#in terms of how they act with one another

[thanergetic-hyperlinks]

Tamsyn Muir's writing beyond The Locked Tomb

Y'all, turns out there's lots of imagery and themes in TLT that Muir was already playing with in her earlier fiction. A lot of it is easily available online, in which case I'll link to it. (The short stories that aren't can also be easily read if googled, to be quite honest—that's how I read The Deepwater Bride and Why the Mermaids Left Boralus). • The House That Made the Sixteen Loops of Time (2011)

5K. Short sort-of-cozy romance (?) with (you guessed it) a time travel loop. Explores a very queer potential relationship. CamPal enjoyers might find a similar sweetness.

• The Magician's Apprentice (2012, Lightspeed Magazine)

5K. This is the one that stopped me dead on my tracks. It features an older, male mentor figure called John (a “very ordinary man” with “dark eyes”) who introduces the young, female main character to magic that has a terrible cost—and to literature such as Lolita. This excellent post by @familyabolisher does an incredible job of analyzing the very deliberate intertextual links between TLT and Lolita.

• The Woman in the Hill (2015, Lightspeed Magazine, originally for Dreams From the Witch House anthology of Lovecraftian horror by women)

4K. Possibly my favorite! It's a straightforward Lovecraftian horror, centered on the image of the woman (is it human though?) trapped in an unnatural pool inside a cursed cave. Chain imagery too. It does something different from Alecto, mind, but you can see links, ways of playing with facets of a strong central image. It's fun to consider how reliable the two narrators are. Here's an analysis and afterthought from Reactor Mag.

• Chew (2013) 4K. Zombie abuse and cannibalistic revenge story ft. an uncanny woman revenant, told from the eyes of a traumatized German boy. I was strongly reminded of Harrow's conversations with the Body. Tamsyn gave an interview on the themes and her intentions. Interesting to read in light of Alecto, I think, although I don't think she's going the same route in TLT: “the idea of post-war rebuilding connecting to rebuilding the body of the zombie; a Frankenstein who once rebuilt doesn’t act as planned or desired. […] I love cannibalism […] it’s innately spiritual […] any afterlife she goes to, he’s going too.”

• Apothecia (2014, published on Tumblr and tapas.io)

Short webcomic where an alien monster tries to corrupt the ruthless human girl who holds it captive. Musings on responsibility and murder, mention of child abuse. The alien's speech patterns remind me of a Resurrection Beast. You get wonderful dialogue like “Murder is a profession. Job. Employment, you tiny leg dog. There you are, walking along. Walk walk walk. Now you are a walker. Good job. Special child. Murder is like this.” Art by Shelby Cragg.

• The Deepwater Bride (2015, Fantasy & Science Fiction Magazine)

The opening line is: “In the time of our crawling Night Lord's ascendancy, foretold by exodus of starlight into his sucking astral wounds, I turned sixteen and received Barbie's Dream Car.” Need I say more? Extremely fun. A novelette where a young queer girl from a clairvoyant family struggles with an apocalyptic event while being annoyed by another very plucky girl. Lots of descriptions with nerdy marine zoology terms. Close in tone to Gideon. In the background, someone dies EXACTLY like that one death at the end of Gideon, which makes me wonder what happened to make Tamsyn interested in this particular image. I also liked that Tamsyn is aware of Nightwish. No link, but you'll get a PDF immediately if you Google.

• Union (2015, Clarkesworld Magazine)

5.5K. Very weird, extremely Kiwi story about a town that gets sent lab-grown wives by the government, but they're not made the usual way so they're Weird and people have feelings about it. Fascinating and eerie description of non-human (in some people's eyes, sub-human) women (?) who cannot be observed to have recognizable feelings or thoughts, yet have some sort of inner life. Quite touching, very uncanny.

• Princess Floralinda and the Forty-Flight Tower (2020)

Short novel (~200 pages). Very funny. I was reminded of Coronabeth because the whole plot is “princess finds herself branching out into decidedly non-princess-like activities”, but other than that—this is a fairytale for adults about people who make eachother worse. No particular links to TLT but a very fun read with some gut punches. Extremely Tamsyn through and through, what with the dubious morality and all.

• Why the Mermaids Left Boralus (2021, in Folk & Fairy Tales of Azeroth by Blizzard Entertainment)

Set in the World of Warcraft universe. Haven't read this one yet, will report back lmao. As with The Deepwater Bride, no link but I easily found a PDF of the entire compilation. It's illustrated!

• Undercover (2022, from Into Shadow, Amazon Original Collection)

Haven't read it either. Will edit once I do.

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[transgenderer]

Would it be ethical to let your children starve to death if you donated all their meals to charity?

Let’s say I have a child that needs surgery, he’s got a disease, he’s gonna die, my insurance company won’t cover it, I’ll need to pay out of pocket, I ask the doctor how much it will be, he says “5k.” What is more moral:

A) spend 5k getting my own child the surgery

B) send 5k to AMF to give anti-malarial nets to Africans

I don’t have another 5k saved up, so it’s one or the other

so, i think these two asks are of a kind, but the latter is neater, so ill answer the latter primarily, with the obvious implications for the former

so, this is a tough question! i think theres a lot of explanations you can come up with, for why your own child is more important. perhaps most significantly, no one else cares about your child, but other people care about as much as you about the statistical african child youre saving. obv problems there, but theres an argument. you could also make all sorts of practical calculations ("calculations") that say the net benefit is higher with your child, whatever, its actually not important

i dont think any of that stuff is the real reason. real reason, is that you care about your child more than you care about the african child, and you want to act in accordance with what you care about. and i dont think thats wrong! or, to the extent that it is "wrong", ethics isn't doing what we want it to. i think ethics, insofar as it is a decision theory, has to include self-interest. that trying to remove self-interest from a decision theory is a...mathematical toy example, and not what ethics is really for or about. so yeah, help your kid! but youre not helping your kid out of altruism, youre helping your kid out of self-interest, and that's fine! the same way its fine to do all the other things out of self-interest.

but there's this other thing, actual altruism, helping people because you think its the right thing to do, even though it will never benefit you outside of warm fuzzies (which, if you were willing to accept delusion, you could get easier), and that thing is valuable, and important, and the human mind must be constantly dragged towards it. but its not the only thing. there are at least two poles in any ethical system i can accept, a pole towards the self and a pole towards the universal Good, and every ethics must be stuck in the tug between them. there might be other poles to. beauty, probably. community, maybe, although i think community is actually just long-term (like, over the course of a life, not long term as in 1000 years) self-interest (which is fine).

[huellitaa]

defining your life (literally) ୭🧷✧˚. ᵎᵎ 🎀

okay so i know you've heard this a billion times before but you are the creator of ur life. and one of the biggest parts of life is language and communication. the words you use and the phrases you say and the way you speak, to others and to urself, can have such a huge impact.

firstly think ab ur philosophies and guiding principles in your life. what do you live by? what do you believe in? what guides you in your everyday decisions? why do you do these things? what do you hope to achieve? before you can change anything about yourself, you first need to figure out what "yourself" IS. you can't change something if there's nothing to be changed, otherwise ur flogging a dead horse.

linking back to what i said previously, words have power. as i've said many times before, our realities and beliefs are unique to us as individuals, which therefore makes them easily malleable because we as humans are easily malleable. we define our realities, and our words are a very important component in that. like a precious relic or prized treasure, they each hold their own meanings and values to each and every one of us. which is why it's so important yet so overlooked to truly take a moment and just think about what ur saying and what it means to you.

──★ ˙ ̟🎀 a few things you need to define before you go seeking:

🧸𓂃 ࣪˖ peace

something many people seek, but not many actually find. you cannot search for something if you do not know what it is that you're searching for. what is peace? is it the short lived silence of an empty house, or feeling truly and utterly content with your life? is it fleeting, like any other emotion, or is it a permanent state of which you can maintain over time? what does it mean?

🧁𓂃 ࣪˖ friends

who are the people you call your friends? who are the people you'd be proud to call your friends? are you proud of your current friends, if any? if none, what would they add to you? what are friends supposed to be like? are they supposed to embarrass you and put you down, or support you and make you smile and hype you up? is it genuine connection you're looking for and / or have, or is it short-lived attention from people who'll only hurt and leave you in the end?

✨𓂃 ࣪˖ happiness

is happiness the thrilling high of an irrational decision, or the long-term effect of maintaining ur health and becoming the person you always wanted to be? is happiness quick validation and dopamine hits, or is it the long lasting outcome of positive decisions and change in ur life? or is it just a feeling that comes and goes like any other? why is this the case? why do you believe this? how would you define happiness to another person?

──★ ˙ ̟🎀 a few things you need to define before you go giving:

💬𓂃 ࣪˖ love

how do u define love? romantic, platonic, familial, whatever u want. is it just a thrilling cycle of hurt, hurt, and more hurt, because that's all you've ever known, or is it learning to open ur heart no matter how scared you are to another person because despite ur fear, you have sincere and genuine trust in them that they care about you and the feeling is mutual? what would you define as love, truly?

🧁𓂃 ࣪˖ energy

is energy the life force that keeps the world going around, or the burst of life you get after a cup of coffee or tea in the morning? does it hold every fibre of your being inside it, a radiance specifically unique to you? does it become drained after hanging out with the wrong people, or is it just a word you've never put much thought into rather than the sugar high after a sweet treat?

⭐𓂃 ࣪˖ kindness

what is kindness? it's such a simple thing, but is it the act of sincere sweetness towards you that you're looking for, or is it short-lived attention from people who aren't gonna be there at your deathbed and only exist to cause obstacles and issues in ur life? is it sacrificing yourself for the world around you, or is it finding a balance between kindness to yourself and kindness to others?

──★ ˙ ̟🎀 a few things you need to define for ur peace of mind:

🧁𓂃 ࣪˖ family

do you believe family is solely a case of biological relation, or is it the emotional connection that's thicker than both blood and water? are the people you hang out with every day and love with your whole heart your family, or are the toxic mother and distant father your family? how do you define this?

🐇𓂃 ࣪˖ health

what is "healthy" to you? how would you define good health and bad health to another person, and for yourself, accustomed to your own personal needs and adjustments? do you want to be healthy? how does and/or would your life look if you were to work towards this?

🩷𓂃 ࣪˖ impossibility

what do you believe are the limits of your capabilities? are there any at all? are you happy with the limits you're placing on your life, or are they simply restraints placed on you by another? what do you believe you can do and why?

🫶🏼𓂃 ࣪˖ balance

a simple word, but one that our whole lives revolve around; or at least in my sense of the definition. how would you define balance? is it important? what in your life revolves around it? what does it mean?

all my love... 💬🎀🫶🏻💗

[gachagon]

There's something worth saying about Ambessa's connection with death in the show, and I feel like because of her lore it was already kind of obvious that she'd have to end this whole show dead. And that's just because unknown to most Arcane watchers, she has this really strong connection with an actual aspect of Death in League lore known as the Kindred.

"Kindred" is a champion in League of legends who represents Death in Runeterra in the same way as a grim reaper who comes to collect souls. They are two spirits, a Wolf that likes to hunt, and a Lamb that wears a mask and wields a bow. Many of the nations in Runeterra believe in Kindred in some way or another, but each nation has their own way of viewing Kindred (because each Nation has their own views on death and what not).

Ambessa repeatedly says "A wolf shows no mercy" and that's mostly because of her warrior spirit, but its also quite literally how Wolf (the second half of Kindred) acts. The Wolf is a merciless beast that only craves violence and a good hunt, while the lamb is an emotionless hunter who can't understand the feelings of the ones she hunts down in the first place.

The splash art above is from the Chosen of the Wolf skin line that Ambessa got when she was first released into the game. In the Chosen of the Wolf lore, Ambessa basically brings about the end of the world and becomes "Chosen" by Kindred to carry on an endless hunt (Basically death for everyone...forever lol) In this lore, Lamb fully embraces the nature of the Hunt regardless of sense or reason. She even wears a "Wolf" mask, to symbolize how they're both "The Wolf" now and there's really no mercy in death anymore (at least in this timeline)

Its also worth pointing out that the Chosen of the Wolf skinline looks awfully a lot like the world Leblanc shows Mel. When Leblanc recruits Mel, she shows her a future that looks almost identical in nature to this future, where there's no mercy for anyone and Ambessa is fighting an endless war forever T_T

Because Ambessa is Noxan, it's obvious that her and a lot of other Noxans view death through the Wolf, as something violent, gorey, and painful. Merciless. However, when Ambessa passed away in Mel's arms she says "You are the wolf" which to me is actually her acknowledging that there is mercy in death, in a wolf specifically because Mel ended up trying to save her from Leblanc even though she was still upset with her.

A wolf may not show mercy, but the lamb does. And I think that Ambessa's death in the show was her finally coming to terms with the fact that she didn't have to continue on with the endless fight for legacy and to achieve greatness, because she had already achieved those things through her daughter. The tragedy is that she couldn't understand or see that until it was too late.

Anyways I just wanted to write this post about Ambessa because she's actually really cool and I haven't been able to stop thinking about her phrase "A wolf has no mercy" and how it was almost a direct reference to Kindred almost. But to show that this was also Ambessa willfully looking past the other half of Death, which is the Lamb who is merciful and wants to understand people even though she can't.

[cipheramnesia]

My hypothesis, untested as yet, is that when it comes to addressing disenfranchised people in the USA, and possibly similar countries, being targeted by a conservative and/or authoritarian government through laws or policiea designed to worsen the lives of said disenfranchised people, or place them into elevated danger, hypothetically I think any approach to addressing or redressing that situation needs to direct focus exclusively at the particular people who compose said conservative / authoritarian government.

My basis for this hypothesis is the oft mentioned but rarely applied idea that the members of a disenfranchised group shouldn't have to symbolically represent the entire group. Seeing as how no one single individual or collective can ever singularly represent all human experience, and as a general recognition that we do not want to be dragged down in puritanical politics or calvinist christofascist dogma, it behooves of to recognize that even people we do not like will be targeted by systemic oppression, and will not serve as the symbolic ideal of a disenfranchised community, and those people are not less deserving of an equitable life. That kind of idea, even if tending to be forgotten in the heat of the moment, is pretty solidly accepted theory.

So coming back, my hypothesis is an extension of this theory. Any of us as part of disenfranchised groups should reject the castigation of targets of the hegemony for their failure to meet our ideals, and focus those feelings on how to push back at the people who are implementing and enforcing the actions which target us and others like us. Unfortunately it will mean we all have to live with a lot of behavior from allies which we personally or collectively would like to see improved, because those improvements also offer long term benefits.

However, my hypothesis is that if the focus and direction of our actions remains unwaveringly directed away from our fellow targets of fascist or authoritarian or hegemonic violence and oppression, then we will find greater and better success overall than attempting to self-correct inward at every substandard element.

I think being vulnerable means being part of an unyielding wall that resolutely points action at the oppressors, and away from the oppressed, and that even includes the oppressed who don't act as part of the wall. To point to another theory of society, conservatives and authoritarians like to foment outrage at "free riders" who benefit from society while contributing nothing. However, as we also know, part of a functional society means that we must agree to carry free riders, because the benefits of a society are specifically intended this way. "Free riders" can also be the sick or elderly or poor or disabled, and society is meant to ensure those same people have the same equitable treatment and benefits as everyone else. It is established theory that we cannot cull some idealized human wheat from hypothetical human chaff. We never know and can't make that determination. Society must include all of us regardless of perceived contribution or it is not a functional society.

So my hypothesis is again an extension here, if no one disenfranchised individual or collective can be held as the ideal of the disenfranchised group, and also if we must accept that society supports all memembers with nothing witheld contigent on the member contributions, then i.y hypothesis we come back to having to support people who we feel have not supported us. Not as individuals, but collectively, as many overlapping and interlinked disenfranchised groups, it is our obligation to turn the response against the oppressors. And in the USA, especially now more than ever, we can easily find the specific conservative republicans who are most responsible and work at targeting them politically to resist their individual efforts collectively. As we select these individuals and focus on them, my hypothesis is that their reduced effectiveness or their elimination from power, will slow or restrict the larger authoritarian appartus operating in the USA generally. It will work but it means letting go of targets which are within easier reach because they are part of our collective network of disenfranchised groups.

There are many, many easy individuals who can be targets of collective action, people who push for our military budget, people who lobby against bodily autonomy, people who work against voting rights. They are a big machine but we out number the individuals who make up the parts. Somewhere near any and all of us is a far right republican working in a small part of the machine within our reach. Their position and purpose and politics are public knowledge. Any time you're mad at someone under attack by the conservative policies of the USA, turn that on the smallest and weakest republican in government you can find. Lobby against them, run against them, show up to their meetings or office and waste their time, call their constituents to make them angry about their republican representation. Do any little thing that acts outward. They're not all untouchable capital hill politicians who can ignore their unhappy majorities, but those untouchable people at the top can't get anything done without the little goobers at the bottom.

My hypothesis is that if we take all the energy we direct inward and point it at the easiest republican targets in the USA, we end up showing we can win, and making every next republican in line a weaker and easier target.

[sockatoothewafflebird]

u prolly have already but pls i want in depth yap abt caitvi in arc3 and how they heal :)

oh anon i have NOT yapped about how they heal. not in detail at least. so here we go. there's not a lot that hasn't been said about them, but i'd like to put my perspective into the ring just because. as an eldest sister and as a lesbian i can relate to vi in a lot of ways.

i think my main takeaway for caitvi in act 3 is how they're both human, in the ways they love and in the ways they fight. arcane is a show that respects its audience and trusts us to be able to read between the lines and i appreciate how you can see every little detail of the words they're not saying if you look close enough.

in The Scene especially you can see just how real theyre being... im not gonna dwell on it, but by the skin of my teeth and the bones in my knees they LOVE each other. you can see it so clearly.

caitlyn walks in on vi questioning everything she is. violet legit just let her sister slip from her fingers, again. i cannot tell you how many times i've felt guilty when my sister or brother are hurt or do something wrong, even if i had no part in it. i cannot imagine how much it would hurt to lose them and keep going only because of the possibility of finding them again, and then when i finally do find then they're ripped from my arms. and it happens more than once. i would be in the same place vi is. blaming herself for all of it. making the burden of protecting her sister all hers and no one else's. wondering whether or not she's doing the right thing at all. (cough coughh petra minecraft is that you)

as stressful as they can be sometimes they're my siblings and i'd do anytning for them. and with the kind of person vi is, for her that means punching whoever's in the way. doing whatever she can. she has a big heart and she's never lost it.

after caitlyn basically dumped her in the most entitled way possible vi had nothing left. no one to protect and nothing to fight for. so she fought just for the sake of fighting. after getting her family back and losing them again (holy ballsockets she was put through the wringer) all she had was cait even if cait hurt her. i think even if cait never did anytbing to make it up to her, she would have stayed, because vi needs an anchor.

caitlyn's hurt a lot of people directly or indirectly. she grew up priveleged and stayed that way, never truly seeing exactly how much pain people are going through until it's too late to turn back. caitlyn's arc is a very interesting one because she never says the words "i'm sorry". she never tells vi that what she did was wrong and that she wants to fix it. but she does things that prove her remorse.

caitlyn works with vi in the end of act 2. i think this is partially because she was already skeptical of ambessa from the start, and partially because she wanted to find a way to make it up to her. caitlyn doesn't fold as soon as vi calls her cupcake, that's not what the look is. The Look is her thinking, "wait, does she not hate me? why did she call me her term of endearment even after everything i've done?"

in act 3, caitlyn takes all the guards out of the prison, because she knew vi would try to rescue her sister. in the words of another post i forgot to save (deepest apologies to the op of that one), vi could have taken jinx and ran. caitlyn might have never seen her again and she let that happen anyway. and cait even went to the cell to check to see if her theory was true, and lo and behold it was. and vi failed at trying to save her sister. again.

what does caitlyn do? she tells vi that she relieved the prison of the guards because of her. all confident and sultry and commanding like she knows what she's doing.

and then when they're getting into it caitlyn frantically pulls away. she realizes that, yeah, she still needs to make things right. she tries to be honest, tell vi that she saw someone else, and vi just reassures her and keeps going. i think thisnis because 1) vi wants the cupcake, who wouldn't, and 2) she's... not exactly forgiving, that needs more work- but she's showing her appreciation for caitlyn here. caitlyn did something huge for her, she let her break a prisoner out which could have dire consequences for both of them.

i think vi just absolutely smothering cait is also a way to show that even though cait hurt her physically as well as emotionally, she's gone past that. if vi hadn't at least given some thought about cait's actions she would not let this happen, i don't think, unless she's super desperate. this proves that vi is starting to move on and cait is starting to revert back to that sputtering stuttering pinned-to-a-wall-flustered woman she was in season one- that's the woman vi fell in love with, after all... and that woman is battered and bruised and has plenty of sins to stone for. but that woman is not dead.

The Scene in the cell is both them being desperate and them showing their love for each other without words. caitlyn's hand lingers on vi's injury, maybe about to utter an apology, but vi cuts her off anyway. there's SO many little things here gaughehgjf.

and in the end of the show, when caitlyn looks into the hexgates in her family's archives, she looks because vi probably asked her to. vi wanted to be sure. she looked because she cares about vi. whether or not she'll tell vi about this is an interesting thought- i don't think she would. it would undermine jinx's sacrifice.

jinx walked away so she could move on. so piltover could move on. so zaun could move on. so vi could move on. and caitlyn telling vi that she's alive would ruin the steps they've taken towards healing.

i think vi's main problem was dedicating her life to her sister and nothing else. and caitlyn's was just her exploiting a broken system and mever recognizing her faults. vi starts to heal because now that her sister is truly gone to her, she can move away from the past and build her own future. and now that caitlyn's fully realized her mistakes she can take steps towards changing piltover for the better. GAHH i love complicated sapphics especially when there's sapphic joy after all the suffering....

this was all written in one sitting so apologies if it's messy, and i've sort of compiled some other ideas and theories i've seen in here too; but yeah, these are my thoughts on caitvi in season 2. i think they could've been fleshed out a bit more, but overall their relationship is legendary. i'll never stop loving them. caitvi supremacy people 💪

[tyrantisterror]

Wherefore Art Thou Clownfucker?

A while back I made a post explaining why vampires appeal to me, and while it was mostly in a more general sense, there was a specific focus on why I find them, you know, hot. And it was that was in part because I had recently discovered that I'm apparently surrounded by Werewolf fuckers on here, much to my dismay as a Vampire fucker. It's like being the only goth kid at a rockabilly concert or something. I felt defensive, is the point! I needed to go to bat (heh) for my pale ladies (and Astarion.... and Spike)!

And now, because Muncher compels me to do so, I'm doing the same for Clowns. My other pale ladies.

Now, keep in mind the fact that I'm a monsterfucker first and foremost, and that my clownfuckery is really more derived from my monsterfuckery. I imagine the middle section of the Clownfucker/Monsterfucker diagram is pretty big, but I also know there are some clownfuckers who are very much NOT monsterfuckers, and vice versa. This is not the case for vampirefuckers, who are nestled firmly within the monsterfucker circle, because while all vampires are monsters, not all clowns are monsters. I bring this up because while I'm gonna try to explain clownfuckery on its own terms, there is likely going to be some monsterfucker bias in my explanations and defense. That's just how it is on this bitch of an earth!

I'm gonna get real pretentious here and talk about the historic role of clowns for a moment. From Comedia del Arte harlequins to medieval court Jesters, the clown's role has always been that of Comic Relief. They are, simply put, here to be tonally dissonant - when everyone else is serious and dramatic, a clown comes in as this weird, silly, incongruously hilarious element that contrasts the gravity of everything around them. "Relief" is really the key word here - a clown's job is to provide levity when otherwise there would be none. When everything is dark, they provide a little light.

That's the core emotional appeal of clownfucking - a clown is/should be someone who can make you smile when you need it the most. Kingdom's at war, family's fighting, your life's in shambles? The clown will make you laugh. Everything feels dark and gloomy and depressing? Here comes a silly little goofball wearing bright, clashing colors and jingling with each step because they're covered in bells, and all they want to do is tell jokes until you start laughing. Clowns are, by intent, that sweet sweet hit of dopamine personified.

Clowns are here to make you smile.

Another important historical detail about clowns is their unique place in the hierarchy of society - namely, being entirely outside of it. A jester was in some respects the lowest person on the totem pole, a fool that had power over no one and nothing, living to be laughed at. Yet, because they had no power over anyone, it was generally poor taste to take offense to anything a jester said, which meant they could talk more freely than anyone else - when everyone else acts like a butt-kissing sycophant, a jester is free to talk shit and speak their mind.

The traditional attire and appearance of clowns plays into both of these traits: the bright, gaudy clothing and makeup is silly, yes, but it's also a sign that the clown does not give a single shit about fashion and other social norms. A clown is, by nature, an anomaly, a misfit, a rebel.

Nowadays we have another word for people with that attitude. Clowns are punk.

Weird makeup, crayola red hair, patchwork clothes...

I would say the very fact that "normal" people look at clownfucking as some sort of inexplicable fetish is, in fact, part of the appeal. It's a form of xenophilia, of attraction to things that are different and othered, a love for outsiders and misfits and oddballs. To fuck a clown is to show love and adoration for something outside of the realm of what is socially acceptable - something silly, goofy, and weird, yet also often harmless. After all, a clown's main purpose is to make you smile.

That's not to say that clowns have to be harmless to be attractive, mind you. Tons of people, many much smarter than I, have talked about the cultural shift of our perception of clowns that began somewhere in the 1980's. Clowns went from being viewed as genuinely fun and cute to primarily being figures of fear and terror - if a clown shows up in modern media, even if it's innocuous, there will always be at least one character who vocally talks about how creepy they think clowns are.

That may in part be due to the fact that clowns have such a benign mission statement - a lot of people, especially nowadays, do not trust a person who claims they just want to make others happy. Anyone who acts like that MUST be up to something - there must be something nefarious going on, some evil plan, some lurking danger.

Which is where you REALLY bring the monsterfuckers in.

You really don't need to do that much with a clown's design to push it firmly into monster territory - "a pale person with sharp teeth" is the bare minimum it takes to make a vampire, after all (and even the pale part can be downplayed).

And a clown's dedication to making things "funny" can make for a very enjoyably-scary persona for a monster - hell, half the appeal of the Addams Family is that they're a bunch of freakish inhuman monsters who react to a bunch of scary shit with absolute delight and adoration. Again, the tonal dissonance element is at play here, albeit in a different way - even when Clowns are the darkness in your world, they still bring light in the sense that they view it that darkness as funny in of itself.

(hell, the word "harlequin" means "five horns," and may be rooted in folkloric monsters like Herne the Hunter depending on who you ask, so in a way clowns have always been monster-coded)

I think all of this is pretty well exemplified in the current Patron Saint of Clownfuckers, the goddess of Clownfuckery if you will, Harley Quinn. Hailing from a story whose main setting is such a Gothic Horror-inspired nightmarish shithole of a city that it's literally called Gotham, surrounded by characters who are at least 60% gothic horror archetypes by volume, opposed by a hero who literally dresses like a Dracula, it is inarguable that Harley Quinn is surrounded by darkness that's both literal and figurative.

But she's always smiling, and not in an ironic way.

Harley Quinn suffers intense abuse, she's drawn into wicked schemes, and in the way of most modern clowns, she causes no small amount of mayhem and suffering herself. But even at her darkest, she's always smiling, always trying to find the bright side.

She's a rebel, she's a punk. Almost everyone thinks she's beneath them. Almost all of those people get proven they're wrong. In a world full of tyrannical hierarchies, she steps outside of them.

She's an outsider, a misfit, an oddball. And she wants to make you smile.

I think you can probably see the appeal of that.

[buckets-and-trees]

UM, HOW FUN WAS GETTING TO LIVE THROUGH THE DOCUMENTATION OF YOUR REACTIONS TO THIS CHAPTER?!

Thank you for taking me on that journey with you! 🥹

When I had this idea, it was all about Steve and reader. When I started writing it, I realized there would have to be other characters in their orbit constantly, and that's been kind of a fun challenge. I rarely care about shaping the ensemble - at least not with this much of a focus - but it's so many layers of story elements! Campaign team/barely any time to ever be alone, let alone alone time with each other. Campaign team in relation to the reader getting to know people - and some of them know about the arrangement, but most don't, and how that plays into things. Plus how they act toward each other around other people. I'm glad they're parts of the story that are standing out rather than just feeling like we're getting through them to get to a plot point.

And the kisses! Can you believe that wasn't even my original intent with including that scene? 🤣 It was getting Steve to do a TikTok/build up his feeling like the campaign is so showy + reader having another regular moment with Bucky and Sam, and then when I was in the middle of it, I was like, 'oh, wait... this is perfect...' Especially a dramatic kiss and then something more real. 🥹

And the debate prep scene was one that I've really been waiting to get to because it - again - was doing so much for me in terms of the plot development for them. Reader going after Steve instead of Bucky or Sam, Steve being pushed, Steve somewhat losing it, Steve saying some really poignant pieces, and Reader recognizing his frustrations and soothing that a little bit, but also calling him on stepping up and not falling into blaming others because he has to harness that ability (and logistically his right by his role) to captain this ship.

...

And then Josh Connor.

Okay, first, I didn't remember that I named that reporter Andy so I dom't think it's in relation to Andy Barber... (truthfully, I was thinking about a possible Andy x Reader in relation to this campaign, so... I think I was just picking a normal name)

And then Josh.

👀

I won't answer ALL your questions there because... I think you don't TRULY want to be spoiled, plus so much of it will be answered at the beginning of the next part. But I will say that of course Pepper knew.

And because I managed a diabolical mention that went under the radar...

I wanted to leave the tiniest breadcrumbs so that when we got here, it would likely be a 99% shock, but something I knew we were moving toward the whole time. MWAHAHAHAHA!

DON'T REVOKE OUR MARRIAGE LICENSE! I think the way things will unfold will be acceptable. No one will need to sharpen any knives, but there might be some wringing of hands because it's not nothing obviously.

Love you endlessly, and appreciate all your sharing here! 🩵

Red, White & True: DC, Tampa, Athens [5/?]

Characters/Pairings: Steve Rogers x curvy Millennial Female!Reader, Peter Parker, Sam Wilson, Bucky Barnes Word Count: 6.1k Summary: Late September means things are only accelerating as election day grows closer. Steve is picking up momentum in the polls, and things heat up on multiple fronts before you hit a bump that may shake up the progress between you and your husband.

Content/Warnings: marriage of political convenience, slow burn

Notes: You get another West Wing cameo in this chapter (but totally unnecessary to have ever watched the show). This takes place in a post-Endgame scenario where Steve stays and generally most of TFATWS happened.

Previous Chapter | Series ↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

[SEPTEMBER 26 - WASHINGTON, DC]

The late September sun streams through the floor-to-ceiling windows of the campaign's official DC headquarters, casting long shadows across the bustling office space. You're leaning against a desk, watching with amusement as Peter Parker, the youth outreach coordinator who's also become the campaign's unofficial creative director of the TikTok segment of the social media team, attempts to explain the concept for the video to Steve.

"Okay, Cap," Peter says, his enthusiasm palpable as he holds up his phone. "We're going to do a quick transition video. It's super easy, I promise!"

Steve stands in the middle of the room, looking slightly uncomfortable but determined. He's dressed casually in jeans and a plain white t-shirt, a stark contrast to his usual campaign attire. The goal is to remind the voters that Steve is relatable to the everyday American at the end of the day.

Steve nods, a mixture of bemusement and determination on his face. "Alright, Peter. Walk me through it."

Peter's face lights up. "Okay, so you're going to start in your casual clothes, then you'll spin around. As you spin, we'll cut and you'll change into your suit. When you finish the spin, you'll be in full Captain America mode, then we’ll have you spin and change one more time, and we’ll end the video with you in your presidential get up."

"And this will... resonate with young voters?" Steve asks, raising an eyebrow.

You can't help but chuckle. "It's about showing your versatility, Steve. From everyday guy to national hero to the next president in the blink of an eye."

Steve shoots you a playful glare. "Easy for you to say. You're not the one spinning like a top."

Peter positions Steve in front of the camera. "Okay, Cap. Just spin naturally, and we'll take care of the angles and editing.”

As Steve prepares for his first take, Bucky saunters into the room, a smirk playing on his lips. He sidles up next to you, crossing his arms as he watches his best friend awkwardly position himself in front of the camera.

"I'm sure Steve must be loving this," Bucky murmurs, his voice low enough that only you can hear.

You nod, suppressing a chuckle. "It's written all over his face."

Indeed, Steve's expression is a fascinating mix of determination and mild discomfort, his brow is furrowed in concentration.

The rapport that’s been developing with Bucky over the last few weeks has also been nice. It’s its own brand of friendship, and it’s not rock solid yet, but it’s growing.

"Alright, Cap," Peter calls out, phone at the ready. "On three. One... two... three!"

Steve begins to spin, his movements a bit stiff in the first take.

Peter's enthusiastic voice cuts through the air. "That was great, Cap! Let's try again,” he encourages, not leaving a beat for Steve to feel awkward or like he’s done it wrong. You can tell his approach will make all the difference with Steve.

As Steve prepares for another take, you can't help but admire his willingness to step out of his comfort zone. It's one of the things that's made him such an effective candidate - his ability to adapt and connect with people across generations.

"Okay, this time, try to relax a bit more," Peter suggests. "Just have fun with it!"

Steve spares a glance at you and Bucky, then takes a deep breath, shaking out his arms. "Right. Fun. I can do fun."

Bucky snorts beside you. "This ought to be good."

As Peter counts down again, Steve starts his spin. This time, his movements are smoother, more natural.

"Perfect!" Peter exclaims. "That's the one. Now, let's get you into your tac suit for the next part."

Steve nods, heading towards the makeshift changing area set up in the corner of the room. As he disappears behind the partition, Bucky leans in closer to you.

"You know, I never thought I'd see the day when Steve would be doing social media stunts," he says, his voice a mix of amusement and pride. "He's come a long way from the kid who could barely talk to girls in Brooklyn."

You smile, picturing a young Steve Rogers, all skinny limbs and earnest determination. "I bet he was endearing," you say.

Bucky chuckles. "Oh, he was. A real charmer. Couldn't string two words together around a pretty dame, but he had a heart of gold." He pauses, his expression growing more serious. "It's good to see him like this, you know? Engaged with the world, trying new things and connecting with people again. For a while after the Blip, I worried he’d ride off into the sunset forever before the sunset was even really here. We’re out of the century we were supposed to live in, but we’re still here, y’know? Didn’t think it would be this, but it’s not all bad. Pepper wasn’t wrong in choosing him for who he is inside.”

You nod, understanding. “When I met with her about the campaign, she’d sent me the policy materials, the plans, the opposition research detailing his strengths and weaknesses as a candidate, and I was on board to take any position she offered me on the campaign team. I never imagined working on a presidential run, but her vision, her approach? I knew I wanted to be part of it.”

Bucky arches an eyebrow. “I thought… wait…” he’s mulling over what you said. “So, when you came in, you didn’t know she wanted you to marry Steve?”

You laugh and shake your head, “Oh, no! Because that would have been crazy! Who would agree to that?”

Bucky's eyes widen slightly at your revelation. "But you just... agreed on the spot when she proposed it?"

You pause, considering how to respond. The truth is, it had been a whirlwind decision, one that you sometimes still can't believe you made. "Not exactly on the spot," you say carefully. "But...pretty quickly, yeah. It was a lot to take in, but something about it just felt right, you know?"

Bucky nods slowly, a thoughtful expression on his face. "I get it. Steve has that effect on people. Makes you want to follow him into any fight, even if it's not your own."

Before you can respond, Sam walks in, eyebrows raised at the scene before him. "How’re things going here? I hear we’re starting a dance troupe?"

Bucky chuckles. "Social media campaign. Apparently, the kids these days like watching people spin around and change clothes."

Sam shakes his head, a grin on his face. “Glad I’m not going to miss it.”

“I’m suggesting you go in as back up dancer.”

“Don’t threaten me with a good time, Barnes! You know I’d do it!”

You laugh at the easy banter between Steve’s two best friends, but then the man himself emerges from behind the partition, now clad in his tactical suit. The sight of him in the red, white, and blue outfit isn’t new, but as it’s the first time you’ve ever seen him dressed as Captain America in person, it unexpectedly takes your breath away a little.

Steve takes his position again, looking more at ease now in his familiar uniform. "How's this, Peter?" Steve calls out, adjusting the shield on his arm.

Peter gives him a thumbs up and starts the countdown. This time, Steve's spin is confident and fluid, ending with a slight smirk that's pure Captain America.

"Nailed it!" Peter cheers. "Okay, one more outfit change and we're done."

“Hang on!” Sam calls out. His eyes light up as he looks between you and Steve, a grin spreading across his face. "We've got a golden opportunity here."

You raise an eyebrow, curiosity piqued. "What do you mean?"

Sam rubs his hands together. "Picture this: Captain America, in full uniform, getting a kiss from his lovely wife. It's the perfect Instagram moment!"

Steve's eyes widen slightly, a faint blush creeping up his neck. "Sam, I don't think-"

"No, no, hear me out," Sam interrupts, warming to his theme. "We've been pushing the whole 'relatable Steve' angle, right? Well, what's more relatable than a guy getting a kiss from his wife? Plus, it ties in the Cap persona.”

Peter's face lights up at the suggestion. "Oh man, that's genius! The engagement would be off the charts!"

Steve looks slightly uncomfortable, shifting his weight from one foot to the other, and you don’t know how to feel about it either. "I don't know, guys. Isn't that a bit... much?"

Bucky chimes in, a smirk playing on his lips. "Come on, give the people what they want."

“Et tu, Brute?” you direct this to Bucky, not at all surprised at the enthusiasm from Sam and Peter, but genuinely shocked he’s jumping on board as well.

Sam turns to you, his expression a mix of excitement and mischief. "What do you say? Want to break the internet with a kiss from Captain America?"

You hesitate, feeling a mix of emotions. On one hand, the idea of kissing Steve - even for a staged photo - sends a flutter through your stomach. On the other, you're acutely aware of the artificiality of the situation and the potential implications for the campaign.

You glance at Steve. His expression is unreadable, but you can see a hint of uncertainty in his eyes.

Sam, sensing your hesitation, softens his approach. "Look, I know it might seem a bit much, but think about it. We've been working so hard to show Steve as both the hero and the everyday man. This could be a perfect blend of both."

Peter nods enthusiastically. "I think a good candid shot would be a great way to humanize the campaign. Show that even Captain America has a soft side."

You look back at Steve, and he gives a small nod. You see a mix of emotions in his eyes - uncertainty, but also a hint of something else. Trust, perhaps. "If you're okay with it, I am."

"I’m good," you agree, your heart rate picking up slightly.

Sam claps his hands together. "Great! Peter, get ready with that camera."

As Peter positions himself, you step closer to Steve. He reaches out, gently placing his hands on your waist. The tactical suit feels cool under your fingertips as you place a hand on his chest. You can feel the slight tension in his muscles.

"Ready?" Steve murmurs, his voice low enough that only you can hear.

You nod, managing a small smile. "Let’s do this," you reply once more because this is its own ‘public appearance’, and so the customary exchange only seems fitting.

Steve’s hands move from your waist around to your back, and he takes a deep breath, looking into your eyes.

You stop breathing for a moment, suspended there in his arms.

“Kiss her, punk!” Bucky shouts, and the electric moment is broken, but you both laugh, and then Steve dips you dramatically and kisses you soundly as you clutch his shoulders. The three men cheer enthusiastically and cat call you when the kiss goes on just another moment or two.

As Steve stands you back up, you both burst into laughter, the tension of the moment dissolving into genuine mirth and camaraderie. His arm is still around your waist, steadying you as you regain your balance. The warmth of his body radiates through the tactical suit, and you find yourself leaning into him slightly, your soft, round body pressing into his hard muscles.

"So, Peter," Steve calls out, his voice still tinged with amusement, "did we nail that shot, or do you need us to try again?" There's a playful glint in his eye as he says this, and you can't help but grin up at him.

Peter, looking slightly flustered but undeniably excited, nods enthusiastically. "Oh yeah, Cap! That was perfect! The internet is going to go crazy over this!"

You start to step away, ready to return to your spot by the desk, but Steve surprises you by gently pulling you back, his arm wrapping around your waist once more. The room seems to fall away as he gazes into your eyes, a softness in his expression that you've rarely seen before. Time slows as he leans in, his free hand coming up to cup your cheek.

His touch is feather-light, his calloused thumb brushing across your cheekbone with a tenderness that makes your breath catch. The scent of him envelops you - a mixture of leather from the suit, a hint of aftershave, and something uniquely Steve.

Your heart races as Steve leans in, his breath warm against your lips. For a moment, you forget about the cameras, the campaign, everything except the man in front of you.

Steve's lips brush yours, soft and tentative at first. It's different from the performative kiss moments ago - this feels real, intimate. You respond instinctively, your hands sliding up his chest to rest on his shoulders. The kiss deepens, and you feel a warmth spreading through your body.

Suddenly, you're jolted back to reality by the sound of a throat clearing loudly.

You and Steve break apart, both slightly breathless. The room crashes back into focus, and you're acutely aware of the others watching. Sam has a knowing smirk on his face. Peter looks like he might explode from excitement.

"Well," Sam says, breaking the silence. "I think we've got more than enough material for social media now."

You step back from Steve, feeling the heat creep up your neck. Steve clears his throat, looking slightly flustered himself.

"Right," he says, his voice a bit rough. "I should, uh, go change for the final spin shot."

As Steve disappears behind the partition again, you catch Bucky's eye. He gives you a subtle nod, his expression unreadable. You're not sure what to make of it, but there's no time to dwell on it as Peter starts setting up for the final shot.

You return to your spot by the desk and try compose yourself. Your lips still tingle from the kiss, and you can't shake the memory of Steve's touch.

Bucky sidles up next to you, his voice low as Sam and Peter talk next to you. "That was quite a show," he murmurs, a hint of amusement in his tone.

You glance at him, unsure how to respond. "It's all part of the job, right?" you say, aiming for nonchalance but not quite hitting the mark.

Bucky gives you a long look, then nods slowly. "Right. The job."

Before you can say anything else, Steve emerges from behind the partition, now dressed in one of his presidential suits - a sharp navy number that accentuates his broad shoulders. You can't help but admire how he carries himself. He exudes a quiet confidence, as ever, a perfect blend of the everyday man and the leader of the free world.

"Alright, Cap," Peter calls out, "let's nail this final spin!"

Steve takes his position, and as he begins to turn, you find yourself holding your breath. The transformation is mesmerizing - from casual Rogers to Captain America to Presidential Candidate, but all of them undeniably Steve.

[SEPTEMBER 27 - TAMPA, FLORIDA]

The campaign has rented out an entire floor of a hotel for debate prep, transforming the spacious suites into makeshift war rooms as Tampa provides some key and convenient access to key southern cities by plane. Maps, charts, and policy briefings cover every available surface, and the air hums with the energy of a team on a mission.

Jake Sullivan, Steve's chief strategist, has pulled out all the stops for this crucial phase of debate preparation. He's brought in Amy Gardner, a seasoned political operative known for her sharp wit and take-no-prisoners approach. Her presence adds an extra edge to the already intense atmosphere. You watch as Amy commands the room, even though she sits rather casually in an armchair ten feet from Steve, who stands behind a makeshift podium.

Her presence adds an extra edge to the already intense atmosphere. You watch as Amy paces the room, firing off rapid-fire questions at Steve, who stands behind a makeshift podium.

"What's your plan for addressing climate change?" Jake asks, his voice stern.

Steve responds confidently, "We need to transition to clean energy sources while also supporting workers in traditional energy sectors. My plan includes..."

Amy cuts him off, her tone brusque. "Too long. You've got 60 seconds max. Hit the key points and move on."

Steve nods, taking a deep breath. "Right. Clean energy transition. Support for affected workers. Immediate action on emissions reduction."

“Too succinct,” she says.

Steve frowns, clearly trying to find the right balance. Squaring his shoulders, he goes again. "Our climate plan has three key components: First, an aggressive transition to clean energy sources like wind and solar. Second, robust support and retraining for workers in affected industries. And third, immediate action to reduce emissions across all sectors. This isn't just about saving the planet - it's about creating jobs and securing America's energy independence for generations to come."

Amy nods approvingly. "Better. Now, pivot to how this contrasts with your opponent's stance."

Steve's brow furrows in concentration. "Unlike my Republican opponent, who continues to deny the reality of climate change, my plan acknowledges the crisis we face while also prioritizing American workers and innovation. We can't afford to stick our heads in the sand any longer."

"Decent," Amy says, her tone softening slightly.

“Only decent?”

“You didn’t address the Democrats’ policy. Your battle is to convince enough voters in America to break with over two hundred years of choosing between red or blue.”

You can see Steve is fighting back a sigh of frustration.

"Mr. Rogers, your opponent claims your lack of formal political experience makes you unqualified for the presidency. How do you respond?"

Steve takes a moment, his brow furrowed in concentration. "My experience may not be traditional, but it's been forged in the crucible of protecting this nation and its values. I've led teams through impossible situations, made tough decisions with global consequences, and always put the American people first. That's the kind of leadership experience that truly matters."

Amy nods, but doesn't let up. "Good, but tighten it up. You need to hit harder on your unique qualifications. How do you respond to critics who say your experience is outdated?"

"I'd say that my unique perspective allows me to see both where we've been and where we need to go," Steve begins, his voice steady. "I've seen this country at its best and its worst. I understand the challenges we face because I've lived through similar ones before. But I also understand the incredible potential of our future because I've seen how far we've come."

You can’t help but feel inspired by that answer, but Amy's eyes narrow, her expression sharpening. "Not bad, but you're still playing it too safe. Your opponents will come at you hard. Let's ramp this up."

She stands and begins pacing in front of Steve like a shark. "Mr. Rogers, your critics say you're nothing more than a science experiment gone right. How can you claim to represent the average American when you're literally superhuman?"

Steve's jaw tightens, a flicker of frustration crossing his face. "I may have enhanced abilities, but my values and my heart are as human as anyone's. I grew up in Brooklyn during the Great Depression. I know what it's like to struggle, to feel powerless. The serum didn't change that part of me."

Your heart swells, but again Any interjects again.

"Weak," she says, her voice cutting. "You're not connecting. Try again."

Your mouth drops open slightly. That was powerful. You know it was.

Steve takes a deep breath, his knuckles whitening as he grips the podium. “I’m not a monkey on a unicycle.”

“Well, what a great start. No one wants a monkey in the White House,” she deadpans.

“I don’t need this. We did just fine in the first debate without you,” Steve nearly growls.

“Oh, I didn’t know we were aiming for just fine, I thought you wanted to win.”

Steve's eyes flash with a mixture of anger and frustration. The tension in the room is palpable, like a rubber band stretched to its breaking point. You can see the muscles in his jaw working as he grinds his teeth, trying to maintain his composure.

"I'm not here to play games or put on a show," Steve says, his voice low and controlled, but with an undercurrent of steel. "I'm here because I believe in this country and what it can be. I've fought for it, bled for it, and yes, even died for it. So don't tell me I'm not connecting."

Amy opens her mouth to retort, but Steve cuts her off.

"I've seen this nation at its best and its worst," Steve goes again, his voice growing louder, more impassioned as he speaks. "I've watched it rise from the ashes of the Great Depression, triumph over fascism, and push the boundaries of human achievement. But I've also seen it torn apart by fear, prejudice, and greed."

His eyes blaze with an intensity that seems to electrify the air around him. The room falls silent, everyone transfixed by the raw emotion in his words.

"I may have been enhanced by science, but my heart, my values - they come from growing up as a scrawny kid in Brooklyn who couldn't stand by and watch bullies win. They come from the men and women I fought alongside, who gave their lives for the ideals this country stands for."

Steve's fist comes down on the podium with a resounding thud, causing several people to jump.

"I'm running for president not because I think I'm better than anyone else, but because I believe in the promise of America - a promise that's been broken too many times for too many people. I've seen what this country can do when we come together, when we fight for what's right. And I'm here to tell you, we can do it again."

Steve's voice rings out, filled with passion and conviction. The room is dead silent, everyone hanging on his every word.

"So no, I'm not a traditional politician. I don't have decades of experience playing political games or making backroom deals. What I have is a lifetime of standing up for what's right, of putting others before myself, of believing that we can always be better. I'm running because I believe in the power of ordinary people to do extraordinary things when given the chance."

He pauses, his chest heaving slightly as he looks around the room. The silence is deafening, everyone ensnared by the raw power of his words.

"That's what this campaign is about," he says, his voice softening but losing none of its intensity. "It's about reminding every American that they have the power to shape this nation's future. That their voice matters, their dreams matter, this country over politicians and political agendas. It’s not a show to me.”

Steve strides away from the podium and walks out, and no one stops him. No one even moves until the weighted door to the suite swings closed again. Jake and Elsa begin conferring. Amy seems unconcerned. You’re sitting with Bucky and Sam, who exchange a look, and Bucky moves to stand, but you’re quicker.

“Let me go after him,” you find yourself saying, surprised at how fast you were to seize this situation, almost like a natural instinct.

You hurry out of the room, scanning the hallway for any sign of Steve. You catch a glimpse of his broad shoulders disappearing around a corner and quicken your pace to catch up.

"Steve!" you call out, your voice echoing slightly in the empty corridor.

He stops, his back still to you, shoulders tense. As you approach, he turns slowly to face you. The fire in his eyes has dimmed, replaced by a weariness that tugs at your heart.

"Hey," you say softly, closing the distance between you. "That was... intense back there."

Steve runs a hand through his hair, letting out a long breath. "I shouldn't have lost my temper like that. It's just..." He trails off, shaking his head.

You reach out, placing a hand on his arm. "It's okay. Amy was pushing hard. Maybe too hard."

He looks down at your hand, then up to your face. “I’m fine.”

“I think you’ve told everyone you’re fine every day of your life, Steve Rogers, and no one needs to exist like that.”

Steve cocks his chin slightly. “But the President of the United States should have it together, shouldn’t they? People want a leader they can trust.”

You smile, but it’s not a happy smile, and his expression matches yours.

“Can I ask…?” you venture cautiously.

He nods. “Wife privileges. You can ask whatever you want. Wife duties, probably, to ask me questions I don’t want to hear.”

Wife. A flutter flares in your stomach, but you force yourself to concentrate on the moment, furiously tamping down your reaction.

He resumes walking down the hallway, but more slowly this time, and you fall into step with him as you pursue your curiosity. “A monkey on a unicycle is an oddly specific and highly uncommon comparison to bring up. Is that some reference from your time?”

Steve huffs and his eyes fill with a mix of nostalgia and resentment as he begins to speak. His voice is heavy with emotion as he remembers his past. “I used to sketch a lot when I was young. We didn't have much during the depression, but my ma always managed to scrimp and save enough to buy me a notebook for Christmas or my birthday. It stuck with me up through joining the Army.”

His expression turns somber as he continues, "And after the serum changed my body but I was put on tour to encourage people to buy bonds, it just felt...underwhelming. Discouraging. I knew I could be doing more, making a real difference. But I did what I could - I knew raising money still helped.”

You reach the end of the hallway and stand next to each other, looking out the window.

“When they sent us out to Europe to entertain the troops, it only got worse. The last day I performed, for the 107th regiment, I was heckled and booed off stage."

Steve's hands clench into fists at his sides, "I drew a silly picture of a monkey riding a unicycle; it felt like that's all I was worth to them - just another pawn in their production."

You want to reach for his hand, but it doesn’t seem like the moment. So you simply continue to listen.

“That ended up being the last day I performed a show. I found out part of the company had been captured, stuck behind enemy lines. I disobeyed direct orders, found the men, saved Bucky. After that, everything finally changed, and we got to go to work, doing good, fighting Nazis and Hydra.”

A slight smile tugs at Steve's lips as he finishes his story, "I never wanted to feel like that monkey again. But the closer we get to election day, the more this feels like just a production.”

You stay silent for a moment, mulling over the pieces of his past and the feelings he’s just shared. This isn’t an easy conversation, and it’s not the conversation you thought you would have coming out here, but you’re grateful the two of you are having it together.

You aren’t by any means a seasoned politician either, but you had seen and had to at some points play at politics in your own work. “It’s all a show, there’s no denying that. But you’re not the monkey unless you sit back and let that be the reality.”

“How do you figure that?”

You take a deep breath, gathering your thoughts before responding. "Steve, you knew from the beginning that this campaign would be a production. You agreed to it - all of it. Including," you gesture between the two of you, your voice softening, "this arrangement. Marrying a woman you'd never even met before."

Steve's eyes meet yours, a flicker of recognition passing through them. You continue, your voice gentle but firm.

"You didn't do all this just to be a figurehead or a puppet. You did it because you want to be president. You want to be the one steering the strategy, calling the shots, making real change." You pause, making sure he's really listening. "This campaign isn't just about winning an election. It's preparation for the presidency itself."

You turn to face him fully, your eyes never leaving his. "This campaign, as frustrating and exhausting as it can be, is its own kind of preparation for the presidency. Think about it - you're dealing with conflicting advice, responding to the platforms from the candidates and how they overlap and differ from your own, connecting directly with the people across the country, making tough calls on what is and is not a priority.”

Steve listens intently, his brow furrowed in concentration as he considers your words. You can see the wheels turning in his mind, processing this perspective.

"You're right," he says finally, his voice quiet but firm. "I did agree to all of this." He runs a hand through his hair, a habit you've noticed he has when he's deep in thought. "I just want it to mean something. To be more than just sound bites and photo ops."

You nod, understanding his frustration. "It does mean something, Steve. Every interaction you have, every speech you give, every policy you propose - it all matters. You're not just going through the motions. You're shaping the conversation, influencing people's thoughts and beliefs about what this country can be."

Steve's eyes meet yours, a mix of gratitude and something deeper there.

"She’s right, Rogers,” a voice behind you makes you both jump and turn.

“This isn't just about winning,” Amy emphasizes. “It's about learning how to navigate the complexities of leading a nation, finding your presence as the leader of the free world, as commander in chief, winning the trust of the American people.

“The debates, the press conferences, the tough decisions you'll have to make as president - they won't always be fair or comfortable. That’s why I pushed you. You won’t answer every debate question like that, but I needed to know you could go there. That’s the kind of president America wants, but they don’t know it until they see it. If you can shake them to their bones, you’ll change hearts and minds.”

Steve smiles at her half in kindness, half in disbelief. “You say all of that pretty casually.”

Amy shrugs and returns the smile. “Because it’s true. I’m done beating you up now that I know you can go the rounds. If you want me to leave, I will, but I’m game to stay if you’re game for slightly less intense verbal sparring.”

“Oh, I can do this all day.”

[SEPTEMBER 28 - ATHENS, GEORGIA]

The campaign plane hums with activity in the minutes before take off. This cabin is filled with members of the press corps, their laptops open and fingers poised over keyboards, eager for any morsel of information they can turn into their next headlines.

Steve looks almost relaxed. His tie is loosened and sleeves are rolled up to his elbows. The energy from the successful event you just wrapped up at the University of Georgia still lingers in the air. This was the fourth event of its kind - a town hall format called College Q&A limited to students and granting them access to dialogue with Steve. You can't help but feel a sense of pride as you recall how he connected with the students, his earnest answers and quick wit seeming to win over even the most skeptical audience members.

It’s become routine that Steve always takes questions from the press corps when he boards the plane before heading to the campaign team cabin, and he’s truly at ease with them in this interaction.

“We’ll take one more,” the campaign spokesperson announces to let both Steve and the reporters know it’s almost time for take off.

“Andy,” Steve calls on one of the familiar faces - the reporter from The Washington Post.

“Yes, Captain, do you have any response to Jeff Connor’s comments about your relationship with Mrs. Rogers?”

Steve's whole demeanor immediately turns serious, his jaw clenching. "I haven't heard Connor's specific comments, so I can't respond directly. My relationship with my wife is personal, and it's not up for debate or speculation."

He pauses, his eyes scanning the cabin before continuing. "What I will say is that she has been an incredible partner, both personally and for this campaign. Her intelligence, compassion, and dedication inspire me every day to be a better person and a better leader."

Steve's gaze softens a fraction as he glances in your direction. "I'm grateful she agreed to take this journey with me."

The press corps erupts with follow-up questions, but Jake holds up a hand. "That's all for now, folks, you know they won’t take off until we’re all seated and we don’t want to miss our take-off window. Thank you."

You, Steve, and the rest of your staff head into the first campaign cabin, and as soon as the door is shut, the atmosphere shifts. The professional masks slip away, replaced by a mix of concern, curiosity, and irritation. Jake immediately pulls out his phone, you assume to get the quote in question.

Elsa, your communications director, is already pulling out her laptop as she settles into a seat across from Steve. "That was the perfect response back there. Quick and heartfelt. It'll play well, especially given the context of Connor's comments."

Your personal aide Sophia is already handing you a tablet to read the quote. "Here, ma’am. It came out during the Q&A, and everyone got wind of it as we were boarding the plane."

You take the tablet, your eyes quickly scanning the headline: "Jeff Connor Speaks Out: 'I Hope They're Happy Together'" The article features a quote from Connor: "I wish them both the best. Marriage isn't easy, especially in the public eye. I just hope they've found happiness together."

You pass it over to Steve and then chew on your lip, pulling out your own phone.

It only takes him a moment to read as well. "Thanks,” Steve's brow furrows as he loosens his tie further and passes the tablet back to Sophia. “This seems fine, unless I’m missing something. But who is this guy, and why would we care what he thinks of our marriage more than anyone else?"

A beat of silence falls over the cabin. You can feel the weight of several pairs of eyes on you, a mixture of surprise and shock in their gazes.

“Okay, I’m clearly the only one who doesn’t know,” Steve concedes, a shade of irritation bleeding through his tone, “Anyone care to enlighten me?”

You take a steadying breath, then look up at Steve and say, “Jeff Connor is my former husband.”

next part: coming 11/29

I'll just say that I've been waiting for this chapter in the story almost from the beginning. 😌

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[rom-e-o]

Belisma/Guinevere watching Emmerich interact with small children as they're out and about in public.

Maybe they're standing in line somewhere and there's a parent in front of them with a toddler and the little tyke is just staring intently at Emmerich and he just gives a little smile and wave. Or maybe makes a funny face. And the toddler just breaks into a grin and giggles in the cutest way.

Maybe they're out doing errands and come across a lost little boy, so scared and crying and not sure where his mum/dad is, so they "go on a side-quest" (lol) to reunite him with Mum/Dad. And Emmerich carries him, first in his arms, then transitioning him up to his shoulders. And he and the boy are chatting the entire time, the child's tears and fear completely forgotten. The little boy laughs in delight and marvels at how high up he is on Emmerich's shoulders.

Maybe they're on a date, getting some ice cream and a little girl starts crying because she dropped her cone on the floor. So Emmerich steps over to Mum/Dad who already looks completely strung out and has a brief exchange before ordering another cone exactly like what the little girl had and gets down to her height to offer it, having a quiet little conversation that makes the little girl smile and giggle as she takes her new ice cream.

Maybe on a stroll they come across some children. One of them is seated on the ground, obviously in pain, holding a wrist or ankle or something and is in obvious distress the others are all freaking out trying to figure out what to do. Here comes SuperEmmerich (or maybe AwesomeEmmrich because Superman is probably Awesomeguy in the au😅) to the rescue sweeping in to ask what happened. The other kids probably scram because they don't want to get in trouble. After discovering the injury isn't very serious just quite painful, Emmerich heals the child, all while speaking soothingly and drying their tears. Then he and Isma/G'iney safely escort the child home.

Maybe they're in a waiting room somewhere and there's a little girl there who is clearly quite bored and getting fussy. Emmerich can't help but start performing some of his prettier magic spells for her entertainment. Before long the tyke is laughing and clapping, completely entertained and demanding further pretty magic: "Again! More! More!"

Every interaction he has with little ones, whatever it is, is just so natural and sincere and gentle and kind. Wifey is just slathering him with tender kisses at the end of the day, praising him and admiring him for his golden heart.

Awww. Okay, firstly, I love this. Also, it gives me a reason to wax poetic about this side of him, haha.

So, we see Emmrich being a nurturing, kind presence, even in the face of calamity. Specifically, helping unite a child with their parent. We see him act that way with little Mila as they search for her father as literal hoards of darkspawn attack.

The Siege of Weißhaupt, where this happens, is a grueling battle. It's an endurance test of waaaaves of enemies.

Your team gets tested.

Yet, even as the team talks about the hopelessness and comes to terms with the fact that this might be their last stand, Emmrich still speaks to Mila calmly and reassuringly. He also asks her good questions and listens to her answers.

He reassures her that her father is okay, and to keep going. He's a calming influence.

And she's reunited with her father. All is well!

So, I can totally see him being a sweet and caring guy that puts kids at ease. He knows that a friendly wave or a kind gesture goes a long way, especially for an innocent soul. He has some experience with those early days with Manfred too - cleaning up messes, helping him walk, etc.

I LOVE him replacing the ice cream cone for the child that dropped theirs ("It's such a simple gesture, but it makes everyone feel better") and him performing simple magic for the child in the waiting room as well ("You learn to never take it for granted. What's mundane to you is extraordinary to another.")

He's such a nice, sweet guy, and very patient. It makes sense why he could rear Manfred the way he does - he very much treats him like his child. He uses a guiding hand and is always patient. If he scolds Manfred, it's pretty gently.

Belisma/Guinevere sees all these instances, at it just exemplifies what they love about him. He's an intelligent, esteemed man of wealth and status, yet he'll stop everything to brighten a child's day. He's never too good for anything, and he's never patronizing or condescending to them either.

"No wonder Manfred is such a fine gentleman already," she says after giving him a long smooch, "Look at his example."

"Oh, you mean today? My dear, nothing I did was admirable. Just being a good samaritan, as we all should."

"I think it was. I think I loved watching you be so gentle and caring with those children ... fatherly, even. You're a good role model."

"F-Fatherly? I don't think ...do you really think so? Maybe?"

"Oh, definitely." <3

Wifey's already imagining him cradling their baby a few years out, and it's the most easy image in the world to conjure.

[jennycalendar]

“ngl i thought you were the weak one of this friend group but your whole life just went to complete shit around you and somehow you’re still acting the same so if you want to be weak you can be around me” au

This is not even au for Jaheira and Khalid this is just them lmao

THIS IS JUST THEM!!!! ended up writing it as literally just them bc it. It is just them.

It is not a walk-it-off sort of injury. Khalid’s arm is barely attached to his body. Their cleric is a good distance away, and the state of their party after this battle is dire enough that his injury simply is not highest-priority right now. Jaheira, who was paired with him for his first mission, who was therefore responsible for protecting him as he found his bearings, is trying very hard not to let guilt and shame take her over, because neither are constructive emotions, nor will they calm him when she removes his helmet.

He has not moved. He is slumped against a tree. She lifts the helmet to check his breathing, expecting to see the pain and fear of a green Harper realizing how truly serious their foes are, and instead he meets her eyes with gentle concern. Raises a hand to her face, which is hardly the sort of thing that—that is, they have not known each other for very long, and—

“You look,” he coughs, speckling her front with blood, “w-worried.”

Jaheira says, slightly hysterically, “Your arm is nearly severed.”

“Oh, that,” says Khalid dismissively. He pulls a face. “I’ll walk it off.”

“You’ll walk it off?”

“Got worse at home,” says Khalid, and smiles like he thinks this is funny. Jaheira is struck with the urge to beat him to death before realizing that this is possibly counterintuitive, and also possibly not at all what she wants, long-term. What she wants from him is less familiar and much more frightening. “Petra, she’s—taking care of Wyn. Yes?” When Jaheira tries to bring her healing magic to her fingertips, he says, gently reproving, “You’re, you’re out of magic. Wait.”

“I cannot.”

“Wait.”

How is he so calm? He is delicate, nervous, shy and unsure in absolutely all situations they have been in up until now. He defers to her and to other senior Harpers with a sort of quiet relief, as though the concept of taking charge himself is not something he is at all comfortable with. She has been preparing herself for the arduous task of either forcing him to toughen up or illuminating to him that this is not the life for him, and yet—yet even in those moments of contemplation, turning over strategies to reach him and make him realize the importance of bravery, all of her thoughtful theories felt hollow. There always felt like there was something she was missing. She thinks that she is seeing it now.

Khalid squeezes her shoulder with his good hand. He says, calmly, “I’m fine,” in the thin, thready voice of a dying man. How is he so calm?

Jaheira has known him for two weeks. The thought that flits through her mind is more terrifying than the blood soaking into the grass: I just found you. I cannot lose you now.

Petra sprints over, white-faced, healing potions clinking together in her bag. Jaheira allows herself to be pushed aside. She is thinking about the space in her own satchel that she usually reserves for her own complicated alchemical concoctions, and what it might do to instead save a healing potion or two for Khalid. Just in case. 

Petra straightens. Khalid is sitting up, both arms attached. Jaheira wants to throw herself at him, which is not an emotion she has ever experienced about another person before, and the fear holds her still. She curls her fingers around her satchel and waits, mouth drawn tight.

Khalid picks up his dented helmet from the ground, examining it ruefully. He looks back up at Jaheira and the corners of his mouth soften. “Saer,” he says. “I’m fine. No need to worry.”

Petra scoffs. “As if Jaheira’d worry over you!” she says, a laugh in her voice. “Or anyone! We know that face well enough, little Harper; that’s the face she makes when she’s too mad to even speak. You’d do well not to charge in ahead like that next time. She can take care of herself.”

Like a lightning strike, Jaheira realizes what she had not caught in the heat of battle: he had taken that blow for her. She can think of a thousand cutting reprimands that a senior Harper would bark in this moment, but a lost little girl from Tethyr, never once protected, can only shut her mouth and stare hungrily at him with a thousand things she will someday figure out how to say.

[miraculouslbcnreactions]

Do you think that Ms. Bustier is overhated?

Not particularly. I don't have any strong feelings about her, but she's clearly a terrible teacher who is in way over her head. I totally understand why she sets some people off. If she was a real person that I actually had to deal with, then she'd probably set me off, too, because she so perfectly encapsulates toxic positivity. If you're not familiar with that term, then here's a quick definition:

Toxic positivity is the act of avoiding, suppressing, or rejecting negative emotions or experiences. This may take the form of denying your own emotions or someone else denying your emotions, insisting on positive thinking instead. Although setting aside difficult emotions is sometimes necessary temporarily, denying negative feelings long term is harmful because it can prevent people from processing their emotions and overcoming their distress.

Read that definition and then look at this scene from Zombiezou:

Marinette: But Miss Bustier, it's so not fair! It was Chloé, pulling another...Chloé! And...I'm the one who's getting in trouble?! Miss Bustier: Of course you're not in trouble, don't worry! As the class representative, I want you to set a good example for your classmates. Don't give into feelings of anger. Try to forgive Chloé instead. Marinette: I don't get it... Chloé is the meanest person I've ever known. Miss Bustier: Come on... There are much worse people in Paris right now than Chloé Bourgeois. I'm sure people like Chloé are capable of great things. The problem is, they only think of themselves. They don't understand the meaning of love, and we can't force them to change. But perhaps we can show them by setting a good example. That's why Marinettes are so important in today's world; because they have a lot of love to give. I'm counting on you. Marinette: Yes, Miss Bustier.

This is toxic positivity in action. Marinette is told to set aside her extremely valid feelings as if anger is a terrible thing, but it isn't. All emotions have their place and ignoring them can do real harm, a lesson that Miraculous really struggles with. It seems to see "negative" emotions as bad and they're really not. What matters is how we express and address our emotions, not that we experience them. If you want to see a family friendly piece of media do this topic right, then go watch Pixar's Inside Out.

There's also the fact that Chloé is never punished for her actions in this episode. She ruined a gift that probably took Marinette hours and yet Miss Bustier puts the onus to fix things on Marinette, blaming the victim and doing nothing to actually fix the situation. Canon mildly complicates this with Chloé's father's willingness to meddle, making punishing her apparently impossible, but Miss Bustier doesn't even acknowledge that here. The stated logic is that you need to be nice to your bully and that will hopefully magically fix things, which is a terrible lesson that I don't want any kid to learn! What kind of logic is that?

I'll admit that I'm a big fan of "an eye for an eye leaves the whole world blind," but that doesn't mean that you should never acknowledge harm or fight back. It just means that you need to be measured in your responses and pick your battles wisely. If this episode was about that, then I'd be fine with it, but that's not the lesson here. There is no point where the wrong done to Marinette is even mildly acknowledged. Miss Bustier's initial reaction to seeing Marinette's ruined gift is:

Miss Bustier: Well, I think this present is wonderful. It'll be my new cosmetics bag! Then I'll be able to think of both of you every time I use it.

And we go straight from that to the toxic positivity.

Something is wrong with this woman. You shouldn't even take this approach with preschoolers! While I could see this being a good final solution to something like Chloé scribbling on Marinette's drawing, Chloé's behavior still needs to be addressed. She is still the one in the wrong here. The one whose behavior needs to change.

This is one of many cases where there are two paths to take with this character. The writers clearly want Miss Bustier to be a wonderful teacher, but they wrote a victim-blaming disaster who shouldn't be in charge of anyone. If you're ever adapting her, then it's up to you if you want to redesign her into her intended self or if you want to lean into the bad writing. I think both paths have merit because the writing is so bad that there is no way to make canon Caline work as a good teacher. She's too fundamentally flawed so you either acknowledge how awful she is or do a major overhaul where she's much less forgiving and actually acknowledges things like the Chloé problem.

[quirkwizard]

What do you thing England, or Great Britain in general, would look like in My Hero Academia?

What do you think hero society looks like in France? I'm curious to here what your thoughts are.

So I'm going to be combining these two under "North-Western Europe" and how I think it'd work. I know that covers several countries countries with different values and histories, but a lot of my ideas tended to overlap.

-During the early time of Quirks, there was a lot of infighting among the counties due to close proximity and old feuds boiling up in the chaos. This resulted in a greater cultural shift in how they handle Quirks and heroes, making sure that never happens again. Heroes do tend to still form rivalries with other countries.

-Quirks are far more restricted within this area. Regular people are encouraged to rarely use their Quirks, if ever, to the point where even pedestrian usage of it is heavily policed and scrutinized. It's to the point where a lot of "villains" are people that just want to use their powers or have a more political bent.

-By extension, the government has a much stronger hand in the world of heroics, acting more like proper law enforcement than celebrities. While this does mean that commercialism of hero work isn't as prevalent, the government tends to suspend or even expel hero licenses over even minor issues.

-In comparison to Japan, there are fewer heroes overall due to the laws and smaller country size. However, the average hero tends to be stronger, both in terms of power and moral fiber. There's a general chivalric approach and a form of noblesse oblige with hero work, similar to the knights of romantic works, forming a strong moral basis.

-Heroes are a lot more cooperative within these countries. While some work solo, heroes tend to form or join hero guilds rather than make their own agencies, in which heroes work together and support one another, whether it be in the resources, working together to take care of crimes, or even teaching any up-and-coming young heroes.

-By extension, hero families are far more common and held in high prestige. They often have long histories of deeds and a single person taking the name each generation, though pressure is put on the others to work as sidekicks. It's to the point that, if the person has a strong Quirk, it's pretty much a given that they be part of the family hero team.

-Quirk Marriages are still illegal, but only so much on paper. Older families still try to cling to Quirks as a form of wealth, status, and power, now trading members and using Quirks as a form of familial advancement in the world of heroes. This, combined with the general conduct of hero work, does bring a kind of classism to how they operate and how they are seen.

-Rather than any official schools, training the next generation tends to fall onto heroes themselves. Someone can effectively become junior heroes under guilds or other heroes, but it's very hands-off at first. Starting with menial work and off-field teaching before entering roles as sidekicks and eventually graduating to full hero status pending approval by the government.

[aka-indulgence]

Excuse the rambling but I got back into the tf Brandon earlier this year and, honestly, it’s kinda funny seeing so many of my favourite internet stars revealing that, yea, they are also transformers fans and, yes, the robots are attractive.

I think you’re the third since the TF one movie came out? Anyway-

One of the reasons I love TFP Soundwave is that, even among cybertronians he’s strange. An outlier. I know you aren’t familiar with the comics but Outlier is also a term for cybertronians who have an ability. Basically, Soundwave can read minds. Even more interesting is that Shockwave (before the whole Empurata) was protecting and learning about outliers. I find both of their characters absaloutly fascinating.

I’m writing my own fic for Megs and Sounders (prewar so BUFF GLADIATORS BABY) and I’m kinda sewing together this quilt made up of so many different continuities.

Soundwave in himself is one of the most powerful Decepticons. He is the con that gets the job done, fixes mistakes and scares the crap out of everyone.

Also, cannon fun fact, his favorite animal is elephants. Absaloutly adores them.

(fanfic owo?)

YEAH!! THATS ONE OF MY FAVORITE THINGS ABOUT TFP SOUNDWAVE AND WHY IM SO 😳 ABOUT HIM

I don’t read the comics but even though they don’t say it outright in the show I love how everyone acts weird about Soundwave, he’s so weird among cybertronians and he’s p creepy too, my favorite ehhe//

I know G1 Soundwave could mindread and TFP Soundwave uses his tentacles to transfer information, but does every Soundwave mind read? Also pre-empurata Shockwave 👁️👁️

“Soundwave is one of the most powerful Decepticons” is another thing that makes me blush about him hfjhg… he is. SO competent among the Decepticons, I read comments saying if Soundwave isn’t in the group they kinda fumble around.

Another thing about Soundwave I love in TFP if someone else is on the job, for me it’s 50-50 whether the Autobots or Decepticons win, but if Soundwave’s there I go “oh no. The Decepticons are going to get the Thing™”

HE’S JUST TOO GOOD AT HIS JOB HE HOLDS ALL THE BRAINCELLS (until Shockwave arrives)

I’m actually about to watch TF One soon hehe so I’m excited :D

[ray-moo]

Thomas Aquinas' Five Ways are pretty interesting, but they can be summed up roughly as 'Nothing that comes into being comes into being, changes, or stays the same without an outside influence so the outside influence of everything which is created, changes, or needs an external source for it's state of being must be eternal, unchanging, and self-sustaining' + A gradient of perfection/power/goodness implies the existence of an absolute standard of those things + Things without intelligence act towards a purpose which requires an intelligence to assign.

I think modern science has addressed the Argument from Final Causes (IE Aristotelian Intelligent Design) to some degree though, but the rest are pretty convincing to me.

Regarding 'Fulfilling Old Testament Archetypes', there are a lot of Old Testament stories that Jesus' life mirrors to a great degree which I think can't be completely chalked up to His disciples because His disciples were mostly illiterate working class folk (whom I think Jesus chose deliberately for that reason). We also know it probably isn't an intentional mirroring of a legend developing around Jesus because then the Disciples would have drawn attention to those things and used it as argumentation for why Jesus was who they said He was. Rather, Jesus clearly mirrors stories in the Old Testament in ways His disciples didn't necessarily recognize.

For example, Noah passed through water in the flood and then saw a dove as a sign of peace with God (Genesis 8:11). When Jesus was baptized, He was greeted by the Holy Spirit descending like a dove (Matthew 3:16), (Mark 1:10), (Luke 3:22), (John 1:32). Another example would be Moses who led Israel through water (Parting of the Red Sea) to bring them a new covenant, and Jonah who also passed through water and the grave (Belly of the whale) to preach a message of condemnation to Nineveh, however Nineveh was saved by faith and repentance (Jonah 3).

Like David, Jesus was born in Bethlehem. Interesting in a mirror image to Adam, of whom Eve was taken out of his side with no female mother, Jesus was born from Mary with no male father. This does match how God tells the Serpent that her offspring specifically would crush it's head (Genesis 3:15). As Jesus came from Mary with no human father, He poetically is the offspring of Eve. As Eve who came from Adam who was the image of God (Genesis 1:26) led humanity into sin, Mary through devotion to God's will bore the new Adam, the new image of God (John 14:9), who saved humanity from sin. If the Bible is fictional, it's one of the most tightly written stories of all time and would rightly be considered a literary masterpiece. But considering that it was written over thousands of years by many different authors, the confluence of themes, archetypes, the foreshadowing, etc, is miraculous. Regarding prophecies, I think the most egregious one would be Isaiah 7:13-14 and Isaiah 53:3-12. There are some arguments for why Jesus doesn't technically need to fulfill Isaiah 7:13 such as the term 'virgin' really meaning 'young woman' but the verse being read that way would make that condition so common in those days that it wouldn't really be a prophetic sign would it?

Why Pascal's Wager isn't a good reason to be a Christian

First, let's define what Pascal's Wager is for anyone who's unfamiliar with the term. After all, while most people have heard it before, the official name for the argument isn't as famous as the argument itself.

It basically boils down to this: You should believe in God because if you do and God exists you'll be either infinitely rewarded or you'll lose nothing, whereas if you don't you'll be infinitely punished if he does exist.

Or, as a visual:

The Problems:

a) Those aren't the only options.

Other religions beyond Christianity exist, and many of them have their own requirements for avoiding a bad afterlife.

So you could choose to believe in the Christian God and fail to fulfill the requirements for a good afterlife of the real true religion (whatever it might be) and then you're in the same boat as every atheist.

b) You do lose stuff when living a Christian life.

At the bare minimum, you lose years to spending time in church worshipping, as well as lose money tithing. But you could also lose friendships, relationships, and much more depending on where life takes you and how religious you are.

[lit-in-thy-heart]

saw your mergwaincelot event and it sounds so fun but I'm so new to the pairing that I'm really afraid of how to characterise them all and make sure it's not ooc :( do you have any advice? Any key components you think make up each character to keep in mind?

hello anon!! My first piece advice would be not to let the fear of writing them ooc prevent you from writing them at all -- the more you write them, the more familiar you'll likely become with their characters. And, if you're still unconvinced, slapping an au tag on it can do wonders for the crippling doubts of not fitting with canon.

My second piece of advice would be to read the content that's already out there. With Merwaincelot, that's not a great deal, but the beauty of the poly ship is having the separate branches (Merwaine, Mercelot, Gwaincelot) that will work for this too. When you read them, chances are that you'll have a very visceral reaction if you feel like they're ooc, plus more exposure never hurts.

In terms of key components, though, I'd probably say the following (and if anyone else has any other points, please jump on and this is by no means exhaustive):

Gwaine and his abandonment issues. Canonically convinced people get sick of him, some things definitely went down with his sister, finds it difficult to believe that he can be loved so dearly. A bit of a hothead and will launch himself into a fight without needing much convincing. Can use humour to deflect his true feelings. Also fiercely loyal to those he loves and values them more than his own life.

Lancelot and HIDING INJURIES like come on. Doesn't want to inconvenience anyone ever and that really can cause problems further down the line. Definitely more chaotic than he gets credit for (man saw Merlin smile and committed identity fraud) and always sees the best in people and always wants to help. Will not instigate the fight but will gladly support if needed. Also fiercely loyal to those he loves and values them more than his own life.

Merlin very much depends on where in canon you're writing. Personally, I tend to ignore the last season when writing for this ship so Merlin is usually brimming with kindness. Can be a little shit and will weaponise his magic to achieve such ends. Will try and help in any way he can if someone asks for it or if he can tell they need it. He's generally not afraid to say what he thinks, particularly if he gets asked for his opinion on something (as an example, his 'I think you're mad, I think you're all mad' speech to Arthur when he's asked about what he thinks to the marriage between Arthur and Elena -- though the speech does come after Merlin initially said it wasn't his place to say). Dry wit. Also fiercely loyal to those he loves and values them more than his own life.

Hope this has helped anon and best of luck with the writing, very excited for your creations if you decide to give it a shot! <3