#in order to gain the qualities of the ideal ruler

[markiafc]

familial cannibalism has a powerful presence in chinese history + as a popular literary trope in chinese myths and texts; fathers tricked into eating their sons, sons who display a nonchalance or even willingness to eat their fathers (vice versa for fathers taking the act of eating sons in stride). and ofc these male figures are frequently political leaders & generals; voluntarily eating their own kin is a sign of accomplishment, pride, power, strength. men in power proving they can remain solid & unshaken in the face of utmost brutality.

the whole phenomenon of filial slicing 割股 where younger members and/or children of the family cuts out a part of their body (usually the thigh, but organs are also on the menu) for the parents to eat. both a medicinal means to cure ailing parents and bring the family together via ritual bond.

it entered mainstream chinese society in the late-ming period. and is also a way in-laws can secure a position and/or establish a deeper tie with the other family, eg. a bride giving up her flesh to the mother-in-law entrenches her in the husband's family.

and the ancient chinese practice of sacrificing your firstborn son - to be shared as food amongst the family + other parties like local rulers (who is, again, a male lord or royal aka. an imperial patriarch). exactly because eldest sons are so valued, so prized they are imagined to be a profound flavour befitting of the heavens. so much so they're killed, then dismembered as infants, then turned into sacrificial meat (using the term zuo 昨 which means "meat" as well as "blessings / fortune"); this duality of first-sons as dehumanized victims & also harbingers of prosperity and social order.

and the custom is meant to be a communal event. it's important that eldest son is divided amongst a group in a ritual feast. something for the family to share internally or the people in society to partake in. or, on a greater scale, a portion of the sacrificed son becomes a token of friendship to secure an alliance with other regions. your firstborn son is also a political instrument to secure national stability and safety.

cannibalism inside the chinese family is pretty versatile, it's deployed for a variety of reasons chronic in chinese society: an attribute for the indomitable, power-hungry male ideal. an act of filial piety. a sacrifice in order to ensure the welfare of greater society, be it through gods or governance. and consistently, it's a form of violence which nurtures a closeness and unity amongst the perpetrators.

the confucian structure and traditional chinese thought as a whole breeds parent/child violence in the name of material profit and social wins. it's a filial piety issue & a patriarchal system issue & a pragmatism policy issue, and so on.

[candiphoenixesartblog]

Side Order DLC Theory: An Orderly World with a Chaotic Leader

So, I know people have all these theories in the ring about how this current Splatfest is an “end all, be all” scenario for the DLC and future elements of Splatoon 3, but I have a slightly different theory: what if the theme isn’t so much about who gets to be the leader of Deep Cut, but more what the qualities of the DLC’s main villain will be.

With Splatoon 3’s main campaign, you essentially explore a chaotic landscape, but the main villain themselves is more about establishing a sense of “order” (via a capitalistic society). However, the Side Order DLC takes a drastically different path: a world of order (likely as a result of militaristic control). However, in a world of order, there’s always some source of chaos to throw a wrench in that false peace, usually being a despotic ruler, to create a “sense of balance”.

However, there are different types of despotic rulers: the ones that care more about the gain of all over the well being of others (greedy despots), the ones that care more about causing the most harm to others over ensuring the safety of others (violent despots), and the ones that care more about their egos being shattered over being mindful of what impact their actions bare on others (ignorant despots).

In a sense, this Splatfest could more rather solidify what kind of chaotic “leader” the main villain of Side Order could be. Bare in mind, the main villain himself in Splatoon 3’s main campaign, again, is a greed driven leader (caring more about what he gains over what others lose), the former main villain of the previous 2 main game campaigns was a violent leader (caring more about the harm he could cause others over the safety of his own kind and the safety of others outside of his own kind), and the main villain of Splatoon 2’s DLC being an ignorant leader (caring more about his own ideals and views over the views and ideals of others), so the choice we make “could” impact whether we have a greedy despot, a violent despot or an ignorant despot.

But, the other dilemma is: what would the villain gain from their actions causing chaos in this realm of order?

Again, we get multiple hints not only from the Side Order DLC trailer, but from Marina’s statement in the Splatune 3 booklet of “wanting to create a world where one could revisit their memories and relive them”. The world of Side Order is mostly based around memories, essentially a mindscape of sorts. In a sense, our minds are a realm of order, a computer of sorts where our memories, thoughts, emotions, ideals and beliefs are kept in check. However, all of that is thrown out of whack when others force their ideals, beliefs, and thoughts unto us, creating disorder (not to mention, the main DLC’s title itself is a butchered anagram of “disorder”).

So essentially the main villain of Side Order is the source of our main character’s griefs, stress and disorder in their mindscape (essentially, the one(s) that impacted their life the most negatively (which could likely either be Octavio (by means of propagandizing that Inklings were the “bad guys” for being greedy and forcing them to fight them on a constant basis), Tartar (by means of forcing his ideals and beliefs unto others and playing mind games with his victims), or the Inklings (likely as a result of being taught and seeing from outside perspective that they are very greedy and self-centered).

The tower itself is literally symbolic of the brain (essentially, the focal point of one’s mindscape where we explore our memories), the levels we play are essentially the places those memories occurred, the friends we gradually gain to aid us are the people that impacted us in the most positive sense (the means by which we gain those friends is likely via the mementos they leave us both physically and mentally), the black ink we come across is likely a symbolism of dark memories, thoughts, emotions and/or lapses in our memories, and the one controlling that metaphorical tower our memories are in, is the one that caused the most impact in our lives either negatively (via the sources of our stress, grief, and problems), or positively (via the source of our joy, creativity and inspiration).

Again, these were some theories I had regarding Side Order. Whether they end up being true or not will be left to chance, but thanks for letting me share these theories regardless.

[visailabs]

Why do modern eCommerce firms adopt warehouse dimensioning systems?

Introduction 

Meeting client needs is only half the battle in today’s fast-developing world of warehousing technology. The other half proactively quickens their order fulfillment procedure to gain ease and speed. Not only that, but it will also make their warehouse operations more efficient. 

The warehouse managers have access to various technologies that help them reduce operational costs and fulfill growing market demand by guaranteeing deliveries go place as planned. Warehouse dimensioning systems is the pivot of this transition. 

What is automated package dimensioners? 

Calculating an object’s volume or area is known as “dimensioning.” Dimensioning is a method for figuring out how much product can be handled, transported, and invoiced. The dimensioning frameworks can determine the package’s length, height, width, and volume weight. 

The weighing systems aid in determining the object’s weight (heaviness). Many transportation and logistics businesses have integrated and used the combination of weighing and dimensioning. Dimensioning systems are used in shipping, logistics, postal services, small handling businesses, and other industries worldwide. 

Role of warehouse dimensioning systems in measuring irregular shapes 

How warehouse managers may use dimensioning systems to measure irregularly shaped parcels reliably and conveniently issue that keep them up at night. Up until a few years ago, using tape and a ruler to measure product boxes or shipments was the norm. 

However, traditional dimensioning techniques are gradually becoming obsolete due to the development of automated dimensioning improvements. With the help of warehouse dimensioning solutions, warehouse managers have done away with those tiresome, manually driven measuring conflicts. In addition to giving them the capacity to work quickly and precisely, it has also helped them to improve time management, reduce damage, and raise quality assurance, all of which have increased their total profitability. This is because dimensioning frameworks are not standalone fixes. 

They have extensive dimensioning knowledge of the most well-known case studies in the business. Additionally, the dimensioning systems are made with SDK augmented with many effective algorithms and camera-based imagery that aids in determining the dimension of packages, i.e., length, width, height, and volume weight of irregular things. 

Types Of Dimensioning Systems 

Package dimensioners/package dimensioning systems 

The package dimensioners measure packages’ length, breadth, width, and volume weight effectively. The packages can be piled on the trailer once their dimensions have been determined. The automated package dimensioners are made up of tools that can work in tandem with gauging scales, barcode scanners, and two-dimensional cameras to record the general load characteristics of every cargo. 

They can use it to establish a record containing pertinent freight attributes and dimensioning information. The term “automatic package dimensioning systems” is also used to describe these automated package dimensioners. 

The cloud-based automated package dimensioners are ideally suited to provide analytical reports using dimensional data. It can also dig up detailed information on certain shipments. As a result, package dimensioners can help businesses reduce the time it takes to measure pallets, personnel costs, and data entry errors. In some cases, they can even assist in disputing damage claims. 

Parcel dimensioners/parcel dimensioning systems 

Parcel dimensioners are also known as automated parcel dimensioning systems. These are used to measure individual boxes and packages of various shapes and sizes. Many shipping service providers depend on automated parcel dimensioners to accelerate their shipment journeys while ensuring maximum profitability. 

Automated parcel dimensioning systems are another name for parcel dimensioners. These are utilized to measure distinct boxes and packages of different sizes and forms. Several shipping service providers use automated parcel dimensioners to speed up shipment routes while maximizing revenue. 

Four reasons why eCommerce firms need to adopt warehouse dimensioning systems 

Several enterprises are already adopting warehouse dimensioning systems. Here are four explanations for why people already see the advantages. 

Increasing speed 

Any automated warehousing solution that wants to deliver the results instantly needs to be fast. Additionally, it’s crucial to consider how quickly the warehouse operator can dimension a product and input the measurements into the equipment. 

Since information may be obtained as needed, the tracked data in the warehouse dimensioning systems can be kept and used. 

Throughput optimization 

It became evident in 2020 that warehouse clients had little tolerance for late deliveries. The package must be delivered without incident because that could be the “make or break” moment for the customer. Warehouse dimensioning systems provide data access so that eCommerce warehouse and fulfillment may effectively assign a spot for the product in the pallet and ensure a quick and efficient shipping cycle. 

Improved accuracy of shipping cost 

To calculate the exact cost, it is essential to determine the precise weight and dimensions. The warehouse dimensioning systems take care of this issue by removing potential human error, which helps the customer feel like they received a fair bargain. 

Future capacity planning 

Warehouse dimensioning systems can help plan the entire storage capacity so that operations can be flexible, efficient, and future proof. It can, for example, assist in planning a move. If necessary, the weight and dimensional answers would also be useful for defining the pallet racket. 

How can automated package dimensioners boost warehouse profitability? 

Assist in increasing profitability 

First off, dimensioners offer a methodical approach to preventing higher than necessary costs caused by inaccurate dimensional data. Additionally, they support systematic cost monitoring to establish best practices for ensuring pricing correctness. 

Additionally, the warehouse dimensioning systems can revolutionize the analysis of the discrepancy between the estimated value and the actual value of the dimensional weights. 

Accelerate package dimensioning and weighing operations 

As previously said, most operators no longer measure the dimensions using measuring tapes because it is laborious and inefficient. With dimensioning systems, warehouses can drastically cut down on measuring time, though! Additionally, doing so increases your facility’s throughput, which boosts income generation. 

Conclusion 

Some top enterprises and new start-ups have already started implementing the most recent warehouse dimensioning technologies to achieve continuous expansion. One can even contend that cutting-edge dimensioning is essential to any profitable warehouse. 

Future robotization developments may bring automated dimensioning technology to a new level, giving warehouses greater accuracy and efficiency. 

[flickeringart]

Short natal chart reading

You asked specifically about your communication style, so I’ll cut to the chase.

Mercury is in Scorpio, which makes your quite impactful, purposeful and potent – you are likely very observant and able to read between the lines. You know the value of information and the impact it can have if revealed at the wrong time or presented in the wrong context or in the wrong way. You’re likely to want to keep your thoughts to yourself and only reveal selected parts to selected people – even if you do reveal yourself it is never the whole picture. You enjoy ambiguity to an extent, although there’s unease relative to what people might keep from you. You reserve your rights to be suspicious at all times - nothing is what it seems. The common stereotype for having Mercury in Scorpio is the “detective”. You might not want to leave any stone left unturned in your thinking process – which can take you into quite complex and intricate trains of thought on a daily basis.  Since Mercury is conjunct the Sun, you derive a sense of self from your thinking – which can be both good and bad. Good because you feel that you are standing behind every word and thought that occupy your mind, bad because you might have a hard time differentiating yourself from your thinking. You might feel that your way of communicating is very much a reflection of who you are. This is not the case for everyone. Your Sun and Mercury are in the 1st house of Self, which means that you show up as your authentic self – people see you in your outward projected persona and what you think is a big part of who you are.

Your Sun-Mercury conjunction forms a strong square to Jupiter in the 11th. It might be that you find yourself blocked from accessing the freedom and optimism that you crave because it seems to contradict your way of communicating – even your sense of self. It would seem that, you have to spread yourself thin in order to socialize and be involved with a lot of people and causes, it would seem that you have to exaggerate to the detriment of your own innate caution and need for privacy which is natural to Scorpio individuals. Perhaps you feel that in order to have some chance of luck when interacting with people, you can’t be yourself all the way. You can’t display your true self with your friends and your network because in that sphere, you would feel the need to be purely optimistic open to experience. In your life, there’s expectance of good things to come, perhaps to the point of it being unreasonable – you might exaggerate your optimism in order to compensate for your innate caution and awareness of the impermanence of life. You put your faith in collective aspirations and although you might reap the benefits on one level, on another level you might feel frustrated that you’ve lost yourself to the group – in other words, what you gain from associating with people and forming connections is not allowing you to be yourself and communicate your opinions and thoughts in the way you would want to. Chiron in your 3rd house emphasizes the fact that you have to take a philosophical approach to cope with non-redeemable difficulties in communicating. What these difficulties and issues are exactly is impossible for me to say, possibly it has to do with the ignorance and lack of awareness of people around you – too much discipline or lack thereof in school, too much strictness and demands on how to interact, behave and think. Chiron is in Capricorn, which suggests that you would’ve felt debilitated in your ability to apply yourself effectively in your studies, feeling judged and inferior because of regrettable yet inevitable circumstances.

Saturn is in Gemini in the 9th house. It is also the ruler of your 4thhouse. It would seem that education and knowledge were promoted in your home growing up, not necessarily for the purpose of your own interest and self-fulfillment, but for the purpose of succeeding in society and developing your intellect. Saturn is in retrograde, which usually means that the native is hard pressed to personally undertake challenges for the sake of growth because they might not come on their own – and if they do, they are rarely conducive to goal of being responsible and self-reliant. In other words, you would need to push yourself and put yourself in situations that require effort, consciously. Since your question was specifically about communication, I should say that Saturn in Gemini points to insecurity and a sense of lack in mental abilities that might lead you to put on a charade of wit in order to not reveal your struggles. This is not beneficial although it’s understandable that there’s a hesitant attitude to be open an accepting of one’s insufficiencies. It’s fine to hide behind a coping mechanism as long as one is working on developing oneself from the ground up at the same time. Be honest and real with yourself in your struggle. There’s no shame in admitting to where one’s at and working toward betterment. Getting over the fear of intellectual failure is hard, yet you should keep in mind that you’re only ever truly accountable to yourself despite external authority trying to instill feelings of guilt or shame. Humility is the best antidote to prideful concealment of lack.

Your Moon in the 4th house in Capricorn points to a home with an emphasis on discipline instead of softness. The natural ruler of the 4th house is the opposite sign of Cancer, which has to do with mutual dependence and emotional nurturing within the home. Capricorn as the 4th house ruler is tough because you probably had to work to get your needs met. With your Moon in this sign and in this house, you might’ve adopted the attitude that nothing is for free and that you had to put aside your feelings in order to have a chance of stability and security in the long run. In any case, your home environment growing up was certainly serious. Neptune also sits in this house, squaring your Sun-Mercury conjunction. Perhaps it’s not too presumptuous of me to suggest that you had to blend in to the detriment of your own sense of self and your own mental assessments and opinions. With Neptune in the 4th there’s usually intense idealization as well as sensitivity to the environment and a need to blur the edges in order to cope with the less refined aspects of reality. You seek and sought complete merging within your family home, yet your yearning probably made you feel frustrated with yourself because you could never quite attain the love (Neptune square Venus) or the recognition of yourself that you hoped for (Neptune square Sun-Mercury). Your Venus in Scorpio is also in retrograde which means that external socializing, displays of love and affection was “lost on you” since you have a hard time with real understanding of what underlies social interaction. You might struggle with general unhappiness because of this, but your task is to cultivate the inner experience of satisfaction rather than seeking it in the external. Since you’re a Libra Rising, Venus is your chart ruler and it’s in its detriment in the sign of Scorpio. Your idea of beauty is tainted with themes of passion and intensity; you might enjoy reveling in the darker undercurrents, the things that are shocking, a bit taboo and forbidden.

Your Mars in in Libra, conjunct your Ascendant on the 12th house side. Mars is in the sign of its detriment, quite diplomatic and socially accommodating. Your way of asserting yourself is always aimed at being reasonable in light of the social setting and circumstance you’re in. Since Mars is in the 12th, you assert the will based on universal emotional longings that are common to every human being. You might never fight or argue on behalf of selfish agenda, it’s always in favor of trying to restore equilibrium and an experience of being emotional fused. You probably feel that anger is abstract energy and available for use, but it’s not to be employed on behalf of your separate self. Planets in the 12th can sometimes point to passed down familial issues, in the case of Mars here, personal drive and anger is “stuck in the ether”, unconscious and/or given up to live its own life “back stage”. Aries, the sign ruled by Mars, is in the 7th house, pointing out that you probably encounter your “shadow” (disowned qualities) of anger, selfishness and self-motivated action in other people. In addition, Lilith sits right on the Descendant in Aries, which suggests that you find other people irrationally independent and overly attached to getting their own way. You might even find that you compulsively display these traits in interaction with other people because you feel that you are going to be deprived of your chance to do what you want. You’re likely to feel deprived of your individual potency with these placements and you might come off as obsessively independent in relationships with other people for this reason. The whole dynamic stems from a feeling having to sacrifice personal interest and it often backfires in radical self-absorption and self-motivated action.

Let’s take a look at Pluto, your Sun ruler. It’s in your 2nd house, trine Jupiter and sextile Mars. You’re likely to be quite possessive fearfully protective of your material resources, which includes money and finances. You might be quietly and covertly acquiring your material necessities, or avoiding it all together because of the constant paranoia and threat of the rug being pulled out from underneath you. You don’t trust that you’re going to have enough for yourself to be content, ever, so you might be quite powerful and persevering in your quest for value. Pluto and Scorpio have a lot to do with impermanence and expecting crises to envelop without a moments notice so you’re always “on your toes” internally, scanning for potential chaos to break lose, especially as it relates to loosing what you value on a purely material level. This is especially true since Scorpio rules your 2nd house and Pluto is placed here. The Pluto-Jupiter trine would denote a strong sense of faith and confidence in your ability to survive ordeals, perhaps due to your sense of being part of something larger than yourself (Jupiter in the 11th house).  You might be concerned with how to regenerate faith and find value in seemingly “dead matter”, metaphorically or literally speaking. Your Part of Fortune is conjunct Jupiter, which pints to your prosperity coming through the broadening and expanding of your understanding of life through involvement in groups or causes. It’s quite possibly even linked to your career. You might take on the role of the inspiring and visionary teacher that transforms people’s lives (Pluto trine Jupiter). Or, put in other terms, your teaching and sharing of yourself will make you feel powerful and impactful in the world of ideas as well as that of form (Jupiter in 11th trine Pluto in the 2nd). Your South Node conjuncts your Pluto, so it’s easy for you to wield subtle power and take control. Pluto sextile Mars gives you a relentless will; you do fight dirty even if it’s below the surface and through quiet coercing and strategic manipulation that is barely noticed. Guilt seems to be a popular tool for Scorpio Mars in attempt to control matters, and the same could be said for Pluto-Mars aspects. Mars in the 12th easily lends itself to acting out the role of the martyr or victim of circumstances and when aspecting Pluto, this can be used strategically. You can probably be a little ambiguous and subtly threatening in your actions in order to get what you want.

Finally, let’s look at Uranus. It’s in its domicile in Aquarius in the 5thhouse, trine Saturn. The 5th house has to do with activities of self-expression and it would seem that you find an outlet for breaking out of the societal bars of convention within this sphere. You might have fun exploring new collective trends and ways of expressing yourself that challenges the status quo. It would seem that you incorporate your offbeat ways nicely with the necessity to conform and succeed within society, since Uranus trines Saturn. However, seeing as Saturn is in retrograde, you are not particularly in touch with the limits and boundaries of society – they don’t make sense to you. You might set high goals for yourself and work diligently to reach them, yet you don’t experience a correlation between your effort and the payoff. Looking to what is wrong with authority, rebelling against it and pushing new, more progressive thought systems might come easily to you for this reason. You might be inclined to hop on a collective thought trend and identify with it, embody it in your own unique way. You’re likely to express alternative ideas and conceptual framework through your creativity and spontaneity.

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If you’re interested a general chart reading similar to this one feel free to message me. I do a Basic Natal Chart Reading without the use of astrological language for 13.44 USD (6-7 pages), but if you want a more casual overview of your chart or have any specific question you would like me to go into, I charge 10 USD for about 4 pages.

[rosesastrology]

ASTROLOGY 101 GUIDE (MASTERPOST)

This took a long time to make so I hope it's useful to someone out there c:

The signs

Aries: passionate, childlike (not childish), finds their own way, knows what they want, optimistic, go-getter, bold, stands up for what they believe in, courageous, leaders, energetic, easily influenced, bad at controlling their anger, tend to have short tempers, naivety, can come across as foolish, egotistical or selfish

Taurus: Loyal, patient, generous to this they love, can seem materialistic, romantic, treasure their loved ones, argumentative, opinionated, self-indulgent tendencies, steady, reliable, resistant to change, possessive, stubborn, realistic, can be jealous, dependable, predictable

Gemini: misunderstood, funny, witty, good with words (no matter if they're introvert or extrovert), informative, often have a lot of general knowledge and know a lot of weird facts, adaptable, fast thinkers, inconsistent, curious, restless, logical, easily distracted, charming, resourceful, can seem as though they don't have emotions

Cancer: sensitive, sweet, cares for their family or loved ones/friends, empathic, intuitive, spiritual, artistic, introverted, avoid drama, moody, have a hard exterior and a soft core, family orientated, homebodies, contrary to popular beliefs they don't like to show off their emotions, romantic, maternal, domestic, rarely get angry, protective, psychic, patient, healers

Leo: bold, confident, the center of attention (if they want to be), multitalented, often very beautiful, position of fame or wealth/success, stubborn, selfish, defensive, hasty, impatient, generous, judgemental, creative, entertaining, determined, charismatic, bossy, dramatic, sulky, brave, protective, can be manipulative, performers

Virgo: giving, reliable, smart, overthinkers, worriers, logical, organized, tidy, witty, clean, analytical, modest, perfectionists, humble, precise, self-righteous, nagging, demanding, never satisfied, selfless, shy, helpful, diligent, observant, skeptical, laid-back, unemotional, anxious, fussy, hard on themselves, health orientated

Libra: balanced, communicative, all-rounders, relationship orientated, charming, clever, selfless, creative, bossy, fair, superficial, very honest, seek peace and harmony, advisers, objective, diplomatic, gossip, idealistic, sincere, loving, social, melodramatic, manipulative, sharing, they know your weaknesses and will use them against you if they see it as necessary

Scorpio: intense, emotional, brooding, introverted, mysterious (to strangers and those they don't want to let close), are actually very soft and emotional, sexual, interested in taboo topics, magnetic, can seem intimidating, detectives, vengeful, deep, overthinkers, intuitive, powerful, leaders, dominant, stubborn, moody, worriers, negative, forceful

Sagittarius: adventurous, philosophical, usually have a talent for languages, interested in different cultures, travelers, restless, anxious, aloof, outspoken, blunt, lucky, optimistic (once developed), can be negative if their thoughts take over, open-minded, independent, skilled, ambitious, determined, courageous, witty, genuine, real

Capricorn: work orientated, stable, reliable, passionate about their career, smart, sophisticated, resourceful, careful, grounded, cold, seek status, anxious, skeptical, realistic, greedy, cynical, unsatisfied, hard on themselves, driven, patient, ruthless, disciplined, practical, overachievers, societal

Aquarius: humanitarian, funny, witty, good with words, independent, selective about their friends, smart, thrives in group environments, friendly, creative, tolerant, loyal, idealistic, original, distant, seemingly unreachable, daydreamers, want to make a change in the world, contradictory, rebellious, unconventional, don't follow the rules

Pisces: imaginative, sensitive, moody, highly creative, easily addicted to substances, manipulative, passive aggressive, self-pitying, absent, daydreamers, overthinkers, empathetic, emotional, intuitive, give good advice, sweet, extremely selfless, often give into false hope, don't put their dreams into plans, compassionate, soft, magical, accepting, lazy, escapists

Planets

SUN: THE SELF - the Sun represents the self, direct energy, father/mother energy (usually father), career, the ego, consciousness, stamina, the body, exercise, vitality, heart, confidence, radiance, personality, masculinity, your drive

MOON: THE HIDDEN SELF - the Moon represents the hidden self, emotions, substance use, the subconscious, the mother, your needs, wants, instincts, passivity, reactions, femininity, habits

MERCURY: THE MIND - Mercury represents the mind, communication, social media, conversations, news, newspapers, games, technology, science, books, intellect, reasons, messages, interactions, languages, intelligence

VENUS: LOVE - Venus represents love, marriage, engagement, stability, honeymoons, beauty, fashion, clothes, gifts, food, attraction, art, values, wants and needs, discrimination, relatability, culture, charm, jewellery, style, sociability, luxury, chances

MARS: DRIVE AND ANGER - Mars represents your drive and anger, passion, sex, boldness, argumentativeness, energy, primal instincts, aggression, action, desire, competition, courage, fights, war, frustration, violence

JUPITER: EXPANSION AND LUCK - Jupiter rules expansion and luck, traveling, fortune, growth, healing, optimism, understanding, accepting, education, school, university, reasoning, distance, foreign countries, religion, leisure time, indulgence, good fortune, the world, prosperity

URANUS: CHANGE - Uranus rules change, science, rebellion, unpredictability, instability, rebirth, reformation, insight, breakthroughs, innovation, psychology, originality, revolution, natural disasters, astrology, unique, unusual, accidents, taboo

SATURN: STRUCTURE. Saturn rules structure, life lessons, hard lessons, the father, masculinity, work, education, society, social order, society, working class, law, restrictions, limitations, responsibility, growth, obligation, law, wisdom, aging, career, hard work, strength, ambition

NEPTUNE: THE SUBCONSCIOUS - Neptune rules the subconscious, illusions, drugs, substance use, idealism, dreams, delusions, mystics, myths, intuition, spirituality, mystery, (false) hopes, faith, religion, romance, escapism, skepticism, deception, confusion, anxiety, suicide

PLUTO: TRANSFORMATION AND TABOO - Pluto rules transformation and taboo, sex, tarot, mysteries, rebirth, legends, myths, religion, ego death, astrology, witches, psychology, disorders, power, birth and death, evolution, intensity, violence, INNER change, growth, obsession, crime, subversion, hard reality, underworld, fears phobias, abuse, self-harm, everything that's hidden

THE HOUSES

Your astrological chart is made up off of twelve parts, these twelve parts are called HOUSES. A PLANET is both in a SIGN and in a HOUSE. If you have more than 3 planets in a HOUSE or SIGN it is called a STELLIUM. This means this sign or house is extremely intense in your life. You can also have EMPTY houses, which means there's no planet or luminary in that house. If this is the case, it means that this area of your life is less intense than other areas and there may be a lack of that house in your life. Strong planetary influences can counter an empty house (see NATURAL RULERS, a well-aspected Jupiter could counter an empty 9th house for example).

1st house: self, appearance, beginnings, first impressions, basic personality, the conscious, the body, dominant traits

2nd house: possessions, money, food, wealth, values, relationships, habits, career, work ethic

3rd house: communication, intellect, intelligence, humor, messages, siblings, education, news, neighbors, sociability, events

4th house: the past, family, parents, home life, childhood, emotions, foundation, roots, mother, children, women, femininity

5th house: play, relationships, chances, opportunity, romance, self-expression, creativity, art, entertainment, joy, romance, affairs, drama

6th house: health, volunteering, selflessness, generosity, fitness, exercise, pets, service, organization, critical mind, critique, perfectionism, analytics

7th house: marriage, engagement, true love, relationships, contracts, friendships, equality, balance, give and take

8th house: Sex, intimacy, resources, finance gain or loss, taboo, mystery, deception, substance, obsession, passion, abuse

9th house: Expansion, luck, traveling, education, philosophy, culture, languages, prosperity, ethics, learning, law, religion, beliefs

10th house: career, work ethic, structure, status, long-term plans or goals, stability, reputation, masculinity, men, fathers, respectability, reliability, limits, life lessons

11th house: friendship, friends, awareness, technology, humanitarianism, the future, hopes and wishes

12th house: the hidden, endings, healing, closure, spiritualism, solitude, karma, old age, subconscious, afterlife, limiting beliefs

ELEMENTS

Every sign and planet is naturally ruled by one of the four elements (earth, fire, water and air) which you can find more about here. Elements are fixed and not subjected to change.

FIRE

Keywords: active, passionate, extroverted, hotheaded, bold, spontaneous, impulsive, creative, reactive, masculine

Signs: ARIES, LEO, SAGITTARIUS

Planets: MARS, SUN, JUPITER

Houses: 1, 5, 9

WATER

Keywords: emotional, fluid, go with the flow, feminine, intuitive, sensitive, empathic, moody, negative

Signs: PISCES, CANCER, SCORPIO

Planets: NEPTUNE, MOON, MARS/PLUTO

Houses: 12, 4, 8

EARTH

Keywords: stable, reliable, structural, respectable, smart, hard workers, practical

Signs: TAURUS, VIRGO, CAPRICORN

Planets: VENUS, MERCURY, SATURN

Houses: 2, 6, 10

AIR

Keywords: communication, humor, society, idealism, justice, thoughts, messages, education

Signs: GEMINI, LIBRA, AQUARIUS

Planets: MERCURY, VENUS, URANUS

Houses: 3, 7, 11

QUALITIES/MODALITIES

In astrology every sign has a natural unchangeable quality. They are also called modalities. There are three of them: cardinal, fixed or mutable.

CARDINAL: Adaptable, versatile, changeable, dynamic, tackles obstacles head on, initiating, need the issue to be resolved, action orientated. Bad at the follow through. Blunt.

CARDINAL SIGNS: Aries, Cancer, Libra, Capricorn

FIXED: unchangeable, stubborn, resistant, stable, organized, attached, likes routine, tackles problems slowly and often gets stuck. Do follow through. Disciplined.

FIXED SIGNS: Taurus, Leo, Scorpio, Aquarius

MUTABLE: escapism, avoid the problem or issue, negotiators, compromise it, adaptable, changeable

MUTABLE SIGNS: Gemini, Virgo, Sagittarius, Pisces

YIN YANG

There's a natural Yin and Yang in astrology.

Yin: feminine, introvert, passive, emotive, reaction based

Signs: Gemini, Virgo, Cancer, Aquarius, Sagittarius, Libra

Yang: masculine, extrovert, active, social, action based

Signs: Aries, Taurus, Leo, Scorpio, Capricorn, Pisces

POLARITY

Polarity refers to signs or houses that are opposite of each other.

Aries (the self) vs Libra (partnership)

Taurus (personal possessions, pleasure) vs Scorpio (shared possessions, pleasure)

Gemini (detail orientated) vs Sagittarius (focused on expansion, the big picture)

Cancer (the home life) vs Capricorn (the public life, society)

Leo (generosity, entertainment and personal pleasure) vs Aquarius (individualism and humanitarian goals)

Virgo (work, discipline) vs Pisces (dreams, addiction)

NATURAL RULERS:

Every sign has a natural ruler. A natural ruling planet, house, element, quality and yin/yang.

Aries

Natural ruling planet: Mars

Element: Fire

Quality: Cardinal

House: 1

Yin/yang

Taurus

Planet: Venus

Element: earth

Quality: fixed

House: 2

Yin/yang

Gemini

Planet: Mercury

Element: air

Quality: mutable

House: 3

Yin/yang

Cancer

Planet: Moon

Element: water

Quality: cardinal

House: 4

Yin/yang

Leo

Planet: Sun

Element: fire

Quality: fixed

House: 5

Yin/yang

Virgo

Planet: Mercury

Element: earth

Quality: mutable

House: 6

Yin/yang

Libra

Planet: Venus

Element: air

Quality: cardinal

House: 7

Yin/yang

Scorpio

Planet: Pluto and Mars

Element: air

Quality: fixed

House: 8

Yin/yang

Sagittarius

Planet: Jupiter

Element: fire

Quality: mutable

House: 9

Yin/yang

Capricorn

Planet: Saturn

Element: earth

Quality: cardinal

House: 10

Yin/yang

Aquarius

Planet: Uranus and Jupiter

Element: air

Quality: fixed

House: 11

Yin/yang

Pisces

Planet: Neptune and Jupiter

Element: water

Quality: mutable

House: 12

Yin/yang

[goblin-witch]

ꉔꏂ꒒꓄꒐ꉔ ꓄ꋪꏂꏂ ꋬꇙ꓄ꋪꄲ꒒ꄲꍌꌦ

Celtic Tree Astrology is the astrological system practiced by the ancient Irish. It is based on an ancient Celtic symbol system. The Celtic Zodiac is drawn from the beliefs of the Druids and is based on the cycles of the moon. The year is divided into 13 lunar months, with a tree (sacred to the druids) assigned to each month. Each tree has particular magical qualities whose secret mysteries come from the ancient Celtic alphabet, the Ogram.

The Celts envisioned the entire Universe in the form of a tree, whose roots grew deep below (in the ground) and whose branches reached up high (into the Heavens). In time, the Celtic people eventually designated a tree to each of the 13 Moon phases in their calendar, in accordance with its magical properties. As such the Celtic Zodiac is based upon the cycles of the Moon, with the year divided into the 13 lunar months established by the Druid religion.

The Druid religion was based mainly upon an awareness of natural and supernatural energies. These energies were identified with spirits and the Celtic Druids believed that trees were given these spirits, who dwelt within, and were perceived as attributes of the Supreme Being. Thus, trees were considered living entities, possessed with Infinite Knowledge and Wisdom, symbolically representative of the Cycle of Life, Death and Renewal, and symbolically connected with the three planes of existence: mind, body, and spirit.

Birch – The Achiever

December 24 – January 20

If you were born under the energy of the Birch you can be highly driven, and often motivate others they become easily caught in your zeal, drive and ambition. You are always reaching for more, seeking better horizons and obtaining higher aspirations. The Druids attributed this to your time of birth, which is a time of year shrouded by darkness, so consequently you are always stretching out to find the light. Birch signs (just like the tree) are tolerant, tough, and resilient. You are cool-headed and are natural-born rulers, often taking command when a situation calls for leadership. When in touch with your softer side, you also bring beauty in otherwise barren spaces, brightening up a room with your guile, and charming crowds with your quick wit. Celtic tree astrology Birch signs are compatible with Vine signs and Willow signs.

Rowan – The Thinker

January 21 – February 17

Celtic tree astrology recognizes Rowan signs as the philosophical minds within the zodiac. If you were born under the Rowan energy, you are likely a keen-minded visionary, with high ideals. Your thoughts are original and creative, so much so, that others often misunderstand from where you are coming. This sometimes makes you aloof when interacting with others as you feel they wouldn’t understand where you are coming from anyway. Nevertheless, although you may appear to have a cool exterior, you are burning within your passionate ideals. This inner passion provides inner motivation for you as you make your way through life. You have a natural ability to transform situations and people around you by your mere presence. You are highly influential in a quiet way and others look to you for your unique perspectives. Rowan pairs well with Ivy and Hawthorn signs.

Ash – The Enchanter

February 18 – March 17

Those born under the Celtic tree astrology sign of the Ash are free thinkers. Imaginative, intuitive, and naturally artistic, you see the world in water-color purity. You have a tendency to moody and withdrawn at times, but that’s only because your inner landscape is in constant motion. You are in touch with your muse, and you are easily inspired by nature. Likewise, you inspire all that you associate with and people seek you out for your enchanting personality. Art, writing (especially poetry), science, and theology (spiritual matters) are areas that strongly interest you. Others may think you are reclusive, but in all honesty, you are simply immersed in your own world of fantastic vision and design. You are in a constant state of self-renewal and you rarely place a value on what others think about you. Ash signs partners well with Willow and Reed signs.

Alder – The Trailblazer

March 18 – April 14

If you are an Alder sign within the Celtic tree astrology system, you are a natural-born pathfinder. You’re a mover and a shaker, and will blaze a trail with fiery passion often gaining loyal followers to your cause. You are charming, gregarious and mingle easily with a broad mix of personalities. In other words, Alder signs get along with everybody and everybody loves to hang around with you. This might be because Alder’s are easily confident and have a strong self-faith. This self-assurance is infectious and other people recognize this quality in you instantly. Alder Celtic tree astrology signs are very focused and dislike waste. Consequently, they can see through superficialities and will not tolerate fluff. Alder people place high value on their time, and feel that wasting time is insufferable. They are motivated by action and results. Alder’s pair well with Hawthorns, Oaks or even Birch signs.

Willow – The Observer

April 15 – May 12

If you are a Willow sign, you are ruled by the moon, and so your personality holds hands with many of the mystical aspects of the lunar realm. This means you are highly creative, intuitive (highly psychic people are born under the sign of the Willow) and intelligent. You have a keen understanding of cycles, and you inherently know that every situation has a season. This gives you a realistic perspective of things, and also causes you to be more patient than most tree signs. With your intelligence comes a natural ability to retain knowledge and you often impress your company with the ability to expound on subjects from memory. Willow Celtic tree astrology signs are bursting with potential, but have a tendency to hold themselves back for fear of appearing flamboyant or overindulgent. It is your powers of perception that ultimately allow your true nature to shine, and what leads you to success in life. Willow signs join well with the Birch and the Ivy.

Hawthorn – The Illusionist

May 13 – June 9

Hawthorn signs in Celtic tree astrology are not at all what they appear to be. Outwardly, they appear to be a certain persona, while on the inside Hawthorn’s are quite different. They put the term “never judge a book by its cover” to the test. They live seemingly average lives while on the inside they carry fiery passions and inexhaustible creative flame. They are well adjusted and can adapt to most life situations well – making themselves content and comforting others at the same time. You are naturally curious, and have an interest in a broad range of topics. You are an excellent listener, and people seek you out as an outlet to release their burdens. You have a healthy sense of humor, and have a clear understanding of irony. You tend to see the big picture, and have amazing insight – although you typically won’t give yourself enough credit for your observations. Hawthorn signs match up nicely with Ash and Rowan’s.

Oak – The Stabilizer

June 10 – July 7

Those born under the Celtic tree astrology sign of the Oak have a special gift of strength. They are protective people and often become a champion for those who do not have a voice. In other words, the Oak is the crusader and the spokesperson for the underdog. Nurturing, generous and helpful, you are a gentle giant among the Celtic zodiac signs. You exude an easy confidence and naturally assume everything will work out to a positive outcome. You have a deep respect for history and ancestry, and many people with this sign become teachers. You love to impart your knowledge of the past to others. Oak signs have a need for structure, and will often go to great lengths to gain the feeling of control in their lives. Healthy Oak signs live long, full, happy lives and enjoy large family settings and are likely to be involved with large social/community networks. Oak signs pair off well with the Ash and Reed, and are known to harmoniously join with Ivy signs too.

Holly – The Ruler

July 8 – August 4

Among the Celtic tree astrology signs the Holly is one of regal status. Noble, and high-minded, those born during the Holly era easily take on positions of leadership and power. If you are a Holly sign you take on challenges easily, and you overcome obstacles with rare skill and tact. When you encounter setbacks, you simply redouble your efforts and remain ever vigilant to obtain your end goals. Very seldom are you defeated. This is why many people look up to you and follow you as their leader. You are competitive and ambitious even in the most casual settings. You can appear to be arrogant but in actuality you’re just very confident in your abilities. Truth be known, you are quite generous, kind and affectionate (once people get to know you). Highly intelligent, you skate through academics where others may struggle. Because many things come to you so easily, you may have a tendency to rest on your laurels. In other words, if not kept active, you may slip into an unhealthy and lazy lifestyle. Holly signs may look to Ash and Elder signs for balance and partnership.

Hazel – The Knower

August 5 – September 1

If you are born under the energy of the Hazel, you are highly intelligent, organized and efficient. Like Holly, you are naturally gifted in academia, and excel in the classroom. You also have the ability to retain information and can recall, recite and expound on subjects you’ve memorized with amazing accuracy. You know your facts, and you are always well informed. This sometimes makes you appear like a know-it-all to others, but you can’t help that; you’re genuinely smart and usually know the right course of action because of your impressive knowledge base. You have an eye for detail, and like things to be “just so.” Sometimes this need for order and control can lead to compulsive behaviors if left unchecked. You have a knack for numbers, science and things that utilize your analytical skills. You like rules, although you are typically making them rather than playing by them. The Celtic tree astrology sign of Hazel joins harmoniously with Hawthorn and Rowan’s.

Vine – The Equalizer

September 2 – September 29

Vine signs are born within the autumnal equinox, which makes your personality changeable and unpredictable. You can be full of contradictions, and are often indecisive. But this is because you can see both sides of the story, and empathize with each equally. It is hard for you to pick sides because you can see the good points on each end. There are, however, areas in your life that you are quite sure about. These include the finer things of life like food, wine, music, and art. You have very distinctive taste, and are a connoisseur of refinement. Luxury agrees with you, and under good conditions you have a Midas touch for turning drab into dramatic beauty. You are charming, elegant, and maintain a level of class that wins you esteem from a large fan base. Indeed, you often find yourself in public places where others can admire your classic style and poise. Vine signs pair well with Willow and Hazel signs.

Ivy – The Survivor

September 30 – October 27

Among other cherished qualities of the Ivy Celtic tree astrology sign, most prized is your ability to overcome all odds. You have a sharp intellect, but more obvious is your compassion and loyalty to others. You have a giving nature, and are always there to lend a helping hand. You are born at a time of the waning sun so life can be difficult for you at times. This sometimes seems unfair because it appears that obstacles are coming at with no prompting on your part. Nevertheless, you endure troubling times with silent perseverance and soulful grace. Indeed, Ivy signs have a tendency to be deeply spiritual and cling to a deep-rooted faith that typically sees them trough adversity. You are soft spoken, but have a keen wit about you. You are charming, charismatic, and can effectively hold your own in most social settings. Ivy signs are attracted to the Celtic tree astrology sign of Oak and Ash signs.

Reed – The Inquisitor

October 28 – November 24

Reed signs among the Celtic tree astrology signs are the secret keepers. You dig deep inside to the real meaning of things and discover the truth hidden beneath layers of distraction. When there is a need to get to the heart of the matter, most certainly the Reed sign will find the core. You love a good story, and can be easily drawn in by gossip, scandals, legend and lore. These tendencies also make you an excellent historian, journalist, detective or archaeologist. You love people because they represent a diversity of meanings for you to interpret. You are adept at coaxing people to talk to you, and sometimes you can be a bit manipulative. However, you have a strong sense of truth and honor so most of your scheming is harmless. Reed people join well with other Reeds, Ash or Oak signs.

Elder – The Seeker

November 25 – December 23

Elder archetypes among Celtic tree astrology tend to be freedom-loving, and sometimes appear to be a bit wild to the other signs of the zodiac. In younger years you may have lived life in the fast lane, often identified as a “thrill seeker.” At the time of your birth the light of the sun was fast fleeting and so you took the same cue from nature. You are often misjudged as an outsider as you have a tendency to be withdrawn in spite of your extroverted nature. In actuality, you are deeply thoughtful with philosophical bent. You also tend to be very considerate of others and genuinely strive to be helpful. These acts of assistance are sometimes thwarted by your brutal honesty (which you openly share solicited or otherwise). Elder Celtic tree astrology signs fit well with Alder’s and Holly’s.

[yamayuandadu]

Rider of Clouds

A a loose adaptation of the Ugaritic Baal cycle of myths, with some changes and the holes patched up with other myths and historical trivia. It will probably go on and on as some sort of silly “myth crossover” thing. Mount Saphon, the spiritual center of a large but poorly defined area spanning from the Mediterranean Sea to the Euphrates and the residence of many gods, needs a new king. While the former king of the gods, El, favors his distant relative Yam, this decision is not popular with the other deities and would be a disaster for their human followers; however, few dare to question El decisions in public. The exception is Baal, the heir(ess) of El's popular but not very ambitious rival Dagan, determined to take Mount Saphon to the bright future of the late bronze age.

Protagonists

Baal (Hebat) – the eponymous Rider of Clouds (a real title used in myths and cult texts), a young weather deity born to Dagan and Shalash (not pictured), semi-retired agricultural gods who settled in Tuttul on the Euphrates shortly before Baal's birth. Dagan hails from Mesopotamia proper, while Shalash is Hurrian. While the mythical  Baal Hadad is male, my version is a woman – the idea started as a joke about conflating Baal from the Baal cycle with Baalat Gebal, a female figure associated with another levantine bronze age city (BG's actual identity is an object of much scholarly debate) being more valid than conflating him with much later Baal Hammon from Carthage (or rather with Roman hot takes about this deity), which happens a lot online, but I got attached to it o now here we are.   She nonetheless uses a male title inherited from her father, much like a few historical female rulers did. In my version “Hadad” is only a title (or rather a me, eg. divine attribute), and her real name is actually Hebat. Irl Hebat was, among other things, the name of a goddess mentioned in one inscription as Dagan's daughter, and thus a featureles sister of Baal. As the levantine/syrian Hebat lacks a defined character in real mythology (”another” Hebat was regarded as the Hurrian storm god's wife but was at times replaced in this role by the more interesting sun goddess of Arinna and that's about it; I'm not going to use that one in my story) it should be fine to conflate her with Dagan's best attested divine child, I think? Baal is impulsive and follows a moral code which, depending on the point of view, might be either naive or heroic, which means she's not exactly the optimal person to get involved in n-dimensional divine politics (the ideal person to be the protagonist of an Ugaritic epic poem, as evidenced by history), but that's not enough to stop her from trying; the popularity with humans helps, too. The story documents her rise to the position of the head god of the pantheon residing on Mount Saphon, ruling over Ugarit and other surrounding areas.

Astarte (it should be Ashtart for maximal accuracy but everyone knows the later form of the name better so...) – a goddess of humble origin and no particularly well defined attributes, who attaches herself to Baal initially in hopes of advancing own career, though the two eventually develop a more genuine relationship. She patterns herself after the much more famous Mesopotamian Inanna, seeing her as an ideal to strive for. While Baal has the name recognition and disposition fitting for a major deity, Astarte is the part of the duo actually capable of navigating politics, and takes the title of Face of Baal, negotiating support for Baal's bid with other gods. The image of Baal she projects differs slightly from reality, though not enough for most onlookers to notice. Astarte is also a connoisseur of foreign clothing (as pictured above) and art.

Anat (art courtesy of my girlfriend who sadly isn’t on tumblr but who helped a lot with figuring out a lot about this story) – the younger daughter of the ruling couple of Mount Saphon. Her philosophy differs greatly from her parents' and as a result she isn't really seriously considered for succession. Her hobbies include bladed weapons, gambling and heroic epics; in the past she attempted writing her own self insert one. Her temperament means she was never considered for succession, which she doesn't particularly mind. She's deeply invested in Baal's ascendance, and is probably the god Astarte wants to recruit for their cause the most.

Gupan and Ugar – two minor gods who might be some of the only allies Baal recruited herself rather than with Astarte's help. They play a minor role in the story as her messengers and heralds (just like in the real myth!). They're also a couple. The cuneiform on their coats says “Baal.”

Kothar-wa-Khasis – a craftsman god who, by own admission, only works part time in Ugarit and travels the world for the rest of it. He's kind and dependable and his wares are both affordable and of great quality, but his real motives are hard to ascertain. His real identity is likewise a subject of much speculation among other gods – while his preferred manner of clothing hints at an egyptian origin, nothing is known for sure. His true name is that of the god Ptah of Memphis; he spends most time outside it and incognito because he thinks smaller pantheons on the periphery of Egypt's influence offer more artistic freedom. He speaks in a very poetic pointlessly complex way (basically... imitating the style of ancient poem translations). While an architect first and foremost he a reneissance man - architect, sculptor, engineer, armorer, musician. He isn't very fond of Yam due to the latter's lack of aptitude for art and cost cutting suggestions.

There are actually two gods hiding behind the title “Kothar-wa-Khasis,” with the second one hailing from Caphtor (Crete) from where  Kothar arrives when commissioned to build Baal's palace in the real myth. She's shy and refuses to reveal her real name and hides behind the title “Mistress of the Labyrinth” and the labrys symbol. Her arrival is generally a sign of the duo taking a project particularly seriously.

Shapash – El's firstborn daughter, serving as “the torch of the gods”, a royal herald and solar deity. She also handles her parents' “foreign policy” on their behalf, which in practice means figuring out how to placate neighbors whose decisions aren't guided by the need to avoid angering various reviled figures.

Antagonists

Yam (right)  – a sea monster more than a god, presiding over the nearby section of the sea and all that dwells in it, including the commercially significant sea slugs. He's also the son of the formerly influential Anatolian god Kumarbi, banished to the underworld by the current head god Teshub due to his many past misdeeds. As a result of his father's past influence over the world (and current influence over the ruling couple), Yam gained El's support and received many titles, which de facto makes him the most likely to succeed El as the king of local pantheon.  He's capricious and inconsiderate, but maintains a larger than life public image meant to make him palatable to potential backers. The exact circumstances of his arrival in Ugarit are shrouded in mystery, and may or may not be responsible for his unusually strong hatred of Baal. Mot (left) – profoundly unpleasant and unsociable being kept around by Anat's parents for unclear reasons. He resides in the great offering pit in the abandoned city of Urkesh, formerly the center of Kumarbi's sphere of influence, reduced to a ghost town.   While his equivalents in neighboring areas generally view themselves as impartial or as a necessary evil, Mot gets his kicks from posing as a personification of death itself, and is notoriously corrupt. El and Athirat – the ruling couple of Mount Saphon and parents of Anat and Shapash, currently pondering retirement, which stirs many contenders to the throne into action. El is a lifelong opportunist changing views and allegiances as he sees fit, though he pretty consistently favors his distant relative Yam as his main underling ever since the latter arrived in the area.

El was originally Amurru, a courtier of the sky god Anu, overthrown by the nefarious Kumarbi. For unclear reasons Kumarbi made Amurru his vassal and bestowed the name Elkunirsa, or El for short, upon him.

Athirat is largely responsible for El maintaining his title for so long, and is a much craftier politician than he is. She comes from an influential dynasty of sea gods, but lacks dominion over the sea herself.

She and Yam are related, as seen here.

Abduyam – an attempt at developing an obscure figure from the original myth, Yam's nameless and seemingly rather rude and infuriating messenger, into a full blown character. The theophoric name he uses (there are real theophoric names invoking Yam, surprisingly) is just a pseudonym, and his real identity is a mystery. He interned under a variety of famous mythical villains in order to gain a greater understanding of their ways, and currently serves as Yam's messenger, adviser, doorkeeper and punching bag.

Ashtar – a feeble opportunist who sides with Yam, hoping to receive a share in the gains he's making thanks to El's blessings. He's pretty content with playing the role of a toady though his aspirations might be different, as Baal and Astarte suspect due to his love of gaudy imported textiles. Megalomania doesn't necessarily equal malevolence, though. He also loves sea slugs.

Foreign dignitaries

(ignore the ?, it’s just Baal) Marduk (right) – the tutelary deity of Babylon, a prominent and internationally renowned god. While technically the area encompassing Mount Saphon, where the events of the story take place, isn't directly under the control of the Babylonian pantheon, as one of the oldest in the world and the source of the writing it nonetheless has a tremendous impact on smaller neighbors. Formally Marduk is merely a representative of his father Enki and the assembly of the gods in Nippur, but as the old gods are not very mobile, he's the de facto acting head of the pantheon in foreign relations. He doesn't have a unified mythical narrative about himself yet at this point in time, despite his position, which is a source of insecurity for him. During travels, he's assisted by his personal aide and biographer, Nabu (not pictured), and his pet mushussu, Tishpak. Seth (left) – in real life, ancient Egyptians equated many gods of their neighbors with Seth; therefore in Rider of Clouds Seth serves as an ambassador of the Egyptian pantheon, usually residing in Gebal near Mount Saphon – a city whose gods (and human rulers) take pride in trying to be more Egyptian than the Egyptians themselves, and regard Seth as their spiritual liege (under the title “Lord of Lebanon”). While ultimately Marduk's judgment matters the most, Seth gets the right to veto his decisions when it comes to validating claims to local thrones. On good terms with Kothar-wa-Khasis, which is a subject of much gossip among other gods. Teshub (center) – the head of the Hurrian pantheon, technically capable of projecting the most power in Mount Saphon politics due to the Hurrian influence on huge number of other local pantheons, including that of the Hittites, thanks to his marriage to the Hittite sun goddess of Arinna; however, as the local gods for the most part share closer affinity with Mesopotamia than Hatti, he competes with Marduk for political influence. As he and Baal are a very similar type of god, he's the most outspoken supporter of Baal's ascension to the throne out of all 3 foreign dignitaries. El’s support for his nemesis is probably a factor, too.

Kubaba – the head goddess of Carchemish; much like the king of Carchemish served as a Hittite viceroy taking care of affairs of the vassals irl, she acts as Teshub's ambassador in the southeast, mediating between the Anatolian and Syrian gods. She hopes that Baal's rise will normalize foreign relations to the benefit of her human followers – El's erratic behavior and sympathy for a number of widely detested figures made that rather difficult. While she's not much older than Baal, she poses as an ancient deity and dresses like someone twice her age. She also seeks opportunities to insert herself into suitably ancient narratives. In another time and place she'll be known as Cybele, and eventually as the Roman Magna Mater, but this is not the story about it.

Plot-relevant but not present in the story physically

Inanna – the celebrity superstar of every pantheon from Hatti to Elam. After being elevated to one of the foremost positions among the gods she started a profitable franchising business, offering help with setting up own cult system and the right to use the title of “Ishtar” and the eight pointed star emblem in exchange for a share in potential profit and a spot in the franchisee' home pantheon. As her fame is unique even among the greatest of the gods, this isn't that bad of a deal. Other benefits of the franchising program include free tickets to the annual Ishtar meetup in Uruk and a 24/7 tech support line ran by her sukkal Ninshubur. Asides from Astarte, prominent members of the franchising program include the Hurrian Shaushka, the Elamite Pinikir, and the night goddess of Kizzuwatna.

Kumarbi: an agricultural god of the Hurrians who seized the kingship of their pantheon violently before being overthrown himself by Teshub and his allies. Now he resides in the underworld and plots, aided by a network of allies – some opportunistic, some stupid, some simply malevolent. His will is usually carried out by an unspecified number of identical fate goddesses, possible to differentiate only by the numerals on their veils. At the core he and Baal's father Dagan are very similar gods in function, but not in temperament.

[casually-inlove]

19 Days Character Archetypes. He Tian

This idea had been dancing around the back of my mind for a little over half a year now. I wanted to compare and contrast 19 Days characters with the list of archetypes proposed in the neo-Jungian research and finally, I got some time to spare. For this post, I am going to talk about He Tian. Before I begin, however, let me clarify a few things. Since the subject is fairly complex, I do not intend to write in detail about the theory itself or the studies mentioned because that is not the purpose of this post. I am only looking to give a quick and basic run-down of the common archetypes shared by the 19 Days characters.

What is an archetype? An archetype is a set of predefined characteristics, a mould. Carl Jung described the archetype as a “fundamental unit of a human mind” or a “primordial image”. Simply put, the archetypes are the recurring and simplified patterns — but also symbols. According to his ideas, these basic symbols exist universally irrespective of epochs, nations, cultures, races, places, etc. Jung believed them to be shared by the so-called collective unconsciousness. However, even before him, the philosophers of old introduced the ideas of pre-existing ideal immaterial forms which shape the material reality. Since the archetypes are fundamentally primordial, they permeate every single sphere of human life. Art, media, movies, day to day interactions — all of them deal in archetypes.

While working on his research, Carl Jung defined the driving impulses of the human psyche. In turn, that data helped him come up with underlying basis for human behaviour. Based on his findings, Jung outlined the so-called primary archetypes. Later his research served as a basis for many other studies and classifications, particularly for The 12 Archetype Model, proposed by Margaret Mark and Carol Pearson in “The Hero and the Outlaw”. Naturally, there can be an infinite number of archetypes, each having their subtleties; still, the short lists give the generalized picture. Deconstructing characters to these basic blueprints is a fair game because a character, no matter how complex, is still an abstract entity.

For this series of posts, I am going to rely on the 12 Archetype Model mentioned above. The list goes as follows:

1. The Innocent

2. The Orphan

3. The Hero

4. The Caregiver

5. The Explorer

6. The Rebel

7. The Lover

8. The Creator

9. The Jester

10. The Sage

11. The Magician

12. The Ruler

Having examined this list, I am led to believe that He Tian primarily represents a mixture of The Hero and The Rebel archetypes.

The Hero and The Rebel

Let us start with the most obvious, the Hero. This archetype is closely associated with the ideas of masculinity, and thus it is also referred as the Warrior, the Crusader, etc.

The Hero archetype characteristics

Motto: Where there is a will, there is a way

Core desire: to prove one's worth through courageous acts

Goal: expert mastery in a way that improves the world

Greatest fear: weakness, vulnerability, being a “chicken”

Strategy: to be as strong and competent as possible

Weakness: arrogance, always needing another battle to fight

Talent: competence and courage

These go very much in line with what we know of He Tian. His childhood flashbacks suggest that he indeed intends to be “the strongest”.

The failure to protect the puppy, the harsh words of He Cheng — all of it led him to become fixated on becoming the Hero, the one who swoops down and single-handedly saves the day. It is in the way he stands in to fight She Li for Guanshan or rushes to prevent Jian Yi from getting kidnapped. It is in the way he attempts to resolve the other boy’s problems with debt collectors. It is in the way he deflects the coke can and decides to meet his father for Guanshan's sake.

He Tian yearns to be the strongest because the alternative — being weak and helpless — has already scarred him in the past. Whatever joy he used to have as a child was taken from him, because he was not strong enough to handle things on his own. He entrusted the puppy to his brother and the man betrayed him — or so He Tian was led to believe.

More than that, he wants Guanshan to come to him, whether it’s talking about his complicated past or whether it’s about learning the guitar.

It goes without saying that He Tian is almost eerily good at anything he does — as such he believes he can learn music from scratch in a short time. That speaks volumes about the confidence he has in his capabilities, and yet to an outsider's perspective this might come off as blatant posturing.

Apart from almost baffling self-confidence that he shows, He Tian is also known for his nearly abnormal physical prowess. He managed to hold his ground against several armed adults (which is probably just flawed writing) and way back he even managed to impress Guanshan by effortlessly hopping over the school fence, so it makes one wonder what kind of training he had undergone.

However, the truth is, The Hero is also susceptible to weakness. In his work, Carl Jung has coined the term “The Shadow”, which became a stand-alone archetype in his list. The Shadow stands for our suppressed, ignored or denied traits, in other words, it is everything that we cannot see or refuse to see in ourselves. The concept of this hidden darkness has been since absorbed into a number posterior studies, such as Robert Moore’s and Douglass Gillette’s “King Magician Warrior Lover”, where they introduce triadic paradigms of the archetypes and their corresponding active and passive shadows. Notably, they link the aforementioned archetypes with the concept of “masculinity” and its development throughout adolescence into adulthood.

What is The Shadow to The Hero archetype? When The Hero cannot fulfill their purpose, they surrender to the shadow. The dark side takes their best qualities and transforms them into flaws. The confidence thus turns into arrogance and hubris, courage into foolhardiness, competence into bravado and posturing — or the complete opposite happens. Courage transforms into cowardice, confidence into insecurity, etc.

Whereas He Tian is concerned, before he had developed an emotional attachment to another person (and by doing so gained something to cherish), we could observe some of the definitive shadow patterns in his behaviour. Until he recognized Guanshan as someone to know and to protect, he used to goad the other boy, if not outright assume the position of his superior, demanding obedience and subservience. He Tian also used the snide tone when talking to Guanshan, and he did so in order to establish his power to steer the boy in what he deemed to be the right direction — that is attempting to curb Redhead’s short temper and brashness. And in doing so, he was not shy of subtly threatening the boy or using physical force to make his point.

To be in touch with his masculinity — that is to channel his energy constructively in order to feel strong and needed, — he required to have someone he could play the knight for. Once he could direct his inner impulses properly, his violent tendencies have subsided.

Even so, in his aspiration to be the ultimate good — driven by the hatred for his family background, perhaps — He Tian often opted for doing rash, foolhardy stuff, such as attempting to take on the debt collectors all by himself, for instance. Sure, he would have gotten to “save the day” and be the hero, but that single moment would have cost him his life.

Now, having glanced at the Hero archetype, let us move to the next one, The Rebel. This archetype is characterized by the following:

The Rebel archetype characteristics

Motto: Rules are made to be broken

Core desire: revenge or revolution

Goal: to overturn what is not working

Greatest fear: to be powerless or ineffectual

Strategy: disrupt, destroy, or shock

Weakness: crossing over to the dark side, crime

Talent: outrageousness, radical freedom

The Rebel is also known as the outlaw, the revolutionary, the wild man, the misfit, or iconoclast.

Indeed, He Tian rebels quite a bit in the manhua. First and foremost, his rebellion is directed at his flesh and blood — Mr He and Cheng.

Not much is known about He Tian’s childhood, yet it is pretty clear that he hadn’t exactly had a happy one. His mother died early on and he was left to grow up practically without parents since Mr He is a textbook absentee father. From what He Tian knows, his brother backstabbed him, an act that keeps plaguing their relationship years after, while his father is labeled as a monster — someone who is ostensibly capable of eliminating people who disobey.

It is also clear as the day that young He Tian is traumatized by whatever dealings his family conducts behind the scenes. At some point, we even witnessed a scene where HT is tossed out of the burning yacht, while his brother is covered in blood and holds a gun. A violent experience such as this inevitably leaves a scar — and actually get to see it. He Tian is shown to experience something closely reminiscent of PTSD, recurring violent nightmares, the fear of the dark, etc.

Back in the present day, we see that He Tian wants to put distance between himself and his family. It manifests in living separately from his kin and cutting the contact to a bare minimum. He makes a point of stating that he is independent, severing the ties he deems to be dysfunctional. Yet the same time He Tian cannot quite let go of his familial bonds. In particular, whenever He Cheng is concerned, the boy sneers and flagrantly shows his impetuousness and disrespect.

In many ways he’s practically stomping his feet, attempting to show that he doesn’t need his brother, yet by doing this he proves the opposite: he still yearns his bitter feelings to be validated by He Cheng — and by his father too, to an extent.

This results in bratty behaviour on his part: He Tian orchestrates property damage at the He mansion, impishly rejects Cheng’s gestures of goodwill, etc.That is the work of the Rebel’s “shadow” counterpart — when the desire to overturn things and break free takes on darker shade and slips into dangerous territory. Resisting and opposing then becomes a way of life, and only through it does the “shadow rebel” feel certain of their self. 

He Tian pushes at the boundaries of what is permitted and socially acceptable to feel in control of the situation. If we examine the way He Tian interacts with others, we will see that the shadow manifests in many other ways. He Tian is compelled to stir and instigate others, using his wit and cunning to make them uncomfortable or confused, and thus easy to manipulate to his amusement.

Speaking of socially acceptable behaviour, Chinese culture places a great emphasis on the respect towards senior family members — and I probably cannot stress this enough — He Cheng lets him get away with this lack of reverence. Deep inside He Tian seeks his brother’s approval and attention, but rejects it when he is given, and in the process he sets out to tear down anything that displeases him.

Establishing a connection with Guanshan let He Tian fulfill his Hero potential and channel his energy in constructive ways, and yet at the same time, it allowed him to tap further into his “Shadow” Rebel tendencies. That is, to it rub in into He Cheng’s face that he’s no longer welcome or needed.

Naturally, as a character, He Tian possesses traits of other archetypes — such as The Lover, for instance — albeit to a lesser extent, so I’m not going to dive deep in here. Let me just mention, that as a Lover, He Tian is compelled to increase his attractiveness to his love interest  — we often see him fishing for compliments and validation on Guanshan’s part, which underscores his inner need to feel needed and wanted, yet also turns into clinginess at times.

With that, this quick rundown of He Tian’s character patterns is complete. All in all, you could say that He Tian is fairly archetypal at his core, and yet it’s the combination of these “trite” features that mark him as an utterly realistic and believable character. It is because we’ve seen these archetypes countless times before that He Tian appears to be true to life.

Lastly, this is going to turn into a series of posts, but right now I cannot say when the next part is going to be up since writing this took me some time. In the meantime, you can read a bit more below ✨. 

 A bit more about He Tian | Support me at Ko-Fi 

[theanimeview]

What Makes a King? - A Concept Overview & Analysis

By: Peggy Sue Wood | @peggyseditorial​​

Above is my favorite scene from the manhwa King’s Maker (from Season 1 Episode/chapter 14). 

I love this scene because it perfectly embodies the ideal of what it takes to be a just or good leader in the fictional world of this particular story (not just seen as one publicly, but actually being one). It's an idea that relies heavily on the concept of noblesse oblige, which tends to pop-up in stories featuring nobles, royalty, or something similar. While also expanding on this idea of the necessity for chivalry that draws its definition and history from stories of King Arthur and his Knights of the Round. In modern-day stories, I would argue that much of our current interpretations and ideas of knightly/chivalric qualities come from Geoffrey of Monmouth’s stories of the king and his knights as well as the tales’ later retellings. [For those that don’t know noblesse oblige is the idea of inferred responsibility from privileged people to act with generosity and nobility toward those less privileged and chivalry is defined as a knightly system with its religious, moral, and social code. Geoffrey of Monmouth is the author of the first narrative account of King Arthur's life that we know of.]

You see, as someone who has studied literature in school, particularly Classical Antiquity and where we've gone from since, I've always been really interested in this idea of what makes a King, particularly in stories where we see a fight for the throne because it's hard to maintain these ideal qualities in what is often a bloody battle for power among people who have little to no qualms about committing vile acts to maintain what they have or gain more power, money, etc. This question of what makes a King? is a one I find myself asking often when I read fantasy stories that involve any question of a throne or it’s inheritance. However, I use the term "king" loosely to encompass the concept of a rightful ruler as defined by the set up an author gives in their individual stories.  

In popular works like Game of Thrones, in which we see much of the darker sides to knighthood, oaths, nobility, royalty, and so on--we see the grim reality of Geoffrey of Monmouth's time. In fact, some argue that Geoffrey's account and the focus on the knighthood and Arthur's reign amid war and beyond was a subversive aim to inspire real change among the dark abuses of power that many members of the knightly class, nobility, and above, held. In a movie like The Knight's Tale, we see this too in which it is the common man that depicts the embodiment of a true knight's spirit--one that is loyal, protective, chivalrous, deserving of love and admiration, and so on--rather than the majority of the knights born to their status. Shakespeare, who features many noble and royal families in his tales, also marks some of these qualities--showing audiences both redeeming features and cruelty among the classes (a rare depiction that landed him, at times, in the hot seat). 

These stories draw me in, as they do many others, and I think we can draw a conclusion on the trials a good or just king, knight, noble, or other must embody to achieve their "throne" by the end--one that is a bit more clear than The King Maker's summary above. 

Each potential "king" must succeed in a trail depicting one or more of the seven knightly virtues (defined here: http://marktoci.weebly.com/7-knightly-virtues.html), those being: 

“Courage.  More than bravado or bluster, a knight must have the courage of the heart necessary to undertake tasks which are difficult, tedious or unglamorous, and to graciously accept the sacrifices involved.

Justice.  A knight holds him- or herself to the highest standard of behavior, and knows that “fudging” on the little rules weakens the fabric of society for everyone.

Mercy.  Words and attitudes can be painful weapons, which is why a knight exercises mercy in his or her dealings with others, creating a sense of peace and community, rather than engendering hostility and antagonism.

Generosity.  Sharing what’s valuable in life means not just giving away material goods, but also time, attention, wisdom and energy - the things that create a strong, rich and diverse community.

Faith.  In the code of chivalry, “faith” means trust and integrity, and a knight is always faithful to his or her promises, no matter how big or small they may be.

Nobility.  Although this word is sometimes confused with “entitlement” or “snobbishness,” in the code of chivalry it conveys the importance of upholding one’s convictions at all times, especially when no one else is watching.

Hope.  More than just a safety net in times of tragedy, hope is present every day in a knight’s positive outlook and cheerful demeanor - the ‘shining armor’ that shields him or her, and inspires people all around.”

Suppose one were to look to the code of chivalry defined in Sir Gawain and the Green Knight. In that case, those virtuous qualities might instead be represented as friendship, generosity, chastity, courtesy, and piety/humility. 

Failing to pass such trails, the potential "king" would instead display a knightly sin (defined here: https://chivalrytoday.com/knightly-sins/), and often, if not always, in a story suffers karma for such actions. 

The idea of a Hero's Journey, a story form I'm sure everyone has heard defined many times before, includes these trails even though they are rarely explicitly spelled out in a summary of the form. This may be because many heroes rising, of which these "kings" are, already embody these virtues and only struggle with or require a trial against one of them.

As it stands, we can often see in advance a potential king's tragedy by understanding this idea. For example, we know that Wolfgang Goldenleonard, the prince seen above in The King's Maker excerpt I’ve provided, is going to be the King, birth order be damned. Will there be trails? Of course. And he passes them securing his crown at the end of Season 1; and continues to pass them thus maintaining his throne, which we can see currently in Season 2.

By extension, we can see the character's whose stories will end in failure based on how long it takes them to pass the knightly trails, if they even can pass them. For example, Richard III in Requiem of the Rose King, which is sure to end in tragedy--not simply because the Shakespearean plays the work draws on tend to end that way but because Richard’s character has changed from the loyal son/brother. 

King, in this sense, could probably easily be replaced by the word hero or knight... but the idea stands that to make them worthy of their title they seem to need one or more of these qualities.

So as you read the next chapter of your favorite knight's tale, or a battle for the throne, or a rise to power--consider whether or not your hero/protagonist is capable of achieving these virtues. You will probably find that even the characters that seem villainous, like the self-ish Seo Joo-Heon from Tomb Raider King or Naofumi Iwatani from The Rising of The Shield Hero, pass the test we've defined here.

[astrolocherry]

Mutables ~ Gemini, Virgo, Sagittarius, Pisces:  The Princess As the Witch in 'Tricking the Witch' by Franz Xaver von Schönwerth in the 19th century, a story about Princesses who are captured by ‘an evil witch’, but these girls are many sided with plenty of talents, it’s too boring for them to do nothing and wait to be saved, so they learn a few magic tricks 

Cancer-Capricorn Axis - Sleeping Beauty: The spinning wheel is Capricorn - the wheel of Fate, the ‘fates’ were written by the ancients as sacred women who thread and spin the wheel of destiny and govern time, life, and death. In Charles Perrault’s 1697 ‘The Sleeping Beauty in the Wood’ death is the final fate after surviving the trauma at three (Saturn returning) points in life and womanhood, its a symbol of the moon phases and triple goddess - the waxing moon maiden, waning moon crone, and full moon mother. 

Leo - Snow White: The huntsman is ordered to bring back Snow White’s heart as evidence of her murder. Leo is the zodiacal ruler of the heart and the stepmother commands this not just to harvest a body part, but as a symbol of everything the Leo heart provides - warmth, spirit, and life, their emotions, and their love. To destroy the capacity to love themselves

Libra - Snow White:  Maria Tatar writes that ‘the voice in the mirror may be viewed as a judgmental voice’, whilst Snow White herself is oblivious to her beauty and the danger she is in because of it. Without even knowing it Snow White enters the battle for the mirror’s favour”

Capricorn - Cinderella: Cindarella is a courageous and quiet heroine. She is tormented by the harsh Saturn parental figure in her stepmother and gifted by the rewarding Saturn figure in the Fairy Godmother. Capricorn is the ruler of time and bought her back to reality when the clock struck 12. She remains resilient, hardworking, and tender hearted throughout it all, a true exhibition of Capricorn’s legacy

Pisces - The Little Mermaid: The world on earth is blurred by the view below the surface, a plexiglass of ideals that she imagines to be this fantastical place. And yet when she arrives, she realises that nothing is as it seems. Pisces is the zodiacal ruler of the feet, and she longs to gain these 

Imum Coeli/4th house: Dorothy

Waking in a dream, ‘there’s no place like home’

People are seen and experienced in their archetypal/mythic form 

Descendant/7th house: Wicked Witch of the West

Sunset in the western hemisphere of the horoscope,

Shadow work/shadow self

Open enemies, or derives descriptions of the perpetrator

Qualities of the self’s alter-ego

10th house/midheaven: Glenda - good witch of the north

God mother residing at the high point of the horoscope

The highest self, longing to give and receive from the world

4th-10th house paternal/maternal axis-

Fairy ‘god mother’, archetype of the parent

Cherry

[mfkinanaa]

SUN IN LEO.

Leo: Fixed Fire       

Ruler: The Sun

Keywords: Creativity, Love, Warmth, Self-Expression, Leadership

Functional Expression: Confident, self-expressive, loyal, honourable, affectionate, regal, romantic, fun.

Dysfunctional Expression: Vain, selfish, arrogant, hedonistic, dictatorial, extravagant, superficial, snobbish.

Living with Passion.

Born with the Sun in Leo, you are likely to be motivated by the need to experience life from a place of fun, passion and creative self-expression.

Leo is the Fixed Fire sign of the Zodiac. Its symbolic qualities are described by the physical influence of the Sun. Leos can be gifted with outgoing qualities such as radiance, confidence and energy. These they freely share with those around. The Sun is at the centre of the solar system and the sign of Leo relates to qualities which encourage growth.

Most often, Leos feel the need to organize and lead. Because those with the Sun in Leo look at the world from a central point view, they see themselves as the focal point of everything. Because they see themselves as pivotal, they naturally feel entitled to rule.

At their best, Leos lead with generosity, warmth and strength. They are learning what it means to be confident, and encourage others to be the best that they can be.

In fact, leadership is a special quality of this sign. Others will look to Leo to provide cohesiveness and direction.

Over time, Leos must learn to accept this role with humility and good grace.

Self-assuredness and a willingness to lead often comes naturally. Leos have gifts of vitality and popularity that assist them on the way. Because of the need to be centre-stage, they thrive on attention and approval. Within moderation, this is fine.

But taken to excess, this can manifest as a constant search for recognition that reveals an insecurity about where their true value lies. Theirs is a journey toward developing a healthy sense of self.

Accordingly Leos are often happy in the spotlight, and will readily become the life of the party if the situation requires. More retiring Leo types may avoid this attention, but secretly wish it was theirs. Whilst Leos may not always want to be centre of attention, it is important they learn to develop the confidence to shine and lead, so that these gifts can be shared.

Learning to be Confident.

Despite these outgoing and entertaining qualities, those with the Sun in Leo tend to struggle with deep insecurities about their value and worth. Leos are not born for the spotlight. They are learning how to be in charge.

Because of this there is an existential angst that sits at the centre of this sign. Beneath a confident and sunny exterior can hide an insecure little cub. This cub needs constant reassurance to know it is accepted by others, and so fundamentally alright.

Sometimes this insecurity overtakes their natural desire to shine. Some with the Sun in Leo prefer to bloom from the sidelines, rather than stand in the limelight. Whether this is due to real shyness, or a deeper insecurity, will be shown over time.

The Child Within.

This ‘existential angst’ deserves closer inspection. Despite the apparent confidence and self-assuredness of Leo, this is actually a deeply mystic or religious sign that is intrinsically connected to the mystery of Life.

Leo rules the forces of creation – the process which governs the emergence of something from idea/inspiration into form. At a broad level, this lends those with the Sun in Leo an innate connection to creative processes and many times a creative streak.

The mystery at the heart of creativity is essentially unknowable, and may be divine. It is within the pulsing heart of this mystery that Leos look to discover their source.

Are they really a Divine Child born to live out some unique destiny? Or are they just a chance conglomeration of emotions, opportunities, opinions and needs? Is there really something inside which makes them special? Or are they simply playing out a one-dimensional role?

Finding fun in the moment will help them sort these issues out. They need to connect with their inner-child and remember its ok to play.

Spending time cultivating their creativity through hard work and self-discipline helps them learn what they are good at and what they love. Whatever path they choose in life, it should be one that meets their sense of passion and urge for self-expression.

By taking up the opportunity to do things that make them feel special, they gain the self-approval which will stand them in good stead. Once Leo knows what they do well, they can “launch their promotional tour”. When feeling secure in their own abilities, they will instinctively know when it is time to ascend to the podium, and when it is time to get off!

A major part of the Leo journey involves having the courage to follow their passions and developing the skill required to be good at them.

The Mystery of Creation.

At a philosophical level, Leo is connected to the utterly human need to know the Source. They may be attracted to magic, mysteries and enchantment. For the Leo individual, there is often a very private insecurity (or introversion) that drives them to seek the mysteries of life. They know that life tends to “favour” them, but they have no idea what they have done to deserve this or whether it will continue. Is it of their own making? Or does it come from a source higher than themselves?

Through understanding the act of creation, those with the Sun Leo secretly hope to reconnect with the source of Life itself, to discover where they have come from and so where they are meant to go.

Yet in order to find answers they must face a fundamental truth – it is only through the loss of personal meaning that eternal truths are found. Leos often encounter a period in their lives (and there may be more than one) in which they cannot rely on luck, courage and charm to get them through.

Then they must make a deeper voyage – into the Heart of Darkness – a deeply personal place.

When they accept their shadow side then they know the brilliance of their light. Through depression and spiritual yearning, Leo comes to understand in a truly personal way where their radiance lies.

A Dark Heart.

Within the Heart of Darkness, a curious beast stirs. When failing to operate from the highest ideals and motivations, Leos can become ruthless despots and manic “drama queens”.

When they are not secure in who they are they can become enraged with the idea that they are not receiving their rightful dues. Traditionally Leo was called a bestial sign, with all the ugliness this implies

As much as they can be light, bright and full of sunshine, they can also become complaining, vain and self-centred black-holes, destroying everything around them in a monstrous rage of dissatisfaction.

The deep-rooted insecurity that sits at the centre of this sign can take over, clouding their other more attractive qualities. The Queen of Hearts in Alice in Wonderland is typical of a displaced Lion. She destroys what she cannot have out of a desperate insecurity that someone else has more than her.

Leo must guard against the tendency to feel outrage when they do not receive their “due”. They must come to terms with feelings of petulance and self-indulgence, to remember that everyone is special in their own terms. When Leo finds their own light they do not covet what is not theirs.

The Lion’s Domain.

Just like the lion which is their symbol, a Leo must have their own domain. In certain ways, Leos gain a sense of personal authenticity by having precedence and being able to take charge. They need an area of focus where they know that they can “rule”.

This can be the home, the job or the local football team. Managed wisely, Leos blend passion, vitality and creative interest in such a way that they ensure everyone benefits from the outcome. Passion is the key-word here, for as a sign ruled by the qualities of the heart, Leos tend to want to lead in whatever area of life generates passion and meaning for them.

Failure to offer respect, or question the Leo’s authority or right to rule, can have dire consequences.

Leos hate to be told what to do, and may rise up in self-righteous indignation should anybody question a decision they have made. They are best left to feel in charge of their domain, for it is here that any inherent insecurity will diminish, and the more noble qualities of the sign can eventually shine through.

Romance and Affection.

As the sign of romance, Leos also specialize in affection, grand gestures and big gifts. Leo is connected to the expression of love. Chasing the thrill of romance is one of their favourite pastimes.

They make warm and generous lovers who take the time to enjoy the art of love. Yet whilst they will often display a great affection and tenderness to others that makes them exciting to be around, the flow of attention can eventually become one way.

Once the thrill of the initial chase is done, Leo can tend to expect more for themselves than they are prepared to give. As a basically self-centred sign, Leo will easily get wrapped up in the importance of their own self-expression once they have captured another’s heart.

They may expect unending adoration and lavish proofs of affection, but may not be so ready on the return. For Leo, the fun of relationship lies in the romance, and after the initial gestures are made, attention is likely to shift back to their own demands, sometimes leaving partners out in the cold.

This can be especially problematic in relationships where the partner is less independent or needs constant reassurance themselves. In this degree, the evolved Leo should remember – to ensure happiness they should give as good as they expect, so ensuring that the flow of mutual generosity and reward stays open, even when the other’s heart has been won.

Sun in Leo: Your Solar Journey.

If you were born under the sign of Leo, your task here on Earth is to shine. You are likely to be gifted with qualities such as confidence, warmth, good humour and a generosity of spirit that make you easy to be around. Because of your innate sense of being at the centre of everything, you are ideally suited to organizing others and taking charge. Yet stepping into this role as the central organizing principle within others lives requires you to confront and eventually vanquish the deeper insecurities that you carry inside.

You are likely to be a highly creative and self-expressive individual, and when you take the time to understand and develop your capacities before expecting others to recognize and approve of them, you will learn to appreciate yourself. Then you can step out into the limelight when the moment requires without simultaneously demanding attention, recognition and applause. All this will come naturally to you in time, greatly assisted by your sunny disposition and effortlessly radiant charm.

[five-rivers]

Prompt by @fruity-hub-blog.  Phor the Phic Phight.

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The night was auspicious for a summoning, all the stars and planets in their ideal locations. The date, Beltane, was excellent. The mansion was old, Gothic, and had more than a passing reputation for being haunted, not to even mention the town. The candles were high-quality all-natural beeswax. The chalk was the purest white. The altar at the center of the geometrically perfect chalk circle was of clean-cut marble. The practitioners were experienced. The ritual...

Well, that remained to be seen.

But still, they couldn't ignore the opportunity to summon the Dark King, the Lord of the Afterlife, the Ruler of All Ghosts and Spirits. It was the kind of thing that only came along once in a lifetime, if that.

Each of the thirteen of them had their lines, their part of the ritual that they had memorized after months of practice. It was complex, but also oddly simple. Elegant. Refined. Perfect.

The grandfather clock in the drawing room began to toll midnight, the signal to begin. The practitioners' voices wove together, reaching up, up, up, and hopefully through the veil separating the mortal world from the one belonging to the spirits.

The candles flared, first yellow, then red, then green, reaching higher and higher until the circle looked like a cage with bars of fire. A wind whipped through the room, twisting and tangling the flames. The hoods of the practitioners' robes were blown free, exposing their faces. A few put up their hands to shield their faces from the flames, but none of them stopped chanting.

The leader, their high priest, took his dagger from beneath his robes and drew it smoothly across his hand. He let the blood puddle there, before flinging it out, towards the altar at the center of the circle. The book they had read had suggested that the ritual was more likely to be successful if the high priest made a more significant sacrifice at the altar, or if the high priest made the sacrifice at the altar, in the circle, thereby putting himself at the King's mercy, but, well. The practitioners were all dedicated. None of them was that dedicated.

A few drops of blood hit the altar, and there was a flash of light that was bright and somehow dark all at once. The practitioners had to avert their gazes.

"What have you done now, Daniel?" asked a mature, highly annoyed voice. It echoed weirdly around the room.

"I didn't do anything," said a much younger, but still male voice. "I never do anything. Whenever something happens, it's because you decided to go all power h- Ellie!?"

"Ow," this third voice was younger and female. "That was weird. What happened? Where are we?"

"I don't- Oh. Hello. Uh. Hm." Two pairs of green eyes and one pair of red blinked out of the circle at the practitioners. "We seem to have been summoned by a cult. Hi, Mr. Thunder." As the practitioners' eyes adjusted, they saw one of the three (three!) ghosts they had summoned wave to one of their more junior members.

Lance Thunder made a strangled noise. "Phantom? And the Wisconsin Ghost?"

The smallest ghost snickered. "The Wisconsin Ghost? Really?"

The largest ghost growled. "That is not my name. I am-"

"Oh my gosh, is that blood?" asked Phantom, pointing at the altar. His finger traced the line back to the high priest. "Dude, you're bleeding. Are you okay? You should probably get that looked at, it looks pretty deep from here."

The high priest blinks for a minute, then turns his gaze to the eldest ghost. "You... must be the king," he said, forgetting his planned speech, "and these," he hesitated for a moment, "phantoms are your attendants?"

There was a beat of silence then an uproar of laughter. "Him? King? You're joking right?"

"He's so bad at getting people to listen to him that he makes his own followers from scratch!" exclaimed the younger ghost. "And I still told him to stuff it!"

"People hate him more than they hate me!" Phantom took a deep breath and seemed to settle himself. "Why would you think he was a king?"

"We were, er, we were trying to summon the King of All Ghosts," said Lance Thunder when it became clear no one else was going to answer.

"Pariah Dark? Why?" asked Phantom, clearly taken aback. "The heck would anyone want to do that? Don't answer, we all know you're the lunatic that let him out last time."

By this point, the ghosts had moved so that they were standing on opposite ends of the altar, the Wisconsin Ghost on one side, and the two green-eyed ghosts on the other.

Lance glanced at the high priest again. "To... ask a boon."

"Right," said Phantom. "Well, it's a good thing you didn't get him, honestly."

"But-" said the high priest, reemerging from his stupor. "Why you? Why three of you? This doesn't make sense! This was for one, specific, ghost! There shouldn't be three."

The ghosts exchanged glances. Phantom, with the air of someone trying to be subtle, tested the boundary of the circle and winced slightly as his hand met an impenetrable wall.

"Most likely," said the Wisconsin Ghost, clasping his hands behind his back and standing straight, "it is because Daniel and I were the last ghosts to be in Pariah's presence, as we were the ones to defeat him."

"Please, you showed up at literally the last second and turned a key. You didn't fight. I guess you were there, but that doesn't explain Ellie. You secretly a king, Ellie?"

"Nah, but I bet I'd make a great queen." She struck a pose then let it drop, shrugging. "I'm going to be honest, though, I have no idea what you're talking about."

"The similarities between Danielle's ectosignature and yours probably confused the spell. Now, if you are all quite satisfied that we aren't the ghost you are looking for, release us. I'd prefer not to have to waste time breaking out. My night has been disrupted enough."

The high priest twitched, then clenched his uninjured hand. "No," he said.

The Wisconsin Ghost raised an eyebrow. "Excuse me?"

"No. Perhaps you aren't the ones we wanted, but we would be fools to throw away this opportunity." The high priest took a deep breath and uttered a word of binding.

Lines of light sprang up from the circle, wrapping around the ghosts. The boy was the first bound, then the older ghost, and finally, after what almost seemed like confusion, the girl. The lights tried to arrange them on the altar, but that only resulted in the ghosts being mashed together in a confusing pile.

"Oh, come on!" said Phantom, wriggling. "I've already filled my ritual sacrifice attempt quota this week!"

"Stop that at once, Daniel, you're kicking me in the face!"

Phantom wriggled harder.

"Bring the book," ordered the high priest. "Perhaps it can shed some light on these events and tell us how we might reap benefits for ourselves."

"Are we going to put them in thrall?" asked one of the practitioners, excitedly. "Make a bargain? Collect their powers? Sacrifice them to higher beings?"

"Wow, all of that sounds terrible," said Phantom, craning his head back so that it hung off the edge of the altar. "Like, really terrible. You shouldn't do any of those. Trust me, they'll all backfire horribly."

The book, an old crumbling thing that had long been in the family of the high priest, was brought forward and opened. He flipped through the pages, slowly. He had read the book cover to cover many times, but some kind of power had been infused into the pages, and he often found passages in them that he would swear he had never laid eyes on before. That was how he had come across the ritual to summon the Ghost King and extract a boon from him.

The priest stops, a sentence catching his eye. Should a title be contested, it may be that all spirits with a claim to it are called. This gives the priest a sacred task, to mediate the dispute. The priest read through the next few pages.

In all honesty, the high priest didn't put much stock into things like sacred duty. Although his great-grandfather had been invested in the art and ritual for spiritual reasons, the high priest was of a more practical bent. So what if ghosts existed? People had always at least suspected that. All it meant was that you had to secure your position in the afterlife, too.

One of the other practitioners cleared their throat. "Master," said Lance Thunder. "I really think that we should just let them go. I mean, Phantom is a tutelary spirit."

"I mean, thanks, but I'm actually terrible at school."

"Be quiet, Daniel."

"So?" asked the high priest.

"So, we need him to keep the town from being overrun with ghosts," said Lance Thunder.

"With the powers we can gain from this, we could protect the town ourselves," said the high priest.

"You know," said Phantom, "saying 'could' sort of implies you won't. And this is a really uncomfortable position. The last cult I got kidnapped by was much better about positioning. I'm definitely going to have to give you a negative review."

"This happen to you a lot?" asked the girl. "Where do you even go to review cults? Yelp? What are the criteria?"

"Oh, the usual. Comfort level, sincerity, complexity, effectiveness, originality... I'll give them points for originality, since I'm usually summoned by myself. I mean, I don't summon myself, but I'm the only one summoned."

"No, no, I get it."

The high priest pinched the bridge of his nose. He knew there were spells to shut up summoned spirits, but he needed them talking, for now.

"One of you," he said, "will be King."

"No, we aren't," said the girl. "We just established that."

"Hold up," said the boy. "'Will be?' Not 'are?'"

"You are the contenders for the position," said the high priest, with as much authority as he could muster. "You must determine which of you it is to be."

"Well," said the Wisconsin Ghost. "Clearly I am the only suitable option."

"Oh, come on. You have to see he's trying to play us," said Phantom. "We pick one of us, and then that's the one that has to do this 'boon' thing, and they'll turn the rest of us into 'thralls' or whatever."

"Perhaps. But, then, you should have no trouble acknowledging me as King."

"I literally just outlined why I would have trouble doing that."

"What does 'thrall' mean, anyway?" asked the girl.

"Like, slave or something. I don't know. It was in a song that S- uh, a friend likes."

Obviously, they weren't going to cooperate. The high priest would have to get more serious. "Fetch the water of life," he ordered, pointing at Lance Thunder. It would do the junior practitioner good to remember who was in charge.

The man scurried off, light from the next room briefly spilling past the doorway.

"Isn't that vodka?" asked the girl. "Like, alcohol?"

"I don't know. Ask this guy. Reminds me of a sci-fi thing, though."

"What about this situation is sci-fi? I'm not up on genres, but, still, this has to be horror."

"Or humor, yeah."

"Oooh, burn."

"If you two are quite done," said the Wisconsin Ghost. "Perhaps you might share your plan to get out of this mess."

"You don't have a plan," said Phantom, "you have a power grab. A really dumb one, that won't work, just like all the other ones."

"He's got a point, though. How do we get out of these ropes?"

"No idea."

"I thought you did this all the time."

"Not this specific variation," protested Phantom. "None of the others had this glow-y rope thing going on. They don't exactly feel like real ropes, though, if you get me. A human could probably put their hand right through them."

"Wonderful, Daniel, but that isn't exactly something we can take advantage of, is it?"

"I'm just pointing it out, you don't have to be a jerk about it," said Phantom. He shifted again, very deliberately putting his feet in the older ghost's face.

"Daniel, stop that."

"Stop what?"

"Weren't you complaining about being enslaved a moment ago?"

"Oh, yeah, I'm totally on that. Got it covered," said Phantom.

"What do you mean, you have it covered?" said the high priest, aggravated by the constant banter. "You can't possibly believe you're getting out of this. This circle was designed to hold the King of All Ghosts!"

"Sure," drawled Phantom, "and government was designed to keep things in order, but it doesn't do a particularly good job of that, does it? Not to mention, you got three for the price of one, here. Ghost King is pretty singular, generally."

The high priest let his eyes flick over the circle and the bonds. Nothing was out of place. Everything was secure.

"Also, I'm pretty sure Mr. Thunder bailed on you, dude."

"Yeah," said the girl, "unless this house is way bigger than it has any reason to be. Even bigger than Vlad's."

"Or if he can't find it, I guess."

"Or if he has to buy it from the nearest liquor store."

"Nice. Hey, guess what, guys? If any of you want to bail, now's your chance." Phantom smiled, showing off a set of too-sharp teeth.

"No one is going anywhere," snarled the high priest. Lance Thunder had been gone for much longer than he should have been, however. He frowned at the door.

"Oh, hey, I got the blood," announced Phantom.

"I'm sorry," said the girl, "you got what?"

"The blood. I knew there was some on here. I saw it before. Really dumb leaving it out like this, you know. There's lots of stuff people like us can do with blood. It's way better than hair."

"Daniel, are you implying that you know magic?" said the Wisconsin Ghost, completely incredulous.

"That's the part of this situation you're having trouble with? But, yeah. Enough to screw with cultists who don't understand the meaning of 'personal space' or 'bio-hazard' and leave their stupid blood everywhere."

"You're going to have to teach me," said the girl.

"My friend, you know the one, is way better than me."

"That makes sense. So, are you going to blow him up?"

"I was thinking about it, but that would leave all the other guys."

"Not if you made the explosion big enough."

"That's true, but I was thinking about maybe turning him into, like, a werewolf or something. Have him tear apart all these other guys. I did say you could bail, it isn't my fault you've stu-"

"You can't do that!" snapped the high priest. "He can't do that. He's trying to trick you into letting him go free."

"Are you sure about that? I'm a ghost after all. I'm old enough to have seen Rome burn. I know more than you, even if I like playing the teenager. It makes people underestimate me." Phantom's lazy smile turned sinister. "Don't you feel what I'm already doing to you? To all of you. You could still escape," his voice buzzed uncomfortably. "All you need to do is let us go."

A few of the practitioners shifted.

"Don't-" started the high priest.

It was too late. One of the others had darted forward and upended a candle. Wax spilled over the clean chalk lines, breaking them, obscuring them. The lights flickered. The ghosts were gone.

.

"You don't actually know any magic," stated Vlad as they hovered over the house.

Danny rolled his eyes. "I know enough to scam a cultist," he said. "But, if you're asking if I could do what I was saying? Nope."

"Aw, that's too bad," said Ellie. "I was excited."

"Clever, I suppose," admitted Vlad. "But this doesn't resolve our previous business. Which of us is King?"

"Oh my gosh, Vlad, let it go," said Danny.

"I can't do that. This is a very important matter, not that a child like you would understand." Pink sparks leaped from his fingertips.

The other two ghosts drifted back, their dropping body temperatures making mist condense from the air around them.

"Well," said Ellie, "I'm not sure that it counts for anything, but I nominate Danny. Full offence, Vlad, but you suck."

There was a tiny popping sound, very like the sound a tiny firework might make, and a green and glowing crown expanded into being above Danny's head. All three ghosts stared at it for a minute. Danny was practically gaping.

"Oh," said Ellie after a moment. "I guess it does count."

Danny made a very strangled sound before diving out of the way of Vlad's attack. Ellie responded with a ghost ray of her own. The chase was on, and soon they had left the mansion far behind.

[donewithcapitalistfrayers]

Marxism does not deny the spiritual side of humans. But it negates views that bracket the spiritual solely with religious belief. This Marxist position is substantiated by neuroscience. Electrical stimulation of a particular region of the brain brings up a state of mind identical to religious/spiritual feelings. The material underpinning of religious spirituality is thus revealed. Simultaneously, we are also educated that the religious experience is something real. It is not a mere illusion or a product of ignorance as argued by rationalism. Marxism considers it to be a part of the spiritual mind of humans. Communion with fellow beings, morality, consciousness, the aesthetic sense and the contemplative mind, all of these are part of the spiritual. It is inseparable from the social existence of human beings. It is not something given, some permanently set human quality, but a product of historical development. The religious experience is only a particular form of expression of the spiritual. One can surely prepare a long list of the negative fallouts of religious thinking. Yet, it is also undeniable that it has performed two positive roles, right from its origins until now. One was (is) as a moral adjudicator, serving the needs of maintaining, promoting and reproducing social cohesiveness and stability. The other as a rationaliser, helping to make sense of the contrariness of human existence and its end in death. Thus, it has played a major role in the development, shaping and sustenance of humanity. Yet, it has not remained the same in its content or manner of expression throughout the ages. A very significant, qualitative change took place with the emergence of class society. Various types of social divisions such as class, caste, gender, etc., exploitation and private property, shattered the material, social and spiritual communion of humanity... [I]n class societies the dual role of religion must address sharp social contradictions. Most fundamentally it must deal with the harsh reality of the increasing aggrandisement of the few at the expense of the vast majority and the oppressions accompanying it. The social communion lost in real life must be recreated as a transcendental union mediated through some omnipotent power named god, vital force or Brahmanism’s nirgunabrahma. As Marx noted, it must function as the “heart” of a “heartless” world. This is the strength as well as fundamental weakness of religion as a provider of spiritual solace in class society. Religion certainly does offer solace in a world made inhuman by exploitation and all sorts of oppression. But, the more it does so, the more it becomes a prop, a legitimisation of this inhumanity. In the beginning, a new religion may also be suppressed by the ruling class. But that changes when it gains wider acceptance among the people. The rulers themselves start associating with it and become its believers and patrons. Over time it becomes a consciously sustained tool that helps keep the masses subdued and thus serves the task of maintaining the existent ruling order. Social divisions get replicated within it. It thus suffers an erosion in its capacity to be a salve for despairing minds. The conditions are thus prepared for a new interpretation, a new savant or a new belief system. Its roots lie in the spiritual, theological, philosophical crisis of the extant religion, all of which, in turn, have some very material undercurrents. The new religion invariably also follows the same path as its predecessors. The “heartless” world can never really yield space to a “heart” offering solace. Idealism always accuses materialism of being concerned only with the physical body, with material desires, of ignoring the spiritual side. However, as seen above, even the religious experience is itself limited in its capacity to address the spiritual. We must go beyond it to satisfy the spiritual needs of human beings. In his Thesis on Feuerbach, Marx criticised mechanical materialist thinking for failing to address the “active side” of human  existence. By this he meant mental activity, the inseparable relation between consciousness and human practice. He pointed out how this lapse has been capitalised by idealism to present itself as the sole representative and proponent of the mental, thinking side. Lenin, in his notes on dialectics, made a similar observation. He noted how idealism emerged from material life. It grasped one aspect of reality and then took it up in a one-sided manner, thus cutting it off from the flow of life and causing it to shrivel up. Incidentally, this also shows that idealism is not just humbug. It has identified and tried to address a real aspect of human existence, even if it does so in an upside-down manner, denying the primacy of matter.

From "To Be in Communion with Our Social Selves" from Critiquing Brahmanism by Ajith

[agastiya]

Best Ayurvedic  / Siddha Treatment in Chennai

Siddha Treatment in Chennai - Akasthiya Siddha Clinic. Chennai's best Siddha Treatment for Thyroid, Endometriosis, Fertility, Spondylosis, Diabetes, Piles, Kidney Stone & Asthma.

ABOUT SIDDHA MEDICINE

Beginning:

The Siddha Arrangement of Medicine (Customary Tamil Arrangement of medicine), which has been pervasive in the ancient Tamil land, is the premier of all other medical frameworks on the planet. Its cause returns to B.C 10,000 to B.C 4,000. According to the printed and archeological confirmations which show the far off artifact of the Dravidian human advancement of the recent lowered land Kumarikandam, that is the Lemuria landmass arranged in the Indian sea, the Siddha Arrangement of Medicine is contemporaneous with those of the lowered grounds Egyptian, Mesopotamian, Chinese and Grecian medicines. The uniqueness of Siddha Framework is clear by its nonstop support of the humankind for over 5000 years in battling illnesses and furthermore in keeping up its physical, mental and moral wellbeing while a considerable lot of its peers had gotten wiped out some time in the past. we give the Best Siddha Treatment in Chennai and Best Ayurvedic treatment in Chennai.

The foundations of the ancient Siddha Framework are entwined with the folklore and culture of the ancient Tamil development that existed in the southernmost tip of the Indian promontory, originating before quite a bit of written history.

Magically, the birthplace of Siddha is credited to Ruler Siva, who should have given it down to his associate Parvathi (Shakthi), who thus gave the sacrosanct information to Nandi, from whom it was sent to the first of "Siddhars". Siddha is a Tamil word got from "siddhi" - accomplishing flawlessness throughout everyday life or radiant delight.

Best Siddha Treatment in Chennai

The framework is said to have arisen in days of yore, from the exceptionally developed awareness of the Siddhars. The explained acumen and uplifted instinct of the Siddhars, coming about because of their yogic forces, empowered them to investigate their general surroundings and endeavor its common assets for mankind. Their discoveries on the qualities of plants, metals, minerals and creature items and their insight into the properties of medications, its refinement, handling, fixing measurement, poisonousness, remedy and clinical application, were safeguarded as stanzas for the utilization of the successors.

This unique inheritance was passed on to choose pupils or "chidas" by listening in on others' conversations. It is accepted that there was a line of 18 siddhars, with Agasthya being the preeminent and a huge segment of Siddha legend is credited to him. With time, this oral custom was translated on palm leaf original copies that currently fill in as the significant archive of the information.

The supporters of Siddha framework, the Siddhars, of Tamil land, were spiritualists, yogis, writers, lovers, diviners and medical men of different blends and different heights. They were very individuals who had otherworldly powers (like Eight sorts of Siddhis). They were the best researchers of ancient occasions and were the watchmen of the world and they existed, and still exist, to serve general society on the loose. They were men of extraordinary down to earth information and intelligence. They had full familiarity with the nature and exercises of the multitude of items in this planet and of all occasions past, present and future. They were basically answerable for the development and improvement not just of Tamil medicine that incorporates speculative chemistry, medicine, yoga, kayakalpa (revival treatment), reasoning, cosmology, crystal gazing, varma, muppu, thokkanam and so forth, yet additionally for some different studies of public utility.

GUIDING PRINCIPLES:

As indicated by the Siddha framework, the individual is a microcosm of the universe. The human body comprises of the five early stage components earth, water, fire, air and space, the three humors-vatha, pitta and kapha and seven actual constituents. Food is the fundamental structure material of the human body and gets prepared into humors, tissues and squanders. The balance of humors is considered as wellbeing and its aggravation or irregularity prompts an unhealthy state; Holy person Thiruvalluvar has shown similar view in his Thirukural,

"மிகினும் குறையினும் நோய்செய்யும் நூலோர்

வளிமுதலா எண்ணிய மூன்று." - குறள் 941

"Three things starting with wind, say specialists,

In abundance or lacking reason sickness" - Kural 941

Mirroring this hypothesis of astronomical unity, the five faculties are said to relate with the five components. Ether (Veli) is liable for hearing; air (katru) for feeling of touch; fire (thee) for sight; water (neer) for taste; and earth (mann) for the feeling of smell.

MIND - BODY CONTINUUM:

Siddha is an extensive framework that spots equivalent accentuation on the body, mind and soul and endeavors to reestablish the inborn amicability of the person. Treatment is pointed toward reestablishing harmony to the mind-body framework. Diet and way of life assume a significant job in keeping up wellbeing as well as in restoring infections.

"Food itself is medicine a lot itself is food" Medications utilized by the Siddhars can be ordered into three gatherings

MATERIA MEDICA:-

Medications utilized by the Siddhars can be ordered into three gatherings: Thaavaram (natural item), Thaathu (inorganic substances), and Jangamam (creature items).

UNIQUE DIAGNOSTIC METHODOLOGY:

The diagnostic methodology in Siddha treatment is unique as it is made absolutely based on the clinical astuteness of the doctor. The beat, skin, tongue, composition, discourse, eye, stools and pee are analyzed. This methodology is all things considered known as "Eight kinds of assessment"; and among the eight, the assessment of heartbeat is significant in affirming the finding.

CONCEPT OF SIDDHA TREATMENT:-

Treatment comprises of three particular classes: Deva Maruthuvam, (divine technique); Maanida Maruthuvam (levelheaded strategy); and Asura Maruthuvam (careful technique). In the heavenly technique, medicines like parpam, chenduram, master, kuligai arranged from mercury, sulfur and pashanams are utilized. In the normal technique, medicines arranged from spices like churanam, kudineer, vadagam are utilized. In careful technique, entry point, extraction, heat application, phlebotomy, siphon application and so on are practised.

The helpful treatment in Siddha could be additionally sorted into Laxative treatment, Emetic treatment, Fasting treatment, Steam treatment, Oleation treatment, Active recuperation, Sun oriented treatment, Phlebotomy treatment and Yoga treatment.

There is likewise a part of the conventional science that manages traumatology and unintentional wounds called Varma. This depends on the thought of in excess of 100 fundamental focuses that are intersections of bones, ligaments, tendons, veins and nerves called Varma focuses. Pranic energy is discovered gathered in these focuses which, upon control, produce healing impact.

Siddha framework has colossal pharmacopeia containing vegetable, creature and mineral items and treatment methods comprising being used of 32 kinds of interior medicines and 32 sorts of outer medicines, use of warmth and cold, salves, mixtures and poultice, phlebotomy, counter aggravation, shower, attractions, manipulative cycles, for example, thokkanam, varma, yoga and fixation on cleanliness and diet (pathiam), periodical utilization of laxatives and emetics, utilization of medications which incorporate, aside from spices, arrangements from metals and minerals, for example, copper, silver, gold, lead and arrangements from results of creature cause, for example, cerebrum, liver, bones, blood, skull, horns of different creatures, tissues of reptiles and furthermore Kayakalpa to forestall or defer turning gray of hair, development of wrinkles and maturing, counteraction or treatment of sicknesses, and delay of death (to any ideal timeframe). Some experimental treatment strategies under the pretense of enchantment expulsion, spell, journey, peregrinations, mountaineering and comparative exercises have likewise been by and by since ages.

CLASSIFICATION OF SIDDHA MEDICINES:-

Siddha medicines might be generally partitioned into three classes - (I) Marvel medicines, (ii) Complex medicines and (iii) Normal medicines. Wonder medicines are getting uncommon and should be gained straightforwardly from the bosses who, having gone through all types of inception and perils of apprenticeship, have arrived at flawlessness in all regards. Modern medicines might be logically arranged and utilized by the all around prepared doctors absent a lot of danger. Normal medicines are generally basic and modest ones which were in wide use till the start of the twentieth century are as yet being used in distant rustic regions of our nation.

KUNDALINI YOGA:-

The Siddhars have developed an uncommon method for achieving profound arousing by energizing, with yoga procedures like aasana, praanaayaama and dhyaana (contemplation), the Kundalini shakthi (Snake power) lying lethargic at the base of the spinal segment in the area of the sacral plexus. Simply via thinking about his human legacy, man can show up at the acknowledgment of his most noteworthy possibilities. By working as one with philosophy and reasoning, Siddha medicine helps bringing to development the quiet diamond of undying perfect being in his human body.

SIDDHA EDUCATION:-

The Siddha arrangement of education in ancient India was not granted or coordinated on the size of mass education like schools and universities, however the ideal of education was to regard it as a mystery and holy cycle, for the explanation that the cycle of an individual development (particularly the internal development) must be accomplished by a nearby and consistent touch between the instructor and the instructed in their own relationship from which the entire world was barred.

The showing was bestowed as refrains, a considerable lot of them in vague language and passed on to the successors by the master sishya (educator follower) convention. The consecrated medicines and strategies were trained distinctly to a nearby hover of pupils and this pattern kept on existing till as of late.

For More : Siddha Treatment in Chennai, Ayurvedic Treatment in Chennai, Thyroid siddha Treatment in Chennai, Hendometriosis siddha Treatment in Chennai, Fertility Hospitals in Chennai, Arthritis siddha Treatment in Chennai, Cervical Spondylosis Siddha Treatment in Chennai, Panchakarma Treatment in Chennai, Naturopathy Treatment in Chennai, Male & Female Infertility Siddha Treatment in Chennai, Psoriasis Siddha Treatment in Chennai, Asthma Siddha Treatment in Chennai, PCOD & Fibroids Siddha Treatment in Chennai, Diabetes Siddha Treatment in Chennai, Ulcer Siddha Treatment in Chennai, Piles Siddha Treatment in Chennai, Kidney Stone Siddha Treatment in Chennai, Erectile Dysfunction Siddha Treatment in Chennai, Premature Ejaculation Siddha Treatment in Chennai .

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[astro-meg]

Celtic Tree Astrology

by Avia Venefica

The Birch Birch - The Achiever

December 24 - January 20 If you were born under the energy of the Birch you can be highly driven, and often motivate others they become easily caught in your zeal, drive and ambition. You are always reaching for more, seeking better horizons and obtaining higher aspirations. The Druids attributed this to your time of birth, which is a time of year shrouded by darkness, so consequently you are always stretching out to find the light. Birch signs (just like the tree) are tolerant, tough, and resilient. You are cool-headed and are natural-born rulers, often taking command when a situation calls for leadership. When in touch with your softer side, you also bring beauty in otherwise barren spaces, brightening up a room with you guile, and charming crowds with you quick wit. Celtic tree astrology Birch signs are compatible with Vine signs and Willow signs. .

Celtic Tree Astrology: The Rowan Rowan - The Thinker January 21 - February 17 Celtic tree astrology recognizes Rowan signs as the philosophical minds within the zodiac. If you were born under the Rowan energy, you are likely a keen-minded visionary, with high ideals. Your thoughts are original and creative, so much so, that other's often misunderstand from where you are coming. This sometimes makes you aloof when interacting with others as you feel they wouldn't understand where you are coming from anyway. Nevertheless, although you may appear to have a cool exterior, you are burning within from your passionate ideals. This inner passion provides inner motivation for you as you make your way through life. You have a natural ability to transform situations and people around you by your mere presence. You are highly influential in a quiet way and others look to you for your unique perspectives. Rowan pairs well with Ivy and Hawthorn signs. .

Celtic Tree Astrology: The Ash Ash - The Enchanter February 18 - March 17 Those born under the Celtic tree astrology sign of the Ash are free thinkers. Imaginative, intuitive, and naturally artistic, you see the world in water-color purity. You have a tendency to moody and withdrawn at times, but that's only because your inner landscape is in constant motion. You are in touch with your muse, and you are easily inspired by nature. Likewise, you inspire all that you associate with and people seek you out for your enchanting personality. Art, writing (especially poetry), science, and theology (spiritual matters) are areas that strongly interest you. Others may think you are reclusive, but in all honesty, you are simply immersed in your own world of fantastic vision and design. You are in a constant state of self-renewal and you rarely place a value on what others think about you. Ash signs partner well with Willow and Reed signs. .

Celtic Tree Astrology: The Alder Alder - The Trailblazer March 18 - April 14 If you are an Alder sign within the Celtic tree astrology system, you are a natural-born pathfinder. You're a mover and a shaker, and will blaze a trail with fiery passion often gaining loyal followers to your cause. You are charming, gregarious and mingle easily with a broad mix of personalities. In other words, Alder signs get along with everybody and everybody loves to hang around with you. This might be because Alder's are easily confident and have a strong self-faith. This self-assurances is infectious and other people recognize this quality in you instantly. Alder Celtic tree astrology signs are very focused and dislike waste. Consequently, they can see through superficialities and will not tolerate fluff. Alder people place high value on their time, and feel that wasting time is insufferable. They are motivated by action and results. Alder's pair well with Hawthorns, Oaks or even Birch signs. .

Celtic Tree Astrology: The Willow Willow - The Observer April 15 - May 12 If you are a Willow sign, you are ruled by the moon, and so your personality holds hands with many of the mystical aspects of the lunar realm. This means you are highly creative, intuitive (highly psychic people are born under the sign of the Willow) and intelligent. You have a keen understanding of cycles, and you inherently know that every situation has a season. This gives you a realistic perspective of things, and also causes you to be more patient than most tree signs. With your intelligence comes a natural ability to retain knowledge and you often impress your company with the ability to expound on subjects from memory. Willow Celtic tree astrology signs are bursting with potential, but have a tendency to hold themselves back for fear of appearing flamboyant or overindulgent. It is your powers of perception that ultimately allow your true nature to shine, and what leads you to success in life. Willow signs join well with the Birch and the Ivy. .

Celtic Tree Astrology: The Hawthorn Hawthorn - The Illusionist May 13 - June 9 Hawthorn signs in Celtic tree astrology are not at all what they appear to be. Outwardly, they appear to be a certain persona, while on the inside Hawthorn's are quite different. They put the term “never judge a book by its cover” to the test. They live seemingly average lives while on the inside they carry fiery passions and inexhaustible creative flame. They are well adjusted and can adapt to most life situations well - making themselves content and comforting others at the same time. You are naturally curious, and have an interest in a broad range of topics. You are an excellent listener, and people seek you out as an outlet to release their burdens. You have a healthy sense of humor, and have a clear understanding of irony. You tend to see the big picture, and have amazing insight - although you typically won't give yourself enough credit for your observations. Hawthorn signs match up nicely with Ash and Rowan's. .

Celtic Tree Astrology: The Oak Oak - The Stabilizer June 10 - July 7 Those born under the Celtic tree astrology sign of the Oak have a special gift of strength. They are protective people and often become a champion for those who do not have a voice. In other words, the Oak is the crusader and the spokesperson for the underdog. Nurturing, generous and helpful, you are a gentle giant among the Celtic zodiac signs. You exude an easy confidence and naturally assume everything will work out to a positive outcome. You have a deep respect for history and ancestry, and many people with this sign become teachers. You love to impart your knowledge of the past to others. Oak signs have a need for structure, and will often go to great lengths to gain the feeling of control in their lives. Healthy Oak signs live long, full, happy lives and enjoy large family settings and are likely to be involved with large social/community networks. Oak signs pair off well with the Ash and Reed, and are known to harmoniously join with Ivy signs too. .

Celtic Tree Astrology: The Holly Holly - The Ruler July 8 - August 4 Among the Celtic tree astrology signs the Holly is one of regal status. Noble, and high-minded, those born during the Holly era easily take on positions of leadership and power. If you are a Holly sign you take on challenges easily, and you overcome obstacles with rare skill and tact. When you encounter setbacks, you simply redouble your efforts and remain ever vigilant to obtain your end goals. Very seldom are you defeated. This is why many people look up to you and follow you as their leader. You are competitive and ambitious even in the most casual settings. You can appear to be arrogant but in actuality you're just very confident in your abilities. Truth be known, you are quite generous, kind and affectionate (once people get to know you). Highly intelligent, you skate through academics where others may struggle. Because many things come to you so easily, you may have a tendency to rest on your laurels. In other words, if not kept active, you may slip into an unhealthy and lazy lifestyle. Holly signs may look to Ash and Elder signs for balance and partnership. .

Celtic Tree Astrology: The Hazel Hazel - The Knower August 5 - September 1 If you are born under the energy of the Hazel, you are highly intelligent, organized and efficient. Like the Holly, you are naturally gifted in academia, and excel in the classroom. You also have the ability to retain information and can recall, recite and expound on subjects you've memorized with amazing accuracy. You know your facts, and you are always well informed. This sometimes makes you appear like a know-it-all to others, but you can't help that; you're genuinely smart and usually know the right course of action because of your impressive knowledge base. You have an eye for detail, and like things to be “just so.” Sometimes this need for order and control can lead to compulsive behaviors if left unchecked. You have a knack for numbers, science and things that utilize your analytical skills. You like rules, although you are typically making them rather than playing by them. The Celtic tree astrology sign of Hazel joins harmoniously with Hawthorn and Rowan's. .

Celtic Tree Astrology: The Vine Vine - The Equalizer September 2 - September 29 Vine signs are born within the autumnal equinox, which makes your personality changeable and unpredictable. You can be full of contradictions, and are often indecisive. But this is because you can see both sides of the story, and empathize with each equally. It is hard for you to pick sides because you can see the good points on each end. There are, however, areas in your life that you are quite sure about. These include the finer things of life like food, wine, music, and art. You have very distinctive taste, and are a connoisseur of refinement. Luxury agrees with you, and under good conditions you have a Midas touch for turning drab into dramatic beauty. You are charming, elegant, and maintain a level of class that wins you esteem from a large fan base. Indeed, you often find yourself in public places where others can admire your classic style and poise. Vine signs pair well with Willow and Hazel signs. .

Celtic Tree Astrology: The Ivy Ivy - The Survivor September 30 - October 27 Among other cherished qualities of the Ivy Celtic tree astrology sign, most prized is your ability to overcome all odds. You have a sharp intellect, but more obvious is your compassion and loyalty to others. You have a giving nature, and are always there to lend a helping hand. You are born at a time of the waning sun so life can be difficult for you at times. This sometimes seems unfair because it appears that obstacles are coming at with no prompting on your part. Nevertheless, you endure troubling times with silent perseverance and soulful grace. Indeed, Ivy signs have a tendency to be deeply spiritual and cling to a deep-rooted faith that typically sees them trough adversity. You are soft spoken, but have a keen wit about you. You are charming, charismatic, and can effectively hold your own in most social settings. Ivy signs are attracted to the Celtic tree astology sign of Oak and Ash signs. .

Celtic Tree Astrology: The Reed Reed - The Inquisitor October 28 - November 24 Reed signs among the Celtic tree astrology signs are the secret keepers. You dig deep inside to the real meaning of things and discover the truth hidden beneath layers of distraction. When there is a need to get to the heart of the matter, most certainly the Reed sign will find the core. You love a good story, and can be easily drawn in by gossip, scandals, legend and lore. These tendencies also make you an excellent historian, journalist, detective or archeologist. You love people because they represent a diversity of meanings for you to interpret. You are adept at coaxing people to talking to you, and sometimes you can be a bit manipulative. However, you have a strong sense of truth and honor so most of your scheming is harmless. Reed people join well with other Reeds, Ash or Oak signs. .

Celtic Tree Astrology: The Elder Elder - The Seeker November 25 - December 23 Elder archetypes among Celtic tree astrology tend to be freedom-loving, and sometimes appear to be a bit wild to the other signs of the zodiac. In younger years you may have lived life in the fast lane, often identified as a “thrill seeker.” At the time of your birth the light of the sun was fast fleeting and so you take the same cue from nature. You are often misjudged as an outsider as you have a tendency to be withdrawn in spite of your extroverted nature. In actuality, you are deeply thoughtful with philosophical bent. You also tend to be very considerate of others and genuinely strive to be helpful. These acts of assistance are sometimes thwarted by your brutal honestly (which you openly share solicited or otherwise). Elder Celtic tree astrology signs fit well with Alder's and Holly's.

[yamayuandadu]

Rider of Clouds (again)

After going through more sources on Ugaritic mythology and the “storm god versus the sea” motif as a whole in Anatolia, Levant, Egypt and Mesopotamia, I decided to post about the characters meant for my loose Baal Cycle retelling again.

Baal (middle) – the eponymous Rider of Clouds, a young weather deity born to Dagon and Shalash, largely retired agricultural gods who settled in Ugarit shortly before Baal's birth. While the mythical  Baal Hadad is male, my version is a woman – the idea started as a joke about conflating Baal from the Baal cycle with Baalat Gebal, a female figure associated with another levantine bronze age city (BG's actual identity is an object of much scholarly debate) being more valid than conflating him with much later Baal Hammon from Carthage, which happens a lot online, but I got attached to it (a certain artifact which is variously interpreted as representing either a short-haired noblewoman or a prince was a factor too) so now here we are.  She nonetheless uses a male title inherited from her father, much like a few historical female rulers did. In my version “Hadad” is only a nickname, and her real name is actually Hebat, who is a goddess mentioned in one inscription as Dagan's daughter. As the levantine/syrian Hebat lacks a defined character in real mythology (another Hebat was regarded as the Hittite storm god's wife but was replaced in this role by the sun goddess of Arinna and that's about it) it should be fine to conflate her with Dagan's best attested divine child, I think. Baal is impulsive and follows a moral code which, depending on the point of view, might be either naive or heroic, which means she's not exactly the optimal person to get involved in n-dimensional divine politics, but that's not enough to stop her from trying. The story documents her rise to the position of the head god of Ugarit's pantheon. Astarte (right) – a goddess of uncertain origin and no particularly well defined attributes, who attaches herself to Baal initially in hopes of advancing own career, though the two eventually develop a more genuine relationship. She patterns herself after the much more famous Mesopotamian Inanna, seeing her as an ideal to strive for – especially when it comes to trickery. While Baal has the name recognition and disposition fitting for a major deity, Astarte is the part of the duo actually capable of navigating politics, and takes the title of Face of Baal, negotiating support for Baal's bid with other gods. The image of Baal she projects differs slightly from reality, though not enough for most onlookers to notice. Ignore the crescent moon diadem, it'll be replaced as soon as I'll draw her again. Anat (left) – the younger daughter of Ugarit's head god, El. Her philosophy differs greatly from her parents' and as a result she isn't really seriously considered for succession. Her hobbies include bladed weapons, gambling and heroic epics; in the past she attempted writing her own self insert one. She's deeply invested in Baal's ascendance, and is probably the god Astarte wants to recruit for their cause the most.

El and Asherah – the ruling couple of Ugarit, currently pondering retirement, which stirs many contenders to the throne into action. El is a lifelong opportunist changing views and allegiances as he sees fit, though he pretty consistently favors Yam as his main underling. His wife (image tbd) generally holds similar views, though has some qualms about Yam's rise to power.

Kothar-wa-Khasis – a craftsman god who, by own admission, only works part time in Ugarit and travels the world for the rest of it. He's kind and dependable and his wares are both affordable and of great quality, but his real motives are hard to ascertain. His real identity is likewise a subject of much speculation among other gods – while his preferred manner of clothing hints at an egyptian origin, nothing is known for sure. He's also a talented musician. Shapash – El's firstborn daughter, serving as “the torch of the gods”, guaranteeing Ugarit gets its fair share of sunlight. Her political allegiance is unknown.

Yam – a sea monster more than a god, presiding over the nearby section of the sea and all that dwells in it, including the sea slugs important for the human inhabitants of the area. He's also the son of the influential Anatolian god Kumarbi, banished to the underworld by the current head god Teshub. As a result of his influence, he gained El's support and received many titles, which de facto makes him the most likely to succeed El as the king of local pantheon.  He's capricious and inconsiderate, but maintains a larger than life public image meant to make him palatable to potential backers. The circumstances of his arrival in Ugarit are shrouded in mystery, and may or may not be relate for his unusually strong hatred of Baal. Ashtar (image tbd) – an opportunist who sides with Yam, hoping to receive a share in the gains he's making thanks to El's blessings. He's pretty content with playing the role of a toady though his aspirations might be different, as evidenced by his gaudy fashion preferences. Yam’s messenger (image tbd) – an attempt at developing an obscure figure from the original myth, Yam's nameless and seemingly rather rude and infuriating messenger, into a full blown character. His real identity is a mystery. He interned under a variety of famous mythical villains in order to gain a greater understanding of their ways, and currently serves as Yam's messenger, adviser, doorkeeper and punching bag. Mot – profoundly unpleasant and unsociable being tasked with maintaining Ugarit's very own underworld. While his equivalents in neighboring cultures generally view themselves as impartial judges or a necessary evil, Mot gets his kicks from posing as a personification of death itself, and is notoriously corrupt.

Marduk – the tutelary deity of Babylon, reigning as the king of gods of most of Mesopotamia and its neighbors. While technically Ugarit isn't directly under his control, he still is the god whose confirmation is necessary to rise to the position of the head of a local pantheon. He doesn't have a unified mythical narrative about himself yet at this point in time, despite his position, which is a source of insecurity for him. During travels, he's assisted by his personal aide and biographer, Nabu, and his pet. Seth – in real life, ancient Egyptians equated many gods of their neighbors with Seth; therefore in Rider of Clouds Seth serves as an ambassador of the Egyptian pantheon. While ultimately Marduk's judgment matters the most, Seth gets the right to veto his decisions when it comes to validating claims to local thrones. On good terms with Kothar-wa-Khasis, which is a subject of much gossip among other gods. Teshub – the head of the Hittite and Hurrian pantheon, technically capable of projecting the most power in Ugarit's politics; however, as the gods of Ugarit share closer affinity with Mesopotamia than Hatti, he competes with Marduk for political influence. As he and Baal are a very similar type of god, he's the most outspoken supporter of Baal's ascension to the throne out of all 3 foreign dignitaries. Ignore the ?, it’s just Baal. Gupan and Ugar – two minor gods who might be some of the only allies Baal recruited herself rather than with Astarte's help. They play a minor role in the story as her messengers and heralds. They're also a couple. Kubaba – a pretender to the throne of the head deity of the pantheon of Carchemish, a city-state close to Ugarit. Involved with the Hittite Sun Goddess of the Underworld in some capacity. This is, however, not their story. If you follow my oc posts you can probably guess which one is about them.