#in relation to my recent reblogging activity

[manchblack]

if i had any of the energy it took to compile gifs i would soooo make a stimboard blog dude. so cool

[0sbrain]

here's a list of mozilla add-ons for all of you tumblrinas out there to have a better internet experience

also, if you like my post, please reblog it. Tumblr hates links but i had to put them so you adhd bitches actually download them <3 i know because i am also adhd bitches

BASIC STUFF:

AdGuard AdBlocker / uBlock Origin : adguard is a basic adblock and with origin you can also block any other element you want. for example i got rid of the shop menu on tumblr

Privacy Badger : this add on will block trackers. if an element contains a tracker it will give you the option to use it or not

Shinigami Eyes: this will highlight transphobic and trans friendly users and sites using different colors by using a moderated database. perfect to avoid terfs on any social media. i will explain how to use this and other add-ons on android as well under the read more cut

THINGS YOU TUMBLINAS WANT:

Xkit: the best tumblr related add on. with many customizable options, xkit not only enhances your experience from a visual standpoint, but provides some much needed accessibility tools

bonus: if you are into tf2 and wanna be a cool cat, you can also get the old version to add cool reblog icons

AO3 enhancer: some basic enhancements including reading time and the ability to block authors and tags

YOUTUBE

Return of the YouTube Dislike : pretty self explanatory

Youtube non-stop: gets rid of the annoying "Video paused. Continue watching?" popup when you have a video in the background

SponsorBlock: gives you options to skip either automatically or manually sponsors, videoclip non music sectors and discloses other type of sponsorships/paid partnerships

Enhancer for YouTube: adds some useful options such as custom play speed, let's you play videos in a window and most important of all, it allows you to make the youtube interface as ugly as your heart desires. I can't show a full image of what it looks like because i've been told its eye strainy and i want this post to be accessible but look at this <3

PocketTube: allows you to organize your subscriptions into groups

YouTube Comment Search: what it says

FINDING STUFF

WayBack Machine: you probably know about this site and definitely should get the add on. this allows you to save pages and access older versions with the click of a button. while you can search wayback using web archives, please get this one as well as it allows you to easily save pages and contribute to the archive.

Web Archives: it allows you to search through multiple archives and search engines including WayBack Machine, Google, Yandex and more.

Search by Image: allows you to reverse image search using multiple search engines (in my experience yandex tends to yield the best results)

Image Search Options: similar to the last one

this next section is pretty niche but... STEAM AND STEAM TRADING

SteamDB: adds some interesting and useful statistics

Augmented Steam: useful info specially for browsing and buying games

TF2 Trade Helper: an absolute godsend, lets you add items in bundles, keeps track of your keys and metal and your recent trades, displays links to the backpack tf page next to users profiles and more. look it tells me how much moneys i have and adds metal to trades without clicking one by one oh may god

IN CONCLUSION: oooooh you want to change to firefox so badly, you want to delete chrome and all the chrome clones that are actually just spyware and use firefox

HOW TO USE MOZILLA ADD-ONS ON YOUR PHONE

if you already use firefox on android, you'll know there are certain add-ons compatible with the app, some of them even being made just for the mobile version such as Video Background Play FIx. while most of them are pretty useful, some more specific ones aren't available on this version of the browser, but there's a way of getting some of them to work

you need to download the firefox nightly app, which is basically the same as the regular firefox browser but with the ability of activating developer mode. you can find how to do that here. once you've enabled it, you need to create a collection with all the add ons you want. i wouldn't recommend adding extensions if the creators haven't talked about phone compatibility, but XKit and Shinigami Eyes should work

also, don't tell the government this secret skater move, but you can try using both the regular firefox browser and nightly so you can have youtube videos in a floating box while you browse social media.

see? i can block this terf while Rick Rolling the people following this tutorial. isn't that tubular?

[qqueenofhades]

Howdy to the weary Tumblrinas who continue to arrive at my blog in droves, for whatever reason. You are all welcome here. Here is some info about me:

Old;

Tired;

Queer;

What is gender we just don't know.

Historian (PhD in medieval history, MAs in history and international relations, and uh, others too).

My primary research interests are premodern queer history; medieval and modern historiography; the medieval and early modern world; modern Eastern Europe; Russia and Ukraine; American democracy and global futures.

Substantial published research and experience in academia, so I'm not totally talking out of my ass here.

This is, however, generally not a terribly high-quality blog. You will find lots of cats, art, photography, Tumblr jokes, random reblogs, stupid things that make me laugh, fandom/fanfic (when my muse cooperates, which has not been for a while due to the Horrors), and so forth.

Lots of other writing projects, such as original novels.

I am almost always open to receiving asks. If you have questions about history, politics, etc., I'll do my best to answer, within limits. My bandwidth can run out and it's a lot of work, but I'll try.

I try to make my political posts (for which I suspect many of you have recently arrived) fairly infrequent, except for moments such as now where the zeitgeist is especially stupid and I feel like saying something about it. Etc etc., posting on Tumblr is not activism, so I do try to be balanced.

I like to think I'm pretty chill, welcoming, and easy to get along with. If you're here to do the same, we'll be grand.

Welcome!

[jiminjamms]

sex therapy :: 30. breaking news

chapter tags/warnings: manipulative! naoya. physical aggression. verbal abuse (not to reader). infidelity/adultery. extremely strong language. corruption. family drama.

word count: 3.4k

notes: thank you again for your patience with the chapter! life update: i resigned from my company (on good terms, even though the work had sucked my mental and physical health), and i am soon doing a trip to japan and southeast asia as part of my recovery. still, i will be actively writing and responding since this community is so important to me! also, has anyone been keeping up with jujutsu kaisen's manga?! likes, comments, and reblogs are much appreciated. xoxo

fic masterlist | 01. 02. 03. 04. 05. 06. 07. 08. 09. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33.

Life without a sugar daddy was rough.

As Toji Fushiguro's ex-wife and Naoya Zenin's ex-mistress, Mari faced this harsh reality since no one threw their money in her direction anymore. She slept little this past week, overwhelmed by financial stressors. While she still subsisted on the younger executive's credit card (with his fortune, Naoya hardly noticed the charges on his bill), she realized that she actually had to work for an income.

Such was the case as Mari walked home one evening after interviewing for jobs, her body and mind exhausted from fielding mundane questions about her previous professional experiences (which she had little of).

Upon unlocking her apartment door, she was immediately greeted by the sight of her illuminated living room.

That struck her as odd.

She always switched the lights off before she left.

However, when she spotted a familiar face down the hall, she found the answer.

"Tsumiki." Mari dropped her purse by the door. "What are you doing here?”

The woman had not seen her one and only blood-related child in months. While she knew that her daughter—who was, without doubt, a fantastically accomplished and intelligent young lady—just completed her second year at Oxford University, she thought the girl had chosen to remain in England for her summer break. Didn't Toji mention that she did not want to return to Tokyo?

Not that Mari complained. She was just...confused.

Admittedly, Mari should know the answer to her question, but she had been too ‘occupied’ to contact Tsumiki as much as a good mother should. As a result, Mari found herself in the dark about the girl's life in the United Kingdom, her plans for the university holiday, and her recent classes in…what was her field of study again?

Surely, Toji and his twerp son Megumi would know all the answers since Tsumiki had always been closer to her Fushiguro stepfamily. Quite a shame, since Mari would have considered her daughter as the most perfect angel otherwise.

She toed her shoes off.

“When did you arrive in Tokyo?” Mari continued with a plastered smile and approached the girl sitting with crossed arms in the living room.

Genetics ran deep between mother and daughter. Uninformed observers might even mistake the pair as sisters, the physical resemblance uncanny in how Tsumiki presented a more youthful version of the older woman by sharing the same warm chocolate-colored eyes, long dark hair, and flawless porcelain skin.

Yet, physical similarities meant nothing when Mari could not fully decipher her own flesh and blood.

“I came back to Japan earlier this week,” Tsumiki responded a terse edge in her tone.

“But I haven’t seen you until now.”

“Because I’ve been staying with Dad.”

“Oh.” So, she meant with Toji. “You mean your stepdad.”

“No,” she corrected sternly. “He's my dad.”

Theoretically, Mari could go into a whole tangent on how Tsumiki’s actual father was some middle-class nobody whom she hadn’t seen or spoken to since her first divorce (and that was many years ago). Or how the Fushiguros technically were Tsumiki’s ex-stepfamily since Mari had divorced her second husband Toji earlier this year.

But she spared her daughter from the reminders.

“Well, I’m glad to see you back, honey.” With a bottle of unfinished cabernet sauvignon in the fridge, Mari meandered to the kitchen to pour herself a full glass. She returned to living room and joined her daughter on the sofa. “How have you been? I’m guessing England has been treating you well? I have never been, so I wouldn’t know. Heard that the fish and chips are good there."

No response.

Am I being ignored? Mari commented inwardly and swirled the red wine in her chalice.

She took her first sip amid the long and awkward pause before switching the topic to encourage conversation. "Anyway, whenever you would like, you’re always welcome to stay a few nights here. Wouldn't hurt to spend some more time with your mother."

Only for Tsumiki to quip, “We’ve talked about this before. I don’t want to live with you.”

Now, this—Mari believed—was certainly uncalled for. "Watch your tone with me, young lady."

"For what? I am not here because I miss you," her daughter resumed. "If I had a better option, I would not bring myself to show up here and be in front of you."

The older woman placed her glass down and tried to appear calm. Hearing Tsumiki speak with such contempt twisted a deep knife into Mari's heart. Once upon a time, her daughter had been the sweetest girl—warm, full of life, and eager to express her innocent thoughts with anyone she encountered. Now, however, that same person had been tainted into someone cold, guarded, and withdrawn, demonstrated by her disrespect to the very woman who had given her life.

"That is no manner to talk to your mother," Mari cautioned.

"Well, maybe because I have my reasons."

"Which are?"

"Do you want to know why I did not bother to text or call you these past several months?" and Tsumiki did not wait for an answer before she angrily added, "Because I am so upset that you filed a divorce with Dad!"

While Mari had hoped to not bring up the topic before, she had no choice but to do so now.

"That big, burly, bulky man is not your father," she snapped. "He and his emo Harvard-bound son are not your family! In the eyes of the law, there is no longer any relation between you and them. But, I am your mother. I had given you life, and this is what you think of me?"

"Because I love them!" Tsumiki opposed through a hardened glare. "Dad and Megumi treat me more like their blood-related family than you do!”

Mari could not believe the preposterous words her daughter spewed. She always presumed that the Fushiguros had been corrupting her child, and to see her suspicions confirmed had Mari standing up promptly from the couch.

"How dare you say after all I have done for you, Tsumiki?" Mari interrogated angrily. "Did you think that I left your biological father and then divorced your stepfather for what...for fun?! These choices were difficult for me, too! But I made those judgments because I wanted to give you a better life in which we didn't have to worry about where our next meal, our next piece of clothing, or our next rent payment would come from! Your biological father is a no-name nothing. He could’ve never supported the lavish lifestyle you had experienced during your adolescent years. In fact, if I hadn’t married Toji Fushiguro, you probably wouldn't be studying at the University of Oxford right now! I, alone, could never have afforded all your years of expensive tutors or private school tuition. Please, think before you speak. I know I did not raise an ungrateful brat.”

Tsumiki furrowed her brows from the comments.

“You're the ungrateful one, Mom!” she insisted, and the said woman visibly reeled back when the girl continued to seethe with antipathy. “All the money that you had spent while married to Dad, he never asked for a single cent back. Never. In fact, he still pays for my university. In his eyes and mine, I’m as good as any blood-related child to him. He hadn't asked you to chip in because he knows you wouldn't have the money to. Divorcing the man you've been leeching off of isn't a sign of appreciation, Mom."

To hear her child defend another family, Mari wasn’t sure if she was going to laugh or cry at how ridiculous this scene was, the only thing she could process being the pain and betrayal that slammed her with one bitter blow.

"Well, did you want to become a laughingstock?" the woman rationalized. "Given our ties to the Zenin name when Toji left the company, those nasty journalists would've clung onto any scrap to label you a buffoon. You know what those tabloid writers are like! I had the foresight to divorce that man. I did not want the disgrace if we remained attached to the Fushiguros."

After that response, Tsumiki turned quiet with one sharp exhale as her eyes snapped shut, and Mari, whose entire body had undulated from heavy and irate breaths, thought that finally—finally—she had won this godforsaken argument.

Until she heard the younger girl speak again.

"Yet, you have humiliated me more than anyone," and noticing how her mother quirked a brow, Tsumiki went on. "Who are you really trying to protect, Mom? Are you truly making these decisions for my benefit? Or is it...for yourself?"

Despite hiding a gulp, the older woman noticed her heart race. "What do you mean?"

"How can you explain this?"

As though that was her cue, Tsumiki reached for her phone. She tapped onto the front page of the Yomiuri Shimbun, the most highly circulated newspaper in Japan. Before Mari could read the bold title labeled as 'Breaking News,' Tsumiki provided her with a verbal summary:

"The world knows you're a homewrecker, Mom."

Naoya found no surprise when Naobito Zenin burst into his executive suite as an angry bull would charge toward a provoking cape.

Plenty of times, his father barged into his private office completely unannounced, slamming the door open with enough force to rattle the wooden bookshelves behind him. Usually, the dramatic entrance would be followed by a slew of harsh admonitions, and this encounter—Naoya could tell—would be no different.

The astringency cast on his father's countenance gave the executive no other choice than to rise from his seat, his office chair sliding back so he could pose tall and confident as the heir to Japan's largest conglomerate should be.

"Father," he greeted, curt.

Taking hurried steps around his mahogany desk, Naoya aimed to meet the older man halfway until he instead came into contact with one harsh blow that sent his face flogging to the side.

Naoya froze, his gaze lowered.

Instinctively, he reached for his throbbing cheek with one hand as the other wiped briefly over his busted upper lip. To have his father approach him physically like this didn't even register as a surprise. Despite his title as the Zenin CEO, Naoya continued to be scolded, lectured, and outright ignored because, in his father's words, he 'never seemed to get anything right.'

Even now, the older man found no hesitation in cursing out his only child.

"You fucking son of a whore! Want to explain why your affair with Toji's ex-wife is all over Japanese media?!"

Slowly, Naoya lifted his eyes from the floor. He had suspected that this would be the topic of discussion. In the last hour, Naoya saw his name plastered over tabloid pages, news websites, and social media feeds as an anonymous whistleblower tipped publishers in regards to his scandalous affair with Mari—and the millions Naoya spent to hide it. Evidence ranging from supposedly long-gone paparazzi photos to screenshots of money transfers circulated quickly with the internet.

Naturally, Naoya had seen the headlines too...

'Zenin Corporation CEO Exposed for Concealing Affair with Predecessor's Ex-Wife' 'Everything to Know About the Zenin Household's Uncovered Drama in Family, Business, and Love' 'Billionaire Naoya Zenin Entangled in Cheating Scandal, Accused of Bribing Press to Silence Coverage'

...and the comments:

'That’s why you can’t trust rich people. They never have any shame.' 'His wife and company deserve better.' 'Disappointed that this is the scumbag leading our country's largest company.' 'The Board should fire him.’

Now, that last comment struck a very particular chord, especially since the Chairman of that very Board stood before him.

Naoya clenched his hands, yet he stood mute. With every wrong move certain to cost him far too much in return, he was completely powerless in front of the family patriarch and, as a result, his first logical reaction was to defend himself.

"I do not have the evidence yet, but I am certain Toji had planned this, Father. Him, and also Sukuna, Geto, and Choso. All four leaked these details because they didn’t want to see your son succeed. I will resolve this. I am going to call Toji immediately and—“

"You're right," Naobito interrupted coldly. "If Toji had still been CEO today, he would've made sure that none of this bullshit would’ve happened.”

Naoya widened his eyes in bewilderment, not anticipating his father to twist his logic like that. He already received a literal slap across his face, but to realize that Naobito still compared him to his older cousin all these months later drove him insane!

"No, Father. What I meant was—"

"Oh, there is no need to correct me. I know what you meant," Naobito tested in a low voice. "What I gathered from this conversation is that I have given you a million chances in life, and you know what? You blew every single one of them. You're an asshole, you're a cheater, and you're a complete humiliation. I can always count on you to paint me as a failed father."

Outrageous.

With the bitter staring contest between father and son, the latter boiled internally listening to the insults from the man who sired him. For the ruthless Naobito Zenin, Naoya meant no value as an heir without the ability to achieve his high standards. 

"Some twisted brain you have for sleeping with your cousin's ex-spouse,” Naobito then chided, yet amusement remained absent in his tone. “Was that the low-class tramp I saw in the photos with you on the private jet the other day?"

The blonde kept his mouth shut.

But his father wanted an answer. "Well?!"

Suck it in, Naoya. That's all you can do now. "Yes."

What a sight, to see how someone blazing as a furious flame then erupt into a violent volcano. Naobito grabbed his son's collar, pulling him forward and shoving him against the wall. His fists shook as he sought the other's gaze.

"You're fucking married, you realize that?!" he snarled.

"I do! Which is why I have cut Mari from my life! I don't talk to that woman anymore."

Unimpressed, Naobito tugged forcefully at Naoya's shirt again. "I am truly astonished by what an idiot you are. Your answer doesn't change shit." He tightened his grip and did not care that his son wrapped both hands around his wrist to prevent himself from choking. "Let me tell you something, boy. I did everything—everything—to convince our Chief Operating Officer to let his treasured daughter marry you, you despicable bastard. He didn't want to hand the girl over because he knew—oh, that man is wise!—he knew that the union mainly served as a tactic to improve your public image and that there was little obvious benefit for his child. Power and money did not interest him when compared to his daughter, so the one promise I made is that you would love her," and he roared, "so, what the hell have you done?!"

Naoya had heard his father’s warnings countless times, yet he previously brushed each one aside with an ambivalence he now acknowledged as foolish. Unlike before, the threat to his hard-earned position suddenly became very, verypalpable. He grappled with a strange fear, unable to pinpoint what precisely unsettled him the most. The scorn from a world that no longer saw him as an honest businessman? The sneers from relatives with an undeniable reason to mock him? Or perhaps the fury from his draconian father, whose disappointment cut deeper than any public disgrace?

"I—" Naoya's choked voice resembled a croak. He could hardly breathe. "I apologize. This entire situation...this got out of my control."

Alongside his callous disregard for his son’s feelings, the Zenin patriarch even scoffed.

"This isn’t about getting out of your control, boy. This is about your complete lack of judgment. In fact, Daisuke called me when he saw the headlines, and you know what he told me?" and he had to refrain from flinging his son onto the ground before he continued, "That Y/N's been staying in her family residence again because she is going to leave you!"

Naoya held his next breath. Fuck, he knows. Naoya intended to keep his recent arguments with you a secret, hoping to resolve the situation first. However, since your father snitched...lying would be a dangerous move.

"I have not seen Y/N in a week because we've had a few fights." Naoya did not dare admit the details about how you two became arguing spectacles, first in his cousins' presence and later on at the café. "Just...marriage quarrels. We will get over—"

“She would be a moron to stay married to you,” Naobito cut off. "Y/N and your unborn child deserve more than to have a public disgrace like you in the household."

Right. Had he not been reminded, Naoya would've forgotten that he had lied to his father about your pregnancy, too. His hands grew clammy where they still seized his father’s wrist.

“There"—a cough—"there is no child,” Naoya blurted out, determining to rip all bandaids off in one go.

Naturally, his father became perplexed.

“Excuse me?” His hold loosened just enough for Naoya to gasp properly for his next breath.

“Y/N is not pregnant,” Naoya repeated, his voice hollow with resignation. “During our last family dinner, I only said that because I wanted to please you.”

The older Zenin became still, appalled by the younger one's bravery to say those words. For a moment, Naoya braced himself for another physical blow before his father released him, shoving Naoya backward such that he stumbled.

“If you weren’t so disappointing, there would be no need for you to lie to me,” Naobito pointed out coldly. "Not only to me, but also your wife, your colleagues, and your shareholders on matters about your family, your marriage, or your commitment to the company. If Toji had not brought this to the media's attention, how much longer would you have manipulated the truth for your benefit?"

There he went again.

"I don't understand," Naoya protested, unable to contain his frustration any longer. "Toji doesn't belong in this family anymore! Why do you keep talking about him? Father, you forced him to leave earlier this year, citing his threat to our family and company's reputation."

"You're the one to talk!" Naobito shot back. "At least Toji has the brain that you utterly lack." Before the younger man could react, the Chairman had already turned on his heel. "I have made my decision."

His decision?

A confused Naoya watched his father head for the exit.

"Wait, Father...!"

"Enough!" The infuriated man raised a hand right as he neared the door, a warning for him to not speak further. "Our discussion has concluded. Effective immediately, Toji Fushiguro has been re-instated as the Zenin Heir and CEO."

Instantly, Naoya slumped forward in disbelief.

Even as the older man disappeared, the room appeared to spin dangerously. Toji Fushiguro...re-instated? As the heir and CEO?

Naobito Zenin could never make up his mind, now could he? In Naoya's head, this must be some cruel joke.

Ever since he comprehended his ability to bend fate to his will, he had promised himself to fight tooth and nail to defend the (very rightful!) position that he worked hard to earn. He had disposed of his cousin through slander, he had to put up with shitty corporate politics, and, hell, he had to even marry you!

Some may label Naoya's current negative publicity as irredeemable, but he held hope the situation would normalize once the steam blew over.

With these thoughts in mind, Naoya regained his balance and rushed out as well. "Father!"

However, by the time he reached beyond the doors, Naobito Zenin was no longer there. Even his secretary could not be found as, instead, two imposing figures stood by the desk where his assistant should be. Naoya didn't recognize them. The men were tall and well-built, their muscled arms and thighs visible despite the fabric that covered their tattooed skin.

"Nice to meet you," one started after the long silence. "I am Eso and this is my younger brother Kechizu."

A stumped Naoya frowned.

"May...I help you?"

"No," the other answered nonchalantly, "because we are here to knock you out."

"Wha—"

And Naoya's vision went dark.

last chapter || next chapter

end notes: Note that Eso and Kechizu are Choso's younger brothers in JJK. (Both are not completely human in canonverse, but we shall suspend beliefs.) Also, I cannot explain the satisfaction as I wrote about Naoya and his mistress finally getting wrecked! Talk about justice being served! There were many ways these scenes could have played out, but I strategically chose Tsumiki and Naobito as the agents in the discussions. Freed from corporate America handcuffs, I plan to post again soon. Love you all!

taglist: @dissociatingdiva @httpsplanetmarsdotcom @nemoyr @huangfairy @shadowarchon @203steph @agentdedf1sh @cloudybabes @lynn-writes-things @illicitwriter @7oji @kikuchimi @chaoticjojofan @musicisme333 @kumocchin @s-guru @mwahilovemylife @hey-gurls69 @cloudsinthecosmos @moon-mumu-moon @kazscara @skilerfrostfairy @funicidals @nico707 @proteovaldez @tsukiyohanayome @marimoares @qirbys @puffaloxx @sakanoshitaa @arizzuruu @kissditrio @lewd-bunny14 @mistyheart @szired @supsii @yvy1s @lazyassfinals @katkbc @tokyometronetwork @downtown-roponggi @the-cosmos-network

[catboybiologist]

Hiya! I'm CatboyBiologist.

The unhinged, unfiltered side of @hi-sierra.

I'm a degenerate trans woman that posts thirst traps like this:

I'm also a graduate student in molecular biology and outdoor enthusiast. The kinds of stuff I post here include:

Perspectives on biology and gender

Thirst traps, including tgirl tummyposting

Other science and technology rambles/essays

Fiction writing attempts

HRT explanations and perspectives, from the perspective of a transfemme scientist-in-training (NOT a medical professional)

Violently bisexual meltdowns

Attempts at comedy

Making my ADHD everyone else's problem

Hiking/backpacking stuff

Any other shitposts I think are appropriate for this trash heap

This blog is largely completely unfiltered bullshit-welcome to the dumpster heap! If there's any intention behind this blog, its to show the science-loving, outdoorsy, "clean cut" aspects of my personality, alongside the openly queer, degenerate tranny aspects to show that they can coexist. Welcome!

I've also been casually streaming some pokemon nuzlockes on twitch recently. Generally I hop on on Saturdays. It's a nice little social club for the community, feel free to stop on by:

As a grad student, money is always on the tight side for me, so anything thrown at my kofi is appreciated. If you like what I do, consider donating a little bit:

Anyone is free to tag me or interact with me, in any way! This includes tagging me in tgirl tummy tuesday! I will never object to that outright, however, I may not interact back with everything. It's a combination of ADHD, and a few personal warnings/boundaries, like:

I will not reblog full NSFW/sexual nudity here, at my discretion. Feel free to still tag me in NSFW things, though! I just may not RB.

I often push the limits of SFW without crossing them. I tag racier stuff as #sierra nsfw, or common tags like #tgirl tummy. However, I slip up a LOT, so if you're a minor or uncomfortable with that, you have been warned.

I sometimes interact with transphobia, mostly to smack it down. I tag it as best I can as #cw transphobia.

For personal comfort, I will likely never interact with drugplay related CNC, sexualizing my bulge, or sexualizing teacher/student dynamics.

Assorted links, including where else to find me and previous pinned posts, are under the cut.

Other places to find me:

Reddit profile: main alternate place to find me, I show up on 196 and trans subs a lot.

Instagram page: less frequently, but consistently active.

Bluesky page: mostly inactive, may change in the future.

Fediverse page on tech.lgbt: mostly inactive, may change in the future.

Previous pin #1

Previous pin #2

Previous pin #3 (contains more links to guides and notable posts I've made)

Bonus tortoise! At the time of writing, he's in a pseudo-hibernation state and staying with relatives. But stay tuned for fall- his hibernation clock is backwards.

[leafy-m]

Because I'm autistic and because I love Witch Hat Atelier Kitchen, I page-by-page compared the recent Kodansha USA English release of volume 1 to its Japanese and fan-translated counterparts.

If you've read the official English translation, you may have noticed that some of the big Orufrey moments are.... a bit underwhelming, word-wise. You may have even noticed that the word "wine" is suspiciously missing from the final chapter's WillowGrape Wine recipe, in which wine is kind of an important and obvious factor in it! And you would be correct!

While most of this manga volume is pretty accurate to the original text, there is absolutely a concentrated effort to tone down the more tender Orufrey moments, as well as minimize the alcoholic nature of the final chapter's recipe and related contraptions.

And that's frustrating!

The entire draw of this manga spin-off is seeing these gay witch dads take care of each other and their four daughters in an idyllic countryside setting while also making yummy food that you the reader can try make too. Why is Kodansha USA trying to no-homo these gays?? (Is this a reflection of how bad things are in the USA now?) And while you might say, "But Jade! Qifrey and Olruggio are not actually dating in canon!" — and I would agree with you! But there is nothing straight about these mens' behavior in this comic, and if Qifrey is going to look in Olruggio's direction while tenderly saying his name in Nearly Every Chapter, I expect to read that in English, dammit!

So I'm activating my autism trap card and presenting ya'll with a thorough comparison of every mistranslated and omitted Orufrey or wine moment, complete with discussion and screenshots from the Japanese, fan-translated, and USA English versions. This post is ridiculously long and maxed Tumblr's 30-image limit so chapter 10's discussion is actually in a reblog (sob sob), so I'm putting it all under a cut (you're welcome), and you can be sure that I'll be doing this again if need be for the translated volumes releasing next year.

For now? Let's go.

CHAPTER 1: pg 10

Japanese: フフ...

Fan translated: Heh heh

English version: Ahh...

This is a small moment, but it's important because it's foreshadowing. Qifrey is "airing out" the kitchen, but what he's really doing is sending those delicious smells into Olruggio's room. He's trying to lure him into the kitchen! And that little フフ/heh heh panel is evidence that he's up to something. If you've noticed in the main series, whenever Qifrey is doing something shady or it has a double-meaning, the 'camera angle' focuses on this side of his face with the dark lens.

But the English version obfuscates this by changing フフ to "Ahh..." like, 'isn't that better,' even though it keeps the ellipsis thought bubble indicating that something is up. Why the mixed messaging?

CHAPTER 1: pg 13

Japanese: オルーギオ!

Fan translated: Orugio!

English version: Excellent!

This is the first of many moments where Qifrey will directly say Olruggio's name, and yet the English version will translate it to something else, or drop it entirely. And no, "there wasn't enough room" is not a valid excuse for most of these. Especially when Olruggio's name can (and often is) shortened to Olly.

Look at Olruggio's little smirk at making Qifrey beam happily like that. My God. Kodansha USA/translator Stephen Kohler, why would you take this from us.

CHAPTER 1: pg 14

Japanese: 二人共 今日も一日　お疲れ様でした!

Fan translated: These two people are together tonight. Another day's work well done, you two!

English version: Here's to another long day... ...and a well-earned break!

The omnipresent narrator from the beginning of the chapter is back, and clearly highlighting that 'these two people' are together tonight. And yet the English version removes all that. It may be redundant since we can see they're together in the illustration, but the whole page has that type of text redundancy, like focusing on 'eating that first bite,' or how 'a laugh bubbles up' with Qifrey. And combined with all of the other later omissions, this becomes an obvious trend of targeting these specific types of moments.

Update: Thanks to Farlynthordens for additional insight on this Japanese phrase!:

二人共: (the) two of you [the "tomo" implies the narrator is talking "to" them rather than "about" them] futari-tomo means in a literal sense "(you) two people who are together", but in terms of actual usage/definition it's just identifying a specific pair of people who the speaker is talking to.

今日も一日お疲れ様でした: the rest of this can't really be separated. this whole phrase is meant to be like "good work for all the things you did over the course of this whole day". the fan translation seems to have not understood that the two text blocks were meant to be all one sentence. so if you put this all together, it's like "Good work for everything today, guys!"

Knowing this, I'll still keep it as part of the list because it does omit addressing the two of them in the English version, which follows that trend of minimizing these moments between them. But thank you for the clarity! 💕

CHAPTER 2: pg 28

Japanese:　料理も魔法器も相手のことを一番に考えるのは　君の美德だね　半分ずつだ オルーギオ

Fan translated: Whether you're cooking or performing magic, you always think of others before yourself. It just goes to show your good character. We'll share it, Olruggio.

English version: I've always admired that about you. Whether in your work of in the kitchen... ...You always think of others' needs before your own. All right. Let's split it, then.

The English version has two mistranslations here. I'll start at the top. In it, Qifrey is observing how Olruggio puts others first, and then compliments how it shows his good character. The 'good character' bit is changed to "I've always admired that about you," which at first I thought was sweet! Points for Kohler. But now that I really look at it, there is still some shady translating happening here.

In writing and communicating, what is said last has the most importance. This is how people "bury the lede," by hiding important information in the early part of a speech or amid other sentences, and then distracting them with other stuff.

In that English version top panel, even though Qifrey is complimenting Olruggio, by having it be said first it makes the second speech bubble (and therefore Olruggio's flustered response) be about Qifrey remarking on Olruggio's own behavior, rather than Qifrey's nice compliment about his character. Which changes the meaning of what's going on here. Olly is not flustering because he puts others first, he's flustering because Qifrey is saying something really nice about him, right to his face!

And then of course, in the bottom panel, Qifrey saying Olruggio's name is once again removed.

And I have to say, this bothers me not just because of autistic AcCUraCY! needs, but because he is very specifically saying his name. They are the only people in the room, it's very clear who Qifrey is addressing, and yet here he is once again, putting that man's name in his mouth.

It is intentional.

It is heartfelt.

STOP REMOVING IT!

CHAPTER 3: pg 36 and 37

Japanese: (Olruggio): キーフリー それいらないならこっちに..してくれ (Qifrey): オルーギオ　ひとつおねがい!

Fan translated: (Olruggio): Qifrey, if you won't be needing those, send them my way. (Qifrey): One pot please, Olruggio!

English version: (Olruggio): Mind if I grab those breadcrumbs from ya? I'm gonna use 'em as a binder for the patties. (Qifrey): Could you bring that pot over here for me?

This is a sweet segment because it shows how well Qifrey and Olruggio work in tandem in the kitchen. As someone who has repeatedly failed at working harmonically with others while making food, them being in sync in the kitchen is more fantastical than the actual magic.

And once again, Olruggio and Qifrey saying each other's names are removed. The Olruggio panel translation is also a bit misleading because (as you can see in the larger fan-translated photo), it's Qifrey who is controlling that wind spell! Olruggio is not "grabbing" the breadcrumbs from him, it's Qifrey who is sending them to him. It also lends to the back-and-forth of these moments because as soon as Olly's done with that pot, he gives it to Qifrey to use.

CHAPTER 3: pg 41

Japanese: ありがとうオルーギオ　行ってきます

Fan translated: Thank you, Olruggio. We'll see you later.

English version: Thank you, my friend. We'll be on our way now.

We're now at the part of the manga where Qifrey saying Olruggio's name is changed to "my friend" in the English version. Which is a phrase I'll admit I have some Daevabad baggage with, so idk, is this some platonic ray-beaming or is it code for tender feelings for that person you like but aren't ready to date yet because of trauma and societal complications? Is Stephen Kohler a Daevabad fan? So many unknowns. Still counting it as a wrong though.

CHAPTER 4: pg 56

Japanese: (Olruggio): ま... 眩しくて眠れやしない (Qifrey): がんばれ! オルーギオ

Fan translated: (Olruggio): Really... I can't sleep with all this shimmering... (Qifrey): Do your best! Olruggio.

English version: (Olruggio): Hmph. How's a man supposed to get some sleep with this thing sparklin' away over here? (Qifrey): Keep at it... ...my friend.

Qifrey literally made a bouquet of rose-shaped tarts for Olruggio to cheer up his room, so of course the English translation needs to tamp down that gayness by unnecessarily bringing up Olruggio's manhood when he complains about not being able to sleep from the tarts' sparkling. Even though this chapter's cover image is of Olruggio sitting in a field of flowers, pondering quietly as he holds one in his hand. Maybe later chapters will have Olruggio edited so he's sitting 5 feet away from Qifrey.

And again, Qifrey saying Olruggio's name in the bottom panel is changed to "my friend" in the English version.

CHAPTER 6: pg 95

Japanese: いい出来だろ? 家事の分担が大変だなんて思ってたら こんなものは作れねえぜ

Fan translated: Turned out pretty good, right? If I really thought sharing the housework was a pain, then I couldn't make something like this.

English version: Whaddya think? Not bad, huh? Sorry for leavin' you stuck with all the chores these last few days. I figure this is the least I can do.

Of all the mistranslations, this one bothers me the most. Olruggio is a wonderful malewife! He is constantly trying to help Qifrey out with the Atelier chores, in Kitchen and the main series. And yet the English translation changes the entire context of what these panels are saying.

The right panel is Olruggio proud of how good the soup tastes (it's even in a fancy bread bowl!), and yet the English translation downplays it by saying, 'Not bad, huh?'

Then the left panel, with it's sparkly background and close-up on Olly's face, goes further into how if he thought helping out with the housework was a pain, he wouldn't be capable of making stuff like this. Which is an understated way of saying that Qifrey can rely on him for things like this. (and he says it more outright in other chapters/the main series) But instead the English version is treating this soup like it's an apology for not helping out more. It's also really stupid because Olruggio was not making the soup as 'the least he could do' for Qifrey — he made it because he was hungry and wanted to eat it now! He literally admits this a few pages back!

Olruggio is not someone trying to do the bare minimum, he's someone trying to tell his control-freak of a friend that he wants to share in helping out. And the English version disappointingly misrepresents that here.

CHAPTER 10! Has several issues both Orufrey and wine related, and has several comparison segments. But because I maxed out Tumblr's 30-image limit, I can't include it here and so have to post it in a reblog. UGH. 😔

(Here is the link to the Chapter 10 comparison/discussion!)

In the meantime, image credits! The Japanese scans are from Comic-Days.com, the fan scanlations are thanks to Don't Quit Your Day Job, Robot Garden Scans, Brimhats/Nyaruhodou, and Kirbypoyopoyo, and the English version photos are from my own copy. And thank you AskeFinns for help with reading Chapter 2's kanji 💖

If chapters weren't mentioned, it's because I didn't notice anything significant enough to comment on. But if you know of something I missed, do let me know! And thanks for reading this far!

[fic-writer-confessions]

Over a decade ago, I wrote a lot for a fandom I loved. In recent months, I've stumbled across people rec'ing my fics in the wild (across multiple sites), and often these people gush over how much they love my writing and how they would've loved to see more. I've even found my work spoken of positively on TV Tropes in multiple places, with people saying how awesome my work was and how I was a fantastic contributor to the fandom.

Which is shocking news to me, because even today, the engagement on those works doesn't reflect that response AT ALL. Back then, I received barely any positive engagement and people were actively mocking my fandom-related Tumblr posts in main tags (and those posts got likes/reblogs from Big Name Fans, which played into my decision to leave the fandom before I continued getting hurt).

I'm glad my work has resonated with people, but it's a shame I went so long believing people didn't care if I continued or not. I counted myself lucky if I received 1 comment per several-thousand-words work. I still don't receive much feedback on those works today.

Now I see those TV Tropes pages or my fic rec'd in the comments of someone's TikTok and it warms my heart, but that nagging question still remains... "You say you loved this so much, it's the best work for this pair you've ever read, it changed your brain chemistry, I'm one of your favorite authors... but you didn't favorite / kudos / comment on that work? Even my hits are low. I genuinely had no idea people liked what I was working on. I stopped writing in this fandom because on the rare occasion I got a comment, the people who WERE commenting told me they didn't like my plots or endings. I stopped writing because my fandom peers were liking and reblogging posts laughing at my character analyses. Some people wrote works that bashed on mine specifically (and told me that's what they were doing)."

No one is obligated to kudos/comment, obviously, but it's a weird, disconnected feeling to go digging for my username and see several separate people rec those works 10 years later and say "Anything by this author is phenomenal." If I hadn't spent hours scouring the Internet in search of my username one day when I had free time, I'd have NO IDEA that several people consider my decade-ago writing "some of the best in the fandom."

I probably would have continued writing for that fandom another 10+ years if I'd gotten positive comments, even if the negative comments were still there. It would've helped me weather the storm. Heck, I'd go back quick if I started getting positive comments now. But today, I glance back and the comments I see on those works are still largely hurtful... I've come close to deleting those works several times. I genuinely had no idea people liked them. It's an odd place to be.

.

[olderthannetfic]

Okay, I need advice: I'm in a very tiny fandom (like less than two dozen active people and everyone knows each other) and one of the women in it is kind of freaking me out.

We became mutuals because we had some good discussions on some of the characters we liked, but I soon became sort of uncomfortable with a lot of her online behavior whereas simultaneously she's DM-ing me more and more.

She's one of those people who's a hardliner on the issues she cares about (mostly feminism- and SA-related) while talking over people when it comes to issues she doesn't care about (mostly racism and related things). And I see a lot of her trying to intrusively police how other people talk/act, derailing people's posts, arguing with people online over the most stupid shit (where not even her own opinions come off as overly coherent - this week she'll argue something along the lines of "men are evil" and the next she'll argue that people are "demonizing masculinity" - I'll add for clarification that she's not a TERF and supports trans rights but boy... Does she sound like one sometimes) and then digging through people's profiles to find and publicize minor transgressions and bad takes, passive-aggressive vagueposting, and going into mental breakdowns over the most innocuous of online interactions.

TBH she scares me. As someone who suffered through toxic people getting overly attached to me, I genuinely sometimes get a physical reaction when I see her lashing out on the dash.

And she keeps initiating conversations! And sometimes I don't reply or bring the conversation to a natural closure and she keeps at it, or sends me random fics of hers to read that I don't have the heart to tell her don't interest me or whatever. And recently when she disagrees with something I reblogged she direct messages me to rant about it - with a lot of sort of indirect language because she doesn't want to offend me but I can see the intent. The last couple of times I replied politely because I cared about clearing misunderstandings on the topic but next time I'm just gonna tell her I dislike it when she does that.

I really want this person to stop interacting with me, to be honest, and all my polite hints to the effect go unnoticed. But the fandom is so small I feel awkward and uncomfortable about unfollowing or blocking her. I don't think she's too bad of a person, she just comes off as very... Mentally ill, I guess? And since I've tried to be polite so far I feel like it might come out of left field for her?

TBH I feel like something about her behavior also triggers some kind of freeze/fawn reaction inside of me that I don't often get and consequently don't know how to deal with.

So I need impartial advice because I don't see the situation clearly myself

--

To summarize, a person who is a walking red flag wants to be friends, and you can't easily ghost her because the fandom is small.

I think you have to accept that there is no low-conflict way out of this.

That's what's holding you back, right? You don't want more drama and you know it's coming. I think you already know in your heart of hearts that you need to get away from her even if it's a pain in the ass.

Step one is to stop responding to her DMs. That will probably make her reach out more, but you should keep not responding. If she escalates and attacks you over it, block her.

The more you offer reasons or try to gently hint, the more that will encourage her. I don't think that's true of everyone, but I do think it's the case here. This is both because it doesn't sound like she's good at perceiving or respecting boundaries and because she inspires a bad lack of ability to assert boundaries in you.

I agree that it's unfortunate that you can't stand up for yourself or tell her plainly when she's out of line, but since you can't and that probably won't change any time soon, you'll need to protect yourself a different way. Sometimes, we just have to avoid people who are bad for us even when it's an us problem. (And here, whoaaaa red flags, so I don't think it's just a you problem anyway.)

There are many sad, lonely, needy people in the world. Some of them are officially mentally ill in some way with a diagnosis. Some just need things they aren't currently getting. That sucks...

But it's also not your job to fix.

[geopsych]

re: the tumblr ai stuff, please don’t wipe your blog!! your blog has been so important to me and many others as a place of authentic light and beauty and i would hate to lose it forever 💕

there is a way to download the contents of a tumblr blog (it’s in settings, i don’t remember rn, but i’ll find it if you need it) maybe you could upload to another site or a personal site?

i know this is very serious, and i hate how we are unwillingly contributing to synthetic art, but the world would be poorer for me without your pictures <3

Thank you. Your words mean a lot to me.

This is a dilemma for me. I have loved doing this blog and going out to look for pictures and interesting things to bring here has given me motivation and meaning through years of struggle with depression and several kinds of grief. Going out to look for pictures has put me in situations where I have seen incredible beauty, much of which I never really managed to capture. Also, the many warm and kind messages I've received from people all over the world have given me heart and made me feel less meaningless as a person and more connected. Sometimes I've been criticized for buying the checkmarks and giving money to Tumblr but I wanted to do what I could because Tumblr has been my one happy and safe place online. But now this. To me AI in relation to creativity is just a way for well-to-do but untalented people, the proverbial tech bros, to profit from other people's hard work and creativity. It has no redeeming value in relation to creativity and is actively harmful to artists of all kinds. <trying to figure out how to put a read more link here> I don't even count myself among the real creatives, artists and writers and others who have worked hard and put years into honing their crafts, into learning to translate their hearts and unique spirits into their creative expression. I just see beautiful things and take pictures of them. But it would still make me sick to see AI works based on my pictures, on these times and places that have meant so much to me. Recently I saw a set of cat 'photos' on here that everyone was reblogging and exclaiming over but that to me seemed to just be AI art that was more convincing than most. As time goes on more and more output of AI is going to be almost indistinguishable from real works and unscrupulous people will pass them off as real, getting credit for what was actually created by others. Whether they profit from them becomes almost irrelevant at that point because what's worse is that we will have less and less sense of what is real. And as some have pointed out AI will now also be scraping from AI, muddying the waters further from here on in. This is an apocalypse of sorts, an apocalypse of creativity, ultimately likely to kill the joy of artistic endeavor for many who would otherwise produced brilliant, beautiful, funny, and/or shockingly original things. I'm still parsing and dissecting my thoughts and feelings about what Tumblr has done and how to react. Staying and leaving my blog up feels like consent. I am not confident in the integrity of anyone connected with scraping sites for AI. I'm not convinced that a little toggle in settings is going to make much of a difference in the long run. On the other hand I like posting here and I have received enough messages over the years to know that my blog is a positive influence on some lives. I was looking forward to May and June and posting pictures of the incredible beauty of eastern Pennsylvania in those months. And I was planning on making a side blog for posting some poetry I've been working on. It will break my heart to leave.

I haven't decided yet. Believe it or not this whole thing has given me awful physical symptoms. I'll let you know when I decide. Thank you again for your kind and lovely note!

[rainbowsky]

Regarding CPN discussions, questions and comments

Several times over the past few days I've had to remind people about a boundary I have around discussions of CPN, so I feel it might be a good time to remind everyone of this so that everyone is on the same page.

I'm always preaching that CPN is for turtle's eyes only. It isn't meant for wider consumption by solos or passersby. This is for the protection of turtles and of GG and DD. When CPN crosses over into other areas, it pretty much always leads to fan wars and anti activity.

One of the measures that I feel passionately about in connection with this is the notion that

CPN should never be discussed in posts that are tagged with GG and DD's individual names.

There are a couple of really good reasons for this:

It's part of staying in our own lane. Solos follow the tags for GG and DD's individual names, and if CPN is discussed in those posts, solos can stumble across it and create problems. I have faced a lot of harassment in the past - including the recent past - from solos because of this very thing, and it's not fun. Fan wars are never good, but especially not when I become a target for hate through no fault of my own. If you talk about CPN in the comments of my posts, I am going to be the one attacked for it, not you.

Posts tagged with their individual names are for celebrating their individual works and achievements. There's plenty of space for clowning elsewhere.

All that I ask is that before you comment to discuss CPN in the notes of one of my posts, please double check that it is not tagged with 'xiao zhan' or 'wang yibo'. If it is, submit your comment or question to me as an ask, contact me privately about it, or find a post on my blog on a related subject that is tagged with 'bjyx' or 'yizhan' and comment there.

You can also feel free to make a post about it in the Yizhan Tumblr community.

Please also feel free to do whatever you want, take whatever risks you want, and embody your own values around this topic on your own blog, including reblogging my individual posts with whatever commentary you want. Feel free to use whatever tags you want and to discuss whatever you want in a reblog. Just please don't comment with CPN in posts on my blog that are tagged with their individual names.

A note on reactions

Some people really take it personally and get bent out of shape when I make this kind of request. This is by no means a rare reaction. The majority of turtles who I mention this to in response to CPN comments in the notes of these posts respond in a negative way. Some even unfollow or block me for it.

I don't understand why anyone would be offended by a boundary I set for my own well-being online, or why anyone would take personally a decision that I have made for my own well-being.

I have had a lot of harassment and hate thrown at me over the years, and due to a lifetime of being singled out, I am especially sensitive to bullying. It's just not something I want in my life, and I will seek to avoid and prevent it at all costs. Please respect my needs in this regard.

As importantly, we really do need to stay in our own lane to try to maintain some measure of harmony between fandoms, and to avoid fan wars.

This is not a new boundary - I've been stating it for years. @accio-victuuri has been saying this for years as well. It is by no means unusual for this request to be made by turtles. It is a best practice for avoiding fan wars.

So please try to be understanding about this. I would never make a request of someone if I didn't have a good reason.

I don't state these things to make you feel bad in any way. Nor do I hold it against you if you make a mistake. I'll just remove that comment and explain to you why I've done so. Don't take it personally. I appreciate people's engagement with my posts, and do not want to make anyone feel alienated. I do my best to express myself in a kind and understanding way.

I hope you will extend me the same courtesy.

[rokiro99]

i would like to clear this up for those who are interested in my thought process behind this piece! my recent mouthwashing pieces are all done from the perspective of jimmy, and this one is no exception.

while i am aware the dead pixel symbolizes jimmy in-game, i decided to play around with that idea a little, in the sense that i believe what he did to anya lingers in the back of his mind too (albeit in a much different way than it does in anya’s). her dead pixel metaphor is used against herself here because it’s from jimmy’s perspective as something he wants to evade the consequences of, to ignore, but is inevitably still something that makes its presence known.

i also used the pixel to censor anya’s face in this (and drew her more as a silhouette for this reason as well!) to further accentuate that point, as well as hint at how jimmy views her as a person.

this isn’t related to the question in the reblog, but i still think it’s worthy to mention- the fact that this piece is done from jimmy’s point of view is also why he’s looking away from anya’s silhouette.

again, to him, his actions and what he did to her are only something he’s trying to actively turn away from instead of face the consequences for head on. it’s symbolic of the fact that anya never shows up as herself in his hallucinations, only her baby.

i’m unsure if i should tag the person who reblogged as i’m not sure how they would feel about that, and i apologize for any poor wording in my explanation. sometimes verbalizing my thoughts in english is hard, and it’s not my native language!

but i hope this provided some insight into my art nonetheless. i’m very thankful from all the support from this community!!

[qqueenofhades]

Hello! This is kind of a weird ask, I'm sorry to bother you, but seeing as you're a very intelligent studied historian that I deeply respect, I was hoping you could offer some advice? Or like, things i could read? Lately, i feel like my critical thinking skills are emaciated and its scaring the shit out of me. I feel very slow and like I'm constantly missing important info in relation to news/history/social activism stuff. Thats so vague, sorry, but like any tips on how i can do better?

Aha, thank you. There was recently a good critical-thinking infograph on my dash, so obviously I thought I remembered who reblogged it and checked their blog, it wasn't them, thought it was someone else, checked their blog, it also wasn't them, and now I can't find it to link to. Alas. But I will try to sum up its main points and add a few of my own. I'm glad you're taking the initiative to work on this for yourself, and I will add that while it can seem difficult and overwhelming to sort through the mass of information, especially often-false, deliberately misleading, or otherwise bad information, there are a few tips to help you make some headway, and it's a skill that like any other skill, gets easier with practice. So yes.

The first and most general rule of thumb I would advise is the same thing that IT/computer people tell you about scam emails. If something is written in a way that induces urgency, panic, the feeling that you need to do something RIGHT NOW, or other guilt-tripping or anxiety-inducing language, it is -- to say the least -- questionable. This goes double if it's from anonymous unsourced accounts on social media, is topically or thematically related to a major crisis, or anything else. The intent is to create a panic response in you that overrides your critical faculties, your desire to do some basic Googling or double-checking or independent verification of its claims, and makes you think that you have to SHARE IT WITH EVERYONE NOW or you are personally and morally a bad person. Unfortunately, the world is complicated, issues and responses are complicated, and anyone insisting that there is Only One Solution and it's conveniently the one they're peddling should not be trusted. We used to laugh at parents and grandparents for naively forwarding or responding to obviously scam emails, but now young people are doing the exact same thing by blasting people with completely sourceless social media tweets, clips, and other manipulative BS that is intended to appeal to an emotional gut rather than an intellectual response. When you panic or feel negative emotions (anger, fear, grief, etc) you're more likely to act on something or share questionable information without thinking.

Likewise, you do have basic Internet literacy tools at your disposal. You can just throw a few keywords into Google or Wikipedia and see what comes up. Is any major news organization reporting on this? Is it obviously verifiable as a fake (see the disaster pictures of sharks swimming on highways that get shared after every hurricane)? Can you right-click, perform a reverse image search, and see if this is, for example, a picture from an unrelated war ten years ago instead of an up-to-date image of the current conflict? Especially with the ongoing Israel/Palestine imbroglio, we have people sharing propaganda (particularly Hamas propaganda) BY THE BUCKETLOAD and masquerading it as legitimate news organizations (tip: Quds News Network is literally the Hamas channel). This includes other scuzzy dirtbag-left websites like Grayzone and The Intercept, which often have implicit or explicit links to Russian-funded disinformation campaigns and other demoralizing or disrupting fake news that is deliberately designed to turn young left-leaning Westerners against the Democrats and other liberal political parties, which enables the electoral victory of the fascist far-right and feeds Putin's geopolitical and military aims. Likewise, half of our problems would be solved if tankies weren't so eager to gulp down and propagate anything "anti-Western" and thus amplify the Russian disinformation machine in a way even the Russians themselves sometimes struggle to do, but yeah. That relates to both Russia/Ukraine and Israel/Palestine.

Basically: TikTok, Twitter/X, Tumblr itself, and other platforms are absolutely RIFE with misinformation, and this is due partly to ownership (the Chinese government and Elon Fucking Musk have literally no goddamn reason whatsoever to build an unbiased algorithm, and have been repeatedly proven to be boosting bullshit that supports their particular worldviews) and partly due to the way in which the young Western left has paralyzed itself into hypocritical moral absolutes and pseudo-revolutionary ideology (which is only against the West itself and doesn't think that the rest of the world has agency to act or think for itself outside the West's influence, They Are Very Smart and Anti-Colonialist!) A lot of "information" in left-leaning social media spaces is therefore tainted by this perspective and often relies on flat-out, brazen, easily disprovable lies (like the popular Twitter account insisting that Biden could literally just overturn the Supreme Court if he really wanted to). Not all misinformation is that easy to spot, but with a severe lack of political, historical, civic, or social education (since it's become so polarized and school districts generally steer away from it or teach the watered-down version for fear of being attacked by Moms for Liberty or similar), it is quickly and easily passed along by people wanting trite and simplistic solutions for complex problems or who think the extent of social justice is posting the Right Opinions on social media.

As I said above, everything in the world is complicated and has multiple factors, different influences, possible solutions, involved actors, and external and internal causes. For the most part, if you're encountering anything that insists there's only one shiningly righteous answer (which conveniently is the one All Good and Moral People support!) and the other side is utterly and even demonically in the wrong, that is something that immediately needs a closer look and healthy skepticism. How was this situation created? Who has an interest in either maintaining the status quo, discouraging any change, or insisting that there's only one way to engage with/think about this issue? Who is being harmed and who is being helped by this rhetoric, including and especially when you yourself are encouraged to immediately spread it without criticism or cross-checking? Does it rely on obvious lies, ideological misinformation, or something designed to make you feel the aforementioned negative emotions? Is it independently corroborated? Where is it sourced from? When you put the author's name into Google, what comes up?

Also, I think it's important to add that as a result, it's simply not possible to distill complicated information into a few bite-sized and easily digestible social media chunks. If something is difficult to understand, that means you probably need to spend more time reading about it and encountering diverse perspectives, and that is research and work that has to take place primarily not on social media. You can ask for help and resources (such as you're doing right now, which I think is great!), but you can't use it as your chief or only source of information. You can and should obviously be aware of the limitations and biases of traditional media, but often that has turned into the conspiracy-theory "they never report on what's REALLY GOING ON, the only information you can trust is random anonymous social media accounts managed by God knows who." Traditional media, for better or worse, does have certain evidentiary standards, photographing, sourcing, and verifying requirements, and other ways to confirm that what they're writing about actually has some correspondence with reality. Yes, you need to be skeptical, but you can also trust that some of the initial legwork of verification has been done for you, and you can then move to more nuanced review, such as wording, presentation of perspective, who they're interviewing, any journalistic assumptions, any organizational shortcomings, etc.

Once again: there is a shit-ton of stuff out there, it is hard to instinctively know or understand how to engage with it, and it's okay if you don't automatically "get" everything you read. That's where the principle of actually taking the time to be informed comes in, and why you have to firmly divorce yourself from the notion that being socially aware or informed means just instantly posting or sharing on social media about the crisis of the week, especially if you didn't know anything about it beforehand and are just relying on the Leftist Groupthink to tell you how you should be reacting. Because things are complicated and dangerous, they take more effort to unpick than just instantly sharing a meme or random Twitter video or whatever. If you do in fact want to talk about these things constructively, and not just because you feel like you're peer-pressured into doing so and performing the Correct Opinions, then you will in fact need to spend non-social-media time and effort in learning about them.

If you're at a university, there are often subject catalogues, reference librarians, and other built-in tools that are there for you to use and which you SHOULD use (that's your tuition money, after all). That can help you identify trustworthy information sources and research best practices, and as you do that more often, it will help you have more of a feel for things when you encounter them in the wild. It's not easy at first, but once you get the hang of it, it becomes more so, and will make you more confident in your own judgments, beliefs, and values. That way when you encounter something that you KNOW is wrong, you won't be automatically pressured to share it just to fit in, because you will be able to tell yourself what the problems are.

Good luck!

[thebramblewood]

this is in a similar vein to an ask you got recently but do you have any tips for those who are interested in sims 4 (or even other games like ts3 and ts2) storytelling? I write fanfiction but I think making sims 4 stories could be a fun venture. Anyway, thank you for your time! I love your stories so very much they're literally my hyperfixation!

Well, that makes two of us because it's literally my hyperfixation. I think I've shared bits of advice before, so some of this might sound familiar, but here are some things I think are important to remember (and I tried to be concise, I swear).

Write the story you want to write. Obviously, it's a great feeling when something takes off and people get invested. But if you pursue an idea only because you think Simblr will like it, you probably won't be inspired for long and it'll probably show. I've been very lucky with my story, but it didn't blow up overnight. Early on, I was thrilled to get double digit notes or one reblog or comment and was admittedly disappointed when I put a lot of effort into something and nobody seemed to notice. But I kept going because I was obsessed and wanted to see it through, and that's more true now than ever.

Start with low stakes and allow yourself to evolve. Before I was on Simblr, I made Sims stories with no poses or visual enhancements or fancy editing. I wrote them for myself, and I loved every minute of it, but they also gave me a solid foundation for the kind of storytelling I do now. Even after starting this blog, I eased myself into it. I learned how to use poses and Reshade, then moved on to more advanced editing techniques, then moved on to teaching myself to make poses and very basic CC. If you try to learn it all at once, you're more likely to give up because you're overwhelmed. Take your time and make peace with the fact that perfection isn't possible. Everyone's always learning!

Take advantage of the fact that Sims is a game. Even though I've been a creative writer for most of my life, I don't come up with fully-fleshed, elaborate Sims stories from scratch. It started off with my legacy and not wanting every generation to feel the same. I thought about gameplay I hadn't experienced yet and centered each generation's story around that. Even with HZID, I just wanted to make and play with vampires! That's it! Initially, I used a lot of gameplay to convey Helena's college experiences, and I still try to incorporate it when I can. It can really be a great base to spark your creativity if you don't know where to start.

Don't have a life outside your story. I'm joking. Kind of. I'm not a very social person and I don't like leaving my house if I don't have to. This leaves me with a lot of time for working on story things. Honestly, I could probably stand to work on it less. But for better or worse, I'm doing story-related things most nights and weekends, and even if I'm not doing anything, I'm thinking about it. It's probably mental illness, but we'll just call it passion. At the same time, it's also important to take breaks! If you're feeling burnt out, step away for a while. If you can't make yourself step away completely (raises hand), just edit the script or spin your blorbos around in CAS or something rather than going straight for posing a scene.

Follow and interact with other storytellers. This is probably the most important thing, and as someone who struggles with social anxiety it was the hardest for me to do. But I try to make a point of keeping up with other stories, commenting, and reblogging. Not only will the amazing talent of other writers inspire you, but you're building meaningful connections that make them more likely to want to interact with your story. There's no denying it feels amazing to watch your audience grow. But no one's going to see you if you don't make an effort to be seen, as scary as it can be. So try to be active in the community and support other storytellers the way you want to be supported!

[whomst-art-thou-whomst-whomst]

Work Emails from Beyond Evil: Wherein Han Juwon Does Battle With Social Media

(Be sure to check out his efforts on Reddit, too)

To: Oh Jihoon

Subject Heading: Regarding Your Request for Me to Contribute to The Manyang Police Station’s Instagram, as Indicated Through a Series of Unsubtle Hints During the Team Dinner We Attended Yesterday

No.

Regards,

Han Juwon

To: Lee Dongsik

Subject Heading: I am Twenty-Seven Years of Age and It is Normal For Me to Have Social Media. Why Do YOU Have Twitter? To Follow People??

1.) Kwon Hyuk set it up for me so that I would be “social in some sense at least,” as he put it.

2.) I have no other investment in this Musk character, his products, or his actions. It is not my business why I have been refused verification here, verification that you somehow received with ease. Certainly it cannot be related to the content of your page. It does not bother me.

3.) It is my understanding that this website is meant to foster relations between disparate individuals, but I see that despite sending multiple DMs to me this afternoon, several of which could be construed as workplace harassment, you have somehow neglected to follow me back on Twitter. Kindly amend the situation at your earliest convenience to balance things out.

4.) I do not appreciate the familiarity indicated in what I suspect are so-called “subtweets” about my physicality.

(Just a quick addendum: Twitter will falsely claim I recently *liked* a tweet of yours from several years ago. This was entirely a computer error and anyway unintentional. Disregard.)

Regards,

Han Juwon

To: Park Jeongje

Subject Heading: What is a Tumblr? Why do I have a “fan page” on there?

Delete this website immediately. While I admire your artwork and agreed to start an account to see more, the “feed” you and Yoo Jaeyi set up keeps suggesting strange things. I don’t recognize the term keysmash, the concept of a stan account is disturbing and potentially dangerous, and above all, I am quite sure Officer Lee Dongsik and I have never been, um, positioned in relation to each other in the physical ways that have been written and illustrated throughout the depths of this pornographic and nihilistically perky hellscape. I have no interest in being featured in someone’s “moodboard,” and the moment I discovered Lee Dongsik not only has an account here but also reblogged a number of these images with *comments*, I reported him to the site for indecency.

Tl;dr: If I see one more bloody picture of myself in a flower crown, the next post on your page will be a memorial for you. Am I clear?

(I will, however, need you to forward me any future posts that you see about myself and Officer Lee. I am compiling a folder of such materials, so I can take them to court if need be.)

Regards,

Han Juwon

To: Chief Nam

Subject Heading: Why I Will Not Be Your Facebook Friend Anymore

Dear Chief,

Thank you for your thoughtful gesture in sending me a “poke,” which I have been informed is the equivalent of waving hello.

However.

My Facebook account exists entirely for the purpose of catching criminal activity on this increasingly criminal-ridden website. You can see, then, why your incessant frequent posts and reposts about puppies falling asleep in baskets, lake fishing tips, and soju reviews are taking up space in a “feed” that is essentially another online workspace for me, and this is why I must regrettably end our Facebook friendship.

Please stop recommending *friends* for me as well. I think you know why.

Regards,

Han Juwon

To Kwon Hyuk

Subject Heading: Disappointment (re: you)

Hyung,

I implore you to cease and desist sending me Pinterest boards with ideas for my summer wardrobe (your opinions are wrong, incidentally, see my four follow-up emails explaining why). When you first proposed setting up an account for me, I thought it would be a murder board a board to brainstorm intelligent ideas. Instead I am inundated by “inspirational quotes” that are uninspired, derivative, and largely mis-attributed. Furthermore, many links are broken, suggesting issues with the site—for example, there is an error page if you click on ”How To Know What He’s Thinking About You,” which I attempted to access for research purposes.

That being said, I do appreciate the minimalism aesthetic pins and their creators. Very tidy. Send more of those.

Regards,

Han Juwon

To: Manyang Police Station

Subject Heading: I Reject TikTok “Fame”

Firstly, I did not consent to be filmed in a series called “Storytime: my coworker is a hot mess.”

Secondly, the tutorial I gave Hwang Gwangyoung in specific English phrases he asked about was intended to be educational. The music that you added was unnecessarily sexual.

Finally, at NO point did I consent for Oh Jihwa and Oh Jihoon to do a choreographed dance to Lil Wayne’s song “Mrs. Officer” in the courtroom while I was being arrested by Lee Dongsik in the background of the video.

Needless to say, if I could arrest all of you, I would.

Regards,

Han Juwon

[devotion-disorder]

Heya! this is the intro post!

About this blog:

this is where i post about yandere content which usually consists of my ocs and other cool stuff out there!

there is NSFW + dark content (mostly noncon/dubcon/cnc) so follow at your discretion and MINORS / AGELESS BLOGS PLEASE DNI!! or else you will be blocked.

Commission info here!!

feel free to send asks!! I dont bite :D

my main is @i-have-no-calcium because im dumb and didn’t think this through LMAO so follows will be from this blog -u-

Navigation:

✦ #my art — my drawins... or #sillydoods for doodles that are too silly to be in the art tag lol

✦#yandere oc — my silly ocs! or their individual tags: ✦ #Noel posting ☆ #Kuuya posting ☆ #Killian posting ✦ #elf fever hours — my recent descent into elf-related debauchery

✦ #ask — watch me come up with a silly dumb response for everything!

✦ #text  — my rambles and incoherent thoughts!

✦ #art reblog  — other people’s amazing art! check em out!! NOW.

✦ #devotion.irl — gaze upon my physical form. if you dare.

Info about me (😳) under the cut:

Im Audrey! or Devo, if thats easier to remember :p

my pronouns are she/they! 

20 y.o. loser college student that doesnt go outside enough. if i ever stop being as active its probably cause college is beating my ass into the ground again

bisaxual........................ 👍💗💜💙

my zodiacs are Sagittarius sun, Capricorn Rising and Cancer moon :)

ive been told by my irls that apparently im applejack-coded. i dont watch mlp so i dont really know what that means but you can do with that what you will

I’m suuuuper shy both irl and online so I’m sorry that im not the best at interacting/ answering asks TT but im trying to get better at it!! I’d be very happy if you sent anything regardless and i’ll try my best to get to them!

thank you for reading up to this point ^_^ have a nice one! mwah 

[fic-writer-confessions]

Is it just… normal now for people to take your ideas without credit? I’m an author with only a handful of hits per AO3 work who counts myself lucky to get 1 reblog or 1 comment per fandom contribution, as usually I’m posting with proper tags at active times and receive no response.

I created several highly specific headcanons for a character (Ex: an unusual ability, an abusive childhood, a surname I invented, etc.) and recently found out that a whole group of people is using these in their non-fic-related fan project without asking me. When asked by another person, one of them did reply saying that they just loved the headcanons so much, they’re using them in their project. So… they’re not unwilling to admit I’m the source, but the project itself doesn’t cite my fandom contributions in any way.

This has happened in multiple fandoms by now. I’d have like 4 nickels… can one of you just ask me, link to my Tumblr posts, or cite my AO3? I don’t bite, but I feel saddened that you don’t seem to want me to know about your group projects and don’t seem to want to encourage AO3 readers to find my contributions to this headcanon.

I’ve had some groups use my years-established headcanons and then accuse me of plagiarism, so it just puts me on edge seeing more groups who aren’t communicating with me. Sigh.

Would it be so hard to ask me or just mention my username as inspo in your credits page? My headcanons may seem tiny to you, easy to pluck up, but it still hurts to see you use them and get praised for creativity while I’m sitting here feeling so engagement-less, it makes me wonder if I’m mass-blocked by the fandom.

.