I miss him" she says with a smirk. You knew she was trying to distract you so you tried to tune her out and focus on the fight.
Amika thought 'throwing you off your game' would make you distracted and vulnerable enough for her to get some hits in so she kept pestering you.
As the fight progressed you threw a punch at her but she dodged it and threw a harder punch at you.
"Shit..." you mumble out as you bend over slightly and hold your stomach. Amika watched you with a smirk on her face as she feels like she just accomplished something, "Is the 'mighty warrior' not feeling well? Did I hit you too hard?" She says in a sarcastic caring tone.
You were trying not to hurt her and here she was intentionally going farther than just a little sparring. You knew by the smirk on her face she was trying to do more than just a little example fight for the young warriors.
"Amika is this how you wanna play? Throw illegal shots? You know you stomach shots are against the rules!" You yell at her as you began to stand back up straight
"I know that's why I did it, I want this to be just like when we fought in the sand. I want this to get bloody, I want to reciprocate the same pain you gave me when you attacked me at the shore weeks ago" She said raising her voice for everyone in the hall to hear
Everyone around the hall was intensely listening to both of you argue, "Attack you?! Are you delusional? You threw the first punch at me! You know what, I've been sparing your weak ass because my mate told me to but you're really pushing my buttons right now!" You say as you feel yourself grow angry as you pointed your finger in her face
"Since we're talking about Rotxo tell him to come by my mauri tonight, I'll show him what being with a REAL woman is like. I know he's tired of going to bed unsatisfied every night" Amika said with a malicious laugh knowing that she pushed you over the edge.
Everyone in the training hall mouths went agape, they were taken aback by the nasty comment she just made toward you. You were shocked as well, you knew she would say slick things but this... this was below the belt.
Your breathing began to get heavier and your eyes went from a beautiful blue to pitch black. Adrenaline ran through your body as you begin to ball up your fists. Your whole demeanor began to change and everyone could tell including Amika. You could see the look in her eye and tell she was growing fearful even though she tried to keep up her 'tough' act.
She walked up to you and punch you right in the nose, when her fist made impact you could hear a small crack. Instead of you groaning out in pain you began to let out a dark laugh which made everyone look at you like you were crazy, "your going to regret doing that, your going to wish that you didn't pick this fight with me" you say as a evil smirk spread across your face
Without saying another word you draw your arm back punch her in the face so hard she stumbles back and falls onto the ground. You grab her, raising her off the ground and began punching her repeatedly.
All you could see is red, all you were focused on was her, all you could hear was her words swarming around your head that you couldn't please your mate and that you were inadequate. She knew Rotxo was something that triggered this side of you so you don't know why she even did it and then for her say that in front of all these people including children was just weird to you.
As you continued making blows to her face and body you couldn't stop, the only way you could stop is if someone pulled you off of her. Amika tried to get some hits in and she did but they were nothing compared to the damage you were doing to her.
Every time you hit her your goal was to hear something crack, you wanted to see crimson liquid fall onto your hands from causing her a injury.
You were so focused on Amika you didn't even realize Rotxo walked into the training hall.
"Y/N! STOP!" Rotxo yelled trying to get your attention
You couldn't even hear him, you were to focused on the task at hand. The next thing you felt was a pair of hands wrapped around your waist, "LET GO OF ME!" You yell out trying to get out of the persons grasp and make your way back to Amika
"Yawne relax it is me" when you heard Rotxo voice it snapped you back into reality. You looked down and saw Amika on the floor curled up in a ball. Your eyes went back to their natural color and your body became less tense. He noticed how you demeanor changed and how your body relaxed so he let you go.
Before you left with Rotxo you needed to tell Amika one last thing.
You crouched down to her level and looked her in the eye, "You better not say some stupid ass shit like that again. This is your only warning, your lucky Rotxo pulled me off of your skxawng ass because I was this close to caving your head in. If you pull something like this again I will beat you until your soul meets Eywa, try me if you want to" you spat at her viciously. When you stood up you slap her in the face with your tail and began walking back toward Rotxo.
Rotxo grabbed you by your wrist (gently of course) and began leading you to your mauri. The walk there was silent, you knew once you got home he was going to be upset because you didn't keep your promise. As you walk inside Rotxo walks in behind you and closes the entrance curtain. Rotxo goes on the opposite side of the mauri and grabs some healing supplies. He walk back in the open area where your standing "sit down" is all he said. You knew he was upset when he only said a few words.
Once you sat down he began cleaning your small wounds and bruises. You didn't even realize your injuries until now because your body isn't running with adrenaline anymore.
Your hands were bruised, your nose was bleeding and a little broken. You also had some minor scratches and your stomach had a bruise on it from when Amika punched you. When Rotxo began putting a salve on your bruise you winced from the pain. Rotxo eyes softened as he watched your face contort from the pain but he was still upset with you.
As Rotxo continued healing your wounds he still hasn't said anything so you decided to break the silence, "Rotxo I know your mad but-"
"Yes I am mad! You promised me you wouldn't fight her and you did! I didn't want to see you hurt and that's exactly what happened! Look at you with all of these injuries!" He scolded as he continued ranting
As you heard him your ears fell flat, you hated that you made him upset. "Rotxo I'm sorry I didn't want to fight her but she just pushed me, she crossed the line this time"
When he heard you say that he became curious, "what do you mean? What did she do?" He asked as he sat down next you wanting to hear every detail
You explained everything to him. You told him how she was making dirty looks, how she challenged you, that disrespectful comment, and how she punched you in the nose.
"Rotxo I tried to control myself as much as possible, I really did but she push me to the limit. Saying that I wasn't a real women, that I couldn't please you it infuriated me. All I could see red, I-I just blacked out"
"I can't believe she said and did all that! If I would've known I would've continued letting you beat her to a pulp"
He took a small breath before continuing to speak
"I'm sorry yawne, I should've listened to your reasoning before I got upset. I just started getting upset before I even made sure you were okay" he grab your hand, gliding his thumb over your teal skin as he looked at you with apologetic eyes.
"It's okay Rotxo, I understand why you got upset. I'm okay, my body hurts a little but I'll be fine. I know you worry about me and my anger and I promise I'll get it under control"
"I know you will" he says as he plants a kiss on your forehead. "Now let's finish getting you patched up, okay?" He picks up the healing supplies and starts back tending to your wounds.
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Previous work
I hope you enjoyed💗!
Likes, Comments, and Reblogs are highly appreciated💗!
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