#in the way that I would have The Ship for a lot of them I mean

[perpetuallyfive]

God, I'm so happy with what they did with Maddie Nolen.

I'm sure there will be plenty of people mad because obviously there was a weird backlash over a character who has sex with one half a ship, so I'm sure some people worry this will lead those people to feel justified in their initial response.

But ignoring people who can't emotionally regulate for a second, because those childish impulses aren't worth dictating the fun things a narrative can do: Maddie is SO INTERESTING as a character and she fills in a lot of the questions people seemed to have about the rest of the season.

Consider for a moment that it wasn't Caitlyn who convinced Vi to be an Enforcer. It was Maddie.

I know that some people took this line to be about Zaunites, a sort of obvious connection to the very racist idea of "one of the good ones," but since Maddie is talking about Marcus and his betrayal of the Enforcers just before this, I'm pretty sure her framing here is something else. The point she's making is specifically targeted at Vi's own beliefs and weaknesses, her desire to protect. That seems clear to me now with all we know about Maddie's capacity for manipulation.

She's not saying, "You're good, for a poor."

She's saying, "Wow, I agree with you, the Enforcers are really bad; it's so upsetting. I think you might be the only one who can change it, but only if you join us." This is what convinces Vi to do something she never thought she would.

Well, this and the fact that Caitlyn believes in her so much which, again, is information she gets fed to her directly from Maddie. It even seems like Maddie seeks her out just to say this, which on first viewing felt oddly convenient. Wow, Vi just happens to meet this naive girl who just happens to say exactly what she needs to hear to do something so out of character.

Except obviously none of it was coincidence. Everyone already knew how much Vi meant to Caitlyn and getting Caitlyn under control would require either controlling Vi or removing her from the equation. This was a push in that direction.

Then there's her more obvious role as the spy in Caitlyn's bed, there to reassure her that the Noxians are only trying to keep all of them safe. Then when Caitlyn expresses larger doubts, she's immediately ready to lay out an alternative. You could just give up, Maddie seems to whisper gently in her ear. Just reestablish things as they were before.

But she knows Caitlyn isn't going to go for that. She's not going to go back to the council as it was, because it's only going to remind her of the empty place her mother left behind. Maddie knows that Caitlyn isn't going to take this offer, which is precisely why she suggests it. She frames quitting as the only clear alternative to going along with everything Ambessa wants because she knows that Caitlyn will refuse, which leads her right back into alignment with Ambessa. She makes continued obedience into an active choice that Caitlyn affirms she's making.

Even Maddie's comments that suggest direct opposition to Ambessa — "you're our leader... I follow you" — are designed to frame herself and her true leader in direct opposition, just as Ambessa's own warning about entanglements is there to further that point. They both make a point of reminding Caitlyn that they are her true ally, isolating her further from anyone who isn't the devil and (other) devil on her shoulders.

This way Maddie and Ambessa can both tug at Caitlyn, pulling in what feels to her like opposite directions, all so that she lands precisely where they wanted her all along but with the illusion of active agency.

And look, I'm not saying my read on her is gospel, because I think they intentionally gave us enough room to really speculate and wonder about her, someone who could have been just a background nothing character but ends up being such a huge part of the second season. That's so interesting!

I especially love that she comes across as really naive and innocent, just some poor little thing swept up in the fervor, when in reality she's a true believer who has been manipulating things to go her way from the start.

[bloggerspam]

Steph's new year resolution is to spend actual time with Val.

First step: Val's phone number.

Asking Jason will be a bust. He's Val's boss, a good one, so Steph won't even bother asking when she knows he won't divulge employee information like that.

That leaves asking Val herself, or passing a note along with Jason.

She trusts Jason, she does. He's leagues better than if Steph were to ask Dick, or even Tim.

She'd rather get made fun of, in that loving way Jason does, than be smothered and inundated with questions and screams the way Dick and Tim do.

But Jason is a good boss, and Steph's grown up with too many Bats to know what the normal boundary is between employee and employer.

So, obviously, she stalks Jason at work in her free time to see if Val works any of those shifts to ask her herself.

She hits money on the third day.

"Val!" Steph saunters over with a wide smile. "I haven't seen you since Riddler took you away."

"Hey, Steph." Val looks so cute when she's flustered, "Yeah, sorry about that."

Val's working on a car, in that delicious coverall grease monkey look, doing a simple oil change. Steph perches herself delicately on the side, so as to not be in the way.

"I'm just glad you're okay," Steph pouts, "It's dangerous to go towards the Rogues, you know."

"Oh, well…" Val laughs nervously, smudging more grease when she rubs at the back of her neck "Y'know, Amity Parkers are just built different I guess."

"I have no doubt that you…handled yourself just fine," Steph placates, leaning forward a bit to run a finger down Val's well muscled biceps, "but I would feel so much better if you played by Gotham rules…"

Val does that nervous little laugh again, breathy, and gods does Steph want to ruin her.

"I can try," Val bites her lip, "But with friends like Danny…"

Steph giggles. "He's a trouble magnet huh?"

"You have no idea." Val smiles helplessly, and they get caught like that for a long moment.

Val's eyes skip back and forth between hers, even flicking to Steph's lips for a scant second, making Steph's heart skip a million beats.

But then Val coughs, breaking eye contact to reach under the hood to do…something. Steph's too busy mourning the death of a moment to really figure it out.

But Steph is nothing if not persistent.

"So, hey, speaking of friends…" Steph clears her throat, "You go to Gotham U, right?"

"Yeah," Val confirms, flicking a glance over at her as she shuts the car hood, "Early education major."

Steph pauses. Because what are the chances? "No way."

Val hunches her shoulders up, "I know, doesn't really suit me but—"

"No!" Steph frantically interrupts, "That's not what I meant, it's just, I'm a human development major!"

Val stares at her, uncomprehending, which is fair. Steph smiles helplessly as she explains, "I want to be an special education teacher, for teens with learning disabilities."

Val blinks. "…How have we not seen each other on campus?"

"I have a night job, so I take a lot of my classes online." Steph explains, "The ones I do have to go in person for are late afternoon classes, usually Wednesdays."

"Ah." Val nods in understanding, "I take mostly morning classes, and afternoon shifts here at the shop."

"Like ships in the night," Steph smiles ruefully, "Or bikes in the afternoon, I guess."

Val laughs, voice a yummy timbre that brings a little shiver down her spine. There's a rasp to her, and her accent makes everything sound so much nicer.

"That means this will work out." Steph gets them back on track, feeling all sorts of nervous.

"What will?" Val wipes her hands on a rag, tossing it over her shoulder as she leans on the car next to her.

"I wanted to see if you wanted to study together some time," Steph bats her eyelashes, "With my schedule being the way it is, it's kind of hard for me to make friends…"

"S-sure, yeah, sounds great." Val stutters, patting her pockets for her phone, only to realize she's in her coveralls. "Ah…"

"Just dictate it to me, and I'll text you so you'll have mine." Steph giggles, pulling out her phone and creating the new contact as Val gives her the info.

"And hey, maybe we could spar some too," Steph eyes Val's biceps, remembering the little brawl she and Danny had and licking her lips, "It's one of my new years resolutions to keep fit."

"I'm not an easy opponent y'know." Val smirks, looking Steph up and down and sparking shivers with her gaze.

"Trust me," Steph mutters as she sends of a winky face text, "I know."

(Val, without Steph's knowledge, doesn't realize it's flirting flirting.

She just thinks it's Steph's personality, being flirty with the winky face.

Sam bangs her head on her desk when Val texts her so.)

===

Danny is visiting on Valentines Day, in protest to the holiday itself.

Danny's always kind of hated holidays in general, now that Val thinks about it.

Tucker says it's leftover trauma from the school bullying, Sam says it's because his parents are assholes about them. Val just thinks Danny hates capitalism.

It could be all of the above, honestly.

The point is, it's Valentine's Day and Danny has just texted her that he's on his way to Gotham to hang out with her, and Val's not sure if this means Jay's done something wrong or not.

Val has been talking to her friends on almost a daily basis, but Danny's been tight-lipped about his friendship with Jay.

After Christmas Break, after the phone number exchange, Team "Get that D in Danny" thought it was a done deal.

Jay was a straight forward kind of guy, and Danny's never been shy about flirting.

Surely, something should have happened, right?

But Val wasn't really present when Danny and Sam were sort of dating, and Val was in the relationship with Danny, so she doesn't actually know how Danny is when he's dating someone.

She's been taking her cues from Tucker, who says that Danny isn't really the "my girlfriend/boyfriend" type. Danny's always referred to Sam and Val, in their respective relationships, by their names.

But then again, everyone in Amity Park knew each other, and ghosts hardly ever care about such mortal statuses. (Ignoring Johnny and Kitty, whose whole shtick is their relationship. That's a whole different can of worms.)

The point is, Val is suffering. Team "Get that D in Danny" is suffering.

And she needs to know if she has to beat up her boss for Danny or not.

Jay's been Fort Knox about the whole thing too, and it's getting irritating.

"Danny's coming to pick me up." Val finally says at the end of her shift, glaring up at her boss. "What did you do?"

Jay, wide eyed and covered in grease, drops the washer fluid in his hands on his (thankfully) steel-toed boot.

"Danny's what—" Jay lunges for his jacket, draped over his workstation, frantically pulling up his phone and— "I gotta go."

She then watches her boss, resident Crime Lord, Billionaire baby Jason Peters Todd-Wayne, book it to the back rooms.

What the fuck?

Ten minutes later, Jay comes back out, freshly showered and in clean, fitted clothes. He's even got a red rose from…somewhere.

Val reiterates: What the fuck?

"Danny hates red roses." Val says, confusion laced through her entire fucking being. They look too much like blood blossoms for any of the Amity Parkers to have any sort of affection for the flower. "He doesn't like red flowers in general."

Jay immediately tosses it into a nearby oil catch tray, looking like he might even set it on fire, if he could just find a match…

"Okay, seriously," Val puts her hands on her hips, "What the fuck is going on? Was that an apology rose?"

"What?" Jay whips his head towards her, "No!"

"Gods," Val throws her hands up in exasperation, "Are y'all dating or what? Danny's been weirdly adamant y'all are just hangin' out but I see you in here, moonin' and what not."

Her accent is getting worse in her agitation and she really hates it, which turns into a vicious cycle.

"We're not dating." Jay finally admits, sitting heavily down on one of the stools by his workstation. "But I am wooing him."

There's a long beat of silence.

"Pardon?" Val's voice is flat, disbelieving. "You're what?"

"Wooing." Jason juts his chin out, "We've done a couple of face time hang outs, streamed movies together and stuff. But it just never seemed the right time to ask him for a visit, or for me to go visit him."

"What's that got to do with anything?" Val tries to soften her voice. Red Hood, resident crime lord and bad ass, is a romantic. Huh.

"I wanted to ask him in person." Jay mumbles, "Important stuff's for in person conversations."

"In this day and age?" Val asks unthinkingly. "I doubt Danny would care."

They both know he'd probably say yes.

"Yeah, but Danny's been…he's been looking into schools to transfer to," Jay looks down at his hands, "Didn't want to influence the choices."

Danny had come out to this parents about Phantom just last month. It was a development everyone was not only extremely thankful for, but still getting used to.

The Fentons, as expected, were fully supportive. They turned a dime, burned their research metaphorically and literally to 'start over from an unbigoted perspective.'

Jazz has been thoroughly enjoying the family therapy sessions.

Schedules were created, to lessen Danny's load, and better safety locks were made to mitigate the necessity of those patrols in the first place.

Overall, Danny's been sleeping more, less stressed, and happy as a clam, if a little embarrassed by his parent's smothering love and support.

Val had thought that maybe Jay was a big part of that too, romantically speaking. Clearly, she was only half right.

"Danny loves Gotham." Val starts, carefully picking her words. Because it's true, he loves it more than she does. "He likes how weird and crazy it is, and Gotham U's engineering program is one of the best in the nation."

It would have to be, with how often things need to be reconstructed around here.

"The pizza's great too," Danny's voice suddenly cuts in from behind her, "Not to mention the company."

Val twirls around, hearing the clatter of Jay jumping up suddenly and banging his hip on his worktable with a pained hiss.

"How long have you be standing there?" Jay squeaks as he rubs his hip, face burning.

"Not long, since Val said I love Gotham. Which I do." Danny tilts his head with a confused smile. "Why? Gossiping about me?"

"We were talking about your choices in transfer." Val quickly covers, as much fun as it would be to just call both of them out, Val's not that mean. "Didn't want to accidentally influence the choice or anythin', y'know."

"Last time I checked you were looking into Star City, right?" Jay quickly adds, shooting Val a grateful look.

"Yep." Danny grins, popping the 'p' obnoxiously, "They've got a pretty comprehensive scholarship, but it's about the same as Gotham's, and honestly, Gotham's in my top two choices—"

"Gotham's a top choice?" Jay cuts in, confused but sounding a little…hopeful, "Nobody ever…I mean, even I know Gotham's crazy…"

"Gotham's a lot like Amity Park," Danny shrugs, before looking away with alarmingly red ears, "Just bigger, more goth. Plus, y'know, you and Val are here…not to mention the rogues here are way more fun than Amity's ghostly menagerie…"

"Are you sure you don't mean the vigilantes?" Val smirks, sensing an opportunity. "Or maybe a certain vigilante?"

"Mmm…nope." Danny feigns thinking hard about it. "I definitely meant the rogues."

"Uh huh…" Val drags out, "Nothing at all to do with your third place hall pass pick."

"Hall pass pick?" Hook, line, and sinker. Jay tilts his head. "What's that?"

"It's a list of celebrities monogamous couples will allow their significant other to sleep with and not count as cheating." Val innocently explains, gleefully watching Danny squirm. "It was mostly a joke, but me and Danny had one when we were dating."

"And heroes and vigilantes are basically celebrities," Jay follows the line of thought, before his eyes get a little gleam to them, "Which Bat does Danny have a celeb crush on?"

"No-one!" Danny hastily answers. Val wonders what Jay would do to his siblings if Danny did have a celeb crush on them.

"Red Hood." Val smiles with all her fucking pearly whites. "Danny likes bad boys."

Danny makes a noise like a tea kettle. "Don't judge me!!!"

To Val, Jay looks like he doesn't know whether to be flattered, or concerned.

To Danny, he must look thoroughly confused.

"Listen," Danny tries to explain himself, "Have you seen those thigh holsters???"

Jay chokes. Val laughs her fucking ass off.

(The three of them get pizza afterward.

Val missed her opportunity to leave them to it, and has to sit there and watch Jason stare at Danny making porno noises at how good the pizza is.

She texts Steph about how much she hates Valentine's Day because of it.

Until, of course, Steph joins in and she hates it a little less.)

===

Easter break, and Steph is bored out of her god damn mind.

She texts Cass first, then Babs, but one's in dance practice and the other's working a shift at the library.

Naturally, she texts Val next, sending over a selfie of her pouting and sad, with an appropriately dramatic lovelorn caption.

She gets back a picture of Sam, Tucker, and Danny fighting each other on a couch, controllers in hand with a glow reflecting against their faces in a dark, but massive looking room.

"Back home in the trenches," Steph reads aloud, sighing and lovesick.

They've been texting back and forth for the past month now, and honestly? Steph considers them dating.

The problem is, even when Steph says "it's a date!" Val just…doesn't seem to get it.

Steph would call it a straight girl move, if she didn't know 100% that Val at least thinks Steph's sexy af.

Or, at least, really wants to kiss her, if the way the other girl stares at Steph's lips is anything to go by.

And Val stares a lot.

But she always pulls back with a nervous laugh, as if Steph is the one rejecting her.

It's very frustrating, but Steph has learned that Val doesn't actually have a lot of experience with girls, so she might just be…shy.

But! At least they've been on study dates, and sparring dates, and one time they even got froyo!

Steph's been trying really hard to be patient.

It's not really working.

There's another ding! It's Cass, telling her to come over to Wayne Manor. The Batkids are having a sudden movie marathon.

She has a lot of fun with her family, watching terrible horror movies and throwing popcorn at all the stupid people doing stupid things. She sends Val a selfie of her cuddling up with Cass and Damian, of Dick and Jason dumping buckets of popcorn on each other, of Tim and Duke taking god damn notes.

It's even more fun when Val sends pictures back. Of Sam sitting on Tucker and Danny laughing so hard he's fallen off the sofa. There's a selfie of Val and Sam painting the boy's nails in bright neon green color, and a selfie of the group in matching ghost themed pajamas, what looks like Wallace and Gromit playing on the big screen behind them. A picture where Danny and Tucker are snoring, cuddling each other very intimately, with Sam in the background doing a little peace sign.

Steph's buried under Tim's legs and Dick's arms now, hardly able to send a selfie of her face with the way it's covered in limbs, but she manages it.

Val sends one back, in a darkened room where Sam is watching some movie next to the sleeping boys. Val's sleepy smile and half lidded gaze warms her up from the inside.

It's a great night, all in all.

She dreams of soft kisses, warm cuddles, and B grade horror movie kiss scenes with a smile on her face, she's sure of it.

(Steph wakes up to someone rudely tearing off the blanket she was sharing with Cass and loudly announcing it's breakfast.

She throws a pillow at Damian for it, who scoffs and dodges her 'paltry attempt.' Her head hurts from all the sugar she consumed last night, and there's an ache in her back from sleeping on the floor.

Val sent her a good morning text and rumpled selfie that features a soft smile, and Tucker two steps away from spilling pancakes all over Val.

Steph eats breakfast with such a wide smile, Duke asks if she won the lottery or something.)

===

It's looking to be a very hot summer in Gotham, if April is anything to go by.

Isn't April supposed to be full of showers? They had an abrupt chill last week due to Mr. Freeze, but since then it's been hot and Val is suffering.

But Danny has come 'round to visit, and it gives her the energy she needs to get through the day so she can hang out with them over the weekend. Danny's always run cold, and Val's never been shy of siphoning off that chill in the summertime.

Val didn't have a shift today, so Danny picked her up from school and they've decided that pancakes and waffles are in order.

It's 2pm on a Thursday, but that hardly even matters.

What matters is that Danny is wrong and waffles are clearly more superior than pancakes.

"You can throw pancakes like a frisbee, what are you even saying," Danny rolls his eyes as they cut through an alley to get the Denny's, "Waffles are way too crunchy."

"I want to look inside your head and see what delusion is playing 24/7," Val shoots back, "Why would a food need to be used as a frisbee to be superior, first of all, and second of all, the texture is not crunchy."

"The inside of my head is just like any other human," Danny scoffs, "It's been tested and everything. Plus, if you can't use your food item as a frisbee in order to quell the sausage rebellion, is it even worth having as food?"

Val squints her friend for a moment, even going so far as to pause her walking. Danny, after another moment, stops with her but does not meet her eyes.

She smacks the back of his head.

"Ow! What the fuck Val! Just because I'm right!"

"No joking about tests." Val growls, waiting until Danny shows the appropriate amount of regret, before swiftly getting back on topic, "Besides. Waffles are sturdier, and the shape can still be used as a frisbee against sausage rebellions."

Danny takes a breath for the admonishment, centering himself from bad memories. He thinks on her latter statement, nodding reluctantly. "Textures still shit though."

Val groans, continuing their way through the alley, "The texture is so that syrup has places to be, syrup on pancakes just slides off—"

"Hands up!" Just in front of them, a man is brandishing a knife in one hand, with the other reaching palm up, "Give me your wallets and nobody gets hurt."

Val internally scoffs, making eye contact with a gleeful Danny. He's been involved in more Rogue incidents than Val has, and he doesn't even live here.

"Aw, c'mon man," Danny simpers, hands in his pockets and shoulders scrunching up, "Can't you see we're just poor college students just trying to get to Denny's?"

"And you and your girl can go along your merry way," The mugger rasps, "after you give me your wallets. You can take the date home."

Val and Danny simultaneously make an uck sound.

"Been there," Danny grins, ruefully.

"Done that." Val rolls her eyes.

"Got the scars and everything to prove it!" Danny chirps, showing his lichtenberg scars even though they're irrelevant.

Val smacks him upside the head again, but Danny doesn't even flinch. Stupid halfa-biology.

"Just give me the money!" The mugger loses his patience, pulling out a gun. Ugh.

"And why don't you give me a break," A modulated voice says from above, before something large drops down and breaks the mugger's arm.

"Hah! Break, that's a good one." Danny laughs.

Red Hood freezes, before groaning with that modulated voice. "Nobody tell Nightwing. I'd never live it down."

Val bites her lip, wondering if Nightwing is Dick Grayson, the asshole cop who arrested her and Danny a couple months ago. Dude was not subtle in the interrogation of his sibling's new friends, and kept riffing with Danny using puns.

Val hates the guy on that principle alone, so it won't be hard.

"Lips are sealed, Bo—ahem—ig guy." Val really has to figure out the best time to let her boss know that she knows.

"Thanks for saving us, Red Hood, sir." Danny smiles at Hood, shy-like. "I didn't think we'd see you again after…"

"That thing with Riddler?" Even through the modulator is apparent Hood is smiling. "I thought you were finding trouble on purpose, but maybe trouble just likes to find you?"

Val's gotta hand it to him, Jay's a good actor. But as someone who knows who he is? It's clear that Hood is relishing the attention. Finding out your crime lord persona is a top choice must have outweighed the confusion of a crime lord persona being a top choice.

"Either way, it's no problem. Punks shouldn't be muggin' in my territory anyway." Hood peacocks his way into a casual leaning pose, and it's funny as all hell.

"Oh!" Danny looks around, "I didn't realize we were already in Crime Alley?"

"The one Denny's in Gotham is in Crime Alley," Val sighs, "I told you this."

"I thought we established that I don't listen to you." Danny retorts, "That's why we broke up."

"We broke up because of your clear preference for dick, Danny." Val drawls.

Hood chokes.

"This is bullying," Danny jokes, ears bright red from Val no doubt embarrassing him in front of his favorite vigilante, "And you have no leg to stand on, with the way you were drooling after Kate Winslet."

"Most of your hall pass picks were men," Val reminds him, and because she's nothing if not an opportunist, "Speaking of which—-what's it like to be texting one of them almost every day?"

"I don't know what you're talking about." Danny sniffs, trying to pull Val through the alley, "Why do you keep bringing up my hall pass picks anyway?"

"Everyday?" Hood's voice, even modulated, sounds jealous. He's probably wondering if Danny's been texting the other top two choices above him.

"Yeah, everyday." Val confirms, much to Danny's dismay.

"Val!" Danny hisses as Hood leans a little closer. "Shut up."

Danny's probably thinking she might embarrass him by mentioning that Red Hood is Danny's third place pick. If only he knew.

"My boss is his fourth place pick." Val grins, as Danny slumps in relief. If only he knew!

She watches intently as Hood freezes, hand going to a pocket that isn't there, almost like he wants to immediately text someone. He seems to settle for a slow drawl, "S'that so. Small world. You work for a vigilante I know or something?"

Damn good actor, but not subtle enough for someone whose looking. He's definitely warring with a bunch of different emotions, and even through the helmet she can tell.

He wants to know why his civilian identity is fourth, when his crime lord persona is third.

"O-KAY!" Danny yells, pulling her more forcefully, "That's enough of oversharing with a crime lord who doesn't know us and clearly has other things to do. Thank you again Mr. Hood, big fan, love your work, the 8 heads was inspired really—"

Val cackles all the way through the alley, watching as Hood grapples away in a daze.

When they sit down at Denny's, Danny gets a text from Jay that makes him mumble into his menu.

"Why does he want to know my top two hall pass picks? I'm not even in a relationship!"

Val tosses a jam packet at his head.

(Steph texts her afterward, asking about Val's Hall Pass picks.

Val texts her no comment.

Somehow, Jay finds out, which leads to Danny finding out.

Danny texts Steph that Kate Winslet, Amanda Seyfried, and Black Canary were her top 3.

When Steph texts All Blondes, huh? Val lunges at Danny right there in the Denny's.

They get kicked out, and are summarily banned from the establishment.)

===

Gotham is muggy in May.

Steph hates how sticky it makes her skin feel, how lethargic her body gets, and most of all, she hates how her she stupidly made her Spoiler uniform have a lower face mask.

She's definitely going to get pimples, and it's going to suck.

The bright side is that she's best friends with not just one, but two Wayne kids.

This means that she can enjoy the Wayne Manor indoor pool with the other Batkids for most of the summer day until patrol time.

It's good to have connections.

She's relaxing with Babs and Tim on the lounge chairs, and whilst normally she would join in on the watergun fight the other batboys and Cass have going on, she's just too tired.

It's been a long first week of summer, especially with that Mad Hatter case she and Cass broke two days ago.

Mad Hatter cases always gave her the heebie jeebies, considering her own blonde hair and blue eyes.

So: chilling at the pool. Val comes back next week, with a bonus Danny in tow to start the process of finding an apartment for both of them to share, and Steph's not the only one excited about it.

Jason's been over the god damn moon.

Her phone buzzes with two incoming texts, but before Steph can even reach over to grab it, a loud thump! startles all vigilantes to whip up towards the sound.

Jason has tripped over a lounge chair, ass over kettle, groaning.

Amidst the laughter, Steph gets another buzz, so she checks her phone. It's two discord messages from Val.

valerino: Phantoms dog has invaded sams pool valerino: D's really excited about it 🙄

The last text is a photo of Danny, shirtless, getting absolutely slobbered on by a glowing green dog. Holy shit. Wait a second.

stephieeee: uhm???? green dog????? stephieeee: did u send this pic to Jason too? valerino: Yeah, long story short, hes a ghost dog. Hes cool though. And what? No, why? stephieeee: cuz he just ate shit tripping on a lounge chair stephieeee: right after u sent that pic valerino: Lol danny sent a selfie i think. We're taking a break from a water fight tucker started to play with cujo stephieeee: lolllllll stephieeee: that tracks stephieeee: we had a water gun fight too stephieeee: but i sat out with the girlies stephieeee: the heat is just stephieeee: Too Much valerino: Lol danny just showed me the pic he sent. Its a thirst trap, and he didnt even know valerino sent an image

The picture of of a shirtless Danny, with abs, holding up a see through, green dog. His arm muscles glisten in the lighting as he smiles a beaming smile, teeth white and gleaming, with his face smooshed up against the dog's stretchy, pudgy little face. It's adorable and all kind of rippling muscle-y. Boy is lean, mean, and looking good in his NASA swimming trunks, even to Steph.

stephieeee: OMGGGGG stephieeee: hes actually RIPPED??? stephieeee: also i love cujo so much? he's adorable???? valerino: Hes stronger than he looks, remember? lol and yeah, cujos a real sweetheart

Steph honks out a laugh so loud it echoes even amidst the clamour of Jason being chased around for his phone. Babs hums an intrigued note, but Steph simply smiles at her and flaps a hand at where Dick has Jason in a headlock, whilst Damian grabs the phone and attempts to hack into it.

Steph decides to take a picture of the rowdy group, Jason with his really red face, Duke and Harper jeering at the photo with Dick. Damian had gotten bored once he saw it was just a picture from his so-called 'paramour.'

stephieeee: the fam is never letting him live this down stephieeee: plssssss stephieeee: Jason is so down bad its embarrraasssssiinnngggg

Satisfied, Steph decides to get up and grab some of the iced tea Alfred left for them earlier. She's taking a much deserved sip to soothe her throat when she her phone buzzes twice more.

valerino has sent an image valerino: Danny is embarrassed as all hell, his face is SO red!

It's a selfie of Val laughing with her whole body, sort of cut off as Danny scrambles to get a shirt on. He's alarmingly red, looking like he's tripped in his haste to get the Red Hood themed shirt on, but Steph can't focus on that.

She focuses on Val, wet in a bikini top and daisy dukes.

Steph chokes on her tea and falls into the pool, cup and phone and all.

At least, Steph thinks as she recovers from her almost death-by-bikini-pic fall, my phone is bat certified and waterproof.

She takes another quick look at the photo, before she dunks herself in once more, just to cool her flaming cheeks down.

Tim'll fish her out, if only to see what happened.

Until then, the water feels great.

(Val and Danny get a series of photos after, from an unknown number that claims to be Jay's brother Tim.

One of Jay and Steph red faced and commiserating with each other. They're clearly talking about something, hands gesturing at what looks like Jay's phone.

One of Steph in a simple purple bikini emerging from the pool glorious and slicking back her hair out of her face, eyes half open, looking sultry as she catches sight of the camera.

One of a shirtless Jay getting shot by multiple streams of water, one arm up and laughing and smiling, handsome and joyous.

One of Jason, toppled over a lounge chair with his hands covering his clearly red face.

One of Steph with only her eyes above the water, cheeks and neck so red you can still see them even submerged.

Val and Danny practically faint. Sam and Tucker have to write their thank you texts for them.)

===

"I might be dying." Val groans from where she's sprawled on the floor of the new apartment she and Danny are sharing for their duration of Sophomore year.

It's a nice place, for the Narrows. Big living room, two bedrooms, a nice bathroom that heats up in only a couple minutes. The kitchen isn't anything fancy, just a stove top and a microwave, but Val and Danny don't have the capability of cooking up fancy stuff anyway.

Val's stuff was packed up easy, not hard to do when a college dorm room doesn't really allow for a lot of stuff in the first place. Though she did have Tucker bring up Huntress stuff, as well as some of the packed up clothes she didn't get to bring up the first time she moved now that's she's got the room.

Danny doesn't have that many belongings, per say, He's minimalist, in that way.

But he has a lot of stuff for his workshop. Since they don't' have a third bedroom, most the living room's going to be dedicated to it. There's a big rolling table with drawers under it for storage that can be pushed to the side so Val can practice her katas, and an industrial tarp they can throw over it to use it as a dinner table if need be.

Danny, like his parents, likes to spread out whenever he's working on something.

Unlike his parents, however, he's paranoid about contamination, and always puts everything back in its place when he's done.

He's been burned too many times to not be.

Plus, Val can use his stuff to do maintenance on her hoverboard.

They like to be efficient and practical about things.

The point is, she, Danny, Tucker and Sam have spent most of the day lugging up heavy cardboard boxes and furniture that is heavy and sometimes metal.

"I said I might be dying!" Val reiterates into the silence of the now cardboard filled room.

"We heard you to the first time." Sam drawls as she walks into the living room with a cup of water from the kitchen. "I don't even know why you're whining."

"Yeah, Danny did most of the heavy lifting," Tucker chimes in as he trails in behind Sam with a box of pizza. She hands it over to Val as she sits up from her sweaty sprawl.

Val rolls her eyes, because that is inherently untrue. "It's June, it's hot, and most of us did heavy labor."

"No, no. Tucker's got a point," Danny cuts in, lugging the last box of what looks like a bunch of a tools. "I did, in fact, bring up all the furniture, and the bulk of the community stuff."

He sets it down with the rest of his workshop stuff, dusting his hands and adopting a stupid pose where he flexes his arm muscles. Val gulps down her water in disgust.

"And Val and I brought up all the clothes and bedroom stuff," Sam scoffs, "Tuck got a couple boxes of all that electronic crap."

"And none of us have halfa strength to make it easy." Val points a finger threateningly at Danny, who puts his hands up in surrender. "Hard. Labor."

They sit in a circle around the pizza and shoot the shit—making the same old banter that never gets old, making grandiose travel plans that may or may not ever leave the group chat.

About how Sam's set to intern at the Daily Planet, finally about to work with her hero Lois Lane. How she hates how shiny and modern Metropolis is. How Wes has this crazy theory that dorky, clumsy, always going to the bathroom Clark Kent is Superman. How Sam believes him 100%, but won't ever tell him because she thinks it's funny.

How Tuck has this suspicion that the Flash is affiliated with Star Labs, somehow. That the tech in there seems out of this world almost, inter-dimensional in the way ecto-tech can be, but on a different frequency. How his dorm-mate is definitely some kind of meta, maybe even a time traveler, with the way he keeps using words like crash and mode in weird ways. But he's a great roommate, so Tuck minds his business.

And then, of course, the conversation ends up to their love lives.

Sam's got this enby in one of her journalism classes that keeps talking circles around her and Sam's this close to hate fucking them about it.

Tuck's been flirting it up with the girls, per usual, but there's a girl whose been trying real hard to pick up what he's putting down, and he's not actually sure if he wants that.

That conversation goes on a tangent about asexuality and aromanticism, but it'll have to be tabled until after Tucker has time to really…research the idea.

"I'm telling you, Val," Tuck changes the subject, "Steph is definitely into you."

"All the spars? Study dates?" Danny adds in, "Hasn't she been taking you on those ice cream dates too?"

"First of all, it's froyo," Val corrects haughtily, "Second of all that's all friend stuff. I did all that stuff with you guys, and I'll be doing them with you once the new semester starts."

"Third of all," Sam continues, "You have no leg to stand on, Mr. can't play doomed tonight guys," Her impression of Danny is nasally, and horribly wrong, but it's too funny to not laugh at, "I'm gonna watch a movie with Jason on discord!"

"That's—that's different." Danny sputters.

"Dude sends you food on a weekly basis because you said you forget to eat sometimes," Tucker says reluctantly, "And sends you letters."

"Letters???" Sam says indignantly, "You didn't tell me about any letters!"

"Since when has he been sending you letters??" Val asks, grabbing Danny's collar and shaking him when he mumbles and doesn't answer them clearly.

"Since January!" Danny finally yells, grabbing her hands and pulling them off, "They're just, they're not—they're nice! He's being nice. I told him I missed getting letters, and…"

Tucker, Sam and Val all groan in unison.

"He's been wooing you for half a year and you didn't even notice??" Val shrieks, into the ceiling. The ceiling is unsympathetic, but Sam and Tucker are.

"You've basically been dating Steph for half a year and you didn't notice!" Danny's voice is high pitched, his ears are red, and he's screeching with his hands on his face as he falls back and rolls all over the ground.

"You're both useless." Sam intones, "This could be solved by texting them."

"I can't just text her." Val says hotly, at the same time Danny says "Important conversations are not for texts!"

"Gods, you're perfect for him," Val mumbles under her breath, remembering Jay's very same fucking words all those months ago.

"Relationships are all about open communication, y'all." Tucker says in a wise tone.

They all stare at him. He makes a face, shrugging. "Fair enough. Carry on being useless."

"You really think he likes me?" Danny says, in a small voice through his fingers. He's not looking at any of them, and is curled up on the floor. "You think he's been…wooing me?"

"Danny…." Sam shakes her head, reaching over to pat him on the shoulder. "The man has been trying his damnedest to make this whole thing romantic for you, hasn't he?"

"You've been having virtual breakfasts together, haven't you?" Tucker softly adds in, scooching over to pat Danny on the head.

Val rolls herself over to Danny's other side, the three of them surrounding him and patting him in some way. He reaches over, snags on Val's shirt sleeve.

"I'll text him," Danny's voice trembles, "But only if you text Steph."

Val opens her mouth to argue, but shuts it at Danny's pleading eyes. She sighs.

Tucker hands Danny his phone, and they draft about a million texts before they collectively settle. Movie and a dinner, just the two of them. Easy.

"Here goes nothing…" Danny takes a deep breath, before pressing send. He laughs nervously, before straight up chucking his phone at Sam, who catches it.

"I'm going to obsessively check my phone until he answers so let's work on your text instea—" A buzz interrupts him, all four heads swinging towards the phone in Sam's hand.

Her eyes widen, mouth gaping. Danny rolls over, leans to see—

"…Oh." Danny's face crumples. "I guess…I guess that's a no, then."

"Danny…" Tucker reaches for him, but Danny shakes his head and stands up.

"I gotta…I gotta get my room set up. Thanks for all the help guys, I—" He cuts himself off, voice going small and hurt, "I guess he got tired of waiting?"

He bites his lip. Val doesn't know what to say. None of them do.

He goes to his room, and Val never sends that text to Steph.

(Red Hood gets a text message from Danny asking Jason if he'd like to catch a movie together.

There's a follow up text where Danny asks if maybe Jason would like to get dinner afterward too, just the two of them.

Red Hood is in the middle of Nanda Parbat, stealing his stupid brother's no longer missing spleen back from the creep who tried to clone him.

Red Hood has bloody gloves, and has three ninja assassins stalking him.

Red Hood texts back a "can't." but nothing to follow up, not without getting a knife to the neck.

He manages to get back home, toss the spleen back at his brother, and fall into a dead sleep 18 hours later.

When Jason wakes up another 10 hours after that, it's to an abundance of messages from his friends and family. Only one is important.

dannywithawhy: ok.

Jason falls out of bed.)

Mechanic!Val AU, but make it gay and sapphic.

ya'll can thank the HH discord for this one. Specifically the menace known as @clockwayswrites (and @impyssadobsessions for the art that inspired the damn thing)

Dead on Main and with some future Val/Steph >)

also @belfry-ghost did a doodle for this AU and everyone should go love on his art. Val's so unf.

===

Val’s pretty sure her new boss Jay is actually a crime lord.

She’s pretty sure he’s The Crime Lord, actually. She’s like, 98% sure she works for Red Hood now, and she’s low key mad about it. She squints at the man now, with his white streak and almost imperceptible green sheen to his eyes. 

The problem is that Val did perceive it. Because she used to date a guy whose baby blue eyes changed ever so slightly in the same way. Thinking about Danny makes her even madder.

To be clear, she’s not mad about Red Hood himself. 

She’s just mad that, of all the mechanic shops in all of Crime Alley, she just had to work for her ex-boyfriend’s third place Hall Pass pick. It also makes her miss her friends way more, and Val is hardly what one would call a well-adjusted woman, so she’s mad about it.

She huffs as she lifts the hood of the second car she’s working on today. Being a mechanic wasn’t really on the docket for Val’s life goals, nor was being in Gotham, but she got a full ticket ride on Wayne Foundation scholarships, and honestly? 

Gotham is Amity Park Lite: Gargoyles and Furries Edition. 

Between a full ride to Gotham U and being stuck at Elmerton Community College? The choice was easy. 

So here she is, working for the resident Crime Lord in his civvies. 

Jay pays good, teaches her what she needs to know, and bonus: he sometimes helps with her English Literature class. He’s flexible on hours, and she’s even got rudimentary insurance. 

All in All?  It could be worse—she could still be working for Vlad, after all. 

It's the little things.

[the-gay-trashmouth]

I think something that's bothers me about how folks talk about mouthwashing is how they talk about Swansea. It's either "Swansea would have killed Jimmy immediately if Anya had told him" or "he knew and he did nothing just like curly." because, to me at least it leaves out a lot of nuance to his character and situation. Curly and Swansea are really good foils to each other, one who's got a reputation for being the kind and helpful captain but in the end does nothing to truly protect the crew from Jimmy, and one who's gruff, harsh, and cruel but genuinely tries to help in the background, the reliable mechanic.

(read more for a long Mouthwashing character ramble tw for unwanted pregnancy and SA)

Because Curly is the one with the power. He doesn't take what Jimmy did seriously enough. And you can say that he might not have known fully what Jimmy did, but I think the "I told you" pregnancy conversation and his reaction to Jimmy right before the crash ("come on we'll get through this together. We'll figure it out, you've had hard times before-") are indicators that he knew, but he still chose to stick by his friend and treat it like a "mistake" rather than what it really was.

Now that's my own personal speculation of course, there's no outright scene of her telling him "your best friend assaulted me", but I think there's enough evidence in game through Anya and Curlys interactions to say that he knew, and he knew before Anaya knew she was pregnant. He had a fully functioning ship and four fully functional cryo-pods. He could have at least given Anya more security, kept her far away from him, and at most forced him into the cryopod until they got back to earth. Jimmy STILL had full, uncontrolled access to the cockpit AFTER his freakout with curly. AFTER Anya tells curly she doesn't feel safe with him. AFTER Curly finds out he raped Anya. He's so focused on seeing the good in his friend that he does NOTHING to protect Anya, doesn't strip away not one of Jimmy powers as copilot and consequently endangers her and the rest of the crew.

Curly was the captain, he had the power to relegate Jimmy to the fucking storage closet if he really wanted, at least put him in the cryopod until they got back to earth. In fact, he was the only person above Jimmy in terms of rank on the ship, but he chose to do nothing. He chose to let Jimmy continue as acting co-pilot, chose to comfort him rather than actually confront him. Slides off his weird sexual comments as jokes "So what's this about horses?"

Now let's compare that to Swansea, the mechanic.

We don't have any evidence that Swansea knew about what Jimmy did until after the crash ("it's been her telling me things") where they were trapped with no captain, barely any rations, and a single cryopod that he kept hidden away in the one room he had the key too (and the only room that could lead into medbay). He didn't use it for himself, he makes it clear he didn't intend on getting off this hunk of metal in his last few conversations with Jimmy.

Swansea as the ship's mechanic, was used to fixing things in the background. He didn't need to get along with anyone to keep the ship running, he didn't need people to like him to keep them safe. We see that with Daisuke. He's harsh on him, for sure, but he leaves constant notes to help him learn. Genuinely tries to keep him out of harm's way when it comes to more dangerous jobs. We know Anya was scared of Jimmy getting a weapon, she hid the gun case in the medical bay even knowing she would never get it open. We can see Swansea and Anya off on their own towards the first days after the crash, and Swansea still has a tight grip of the axe weeks and months later.

I personally think that was him trying to keep Jimmy from having access to a weapon. The only time Jimmy gets the axe while Swansea is alive is when Anya Specifically asks him to use it to get medical supplies. I don't think that's a coincidence.

Swansea, like any good mechanic, was quietly trying to keep things running out of Jimmy's sight. It's not until everyone is dead or dying that he snaps, that he finally takes direct action. But it was too little too late.

Both Curly and Swansea thought they were doing the right thing, helping in their own way. Curly genuinely wanted to see the good in Jimmy, wanted it to just be some challenge they could overcome, but in doing so he failed to see the monster right in front of him. He had all the power (in context of the crew, the company is a whole other can of worms I have so many other thoughts on), but he was too afraid to use it. Hell, he was DISCOURAGED to use it if the memo about HR complaints are anything to go by. Swansea, on the other hand, never trusted Jimmy, never even really liked him, but he didn't want to make anything worse either. He didn't know what would actually set Jimmy off, or what he was capable of, and aside from just straight up killing him what else could he do that wouldn't just push Jimmy further off the edge? Like with the foam. "One wrong move and you'll rip this ship a new asshole", he worked carefully, hiding the last pod from Jimmy, keeping the only other weapon on himself, guarding the only other entrance into Medbay, but Jimmy was escalating quickly. He underestimated how far Jimmy was willing to go, just like Curly had, and in the end suffered the consequences.

The only character who actually understood how dangerous and unstable Jimmy was is Anya. She knew the moment she found out she was pregnant he would hurt her ("you won't let me protect myself"). He wouldn't be able to take it, he would do something drastic. She knew he was escalating the longer they were stranded. Anya is the only crew member who truly understood how dangerous Jimmy was and took direct action.

And interesting thing to me is that she doesn't just kill herself. She locks herself in the medbay. She could have waited for Jimmy to sleep, or locked herself in the cockpit, but she locked herself in the medbay with Curly. She knows that with her gone there would be no one left to take care of him, she knew Jimmy would continue to escalate his abuse, and with her gone all of his anger and fear and guilt would turn on Curly.

And wouldn't you know it? She was right. Without Anya to stop him, he takes curly out of the bed, forces him upright into the cryopod, and forces a man with no skin, no arms, no legs, and infected tissues to be frozen for 20 years while the rest of his crew Rot. And that's only what we know to be reality- if any of his delusions had some basis in reality he could have done so so much more. Anya is the Only one to take reasonable, direct action to keep herself, and then Curly, safe.

But she didn't have enough power over Jimmy to truly protect herself. She didn't have the code to the gun case, she didn't have a weapon or a rank to fall back on. She was outnumbered by men who she knew from experience either wouldn't or couldn't keep her safe, and she was heavily pregnant with a baby she didn't want and most likely couldn't even get enough nutrients to sustain either her or the fetus. She was physically weakened and trapped in a stranded ship with her abuser with no way home and a medical miracle (curse) in Curly.

This game is a really good reflection of reality, in my opinion as an abuse survivor. Some people will see them as "one of the boys" and constantly excuse or downplay their actions (Curly), some people will do small things in the background, recognize the abuse and disprove, but don't want to get in the way or make things worse (Swansea), and some people are just straight up oblivious/naive (Daisuke). But in the end, it's the system that allows abuse and incentives coverups to keep peace or save face that really allows abuse to fester and escalate.

Which is why I personally have a problem with the idea that Anya should have just Told A Different Man because it ignores the very real chain of power and her own agency in her story, AS WELL AS the idea that Swansea and Diasuke knew but didn't care because that's just not reflective of real life. Not every man is some rapist apologist who doesn't care what abusers do until it happens to them, some people just don't know what to do, or don't have any good options that wouldn't result in further abuse. Hell some people just don't even fucking notice! Not everyone has had exposure to the signs or knows what to look for.

It's easy when looking at fictional depictions of abuse to say "well if I was there I would have just punched him/killed him/called the police" but real life, in that moment, its never going to be clear cut. You can call out abuse, but that might just lead to that abuser taking it out on their abuse victim later. They could even start to target you for daring to speak out, or try to hurt you and cut you off from the person being abused. You can know all the right steps and the right programs, but in the moment, when faced with a real situation where someone could get hurt or even killed? You stumble. You think things over, you don't try and make any direct moves that would set their abusers off. Sometimes that's a good instinct, and sometimes that just lets abuse escalate. It's never a good situation, and it's never actually anyone's fault but the abusers. And this way of thinking also conveniently leaves out the survivor of this abuse, and portrays them as someone who needs to be saved, rather than someone who needs support and resources to save themselves. It also very conveniently lets the company that Put Anya in this situation in the first place get off Scott free.

The solution isn't "oh one of the men on board should have personally killed Jimbo and saved Anya all by himself" its "Anya deserved the support of her crewmates instead of being forced into close proximity with her rapist and also maybe Jimmy shouldn't have access to the fucking controls or medbay or any weapons- AND ALSO the crew shouldn't have financial incentives not to report things to HR"

[m00ntunaart]

Wow, I did not expect Boba/Din and Reva/Omega to be the ships that got me to post cringe ship art lol.

You can blame @skeletons-eat for the idea of Reva x Omega. They're the one to propose it, and I adopted it IMMEDIATELY. This whole ship concept and art is kinda inspired by their Reva Padawan AU, so go check them out!

This art dumb is obviously mostly about the two ships, but it's also kinda my take on the Reva Padawan AU. More of another 'order 66 didn't happen' AU.

But ANYWAYS-some tidbits on the art:

Page 1. Just Bobadin. I love this ship and their possible dynamics. And I especially love the opportunities of YOUNG bobadin, since in The Mandalorian they meet when both are late-middle age. Basically young Bobadin is a lot more feral and violent than canon age bobadin.

Page 2. THE RARE PARE THEMSELVES. I haven’t quite decided how I would imagine these two meet, but probably through some shenanigans where they both separately set out to do a mission (Omega against her brother’s wishes and Reva against her master’s). They end up tripping over each other and having to get out of the botched mission together, bonding along the way. 

Page 3.1. Just my headcanons for the four’s LGBTQ+ statues! Din is a trans man, panzexual and Demisexual. Boba is Bisexual. Reva is a trans woman and a lesbian. Omega is a lesbian.

Page 3.2. Did I take @skeletons_eat ‘s trans Reva headcacnon? Yes. Did I see someone headcanon Din as trans ONCE and accept it as fact? Yes. Would they bond over their shared experiences? Yes.

Page 4. Just Boba and Omega getting the chance to be siblings and harass each other (Okay mostly just Omega harassing Boba. She has experience with having brothers, so she knows how to be a menace). While Reva and Din bond over the shared knowledge that their gf and bf are dumbasses.

Page 5.1. Omega and Reva in their early relationship era. Where Omega is desperately rolling Charisma on Reva in an attempt at friendship/romance. But Reva is a little too steeped in her Jedi Culture-ness for it to have any effect (yet).

Page 5.2. Boba is very not impressed with his sister’s choice to date a JEDI. Omega thinks he doesn’t get to judge since he’s dating a Mandalorian from a ex-Death Watch covert and is (technically) part of House Vizsla

Page 6. Ayee it’s the parents of our four kids! None of them are exactly THRILLED at their children’s choice of partner, but they are grudgingly letting it slide. Though it doesn’t make the family get-togethers any less awkward.

Page 7-8. Just some silly ship charts I made for BobaDin and OmegaReva (Omeva???)

[mind-intheclouds342]

A new ladder - Reader x Curly

Previous - Part 6 - Next

"Do you like art exhibitions? It has opened one by my favorite artist."

You mentioned handing a brochure to Curly.

Curly: "Oh, I didn't know you liked art."

He unfolded the brochure to start looking at the details of the exhibition.

"What does that mean?"

Curly: "Ah- nothing, nothing... He's a very reserved artist, huh? 'The man who never shows faces, after years brings his new collection', sounds great."

"I'm surprised he brought another collection, he had been inactive for years," you smiled, "Here are some examples of old and somewhat popular works, what do you think?"

You pointed to some images in a collage that were in the brochure of previous exhibitions.

There was a mix of realism, abstract paintings, and cartoon-like styles.

Curly: "He has... many styles, it's incredible. I would love to go see his works."

"I'm glad to hear that because~ I already have two tickets for their exhibition~"

You showed him the tickets excitedly and handed him his.

In the afternoon, you headed to the exhibition and entered the building. There were many people admiring the paintings; there were all sizes and styles, even the children were entertained by the cartoon-like paintings, surely a great collection.

There was one detail that always caught everyone's attention: in his paintings, he never showed the faces of those he painted, perhaps a way to maintain their anonymity.

Faces covered with plants, with careless strokes, hats, or even covering themselves with hands, veils, or the person being turned away, among other things.

Curly stopped to look at one in particular, which he felt was too personal.

The artwork was called "A Winner Among So Many Losses."

It was a torso without a head, with a background of a starry night, as if it were submerged in space, and four bright stars formed the silhouette of its head.

X: "What happened to those people was horrible. Don't you think? I wonder if anyone understands the meaning of this painting, or if they have already forgotten that tragedy."

An elderly man in a wheelchair had stopped beside him, looking at the painting with a relaxed smile.

X: "People tend to forget events very quickly, it's good that someone frames them so they can be remembered, because that way those lost people will always be present in our minds." 

"Curly! I didn't realize you had stopped," you returned to his side and observed the man next to him.

Soon a woman came running towards you and took the man's chair, scolding him for going off on his own, to which the man just laughed and gently patted the woman's face, making her smile.

They both said goodbye to continue viewing the exhibition on their own, while you noticed how Curly remained staring at the painting in front of him.

Curly: "It's me. A faceless captain, lost, and the only one who will have the memory of his crew. The only captain who didn't sink with his ship and now bears the face of shame."

"Okay, okay, I think you're being too critical over a single painting," you patted his shoulders "Besides, their families will always remember them."

Curly: "Their families... What must they think of me?"

"They must feel pain... Resentment... They must be thinking, 'why did he come back and my daughter, or son, didn't?' Being a survivor is difficult, many will be happy for you, but others... They will only suffer because their loved one was n't the one who survived... As if you were to blame for something just because you're still alive."

You rested your cheek on his shoulder and grabbed the sleeve of his shirt, trying to draw his attention away from the painting.

Curly: "...I should... contact them"

"If that makes you feel better... I can help you."

You smiled when he slowly took his gaze away from that painting to walk by your side and continue looking at the other works in the exhibition.

Curly: "I understand why you like this artist so much... He has such detailed works and they evoke a lot of emotions in you."

"I'm glad to have someone who shares that thought! You know? I could never bring my sister here to appreciate these paintings, she always said she didn't have time... And then I stopped insisting."

Curly: "I think I remember... That she used to get angry when she saw ads about these exhibitions. She said she hated that artist because she didn't like that he didn't do faces, and it made her nervous and gave her chills."

"It's just that she is like you were, she only saw the general image, didn't go deeper, never gave it a chance. If she saw something and didn't like it, she refused to see the beauty in it..."

You stopped in front of a painting and sighed.

Although you didn't make any comment about it, you soon continued walking while Curly observed that piece called "Beautiful Smile on a Perfect Day."

It was a bride holding a man's arm, resting her head on his shoulder; the irony of that painting was that the bride wore a veil and no smile could be seen on her face.

He approached and tried to focus his gaze on the bride's face, noticing that the veil was not completely solid; if you looked closely, you could see the bride's face, with her eyes closed and a smile on her lips. 

"Curly! You're lagging behind again." 

Before he could see the woman's face in the painting better, he walked away and hurried to join you. 

That woman looked familiar to him...

[phantomrose96]

Aromantically rotating this quote from Jon "The Silt Verses" Ware from the Season 2 Q&A (bold emphasis mine)

Question: I love what Paige and Hayward have going on. How would you describe their dynamic? ​ JON: I saw someone online talk about the, “the paladin and the prophet.” Which I think is a really nice way of looking at it! Whereas I saw them as two people who…both of them have come to the end of the road in their old lives. [...] I think maybe there’s also an implicit question there about whether there’s something romantic going on – maybe I’m reading into it, but that is something that’s on my mind a lot, so I’d love to talk about it more. ​ Because shipping is fantastic and it’s wonderful and it’s cool, but as a writer who’s way too online in a parasocial world, I’m really wary of how I respond to it and how I process it. ​ I personally, I don’t like writing fictional characters where the most important moment in their narrative arcs is when they get together with the person they were always meant to get together with. Generally, it’s just a bugbear of mine in fiction and I’m not sure I agree with the underlying message. ​ But I think if any writer who’s way too online sees, hey, people are getting excited about these two characters hooking up and falling in love and they keep coming back to this idea of them hooking up and falling in love, there’s a real rodent voice in the back of your head whispers, "give the people what they want. Get those likes, get that fanart." ​ Which is the wrong response! Because we don’t understand that maybe people are just having fun exploring these characters or their own interpretations of these characters, we think they must be anticipating a pay-off from us. ​ And again, I think it can send you in the wrong direction, one that ends up being essentially flattening – we don’t think, "if these characters hook up, OK, what new opportunities does that give us to explore them, to understand them in greater depth?" Instead we think we need to perform a climactic moment of love and comfort and happiness to get the audience’s approval. Which can be very much to the detriment of the complexity of the characters, but also, afterwards, where do you go with it? ​ And after we released maybe one episode of The Silt Verses, I saw a couple of folks online going ‘oh, god, I hope this isn’t going to end with Carpenter and Faulkner hooking up,’. And you go, "oh my god, I hadn’t considered that as a possibility for a second, that’s not who they are and that’s not what the relationship is here" - but of course all of us are primed for it, that enemies-to-lovers thread that is so common. ​ [...] ​ So it felt like I could introduce a connection there [with Paige and Hayward] and we could see a different way that they begin to be around each other that hopefully feels like it’s adding new dimensions to both of the characters without me looking over my shoulder going, “Am I in danger of turning this into something a bit stock by turning it into quite a straightforward romantic situation?”

[lokiina]

Lucanis x Rook x Spite

Okay hear me out tho

Throuples? Not usually my jam. Unless things like, genuinely make sense and it feels like it actually works. But I guess it's just cuz that's how I view most ships in general. But basically I've never made a throuple just for the sake of having a throuple. That's just not for me.

BUT.

lemme just.....

(I'm putting this behind a cut cuz it's a lot of rambling most people probs don't care about. There are spoilers not like HEAVY spoilers but def stuff mentioned from like end game time frame.)

I do think Spite actually appreciates Rook from the get go, at least in my play it felt like that cuz I never reacted to Spite related convos in a perceived negative way. And all Spite really wants to do is talk to Rook from the start, Lucanis is the one stubborn about that not happening for a while. The main time he properly can, he literally asks Rook for help. Like genuinely asks for help for both him and Lucanis. "Help us" he says.

So I think his fondness for Rook grows like Lucanis' does. Naturally over time. Now is it because they're tied together? Who knows. I'm not sure it's clear that their feelings influence each others, I don't think that's addressed, the two still feel pretty separate in that regard...? (I'm in the middle of replaying so maybe there's shit I missed the first time I dunno)

Now the wings situation there's a voice line where Lucanis openly admits to Harding he has 0 control over the wings. The wings are 100% Spite. So spite does it to help. So them fighting is just team up, rather than one using the other. So if there's ever a situation Spite might be mad at Lucanis, he's probs gonna get no help. No wings. sdjhfgdjfhg

BUT THIS MEANS in the Romance scene when those wings pop... Spite's consciously involved. He's made the decision to not sit this one out. My guy created a threesome without warning. 😂 Either he is just like super rooting for them and ships them too and is being the worlds best wingman (pun intended) by lending aid or he's getting in on that action cuz he's also developed some sort of feels as well. Tbh it could go either way... The point is, he got involved.

But there's also evidence later in a possible party banter with Solas where Spite accuses Solas of trying to hurt Rook and is like ready to go to war for Rook against Solas. kdfjghdfkjgh

So... We have no idea what Spite and Lucanis chat about when Rook isn't around so who knows. But the vibes are there where this would in fact be a situation where this kind of ship makes sense.

Either way those three really need to talk about this... 😂

[fallenfrommars6277]

Okay, I've seen the cameo where George hints at Edwin's "first adult experience" with the Cat King and I wish to share my two cents about it.

First of all, disregarding which pair anyone ships, I believe we can safely say that Payneland will eventually be endgame: it is left as an option by Charles in Hell, it is hinted in the show and it is basically sustained by Jayden and George themselves.

I am, for one, a Payneland shipper. I admit that at first I wanted them to stay just friends because I am a sucker for great friendship stories, but rewatch after rewatch I started to see them as soulmates in a romantic kinda way.

Nevertheless, I think (and honestly have thought since the beginning, not just because they said that now) that it would be great to see how Catwin would evolve and in particular I think it's just right that Edwin has his first experiences with the Cat King, maybe not straight away sex, but in general intimate experiences.

Let me explain.

Yes, it would be nice to see Edwin and Charles getting together and awkwardly kissing and having together their first intimacies: it would be a first for both of them, because I believe that while Charles may have fooled around a bit, he didn't ever actually make love to anyone, let alone a boy. So it would be all romantic and gentle and blushing virgins and it absolutely would be great.

BUT.

Both Edwin and Charles are on a journey to self discovery, in general but especially in the love and sexuality area, but they are at different stages of it. While Edwin has been repressed for over a century, he has been now awakened (by Charles, by Monty and above all by the Cat King) to feelings and sensations and wants that he now needs and IS READY to fulfil.

On the other hand, Charles isn't there yet, he just now learns that his best mate is in love with him and he feels nothing but love and adoration towards him but he fundamentally doesn't know what actual love (as in being in love with someone and being the one someone is in love with) looks and feels like, also they're both guys and while he has been nothing but supportive of Edwin about him coming to terms with his homosexuality, considering the time and especially the household in which he lived in, I don't think he wouldn't have problems realizing and admitting to himself that he is bisexual (I know it's not canon, but come on) or at least that he fancies another boy. And even when this happens, I think that he would have a lot of holding back, being insecure about his "ability" to love and not wanting to hurt Edwin.

That said, I think that Edwin has always loved and will always love only Charles, but it is only fair for him now to start having his experiences and exploring his sexuality and, while Edwin and Charles have been a whole for over 30 years, doing everything together, I believe this is something he has to do by himself and the best person with whom to do this is the Cat King because they're both attracted to each other, because the CK is very experienced and I think this would be someway reassuring for Edwin (like he's doing this, he's experimenting with someone who knows very well what he's doing), because the CK would never be judgemental of his inexperience, and above all because the CK cares about him, but also knows that no matter how much he can care about him and be affectionate towards him and even love him, he will never actually have him because Edwin's heart belongs to Charles since that night in the attic.

I expect (yes, I'm talking like this is actually happening because maybe I'm delusional but I've not given up hope yet about a second season) that while Edwin does this and experiments and learns things about a part of himself that has always been hidden and repressed, Charles someway does the same, of course not realizing that he wants to have sexual experiences because he is, if not actually experienced, more acquainted with this "area", but that he has to explore his sexuality to understand how he can fit loving Edwin into it and then actually act upon this, but to do this he also needs to find a way to separate himself from his father, from his painful childhood, and control his anger and navigate and accept his own emotions, all the shades of them, to start appreciating himself and considering himself worth of loving and being loved.

In conclusion, as I said before, they both are going through a journey, but while Edwin's at the end of his and is ready for what comes next, Charles has just now started it, so it's just right that just this once they don't do this together, because they KNOW that even if they take metaphorically different roads, they eventually will find each other at the finish line.

[signedaiko]

Hiiii! May I request some platonic headcanons for MTMTE? I was thinking about a g/n human reader pulling some pranks on some bots on the LL (Ratchet, Rodimus, Rewind) and what their reactions would be.

Ratchet | Rewind | Rodimus [MTMTE]

In which you try pulling a prank on some of your friends aboard the Lost Light.

Reader is: Gender Neutral | Human | Autobot. Platonic.

Ratchet

Your friendship started with you making teasing comments, which eventually led to jokes and seemed to be verging towards pranks

Ratchet was a grumpy one, so while your jokes are welcome, there is a time and place for them

One of those times is not the first thing in the morning, especially when he's preparing to get into a surgery

And yet, as he went to enter his office, he was surprised to run into some kind of thin, transparent film that forced him back onto his aft

You'd spent the whole night lining the door of the medbay with several rolls of plastic wrap, knowing his optics would still be woken up

It came to bite you in the ass; he wakes you up from your sleep after the all-nighter by yelling your name and banging at your door

He's pissy, and now he's making you sit on his desk all day, watching the surgery, and banging his fist on the table every time you start to doze off

You can sleep when he's done and when he feels you've learned your lesson for startling him so early

Rewind

You were the life of the party, in many ways

A lot of Rewind's best recordings come from you

Were all humans this fun? Or were you some rarity?

Either way, he's a big fan, and he's always got his camera rolling if you're there

You also make him feel special because none of your jokes or pranks are aimed at him

In fact, you usually request his help with pranks, be it as small as catching it on tape or something like replaying someone's voice to lure another of the crew

That's what made your plan against him so effective; he never expected himself to be a target of your genius

Until one late evening, he enters the habsuite to get some rest and-

Wait

Why is everything on the wrong side?

Chromedome is there resting, and Rewind wakes him up to ask what's going on

"What are you talking about? Are you feeling okay?"

Chromedome fully convinces Rewind he may have something wrong until he pulls up a clip of the room

"Fuck." He hears your small voice come from somewhere behind Chromedome, and he's running at you

"Both of you! Traitors!"

Rodimus

Rodimus knew you better than most others, and while he pretended to scold you in front of Ultra Magnus all the time, he liked the energy you brought

Besides, he was always pulling small pranks of his own, usually on Ultra Magnus, which was cheap and easy, but pranks nonetheless

That meant he presented a challenge, though

Rodimus was very good at telling you were up to something and had caught many of your pranks before

Unfortunately for him, most is not all, and he'd once again been fooled by your trickery

You'd mixed powdered sugar into his paint polish, which made it look shiny at first, but once dried, it left him very sticky and matte and made his paint look uneven

Oh, he knew who'd done it the moment someone pointed it out, and he wasn't going to let you get away with it so easily

Next thing you know, Siren is over the ship's comms claiming there's an emergency and that Rodimus is severely injured in the med bay

Of course you go racing to see him, unaware the announcement was only to your hab suite

He sat there, Rewind by his side, recording as you burst in with emotions evident on your face, only to realize what he'd done

Asshole

Authors Note - I am actually, secretly, the least funny person in the universe so I hope these parnks were realistic in some shape or form! Thank you for requiesting 🩵

[lurkingshan]

(character game) Boston from Only Friends

You're so kind to send him my way, anon.

How I feel about this character

I love him a lot. I like that he knows himself, and he's so honest even when that means saying things people don't want to hear. I like that he's a slut and he just wants to do what he likes with no commitment and he doesn't get why other people are so goddamn pressed about that. I like that he has a moral code that makes sense to him, and doesn't feel the need to force himself to live by anyone else's code. I like that he's bitchy in a very fun way. I like that he recognizes when people are not his true friends and thus feels no loyalty to them. I like that he also recognizes when someone does genuinely care about him and is willing to try something different to meet their needs. I love him for real and if I could I would rescue him from his show.

All the people I ship romantically with this character

Anyone who knew me while Only Friends was airing knows I was suuuuuch a Boston/Nick girlie. They were THE ship for me in OF.

That said, I very much support Boston in his non-monogamous endeavors, so I also support him fucking anyone else he likes, or even doesn't really like but just wants to take for a spin.

My non-romantic OTP for this character

Boston X NYC. I am happy for him that he's leaving his horrible "friends" behind to start over somewhere new where his particular brand of snark and bitchiness and sluttery will be deeply appreciated.

My unpopular opinion about this character

I think my opinions of him are quite popular in the tumblr community, though the wider show fandom and the show writers themselves are a different story. I stand firm that he didn't deserve the ending he got and the story punishing him was wrong wrong wrong.

One thing I wish would happen/had happened with this character in canon

Changing his ending is probably the way I would use my one wish to the Thai BL genie. I would have loved to see he and Nick get their temporary time to enjoy being together as a couple and honor that this relationship was meaningful to them before they parted on good terms when Boston left for NYC. It's the ending they deserved.

Give me a character ask game

[bengiyo]

Hi! For the character breakdown, one of my current favourites, Shiba from Doku Koi. Rose💜

Oh my, a currently airing character!

How I feel about this character

I love this character, because he doesn't behave like he's in a BL at all. He thinks he's in a dangerous legal drama, and it shows up constantly when he's alone. It works so well, because the show also doesn't make him exceedingly competent. He tried to rescue Haruto and failed because he can't fight.

Still, I love the way this man jumped into his relationship with Haruto when it became serious. He has little experience with love and romance, but he's so enthusiastic about it. It's a great character trait, because he takes his relationship with Haruto as seriously as he does his relationship with the law.

All the people I ship romantically with this character

Just Haruto, baby! When I watch romances, I rarely want to see the pairs fail. I'm more likely to crack ship in Star Trek than I am BL.

My non-romantic OTP for this character

I was gonna say his colleague/friend before the last episode, but now I guess I have to go with his succulants!

My unpopular opinion about this character

I don't know if it's unpopular or now, but I wanna say that I really like the dynamic with his boss. I like that he didn't comment at all on Shiba's faux-pas at that party. Even now, he's being completely reasonable with Shiba about the situation with Haruto. He's understandably that Shiba hid the identity of a resource he was using, is romantically involved with someone who reports to him, and gave clear parameters about what would be required if Shiba was working with a known criminal. I've not been mad at this man once, because he's been straight with Shiba the entire time.

One thing I wish would happen / had happened with this character in canon.

Honestly, I just want them to end as a battle couple running a new operation together. I don't think Shiba can stay at the company if he's going to be with Haruto, and I don't believe Shiba will end things with Haruto. I would like to see them win this case and then go on to do their own thing together. Haruto cares a lot about these kids on the street, so I am hoping that Shiba and he end up doing something with them.

[asmogorna]

Okay so there’s this ww artist on ig called like tooth lilys or something and he’s always causing drama in the ww fandom and he mouthed off about your art and now heaps of insta ww fans are like talking about you :| free publicity?

ahhhh so thats whats happening .. lmao thats crazy

i checked out their story, and i sure doooo love how they leave some things out when talking about both situations that they mentioned to make me look worse ..

ok so

warning, yap session incoming

the "will wood in a (miku) binder" thing happened back in fall 2023 when i was still semi new to the fandom and didnt know a lot of things. so tho i to this day i dont think it was that big of a deal, i wouldnt do it today

it was an artwork made for shits and giggles, the context of which i have explained here before. i never meant to imply that will wood is trans and i certainly dont "headcanon" him as that. my curse is that even when joking around i tend to try and make my art look good, so i get why people thought it was unironic. and i know that it sounds like a lame ass excuse, but it legit didnt cross my mind that people would think i drew will wood as a trans guy or smth. legit my only thought process was "funny haha internet thing" + "my favorite thing" = "good idea"

now the usage of his real name is something i am genuinely sorry for, but it was an accident and a genuine mistake on my part. i remember seeing someone mention it casually in some comment section, and assuming that it was ok, since i didnt know he was in any way against it. (i also thought that it was the same name that he used in "the real will wood" in that one section cus it sounded a bit similar).

when i was informed about the fact that he doesnt want it spread around i deleted the post right away and apologized, so bringing it up like something i did on purpose and out of malicious intent is a tad bit .. misfitting, if you can use that word

now the hot topic of the day: my waywood art

i have said this before and i will say this again, how i feel about rpf is solely based off how the people involved feel about it

to clarify: i never drew anything inappropriate or even suggestive with them, the "worst" thing is 2 simple sketches of them smoochin. or. this.

idk if this is what they were referring to when talking about me drawing will wood and gerard way "making out" (specifically. because i think "making out" implies to be more sexual stuff than small kisses). and if so, then it once again feels like blowing things out of proportion

and now the point i want you to get: will wood wouldnt give a flying fuck

like i said earlier, i never drew anything inappropriate, because that would actually cross will's existent and real boundaries. you know, the ones that he stated

im not making some conspiracy theories about him being gay, like some people seem to imply in their inbox messages to me

im not sending a whole ass smut fanfiction to litwtc gmail or something, i dont bother him in instagram dms asking if he wants to fuck gerard way, im not shipping him with people who he actually knows personally and has to look in the eyes of from time to time

im not doing anything that he would actually care about

him and chris have joked about him being attracted to gerard before, and though im not saying that you can joke about everything theyve ever joked about, i feel like in our case its clear that will clearly doesnt care about the implications ? (i generally believe that ww fans would get their panties twisted about less things if more of them listened to what these 2 talk about so calmly on litwtc but i digress)

if he saw that some random teenager on tumblr is drawing him and gerard way (gasp of horror) holding hands, he'd laugh at it max and then move on with his day

people are treating the whole situation like i posted pictures of him from when he was a kid or leaked patreon content or drew him fully naked or anything else that, you know, would actually affect him in one way or another

what im doing is innocent fun which isnt even likely to reach either of them. will wood very rarely checks tumblr and, once again, i genuinely dont believe he would care. and gerard way aint got no internet + he doesnt care x 2

it is weird but rn this is what brings me the most joy, even if its silly to say. both will wood and gerard way mean a lot to me and putting them in situations together makes me happy. i am but a child full of fun whimsy

i wont be posting any more explicitly romantic art to avoid more drama, and i also wont be responding to all the anon messages i received because there are like .. too many of them. an overwhelming amount i'd say. sorry about that

i really didnt mean to cause such a fuss, and i understand why some people might be uncomfortable with what i do

i fully understand why you would dislike my waywood hyperfixation shenanigans, and i dont have a problem w you over that, but treating me like pure evil because of a thing so insignificant is just.. overdoing it

once again, i will be toning it down, but it really isnt the end of the world if i dare to draw will wood and gerard way being a tad bit gay (which is, i apparently need to mention, not me actually saying that will wood the alternative musician is a homosexual gay who is in a genuine for real actual real gay homosexual relationship with gerard fucking way the lead singer of my chemical romance. i think speculating on other people's sexuality and gender identity is boooo tomato tomato tomato)

sorry for the rant and sorry to all who were disappointed by my lack of remorse. come back in a couple years when i turn 18 and stop having fun and artistic freedom

thank you for your attention and i hope i at least cleared some things up to those who werent w me throughout every event where i get involved in fandom drama

bye bye

[deadboydetectives-confessions]

Maybe this'll be really unpopular (guess that's what this blog is for lmao), but with all the new spoilers dropping I'm starting to get a little glad we didn't get season 2. I'm sure they'd do everything really well, and I'd love to see the gay bar episode, but bringing back Esther and the Cat King? I had such a visceral negative reaction to both those pieces of news.

To explain myself: I think there is a massive problem in series', across a lot of different types of media, of having recurring villains, people who come back just because no one can be bothered to think up a new villain, and it ruins a lot of things for me. Imo Esther was really well dealt with in season 1; considering she'd technically immortal, I think they got rid of her really neatly and in such a beautifully appropriate way. She's being punished by the goddess whose gift she used to feed hundreds of little girls to her giant snake. That's such a wonderful ending. It's fanfiction's job to bring her back over and over, just like it's fanfiction's job to put Edwin in Hell over and over; it's the show's job to come up with a new villain.

I very much don't ship Catwin - I like the Cat King as a character but I am very strongly against the ship for reasons I have given before (the Cat King's loneliness means he needs friends, not a boyfriend, and I don't think it would set a good precedent for Edwin's future relationships to sleep with the guy who tried to coerce him into sex) - so that might be colouring my thoughts against his reappearance in season 2, but I just... I think he's served his purpose with the Agency. Maybe a spin-off or something about him, Monty, and Tragic Mick making friends and dealing with the fall-out from Esther's end would work, but I don't want him becoming part of the Agency or even really interacting with them much because, to me at least, it would just feel forced.

And also, it just feels like both Esther and the Cat King are very rooted in Port Townsend. They've been there for centuries. And now that Niko has 'died' and Jenny's considering moving to London, there's no reason for the Agency to ever go back there. I know a lot of people are attached to Port Townsend as a location because that's most of what we see in the show, but I'd love to see the Agency in London, where they've been already for years. They must have quite a large network of supernatural acquaintances, if not friends, in the UK and I think it would be a shame for the show not to properly explore all the potential that has.

Overall, I don't know. I think Dead Boy Detectives is an amazing show that deserves to have loads of seasons exploring lots of different characters and locations, and the number of characters that feel like they should have been a one-off in the first season but were apparently going to come back in season 2 suggests to me that it was only going to get one or two seasons anyway.

.

[discordantwords]

Thank you so much for the tag @therealsaintscully!

How many works do you have on ao3? 48! 30 for BBC Sherlock and 18 for The X-Files.

What’s your total word count? 924,659 (whoa, that's a lot of words)

What are your top 5 fics by kudos? (Never) Turn Your Back to the Sea White Knight Incidents with Dogs, Curious and Otherwise Another Auld Lang Syne The Dead Detective

Do you respond to comments? Why/why not?

I try to. I'm not always as on top of it as I intend to be. I find comments tremendously meaningful and I at times get emotional while reading them. They are important to me. I reread them often.

I often fear that I'm a poor conversationalist and overthink my responses, which can tend to freeze me up.

What's the fic you've written with the angstiest ending?

Most of my long fics have happy endings.

The Pillar upon Which England Rests is my ode to Mrs. Hudson. As she and John are grieving Sherlock's fall, she tells John all about how she and Sherlock first met. I don't think of it as a particularly sad story, but I suppose that ending counts as angsty, as Sherlock's eventual return is not addressed in the story.

I guess the shorter, more horrorish ones have angsty (or at least uneasy) endings.

Nothing Happened in Belarus has S4 Sherlock, in the throes of his breakdown, somehow briefly traveling through time and encountering S1 John, who cares for him. It's a brief reprieve for him in the midst of a personal hell, but there is no resolution. When he returns to his own time, he is still forced to face what's coming next.

At the end of Leaves, Sherlock and John have either successfully defeated the bloodthirsty plant that has invaded their flat, or they're being digested by it. I leave that decision up to the reader. :)

The Web has Sherlock returned from his time away and reunited with John, but there is a part of him that will always remain haunted and deeply paranoid.

What's the fic you've written with the happiest ending?

Most of them, heh. I like to leave my characters in a good place after putting them through hell.

I guess I'd have to say White Knight? I still get a little giddy when I think about the way Sherlock proposes at the end of that one, and how happy and free they both are after the crushing weight of misunderstandings and grief has fallen away.

Whirlwind has a pretty joyful ending, too.

Do you write crossovers?

I haven't written a crossover, but I have done a few fusion fics. The Dead Detective is a fusion with Jumpin' Jack Flash. Whirlwind is a fusion with Twister. Out There is a fusion with The X-Files.

Have you ever received hate on a fic?

Not really. Most responses on AO3 have been warm and supportive. I have gotten a few unnecessarily vicious comments on some of my ficlets here on Tumblr, but I do my best to ignore those.

Do you write smut? If so, what kind?

Most of my smut tends to be of the R-rated variety, because I'm frankly just not very good at writing it.

Have you ever had a fic stolen?

Yes, sort of, but I don't believe it was done maliciously and I don't intend to call attention to it.

Have you ever had a fic translated?

Yes!

Have you ever co-written a fic before?

I have not. I'm open to the idea, but I honestly don't know if I'm cut out for it. I think my tendency to wing things and my utter lack of a consistent writing schedule would drive a potential writing partner mad.

What's your all-time favourite ship?

Mulder and Scully were my first true fandom love. I love Sherlock and John equally as much, if not more.

What's a WIP that you want to finish but don't think you ever will?

There are quite a few WIPs on my hard drive that may never see the light of day. As far as posted fics, my Sherlock/Knight Rider fusion probably won't be finished.

What are your writing strengths?

I like to think that I'm pretty good at capturing character mannerisms, and writing from a perspective that lets the reader feel what the POV character is feeling.

What are your writing weaknesses?

I'm not all that impressed with my smut writing abilities.

What are your thoughts on writing dialogue in other languages in a fic?

I steer clear of it. Although Google translate can be helpful, IMO there are too many opportunities to make embarrassing or inadvertently offensive mistakes.

What was the first fandom you wrote for?

The X-Files

What's a fandom/ship you haven't written for yet but want to?

I really enjoy the character dynamics between Hannibal/Will in Hannibal and Lestat/Louis in Interview with the Vampire. I think I'd have a harder time getting into their heads than I do with Sherlock and John, so I'll probably just continue admiring them from afar for now.

What's your favourite fic you've written?

This is such a hard question! I'm probably proudest of the work that went into Out There, but I have a huge soft spot for The Pillar upon Which England Rests and (Never) Turn Your Back to the Sea.

If anyone out there would like to share your thoughts on some of the things you've written, please do! I'll also tag @thetimemoves @arwamachine @raina-at @vulpesmellifera @iheardyou @totallysilvergirl @khorazir

[anglercrit]

I never was a fan of CherriSnake at all, mainly because the dynamic was just like the others: Fanservice.

None of these characters have the SPARK needed for me to ship them. I usually don't mind canon ships as I would with crackships. But I've recently gotten to the Demisexual Logic when it comes to shipping characters.

Like if a character has a few moments type deal. Or if it's a Dating Sim type deal where 3 integeral moments happen for me to consider "Hey, this is it. This is ENDGAME" but with Saint Repentious in Heaven (That was not an idea of mine, I wanna clarify his name was inspired by Journey of The Light and possibly others.) and Cherri in Hell. I don't think that CherriSnake is ever gonna be a thing.

It was just like Martha and Mayberry. Completely there just to go "There, you got your silly WLW relationship! Now shut up!" It feels like any remote relationships that doesn't consist of MLM or Gay is often the centerpoint of attention while the other letters of our rainbow is often sidelined for Men.

I mean, I myself is Orientated AroAce. The feeling of validation is wonderful! But the fact Viv does not give a damn other than to reuse plots from Yoai BL infuriates me.

This was not a main point of mine, as this is leading to an idea, I wanted to say my peace before introducing this.

I am working on a Hazbin Hotel Rewrite (It's commonly referred to as "Left To Rot" but the working title is Redeeming The Hotel AU or known as Hazbin: Rewritten.) currently, Sir Pentious is the main characters love interest (as with Husk) and the storyline is:

Main Character is not Charlie, as she eventually loses her "interest" in the Hotel, after being belittled, taking after her father.

This leads to the MC taking over as the actual owner/founder of the Hotel in her wake, attempting to try and help with regaining Charlie's hope.

The Hotel is called Happy Hotel, but as time went on, she refers it as Hazbin as she believes it was a space for "has beens" and not "want to bes"

So the way I had the MC know Sir Pentious was interacting as his "Guardian Angel" (Although at this rate, the MC was being created in the Angel Ethereal pool) she was his guardian angel. When she was left in Hell, and she meets with Sir Pentious he recognizes her which led to Husk getting jealous.

Poly, Husk x OC x Pentious?

ok I have a lot of thoughts here (dw all of them good) so I'll just bullet point this

I honestly REALLY like the dating sim approach- I feel like cherrisnake COULD have worked, I like the idea of pent trying to seem cool to impress her but it really did feel fanservicey. And Cherri being in Hell and Pentious in heaven has some angst potential but I doubt it'll be explored.

even as someone who admittedly enjoys some trashy gay romance novels, yea the way viv handles her gay relationships frustrates me. It's probably because she hypes up how good the gay rep will be and then just recycles Hayes code era stereotypes.

your rewrite seems neat! I like the idea of someone else trying to reignite that hope in Charlie- honestly instead of the war against heaven the season 1 finale being Charlie beginning to lose hope and the hotel gang working to convince her that a sinner COULD be redeemed would be a sweet moment. Also I'm all for poly relationships so hell yea

[lemotmo]

911 8x08 thoughts and freak outs!

Okay…

Well…

WOW…

OMG!!!

What do I say about this episode? 😶

Uhm…

Well, my first reaction was this: AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHH! 🤣🤣🤣

And I mean this in a very good way! 😏

I’m just going to start with the thing that made me go AAAAAH! In the first place:

Eddie and Chris! That scene was heartbreaking and when Brad talked to ‘Edmundo’ about his estranged son it was a great moment. Eddie has started to realise he has to act NOW, because he son is growing up without him and he doesn’t want that gap to become any wider. 😭

Side-note: Fuck the Diaz parents big time! They suck! 😠

So Eddie decides to move to Texas, which is so very much the wrong thing to do. But I get why he’s considering it. The right thing to do for him would be to go to Texas, talk to Chris and telling him he needs to come home, back to LA. But I don’t think Eddie is ready for that yet. He’ll need some time to get there, but he’ll get there in the end.

Which leads me to that one scene with Buck. And OMG! In the seven years that I’ve been here, shipping Buddie, I’ve seen a lot scenes between them that suggested something more, but it was never really anything concrete… you know? 🤷‍♀️

This scene? It was like being hit over the head with a sledgehammer. Buck just walks into Eddie’s house and Eddie’s okay with that. He’s teasing him about the tablet and Eddie lets him. They know each other through and through. And Buck’s face when Eddie told him it was in El Paso? That was interesting. And of course he wants to help Eddie. It almost feels like they’re buying a house together for a moment there. But then…

Then when Buck’s sitting on the Diaz couch (yes… hello couch theory, great to see you again! 😂), his face falls and there is something there that wasn’t there before. Guys… we just witnessed the very early beginnings of Buck’s ‘OH’ moment. Eddie making plans to move will help Buck realise just how much he truly cares for Eddie. 🥲🥲🥲

So, this is it. This is THAT scene we’ve all been hoping for.

I feel unwell.

In a good way.

The Buddie-arc has officially begun. 😋🌈😁☀️

So unwell right now.

Still in a good way.

But oh… this is going to be such a good hiatus! That scene alone will inspire so many writers to write excellent fic, it will fuel us for months and ignite the fandom to speculate and theorise. It’ll be epic! 😎

I wonder if there’ll actually be a time-jump or they’ll just pick up where they left off after hiatus. 🤔

On to the rest of the episode:

Where was the Maddie storyline they talked about?

Athena’s storyline was actually nice this time. It is entirely possible that something flew over my head when it comes to her scenes as a police officer. But to my non-American eyes, it was a nice storyline. The cart cop kid was a little naive, but he was likeable I suppose. I don’t really enjoy watching people like that on YouTube, but for the show it was okay.

I unexpectedly really enjoyed the Brad storyline. Granted, him rescuing that woman and risking hurting her? That was iffy, but 911 is like HotShots in that respect, you know? We aren’t supposed to take it all ‘that’ seriously. So I can live with that scene. I love the growth in Brad and how he talked that guy from the ledge. Do we think that scene was based on the fact that Jon Bon Jovi talked someone from the ledge a couple of months ago? I think that’s where Tim got his inspiration for this.

So overall, I really enjoyed this episode and I have to admit that I didn’t really expect too much of it. But it managed to surprise me in a few ways. But mostly that Buddie-moment… it just blew my mind. 🤯

I can happily skip into hiatus now. All is right with my fictional TV-show world again.

😎😎😎

I'm off to read the post interviews now and answer some asks in my inbox. YAY!