#in relation to my recent reblogging activity

[manchblack]

if i had any of the energy it took to compile gifs i would soooo make a stimboard blog dude. so cool

[0sbrain]

here's a list of mozilla add-ons for all of you tumblrinas out there to have a better internet experience

also, if you like my post, please reblog it. Tumblr hates links but i had to put them so you adhd bitches actually download them <3 i know because i am also adhd bitches

BASIC STUFF:

AdGuard AdBlocker / uBlock Origin : adguard is a basic adblock and with origin you can also block any other element you want. for example i got rid of the shop menu on tumblr

Privacy Badger : this add on will block trackers. if an element contains a tracker it will give you the option to use it or not

Shinigami Eyes: this will highlight transphobic and trans friendly users and sites using different colors by using a moderated database. perfect to avoid terfs on any social media. i will explain how to use this and other add-ons on android as well under the read more cut

THINGS YOU TUMBLINAS WANT:

Xkit: the best tumblr related add on. with many customizable options, xkit not only enhances your experience from a visual standpoint, but provides some much needed accessibility tools

bonus: if you are into tf2 and wanna be a cool cat, you can also get the old version to add cool reblog icons

AO3 enhancer: some basic enhancements including reading time and the ability to block authors and tags

YOUTUBE

Return of the YouTube Dislike : pretty self explanatory

Youtube non-stop: gets rid of the annoying "Video paused. Continue watching?" popup when you have a video in the background

SponsorBlock: gives you options to skip either automatically or manually sponsors, videoclip non music sectors and discloses other type of sponsorships/paid partnerships

Enhancer for YouTube: adds some useful options such as custom play speed, let's you play videos in a window and most important of all, it allows you to make the youtube interface as ugly as your heart desires. I can't show a full image of what it looks like because i've been told its eye strainy and i want this post to be accessible but look at this <3

PocketTube: allows you to organize your subscriptions into groups

YouTube Comment Search: what it says

FINDING STUFF

WayBack Machine: you probably know about this site and definitely should get the add on. this allows you to save pages and access older versions with the click of a button. while you can search wayback using web archives, please get this one as well as it allows you to easily save pages and contribute to the archive.

Web Archives: it allows you to search through multiple archives and search engines including WayBack Machine, Google, Yandex and more.

Search by Image: allows you to reverse image search using multiple search engines (in my experience yandex tends to yield the best results)

Image Search Options: similar to the last one

this next section is pretty niche but... STEAM AND STEAM TRADING

SteamDB: adds some interesting and useful statistics

Augmented Steam: useful info specially for browsing and buying games

TF2 Trade Helper: an absolute godsend, lets you add items in bundles, keeps track of your keys and metal and your recent trades, displays links to the backpack tf page next to users profiles and more. look it tells me how much moneys i have and adds metal to trades without clicking one by one oh may god

IN CONCLUSION: oooooh you want to change to firefox so badly, you want to delete chrome and all the chrome clones that are actually just spyware and use firefox

HOW TO USE MOZILLA ADD-ONS ON YOUR PHONE

if you already use firefox on android, you'll know there are certain add-ons compatible with the app, some of them even being made just for the mobile version such as Video Background Play FIx. while most of them are pretty useful, some more specific ones aren't available on this version of the browser, but there's a way of getting some of them to work

you need to download the firefox nightly app, which is basically the same as the regular firefox browser but with the ability of activating developer mode. you can find how to do that here. once you've enabled it, you need to create a collection with all the add ons you want. i wouldn't recommend adding extensions if the creators haven't talked about phone compatibility, but XKit and Shinigami Eyes should work

also, don't tell the government this secret skater move, but you can try using both the regular firefox browser and nightly so you can have youtube videos in a floating box while you browse social media.

see? i can block this terf while Rick Rolling the people following this tutorial. isn't that tubular?

[slenbee]

List of Current Scammers - Part 3

Created: 12/11/24 - Updated: 12/28/24

Disclaimer: This list is only meant to serve as documentation and reference material so that others know: what to look out for in regards to a scam, and who to block preemptively if you so choose. I do not, in any way, endorse harassment or mass reporting these users. Do NOT do this. I'm serious. DO NOT mass report. Only report these asks if you GET them or ones like them. Thank you.

Part 1 and part 2 will now serve as an archive for reference material and will no longer be updated with current/active scam accounts. Any new account will be posted here, and if it links to a scammer previously mentioned evidence will be provided from that scam list.

----------

index:

> means a name change. (banana (changed to) mango)

+ means multiple (active) accounts running the same scam.

Previously: means this account is running a scam previously used by an account listed on Part 1 or Part 2 of the scam list.

Recently: means this scam was seen on recently banned account.

(banned) blogs will remain until a new one shows up and then it will be moved to the Recently: category.

Evidence:

Evidence linked will be mostly in the form of call out posts that can be found by searching an accounts username on tumblr. If you are suspicious of an ask you receive, I suggest you please do the bare minimum and search their username on tumblr to see if they've been reported by other users to be a scam.

Reasons why all of these blogs listed here are scams:

Those saying they are 'vetted/verified' will not say by who.

Those saying they 'live(d) in Gaza' know nothing about it.

Those saying they are diabetic have no idea how diabetes works.

Their PayPal.me name are used by other scam accounts.

They use stolen stories/images (if searched via google).

They use multiple blogs to run the same scam.

They will reuse the same story word for word from past accounts.

They will block you if you try and ask questions. Go on. Do it.

They really like changing their 'real name(s). like, a lot.

Their accounts are only a few days/weeks/1-4 months old.

They reblog 5-10 things irreverent things then stop.

The list of evidence goes on and on.

If you have doubts, read the message at the bottom of this post.

----------

Part 1 - Scammers pretending to be Palestinian

Note: Please refer to Part 1 of the scammer list for more information.

Here is a comprehensive guide on how to spot these scams.

----------

Insulin or diabetes Scams A guide on how to spot these scams. Accounts asking for donations regarding insulin or diabetes care.

sitatimohamed1 (banned) Previously: sitatimohamed (part 1) No PayPal link yet but probably soon. Evidence it's a scam: here and here sappotviviandiabetiicpatient Recently: veemiraclettastemaker + fulltragedysupportme "diagnosed with Latent Autoimmune Diabetes at a tender age" Asks for PayPal. Evidence it's a scam: here furiousdreamertimemachine Recently: furryhideoutlight + unlikelycreationqueen + fancytacowonderland Previously: furryreviewearthquake (part 1) "My family is still staying in half of the church" Asks for PayPal. Evidence that it's a scam: here and here mysterioussickenessdiabiatese (banned) Previously: gaza-diabetes-childrenhelp (part 1) Asks for PayPal. Evidence that it's a scam: here foggyhottubpost (banned) Previously: foggyruinspost + foggyruinsblog (part 1) Notes: PayPal name Mercy Siomi is used by other scam accounts. Asks for PayPal. Evidence that it's a scam: here

----------

Evacuation Donation Scams Accounts asking for money to move from one place to another.

maximumtriumphmagazine (banned) Stole images from a real artist. Artist confirmed not related. Uses a fake gofundme for asking donations. Evidence it's a scam: here abdullahwahhab (banned) Asks for PayPal. Evidence it's a scam: here

Medical Donations - A guide on how to spot these scams. Accounts asking for money for cancer or another medical condition.

superbballoonsalad (banned) Stolen images. Was previously cherylbieryl. Asks for PayPal. (has since deleted their post) Evidence it's a scam: here

----------

Part 2 - Non Palestinian related scams

Note: Please refer to Part 2 of the scammer list for more information.

----------

Pet donation Scams - A guide on how to spot these scams. Accounts requesting money to help a sick pet/animal.

----------

Medical Donations - A guide on how to spot these scams. Accounts asking for money for cancer or another medical condition.

furrybouquetdonut (banned) Recently: radhideoutsublime Previously: foggybouquetsublime (see Part 2) 'I have stage 2A cervical Cancer' Notes: PayPal name Esta Odhiambo is/was used by other accounts. Asks for PayPal. Evidence it's a scam: here sublimenerddragon (banned) Previously: sublimedestinybird (see Part 2) "My nose freezes." Asks for PayPal. - Evidence it's a scam: here differentladyfest (banned) Recently: monicahqueen 'I had stage 4 Laryngeal Cancer, voicebox removed.' Asks for PayPal. Evidence it's a scam: here swimminggentlemencreator Previously: choppedreviewsong (see Part 2) 'cystic fibrosis patient' Story and images 100% stolen from a real fundraiser. Notes: The original fundraiser was requested/required to be stopped in 2023, and the person who it was for had their twitter deactivated at some point too. I (personally) cannot find anything on this person (Alessandra Olivero) still being alive, so I (personally) am under the assumption that they may have passed away. The scam accounts who use these images and this story in particular make me hella mad and I hope they suffer before they rot in hell. Asks for PayPal. Evidence it's a scam: here

----------

Diabetes / Insulin scams - A guide on how to spot these scams. Accounts asking for donations regarding insulin or diabetes care.

jovialnightcat + nuttykittenglitter Recently: scentedtacomaker + generouscandycreator Previously: sostudentbarbarian / alfayothesoftwareaudit / purplecatshark (see Part 2) Notes: Uses the same picture on every blog of the girl with the cgm and blood in/on an IV that's in her arm. Asks for PayPal. Evidence it's a scam: here and here gloriousprincecupcake Recently: universallyturtlepersona + darkbirdbasement + slowlynuttyqueen Previously: steadybluebirdpizza (see Part 2) Has used many multiple accounts. (vero-og) Asks for PayPal. Evidence it's a scam: here numberonetimemachinebouquet Recently: severedazepanda spmwitaa humongousfoxbasement Previously: ssmwitaa (see Part 2) Art thief. Has no idea how insulin works. Asks for PayPal. Evidence it's a scam: here jessieblogsposts (banned) Notes: The name Diana Achieng is used by other scam accounts. Images and story stolen from a gofundme. Asks for PayPal. Evidence it's a scam: the gofundme (2020)

----------

If you have any doubts about the validity of this post:

I would not, nor would I ever, willingly or knowingly put someone on this list if I knew 100%, without a doubt, that they were a real, genuine person looking for help.

I (personally) have spent hours of my time gathering evidence in the form of searching names, copy/pasting things over and over into tumblr and google just to try and find different blogs, taking screenshots and making collages in photoshop, writing down and making entire in depth posts about how and why a blog is or isn't running a scam.

And I'm not the only one who does this.

Scam buster blogs, helpful users/anons, and many others, have been looking into and tracking these scammers for months.

These are not individuals we just saw on tumblr and decided to pick on for shits and giggles.

They are scammers.

They don't care about whose story they use or whose pictures they stole. They don't care how it effects someone or what lives they ruin.

All they care about is money.

So, remember to report their PayPal accounts if you can please. :)

Thank you and have a good day. <3

Helpful guides on how to spot scams. (by @kyra45) Important tips and tricks on spotting scams.

[catboybiologist]

Hiya! I'm CatboyBiologist.

The unfiltered, unhinged side of @hi-sierra. I'm doing a quick pinned post refresh.

If you post a screenshot of mine to another site, please read this first!

I'm a transgender woman, outdoors enthusiast, and grad student in molecular bio living on the West coast of the US. I post a lot of vain selfies and thirst traps:

I'm known for tgirl tummy tuesdays, shower coffee, weirdass rambling shitposts, my tortoise, bisexual meltdowns, being an angry tranny, making my ADHD everyone else's problem, and talking about hiking/backpacking more than I actually do it. This blog is my main one, and is an unfiltered stream of information.

But I'm slowly trying to do a little more than that. I've been trying to do SOMETHING related to science communication for a while now, and never had the time or mental spoons to do so. Now, with recent political situations, not only am I more fired up than ever to get those off the ground, but I might actually do it in a more "official" capacity related to my research. Stay tuned- but also, if you happen to know any specific people/organizations that might accept quick blurb writings about being trans in biology, lmk!

If you want to DM me, tag me, drop an ask, for whatever reason, feel free to! This includes any and all tummyposting. Do be aware, however, that I try to keep this blog SFW, and will use my discretion on what to reblog or answer. On the flip side of that, however, I often get close to the limits of SFW here, so if you're uncomfortable with that or a minor, you have been warned.

I have a ko-fi, and donations are greatly appreciated.

Tortoise tax:

Misc links below, including my other profiles and posts I want to highlight.

Why and how should you store a little extra HRT? And also: what does death before detransition mean?

Active accounts elsewhere:

Reddit

Instagram

Bluesky

Previous pin with link to all my other previous pins

[jiminjamms]

sex therapy :: 30. breaking news

chapter tags/warnings: manipulative! naoya. physical aggression. verbal abuse (not to reader). infidelity/adultery. extremely strong language. corruption. family drama.

word count: 3.4k

notes: thank you again for your patience with the chapter! life update: i resigned from my company (on good terms, even though the work had sucked my mental and physical health), and i am soon doing a trip to japan and southeast asia as part of my recovery. still, i will be actively writing and responding since this community is so important to me! also, has anyone been keeping up with jujutsu kaisen's manga?! likes, comments, and reblogs are much appreciated. xoxo

fic masterlist | 01. 02. 03. 04. 05. 06. 07. 08. 09. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33.

Life without a sugar daddy was rough.

As Toji Fushiguro's ex-wife and Naoya Zenin's ex-mistress, Mari faced this harsh reality since no one threw their money in her direction anymore. She slept little this past week, overwhelmed by financial stressors. While she still subsisted on the younger executive's credit card (with his fortune, Naoya hardly noticed the charges on his bill), she realized that she actually had to work for an income.

Such was the case as Mari walked home one evening after interviewing for jobs, her body and mind exhausted from fielding mundane questions about her previous professional experiences (which she had little of).

Upon unlocking her apartment door, she was immediately greeted by the sight of her illuminated living room.

That struck her as odd.

She always switched the lights off before she left.

However, when she spotted a familiar face down the hall, she found the answer.

"Tsumiki." Mari dropped her purse by the door. "What are you doing here?”

The woman had not seen her one and only blood-related child in months. While she knew that her daughter—who was, without doubt, a fantastically accomplished and intelligent young lady—just completed her second year at Oxford University, she thought the girl had chosen to remain in England for her summer break. Didn't Toji mention that she did not want to return to Tokyo?

Not that Mari complained. She was just...confused.

Admittedly, Mari should know the answer to her question, but she had been too ‘occupied’ to contact Tsumiki as much as a good mother should. As a result, Mari found herself in the dark about the girl's life in the United Kingdom, her plans for the university holiday, and her recent classes in…what was her field of study again?

Surely, Toji and his twerp son Megumi would know all the answers since Tsumiki had always been closer to her Fushiguro stepfamily. Quite a shame, since Mari would have considered her daughter as the most perfect angel otherwise.

She toed her shoes off.

“When did you arrive in Tokyo?” Mari continued with a plastered smile and approached the girl sitting with crossed arms in the living room.

Genetics ran deep between mother and daughter. Uninformed observers might even mistake the pair as sisters, the physical resemblance uncanny in how Tsumiki presented a more youthful version of the older woman by sharing the same warm chocolate-colored eyes, long dark hair, and flawless porcelain skin.

Yet, physical similarities meant nothing when Mari could not fully decipher her own flesh and blood.

“I came back to Japan earlier this week,” Tsumiki responded a terse edge in her tone.

“But I haven’t seen you until now.”

“Because I’ve been staying with Dad.”

“Oh.” So, she meant with Toji. “You mean your stepdad.”

“No,” she corrected sternly. “He's my dad.”

Theoretically, Mari could go into a whole tangent on how Tsumiki’s actual father was some middle-class nobody whom she hadn’t seen or spoken to since her first divorce (and that was many years ago). Or how the Fushiguros technically were Tsumiki’s ex-stepfamily since Mari had divorced her second husband Toji earlier this year.

But she spared her daughter from the reminders.

“Well, I’m glad to see you back, honey.” With a bottle of unfinished cabernet sauvignon in the fridge, Mari meandered to the kitchen to pour herself a full glass. She returned to living room and joined her daughter on the sofa. “How have you been? I’m guessing England has been treating you well? I have never been, so I wouldn’t know. Heard that the fish and chips are good there."

No response.

Am I being ignored? Mari commented inwardly and swirled the red wine in her chalice.

She took her first sip amid the long and awkward pause before switching the topic to encourage conversation. "Anyway, whenever you would like, you’re always welcome to stay a few nights here. Wouldn't hurt to spend some more time with your mother."

Only for Tsumiki to quip, “We’ve talked about this before. I don’t want to live with you.”

Now, this—Mari believed—was certainly uncalled for. "Watch your tone with me, young lady."

"For what? I am not here because I miss you," her daughter resumed. "If I had a better option, I would not bring myself to show up here and be in front of you."

The older woman placed her glass down and tried to appear calm. Hearing Tsumiki speak with such contempt twisted a deep knife into Mari's heart. Once upon a time, her daughter had been the sweetest girl—warm, full of life, and eager to express her innocent thoughts with anyone she encountered. Now, however, that same person had been tainted into someone cold, guarded, and withdrawn, demonstrated by her disrespect to the very woman who had given her life.

"That is no manner to talk to your mother," Mari cautioned.

"Well, maybe because I have my reasons."

"Which are?"

"Do you want to know why I did not bother to text or call you these past several months?" and Tsumiki did not wait for an answer before she angrily added, "Because I am so upset that you filed a divorce with Dad!"

While Mari had hoped to not bring up the topic before, she had no choice but to do so now.

"That big, burly, bulky man is not your father," she snapped. "He and his emo Harvard-bound son are not your family! In the eyes of the law, there is no longer any relation between you and them. But, I am your mother. I had given you life, and this is what you think of me?"

"Because I love them!" Tsumiki opposed through a hardened glare. "Dad and Megumi treat me more like their blood-related family than you do!”

Mari could not believe the preposterous words her daughter spewed. She always presumed that the Fushiguros had been corrupting her child, and to see her suspicions confirmed had Mari standing up promptly from the couch.

"How dare you say after all I have done for you, Tsumiki?" Mari interrogated angrily. "Did you think that I left your biological father and then divorced your stepfather for what...for fun?! These choices were difficult for me, too! But I made those judgments because I wanted to give you a better life in which we didn't have to worry about where our next meal, our next piece of clothing, or our next rent payment would come from! Your biological father is a no-name nothing. He could’ve never supported the lavish lifestyle you had experienced during your adolescent years. In fact, if I hadn’t married Toji Fushiguro, you probably wouldn't be studying at the University of Oxford right now! I, alone, could never have afforded all your years of expensive tutors or private school tuition. Please, think before you speak. I know I did not raise an ungrateful brat.”

Tsumiki furrowed her brows from the comments.

“You're the ungrateful one, Mom!” she insisted, and the said woman visibly reeled back when the girl continued to seethe with antipathy. “All the money that you had spent while married to Dad, he never asked for a single cent back. Never. In fact, he still pays for my university. In his eyes and mine, I’m as good as any blood-related child to him. He hadn't asked you to chip in because he knows you wouldn't have the money to. Divorcing the man you've been leeching off of isn't a sign of appreciation, Mom."

To hear her child defend another family, Mari wasn’t sure if she was going to laugh or cry at how ridiculous this scene was, the only thing she could process being the pain and betrayal that slammed her with one bitter blow.

"Well, did you want to become a laughingstock?" the woman rationalized. "Given our ties to the Zenin name when Toji left the company, those nasty journalists would've clung onto any scrap to label you a buffoon. You know what those tabloid writers are like! I had the foresight to divorce that man. I did not want the disgrace if we remained attached to the Fushiguros."

After that response, Tsumiki turned quiet with one sharp exhale as her eyes snapped shut, and Mari, whose entire body had undulated from heavy and irate breaths, thought that finally—finally—she had won this godforsaken argument.

Until she heard the younger girl speak again.

"Yet, you have humiliated me more than anyone," and noticing how her mother quirked a brow, Tsumiki went on. "Who are you really trying to protect, Mom? Are you truly making these decisions for my benefit? Or is it...for yourself?"

Despite hiding a gulp, the older woman noticed her heart race. "What do you mean?"

"How can you explain this?"

As though that was her cue, Tsumiki reached for her phone. She tapped onto the front page of the Yomiuri Shimbun, the most highly circulated newspaper in Japan. Before Mari could read the bold title labeled as 'Breaking News,' Tsumiki provided her with a verbal summary:

"The world knows you're a homewrecker, Mom."

Naoya found no surprise when Naobito Zenin burst into his executive suite as an angry bull would charge toward a provoking cape.

Plenty of times, his father barged into his private office completely unannounced, slamming the door open with enough force to rattle the wooden bookshelves behind him. Usually, the dramatic entrance would be followed by a slew of harsh admonitions, and this encounter—Naoya could tell—would be no different.

The astringency cast on his father's countenance gave the executive no other choice than to rise from his seat, his office chair sliding back so he could pose tall and confident as the heir to Japan's largest conglomerate should be.

"Father," he greeted, curt.

Taking hurried steps around his mahogany desk, Naoya aimed to meet the older man halfway until he instead came into contact with one harsh blow that sent his face flogging to the side.

Naoya froze, his gaze lowered.

Instinctively, he reached for his throbbing cheek with one hand as the other wiped briefly over his busted upper lip. To have his father approach him physically like this didn't even register as a surprise. Despite his title as the Zenin CEO, Naoya continued to be scolded, lectured, and outright ignored because, in his father's words, he 'never seemed to get anything right.'

Even now, the older man found no hesitation in cursing out his only child.

"You fucking son of a whore! Want to explain why your affair with Toji's ex-wife is all over Japanese media?!"

Slowly, Naoya lifted his eyes from the floor. He had suspected that this would be the topic of discussion. In the last hour, Naoya saw his name plastered over tabloid pages, news websites, and social media feeds as an anonymous whistleblower tipped publishers in regards to his scandalous affair with Mari—and the millions Naoya spent to hide it. Evidence ranging from supposedly long-gone paparazzi photos to screenshots of money transfers circulated quickly with the internet.

Naturally, Naoya had seen the headlines too...

'Zenin Corporation CEO Exposed for Concealing Affair with Predecessor's Ex-Wife' 'Everything to Know About the Zenin Household's Uncovered Drama in Family, Business, and Love' 'Billionaire Naoya Zenin Entangled in Cheating Scandal, Accused of Bribing Press to Silence Coverage'

...and the comments:

'That’s why you can’t trust rich people. They never have any shame.' 'His wife and company deserve better.' 'Disappointed that this is the scumbag leading our country's largest company.' 'The Board should fire him.’

Now, that last comment struck a very particular chord, especially since the Chairman of that very Board stood before him.

Naoya clenched his hands, yet he stood mute. With every wrong move certain to cost him far too much in return, he was completely powerless in front of the family patriarch and, as a result, his first logical reaction was to defend himself.

"I do not have the evidence yet, but I am certain Toji had planned this, Father. Him, and also Sukuna, Geto, and Choso. All four leaked these details because they didn’t want to see your son succeed. I will resolve this. I am going to call Toji immediately and—“

"You're right," Naobito interrupted coldly. "If Toji had still been CEO today, he would've made sure that none of this bullshit would’ve happened.”

Naoya widened his eyes in bewilderment, not anticipating his father to twist his logic like that. He already received a literal slap across his face, but to realize that Naobito still compared him to his older cousin all these months later drove him insane!

"No, Father. What I meant was—"

"Oh, there is no need to correct me. I know what you meant," Naobito tested in a low voice. "What I gathered from this conversation is that I have given you a million chances in life, and you know what? You blew every single one of them. You're an asshole, you're a cheater, and you're a complete humiliation. I can always count on you to paint me as a failed father."

Outrageous.

With the bitter staring contest between father and son, the latter boiled internally listening to the insults from the man who sired him. For the ruthless Naobito Zenin, Naoya meant no value as an heir without the ability to achieve his high standards. 

"Some twisted brain you have for sleeping with your cousin's ex-spouse,” Naobito then chided, yet amusement remained absent in his tone. “Was that the low-class tramp I saw in the photos with you on the private jet the other day?"

The blonde kept his mouth shut.

But his father wanted an answer. "Well?!"

Suck it in, Naoya. That's all you can do now. "Yes."

What a sight, to see how someone blazing as a furious flame then erupt into a violent volcano. Naobito grabbed his son's collar, pulling him forward and shoving him against the wall. His fists shook as he sought the other's gaze.

"You're fucking married, you realize that?!" he snarled.

"I do! Which is why I have cut Mari from my life! I don't talk to that woman anymore."

Unimpressed, Naobito tugged forcefully at Naoya's shirt again. "I am truly astonished by what an idiot you are. Your answer doesn't change shit." He tightened his grip and did not care that his son wrapped both hands around his wrist to prevent himself from choking. "Let me tell you something, boy. I did everything—everything—to convince our Chief Operating Officer to let his treasured daughter marry you, you despicable bastard. He didn't want to hand the girl over because he knew—oh, that man is wise!—he knew that the union mainly served as a tactic to improve your public image and that there was little obvious benefit for his child. Power and money did not interest him when compared to his daughter, so the one promise I made is that you would love her," and he roared, "so, what the hell have you done?!"

Naoya had heard his father’s warnings countless times, yet he previously brushed each one aside with an ambivalence he now acknowledged as foolish. Unlike before, the threat to his hard-earned position suddenly became very, verypalpable. He grappled with a strange fear, unable to pinpoint what precisely unsettled him the most. The scorn from a world that no longer saw him as an honest businessman? The sneers from relatives with an undeniable reason to mock him? Or perhaps the fury from his draconian father, whose disappointment cut deeper than any public disgrace?

"I—" Naoya's choked voice resembled a croak. He could hardly breathe. "I apologize. This entire situation...this got out of my control."

Alongside his callous disregard for his son’s feelings, the Zenin patriarch even scoffed.

"This isn’t about getting out of your control, boy. This is about your complete lack of judgment. In fact, Daisuke called me when he saw the headlines, and you know what he told me?" and he had to refrain from flinging his son onto the ground before he continued, "That Y/N's been staying in her family residence again because she is going to leave you!"

Naoya held his next breath. Fuck, he knows. Naoya intended to keep his recent arguments with you a secret, hoping to resolve the situation first. However, since your father snitched...lying would be a dangerous move.

"I have not seen Y/N in a week because we've had a few fights." Naoya did not dare admit the details about how you two became arguing spectacles, first in his cousins' presence and later on at the café. "Just...marriage quarrels. We will get over—"

“She would be a moron to stay married to you,” Naobito cut off. "Y/N and your unborn child deserve more than to have a public disgrace like you in the household."

Right. Had he not been reminded, Naoya would've forgotten that he had lied to his father about your pregnancy, too. His hands grew clammy where they still seized his father’s wrist.

“There"—a cough—"there is no child,” Naoya blurted out, determining to rip all bandaids off in one go.

Naturally, his father became perplexed.

“Excuse me?” His hold loosened just enough for Naoya to gasp properly for his next breath.

“Y/N is not pregnant,” Naoya repeated, his voice hollow with resignation. “During our last family dinner, I only said that because I wanted to please you.”

The older Zenin became still, appalled by the younger one's bravery to say those words. For a moment, Naoya braced himself for another physical blow before his father released him, shoving Naoya backward such that he stumbled.

“If you weren’t so disappointing, there would be no need for you to lie to me,” Naobito pointed out coldly. "Not only to me, but also your wife, your colleagues, and your shareholders on matters about your family, your marriage, or your commitment to the company. If Toji had not brought this to the media's attention, how much longer would you have manipulated the truth for your benefit?"

There he went again.

"I don't understand," Naoya protested, unable to contain his frustration any longer. "Toji doesn't belong in this family anymore! Why do you keep talking about him? Father, you forced him to leave earlier this year, citing his threat to our family and company's reputation."

"You're the one to talk!" Naobito shot back. "At least Toji has the brain that you utterly lack." Before the younger man could react, the Chairman had already turned on his heel. "I have made my decision."

His decision?

A confused Naoya watched his father head for the exit.

"Wait, Father...!"

"Enough!" The infuriated man raised a hand right as he neared the door, a warning for him to not speak further. "Our discussion has concluded. Effective immediately, Toji Fushiguro has been re-instated as the Zenin Heir and CEO."

Instantly, Naoya slumped forward in disbelief.

Even as the older man disappeared, the room appeared to spin dangerously. Toji Fushiguro...re-instated? As the heir and CEO?

Naobito Zenin could never make up his mind, now could he? In Naoya's head, this must be some cruel joke.

Ever since he comprehended his ability to bend fate to his will, he had promised himself to fight tooth and nail to defend the (very rightful!) position that he worked hard to earn. He had disposed of his cousin through slander, he had to put up with shitty corporate politics, and, hell, he had to even marry you!

Some may label Naoya's current negative publicity as irredeemable, but he held hope the situation would normalize once the steam blew over.

With these thoughts in mind, Naoya regained his balance and rushed out as well. "Father!"

However, by the time he reached beyond the doors, Naobito Zenin was no longer there. Even his secretary could not be found as, instead, two imposing figures stood by the desk where his assistant should be. Naoya didn't recognize them. The men were tall and well-built, their muscled arms and thighs visible despite the fabric that covered their tattooed skin.

"Nice to meet you," one started after the long silence. "I am Eso and this is my younger brother Kechizu."

A stumped Naoya frowned.

"May...I help you?"

"No," the other answered nonchalantly, "because we are here to knock you out."

"Wha—"

And Naoya's vision went dark.

last chapter || next chapter

end notes: Note that Eso and Kechizu are Choso's younger brothers in JJK. (Both are not completely human in canonverse, but we shall suspend beliefs.) Also, I cannot explain the satisfaction as I wrote about Naoya and his mistress finally getting wrecked! Talk about justice being served! There were many ways these scenes could have played out, but I strategically chose Tsumiki and Naobito as the agents in the discussions. Freed from corporate America handcuffs, I plan to post again soon. Love you all!

taglist: @dissociatingdiva @httpsplanetmarsdotcom @nemoyr @huangfairy @shadowarchon @203steph @agentdedf1sh @cloudybabes @lynn-writes-things @illicitwriter @7oji @kikuchimi @chaoticjojofan @musicisme333 @kumocchin @s-guru @mwahilovemylife @hey-gurls69 @cloudsinthecosmos @moon-mumu-moon @kazscara @skilerfrostfairy @funicidals @nico707 @proteovaldez @tsukiyohanayome @marimoares @qirbys @puffaloxx @sakanoshitaa @arizzuruu @kissditrio @lewd-bunny14 @mistyheart @szired @supsii @yvy1s @lazyassfinals @katkbc @tokyometronetwork @downtown-roponggi @the-cosmos-network

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[olderthannetfic]

Okay, I need advice: I'm in a very tiny fandom (like less than two dozen active people and everyone knows each other) and one of the women in it is kind of freaking me out.

We became mutuals because we had some good discussions on some of the characters we liked, but I soon became sort of uncomfortable with a lot of her online behavior whereas simultaneously she's DM-ing me more and more.

She's one of those people who's a hardliner on the issues she cares about (mostly feminism- and SA-related) while talking over people when it comes to issues she doesn't care about (mostly racism and related things). And I see a lot of her trying to intrusively police how other people talk/act, derailing people's posts, arguing with people online over the most stupid shit (where not even her own opinions come off as overly coherent - this week she'll argue something along the lines of "men are evil" and the next she'll argue that people are "demonizing masculinity" - I'll add for clarification that she's not a TERF and supports trans rights but boy... Does she sound like one sometimes) and then digging through people's profiles to find and publicize minor transgressions and bad takes, passive-aggressive vagueposting, and going into mental breakdowns over the most innocuous of online interactions.

TBH she scares me. As someone who suffered through toxic people getting overly attached to me, I genuinely sometimes get a physical reaction when I see her lashing out on the dash.

And she keeps initiating conversations! And sometimes I don't reply or bring the conversation to a natural closure and she keeps at it, or sends me random fics of hers to read that I don't have the heart to tell her don't interest me or whatever. And recently when she disagrees with something I reblogged she direct messages me to rant about it - with a lot of sort of indirect language because she doesn't want to offend me but I can see the intent. The last couple of times I replied politely because I cared about clearing misunderstandings on the topic but next time I'm just gonna tell her I dislike it when she does that.

I really want this person to stop interacting with me, to be honest, and all my polite hints to the effect go unnoticed. But the fandom is so small I feel awkward and uncomfortable about unfollowing or blocking her. I don't think she's too bad of a person, she just comes off as very... Mentally ill, I guess? And since I've tried to be polite so far I feel like it might come out of left field for her?

TBH I feel like something about her behavior also triggers some kind of freeze/fawn reaction inside of me that I don't often get and consequently don't know how to deal with.

So I need impartial advice because I don't see the situation clearly myself

--

To summarize, a person who is a walking red flag wants to be friends, and you can't easily ghost her because the fandom is small.

I think you have to accept that there is no low-conflict way out of this.

That's what's holding you back, right? You don't want more drama and you know it's coming. I think you already know in your heart of hearts that you need to get away from her even if it's a pain in the ass.

Step one is to stop responding to her DMs. That will probably make her reach out more, but you should keep not responding. If she escalates and attacks you over it, block her.

The more you offer reasons or try to gently hint, the more that will encourage her. I don't think that's true of everyone, but I do think it's the case here. This is both because it doesn't sound like she's good at perceiving or respecting boundaries and because she inspires a bad lack of ability to assert boundaries in you.

I agree that it's unfortunate that you can't stand up for yourself or tell her plainly when she's out of line, but since you can't and that probably won't change any time soon, you'll need to protect yourself a different way. Sometimes, we just have to avoid people who are bad for us even when it's an us problem. (And here, whoaaaa red flags, so I don't think it's just a you problem anyway.)

There are many sad, lonely, needy people in the world. Some of them are officially mentally ill in some way with a diagnosis. Some just need things they aren't currently getting. That sucks...

But it's also not your job to fix.

[geopsych]

re: the tumblr ai stuff, please don’t wipe your blog!! your blog has been so important to me and many others as a place of authentic light and beauty and i would hate to lose it forever 💕

there is a way to download the contents of a tumblr blog (it’s in settings, i don’t remember rn, but i’ll find it if you need it) maybe you could upload to another site or a personal site?

i know this is very serious, and i hate how we are unwillingly contributing to synthetic art, but the world would be poorer for me without your pictures <3

Thank you. Your words mean a lot to me.

This is a dilemma for me. I have loved doing this blog and going out to look for pictures and interesting things to bring here has given me motivation and meaning through years of struggle with depression and several kinds of grief. Going out to look for pictures has put me in situations where I have seen incredible beauty, much of which I never really managed to capture. Also, the many warm and kind messages I've received from people all over the world have given me heart and made me feel less meaningless as a person and more connected. Sometimes I've been criticized for buying the checkmarks and giving money to Tumblr but I wanted to do what I could because Tumblr has been my one happy and safe place online. But now this. To me AI in relation to creativity is just a way for well-to-do but untalented people, the proverbial tech bros, to profit from other people's hard work and creativity. It has no redeeming value in relation to creativity and is actively harmful to artists of all kinds. <trying to figure out how to put a read more link here> I don't even count myself among the real creatives, artists and writers and others who have worked hard and put years into honing their crafts, into learning to translate their hearts and unique spirits into their creative expression. I just see beautiful things and take pictures of them. But it would still make me sick to see AI works based on my pictures, on these times and places that have meant so much to me. Recently I saw a set of cat 'photos' on here that everyone was reblogging and exclaiming over but that to me seemed to just be AI art that was more convincing than most. As time goes on more and more output of AI is going to be almost indistinguishable from real works and unscrupulous people will pass them off as real, getting credit for what was actually created by others. Whether they profit from them becomes almost irrelevant at that point because what's worse is that we will have less and less sense of what is real. And as some have pointed out AI will now also be scraping from AI, muddying the waters further from here on in. This is an apocalypse of sorts, an apocalypse of creativity, ultimately likely to kill the joy of artistic endeavor for many who would otherwise produced brilliant, beautiful, funny, and/or shockingly original things. I'm still parsing and dissecting my thoughts and feelings about what Tumblr has done and how to react. Staying and leaving my blog up feels like consent. I am not confident in the integrity of anyone connected with scraping sites for AI. I'm not convinced that a little toggle in settings is going to make much of a difference in the long run. On the other hand I like posting here and I have received enough messages over the years to know that my blog is a positive influence on some lives. I was looking forward to May and June and posting pictures of the incredible beauty of eastern Pennsylvania in those months. And I was planning on making a side blog for posting some poetry I've been working on. It will break my heart to leave.

I haven't decided yet. Believe it or not this whole thing has given me awful physical symptoms. I'll let you know when I decide. Thank you again for your kind and lovely note!

[rainbowsky]

Regarding CPN discussions, questions and comments

Several times over the past few days I've had to remind people about a boundary I have around discussions of CPN, so I feel it might be a good time to remind everyone of this so that everyone is on the same page.

I'm always preaching that CPN is for turtle's eyes only. It isn't meant for wider consumption by solos or passersby. This is for the protection of turtles and of GG and DD. When CPN crosses over into other areas, it pretty much always leads to fan wars and anti activity.

One of the measures that I feel passionately about in connection with this is the notion that

CPN should never be discussed in posts that are tagged with GG and DD's individual names.

There are a couple of really good reasons for this:

It's part of staying in our own lane. Solos follow the tags for GG and DD's individual names, and if CPN is discussed in those posts, solos can stumble across it and create problems. I have faced a lot of harassment in the past - including the recent past - from solos because of this very thing, and it's not fun. Fan wars are never good, but especially not when I become a target for hate through no fault of my own. If you talk about CPN in the comments of my posts, I am going to be the one attacked for it, not you.

Posts tagged with their individual names are for celebrating their individual works and achievements. There's plenty of space for clowning elsewhere.

All that I ask is that before you comment to discuss CPN in the notes of one of my posts, please double check that it is not tagged with 'xiao zhan' or 'wang yibo'. If it is, submit your comment or question to me as an ask, contact me privately about it, or find a post on my blog on a related subject that is tagged with 'bjyx' or 'yizhan' and comment there.

You can also feel free to make a post about it in the Yizhan Tumblr community.

Please also feel free to do whatever you want, take whatever risks you want, and embody your own values around this topic on your own blog, including reblogging my individual posts with whatever commentary you want. Feel free to use whatever tags you want and to discuss whatever you want in a reblog. Just please don't comment with CPN in posts on my blog that are tagged with their individual names.

A note on reactions

Some people really take it personally and get bent out of shape when I make this kind of request. This is by no means a rare reaction. The majority of turtles who I mention this to in response to CPN comments in the notes of these posts respond in a negative way. Some even unfollow or block me for it.

I don't understand why anyone would be offended by a boundary I set for my own well-being online, or why anyone would take personally a decision that I have made for my own well-being.

I have had a lot of harassment and hate thrown at me over the years, and due to a lifetime of being singled out, I am especially sensitive to bullying. It's just not something I want in my life, and I will seek to avoid and prevent it at all costs. Please respect my needs in this regard.

As importantly, we really do need to stay in our own lane to try to maintain some measure of harmony between fandoms, and to avoid fan wars.

This is not a new boundary - I've been stating it for years. @accio-victuuri has been saying this for years as well. It is by no means unusual for this request to be made by turtles. It is a best practice for avoiding fan wars.

So please try to be understanding about this. I would never make a request of someone if I didn't have a good reason.

I don't state these things to make you feel bad in any way. Nor do I hold it against you if you make a mistake. I'll just remove that comment and explain to you why I've done so. Don't take it personally. I appreciate people's engagement with my posts, and do not want to make anyone feel alienated. I do my best to express myself in a kind and understanding way.

I hope you will extend me the same courtesy.

[qqueenofhades]

Hello! This is kind of a weird ask, I'm sorry to bother you, but seeing as you're a very intelligent studied historian that I deeply respect, I was hoping you could offer some advice? Or like, things i could read? Lately, i feel like my critical thinking skills are emaciated and its scaring the shit out of me. I feel very slow and like I'm constantly missing important info in relation to news/history/social activism stuff. Thats so vague, sorry, but like any tips on how i can do better?

Aha, thank you. There was recently a good critical-thinking infograph on my dash, so obviously I thought I remembered who reblogged it and checked their blog, it wasn't them, thought it was someone else, checked their blog, it also wasn't them, and now I can't find it to link to. Alas. But I will try to sum up its main points and add a few of my own. I'm glad you're taking the initiative to work on this for yourself, and I will add that while it can seem difficult and overwhelming to sort through the mass of information, especially often-false, deliberately misleading, or otherwise bad information, there are a few tips to help you make some headway, and it's a skill that like any other skill, gets easier with practice. So yes.

The first and most general rule of thumb I would advise is the same thing that IT/computer people tell you about scam emails. If something is written in a way that induces urgency, panic, the feeling that you need to do something RIGHT NOW, or other guilt-tripping or anxiety-inducing language, it is -- to say the least -- questionable. This goes double if it's from anonymous unsourced accounts on social media, is topically or thematically related to a major crisis, or anything else. The intent is to create a panic response in you that overrides your critical faculties, your desire to do some basic Googling or double-checking or independent verification of its claims, and makes you think that you have to SHARE IT WITH EVERYONE NOW or you are personally and morally a bad person. Unfortunately, the world is complicated, issues and responses are complicated, and anyone insisting that there is Only One Solution and it's conveniently the one they're peddling should not be trusted. We used to laugh at parents and grandparents for naively forwarding or responding to obviously scam emails, but now young people are doing the exact same thing by blasting people with completely sourceless social media tweets, clips, and other manipulative BS that is intended to appeal to an emotional gut rather than an intellectual response. When you panic or feel negative emotions (anger, fear, grief, etc) you're more likely to act on something or share questionable information without thinking.

Likewise, you do have basic Internet literacy tools at your disposal. You can just throw a few keywords into Google or Wikipedia and see what comes up. Is any major news organization reporting on this? Is it obviously verifiable as a fake (see the disaster pictures of sharks swimming on highways that get shared after every hurricane)? Can you right-click, perform a reverse image search, and see if this is, for example, a picture from an unrelated war ten years ago instead of an up-to-date image of the current conflict? Especially with the ongoing Israel/Palestine imbroglio, we have people sharing propaganda (particularly Hamas propaganda) BY THE BUCKETLOAD and masquerading it as legitimate news organizations (tip: Quds News Network is literally the Hamas channel). This includes other scuzzy dirtbag-left websites like Grayzone and The Intercept, which often have implicit or explicit links to Russian-funded disinformation campaigns and other demoralizing or disrupting fake news that is deliberately designed to turn young left-leaning Westerners against the Democrats and other liberal political parties, which enables the electoral victory of the fascist far-right and feeds Putin's geopolitical and military aims. Likewise, half of our problems would be solved if tankies weren't so eager to gulp down and propagate anything "anti-Western" and thus amplify the Russian disinformation machine in a way even the Russians themselves sometimes struggle to do, but yeah. That relates to both Russia/Ukraine and Israel/Palestine.

Basically: TikTok, Twitter/X, Tumblr itself, and other platforms are absolutely RIFE with misinformation, and this is due partly to ownership (the Chinese government and Elon Fucking Musk have literally no goddamn reason whatsoever to build an unbiased algorithm, and have been repeatedly proven to be boosting bullshit that supports their particular worldviews) and partly due to the way in which the young Western left has paralyzed itself into hypocritical moral absolutes and pseudo-revolutionary ideology (which is only against the West itself and doesn't think that the rest of the world has agency to act or think for itself outside the West's influence, They Are Very Smart and Anti-Colonialist!) A lot of "information" in left-leaning social media spaces is therefore tainted by this perspective and often relies on flat-out, brazen, easily disprovable lies (like the popular Twitter account insisting that Biden could literally just overturn the Supreme Court if he really wanted to). Not all misinformation is that easy to spot, but with a severe lack of political, historical, civic, or social education (since it's become so polarized and school districts generally steer away from it or teach the watered-down version for fear of being attacked by Moms for Liberty or similar), it is quickly and easily passed along by people wanting trite and simplistic solutions for complex problems or who think the extent of social justice is posting the Right Opinions on social media.

As I said above, everything in the world is complicated and has multiple factors, different influences, possible solutions, involved actors, and external and internal causes. For the most part, if you're encountering anything that insists there's only one shiningly righteous answer (which conveniently is the one All Good and Moral People support!) and the other side is utterly and even demonically in the wrong, that is something that immediately needs a closer look and healthy skepticism. How was this situation created? Who has an interest in either maintaining the status quo, discouraging any change, or insisting that there's only one way to engage with/think about this issue? Who is being harmed and who is being helped by this rhetoric, including and especially when you yourself are encouraged to immediately spread it without criticism or cross-checking? Does it rely on obvious lies, ideological misinformation, or something designed to make you feel the aforementioned negative emotions? Is it independently corroborated? Where is it sourced from? When you put the author's name into Google, what comes up?

Also, I think it's important to add that as a result, it's simply not possible to distill complicated information into a few bite-sized and easily digestible social media chunks. If something is difficult to understand, that means you probably need to spend more time reading about it and encountering diverse perspectives, and that is research and work that has to take place primarily not on social media. You can ask for help and resources (such as you're doing right now, which I think is great!), but you can't use it as your chief or only source of information. You can and should obviously be aware of the limitations and biases of traditional media, but often that has turned into the conspiracy-theory "they never report on what's REALLY GOING ON, the only information you can trust is random anonymous social media accounts managed by God knows who." Traditional media, for better or worse, does have certain evidentiary standards, photographing, sourcing, and verifying requirements, and other ways to confirm that what they're writing about actually has some correspondence with reality. Yes, you need to be skeptical, but you can also trust that some of the initial legwork of verification has been done for you, and you can then move to more nuanced review, such as wording, presentation of perspective, who they're interviewing, any journalistic assumptions, any organizational shortcomings, etc.

Once again: there is a shit-ton of stuff out there, it is hard to instinctively know or understand how to engage with it, and it's okay if you don't automatically "get" everything you read. That's where the principle of actually taking the time to be informed comes in, and why you have to firmly divorce yourself from the notion that being socially aware or informed means just instantly posting or sharing on social media about the crisis of the week, especially if you didn't know anything about it beforehand and are just relying on the Leftist Groupthink to tell you how you should be reacting. Because things are complicated and dangerous, they take more effort to unpick than just instantly sharing a meme or random Twitter video or whatever. If you do in fact want to talk about these things constructively, and not just because you feel like you're peer-pressured into doing so and performing the Correct Opinions, then you will in fact need to spend non-social-media time and effort in learning about them.

If you're at a university, there are often subject catalogues, reference librarians, and other built-in tools that are there for you to use and which you SHOULD use (that's your tuition money, after all). That can help you identify trustworthy information sources and research best practices, and as you do that more often, it will help you have more of a feel for things when you encounter them in the wild. It's not easy at first, but once you get the hang of it, it becomes more so, and will make you more confident in your own judgments, beliefs, and values. That way when you encounter something that you KNOW is wrong, you won't be automatically pressured to share it just to fit in, because you will be able to tell yourself what the problems are.

Good luck!

[leafy-m]

Because I'm autistic and because I love Witch Hat Atelier Kitchen, I page-by-page compared the recent Kodansha USA English release of volume 1 to its Japanese and fan-translated counterparts.

If you've read the official English translation, you may have noticed that some of the big Orufrey moments are.... a bit underwhelming, word-wise. You may have even noticed that the word "wine" is suspiciously missing from the final chapter's WillowGrape Wine recipe, in which wine is kind of an important and obvious factor in it! And you would be correct!

While most of this manga volume is pretty accurate to the original text, there is absolutely a concentrated effort to tone down the more tender Orufrey moments, as well as minimize the alcoholic nature of the final chapter's recipe and related contraptions.

And that's frustrating!

The entire draw of this manga spin-off is seeing these gay witch dads take care of each other and their four daughters in an idyllic countryside setting while also making yummy food that you the reader can try make too. Why is Kodansha USA trying to no-homo these gays?? (Is this a reflection of how bad things are in the USA now?) And while you might say, "But Jade! Qifrey and Olruggio are not actually dating in canon!" — and I would agree with you! But there is nothing straight about these mens' behavior in this comic, and if Qifrey is going to look in Olruggio's direction while tenderly saying his name in Nearly Every Chapter, I expect to read that in English, dammit!

So I'm activating my autism trap card and presenting ya'll with a thorough comparison of every mistranslated and omitted Orufrey or wine moment, complete with discussion and screenshots from the Japanese, fan-translated, and USA English versions. This post is ridiculously long and maxed Tumblr's 30-image limit so chapter 10's discussion is actually in a reblog (sob sob), so I'm putting it all under a cut (you're welcome), and you can be sure that I'll be doing this again if need be for the translated volumes releasing next year.

For now? Let's go.

CHAPTER 1: pg 10

Japanese: フフ...

Fan translated: Heh heh

English version: Ahh...

This is a small moment, but it's important because it's foreshadowing. Qifrey is "airing out" the kitchen, but what he's really doing is sending those delicious smells into Olruggio's room. He's trying to lure him into the kitchen! And that little フフ/heh heh panel is evidence that he's up to something. If you've noticed in the main series, whenever Qifrey is doing something shady or it has a double-meaning, the 'camera angle' focuses on this side of his face with the dark lens.

But the English version obfuscates this by changing フフ to "Ahh..." like, 'isn't that better,' even though it keeps the ellipsis thought bubble indicating that something is up. Why the mixed messaging?

CHAPTER 1: pg 13

Japanese: オルーギオ!

Fan translated: Orugio!

English version: Excellent!

This is the first of many moments where Qifrey will directly say Olruggio's name, and yet the English version will translate it to something else, or drop it entirely. And no, "there wasn't enough room" is not a valid excuse for most of these. Especially when Olruggio's name can (and often is) shortened to Olly.

Look at Olruggio's little smirk at making Qifrey beam happily like that. My God. Kodansha USA/translator Stephen Kohler, why would you take this from us.

CHAPTER 1: pg 14

Japanese: 二人共 今日も一日　お疲れ様でした!

Fan translated: These two people are together tonight. Another day's work well done, you two!

English version: Here's to another long day... ...and a well-earned break!

The omnipresent narrator from the beginning of the chapter is back, and clearly highlighting that 'these two people' are together tonight. And yet the English version removes all that. It may be redundant since we can see they're together in the illustration, but the whole page has that type of text redundancy, like focusing on 'eating that first bite,' or how 'a laugh bubbles up' with Qifrey. And combined with all of the other later omissions, this becomes an obvious trend of targeting these specific types of moments.

Update: Thanks to Farlynthordens for additional insight on this Japanese phrase!:

二人共: (the) two of you [the "tomo" implies the narrator is talking "to" them rather than "about" them] futari-tomo means in a literal sense "(you) two people who are together", but in terms of actual usage/definition it's just identifying a specific pair of people who the speaker is talking to.

今日も一日お疲れ様でした: the rest of this can't really be separated. this whole phrase is meant to be like "good work for all the things you did over the course of this whole day". the fan translation seems to have not understood that the two text blocks were meant to be all one sentence. so if you put this all together, it's like "Good work for everything today, guys!"

Knowing this, I'll still keep it as part of the list because it does omit addressing the two of them in the English version, which follows that trend of minimizing these moments between them. But thank you for the clarity! 💕

CHAPTER 2: pg 28

Japanese:　料理も魔法器も相手のことを一番に考えるのは　君の美德だね　半分ずつだ オルーギオ

Fan translated: Whether you're cooking or performing magic, you always think of others before yourself. It just goes to show your good character. We'll share it, Olruggio.

English version: I've always admired that about you. Whether in your work of in the kitchen... ...You always think of others' needs before your own. All right. Let's split it, then.

The English version has two mistranslations here. I'll start at the top. In it, Qifrey is observing how Olruggio puts others first, and then compliments how it shows his good character. The 'good character' bit is changed to "I've always admired that about you," which at first I thought was sweet! Points for Kohler. But now that I really look at it, there is still some shady translating happening here.

In writing and communicating, what is said last has the most importance. This is how people "bury the lede," by hiding important information in the early part of a speech or amid other sentences, and then distracting them with other stuff.

In that English version top panel, even though Qifrey is complimenting Olruggio, by having it be said first it makes the second speech bubble (and therefore Olruggio's flustered response) be about Qifrey remarking on Olruggio's own behavior, rather than Qifrey's nice compliment about his character. Which changes the meaning of what's going on here. Olly is not flustering because he puts others first, he's flustering because Qifrey is saying something really nice about him, right to his face!

And then of course, in the bottom panel, Qifrey saying Olruggio's name is once again removed.

And I have to say, this bothers me not just because of autistic AcCUraCY! needs, but because he is very specifically saying his name. They are the only people in the room, it's very clear who Qifrey is addressing, and yet here he is once again, putting that man's name in his mouth.

It is intentional.

It is heartfelt.

STOP REMOVING IT!

CHAPTER 3: pg 36 and 37

Japanese: (Olruggio): キーフリー それいらないならこっちに..してくれ (Qifrey): オルーギオ　ひとつおねがい!

Fan translated: (Olruggio): Qifrey, if you won't be needing those, send them my way. (Qifrey): One pot please, Olruggio!

English version: (Olruggio): Mind if I grab those breadcrumbs from ya? I'm gonna use 'em as a binder for the patties. (Qifrey): Could you bring that pot over here for me?

This is a sweet segment because it shows how well Qifrey and Olruggio work in tandem in the kitchen. As someone who has repeatedly failed at working harmonically with others while making food, them being in sync in the kitchen is more fantastical than the actual magic.

And once again, Olruggio and Qifrey saying each other's names are removed. The Olruggio panel translation is also a bit misleading because (as you can see in the larger fan-translated photo), it's Qifrey who is controlling that wind spell! Olruggio is not "grabbing" the breadcrumbs from him, it's Qifrey who is sending them to him. It also lends to the back-and-forth of these moments because as soon as Olly's done with that pot, he gives it to Qifrey to use.

CHAPTER 3: pg 41

Japanese: ありがとうオルーギオ　行ってきます

Fan translated: Thank you, Olruggio. We'll see you later.

English version: Thank you, my friend. We'll be on our way now.

We're now at the part of the manga where Qifrey saying Olruggio's name is changed to "my friend" in the English version. Which is a phrase I'll admit I have some Daevabad baggage with, so idk, is this some platonic ray-beaming or is it code for tender feelings for that person you like but aren't ready to date yet because of trauma and societal complications? Is Stephen Kohler a Daevabad fan? So many unknowns. Still counting it as a wrong though.

CHAPTER 4: pg 56

Japanese: (Olruggio): ま... 眩しくて眠れやしない (Qifrey): がんばれ! オルーギオ

Fan translated: (Olruggio): Really... I can't sleep with all this shimmering... (Qifrey): Do your best! Olruggio.

English version: (Olruggio): Hmph. How's a man supposed to get some sleep with this thing sparklin' away over here? (Qifrey): Keep at it... ...my friend.

Qifrey literally made a bouquet of rose-shaped tarts for Olruggio to cheer up his room, so of course the English translation needs to tamp down that gayness by unnecessarily bringing up Olruggio's manhood when he complains about not being able to sleep from the tarts' sparkling. Even though this chapter's cover image is of Olruggio sitting in a field of flowers, pondering quietly as he holds one in his hand. Maybe later chapters will have Olruggio edited so he's sitting 5 feet away from Qifrey.

And again, Qifrey saying Olruggio's name in the bottom panel is changed to "my friend" in the English version.

CHAPTER 6: pg 95

Japanese: いい出来だろ? 家事の分担が大変だなんて思ってたら こんなものは作れねえぜ

Fan translated: Turned out pretty good, right? If I really thought sharing the housework was a pain, then I couldn't make something like this.

English version: Whaddya think? Not bad, huh? Sorry for leavin' you stuck with all the chores these last few days. I figure this is the least I can do.

Of all the mistranslations, this one bothers me the most. Olruggio is a wonderful malewife! He is constantly trying to help Qifrey out with the Atelier chores, in Kitchen and the main series. And yet the English translation changes the entire context of what these panels are saying.

The right panel is Olruggio proud of how good the soup tastes (it's even in a fancy bread bowl!), and yet the English translation downplays it by saying, 'Not bad, huh?'

Then the left panel, with it's sparkly background and close-up on Olly's face, goes further into how if he thought helping out with the housework was a pain, he wouldn't be capable of making stuff like this. Which is an understated way of saying that Qifrey can rely on him for things like this. (and he says it more outright in other chapters/the main series) But instead the English version is treating this soup like it's an apology for not helping out more. It's also really stupid because Olruggio was not making the soup as 'the least he could do' for Qifrey — he made it because he was hungry and wanted to eat it now! He literally admits this a few pages back!

Olruggio is not someone trying to do the bare minimum, he's someone trying to tell his control-freak of a friend that he wants to share in helping out. And the English version disappointingly misrepresents that here.

CHAPTER 10! Has several issues both Orufrey and wine related, and has several comparison segments. But because I maxed out Tumblr's 30-image limit, I can't include it here and so have to post it in a reblog. UGH. 😔

(Here is the link to the Chapter 10 comparison/discussion!)

In the meantime, image credits! The Japanese scans are from Comic-Days.com, the fan scanlations are thanks to Don't Quit Your Day Job, Robot Garden Scans, Brimhats/Nyaruhodou, and Kirbypoyopoyo, and the English version photos are from my own copy. And thank you AskeFinns for help with reading Chapter 2's kanji 💖

If chapters weren't mentioned, it's because I didn't notice anything significant enough to comment on. But if you know of something I missed, do let me know! And thanks for reading this far!

[thebramblewood]

this is in a similar vein to an ask you got recently but do you have any tips for those who are interested in sims 4 (or even other games like ts3 and ts2) storytelling? I write fanfiction but I think making sims 4 stories could be a fun venture. Anyway, thank you for your time! I love your stories so very much they're literally my hyperfixation!

Well, that makes two of us because it's literally my hyperfixation. I think I've shared bits of advice before, so some of this might sound familiar, but here are some things I think are important to remember (and I tried to be concise, I swear).

Write the story you want to write. Obviously, it's a great feeling when something takes off and people get invested. But if you pursue an idea only because you think Simblr will like it, you probably won't be inspired for long and it'll probably show. I've been very lucky with my story, but it didn't blow up overnight. Early on, I was thrilled to get double digit notes or one reblog or comment and was admittedly disappointed when I put a lot of effort into something and nobody seemed to notice. But I kept going because I was obsessed and wanted to see it through, and that's more true now than ever.

Start with low stakes and allow yourself to evolve. Before I was on Simblr, I made Sims stories with no poses or visual enhancements or fancy editing. I wrote them for myself, and I loved every minute of it, but they also gave me a solid foundation for the kind of storytelling I do now. Even after starting this blog, I eased myself into it. I learned how to use poses and Reshade, then moved on to more advanced editing techniques, then moved on to teaching myself to make poses and very basic CC. If you try to learn it all at once, you're more likely to give up because you're overwhelmed. Take your time and make peace with the fact that perfection isn't possible. Everyone's always learning!

Take advantage of the fact that Sims is a game. Even though I've been a creative writer for most of my life, I don't come up with fully-fleshed, elaborate Sims stories from scratch. It started off with my legacy and not wanting every generation to feel the same. I thought about gameplay I hadn't experienced yet and centered each generation's story around that. Even with HZID, I just wanted to make and play with vampires! That's it! Initially, I used a lot of gameplay to convey Helena's college experiences, and I still try to incorporate it when I can. It can really be a great base to spark your creativity if you don't know where to start.

Don't have a life outside your story. I'm joking. Kind of. I'm not a very social person and I don't like leaving my house if I don't have to. This leaves me with a lot of time for working on story things. Honestly, I could probably stand to work on it less. But for better or worse, I'm doing story-related things most nights and weekends, and even if I'm not doing anything, I'm thinking about it. It's probably mental illness, but we'll just call it passion. At the same time, it's also important to take breaks! If you're feeling burnt out, step away for a while. If you can't make yourself step away completely (raises hand), just edit the script or spin your blorbos around in CAS or something rather than going straight for posing a scene.

Follow and interact with other storytellers. This is probably the most important thing, and as someone who struggles with social anxiety it was the hardest for me to do. But I try to make a point of keeping up with other stories, commenting, and reblogging. Not only will the amazing talent of other writers inspire you, but you're building meaningful connections that make them more likely to want to interact with your story. There's no denying it feels amazing to watch your audience grow. But no one's going to see you if you don't make an effort to be seen, as scary as it can be. So try to be active in the community and support other storytellers the way you want to be supported!

[devotion-disorder]

Heya! this is the intro post!

About this blog:

this is where i post about yandere content which usually consists of my ocs and other cool stuff out there!

there is NSFW + dark content (mostly noncon/dubcon/cnc) so follow at your discretion and MINORS / AGELESS BLOGS PLEASE DNI!! or else you will be blocked.

Commission info here!!

feel free to send asks!! I dont bite :D

my main is @i-have-no-calcium because im dumb and didn’t think this through LMAO so follows will be from this blog -u-

Navigation:

✦ #my art — my drawins... or #sillydoods for doodles that are too silly to be in the art tag lol

✦#yandere oc — my silly ocs! or their individual tags: ✦ #Noel posting ☆ #Kuuya posting ☆ #Killian posting ✦ #elf fever hours — my recent descent into elf-related debauchery

✦ #ask — watch me come up with a silly dumb response for everything!

✦ #text  — my rambles and incoherent thoughts!

✦ #art reblog  — other people’s amazing art! check em out!! NOW.

✦ #devotion.irl — gaze upon my physical form. if you dare.

Info about me (😳) under the cut:

Im Audrey! or Devo, if thats easier to remember :p

my pronouns are she/they! 

20 y.o. loser college student that doesnt go outside enough. if i ever stop being as active its probably cause college is beating my ass into the ground again

bisaxual........................ 👍💗💜💙

my zodiacs are Sagittarius sun, Capricorn Rising and Cancer moon :)

ive been told by my irls that apparently im applejack-coded. i dont watch mlp so i dont really know what that means but you can do with that what you will

I’m suuuuper shy both irl and online so I’m sorry that im not the best at interacting/ answering asks TT but im trying to get better at it!! I’d be very happy if you sent anything regardless and i’ll try my best to get to them!

thank you for reading up to this point ^_^ have a nice one! mwah 

[catboybiologist]

Hiya! I'm CatboyBiologist.

The unhinged, unfiltered side of @hi-sierra.

I'm a degenerate trans woman that posts thirst traps like this:

I'm also a graduate student in molecular biology and outdoor enthusiast. The kinds of stuff I post here include:

Perspectives on biology and gender

Thirst traps, including tgirl tummyposting

Other science and technology rambles/essays

Fiction writing attempts

HRT explanations and perspectives, from the perspective of a transfemme scientist-in-training (NOT a medical professional)

Violently bisexual meltdowns

Attempts at comedy

Making my ADHD everyone else's problem

Hiking/backpacking stuff

Any other shitposts I think are appropriate for this trash heap

This blog is largely completely unfiltered bullshit-welcome to the dumpster heap! If there's any intention behind this blog, its to show the science-loving, outdoorsy, "clean cut" aspects of my personality, alongside the openly queer, degenerate tranny aspects to show that they can coexist. Welcome!

I've also been casually streaming some pokemon nuzlockes on twitch recently. Generally I hop on on Saturdays. It's a nice little social club for the community, feel free to stop on by:

As a grad student, money is always on the tight side for me, so anything thrown at my kofi is appreciated. If you like what I do, consider donating a little bit:

Anyone is free to tag me or interact with me, in any way! This includes tagging me in tgirl tummy tuesday! I will never object to that outright, however, I may not interact back with everything. It's a combination of ADHD, and a few personal warnings/boundaries, like:

I will not reblog full NSFW/sexual nudity here, at my discretion. Feel free to still tag me in NSFW things, though! I just may not RB.

I often push the limits of SFW without crossing them. I tag racier stuff as #sierra nsfw, or common tags like #tgirl tummy. However, I slip up a LOT, so if you're a minor or uncomfortable with that, you have been warned.

I sometimes interact with transphobia, mostly to smack it down. I tag it as best I can as #cw transphobia.

For personal comfort, I will likely never interact with drugplay related CNC, sexualizing my bulge, or sexualizing teacher/student dynamics.

Assorted links, including where else to find me and previous pinned posts, are under the cut.

Other places to find me:

Reddit profile: main alternate place to find me, I show up on 196 and trans subs a lot.

Instagram page: less frequently, but consistently active.

Bluesky page: mostly inactive, may change in the future.

Fediverse page on tech.lgbt: mostly inactive, may change in the future.

Previous pin #1

Previous pin #2

Previous pin #3 (contains more links to guides and notable posts I've made)

Bonus tortoise! At the time of writing, he's in a pseudo-hibernation state and staying with relatives. But stay tuned for fall- his hibernation clock is backwards.

[yandere-kokeshi]

Out of curiosity with your recent ask about yandere Ghost!Dad, how would he react if their GN kid is asexual? Like at first they think there’s something wrong with them when all their friends are talking about it and they just can’t relate, they just can’t picture themself with anyone- and then they end up confiding with Ghost? Would he be happy, slightly more chill when his kid tells him this?

He’s always been skeptical of you — something about his gut telling him something was different about you, at least puberty wise.

I’m confident he knows at least a good handful about the LGBT+ stuff, but he’s still wary and a bit unknown about the asexual spectrum. 

Once you confront him, expressing your worries and how you feel different, Simon would look at you, nod in conflict, and say: “Good. Guys/girls aren’t jus’ good for ya’, kiddo.”

To answer your question: yes, He’s so relieved and happy. A huge part of him is glad that you aren’t participating in those activities, and not having to worry about you getting an STD/STI or buying you condoms. Plus, he can keep you home for more reasons.

He can use the excuse of boys will be boys, or how girls will be manipulative and too pushy to enforce things onto you. But, he won’t let that happen. Because you’ll be at home, in a safe place, where he can protect you. He’s always there for you, right? 

Simon’s overprotectiveness goes down a bit — but to an extent that it’s still exhausting to ask to see your friends. Sure, he’ll let you go out with some of your friends at the mall, but wants you to call him every hour– and have your exact location. 

Background checks don’t stop. They never will. And no, he doesn’t care if you whine, tell him no, or stomp your foot; he’s doing it for your protection. 

However, Ghost is very adamant that you learn the word no, and that people will be persistent regardless of your wording — making you promise him that if you ever feel unsafe, you call him or Uncle Soap. 

—

Masterlist || Please consider reblogging and commenting instead of liking, it helps me as a creator!! Stay well!!

© yandere-kokeshi 2023 — Do not copy, modify, edit, repost, or use my works for ASMR readings, tiktoks, or other content.

[rokiro99]

i would like to clear this up for those who are interested in my thought process behind this piece! my recent mouthwashing pieces are all done from the perspective of jimmy, and this one is no exception.

while i am aware the dead pixel symbolizes jimmy in-game, i decided to play around with that idea a little, in the sense that i believe what he did to anya lingers in the back of his mind too (albeit in a much different way than it does in anya’s). her dead pixel metaphor is used against herself here because it’s from jimmy’s perspective as something he wants to evade the consequences of, to ignore, but is inevitably still something that makes its presence known.

i also used the pixel to censor anya’s face in this (and drew her more as a silhouette for this reason as well!) to further accentuate that point, as well as hint at how jimmy views her as a person.

this isn’t related to the question in the reblog, but i still think it’s worthy to mention- the fact that this piece is done from jimmy’s point of view is also why he’s looking away from anya’s silhouette.

again, to him, his actions and what he did to her are only something he’s trying to actively turn away from instead of face the consequences for head on. it’s symbolic of the fact that anya never shows up as herself in his hallucinations, only her baby.

i’m unsure if i should tag the person who reblogged as i’m not sure how they would feel about that, and i apologize for any poor wording in my explanation. sometimes verbalizing my thoughts in english is hard, and it’s not my native language!

but i hope this provided some insight into my art nonetheless. i’m very thankful from all the support from this community!!