#in many different ways
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nextstopwonderland · 5 months ago
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“He’s one of the best I’ve ever been in the ring with.” -Bryan Danielson on Claudio Castagnoli deserving a title run, June 14, 2024
Bonus audio of Bryan gushing about Claudio from Brie & Nikki’s podcast this week:
“I didn’t ever think he was unattractive, but then he shaved his head and I was like… oh my gosh, Claudio you’re… you’re a handsome man, you’re such a handsome man! And he dresses really well…”
(In conclusion, Bryan Danielson’s Love Fest World Tour has continued as predicted. Next stop?)
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aalghul · 7 months ago
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it actually bothers me very much that we were shown Cass’ relationships with Onyx and JPV, but were still meant to believe that she wouldn’t connect with Damian on that level
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pynkhues · 4 months ago
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"The fact that they just so obviously were thinking of the exact same thing as well!"
I love too that Jacob looks at Sam slightly faster but Sam is the one who bursts out laughing first, which then breaks Jacob
Yes!! They just have a shared history and a shared language already, despite not acctually even knowing each other all that long, and the depth to which that seems to be felt for both of them really does feel like something special.
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"It is a risk their teams have been aware of from the beginning and have had strategies around" What do you think those strategies are or could be?
It's not really what I think those strategies are - there's lots of discussion and evidence about the strategies and available to UK celebrities to manage the British tabloids.
The basic strategy is to have someone who has information and power who can play their game and keep your story out of the headlines. There's a very good article in popbitch about it - and this byline investigates article is also pretty key. People only talk about the strategies after they haven't worked, but it still gives you a pretty good idea of the lay of the land.
It's important to understand that for at least the first two and a half years of 1D Max Clifford was involved in their publicity strategies. Max Clifford has boasted that nobody he represented was ever outted. There's quite a lot of information about how he operates in Louis Theroux's documentary 'When Louis Met Max Clifford'.
Tabloids haven't changed that much, and the strategies needed to deal with them haven't changed that much.
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bugdogg · 1 year ago
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I’m back in the fucking building again
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hi-my-name-is-cosmopathy · 10 months ago
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great to see you’re back, cosmo :] hope you’ve been doing well nowadays!
Holee sh*t hi :0
I've jumped into so many different fandoms since my absence (all of which took part in developing my ways of writing)
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cordycepsbian · 2 years ago
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<- unwell
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nuclearpoweredsniper · 2 years ago
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here are my tf2 headcanons:
1. theyre all queer
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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trashy-greyjoy · 10 months ago
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sometimes, it's not so much about the romance as it is about the devotion. the adoration.
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Me in therapy today: My parents expectations for me to be perfect gives me a lot of anxiety and is a constant pressure in my life
inside my head: wow, just like Adrien Agreste :)
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chloesimaginationthings · 2 months ago
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Taking care of kids is hard in FNAF
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dailyhatsune · 3 months ago
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the old uncle who refuses to wear headphones on the train
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notbecauseofvictories · 7 months ago
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I'm re-reading the Discworld series for reasons, and honestly the most relatable part of reading these as an adult is how many of the protagonists start out being tired, used to their little routine and vaguely disgruntled by the interruption of the Plot. Sam Vimes wants to lie drunk in a gutter and absolutely doesn't want to be arresting dragons. Rincewind is yanked into every situation he's ever encountered, though he'd much rather be lying in a gutter too. (Minus the alcohol. Plus regretting everything he's ever done said witnessed or even heard about fourth-hand in his whole life.) Granny Weatherwax is deeply suspicious of foreign parts and that includes the next town over; Nanny has leaned into the armor of "nothing ever happens to jolly grannies who terrorize their daughters-in-law and make Saucy Jokes"
Only the young people don't seem to have picked up on this---and that's fortunate, because someone has to run around making things happen, if only so Vimes and Granny and Rincewind have a reason to get up (complaining bitterly the whole time) and put it all to rights. Without Carrot, Margrat, Eric, etc. these characters don't have that reason; they're likely to stay in the metaphorical gutter and keep wondering where it all went wrong or why anything has to change.
............well, that's not quite true. You get the sense that Vetinari knows how much certain people hate the Plot. And as the person sitting behind the metaphorical lighting board of Ankh-Morpork, he takes no small pleasure in forcing the Plot-haters specifically to stand up, and say some lines.
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seagiri · 9 months ago
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the guy
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vriskan8or · 8 months ago
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let her go
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