#in order to be an entertaining story
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keitheaverage · 2 years ago
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Finally got to catch an episode of Columbo on TV and. I get it now. This guy fuckin' rules.
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biggest-gaudiest-patronuses · 1 year ago
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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finelythreadedsky · 1 year ago
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JSTOR Wrapped: top ten JSTOR articles of 2023
Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.
Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift FĂŒr Papyrologie Und Epigraphik 200 (2016): 61–85.
Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.
Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.
Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.
McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.
Purves, Alex C.  “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.
Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.
Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.
Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.
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killlerfang1 · 1 year ago
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There are very few times i say this but I hope to GOD that they delay Beyond the Spider-Verse by a SIGNIFICANT margin because this shit is not okay. I adore the Spider-Verse movies to bits but the workers and the conditions they have to go through is infinitely more important. I hope the movie gets all the time and money it needs because if not I am VERY worried about how the movie and workers will turn out in the end.
(vulture article shown in tweets)
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the-far-bright-center · 5 months ago
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It's baffling to me that a certain subset of the SW fandom is willing to accept some of TCW’s most ridiculous story arcs and blatantly OOC characterisations as literal canon, but then pretend that they 'can't believe' that Padme could possibly fall for Anakin in the actual Prequels films.
Really? You can believe that space-godzilla goes on a rampage and destroys a sector of Coruscant, that several of the main characters are kept as slaves by an evil cat-queen, that Obi-Wan fakes his own death (complete with a pretend funeral) and callously traumatises everyone who cares about him in the process, and that Maul somehow survives TPM and is at one point a ROBOTIC SPIDER ...
... but you can't believe that two child prodigies who formed a bond while mutually aiding one another can meet again years later under intensely emotional circumstances during the outbreak of a galactic war and legitimately fall in love with each other and get married?
Really???
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yellowocaballero · 1 year ago
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ORV Characters Ranked by Least to Most Likely to Commit White Collar Crime
You guys said you wanted my ORV takes, and I try not to say things unsolicited, so I'll drop the good meta-analysis and literary criticism that I'm known for. For comedy purposes please pretend that ORV is American.
Omniscent Reader's Viewpoint characters broken down by likelihood to commit white collar crime, least to most:
Lee Hyeonseong: he's convinced that he's never committed a crime in his life. Intentionally, of course not. Unintentionally, he takes shopping for groceries extremely seriously, and is sometimes so wrapped up in the fruit inspection experience that he'll leave without paying. Due to his innocent face, bulk, and sheer confidence, he's never caught. In an economically thrifty maneuver, KDJ always sends him on snack runs for parties and texts him math problems while he's there. He insists it's like couponing. It's not couponing.
Jeong Huiwon: similarly, of course she would never choose to commit a crime. Also similarly, when KDJ says, 'Hey, wanna commit a crime?' she always participates. Since the crime is normally targeted at rich people, KDJ can usually morally justify it to her. She calls this harm reduction. It's not harm reduction.
Lee Jihye: would love to commit a crime in theory, almost never in practice. She has an idealized image in her mind of the ideal high school experience and it involves grand theft auto. However, the worst she ever gets is breaking & entering and trespassing, mostly because she didn't stop to wonder if the building was abandoned or not. She can't even shoplift from Claire's.
Shin Yuseung: the kind of kid who sets the dissection frogs in the school laboratory free. Looks up illegal exotic animal trading on the deepweb and sighs in longing. But exotic pet trading isn't very Animal Rights of her, so she just leaks information to the CIA and busts the rings. Lee Gilyeong convinces her to track down shady sellers on Craigslist and bust their kneecaps. Neither of them view this as significantly different from the dissection frog liberation. KDJ gets her a rescued exotic cat for her birthday as a reward.
Lee Gilyeong: self-explanatory.
Han Suyeong: she's been pirating media since she was eleven and has never stopped. World-class expert in pirating everything. She's the unsung hero who rips the CDs and games and puts them online. Runs the pirating websites. Has never paid for a webnovel or manwha or manga in her life. Despite this, she insists that pirating books is immoral and that people should support small authors. The FBI knows she exists and has been trying to catch her for years. She brags about this constantly.
Yoo Sangah: has committed tax fraud before, will commit tax fraud tomorrow, is currently committing tax fraud. Embezzles her company's embezzlement. Insists that she's only committing victimless crimes, mainly because she doesn't view business executives as people. Her ability to evade the IRS is mythological and it's how KDJ got a crush on her.
Yoo Junghyeok: does not understand adult life well enough to knowingly commit any sort of white collar crime. He is this high on the list because he enables and helps KDJ in literally everything he does, especially using his clout as an influencer. This is because KDJ has convinced him that these things aren't crimes, and he doesn't understand adult life well enough to figure it out.
Kim Dokja: has done every white collar crime under the sun. I can't emphasize enough how much crime he does. He's currently blackmailing SYS's college tuition out of a US Senator. HSY makes the shell companies and launders so much money with him. Alternates between running a pyramid scheme and a ponzi scheme depending on the month. Started a cult that one time but we don't like to talk about that. Runs the betting ring for YJH's esports games. Fixes the games. YJH does not know he does this, but KDJ splits the profits and Yoo Mia also needs a college tuition so he decides not to think about it too hard. Big into crypto and runs every crypto scam you can possibly think of, which is normally where the the ponzi schemes come in. Steals YJH's identity often. Somehow everything he does is technically legal. The only crime he does not commit is pirating. Exclusively targets the wealthy and ultra-wealthy and has never stolen money from a poor person. Sugar daddies all of his friends and pays all college tuitions. Anonymously yet obviously sponsors huge amounts of money to YJH's Twitch streams, mostly in apology for the ID theft. Would really rather be living a quiet life in a big house with all of his friends, but that big house ain't gonna pay for itself.
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thewhizzyhead · 9 days ago
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being a busy ass student with student journalism gigs on one hand and comm academic shit on the other is very interesting because with the jam-packed life I live I only really get to breathe at like late lAAATE night when no one can bother me about my responsibilities other than myself. that being said that's also when creative brain goes into overdrive and now misfits finally has the final draft of its opening number woo
#so heres the thing kasi the opening number of that damn project hAS BEEN THE HARDEST TO WRITE#i believe at this point there had been morethan 10 drafts gjdjd because like heres the thing with that number specifically#misfits is a fourth wall breaky show within a show and the 5 narrators (and 1 misfit which i'll get to in a bit) knowingly perform#to appease the audience. hence the opening number throughout the years has reflected that - a performance that breaks the barrier between#audience and stage. even when misfits wasnt a show withjn a show concept this had always been the general treatment so that the audience#actually GETS whats happening - but i always come to changing it because well i also wanted to add foreshadowing factors: somehing that#suggests that the show isn't actually all that it seems. previous drafts had this show through the typical Tagalog - Real#and English - Scripted element in the show - language being used to determine authenticity. however that begs the question of how to#properly utilize the Misfits in the opening number - given that two of them dont know about the Show while the other is confused#and then at 2 am i remembered Hermes from Hadestown and boop a lightning bulb#instead of opting for opening numbers that had hints of sabotage or theatrical malfunctions that suggests that the show is Not What It Seems#i thought - why not have it 'malfunction' at the start and have it introduce the wrong character first 5 minutes before the Narrators come#so basically after the Producers (represented through um P.A. voices smth like that) welcome everyone - what is supposed to be the#introduction of the Narrators first ends up as the introduction of the 3rd Misfit (Zeke - 18 - nb) who appears genuinely lost#they appear genuinely in distress though they keep themselves composed at the realization that they are facing an Audience#and they Know this because he was formerly a Narrator as well - though at this point in the story nobody (bar one) knows that#they decide to take their time in chatting with the audience while charming them using their old Narrator tactics in order to get a grip on#whats going on - being a first step towards how involved the audience will be in the story as Zeke then goes to question them outwardly on#the morals of the story they expect and whether it is ethical to have children forcibly conform to religion in the first place#but they do so in an entertaining Bo Burnham manner - a way that doesnt catch people off guard until They Want To - because ayun he#plays by the rules of the show#this doesnt seem like the 'opening number' yet does it but im getting there fjd because once they sense that the narrators will be on stage#as a memento they teach them to sing a melody that will serve as Zeke's motif - something that will eventually scare the lead Narrator and#the Producers - because whenever the motif is sung it means that someone has Broken a Significant Part of the show#especially since the Motif was um lets say its from a now defunct show the Producers and Zeke and the Lead Narrator used to have#that melody will then be subtly present throughout the entire opening number of the Narrators - which will then be played straight#but with the Misfits make their pre-official-introduction appearances by forming the bridge of the opener using the Motif#thats when we learn of the show being compromised from the very start - especially with the lyrics of the motif expressing doubt in faith#personal shit (ran out of tags whoops but um yea basically its Have The Audience Have A Hint to Whats Going On Through Recognizable Motifs)#(also the motif the audience learns is a melody - Zeke (and the lead narrator) changes the lyrics as they go) (also sorry for the ramble)
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trans-xianxian · 11 months ago
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there are obviously definitely certain relationship dynamics that shouldn't be romanticized or glorified in fiction but I do sometimes think that people forget that fiction is supposed to be. well. fantastical? like yeah codependency and devotion to the point of destruction are bad in real life but so is stabbing people with swords, so I think maybe we can suspend our disbelief a little bit here and just enjoy the romance
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omarwolaeth · 7 months ago
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thinking 'bout how the lads interact with what the bracelets represent, especially in their decks
#marwospeaking#Yuuya is by far hardest to work with on this because he Varies. but that might just be him being opposite to Yuzu so it might count?#anyway Yuuya is a bushfire made by fireworks set off without proper precaution (the improperly set off fireworks being Zarc..#.. being influenced into the position that made the lads through his desire to both destroy and entertain his crowds)#It's small sometimes. but in the right conditions is an unstoppable conflagration#Yuuto literally does not die. In a world where we never truly get the other two (Yuugo and Yuuri) interacting with their host (Yuuya)..#.. outside of duels. he very much does. He is undead in a way the others don't quite match (pre Zarc revival) and it's opposite to..#.. En Bird's life (assuming it counts death too as part of its cycle)#Yuugo uses machine monsters - things that distinctly don't breathe. and in most cases have exhaust pipes billowing fumes#and machines can be warm to the touch at times. which you could feasibly slide against Rin's Windwitches for being Very Cold Ladies#Also he's trapped no matter where he is. Neo Domino has a stronger grip on him as a person than anyone else. and when he might finally..#.. escape that. he's trapped in someone else's body with no canonical recourse. because the story ended on Yuuya's terms and no one elses#Yuuri is hardest to place but I think he's very stationary. Sere's monsters are dancers - constantly moving - and she's very able to#adapt as she goes despite how stupid she can be book-wise. Yuuri is rooted into his role. even when he discards his loyalty his role was..#.. always in Zarc's interest no matter if he knew or not. The Professor's loyalty from him is an add-on to that#... I'd argue Zarc cared more about his pieces than Ray cared about hers also? He made cards for them on the fly so they'd Win#Even in moments where that victory is not in a wholly positive light - Odd-Eyes Raging and Gatlinghoul - but we know he's capable of it..#.. a la allowing Yuuya to debut pendulum monsters on his behalf in order to win against Ishijima#something something this can then apply to the other lads. they never lose except to each other and Ray's girls (at least on screen)#Yuuto survived 3 years of war. even despite Yuugo and Yuuri showing up. so methinks Zarc must've had a role in helping him survive#Like. Zarc's distinctly present for his Lads. Ray's not present for her lasses until one of them speaks through her#Sure it's very possible that's a bracelet thing - they are floodgates at the end of the day - and not a Ray thing. but it also wouldn't..#.. surprise me given Ray is an Akaba. we know they will sacrifice others for a gain later on - Ray's was sacrificing a whole world to make.#.. a safer one for everyone to live in. irrelevant on if they remember it or if they never existed originally. Except Leo Akaba. He does#(with memory reading tech) and it tortures him the whole time. she didn't mean to hurt him but Still#Zarc's distinctly not better than Ray - he's still broken wide open when it comes to his hatred of humanity (but not his human half)#and it resulted in multiple near-deaths the second time around - but I can't say Ray's that much better if it turns out the bracelets..#.. weren't floodgating her ability to help her lasses#Completely unrelated but. I don't like what Arcray represents ngl. makes it seem like Zarc could never move on with the help of his lads#and has to rely on someone who killed him and sent him to purgatory about it in order to heal.
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aeide-thea · 2 years ago
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tfw you're reading a review of a book you haven't read (when we were sisters, by fatimah asghar), and can't tell whether the way it chooses to gender one of the characters—which is in tension with what's suggested by every quote it features—is justified by however the story ends, or whether it's just plain old cissexism

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youhavereachedtheendofpie · 1 year ago
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not reading wips feels anti-fanfiction to me. and i don't mean that in a "so you're a bad person if you don't read them" kinda way. do what you want. but i also feel, that you are completely missing the point. with fanfiction you're supposed to come along for the ride. the epic highs and lows of highschool football. the comment sections. the conversations. the theories. the "sorry i didn't update last week i was abducted by aliens and then my cat got stuck in a tree." LIKE. if you just want a story that's fully finished and polished go to a bookstore. fanfic is an EXPERIENCE. and ALSO. participating in the process is part of the way you make fanfic writing worth while. it's part of how you thank authors. like why would anyone write fanfiction if no one was going to interact with them until it was done? it again feels like a way that fanfiction is being eaten by consumer culture. you're waiting for your product. but this is supposed to be a club. you don't turn up to drama club like "where's my play bitch?" NO ma'am. we're supposed to paint these cardboard trees together. ok. i may have lost control of this metaphor. BUT YOU GET IT.
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keycomicbooks · 4 months ago
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Infinity #1 (2013) Adam Kubert Cover & Jim Cheung Pencils, Jonathan Hickman Story, Illuminati Appearance, 1st Appearance of The Black Order 
#Infinity #1 (2013) #AdamKubert Cover & #JimCheung Pencils, #JonathanHickman Story, #Illuminati Appearance, 1st Appearance of #TheBlackOrder The oversized kickoff to the year's most anticipate Blockbuster summer event, chaning the way you view the Marvel Universe!  https://www.rarecomicbooks.fashionablewebs.com/Misc_GI.html#Infinity @rarecomicbooks Website Link In Bio Page If Applicable. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORID  #RareComicBooks #KeyComicBooks #MCU #MarvelComics #MarvelUniverse #KeyComic #ComicBooks
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maramahan · 4 months ago
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The little people in my dash are super into a show I do not care to watch. but I like seeing them post about it. I’m not at all interested in the source material but I rather like catching snippets of the version that plays in their heads
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askshivanulegacy · 2 months ago
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Except they're not all wrong and they're not "paid fanfiction." They were written with Lucas' approval and they developed the Star Wars universe in a dry spell that lasted years. The only reason they're claimed to be "not canon" now is only because of the decision Disney made ... and that was after it passed out of Lucas' hands. He never claimed any such thing. So as far as Lucas is concerned, they're as canon as anything else.
And it's true that at the same time there are story points that conflict. All that means is that you get to explore how they might or might not still fit with other pieces of the universe, such as the movies, and which pieces you think make more sense.
There is no hard core "this is wrong" statement that you can apply to published material. The EU books are just as valid as anything else. The Star Wars universe is NOT just the movies, whether anyone likes it or not. It's a bad faith move to blockade off totally valid discussion points just because you want to gatekeep the fandom. The books exist, people read them and like them, and they get to talk about them, and no one is capable of undermining that. You don't get to invalidate real SW resources just because you don't like the conclusions some people make from them.
At the point that you want to keep your headcanons informed only by the movies, that is certainly a choice you can make. But in the wider fandom, people can and do use all the material available to them. And they will have different opinions. You don't have to like them, but there's also nothing you can do to wipe them out or to somehow magically trump them because you like your resources better than theirs.
If you don't want to see those points come up in discussions then don't have those discussions. Or frame the discussion properly up front, and it can be a fun little exercise to only consider the movies.
This is just how fandom works.
I really dislike it when anti-Jedi and Jedi-critical crowd uses EU books as a prove for their points. Why they’re all wrong:
a) The books were written by various people who didn’t consult George Lucas about what they’re going to write. Everyone understood SW as they did. When an original author has never claimed such art as canon and actually refused it – this is a definition of fanfiction, isn’t it? Paid, yes, but fanfiction nonetheless.
b) Most of these books were created way before PT. They didn’t know about the Jedi things what we know now. It becomes quite hypocritical – I mean, in the EU the clones were enemies, not allies, but somehow I don’t see any claims ‘but the clones are enemies! The EU says so!’. Even in Karen Traviss books not all the clones have a personality, but we all ignore it now, aren’t we? She wrote her books before the TCW, not knowing how the series would spin the story. So EU retcon works for the clones, but not for the Jedi?
#I'm pro Jedi as much as anybody but i absolutely recognize the toxic nature of gatekeeping totally valid SW resources#there's no such thing as saying 'your positions don't matter because i don't believe in your sources'#the sources are published material. full stop. they're valid#you HAVE to do better than that to make a legitimate argument#if you don't know enough to refute the EU you can just say so#or if those discussions aren't fun for you to explore then don't explore them#nothing you can do can invalidate those sources or get rid of those positions#so you can either treat them respectfully or stay out of those fandom corners#personally i find it weird and boring to not entertain different points of view. they're all fun and they lend themselves to cool new#stories and rp and fanfic#the movies aren't great themselves btw. EU did SO many things better. (like the original clone concept)#but I'm not out there crying about the clones because i prefer the EU. i recognize that SW material is SW material#if people want to use it to headcanon all these noncanon clone representations then that's fine#likewise there's room to develop positions on the Jedi that are both supported and different from each other#and that's great actually#i don't care about the positions themselves so much as the wrong-headed idea of invalidating arguments because of personal beef with#with totally valid sources#commentary#Star Wars#also like. as mere fans your opinion simply doesn't trump real published authors. you don't have the authority or position to say published#work is 'wrong'. you can choose not to use it in your personal playground but that's all the power you get.#ordering people to not use the EU is not a thoughtful or well-developed position
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mightaswelljxmp · 6 months ago
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hm ok so interestingly, bdubs’s courthouse is built on an odd number of blocks. note the roof of the facade coming to a point, but more importantly, the nine pillars
.
you don’t use an odd number of pillars. like ever.
let me get this out of the way first: i get why you’d build with odd numbers in minecraft. i usually do it myself, to not run into problems like double doors or two-wide pointed roofs or frustrating spacing/symmetry between decorative elements. however. to not even out the design of something so unequivocally done in every other example of columns and pillars
. fascinating implications

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every other example guys. every other building with columns like this has an even number of them.
doing so sets the line of symmetry at an invisible point between two pillars, an even number on each side. but an odd total number of pillars makes the central pillar itself the line of symmetry. this does a couple things.
one, it upends the sense of community and equality. which i know sounds crazy, but really, a group of columns are all put there to hold up a structure. there’s no focus on one because they are all are working as supports.
symbolically, at least when first used in ancient greece, pillars represented people. and it makes sense for courthouses, especially, to want to show an even, fair, equal number of people on each side. no focus on any one, no inherent bias right off the bat just looking at it.
with an odd number of pillars, though, one will always be placed front and center.
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and THEN. and then you walk in the courtroom itself (also odd-numbered blocks) and you are immediately opposite the judge, bdubs, located exactly centrally. and true, courtrooms are often set up like this anyway. but bdubs ups the ante and reaffirms that no, focus is on him by staging it all as a daytime court show, boom mic just over his head, cameras pointed in, spotlights on him.
literally by design, it was not built for justice. it’s built for show, for entertainment. and just look at the credits to know exactly what sort of message you’re supposed to be getting from this show.
the biblical story he used, with king solomon. it’s about king solomon. isn’t really about the trial itself, or the babies, or the women. it’s about showing (off) how wise and just he is. that’s the point. hm. interesting.
now, getting to the second point that etho also picked up on: it feels like a prison.
it’s not just the color palette. when your eyes naturally draw to the center point, you aren’t seeing an open space. instead of feeling like an arch or gateway or otherwise some kind of opening, the pillar there makes it feel closed off. the overall effect is that of prison bars. not pillars lining the entrance to a place of order or a temple. bars of a cage, a cell.
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imagine the lincoln memorial were set up with 11 or 13 pillars. he’d look so much more trapped in there.
having a central pillar blocks the entrance. it’s not welcoming. you have to go around it; it’s immediately inconveniencing you. and when you go to leave, it’s there blocking you again.
this courthouse was not designed and built to be fair, nor accomodating, nor equitable, on any terms. even if unintentional, i wouldn’t call it so much coincidental as i would
 subconscious.
after all, y’know. form follows function.
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chuluoyi · 5 months ago
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✎ mission: baby steps !
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- gojo satoru x reader
the three times gojo tried to make his baby love him (and how he miserably fails)
genre: full crack, dad!gojo being a sore loser, your baby being mean (he only wants peace, really), and obviously, fluff !!
note: a little thing for father's day ehe <3 i know i said i'll work on smut in the polls next but uhhh, this comes first ok?! :') i just love the idea of gojo vs baby don't mind me *sobs* and all the scenario here come from the tiktok/reels you've sent me!
a part of gojo's love entries
general masterlist
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There are many things that come with being a jujutsu sorcerer, and when you are Gojo Satoru, those things seem to be multiplying like bunnies.
This essentially means less time with his wife and baby. Look, he could finish missions fast, but when sent to other cities, even he couldn't abuse his teleportation powers all the time to return to Tokyo.
And so, as much as he hated it, he couldn't fault his baby boy for forgetting him.
"Look, it's papa," you rocked your son with a smile, consoling him as he wailed right after Satoru held him. "Don't cry, don't cry! Papa just got back from a long mission, he's not scary!"
"Is he scared of me?" Ouch. The thought prickled him. It somehow felt sourer than seeing Principal Gakuganji's face.
You hummed, seemingly (or comically?) deep in thought. "Hmm, in baby's point of view: a big, bad man suddenly picks him up, of course he's scared."
"I'm not a bad man!"
Okay, he wasn't having this. Satoru adored his baby to bits and he would want him to at least know it. It's settled then—he would be taking paid leave just to spend some time with his baby.
This would be his mission for the next three days!
DAY ONE
The day started off great. Baby Gojo was relatively calm, a bit fussy here and there but Satoru could definitely handle him.
"Look, a plane is coming!" he said playfully, moving the spoon in the air to attract his baby's attention. "Open your mouth wide!"
Baby blinked at him with the straightest face ever. His two blue orbs were the very same as his father, and yet they held disinterest so great that it was a wonder Satoru didn't notice.
He then playfully smooched baby's face, but he scrunched up, cringing in response.
And later, another achievement unlocked: Satoru successfully got his son to sleep for his afternoon nap!
"You're so cute, sigh." Satoru poked his baby's cheek lightly. "You look like me, but when you sleep, you totally look like your mama..."
He might not say it out loud, but one of his favorite sights lately was seeing you sleep next to your son. Both of you looked so precious and vulnerable, so alike, and it made him warm.
And whenever he looked at this little creation between you and him, he also got the urge to poke him so bad.
So he did. Only this time, he poked him a little too hard.
And how wrong that move was.
His son immediately cracked his eyes open, his lips quivered, and then his whole face scrunched up, followed by—
"WAAA!"
"Oof! Wait— I'm sorry!"
Long story short, he refused to be held in Satoru's arms, so you took over and your husband could only watch you with dissatisfaction.
"Won't you let me hold you?" he asked despondently, pulling up a pitiful face and batting his eyelashes. "I have the warmest hugs! Mama can vouch for that!"
"Satoru, he doesn't want you."
DAY ONE RESULT : FAILED
DAY TWO
Okay, his baby would love him today. Satoru was sure of it.
He had ordered this baby ride-on toy via home shopping and not only that, he would play with him!
"Here we goo~! Honk! Honk!" Satoru steered the little vehicle with his son at the backseat, hyping him up and even made a weird sound that was supposed to resemble a... train?
You watched them both, giggling. Your husband looked positively ridiculous as he was too big for the small vehicle, but still persisted in entertaining your clueless baby behind him. "Oh my, Satoru, you're trying way too hard."
"I have to!" he retorted, sending pout and a glare at the same time. "You can't hog him all the time, he's my son too!"
"Well, good luck~ as it happens, your spawn isn't easy to impress."
"Just so you wait—!" Satoru begrudgingly shot you a look, eaten up by your taunts, not noticing the wall in front of him. "By the end of today, he'll— whoaaa!"
He was about to crash into the said wall, and you were prepared to jump to save your baby first. But then, Satoru did the next best thing to stop it—jumping out of the ride-on, rolling onto the floor... and crashing into the bookshelf that some of the things fell. "Ow!"
"Are you okay!?" you immediately picked up your baby before checking him over. However, Satoru's eyes were transfixed on your shared munchkin.
"Meh heh~"
And you too when you heard it— your baby was wiggling, all smiles, seemingly amused by the sight of his papa lying there pitifully. Satoru was aghast.
"Y-you have no filial piety!"
DAY TWO RESULT : FAILED
DAY THREE
Today, Satoru had gotten inside the playpen and brought a bunch of toys, planning to entertain his son with all of them.
"C'mon, don't throw that!" he pursed his lips when his kid flung the lego away. "Don't you want to play together with me?"
No. As if saying that, the baby crawled away from him. He seemed to have a target in mind though.
"Oi, what are you doing?" Satoru was puzzled, but he was in for a surprise when the child rose slowly.
"Oh, you're pushing yourself up..." he stated, observing how the baby, still wobbly, clutched on the edge of his playpen for support.
A huge grin spread across his face then. "Aww, look at you!" he gushed with pride. "You can stand already! Ooh!"
And suddenly, the sight tugged at his heartstrings. This was the first time he had ever witnessed such a milestone. He wasn't here when he first started teething or crawling, and now that he was here when his son was standing... he wanted to see more of this.
"Now, can you take a step?" Satoru moved closer to him, and the kid turned to him with those clear blue eyes and a little frown, seemingly unsure. "Go! Go! Come to me!"
He didn't think he would actually try to walk. But he did as baby let go of the support, alas suddenly he slipped—
And fell flat on his face.
"—! Are you hurt?!" Satoru immediately plucked him off the floor, horrified, and pulled him close when the baby started to sniffle. Soon, he began to wail inconsolably.
"Oh no, I'm sorry, I'm sorry—!" he didn't even know why he was apologizing, but seeing his baby so frightened made his chest tighten. "Stop crying, oh wait—let's find mama!"
You were engrossed in your evening TV series when Satoru came barging to the living room with your poor son while being hysterical. "Help him!"
"What happened?!"
"He fell! He fell!"
Of course, your main concern was to comfort your baby, and so you reached out to take him from your husband's arms, only that...
"Huh...?" even Satoru was stunned when his son clutched onto his shirt, continuing to cry but refusing to let go, burying his little face into him.
Suddenly, he felt warm, he felt needed, and most of all, his desire to protect him was so overwhelming that he couldn't help but squeeze him closer.
You looked between the father and son, feeling giddy at the sight.
"He wants you," you finally smiled, patting baby's back. Satoru glanced between you and his precious pumpkin, seemingly taken aback as he blinked several times. When the fact sank in, he felt like a mush and pressed a kiss on his head.
The clown was convinced that his kid hates him and you are the savior. So, the fact that this little innocent being wanted him to comfort him... it made his heart flutter.
"Sorry, kid," he sighed into him, smushing his face to his little one's. "Don't cry, yeah? You're making me sad too."
"Satoru... are you getting glassy-eyed?"
"...am not!"
DAY THREE RESULT : DUBIOUS OUTCOME
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"He's asleep..." you placed your baby between you and Satoru on the bed later that night, he was now so peaceful, out like a light.
Satoru turned to face you and the baby, looking at both of you with a yawn, but a soft smile lit his face when he saw how you pecked his son's cheek lightly.
These three days made him almost forget that curses still existed out there. Spending time with his son blurred that fine line between reality and a perfect daydream.
"He is still so little, but he screams so loud," he mused, poking the baby's cheek gently. You swatted his hand away, worried he might poke too hard again.
"You keep teasing him, that's why."
"—? He keeps playing me, is why!"
You two burst into quiet giggles then, and you couldn't help but reminiscing about the journey from when you first found out you were expecting, through the first ultrasound, and all the way to delivering your son.
And it seemed like Satoru had an inkling of what you were thinking when he suddenly blurted:
"Thank you, for everything you do," he whispered then, his eyes crinkled so softly at you.
You playfully huffed to hide your misty eyes, and in that moment, Satoru knew, that you too were glad for this life you two shared.
. . .
And that, in and of itself, was enough for him to thank all the stars for bringing him to meet you in that most beautiful spring of 2006.
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Epilogue
It was morning, and baby was awoken by... sounds.
He looked to the side to find his mama there— your hand on his tummy to prevent him from rolling.
And then he turned to the other side to find his papa... who is perfectly still, but emanating this low sounds with each breath he took.
The longer he heard it, the more irritated your munchkin felt. So he rose, put his fists together, and came down on him—
Whack!
"—?!" Satoru groaned when something hit his face, and he opened his eyes only to see his son readying his punch again—
"W-why are you hitting me!" he was mortified. "H-help! Sweets, wake up! He’ll murder me!”
OVERALL MISSION RESULT : FAILED
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