#in this house that atrocity does not exist

[tombofthemummy]

THE WHITE PHARAOH

This man (The WHITE PHARAOH) is the one being that I hate the most in the world.

His horrific antics exceed any kind of annoyance I have ever felt towards anyone, HUMAN or otherwise, LIVING or otherwise, PHARAOH or otherwise, WHITE or otherwise. His existence is an atrocity on the concept of being a PHARAOH.

1: HIS UNJUST WAYS

I myself am an EVIL MUMMY, often killing people for fun and to defend my TOMB. However, the WHITE PHARAOH does far worse things for far worse reasons. His continued enslavement of people with MINIMUM WAGE for the sole purpose of building more PYRAMIDS is awful, and he likely thinks of himself as a good person.

2: HIS IMMEASURABLE GREED

Any PHARAOH will tell you that all you need is 1 good PYRAMID. So why does he want more? My one PYRAMID has a COMBAT ARENA, a GIANT PIT, a BAR, a SARCOPHAGUS CHAMBER, a PUZZLE ROOM, and much, much more. What more could the WHITE PHARAOH want from hundreds of PYRAMIDS? He is going to sell CHARCUTERIE BOARDS and WINE in shops in the PYRAMIDS? He is going to sleep in 100 TOMBS? It sickens me. His GREED for PYRAMIDS is horrendous.

3: HIS LIES

I know for a FACT that the WHITE PHARAOH is not, will not be, and has never been a real PHARAOH. His HEADDRESS was stolen from a TOMB, and he has never been to EGYPT. His insistence that he is The WHITE PHARAOH comes from a twisted view of EGYPTIAN SOCIETY that he wishes to appropriate. His OBSESSION with PYRAMIDS has spurred him to build an EMPIRE of LIES so he can control more of the world in unjust ways.

4: WHITE

The WHITE PHARAOH says things like "aw shucks," calls people "Pal," and is always eating some CHEESE AND CRACKERS. It isn't morally reprehensible, but it is very annoying. There are few people WHITER than the WHITE PHARAOH in his irritating mannerisms of the ANGLO-SAXONS. Normally, I would be okay with someone being so WHITE, but in conjunction with his AWFUL PERSONALITY and EVIL WAYS, it becomes far worse.

5: HIS MUMMY DISCRIMINATION

Some may recall that in a PRESS CONFERENCE, the WHITE PHARAOH stated that he would not be MUMMIFIED because it's "gross and ugly." As a MUMMY, I found myself terribly offended. But to make matters worse, he constantly alludes to his HATRED OF MUMMIES elsewhere. In the televised HOMEOWNERS ASSOCIATION MEETING of the WHITE PHARAOH'S EMPIRE, he gave an entire speech about how PHARAOHS should not be MUMMIFIED, and every PHARAOH that is now a MUMMY should be unraveled and buried in a CEMETERY like "normal people." He mentioned ANIMATED MUMMIES as one of the worst things of all time, and said that every MUMMY who is alive in any way (like ME) should be KILLED. I need not elaborate how terrible of a person this makes him.

THE WHITE PHARAOH SHOULD BE HATED BY ALL

I know that when the WHITE PHARAOH dies, for a reason that I hope is me KILLING him myself, or some other extremely painful event, ANUBIS will be waiting for him. When his HEART is placed on the SCALE, it will be so heavy and drop with such force that it will immediately SLAM into the GROUND, shaking the EARTH in the LAND OF THE DEAD and catapulting the FEATHER into the sky.

The WHITE PHARAOH deserves nothing that he has. His POWER, his WEALTH, his HEADDRESS. He is worthy of none of them. The WHITE PHARAOH is a truly horrible being and I wish nothing but the most painful suffering on him for eternity.

I hope each and every one of his PYRAMIDS falls and crumbles into SAND scattered across the houses of the UTAH SUBURBS.

Words cannot describe how much I hate the WHITE PHARAOH.

[fastlikealambo]

holy crowns || paul atreides x black! fem reader

it was supposed to be your sister, your bene gesserit trained sister molded by the great houses, spy for the imperium. with no warning, paul chooses you instead and changes your life forever. some call him messiah, others an abomination, but you will call him husband. 18+only, minors dni note: hello! this takes place after the events of dune part two and Paul is about to become emperor. Irulan and her father are in exile and Chani is gone. i'm so sorry for the wait, I've been writing and rewriting this chapter, and even now I'm not sure if I have Paul's voice right. I hope you like it!

tw: paul has some quick naughty thoughts!

if you wish to see the story continue on beyond this chapter, please comment or reblog!

Chapter One.

Chapter Two.

CHAPTER THREE

THE STEEL IS THE WATER.

Paul Atreides did not dream, he augured.

What great and terrible things existed beneath his eyelids, a pocket world of hope, atrocities, and hopeful atrocities all at the command of the young emperor. 

He was still young, wasn’t he?

There were times when he looked upon his own reflection and saw a thousand Fremen faces, no eyes nor mouth, just Paradise.

 In the corner of his lips, he stole a glimpse of Chani.

At night, in the very edges of his vision, Paul stared at himself and his father stared back.

Yet now, the emperor’s visions turned to you  in bed, still adjusting to the heat, sleeping fitfully, tossing and turning.

He could hold you still to rest if he wanted to, flatten the stress crease between your brows. The sweat between your breasts would not be wasted water for Paul, the tongue of the outer world would lap quick and perhaps venture further south-

No, it was not time.

Paul's sight moved from sleeping you to hundreds of thousands of visions in a single second, your past and futures laid out before your soon to be husband. 

He saw your daughter learning to sandwalk, he heard the laughter of his grandson echoing from Caladan and through his mind’s eye. 

So much love and destruction in between then and now.

  “You give the sister absolute power over the Bene Gesserit, why?” Jessica asked, not bothering to knock before entering Paul’s rooms, ripping him back into the present.

  “So the sisterhood falls in line under me, as you have done, as Alia will do. The sister is the key but I am the door, Mother.”

“Power over the Bene Gesserit is earned, the choice of Mother Superior takes planning yet you give it like a wedding present.”

 “Why does it bother you? You created the prophecy, I led the Fremen through it, the holy war has ended. You have everything you want, and now my bride and her sister are the future of the empire you desired. Is it because you can no longer whisper in my ear?”

Paul loved Lady Jessica.

But long gone were the days of Jessica’s son and he caught the way she looked at him now.

 Reverence, amusement, and just a whiff of fear she believed to be hidden from him but there was nothing anyone, Bene Gesserit or desert mouse, could hide from him, The Water of Life had seen to that.

Lady Jessica had birthed Shai Hulud in human form and yet still wondered why he swallowed the world. 

      “You turned away the most powerful family for an alliance and have given a nameless house two seats at our table. Your new  bride has no training, no rank and you bestow upon your almost assassin the sacred sisterhood.  I’m worried for you, Paul.” Lady Jessica said, kneeling in front of Paul, her son, her product.

   Paul took his mother’s hand gently and looked her in the eye.

THERE IS NO OUR TABLE.

 I AM THE TABLE.

 I AM THE WOOD THAT CARVED IT.

 I AM THE STEEL BENEATH YOUR FEET.

WHEN YOU CRY FOR LETO I AM YOUR WATER.

THERE IS ONLY ME.

“Do we understand each other?”

Jessica was gone before Paul could blink.

He turned his sight back to you, present you, but you were not there.

Lady Jessica had not brought worry to her son, but a distraction.

You had been taken. 

Again, I’m sorry this took so long but I hope it is worth the wait! Thank you for reading!

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[codenamesazanka]

because like, Tenko, age 5, wanted to be a Hero and the reason he gave for it was "there were these two kids who was being excluded by the others, but I was nice and became their friend," making the very core of that desire kindness. A sense of fairness, a refusal of rejection even if everyone else was doing it; then the willingness to reach out, to bring them them into his fold. Connection. Friendship. Belongingness.

And see, Tenko himself understood rejection, for he was rejected by his own family - gently, he notes, the house my father built rejected me gently - but it was denial all the same, it decayed him from the inside out; then he understood it to a level that shattered him, when an entire city of people ignored him at his most desperate and vulnerable. Saw him, and decided he wasn't worth helping. A city of people who lived under All Might billboards and touted Heroes as the pillars of their society, who expected, demanded help and saving from Heroes, and yet turned around and did not feel the need to embody those ideals themselves, never even thought to pay it back or forward. The common trash, all too dependent on being protected. And the Heroes themselves? Brave guardians who created the trash that need coddling. They uphold all this. Whatever they believe, whatever genuine and high ideals individual Heroes hold, they have relinquished it to safeguard the system. A corrupt, vicious cycle.

(Even now, Heroes see him and—what happens is this: Possession by All For One has them musing strategically that they rather deal with All For One than Shigaraki; the arena to battle him in is called his Coffin In The Sky. Those jerks who hurt me over and over, he calls the Heroes he fought - and he tells this point blank to Deku. And above all, Heroes would give their lives to save a corpse - already broken and gone, I already destroyed that one - in midst of an urgent war, when years ago on a normal day, they never showed up to reach out a helping hand to a child looking to live on after the end of everything he knew. The dead have their place among the Heroes; but not all of the living. Do they even consider him as part of their world? Not like anybody would even look at me.)

Tenko can't forgive them; Shigaraki won't forgive them.

And these two things are what make up his origin, feeding into each other. It's because he values connections, friendship, belonging, that he refuses to forgive - everything I've witness in this world, lead to the existence of that house...this whole system you've built has always rejected me...Now I'm ready to reject it…; and because he refuses to forgive, he wants to destroy the world to create one where there's nothing but the one enclave of solidarity and belonging he founded - the League of Villains. The future? Unnecessary. Whatever lies ahead, I want them to live how they see fit.

That unforgiving valuation of connection and belonging, though, is also directed at himself. After all, Shigaraki himself rejects the world, rejects having a place in it. It’s not allowed to be part of what comes after his horizon. He does not believe in futures. He killed his family and destroyed any chance of reconciliation. He’s committed atrocities that put a chasm between him and the rest of humanity. Now he rejects being human at all. Shigaraki believes the rejection to be complete both ways, and belongingness to be mutually exclusive. Understanding is no longer on the table. It’s him vs the world; it’s the League vs everyone else; it’s I don’t care if you don’t understand… That’s why we’re Heroes and Villains.

To stop Shigaraki is to save him; and to save him, the key is exactly that origin, the two things most important to him, but remade: forgiveness, and reconnection.

[girlactionfigure]

Know Thine enemy

I am not a Jew and I’m not a citizen of Israel. I haven’t even visited Israel. I don’t trace my religion back to a holy site in Jerusalem and I don’t have a problem with Arabs or Muslims or Christians. I’ve read about Abraham, Moses, David and Solomon; the Umayyads, the Abbasids and the Ottomans; I know about the British, the Balfour declaration, Ben Gurion and Golda Meir. I know a bit about the Six-Day War and the Intifada. I might not have any personal stake in the Holy Land, but humanity certainly does - and I’m a human being.

The women, men, children, elderly people and soldiers who were kidnapped, tortured, raped, humiliated and murdered on Saturday by Hamas in sovereign Israel were human beings too.

Those who did it to them are not.

Imagine what kind of rational and ethical gymnastics you have to do to justify the cold-blooded murder of teenagers at a music festival; or watching a child, perhaps 5 years old, being prodded with a stick and made to cry for his mother in Hebrew while children of a similar age laugh and mock him? We don’t know that child’s fate and for all we know what followed may have been much worse. It’s depraved. To even enter a conversation about these disgraceful facts with a rehearsed retort about territory or Gaza being an “open-air prison” reeks of moral bankruptcy.

If you wail and scream about your land, dignity, rights, oppression and poverty but are willing to murder, rape, kidnap, torture or humiliate children; then I don’t have to listen to your reasons. When the video footage, photographs and stories of Saturday’s carnage come not from "Israeli propaganda” but from the Hamas terrorists themselves, then how am I to read anything else into it but that you want credit for these atrocities? You want me to know you did it. You want me to know you are proud of it. You want me to see you for who you are. Well, I do.

So, if you swarmed the Israeli Embassy in London, waving Palestinian flags and calling for genocide; if you went down to Times Square to celebrate a victory for decolonisation against “apartheid Israel”; if you sang along to “gas the Jews” chants at the Sydney Opera House or hung a “one settler, one bullet” Palestinian flag over Grayston bridge in Johannesburg then you’re telling me who you are. Well, I see you - and you’re my enemy.

I’m one of those people who believe civilisation is a real thing, and I’ve resisted the poison of moral relativists in the humanities departments of universities across the west who think that being nuanced about the idea of civilisation versus barbarism is a signal of intellectual prowess or critical self-reflection. Upon even a cursory investigation of these people or their positions, you will find every sign of pedestrian intelligence and self-absorbed navel-gazing, combined with a fetishisation of victimhood and always concomitant humourlessness. They too, are my enemies.

It is always interesting to note that only western liberal democracies tolerate and give succour to the most heinous arguments and positions in public protests. You couldn’t picket on the side of quite laudable things like education for girls in Taliban Afghanistan, gay rights in Syria, or against the death penalty in Saudi Arabia. The Ayatollahs of Iran wouldn’t allow women to protest the hijab there under threats of violence. But London, New York, Sydney and even Johannesburg will embrace marches where people actively call for genocide. This is not how allies behave.

Perhaps when the dust has settled we can examine the insidious links between Anglo-American leftism and antisemitism, between Europe never reckoning with what happened in the holocaust and their growing Muslim populations, and between ignorant regimes like mine in South Africa and their determination to stand alongside the worst human-rights abusers in the Middle East.

For now, it’s no big mystery that this has nothing to do with the existence of the State of Israel and everything to do with Jew-hatred - that great, festering wound in the side of humanity from which all prejudice flows. It has been there for thousands of years and every time we think it has healed, some monstrous collective claws it open again.

Hamas aren’t hiding the ball. Their leader, Ismail Haniyeh, safely skulking in Qatar, made this clear. He celebrated dead Jews, not territory won, nor Gazan lives saved.

I’m afraid there are only two sides in a war - your allies and your enemies. On September 11th, 2001, I knew whose side I was on. I feel the same today.

Gareth

Gareth Cliff

[alluralater]

thoughts/vent post

yesterday i was thinking about how big the united states is and how it’s crazy that if someone were to invade, we really just wouldn’t know if they were quiet and smart about it. then i started today thinking about the insane amount of cop cities being built all over this country, quietly. specifically being built in places that have been known for protesting. we are being invaded right now, quietly but surely. our government has realized that there is possibility to overthrow them and they’re putting all this shit into motion now because in 5-10 years there will be an INSANE amount of unrest, even more than we’ve seen in the 2020 black lives matter protests, even more than we’ve seen in the current palestinian genocide protests. the police presence at both of these kinds of protests have been overwhelming. though protesting is a legal right. (for non-americans-> it is legal but it isn’t actually and that’s why it’s so dangerous to do. our government will pretend certain laws don’t exist whenever convenient). all cops here are bad and they serve a system meant to harm and imprison citizens + protect property of the rich. doing anything else is actually what you’d consider outliers to their intended purpose, though it still doesn’t negate ACAB. even the way it’s taught in our country, protesting was actually only okay for this group of white guys when THEY wanted to overthrow the british government. that one we’re supposed to clap for and anything else historically was frowned upon at the time. many people are killed, jailed, and/or injured at protests at the hands of police and our mainstream media is owned by those in power, so they’ll call it “rioting” and flip shit around to confuse even more of the population + try to turn us against each other. it is extremely rare that anyone protesting actually does something to cause harm and therefore dEseRvEd to get their shit rocked by these weirdos in uniform that sold their soul for 22k a year. in my opinion it’s like the stanford prison experiment but imagine it large scale because there is very little training and they’re basically taught to shoot without more thought than it takes to upholster their weapon. oh and they’re taught to aim for kill shots so that’s… ??? pretty much they’re just untrained idiots walking around with no idea what they’re doing and they get off on the sense of power given to them. AND the way the military + police system work similarly is that they teach people not to think. don’t think, just shoot. don’t think, just take someone to the ground. don’t think, act. they are vessels without thought and harm people the same way— thus in my opinion, are soulless.

btw does anyone wonder where all this funding is coming from?? where this country refuses to help their own citizens or deliver aid to countries in need while saying it isn’t in the budget, they will instead always have money for weapons, for bombs, for sending money to other countries that want to commit atrocities. they will always have money for militarization. this country is guilty of so many things and the fact that we can just print more money to continue the horrors is— well, it’s horrifying. you can’t even count on the idea of us running out of money because somehow there is somehow ALWAYS money for murdering people overseas. fucking disgusting. that pentagon tax audit missing trillions of dollars is makin reeeal noise right now.

does anyone know the process of how you go about getting a country disbanded? more on that, how do we go about ruining the process of these cop cities. i’ll be researching. i want them left empty like those unfinished amusement parks. i want them turned into free or low-income housing. i want them turned into agriculture or food centers because food deserts are at an all time high.

the media is flooded right now with trending pop culture topics and while this is distracting, if you live in the USA, cop cities are a HUGE problem and we’ll be seeing just how bad the effects are in a few years. we’re going to see a lot of our citizens desperate for work (because the economy is in a perpetual state of decline and the rich are getting richer while costs of living for the rest of us increase even more and jobs become more scarce) and there’s no way these cop cities won’t start eventually offering programs for debt relief, education, healthcare, and housing— pretty much exactly what the military here does already for many citizens who believe they have no other options than to enlist so they can survive.

militarizing your citizens against your citizens??? leading by fear and oppressive force??? taking advantage of the vulnerable populace??? not changing the system but instead doubling down when eyes are drawn away?? overturning laws meant to protect them??? drafting new laws to smite them?? encouraging genocide and taking part in said genocides because it’s profitable?? that’s just… so… american government. we have literally never lived in an actual democracy. not once. everything we have is stolen and/or covered in blood. there is no changing or redeeming the past but the future is wide fucking open for change. if we lived in a true democracy, the changes we (the overwhelming majority noted in polls and census taking) have been asking for would already exist. america is a force of greed and deception, eating and eating itself and everything around it without pause while claiming it is still hungry for more. it will consume itself eventually but not anytime soon. i doubt i’ll be around to see the fall. i doubt any of us will. i wanna grab people by the shoulders and be like— please don’t wait on the future to save you. we only have right now to save ourselves.

god ugh anyways okay i’m done. probably gonna talk more shit in the tags though

[tgcf-fic]

Hello, I’m back.😁🤚 I’ve got another tgcf fic rec request. We always see Hua Cheng putting his best or original face on in front of XL, but we’re pretty explicitly told he’s fond of frequently shape shifting based on his mood and whim, and then it’s pretty well ignored for most of the story. I’m looking for any recs that show Hua Cheng earning/showing off his faceless shapeshifter reputation. I’m looking for stories where hua Cheng is only consistently recognizable by his bells. If you don’t know of any like that then just some where he shape shifts beyond his “Hot guy og form”, or “ hot guy younger form” at least more than once.

This one might be tough to find anything for.😅 But I’d be grateful for anything you know of.

Hmm, that's a tough one. I couldn't really find anything about the bells but here's a couple fics I hope you enjoy:

--

Husband Robes by Linisen (T, 1k, HuaLian, Boyfriend T-shirt only make it HuaLian, Post-Canon, Spoilers for the novels, Implied Sexual Content, scaring the heavenly realm while being domestic, HC living his best dead life, XL too let's be honest, Silly silly, eternal husbands, Fluff, Established HuaLian) this one doesn't have shapeshifitng aspect in it but it does feature the bells

On Our Way to Fall by etymologyplayground (T, 6k, HuaLian, Fluff, Romance, Unresolved Sexual Tension, Making Out, Humor, Intimacy, Shapeshifting)

Shook by Sheer Atrocity by crowdedcafe (E, 3k, HuaLian, PWP, Demon Sex, Shapeshifting, Biting, Finger Sucking, Painplay, Rimming, Riding, Rough Sex, ft. hua chengs funky demon dick)

Pulse Points by fullmetalpotterhead (G, 1k, HuaLian, Post-Canon, Fluff, Shapeshifting, Heartbeats, lazy kisses, XL is so in love with his husband, HC wants to be warm for his husband, Nonsexual intimacy)

on trusting foxes by huacheng (G, HuaLian, Shapeshifting, Fluff)

cosmetics by marquisguyun (G, <1k, HuaLian, Nail Polish, Shapeshifting)

house finch hua cheng by periwinkleblossom (G, 1k, HuaLian, Modern, Shapeshifting, hualian are in love, Fluff, Afternoon Cuddles, finch HC, Mild Hurt/Comfort, reassurance and cuddles, HC's self worth issues)

Ever-changing Faces, Unwavering Devotion by fullmetalpotterhead (G, 1k, HuaLian, Fluff, Post-Canon, Hualian’s typical overlap of worship and love, Shapeshifting)

A Pesky Pest by moonlight_goose (T, 6k, FX & HC & MQ, HuaLian, Shapeshifting, Bickering, Fox Hua Cheng, Humor, Shapeshifting HC, There is no peace for FX and MQ when XL's husband exists, Post-Canon)

--

~A

[animehouse-moe]

Mobile Suit Gundam - The Witch From Mercury S2 Episode 8: The End of Hope

So, last episode was violence on earth, and this episode is violence in space! What do we call that? A cycle! That's right. Good old Gundam, perpetuating violence through one sided fixations on the other's wrongdoings, which is perfectly personified through Shaddiq in this episode. Lots of stuff to talk about for sure!

This episode is interesting in that sense, it's less methodic and progress focused than the previous, almost catching you off guard as you shift from the norm towards combat. Regardless of that though, Shaddiq is a total piece of work through it all. It's pretty incredible.

The Earthian boy that allowed space to get to his head. Shaddiq was an orphan from Earth who worked his way up through Grassley to get a spot at Astacassia, and is now using it "to his advantage" to bring equality and power back to the hands of Earthians. What he doesn't, and will probably never realize, is that he's only serving to exacerbate it by perpetuating exactly what his adoptive forefathers did. In a terrible twist of fate, all Shaddiq is able to do is dirty the lives of others. He forces Guel to kill his own father to survive, he forces Miorine to dirty her hands because she doesn't want to be owned by Shaddiq, and he ruins the lives of such an innumerable amount of people that you can't begin to quantify it. All because he wants to bring peace and equality to Earth. But he can never understand his actions. He could never understand what it's like to kill your own father, what it's like to watch on as violence is incurred in your name. And this episode illustrates that incredible well, that Shaddiq is a Spacian, more than any of these other characters he despises, as his words completely betray him.

His entire existence is centered around his ability to bring their own lives back into the hands of Earthians, but he entirely misses the point. All he does is take advantage of. He takes, and takes, and takes some more, and offers nothing but hellfire and brimstone to the people that he wants to help. He brings oppression, violence, sanctions, all manner of terrible fates to the people he cares about, because the scope of his desire is so narrow. He wants to erase the past that he existed in, rather than focus on the future moving forward. In that sense, he plays a very solid second fiddle to Prospera (and raises up Guel even more, which I'll touch on later), as their foolish grasp on history blinds them to the atrocities that they commit in their names.

Just a quick little interlude here as the grounds of Astacassia are under attack during Guel and Shaddiq's fight. I thought this was a really great piece to appear in it. Miorine's tomato greenhouse was destroyed. Not by gundvolvas or even Norea herself, but someone defending Astacassia from her. What a sad, sad fate. A peaceful existence, quashed not by the enemy, but the people she might even call allies. Such a throwaway piece, but one that speaks to the boundless and senseless act of violence. To how inescapable it can be, to both sides of the conflict.

Anyways, back to Guel and his hubris. The sheer mockery that is his existence is palpable. "If you didn't get expelled from the school, if you didn't try to make things right and help out Plant Quetta during a terrorist attack, if you didn't try to thwart my plans, your father would still be alive, if you didn't fight to be a better person, my Miorine would still be clean.". Shaddiq embodies more selfishness than Guel could ever manage to muster in his existence. Even as the self-centered Holder of Astacassia, he could never stoop to the depths that Shaddiq inhabits.

And that's illustrated perfectly here. Shaddiq blames everybody around him for everything that has happened to him. Despite being the leading son of the Grassley House. Despite having the tools to change the world at his fingertips if he so wanted. He believes he needs to deliver power to the Earthians, through terror and violence that incurs the wrath of Spacians. Despite the peaceful approach that Gund-ARM desired, despite the wishes and fears of Guel, at each step he has refused to use his power, and relies on that of the group. He relies on their reactions to violence, he relies on the hatred of Spacians by the inhabitants of Earth. He only uses his power to take from those around him, and in turn drags them further into this abyss.

Then there's this moment. This line from Shaddiq. The sheer hubris of it is hilarious. And Guel destroys it right away.

The difference in wording speaks volumes. Shaddiq could only ever acknowledge what he's doing. He can sit and there and say, "I did some bad things for the sake of Earthians", and immediately, he absolves himself of it because of why he did it. Guel, on the other hand, chooses to carry that weight with him for the rest of his life. The inescapable burden of his father's death, of that girl dying in his arms, of his inaction and what it's led to. He refuses to justify his sins in the bigger picture. And that dissonance extends to the girls around Shaddiq, as they speak of "silver spoons" while piloting their top of the line Gundams, as they sortie from the incredibly exclusive and highly expensive Astacassia school ran by Spacians.

Then there's this last part from Guel is just outstanding. Given the context of Shaddiq and his crew being out for blood, Guel's effort in bringing in the Grassley House unharmed just further widens the ocean's width between the two characters. I especially love it because it speaks to exactly what I was saying so far about Shaddiq, and because it's Guel's version of the words that Suletta gave him.

And to finish off the Shaddiq content of this episode, we have Sarius. His forced passivity through this all, in concert with this comment, speak volumes to his feelings of it. He's lived through this before, he's experienced similar issues and challenges, and he knows where this path will lead to. But in the end, he remained powerless and oblivious to the plight of his son. It's rather depressing to see the resignation on his face at his failure in raising Shaddiq.

Now then, we can move onto Norea and Elan! What an interesting pair, I do think that Norea's character is a bit overblown than need be for he purpose, but there's still plenty of great moments. I really like how despite her hatred of mobile suits and Gundams, the only thing that she thinks she has left is to pilot them. Through her short life, all she could do at the end of it was fight, she could never find a way to run, to leave behind those feelings of hatred and resentment for the life that she was forced into.

And Elan can't help but intervene. The Elan that would only ever run away, only ever fight to preserve his own life, is drawn to Norea. Forced to pilot for the sake of others, relinquishing their chances at a normal life because of the selfishness of Spacians, the pair find common ground in losing their lives and passions to capitalist money machine that is the Benerit Group. I think it's a really great and emotional moment, to bring the puppet of a clone of Peil Technologies, and the child soldier of the Dawn of Fold together in their desire to flee their lives and discover something outside of their current existences. Sadly, this Elan has his chance, but Norea's fate has already been sealed due to her actions.

Finally, we arrive at the end of the conflict. A mass of rubble and bodies litter the ground from the conflict as we find Suletta on her own moving earth to try and help the people beneath it. I think it's a really important piece, both in regards to Suletta and the relations between Earthians and Spacians at Astacassia. Though they're meant to be cogs in the cycle of perpetuated violence and control, some of the students at this school have found ways to connect with one another past the boundaries of Earth and Space. Working together to defend Astacassia, or helping save injured students, or removing those trapped from the rubble. It speaks to the passion and desire to good that the Earthians aboard Astacassia have spread and infected those around them with. Alongside Suletta, they've broken the curse of Prospera's words, and in doing so, have helped free Suletta. Without Aerial, without her mother or Miorine or any of the other crutches that brought her this far, she remains in the dark, with bloodied and bruised hands, searching for life amidst the destruction.

It's an astoundingly good GWitch episode, and moves the characters forward in incredible ways. Shaddiq's hubris arrives at his doorstep as Guel find vindication in bringing him to justice, while Norea makes peace with the life that was stolen from her that Elan carries onwards, and Suletta and the Earth house continue their calling of peace and helping others even in spite of the atrocity that was committed in the name of their company.

The cycle of violence leaves nobody untouched, but it doesn't mean you must succumb to it. This episode speaks to that greatly. That you are justified in your hate and resentment for what life has done for you, but that you also hold the tools within your own hands to change that. To rally against it and make a difference, to speak out against those actions and to fight to find ways to break that cycle. Whether it's within the scope of the school you go to, or the whole of humanity.

[so-very-small]

i think hannigram would be fascinating in a g/t dynamic. not healthy, absolutely not heathy at all, but my god would it be fascinating. real Live Slug Reaction shit. i wanna see what those freaks would do

(warning for Hannibal typical content)

my current thoughts are

normal Will, tiny borrower Hannibal. Will is aware there’s a borrower in his house, because the borrower keeps bringing him severed ears and fingers and it’s VERY concerning, but he can’t catch the damn tiny thing. no one at the FBI believes him that borrowers exist, much less tiny serial killer ones. (there’s also a debate on if it’s cannibalism if a tiny eats a human, cause like, are they the same thing? does it count?)

borrower Will/human Hannibal. Will lives in his office and watches this man commit atrocities. he’s trying soooo hard to get the FBI to catch him, while also hiding that he’s a borrower. Hannibal knows Will’s in his office. he loves him <3

human Jack Crawford + tiny Will/tiny Hannibal. Jack is a very tired FBI agent, and they are two tinies living in his house doing Wille E Coyote/Roadrunner levels of shit to each other. they’re covered in blood and holding each other on Jack’s coffee table and Jack’s just mad bc he has to get blood out of his carpets. again. cmon guys be bloody and gay elsewhere? please

[peithopathos]

How Proficient Would the Cast be at Using Computers?

Will The original iPad kid. Knows just enough about computers to get on the internet, but otherwise uses his iPad and phone exclusively. The "Sent from my iPad / iPhone" signature at the end of emails is the bane of his existence.

Horace Decided he wanted to start gaming, dropped 3,000 dollars on a gaming laptop, only uses it to play Minecraft.

Halt Halt is just about as fluent in computers as he is 'fluent' in Gallic in-cannon. Halt's computer is a 2010 Dell desktop that still runs Windows 7 as he refuses to upgrade it.

The only thing he ever uses his computer for is work and Rollercoaster Tycoon. (atrocities have been committed)

Crowley Crowley builds computers as a hobby. His current rig is a 20-year-old, Theseus's ship of a tower. At least 5 other machines have been sacrificed to keep it going. That being said, Crowley's computer could out-process god himself on any gloomy Tuesday morning.

He also has MacAfee installed

Gilan Gilan is absolutely a gamer, maybe even a minor Twitch streamer. Gilan and Crowley's go-to small talk is about their current rigs, though Gilan tends to be more bark than bite in that respect. Plans on eventually building/optimizing his rig one day though. (eventually)

George In the daytime, George works as an assistant to a hot publishing house mogel, during the night he is a competitive spreadsheeter.

Pauline Pauline absolutely does not know how to use a computer but makes it work anyway. Pauline doesn't know you can save files anywhere except the desktop, Pauline has never used a folder in her life, nor does she know how to type, she needs help connecting to the printer EVERY TIME, and her computer has never been restarted or turned off. (And somehow its always Gilan's job to help her)

She can also grind out a 200-page grant in two days.

Maddie Made Skyrim and Minecraft mods ever since she was a little kid, now she mostly works on her own indie game or manages her custom Minecraft server.

[eddieredmayneargentinablog]

"Cabaret 2024 Musical Ending Explained"

By Gillian Blum Posted: June 29, 2024, for The Direct.

Elusive by nature, Cabaret at the Kit Kat Club is not exactly the Cabaret audiences are used to, and its ending reflects that.

At its barest of bones, Cabaret at the Kit Kat Club starring Eddie Redmayne tells the same story as the four Broadway productions of the show before it. A writer checks into a Berlin boarding house, meets and becomes intimately involved with a tormented Cabaret singer, and watches as the city falls victim to the atrocities of World War II.

Beyond this basic skeleton, though, the 2024 take is not the Cabaret theatergoers are familiar with. Audiences are fully immersed in the story being told on the circular center stage, with the August Wilson Theatre having been transformed into the nightclub from the show itself.

How Does Cabaret 2024 End?

Cabaret at the Kit Kat Club uses its signature shock value to bring a message to the conclusion of the show that audiences familiar with Cabaret might not expect.

In all versions of the show, the Emcee (Eddie Redmayne in 2024) speaks directly to the audience over the course of several interludes throughout the musical. Sometimes he moves the story along, akin to a narrator, sometimes he is part of the story, sometimes he is simply commenting on the story or its setting at large.

The Emcee has been portrayed differently over the years, which will be discussed in more depth later. But at his core, the Emcee is always a unique enigma. He does not fit into any sort of box or label, he is in the show but he exists outside of it, he is crazy but he is also an intelligent guide.

As it repeatedly says on the revival's website, the Kit Kat Club is somewhere to "Relax. Loosen up. Be yourself." So, as Berlin is falling to the Nazi regime, the Emcee exists inside of the club that allows others to escape the chaos of the outside world.

In 2024, the Emcee's intense individuality is portrayed in many ways, including the Emcee's costumes (and those of the ensemble at large). Throughout the show, he wears elaborate, often androgynous, costumes that match the strange, almost Eldritch-like way Redmayne portrays the character.

That is, until the show's finale, wherein the Emcee bids the audience auf Wiedersehen dressed in a plain, gray suit.

In fact, throughout the show, more and more of the ensemble and cast start replacing their loud, colorful, extravagant costumes with this identical gray suit, ending the show all wearing the same, dull outfit.

2024 Cabaret Finale Meaning + Changes Explained

At its core, Cabaret is a show about the dangers of political ignorance or indifference. Sally Bowles quite literally chooses to ignore the outside world, in favor of losing herself to drugs and alcohol in a desperate attempt at escapism.

The Emcee's role in that messaging differs from production to production. In the original Broadway version from 1966, Joel Grey's Emcee represented the city of Berlin itself, his malevolence most obvious in the dark conclusion.

When Sam Mendes re-imagined the show, first in London in 1993 and then on Broadway, with Alan Cumming taking on the role of the Emcee, the character's metaphorical significance was drastically changed. Rather than being the perpetrator, the Emcee represented the victim.

Instead of through extravagant costumes like in 2024, Cumming's Emcee displays his uniqueness through unabashed sexuality. He spends the show essentially seducing the audience and wearing revealing costumes, seemingly without shame.

This version ended with the Emcee taking off an overcoat to reveal a striped concentration camp uniform, with badges denoting him as Jewish, Communist and/or Socialist, and part of the LGBTQ+ community. This was done in an effort to highlight the tragedy faced by the victims of the Holocaust — people like the Emcee who were perceived as "different" in some form or another.

In the 2024 Broadway revival (another reimagining that originated in London, this time by director Rebecca Frecknall in 2021), the Emcee's role in the show's messaging has changed once again.

Redmayne explained to the Washington Post that in playing the Emcee, he shows that even the most silly and out there people "can then shape-shift their way into being something that is serious and is quite dangerous:"

“It was intriguing to me that those people that perhaps you don’t take seriously can then shape-shift their way into being something that is serious and is quite dangerous.”

Throughout the show, there was this idea that no matter what is going on in the outside world, within the Kit Kat Club, "life is beautiful." Despite the spread of Nazi ideology, the Kit Kat Club remains a place where people can express their individuality. The Emcee's (and ensemble's) extravagant costumes demonstrate this.

The gray suits represent the cracks in this fierce escapism, with the darkness and chaos of the crumbling city around them slowly infiltrating the Kit Kat Club. But whereas the ensemble is seemingly forced to conform, the Emcee just shifts into a new role, one that perpetuates this loss of individuality.

Talking to the Washington Post, Redmayne described this new role as the Emcee "being puppeteer, conductor, perpetrator," and not "a victim:"

"Individuality was stripped away as fascism rose and people had to become more homogenized ... So the idea, therefore, of our Emcee as being puppeteer, conductor, perpetrator — rather than the version of the Emcee as a victim — was important."

The Kit Kat Club could not remain somewhere to escape to, it was swallowed up by the chaos many characters hoped it would protect them from. Those who saw the club as refuge, a place to be their unconditional selves, lost the individuality they once proudly demonstrated within the Kit Kat Club's walls.

And the Emcee simply embraced it, just as he had previously embraced the individualistic culture the Kit Kat Club had once been home to.

Why Did Cabaret Change Its Ending?

The 2024 revival of Cabaret is a drastic re-imagining of how the musical can convey its story most effectively.

By immersing the audience in the Kit Kat Club, the show is able to reinforce the feelings of escapism the club offers, before stripping it away and turning it into another place consumed by Nazi conformism.

For her version of the story, Frecknall wanted to emphasize "it being the ensemble’s tragedy," not the Emcee's. Part of this, she explained to the Washington Post, is because, Redmayne is a "a cis, White, beautiful Aryan man," and so "would have been okay" in the eyes of the Nazis.

Despite the Emcee being the pinnacle of individuality throughout the show, when push came to shove, he could adapt and become the Nazi ideal. So many others did not, and those were the people whose story Fracknell wanted to highlight:

"“Productions often land on the tragedy of the Emcee, which works really successfully ... But I was interested in actually getting to the end and it being the ensemble’s tragedy. You know, Eddie would have been okay. Eddie is a cis, White, beautiful Aryan man. I thought it was interesting just really acknowledging that and going, 'Actually, you would walk out of this and these people wouldn’t.'"

Cabaret at the Kit Kat Club is now playing at the August Wilson Theatre.

[333mp444thy]

YOU STAYED SILENT WHEN PALESTINIANS WERE BOMBED AND KILLED THIS YEAR, LAST YEAR, AND EVERY OTHER YEAR. YOU STAYED SILENT WHILE PALESTINIANS ARE FORCED TO LIVE IN AN “OPEN PRISON” WITH NO WHERE TO GO. NO FOOD, MEDICAL OR WATER SUPPLY.

YOU STAYED SILENT AS CHILDREN WERE KIDNAPPED FROM THEIR HOME AND HAD THEIR HOMES DEMOLISHED AND THEIR FAMILIES TORN APART. YOU STAY SILENT EACH DAY A PALESTINIAN'S RIGHTS ARE TAKEN AWAY WITH NO REGARD TO THEIR HUMANNESS. BUT YOU OUTRAGE WHEN ISRAEL EXPERIENCED WHAT PALESTINIANS HAVE EXPERIENCED FOR THE PAST 75 YEARS?

YOU WANT PALESTINIANS TO STAY QUIET AND BE THE PERFECT VICTIMS? TO JUST SUFFER AND STAY OPPRESSED? THE OPPRESSED HAVE A RIGHT TO RESIST AND HAVE A RIGHT TO EXIST! IF YOU ARE SPEAKING UP IN SUPPORT OF ISRAEL THESE LAST WEEKS AND HAVE NEVER SPOKEN UP IN SUPPORT OF THE DAILY ATROCITIES TAKING PLACE IN PALESTINE. SIT DOWN. YOUR PERFORMATIVE ACTIVISM IS SHOWING. HAMAS WAS FORMED IN 1987. PALESTINE HAS BEEN UNDER ZIONIST OCCUPATION SINCE 1948. ISRAEL JUST LIKES USING HAMAS AS THEIR “EXUSE” SO THEY CAN PORTRAY THE OCCUPATION OF PALESTINE AS A "CONFLICT" OR A "WAR".

IT'S ALWAYS BEEN AN OCCUPATION AND A SETTLER COLONIAL PROJECT. NOTHING MORE. WESTERN COUNTRIES SENDING WEAPONS, WARSHIPS, AND FIGHTER JETS TO SUPPORT ISRAEL. AMERICA FUNDS ISRAEL MILLIONS OF DOLLARS. MUSLIM COUNTRIES ARE JUST MAKING PHONE CALLS TO EACH OTHER. AT LEAST SEND PROPER HUMANITARIAN AID TO GAZA. WHEN ISRAEL BOMBS HOUSES. WHEN ISRAEL KILLS JOURNALISTS. WHEN ISRAEL KILLS CHILDREN AND WOMEN. WHEN ISRAEL BOMBS HOSPITALS WHERE NOT JUST THE INJURED ARE BUT WHERE PALESTINIANS ARE TAKING SHELTER! WHEN ISRAEL STEALS LANDS. WHY DON'T YOU CALL THEM TERRORISTS? I SERIOUSLY DON’T UNDERSTAND! OR IS IT BECAUSE THEY ARE NOT BROWN OR MUSLIM.

A MUSLIM NEVER LOSES HOPE. IT HURTS RIGHT NOW WHEN THE WORLD DOES NOT EVEN ACKNOWLEDGE OUR CHILDREN DYING, AND THE PEACE THEY ADVOCATE FOR IS A RETURN TO APARTHEID AND SUBJUGATION. BUT A MUSLIM IS NEVER HELPLESS. ALLAH SWT IS THE LISTENER AND THE HELPER OF EVERY SINGLE MUSLIM BROTHER AND SISTER OUT THERE. IT MAY TAKE TIME. BUT THE TRUTH WILL PREVAIL. AND THIS, THIS IS WHY THERE'S A JUDGMENT DAY. THERE HAS TO BE. BECAUSE NO ONE GETS AWAY WITH THIS.

🇵🇸 FREE PALESTINE AND CEASEFIRE NOW!

[just-your-average-cryptid]

correct me if I’m wrong but I feel like an aspect of cultural Christianity that doesn’t get discussed a lot is how the mutually exclusive human/animal dichotomy does so much harm to people’s understanding of ecology

because, like. it seems obvious, to me at least, that humans are also animals, part of our ecosystem, necessary to its function. indigenous people in the americas created food forests that supported them and local wildlife with incredible productivity. in its native range, kudzu was controlled and turned into fabric (? might be remembering that wrong.) humans didn’t just pop into existence and start destroying everything, we had our niche(s) and our adaptations just like everything else.

and yet so many people seem to think that humans going extinct immediately is the best outcome for the world, that nature means “unsullied by Dirty Humans,” that we have no place in the ecosystem except protecting it or breaking it. like we are outside observers to a great machine, one that will crumble if we get too close.

and yeah, I know most religions make a distinction between humans and animals for obvious reasons, but Christianity is the one that seems to drive the people saying “let’s kill everything we can’t use bc god said we’re Special and outrank every other living thing”

and that idea, that humans are so different from nature and that if we’re not subjugating or destroying it we must exclude ourselves from it, is worryingly prevalent in a lot of online climate change/conservation spaces. it feels like a reaction to the above sentiment, and it’s less horror-inducing to me but still very bad.

you are also an animal! you are the product of millions of years of evolution, same as the whales and the falcons and the newts!

destruction is not your nature, creation is. art, clothes, food, communities. we build, we learn, we tell stories and leave marks in caves to say we were here

do not be convinced by those in power that their atrocities are your nature and legacy! look around you. we make little wooden houses for birds to nest in. we smile at small children. we cry because an animal is so tiny.

you are a part of the ecosystem. we can create a better world together. it’s kind of what we do.

we create, and we share it with others.

[beta-lactam-allergic]

Hey I just wanted to say thank you so much for your support of the Jewish community, it really means a lot to us (any time, but especially now).

I noticed that you said you're an Indigenous Australian, and I was wondering if there's any ways we can help support you and your community? (Indigenous Australians in general, or your specific nation) I'm not Australian, but I know y'all have definitely suffered discrimination and worse at the hands of the government and society (and still are).

I honestly wasn't expecting thanks. It seemed like the bare minimum, it should be the bare minimum. The fact that it isn't & is rare enough that you felt the need to thank me is more an indictment on the failures of most people in my opinion. I admit, it does feel nice to be thanked though.

If I had donated to multiple Israeli charities I would feel worthy of praise. But the only one I have donated to is Ogen's "Swords of Iron Emergency Economic Relief Fund". I donated about $100USD (they didn't give the option to donate in AUD).

If you still want to help my people than I would suggest donating to the Aboriginal Legal Service (for Aboriginal people needing legal support in NSW & ACT), North Australian Aboriginal Justice Agency, abbreviated as NAAJA (same as the Legal Service but for NT), ALSWA (literally just the Aboriginal Legal Service of Western Australia), The Fred Hollows Foundation (it's owned by white people, but it does good work, & without it the blindness rate for us would be double what it is), or one of the many Aboriginal Medical Services. Each community has their own AMS with their own names (the AMS abbreviation comes from the very first such organisation, AMS Redfern, which is the one you will most likely find if you do a Google search, it serves the Aboriginal community in Sydney, which isn't where I'm from), with widely varying level of effectiveness depending on management. The one servicing people in my area is one of the less effective ones, though most of us rely on it for lack of alternatives.

Once again, most of us can't afford either legal representation or visits to the GP, so donating to an AMS or an aboriginal legal service will help most of the us. I actually have some money, so I don't use the local AMS, instead going to see a GP who mostly services the LGBTQ community.

Calling out antisemites when they are being antisemitic is just the right thing to do. From a moral perspective, letting people victim-blame Israel for the war Hamas started is wrong. Letting people peddle falsehoods & antisemitic libel without calling it out was the same as condoning it. I saw people celebrate the October 7th pogrom outside the Sydney Opera House, long before the Israelis were able to launch counter-attacks on Gaza. I saw people on this site act like Hamas were angels when those murderers bragged & posted the footage of their atrocities for the world to see. I couldn't stay silent as these terrorists were praised after murdering people, raping people, kidnapping people. I couldn't stay silent when people denied these crimes happened despite the overwhelming evidence, despite Hamas not only admitting to it, but proclaiming their desire to do it again & again until there were no more Jews to attack. To stay silent was at best condoning those who would deny what happened.

That alone was enough for me to pick a side, but that's just emotions. If emotions hadn't moved me, my logical side would have still intervened to back Israel & condemn antisemitism.

Defending Israel's right to exist is just basic logical consistency. Even without the moral component of the fact that Hamas committed atrocities on October 7th & are proud of it, I have other principles. Admittingly, some of these started pretty self-serving but applying these principles consistently rather than only when it benefits me leads to altruism, so here we are.

I was going to write the list of principles, but it's a very long list, so that's a separate document. In the meanwhile, I'll summarise two of the parts of the principles list affecting my POV here (though not the only parts, they're the easiest parts to point out).

In essence, I consider the Jewish people to have a better claim to being the native people of Israel/West Bank than the Palestinian Arabs do. I know that some Palestinian Arabs have Jewish ancestry, but I consider indigeneity to be as much about culture as blood, so if they fully adopted the invader's culture & identify as Arabs, they voided any claims to indigeneity they once had as far as I'm concerned. Yeah the first 9 points in the principles list were about native sovereignty. I still think a two-state solution is the best chance for a long-term peace, but that's pragmatism over the fact that the Arabs are there now & aren't going to leave, not an endorsement of their claims to indigeneity.

In addition, I'm a transwoman, not straight (bisexual, not sure where on Kinsey scale) & an atheist. Hamas would kill me if I was somewhere they could reach me for being myself regardless of anything else I did or didn't do. It's just logical to back the side that won't kill me for being a queer non-believer & which actually gives us rights. Actually LGBT rights also made up several more points in the principle lists.

Basically I was locked in to supporting Israel on basic morality & on ideological consistency. I don't see the point in thanking me, but it does feels nice that you did thank me so I guess thanks in return.

[wlwanakin]

You asked for Grelle asks, so I have some!

1. Do you think she regrets killing Ann?

2. What does she think of her job? Does she see it as a means to redemption? Or does she feel trapped and not care, since she’s broken so many rules?

3. What do you think her human life was like? Family dynamics?

BLESS U i love these questions

1. she 1000% regrets killing her and you cannot convince me otherwise. it’s like pulling teeth to get her to admit it but it was such an impulse move that she definitely did not think out and the severity of the literal murder she committed doesn’t hit until after the fact. grell and anne were definitely like…insanely codependent and there’s no way their relationship wasn’t tumultuous and i’ve always hced that grell regularly tries to test the limits by sabotaging the relationship when she’s pissed except OOPS this time she can’t take it back. and she pretends it doesn’t haunt her but it very much does and she misses her so bad and wants to jump off a cliff about it.

2. she deserted the second she saw a hot girl covered in blood to go kill people so she’s definitely not that worried about her immortal soul. i think bc of the fact that she’s trans in the 1800s (a definitively unfun combination) she probably already had brainworms drilled into her head about her existence being sinful or whatever (i’m just assuming she was raised christian cuz like. probably) so when she bites it and is presented with a variation on purgatory and the eventual promise of something vaguely heavenlike she’s just like “hm are we sure about that” which is probably part of her willingness to say fuck it and commit atrocities. there’s also the existential terror of it all cuz like killing yourself and then being immortal is a Bad Predicament and worse when u add the trans layer and that probably contributed to her general attitude and probably made her not very fond of the divine powers that be. so i feel like her mindset is kinda just “idk if i wanna go to heaven this god guy kinda sucks.” so yeah she just sucks up work to pay her divine rent and also cuz the immortality thing makes her able to express herself but the actual redemptive point of reapering is not something that she cares about that much and she kinda thinks she might be a lost cause at this point. it’s just a job to her.

3. *cracks knuckles* oh i could talk about this FOREVERRRR my backstory for her is so fucking detailed for no reason. but yeah her human life SUCKED! it sucked real bad. she was a sad little pushover with an abusive dad and a mom who Did Not Want Her and she lived with them until she died. she was a Problem Child and she kinda just retreated into herself the older she got bc she was trying to not get abused about it. she has def always been deeply unstable and that was noticeable to the people around her (including her parents who Did Not Like That and were generally ashamed of her) and bc of that she was a very lonely person.

her dad was a bookbinder (according to my notes app. i think i looked up like middle class jobs 1810s or something but if that’s inaccurate just replace it with like a standard middle class job. point is her family was normal and boring financially). her mom was significantly younger than her dad and did not want to be married to him but was essentially baby trapped and grell faced the brunt of that resentment. very bad household to exist in general but especially when u are a deeply mentally ill queer child. they were also religious which is just another fun layer bc i like projecting my horrible experiences onto my blorbos. but yeah grell grew up in that hellish house and never got out. she wanted to pursue acting but it never went anywhere. she had a brief on and off fling with a guy in her early 20s but she was uncomfortable for gender reasons she could not verbalize so she basically sabotaged the shit out of it. she stuck it out until she was 27 but after years of literally nothing good or interesting happening ever and her just constantly feeling miserable and like peeling off her own skin she reached a breaking point and boom now she is immortal. would go into more detail but i’m too lazy to do the historical research rn lmao

[jazuthevulcanprincess]

Looking through the Israel-Palestine tag has been really concerning and disheartening. There is a lot of vitriol, misunderstanding and what seems like willful obfuscation of the point.

No one should be saying Hamas is not committing violent acts that are abbhorent to individuals. Israeli individuals do not deserve violence any more than Palestinians do. And not because they are somehow blameless for Israels crimes, though the people born to israeli settlers did not chose to be taken there. Just like how I did not chose for my ancestors to move to and colonize America.

Its that the individual acts of violence indiscriminately to civilians do not solve the plight of the Palestinians since the Nakba. So I do mourn those who lost their lives to Hamas. I don't think that the crime of living on land you didnt colonize is death. Even if you did colonize, did move into a house that wasn't yours to live in, or took land you don't have claim to, the punishment should not be death, it should be to vacate and give land back.

However this does not mean that Hamas actions were without point or without reason. Hamas didnt just arise fully formed one morning with the intent to do violence. Hamas is made up of people. And these people have suffered along with the Paleatinians thru the Nakba and all the atrocities of Israeli occupation and apartheid. Being treated as subhuman, bombed, attacked, threatened, denied human rights like free passage, trade, food water and housing is brutal. Its torture. That upbringing does unimaginable harm to the psyche.

Hamas exists because of Israel. Full stop. Without Israels crimes against Palestine they wouldn't exist.

Who should pay for the crimes of the Israeli government? The government of Israel.

If Hamas would not exist without the apartheid Israel brings about, who is to blame for the deaths of the Israeli civilians? Who is to blame for the hostages which were taken to hope to secure the release of all Palestinian prisoners?

Israel. It all ties back to Israel. Israel started the conflict and to dither and bicker about Hamas at this time is missing the point. You can and should condemn indiscriminate violence, or violence targeted at a racial group. Because you know who also reigns down indiscriminate violence on a whole group? Israel.

If everyone angry and hurt and grieved by the loss of Israelis and turned that energy to the state of Israel and demanded an end to the apartheid they died for, we would get a lot more done.

Free Palestine until Palestine is free.

[icedsodapop]

I think what a lot of these documentaries, like War Games, about how US military veterans are being increasing radicalised by rightwing ideologies often miss out is how the US military itself is a conservative organization that enforces US hegemony and imperialism globally, that teaches its soldiers to dehumanize Black and Brown bodies in order to do so. These documentaries, while critical of the treatment of US veterans by the government, do not question the existence or the practices of the US military enough. Is it so surprising that a group of people taught to dehumanize Black and Brown men in the global South would eventually come to believe that it's Black and Brown people who are ruining America and resort to armed violence?

Paste Magazine puts it best:

We have committed countless atrocities against civilians abroad in the name of American democracy, yet the same military force potentially has the power to massacre civilians and assume power on our own soil. For all of the coups and sieges of power the U.S. has orchestrated in the past, the idea that the same thing could happen here is somehow seen as unfathomable.